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Speaker 1: Powered by the Ihart Radio WAB from ninety six air

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Speaker 1: m to whereever you're listening today.

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Speaker 2: This is Clezy and Lisa's podcast.

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Speaker 3: On the Podcast Today, Musical Theater Royalty Anthony Warlow, we.

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Speaker 2: Took your calls on brushes with Fame because he was mine.

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Speaker 3: Talked about the possibility of caps in the library and

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Speaker 3: joodle up.

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Speaker 2: And on the Shore Report, bidding has begun for Britney

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Speaker 2: Spears memoirs.

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Speaker 4: And why Pink is giving away.

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Speaker 2: Books sometimes less, I mean not very often. In our

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Speaker 2: job over the years, we've been very fortunate to meet

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Speaker 2: some very very famous people, very fortunate. So a brush

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Speaker 2: with fame, a simple brush with fame, is an easy

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Speaker 2: one for us. However, when it's an unexpected one, it's

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Speaker 2: all the more exciting. It's pretty cool. It's like anyone. Yeah,

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Speaker 2: And you know, I've had this long held fascination with

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Speaker 2: New York, New York City, and I'd never been so. Eventually,

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Speaker 2: about a decade ago, Laurie and I saved up and

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Speaker 2: went to New York for a holiday for a week,

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Speaker 2: and all the time we're in New York, she was obsessed.

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Speaker 2: She loves Beyonce, absolute Beyonce, freak, and she was obsessed

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Speaker 2: with seeing Beyonce and jay Z. Somewhere in New York.

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Speaker 2: She found out where they lived the giant bell that

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Speaker 2: probably on the other side of the earth, in one

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Speaker 2: of their other houses, or on the other side of

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Speaker 2: the country. But every time we walked to Central Park

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Speaker 2: in that week, she'd walk that certain way past the giant,

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Speaker 2: the giant shiny building they live in. I might see them,

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Speaker 2: might see them. I said, you know, there'd be a

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Speaker 2: deluxe back entrance for the for the Queen Bee. I'm sorry,

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Speaker 2: you're going to see it. So all the time we're there,

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Speaker 2: she's thinking, are we're going to see someone famous? We saw?

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Speaker 2: We went passed down Restaurant Row and pasted the Broadway

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Speaker 2: where all the shows are and all the rest of it.

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Speaker 2: You hear all this noise and all that and thing

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Speaker 2: someone famous is coming out and the crowd was so

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Speaker 2: big he couldn't see who it was. And I said,

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Speaker 2: to someone about nine deep, I said, who is it?

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Speaker 2: And I said, Ricky Martin's just finished his show. He's

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Speaker 2: up to be Quincy, all right. So the first famous

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Speaker 2: people we saw, well, there was only one. So we

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Speaker 2: were walking along. There was no Beyonce, no wrecking Martin. Now, however,

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Speaker 2: we get to the crosswalk on West forty second Street,

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Speaker 2: just over the road from Madame to Swords and you're

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Speaker 2: not far from Times Square, and I see her from

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Speaker 2: Megahead and it's the one and only Anthony Warler. So

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Speaker 2: I'm gone, how many thousand kilometers we've gone from Perth

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Speaker 2: to New York have we seen in austranger? But how

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Speaker 2: wonderful was he? So I couldn't help them say something

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Speaker 2: like because we went at the crosswalk in New York.

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Speaker 2: He wait for about five minutes at the Crossworld, and

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Speaker 2: I said, I made a crack about waiting so long,

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Speaker 2: and he goes, I hear the accent, So he goes,

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Speaker 2: so where you're from? And I said Perth and all that,

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Speaker 2: And he was in town for a show and all that.

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Speaker 2: And so I now call him Gentleman Anthony Warlow because

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Speaker 2: he was very very sweet.

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Speaker 3: Tell us about your brush with fame, John, and como,

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Speaker 3: tell us about your brush with fame.

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Speaker 5: My brush for fame happened in the week leading up

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Speaker 5: to the ASOL Grand Final that was in Perth. Oh yes,

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Speaker 5: because I'm a number driver, so I picked someone up

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Speaker 5: in Middland that week and we got in the car

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Speaker 5: and we started having a chat and thinking this voice

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Speaker 5: is very from what do I know? This voice? I'm

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Speaker 5: going to pick it. But then he proceeded to tell

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Speaker 5: me that he had had to knock back the offer

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Speaker 5: of the MC at the official AFL Grand Final breakfast

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Speaker 5: because he had orders meeting up north. It was only being.

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Speaker 4: Journey.

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Speaker 2: Wow, he's like gorgeous.

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Speaker 5: Yeah, man, funny, it's funny and great to talk to you.

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Speaker 5: Plenty of funny stories to tell about other deliberties.

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Speaker 2: I think he's got a few pull huging stories and

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Speaker 2: yeah quarter few. Yeah people, that's a good one.

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Speaker 5: So yeah, that was and I've also had I also

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Speaker 5: picked up Mitch marsh about six years ago.

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Speaker 2: You fit in the back, okay, you sit in the front.

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Speaker 4: In the front, good chance for a brush with fame.

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Speaker 3: And that's great, thanks John, John, all right, No, covered

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Speaker 3: a good morning came on guys, good tell us about

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Speaker 3: your brush with fame.

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Speaker 6: That a comic con convention a couple of years ago.

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Speaker 6: I want to have relaxed. I got some hot chips.

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Speaker 6: I sat to say, okay, next this random door, you know,

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Speaker 6: having a good time and and behold open the door

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Speaker 6: and David hasfles.

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Speaker 2: No, you're kidding?

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Speaker 4: Did he do it in slow motion?

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Speaker 6: Half felt like I was hitting sitting on the floor.

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Speaker 6: I look half and the half fan himself sticks his

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Speaker 6: head out. I actually looked down and like, man, I'm

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Speaker 6: hungry ship.

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Speaker 2: I was going to say, you show your chips with

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Speaker 2: a half.

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Speaker 4: Now I did, do you really?

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Speaker 6: I was star I was like, sure, that's great.

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Speaker 3: Of course, I look, I've I get the feeling that

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Speaker 3: he would be a great guy to meet.

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Speaker 6: It was great, Yeah, I re half. I remember for

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Speaker 6: half a second he said.

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Speaker 2: Thanks mate, and it was gone, thanks mate, you're on

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Speaker 2: half one.

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Speaker 4: You know, you can just tell from some of them

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Speaker 4: whether they're you know, like that or maybe a.

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Speaker 2: Bit up themselves because yourself deprecating.

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Speaker 3: Take take care. He made a dollars off by watch

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Speaker 3: thanks camera, came generous to sharing the chips. I'd get

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Speaker 3: that on a T shirt. I shed my chips with absolutely.

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Speaker 3: Craig in Wanneroo, Hello, good morning, true, how are we

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Speaker 3: good us about your brush with fame?

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Speaker 7: I went on a holiday to Germany and flew to

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Speaker 7: England for three days and it was just staying in

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Speaker 7: ELL's court walking for the local double decker bus to

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Speaker 7: do all the sites for three days.

