1 00:00:00,480 --> 00:00:02,040 Speaker 1: Jones and Amanda in the Morning. 2 00:00:04,120 --> 00:00:07,640 Speaker 2: From live to rap and hip hop, everything you needed 3 00:00:07,640 --> 00:00:10,080 Speaker 2: to know is going to be explained right now. 4 00:00:09,880 --> 00:00:21,639 Speaker 3: With Jesus six six six, Jesus six six six, what 5 00:00:21,800 --> 00:00:24,520 Speaker 3: app We'll tell you what up? Old white Man. 6 00:00:26,280 --> 00:00:30,920 Speaker 4: Eminem has a new album out, Eminem. I always I'm 7 00:00:30,920 --> 00:00:36,400 Speaker 4: always scared I'm saying it incorrectly, like the small Eminem. 8 00:00:36,440 --> 00:00:42,240 Speaker 1: How do you say Eminem again? Eminem? 9 00:00:42,520 --> 00:00:45,920 Speaker 4: Eminem made a surprise come back this month. I was 10 00:00:45,920 --> 00:00:48,040 Speaker 4: going to get this with his tenth studio album. It's 11 00:00:48,040 --> 00:00:54,440 Speaker 4: called Music to be Murdered by Good. Eminem actually is 12 00:00:54,480 --> 00:00:55,280 Speaker 4: a great poet. 13 00:00:55,600 --> 00:00:59,640 Speaker 2: You know what I don't, and I've made it quite apparent. 14 00:00:59,680 --> 00:01:02,120 Speaker 2: I'm not a big fan of hip hop or rap music. 15 00:01:02,160 --> 00:01:03,800 Speaker 2: I don't like it, but I do like without me. 16 00:01:03,880 --> 00:01:10,440 Speaker 5: Remember that's won't let me be, let me see it's down, 17 00:01:11,560 --> 00:01:15,240 Speaker 5: but it feel without So. 18 00:01:16,000 --> 00:01:17,040 Speaker 1: He is quite the poet. 19 00:01:17,280 --> 00:01:21,520 Speaker 4: But in his new album, on one particular song, the 20 00:01:22,040 --> 00:01:28,720 Speaker 4: lyrics get faster and faster and faster. The actually this 21 00:01:28,880 --> 00:01:31,640 Speaker 4: one track on the album, Unaccommodating, has drawn criticism because 22 00:01:31,640 --> 00:01:34,360 Speaker 4: it makes reference to the bombing at the Ariana Grande concept. Well, 23 00:01:34,400 --> 00:01:36,280 Speaker 4: funny about that who'd be critical of that? 24 00:01:36,480 --> 00:01:37,000 Speaker 1: Everyone? 25 00:01:37,720 --> 00:01:40,720 Speaker 4: But there's a song called Godzilla. This is a collab. 26 00:01:40,880 --> 00:01:44,319 Speaker 4: He's done with a rapper. Juice ruled Juice World World, 27 00:01:44,360 --> 00:01:45,639 Speaker 4: but without a ruled. 28 00:01:45,800 --> 00:01:46,759 Speaker 1: I just just were. 29 00:01:47,200 --> 00:01:52,200 Speaker 4: Who passed away Brenda December eight, twenty nineteen, Just then, well, 30 00:01:52,200 --> 00:01:58,360 Speaker 4: December eight, an accidental overdose of substances. Uh. Now, let's 31 00:01:58,400 --> 00:02:01,360 Speaker 4: kick off with Godzilla. It's starts. It's pretty fast, but 32 00:02:01,400 --> 00:02:04,680 Speaker 4: they're always wrapping is pretty fast, but this is the 33 00:02:04,760 --> 00:02:05,720 Speaker 4: slowest it's going to be. 34 00:02:05,960 --> 00:02:08,800 Speaker 6: I can swallow a bottler alcohol. 35 00:02:08,400 --> 00:02:10,959 Speaker 1: Little feel like Godzilla. Better hit the deck like the 36 00:02:11,080 --> 00:02:11,639 Speaker 1: car dealer. 37 00:02:12,080 --> 00:02:14,800 Speaker 6: My whole squad's on here, walking around the party across 38 00:02:14,840 --> 00:02:17,200 Speaker 6: between a zombie of Park and of Simber Barbie. 39 00:02:17,639 --> 00:02:18,640 Speaker 1: Yeah, I can understand that. 40 00:02:18,800 --> 00:02:20,160 Speaker 4: Okay, it's a bit faster here. 41 00:02:20,840 --> 00:02:23,120 Speaker 6: I'm a player. I'm to mother Stincy for share, won't 42 00:02:23,120 --> 00:02:24,960 Speaker 6: even lend you in air and even pretending to care. 43 00:02:25,040 --> 00:02:26,959 Speaker 6: But I tell him the Mary of Shaberia face on 44 00:02:27,040 --> 00:02:29,519 Speaker 6: my gentle area, the original Richard Ramirez, because you're remember 45 00:02:29,560 --> 00:02:31,600 Speaker 6: because my lyrics never sit well, so they want to give. 46 00:02:31,480 --> 00:02:31,960 Speaker 1: Me the chance. 47 00:02:32,320 --> 00:02:34,240 Speaker 4: I can't even nod my head in time to it. 48 00:02:34,280 --> 00:02:36,120 Speaker 4: I can't nod my head that fast? 49 00:02:36,360 --> 00:02:37,880 Speaker 1: Well care surely can't get fast. 50 00:02:37,880 --> 00:02:39,359 Speaker 6: I have a listen, take a back seat, take it 51 00:02:39,400 --> 00:02:41,000 Speaker 6: back to fat Beats for the Mexi single book of 52 00:02:41,040 --> 00:02:42,519 Speaker 6: my rap seek with the tracks. These people this my 53 00:02:42,600 --> 00:02:44,400 Speaker 6: gangster Bi Panchie put a catchy. 