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Speaker 5: I thought I'd get in as much as I can.

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Speaker 5: Ye one particular day, I'm walking back to.

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Speaker 7: Elle's court and I see these set of legs in

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Speaker 7: these white jeans, and I thought, gee, they're long. And

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Speaker 7: the closer I got, I thought that even more. And

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Speaker 7: about three or four meters away from this lovely lady,

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Speaker 7: she turned around and out of my mouth came l.

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Speaker 2: I knew this feeling you were going to say, person,

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Speaker 2: he spotted the legs because.

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Speaker 8: It came out of my mouth instead of just the thought.

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Speaker 7: She looked and went, oh, hi, I recognize that extent.

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Speaker 8: Where are you from?

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Speaker 2: Oh?

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Speaker 7: And we had a little chat and I said, oh,

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Speaker 7: what are you doing here? And she said, I'm here

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Speaker 7: picking my kids up from school. And I looked around.

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Speaker 7: There's one hundred other women, but I only.

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Speaker 2: Noticed yeah, yes, And she asked what I was doing.

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Speaker 7: We had a little bit of a chat and I said, look,

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Speaker 7: there's any chance of a photo because my mates are

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Speaker 7: not going to believe I've seen and.

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Speaker 8: Spoken to you.

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Speaker 7: She sort of squinched their nose a bit and I said, look,

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Speaker 7: I know you're famous and all the rest of it.

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Speaker 2: You probably get it all the time.

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Speaker 7: It's okay, yeah, And she said, I just I try

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Speaker 7: to keep it as normal as I can here at school.

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Speaker 2: Yeah yeah, And I said, yeah, no drama.

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Speaker 7: And she said, I look, you're a nice guy, Craig,

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Speaker 7: come on, get a photo.

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Speaker 5: So I had the old digital camera yeah, and took.

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Speaker 7: A photo and she had a look at the back

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Speaker 7: of the screen said oh no, that's not really good enough.

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Speaker 7: So she took the camera off me, pulled me in close,

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Speaker 7: which I sort of reciprocated.

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Speaker 2: Well, you know, it can't be rude.

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Speaker 7: No, I had to wrap one of my arms around it.

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Speaker 2: Your poor love, and that was Yeah.

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Speaker 7: She took the photo and I've still got it in

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Speaker 7: a frame today.

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Speaker 2: And on first name basis with the body, yeah, yeah,

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Speaker 2: very bliff.

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Speaker 3: And what did the mates say when you showed them

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Speaker 3: your photo with El McPherson.

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Speaker 9: The moon.

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Speaker 2: Photoshopped? There was was at a bunch of photoshop around then.

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Speaker 7: I understand what you're saying.

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Speaker 3: What I love about this story is basically she engaged

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Speaker 3: you in conversation because she turned around and said, oh

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Speaker 3: I recognized that accent.

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Speaker 2: Where are you from? So you know, I have to

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Speaker 2: stop and have a chat.

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Speaker 10: Very genuine.

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Speaker 2: Yeah, thanks Craig. You know you Craig, because she wouldn't

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Speaker 2: have spoken if you said Linda or or any of

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Speaker 2: the other supermodels. No real Leah in Merriwa.

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Speaker 4: Good morning. What was your brush with fame?

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Speaker 11: Good morning, Lisa.

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Speaker 2: You're going to love this. Okay.

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Speaker 11: I met Paul Weller?

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Speaker 4: Oh my god?

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Speaker 8: What was like?

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Speaker 2: Where'd you meet him? Well? You see why ever?

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Speaker 4: Changing moods to you.

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Speaker 2: Tell us everything?

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Speaker 11: Okay. So it was in Adelaide. He was on the

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Speaker 11: twenty two Dreams to a few years ago. And I

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Speaker 11: was meeting a girlfriend from Melbourne and I went to

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Speaker 11: our accommodation and I got there early, and then I

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Speaker 11: walked down to where the gig was and I thought,

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Speaker 11: let's us check it out. And the next thing, he

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Speaker 11: pulled up in a white van and he got out

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Speaker 11: and we had a photo taken and that was all great,

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Speaker 11: and I thought, okay, you know, better moment of my life.

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Speaker 2: And then we went we went to the gig.

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Speaker 11: And then after the gig we managed to get backstage

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Speaker 11: with him in the band just my friend I. It

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Speaker 11: was just the two of us with him and Steve

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Speaker 11: Kraddick and Andy Lewis.

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Speaker 2: Oh my god. Wow.

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Speaker 8: We were there.

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Speaker 11: With them for about three hours and we had some drinks.

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Speaker 11: We got the settley signed, we got our tickets signed,

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Speaker 11: lots and lots of photographs.

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Speaker 2: Oh my god, best night ever.

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Speaker 11: That's cool, but it gets even better.

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Speaker 2: Read to us, Dramma proposed where happened?

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Speaker 11: So the following morning, we were sitting in the airport

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Speaker 11: waiting for our respective flights back, and the next minute

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Speaker 11: he walked through with his entourage and he recognized it

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Speaker 11: and he came over and you know, he said, it

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Speaker 11: was nice to meet us last night, and you know,

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Speaker 11: it was good chatting to us, and then he invited

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Speaker 11: us to go and come and see him in Melbourne

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Speaker 11: for the final gig of the tour, and so we said,

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Speaker 11: oh yeah, okay. So I flew to Melbourne, not you know,

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Speaker 11: we turned up at the gig and thought, you know

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Speaker 11: what if there's no tickets, And we went to the

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Speaker 11: box office and sure enough there were two tickets for

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Speaker 11: front row and to access all area backstage passes, and

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Speaker 11: so we got to go backstage and photos that had

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Speaker 11: taken in Adelaide I had blown up when I came

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Speaker 11: back to there. I took it to Melbourne. He signed

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Speaker 11: it for me. Takes part of place.

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Speaker 4: In my dining more than a brush with fame.

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Speaker 3: Practically replaced Shirley and what's it's unreal.

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Speaker 4: That's awesome.

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Speaker 2: Yeah.

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Speaker 11: The funny thing is his first child that he had

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Speaker 11: the CC Lee, was called Leah, and then they had

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Speaker 11: a child called Nathankiel. And I called my son Nathaniel,

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Speaker 11: not knowing that he had a boy called Nathaniel.

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Speaker 2: Wow, shout at the top, mental, that's unreal.

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Speaker 11: That's amazing him since I was like thirteen, Yeah, that's great.

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Speaker 2: You understand why I probably recognize that love.

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Speaker 3: Yeah, thank you Leah for making me as well as

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Speaker 3: as I could possibly be.

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Speaker 2: I'm happy for you.

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Speaker 6: Thank you.

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Speaker 2: That's amazing. Lloyd Cole from the commotions, whether he leaves,

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Speaker 2: I've seen the cable ties in your boot last shots, Kip,

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Speaker 2: that's I just stop it.

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Speaker 4: I would never kidnaploid Cole, Johnny.

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Speaker 2: Johnny Bedford. I don't pie you're gonna brush with fame

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Speaker 2: story for us.

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Speaker 5: I do.

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Speaker 8: I met Chopp Reed and Mark jacko.

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Speaker 2: Oh, that's quite a wow. That's a comm.

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Speaker 4: Speaking to it.

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Speaker 2: The two together, they were doing.

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Speaker 1: Their tour and I was managing a link craft store

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Speaker 1: in the Hay Street More and I couldn't believe it.

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Speaker 1: Came into the store and they wanted to buy some

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Speaker 1: haberdatary and I said, well, what do you want and

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Speaker 1: they said, oh, we want some cotton and a needle.

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Speaker 12: So I'm not quite sure whether Jack I was looking

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Speaker 12: at sewing some ears back on chop a concert, but yeah,

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Speaker 12: it was. It was a very uneasy situation because I

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Speaker 12: couldn't help stop looking at choppers no ears. The hard, hard,

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Speaker 12: very intimidating, but yeah, very very friendly. And then another

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Speaker 12: one I had was would you believe adam ate?

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Speaker 2: Oh are you kidding? Habitat No No. I was a

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Speaker 2: stretch limo.

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Speaker 8: Driver and I got the job, didn't know who the.

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Speaker 10: Person was, and I went out to the airport and

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Speaker 10: this gentleman standing out the front Incomno with a big

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Speaker 10: flat cap got in the car and I looked at

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Speaker 10: him in the rear vision mirror and struck off a conversation.

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Speaker 8: I said, what are you here for? He says, I'm

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Speaker 8: here to do a concert and I'm taking him to

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Speaker 8: the richest and hotel in West Perth. And I said,

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Speaker 8: you're not Adamant, are you? He said, yes, I am,

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Speaker 8: and he was very very quite very reserved.

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Speaker 2: Trouble. I got in big trouble when I.

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Speaker 10: Got home because when I told the wife that night

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Speaker 10: that I had Adamant in the car, who was one

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Speaker 10: of her favorite performers, he said, why didn't you get

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Speaker 10: a photo?

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Speaker 2: Why didn't you get an autograph?

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Speaker 3: You do you sort of feel like, yeah, I love

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Speaker 3: being a limo driver. If you sent to the airport,

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Speaker 3: that must have been like, oh, I'm going to pick

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Speaker 3: up someone amazing. If you just go to a house,

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Speaker 3: it's like I'm going to pick up ten kids going

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Speaker 3: to a graduation ball.

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Speaker 8: No, that's right. That was an exciting That was an

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Speaker 8: exciting time.

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Speaker 3: Fantastic Thanks John, John okay, shoving shopping for Happadasherie is everything.

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Speaker 2: And then and then Mike Jacko Jackson looking for some teeth.

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Speaker 4: Hidi and double w tell us about your brush with fame.

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Speaker 13: Many many, many years ago, I was catering a gig

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Speaker 13: at belveir amphitheater Ben Harper and his crew, I know, cool.

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Speaker 13: And then I had just finished setting up the food

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Speaker 13: and I was just kind of wandering backstage and this

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Speaker 13: guy started talking to me and I kind of looked

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Speaker 13: up and started, you know, chatting away, and then he

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Speaker 13: passed me a joint.

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Speaker 2: When it was Heath Ledger. There you go.

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Speaker 3: So is Heath Ledger Ben burning one down? Ben half

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Speaker 3: the style? Yeah yeah, Ben Belvoir.

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Speaker 5: Half a walked over.

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Speaker 13: Three of us were standing there.

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Speaker 4: Wow, you go, miss Belvoir. Such a wonderful place to Yeah.

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Speaker 2: And at that moment, at that moment Heidi, were just

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Speaker 2: pinching yourself, going is this this very surreal, isn't it?

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Speaker 11: Yeah?

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Speaker 13: Well I was nineteen at the time, and Heath led

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Speaker 13: it was very very good to look at.

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Speaker 3: So yeah, he was charismatic, man, I mean, in terms

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Speaker 3: of cool omitur it would have been off the scale.

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Speaker 4: Ben Harper and he led on the same night.

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Speaker 11: Yeah, very very They're both just gorgeous people.

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Speaker 2: Yeah, yeah, thank you. HEIDII. Wow that is a story.

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Speaker 2: Great gigs for Belvoir over there.

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Speaker 9: Great gigs did you have, said Jamarica? Then no, great gigs,

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Speaker 9: Supreme Court gas. Then right, I saw a hundred nice

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Speaker 9: and vine and films there that was great? Oh really yeah,

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Speaker 9: Belvo unreal.

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Speaker 3: Matt In Dianella, Hello, Hello, hello you good tell us

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Speaker 3: about your brush with fame.

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Speaker 5: Well, I don't know if fucking clopped the sharing a

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Speaker 5: joint with That's.

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Speaker 2: Right, Ben Harper. Yeah, what do you go there, man,

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Speaker 2: give you a best show.

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Speaker 14: Well, I was living in Sydney many years ago and

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Speaker 14: then we fenced it down to the Wool and Muloose hotel.

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Speaker 14: So come closing time, we got to all kicked out

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Speaker 14: and just walking on home, and there's Russell Crowe sitting

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Speaker 14: out the front of a restaurant eating a pizza, right,

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Speaker 14: And I went up and shook his hand, and one

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Speaker 14: of my mates stole his pizza, and I just to

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Speaker 14: fly to pizza and you just.

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Speaker 5: Said, oh time ago, let's go.

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Speaker 6: Yeah, he got freaked out.

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Speaker 2: And that was pretty much it a feeling.

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Speaker 3: You were going to say, Russell Crowe because he lives

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Speaker 3: down there on those docks, and well he did at

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Speaker 3: the time in Yet the Wolf. Yeah, I stayed at

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Speaker 3: a hotel there once and I was told that he

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Speaker 3: lived up on the.

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Speaker 4: Top floor of Okay, yeah, and I promise I didn't

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Speaker 4: go talking around them.

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Speaker 14: There is another running with fine that I had as well.

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Speaker 2: Yes, that was you, Lisa. Sure now you're talking Russell.

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Speaker 11: I made your lawn.

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Speaker 3: Did you you're kidding when okay, not so long ago,

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Speaker 3: about two years.

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Speaker 2: Ago, made something like that.

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Speaker 14: Yeah, and I said I was fash cruck.

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Speaker 2: Remember, Oh that's cool. Hey, I made your lawn? May

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Speaker 2: I made you lawn?

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Speaker 8: A friend?

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Speaker 4: Doesn't it match? It totally does.

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Speaker 2: Nice to Lisa. And you made Russell Crowe go Ruscoe.

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Speaker 2: That's amazing. More Lisa, More podcasts soon. The Sure Report

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Speaker 2: on ninety six.