54 00:02:44,160 --> 00:02:44,959 Speaker 1: Jiggle us that chips. 55 00:02:45,000 --> 00:02:47,800 Speaker 6: You better got a half fingers. You don't fill them 56 00:02:47,840 --> 00:02:50,400 Speaker 6: with the eliminate others want to. But I did him 57 00:02:50,400 --> 00:02:51,680 Speaker 6: in a vintage a murder to get him, but hey 58 00:02:51,680 --> 00:02:52,200 Speaker 6: will have been him. 59 00:02:52,440 --> 00:02:55,240 Speaker 1: Surely can't get any fast? Lit it up the. 60 00:02:55,320 --> 00:02:57,160 Speaker 6: Dinner, give it when I'm in the vicinity. You bet 61 00:02:57,200 --> 00:02:58,760 Speaker 6: a dug you've me the minute You're vended me one 62 00:02:58,800 --> 00:02:59,919 Speaker 6: hundred percent and you was a fifth of a percent. 63 00:03:00,000 --> 00:03:02,640 Speaker 6: I mean devata you want battlem available and blow wan 64 00:03:02,639 --> 00:03:04,960 Speaker 6: a black infleetable woman, demandable, then avoidable the manivatable them 65 00:03:04,960 --> 00:03:05,320 Speaker 6: on the toilef. 66 00:03:05,360 --> 00:03:06,840 Speaker 1: They got a joilther for the money sold? 67 00:03:07,440 --> 00:03:11,200 Speaker 4: How how can you ever sing that live? Even in 68 00:03:11,240 --> 00:03:13,600 Speaker 4: the studio. So I've stuffed up go again. That is 69 00:03:13,680 --> 00:03:18,680 Speaker 4: officially the world's fastest rap ever. He manages are staggering. 70 00:03:18,760 --> 00:03:23,800 Speaker 4: Two hundred and twenty four words, three hundred and thirty syllables. 71 00:03:24,200 --> 00:03:26,280 Speaker 4: It works out an average of ten point sixty five 72 00:03:26,400 --> 00:03:30,640 Speaker 4: syllables per second seven words per second. 73 00:03:30,840 --> 00:03:32,040 Speaker 1: What does he say? What is he saying? 74 00:03:32,040 --> 00:03:34,760 Speaker 6: In the last Let's hear it again the ipent when 75 00:03:34,760 --> 00:03:36,880 Speaker 6: I'm in the vicinity, But you better do the minute 76 00:03:36,880 --> 00:03:39,920 Speaker 6: you're one hundred percent was a fifth of a percent meata. 77 00:03:40,040 --> 00:03:41,480 Speaker 6: You want a BATTLEM available and blow on a black 78 00:03:41,480 --> 00:03:43,720 Speaker 6: infleetable woman demandable, then avoidable, the minivatable and on the 79 00:03:43,720 --> 00:03:44,960 Speaker 6: to theF They got a joil for the money. 80 00:03:46,040 --> 00:03:48,440 Speaker 4: One hundred percent of you is a fifth of a 81 00:03:48,520 --> 00:03:51,600 Speaker 4: percent of me. I'm about to if and finish you. 82 00:03:51,760 --> 00:03:55,760 Speaker 4: B word, I'm unfadable. You want to battle, I'm available. 83 00:03:55,880 --> 00:04:00,440 Speaker 4: I'm blowing up like an inflatable. I'm undebatable, I'm una avoidable, 84 00:04:00,840 --> 00:04:03,960 Speaker 4: I'm unavailable, I'm on a toilet bowl. I've got a 85 00:04:04,000 --> 00:04:04,840 Speaker 4: trailer full of money. 86 00:04:05,120 --> 00:04:07,960 Speaker 6: Here here it again, when I'm in the vicinity, But 87 00:04:08,080 --> 00:04:09,760 Speaker 6: you bet a w mead the minute you riden me 88 00:04:09,760 --> 00:04:11,160 Speaker 6: on hundred percent was a fifth of a percent of 89 00:04:11,160 --> 00:04:13,920 Speaker 6: men available. You want to BATTLEM available and want blank 90 00:04:13,920 --> 00:04:16,120 Speaker 6: inflatable and undemanable, then avoidable them in evadable and on 91 00:04:16,120 --> 00:04:16,479 Speaker 6: the toilet hole. 92 00:04:16,520 --> 00:04:18,480 Speaker 1: I got a trailer full of money. I'd like to 93 00:04:18,560 --> 00:04:20,360 Speaker 1: see the hold the micat to the audience. Okay, you 94 00:04:20,480 --> 00:04:25,200 Speaker 1: take who knows the second vertes. 95 00:04:28,240 --> 00:04:32,040 Speaker 3: Wrap him with one sie Jesus sixty woods, sixty six 96 00:04:32,360 --> 00:04:35,760 Speaker 3: words Jesus six sixty six. 97 00:04:37,040 --> 00:04:37,600 Speaker 1: There you go. 98 00:04:38,240 --> 00:04:41,119 Speaker 6: Joins the and Amanda in the morning at one point seven, 99 00:04:41,200 --> 00:04:41,520 Speaker 6: tell you