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Speaker 3: Airm Britney spears memoir called The Woman in Me has

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Speaker 3: sparked an a list producer Frenzy trying to get the

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Speaker 3: rights to it Margot Robbie. Recently, The Spoon, Brad Pitt

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Speaker 3: and Shonda Rhymes are all gunning for the film and

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Speaker 3: TV rights and are expected to play around four million

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Speaker 3: dollars for them. Some forty years after the slip Slop

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Speaker 3: Slap campaign helped change our attitudes to skin protection, the

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Speaker 3: famous jingle has been inducted into a registry celebrating Australia's

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Speaker 3: rich sounding recording history.

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Speaker 9: Lum Slab in the summer, same ship shop, yellow up.

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Speaker 2: Ship barner shirts, lum on sunscreen and slab banner and.

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Speaker 4: Well, I didn't even know we had a history. Of

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Speaker 4: Sounds Registry, but we do.

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Speaker 3: It also features Sherbert's nineteen seventy six chart topper house

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Speaker 3: At and our unofficial anthem I am Australian. They're in

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Speaker 3: there because they've been judged by the National Film and

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Speaker 3: Sound Archive to have shaped, informed, or reflected Ossie life.

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Speaker 2: Norm should be in the Shy Norman. Maybe, yeah, I

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Speaker 2: think of normally around sports.

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Speaker 4: Yeah.

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Speaker 2: Maybe a terrible murial might go into do you? Yeah? Pink,

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Speaker 2: does it have to be? I think it has to

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Speaker 2: be a song?

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Speaker 8: Right?

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Speaker 3: Pink is giving away band books at her shows in

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Speaker 3: Florida this week in partnership with a literary and free

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Speaker 3: expression advocacy group.

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Speaker 4: I love this because you know how I love censorship.

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Speaker 3: Apparently there's a rising wave of book bands in Florida.

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Speaker 4: One, I mean, what year is this?

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Speaker 3: One of the books that she's giving away that's on

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Speaker 3: the band list is Tony Morrison's Beloved I mean from

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Speaker 3: Oprah's favorite book ever to a band list in Florida.

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Speaker 3: Literary advocates say Florida is increasingly going after books about

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Speaker 3: race and racism and LGBTQ authors. Mine's Tale, It's Very

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Speaker 3: Handmad's twel Or Nazi Germany Channel ten's act It's morning

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Speaker 3: show Studio ten. After more than a decade on the screen,

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Speaker 3: the last episode We'll Go to were on Friday, December

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Speaker 3: twenty two. Many of youers are posting their thoughts to

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Speaker 3: social media complaining that the project wasn't acted Instead, I

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Speaker 3: saw that last night.

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Speaker 2: Yeahs on surviving it does? Yeah?

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Speaker 4: You think it doesn't rate.

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Speaker 2: A lot of money that's pulled into those shows and.

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Speaker 4: What goes on with that.

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Speaker 3: Chicago is on from November twenty one to December seventeen

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Speaker 3: at Crown Theater. I would be getting unto Ticketmaster two

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Speaker 3: to sweet, so secure your tickets because it is one

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Speaker 3: of the all time favorites and one of the all

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Speaker 3: time favorite musical theater leads. Is with us today, Anthony Warlow,

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Speaker 3: good morning, Thank you for joining us.

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Speaker 2: Like a chocolate Yes, you are absolutely center. Life is

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Speaker 2: like a box of chocolate's Anthony. See. You never know

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Speaker 2: what's going so welcome back to Perth. You just got

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Speaker 2: in last night, Yes, last night did shopping? Did you shopping?

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Speaker 3: I've been in rehearsals in Sydney for Chicago, which was

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Speaker 3: the first production of Chicago was nineteen seventy five. Why

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Speaker 3: do you think it continues to be so successful almost

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Speaker 3: fifty years later.

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Speaker 15: It's an extraordinary show. I mean it's based on truth.

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Speaker 15: Then Belva and Buler great names with the two women

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Speaker 15: that Roxy and Velma are based on.

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Speaker 4: Okay, and yeah, Roxy sounds better than.

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Speaker 15: It doesn't come here Buller, It's be cool and Billy

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Speaker 15: Flynn is based on two lawyers that got these women

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Speaker 15: acquitted a right. So it's and the first time in

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Speaker 15: Cork County that there was a hanging that happened. So

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Speaker 15: there's a lot of backstory which we can pull on.

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Speaker 15: But it's apart from that, it's sassy. It's sexy sassage.

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Speaker 15: I was just about Yeah, the fussy fossy choreography is

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Speaker 15: extraordinary difficult to do, and I admire every one of

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Speaker 15: these guys that are in this production. The way that

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Speaker 15: they just move their bodies is extraordinary.

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Speaker 4: You know you say sassy.

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Speaker 3: I always feel like every time Production of Chicago has announced,

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Speaker 3: the ladies must just want that role so much to get.

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Speaker 11: To do that.

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Speaker 2: As the way absolute passion, and she's doing it.

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Speaker 15: Yeah, And it's just it's been a great experience where

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Speaker 15: we're at the stage where we should be right now,

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Speaker 15: because we're going into tech rehearsals.

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Speaker 2: Yeah, and you don't want to give too much away, No,

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Speaker 2: you want to let it build up. I call it

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Speaker 2: the Sarah Lee Musical, Layer upon layer, yes, but it's

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Speaker 2: it's just it's universal. I use that word. A lot

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Speaker 2: of people do that, and the word journey. I hate them.

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Speaker 4: Talking about everything's a journey, got jam good songs.

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Speaker 15: I'm so old that I saw the original production in Australia,

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Speaker 15: did you I think was seventy seven or seventy eight.

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Speaker 2: I was eighties, was in the eighties and I was

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Speaker 2: in at the.

444
00:22:06,200 --> 00:22:09,480
Speaker 15: Opera House at the time, and it was Nancy Hayes

445
00:22:09,640 --> 00:22:14,200
Speaker 15: and gerald In Turner and Terrence Donovan, George Spartel's Amos,

446
00:22:14,400 --> 00:22:19,040
Speaker 15: and then I was fortunate enough to be on Broadway

447
00:22:19,800 --> 00:22:23,760
Speaker 15: to see the production at the Ambassador Theater, which was our.

448
00:22:23,720 --> 00:22:24,720
Speaker 2: Version, the black and white.

449
00:22:25,119 --> 00:22:27,520
Speaker 15: The first one was in color like Cabaret, the musical

450
00:22:28,680 --> 00:22:32,320
Speaker 15: same composers of course, and this this new one which

451
00:22:32,440 --> 00:22:35,680
Speaker 15: was black and white. I loved it because it was

452
00:22:35,840 --> 00:22:40,760
Speaker 15: clean and you listened and you watched, so everything was clean,

453
00:22:40,920 --> 00:22:44,360
Speaker 15: you know, and it's a very economical.

454
00:22:44,359 --> 00:22:47,440
Speaker 4: Musical that's what I love about a chorus line.

455
00:22:47,520 --> 00:22:49,439
Speaker 2: Yet same kind of feet just lined up on.

456
00:22:49,480 --> 00:22:52,159
Speaker 3: The stage singing the best songs. That just so that's

457
00:22:52,160 --> 00:22:53,280
Speaker 3: another show for another.

458
00:22:53,119 --> 00:22:56,080
Speaker 2: Day about the songs. Yea, Ever, this song was a

459
00:22:56,119 --> 00:22:57,280
Speaker 2: his every song was a ripper.

460
00:22:57,440 --> 00:22:57,760
Speaker 1: That's right.

461
00:22:57,840 --> 00:22:59,240
Speaker 2: Well, you mentioned the word sassy, and I think of

462
00:22:59,280 --> 00:23:02,720
Speaker 2: Pete Roselawn's straight away, what a man, What a man?

463
00:23:03,200 --> 00:23:03,240
Speaker 8: He?

464
00:23:03,400 --> 00:23:05,680
Speaker 15: And I again, he loves he laughs at my dad

465
00:23:05,760 --> 00:23:08,359
Speaker 15: jokes because I laugh at myself and laughs at me

466
00:23:08,480 --> 00:23:09,240
Speaker 15: laughing at myself.

467
00:23:10,960 --> 00:23:14,320
Speaker 2: But sorry, Kimmy. Having Pete rose thor and even backstage

468
00:23:14,359 --> 00:23:16,280
Speaker 2: and in rehearsals would be hard work. Sometimes you want

469
00:23:16,320 --> 00:23:18,240
Speaker 2: to get some work out. Yeah, well, we got to

470
00:23:18,280 --> 00:23:20,080
Speaker 2: do the graph. We have our moments, we sort of

471
00:23:20,119 --> 00:23:22,800
Speaker 2: we watch and we nod and you know, and then

472
00:23:22,880 --> 00:23:24,119
Speaker 2: we go through our lines.

473
00:23:24,160 --> 00:23:28,639
Speaker 15: Because the way that we're presenting this dialogue is spitfire.

474
00:23:29,040 --> 00:23:31,639
Speaker 15: It's if you remember those old forties movies. Well, the

475
00:23:31,680 --> 00:23:34,520
Speaker 15: dialogue was very quick and then you had the payoff.

476
00:23:36,680 --> 00:23:38,840
Speaker 2: Bang, that was it. That's the way we're doing it.

477
00:23:38,960 --> 00:23:44,040
Speaker 15: So if one little line goes out of whack, the train, yes,

478
00:23:44,240 --> 00:23:46,600
Speaker 15: so we get a little bit nervous about doing our scenes,

479
00:23:46,640 --> 00:23:49,040
Speaker 15: but we run it, you know, we do, and when

480
00:23:49,080 --> 00:23:51,280
Speaker 15: it works, it's terrific. But he's going to it's such

481
00:23:51,320 --> 00:23:53,879
Speaker 15: a great foil and and I hope that I, you know,

482
00:23:54,160 --> 00:23:57,080
Speaker 15: stand up to him and help him with his gig too.

483
00:23:57,160 --> 00:23:58,280
Speaker 15: But he's wonderful.

484
00:23:58,720 --> 00:24:02,600
Speaker 3: You just mentioned Broadway and you've done them all, of course, Broadway,

485
00:24:02,800 --> 00:24:07,480
Speaker 3: West End, Australia. Is there any glaring difference between them

486
00:24:07,760 --> 00:24:09,399
Speaker 3: or are they all once you get.

487
00:24:09,359 --> 00:24:12,399
Speaker 4: Theater people in a theater place. Yeah, the same the

488
00:24:12,480 --> 00:24:12,960
Speaker 4: world over.

489
00:24:13,080 --> 00:24:18,840
Speaker 15: Personally, there is a difference. I find that the Australian

490
00:24:18,880 --> 00:24:23,560
Speaker 15: audiences are incredible. They're wonderful, and they picked their favorites

491
00:24:24,040 --> 00:24:29,280
Speaker 15: like the chocolates, and they've loyal, they're really loyal fans.

492
00:24:30,320 --> 00:24:35,439
Speaker 15: And the reaction though sometimes is on one plane, let

493
00:24:35,520 --> 00:24:37,600
Speaker 15: us see what you can do, and on the other

494
00:24:37,760 --> 00:24:41,960
Speaker 15: it's I don't care what you do. It's fantastic. In America,

495
00:24:42,280 --> 00:24:45,119
Speaker 15: what I discovered was that people know the show so

496
00:24:45,320 --> 00:24:48,440
Speaker 15: intimately that no matter who's for instance, no matter who's

497
00:24:48,440 --> 00:24:51,840
Speaker 15: playing the role of Daddy Warbucks. Some people knew who

498
00:24:52,160 --> 00:24:54,399
Speaker 15: I was when I did it in America, but a

499
00:24:54,440 --> 00:24:57,760
Speaker 15: lot of people didn't this Anie, and when I walked

500
00:24:57,840 --> 00:25:01,040
Speaker 15: on stage, there was entrance. Applause never happened here.

501
00:25:01,200 --> 00:25:05,040
Speaker 2: Yeah, they know me. You know that they were applauding

502
00:25:05,119 --> 00:25:09,000
Speaker 2: the character, right, that's the difference. Anticuation that's happened.

503
00:25:09,920 --> 00:25:13,560
Speaker 15: Okay, And there's usually a standing ovation at every performance,

504
00:25:13,760 --> 00:25:15,480
Speaker 15: right because they're there to enjoy it.

505
00:25:15,640 --> 00:25:18,480
Speaker 2: Yes, And I guess that's that's the difference.

506
00:25:18,520 --> 00:25:21,360
Speaker 15: And of course in English audiences, I guess they tend

507
00:25:21,400 --> 00:25:23,320
Speaker 15: to be a little more subdued as as we are

508
00:25:23,880 --> 00:25:27,159
Speaker 15: in Australia. It doesn't mean they don't love it as

509
00:25:27,880 --> 00:25:31,600
Speaker 15: anymore than for sure the Americans. But that's what I've

510
00:25:32,320 --> 00:25:35,960
Speaker 15: discovered just by being on those on those stages.

511
00:25:36,040 --> 00:25:38,320
Speaker 2: Oh wow, can you tell us from you know, the

512
00:25:38,440 --> 00:25:40,359
Speaker 2: kind of window into behind the scenes of what you

513
00:25:40,480 --> 00:25:43,520
Speaker 2: do after all your success and all of your this

514
00:25:43,680 --> 00:25:46,600
Speaker 2: amazing career. The first note of a new song, the

515
00:25:46,680 --> 00:25:49,960
Speaker 2: first step onto a stage for a show, and the rehearsals,

516
00:25:50,080 --> 00:25:52,320
Speaker 2: the whole process. Can it be the same buzzes when

517
00:25:52,320 --> 00:25:53,760
Speaker 2: you first start? It can be the same buzz as

518
00:25:53,760 --> 00:25:57,200
Speaker 2: as the early eighties? Is it different? It is slightly different.

519
00:25:57,920 --> 00:26:02,159
Speaker 15: I won't use the word jaded, but there was a

520
00:26:02,320 --> 00:26:06,800
Speaker 15: kind of situation where you've done it. You know, when

521
00:26:06,840 --> 00:26:09,240
Speaker 15: you start out, you don't know what's going to happen

522
00:26:09,320 --> 00:26:11,840
Speaker 15: in front of you. When you've done it for forty

523
00:26:12,000 --> 00:26:15,760
Speaker 15: plus years, you kind of know what to expect. The

524
00:26:16,320 --> 00:26:19,400
Speaker 15: difference is the material and the size of the role

525
00:26:19,480 --> 00:26:22,399
Speaker 15: that you might be taking on, and the experience that

526
00:26:22,560 --> 00:26:27,200
Speaker 15: you bring to that. That's your toolkit which you were

527
00:26:27,280 --> 00:26:29,040
Speaker 15: developing as a younger performer.

528
00:26:29,560 --> 00:26:32,000
Speaker 2: Now I have a very big toolkit.

529
00:26:32,280 --> 00:26:35,440
Speaker 15: And you know, if I'm in trouble on stage, I

530
00:26:35,600 --> 00:26:37,639
Speaker 15: know how to get out of trouble. For instance, when

531
00:26:37,680 --> 00:26:40,359
Speaker 15: I was younger, I didn't. I would just panic there'd

532
00:26:40,359 --> 00:26:42,040
Speaker 15: be a company in that. But you know, with a

533
00:26:42,080 --> 00:26:47,199
Speaker 15: good technique and experience behind you, you can just take over.

534
00:26:47,280 --> 00:26:51,560
Speaker 3: Find a way You've been in basically every major musical

535
00:26:52,080 --> 00:26:54,680
Speaker 3: that there is, I mean, Sweeney Todd, My Fair Lady,

536
00:26:54,720 --> 00:26:56,800
Speaker 3: Phantom of the Opera, Lame Is, Fiddler on the Roof.

537
00:26:57,280 --> 00:27:01,320
Speaker 3: Is there a production or a person who you've never

538
00:27:01,520 --> 00:27:03,000
Speaker 3: worked with? I was going to ask you about, like

539
00:27:03,119 --> 00:27:05,560
Speaker 3: someone like a Paddy Lapon, But have you worked with Paddy?

540
00:27:06,280 --> 00:27:06,920
Speaker 2: I haven't worked with.

541
00:27:07,480 --> 00:27:11,080
Speaker 15: I saw her and I admire her incredible talent and

542
00:27:11,280 --> 00:27:18,040
Speaker 15: her Going back to that word, sassiness. Think sometimes I

543
00:27:18,280 --> 00:27:20,879
Speaker 15: am on that stage and I hear a phone ring

544
00:27:20,960 --> 00:27:24,600
Speaker 15: and I would love to stop because it's just rude.

545
00:27:25,119 --> 00:27:29,720
Speaker 15: She would, you know, And regardless of oh I forgot

546
00:27:29,760 --> 00:27:33,840
Speaker 15: to put it on silent with me, I'd have buckets

547
00:27:33,840 --> 00:27:36,760
Speaker 15: at the phones in here and get your name on

548
00:27:36,840 --> 00:27:38,280
Speaker 15: it and pick it up at the end of the show.

549
00:27:38,800 --> 00:27:42,080
Speaker 15: But that's that's her, and I admire that. No, I

550
00:27:42,160 --> 00:27:47,359
Speaker 15: haven't worked with her. I've sung with Sarah Brightman of

551
00:27:47,480 --> 00:27:50,680
Speaker 15: course in concert, and she's coming out to do a

552
00:27:50,920 --> 00:27:56,359
Speaker 15: sunset soon. But no, I kind of have been fortunate

553
00:27:56,440 --> 00:28:00,879
Speaker 15: to work with some you know, illuminaries, mainly in concert.

554
00:28:01,760 --> 00:28:04,800
Speaker 15: But the people that I've I've worked with on stage

555
00:28:04,840 --> 00:28:07,680
Speaker 15: have just been mainly delightful.

556
00:28:13,240 --> 00:28:18,560
Speaker 3: Mainly delight that could go any direction at all. Talking

557
00:28:18,600 --> 00:28:20,960
Speaker 3: about the mobile phone, which I absolutely is.

558
00:28:21,119 --> 00:28:22,440
Speaker 4: Just it is pure.

559
00:28:23,640 --> 00:28:25,840
Speaker 3: Polite to turn your phone off if you're going into

560
00:28:25,880 --> 00:28:30,320
Speaker 3: a live performance. But can we talk about unsolicited audience interactions?

561
00:28:30,359 --> 00:28:31,200
Speaker 2: Have you ever had.

562
00:28:32,640 --> 00:28:35,200
Speaker 3: Has anything memorable happened over the years, You don't have

563
00:28:35,320 --> 00:28:39,560
Speaker 3: to have, you know, engaged, It might have just.

564
00:28:39,600 --> 00:28:42,320
Speaker 2: A line for you. No, no, that that has not happened.

565
00:28:43,680 --> 00:28:46,240
Speaker 15: I would I don't know how I would react, to

566
00:28:46,320 --> 00:28:48,680
Speaker 15: be honest, if someone did shout out a line.

567
00:28:49,360 --> 00:28:50,640
Speaker 2: Actually, no hold on.

568
00:28:51,040 --> 00:28:56,480
Speaker 15: So funny story when we were doing Doctor Shivago, we

569
00:28:56,640 --> 00:29:00,440
Speaker 15: had we rehearsed on a flat rehearsal floor. Yeah, when

570
00:29:00,480 --> 00:29:03,720
Speaker 15: we hit the stage, it was a very steep rake

571
00:29:04,560 --> 00:29:08,200
Speaker 15: rate goes up at an angle, so looking up and

572
00:29:08,680 --> 00:29:12,040
Speaker 15: we were doing rehearsals and we were doing a it

573
00:29:12,200 --> 00:29:16,640
Speaker 15: was a rehearsal before a preview, and I had to

574
00:29:16,720 --> 00:29:21,080
Speaker 15: run up stage very quickly, and I tore my calf muscle.

575
00:29:21,520 --> 00:29:23,680
Speaker 2: So I felt this great, big sort of a thud

576
00:29:24,760 --> 00:29:28,200
Speaker 2: and thought, I can't put my foot down. Stop, stop, stop.

577
00:29:28,240 --> 00:29:31,240
Speaker 2: We had to stop. It was six weeks being taped

578
00:29:31,280 --> 00:29:32,000
Speaker 2: up on crutches.

579
00:29:32,520 --> 00:29:34,520
Speaker 15: I ended up coming back to the show but changing

580
00:29:34,560 --> 00:29:37,480
Speaker 15: all the corry and had to do and couldn't jump

581
00:29:37,480 --> 00:29:39,840
Speaker 15: into the pit very well and all that sort of business.

582
00:29:40,560 --> 00:29:44,320
Speaker 15: And so the next day when the first audience came in,

583
00:29:44,640 --> 00:29:47,719
Speaker 15: which is like an invited audience, they had to make

584
00:29:47,760 --> 00:29:48,320
Speaker 15: the announcement.

585
00:29:48,360 --> 00:29:50,920
Speaker 2: So John Frost came out the front, Linden Terracini was

586
00:29:50,960 --> 00:29:54,440
Speaker 2: there and they were making the announcement. That not not menton, Sorry,

587
00:29:54,480 --> 00:29:57,320
Speaker 2: it was the director. There's macnoff and.

588
00:29:58,800 --> 00:30:03,560
Speaker 15: They said, unfortunately, Anthony has injured himself, so this the

589
00:30:03,640 --> 00:30:05,720
Speaker 15: understudy will be doing this performance.

590
00:30:05,760 --> 00:30:08,360
Speaker 2: But he had only learned twenty minutes of it. Oh dear,

591
00:30:08,480 --> 00:30:10,840
Speaker 2: oh dear. And so I was in the wings with

592
00:30:11,040 --> 00:30:14,400
Speaker 2: my crutches. The audience didn't know that I was there, right,

593
00:30:14,800 --> 00:30:20,960
Speaker 2: and there was this woo, how dare how and.

594
00:30:21,040 --> 00:30:24,520
Speaker 15: Then John Horror taking off. I'm just walking on stage.

595
00:30:24,840 --> 00:30:29,800
Speaker 15: Well the place went ah and they saw how bad

596
00:30:29,880 --> 00:30:30,120
Speaker 15: it was.

597
00:30:30,320 --> 00:30:33,040
Speaker 2: Yeah, and then oh the poor guy.

598
00:30:33,480 --> 00:30:36,400
Speaker 15: John said, you know, do you want to ask Anthony

599
00:30:36,680 --> 00:30:39,200
Speaker 15: a question? And someone from the back said give us

600
00:30:39,240 --> 00:30:43,680
Speaker 15: a song o. So I said, I'll be seeing you

601
00:30:44,280 --> 00:30:46,480
Speaker 15: are your familiar places.

602
00:30:48,080 --> 00:30:51,280
Speaker 2: And then where was the understudy just being nervous? It

603
00:30:51,440 --> 00:30:53,960
Speaker 2: was up the back way first he only knew the

604
00:30:54,000 --> 00:30:54,800
Speaker 2: twenty first twenty.

605
00:30:55,240 --> 00:30:58,920
Speaker 15: Wow, it's tough, but that was because it was in production.

606
00:30:59,080 --> 00:31:02,920
Speaker 15: And yeah, all the energy into the available principles. Yeah,

607
00:31:03,800 --> 00:31:06,600
Speaker 15: and of course that that shows my first time with

608
00:31:07,640 --> 00:31:09,720
Speaker 15: Lucy Monda, who was my Lara.

609
00:31:09,880 --> 00:31:13,200
Speaker 3: I have to admit I went to see Phantom in

610
00:31:13,280 --> 00:31:16,280
Speaker 3: the nineties early nineties in Melbourne at the beautiful theater

611
00:31:16,360 --> 00:31:17,320
Speaker 3: that they readied for.

612
00:31:17,440 --> 00:31:19,760
Speaker 4: It, you know, and my mum. I was working in

613
00:31:19,840 --> 00:31:22,040
Speaker 4: Melbourne at the time. Mom flew over from Perth.

614
00:31:22,120 --> 00:31:24,920
Speaker 3: We're there, we're waiting, We're so excited and the announcement

615
00:31:25,000 --> 00:31:28,840
Speaker 3: comes over that Marina Pryor it's not doing it today.

616
00:31:28,640 --> 00:31:33,600
Speaker 2: And we were just like, we'll just try to be

617
00:31:34,360 --> 00:31:37,560
Speaker 2: so polite if you cut we want to do. We

618
00:31:37,640 --> 00:31:40,880
Speaker 2: are only human, you know, And we wanted to cry.

619
00:31:41,040 --> 00:31:44,760
Speaker 2: And the girl who did it was fad but you

620
00:31:44,800 --> 00:31:49,920
Speaker 2: know memory, yeah, so yes, it happens. We could talk

621
00:31:50,000 --> 00:31:52,400
Speaker 2: for twelve We've spoken for twelve minutes. It felt like

622
00:31:52,480 --> 00:31:54,160
Speaker 2: too we could talk for twelve hours. But I want

623
00:31:54,200 --> 00:31:55,480
Speaker 2: to say un least you will know what I'm talking

624
00:31:55,480 --> 00:31:57,240
Speaker 2: about here. I want to say thank you because ten

625
00:31:57,320 --> 00:31:58,960
Speaker 2: years ago I was with my wife in New York

626
00:31:59,360 --> 00:32:01,840
Speaker 2: and the famous person we spotted on our week in

627
00:32:01,920 --> 00:32:05,000
Speaker 2: New York was yourself by crossing the road on West

628
00:32:05,000 --> 00:32:09,520
Speaker 2: forty second. Of course I made some smart removed res David.

629
00:32:09,720 --> 00:32:11,240
Speaker 2: He was right in front of Madame to towards and

630
00:32:11,320 --> 00:32:13,640
Speaker 2: I said something like tease, you wait a long time

631
00:32:13,960 --> 00:32:15,560
Speaker 2: around here, and you went I recognize the accent. We

632
00:32:15,600 --> 00:32:19,000
Speaker 2: had a five minute chat. Gentlemen, Gentleman Anthony Wallow so

633
00:32:19,080 --> 00:32:22,000
Speaker 2: obviously you look after your fans. Well, okay, Madame Tussaus.

634
00:32:22,040 --> 00:32:24,800
Speaker 15: Yes, he's across the road from forty Studio forty two

635
00:32:25,160 --> 00:32:26,320
Speaker 15: where we rehearse for Annie.

636
00:32:26,560 --> 00:32:29,800
Speaker 2: Okay, rehearsal studio directly across the road from that. Yeah

637
00:32:30,120 --> 00:32:33,240
Speaker 2: so that and twenty twelve, Yeah that was working there.

638
00:32:34,200 --> 00:32:36,320
Speaker 2: You're working for yeah? So yeah, lovely defans.

639
00:32:36,440 --> 00:32:37,600
Speaker 4: Really it's a very small world.

640
00:32:37,800 --> 00:32:40,760
Speaker 3: What should cargo next week at Crown Theater through till

641
00:32:40,800 --> 00:32:45,880
Speaker 3: December seventeen. Get your tickets, yeah, straight away from ticketmaster.

642
00:32:45,960 --> 00:32:48,680
Speaker 4: Anthony Waller, cut wait to come and see you next week.

643
00:32:51,000 --> 00:32:53,440
Speaker 2: Get in light flim to spin, doctor lawyer and this

644
00:32:54,480 --> 00:32:55,960
Speaker 2: all the best and look after that car.

645
00:32:56,400 --> 00:33:01,520
Speaker 15: Here more Clezy more Lisa more podcastson.

646
00:33:04,480 --> 00:33:07,240
Speaker 2: How about this councilor up there at ju City Council.

647
00:33:07,360 --> 00:33:08,720
Speaker 4: Lease tell me so.

648
00:33:09,240 --> 00:33:12,600
Speaker 2: Councilor Christopher May has got the idea and I love

649
00:33:12,680 --> 00:33:15,360
Speaker 2: this a June the council. He's called for the city

650
00:33:15,440 --> 00:33:17,680
Speaker 2: to add a unique addition to the local library up there,

651
00:33:17,720 --> 00:33:22,160
Speaker 2: agenda up cats. He wants to bring cats into the library.

652
00:33:22,760 --> 00:33:24,360
Speaker 4: And I want cats every day?

653
00:33:24,520 --> 00:33:25,000
Speaker 2: How good is that?

654
00:33:25,960 --> 00:33:26,000
Speaker 11: So?

655
00:33:26,600 --> 00:33:28,840
Speaker 2: Uh, you know we know about cat cafes from the

656
00:33:28,880 --> 00:33:31,800
Speaker 2: one at Sube unfortunately shut down Philly recently, but from

657
00:33:31,800 --> 00:33:34,520
Speaker 2: Sube to Singapore to Tokyo, cat cafes have been a

658
00:33:34,600 --> 00:33:36,440
Speaker 2: huge smash around the world because people.

659
00:33:36,320 --> 00:33:43,080
Speaker 4: Love very calming that anyway, I'm glad they can't talk.

660
00:33:43,840 --> 00:33:46,280
Speaker 2: Look the counselor and intends to make it a thing

661
00:33:46,360 --> 00:33:48,000
Speaker 2: and moment he wants to move a motion at the

662
00:33:48,040 --> 00:33:50,240
Speaker 2: next council meeting for the city staff to, of course,

663
00:33:50,320 --> 00:33:54,040
Speaker 2: to investigate having cats in a hostel at the Gender

664
00:33:54,160 --> 00:33:56,680
Speaker 2: Up Library. Okay, now they were talking about the benefits

665
00:33:56,720 --> 00:33:59,040
Speaker 2: cats in the library could increase visitor numbers, of course,

666
00:33:59,160 --> 00:34:02,040
Speaker 2: people like us boost mental health, and they're talking about

667
00:34:02,080 --> 00:34:05,480
Speaker 2: it being a minimal or maybe neutral cost kind of

668
00:34:05,560 --> 00:34:08,080
Speaker 2: thing for the benefits to the community of having them around.

669
00:34:08,320 --> 00:34:08,440
Speaker 5: Right.

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00:34:09,080 --> 00:34:10,759
Speaker 2: We know, yeah, you have a cat sitting on your

671
00:34:10,800 --> 00:34:12,799
Speaker 2: l one, very.

672
00:34:12,800 --> 00:34:14,960
Speaker 4: Veryll We are cat people, we're biased.

673
00:34:15,040 --> 00:34:15,239
Speaker 2: Yeah.

674
00:34:15,320 --> 00:34:15,480
Speaker 8: Yeah.

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00:34:15,480 --> 00:34:17,839
Speaker 2: If you're listening to this and you're purely a dog person,

676
00:34:17,960 --> 00:34:20,880
Speaker 2: or you just don't like the cats at all, you

677
00:34:21,000 --> 00:34:22,560
Speaker 2: want to lock them in a room. I've got a

678
00:34:22,600 --> 00:34:24,120
Speaker 2: couple of people I know in my life I have

679
00:34:24,200 --> 00:34:26,160
Speaker 2: to put the cat in another area and want come

680
00:34:26,239 --> 00:34:27,919
Speaker 2: over the cat's house.

681
00:34:28,040 --> 00:34:30,120
Speaker 4: Yeah, this might be Why can't they go in another area?

682
00:34:30,480 --> 00:34:33,439
Speaker 2: You put them in the allergic group. You see someone puff,

683
00:34:33,880 --> 00:34:36,080
Speaker 2: stay outside. I want to have a conversation with you.

684
00:34:36,160 --> 00:34:39,239
Speaker 2: Top sneezing. Yeah, it can happen. But so this is

685
00:34:39,400 --> 00:34:41,880
Speaker 2: I mean, as we know forever, cats have been that thing,

686
00:34:41,960 --> 00:34:45,000
Speaker 2: that calming influence for a lot of people, revered in

687
00:34:45,080 --> 00:34:49,120
Speaker 2: some civilizations. Let's be honest, you know, as these incredible,

688
00:34:49,400 --> 00:34:53,960
Speaker 2: incredible mythical creatures who add so much to your world,

689
00:34:54,000 --> 00:34:57,160
Speaker 2: and they treated in some places better than fellow humans,

690
00:34:57,160 --> 00:34:58,040
Speaker 2: which is weird, isn't it.

691
00:34:58,239 --> 00:35:01,560
Speaker 4: Well at my house there exactly, that's the thing.

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00:35:02,239 --> 00:35:04,120
Speaker 2: Could you imagine though, if the cats get you know,

693
00:35:04,120 --> 00:35:05,960
Speaker 2: when they get a bit boisterous and little out of control,

694
00:35:06,080 --> 00:35:08,759
Speaker 2: or if they're too many cats together. Yeah, you don't

695
00:35:08,760 --> 00:35:10,920
Speaker 2: want those boy cats chasing those girl cats around and

696
00:35:10,960 --> 00:35:14,800
Speaker 2: making those noises. Yeah, you know it's conducive to reading

697
00:35:14,880 --> 00:35:17,279
Speaker 2: the nonfiction area. No, that wouldn't be good. It's the

698
00:35:17,400 --> 00:35:20,359
Speaker 2: kind of thing we want our city councils to be doing. Yeah,

699
00:35:20,800 --> 00:35:23,440
Speaker 2: the idea of getting cats involved. Oh, cats and dogs everywhere?

700
00:35:23,680 --> 00:35:25,319
Speaker 2: You know what always amazes me when people say are

701
00:35:25,360 --> 00:35:27,520
Speaker 2: you a cat or dog? Why not both?

702
00:35:27,560 --> 00:35:27,680
Speaker 6: Well?

703
00:35:27,719 --> 00:35:28,319
Speaker 2: You have got bat.

704
00:35:28,360 --> 00:35:31,600
Speaker 4: I'm both, You're not necessarily one or the other.

705
00:35:31,760 --> 00:35:33,640
Speaker 2: I've never had a dog, but I love dogs too. Yeah,

706
00:35:34,239 --> 00:35:36,400
Speaker 2: never enough to be a circumstance where there's been on

707
00:35:36,480 --> 00:35:38,399
Speaker 2: one at home. So there there you go. So cat's

708
00:35:38,440 --> 00:35:41,240
Speaker 2: up a journal sounds good on Lisa