1 00:00:01,520 --> 00:00:03,960 Speaker 1: Welcome to the podcast. Now, a couple of things that 2 00:00:04,000 --> 00:00:06,400 Speaker 1: we need to address before we get into. 3 00:00:06,240 --> 00:00:08,639 Speaker 2: This this this will not have it behind the scenes, 4 00:00:08,680 --> 00:00:10,680 Speaker 2: feel about it like this is their business to be 5 00:00:10,800 --> 00:00:12,440 Speaker 2: to be done. And I'm very excited to tell you 6 00:00:12,480 --> 00:00:14,040 Speaker 2: same that you've guys had to tell me as well. 7 00:00:14,200 --> 00:00:16,640 Speaker 1: Well, I just think maybe just like a drawing up 8 00:00:16,680 --> 00:00:19,320 Speaker 1: of what excuse me, what we need to talk what 9 00:00:19,320 --> 00:00:20,200 Speaker 1: we need to talk about here. 10 00:00:20,239 --> 00:00:21,720 Speaker 2: So obviously to a minute, you want to do like 11 00:00:21,760 --> 00:00:24,480 Speaker 2: an itinery, I can, I can drop down some notes. 12 00:00:24,560 --> 00:00:25,799 Speaker 2: Let's do it Itinery go. 13 00:00:27,240 --> 00:00:29,240 Speaker 1: So I've got this this text message, I want to 14 00:00:29,240 --> 00:00:30,200 Speaker 1: send it Tina Arena. 15 00:00:30,920 --> 00:00:32,200 Speaker 2: Yep. That's important. 16 00:00:32,560 --> 00:00:32,680 Speaker 1: Uh. 17 00:00:33,040 --> 00:00:35,560 Speaker 2: And we also have yeah, you didn't send it yesterday, 18 00:00:35,560 --> 00:00:38,120 Speaker 2: and of course we drafted. 19 00:00:37,800 --> 00:00:41,479 Speaker 1: We drafted the message yep. And also you asked me 20 00:00:41,760 --> 00:00:43,960 Speaker 1: to ask Jim Courier what Anada Armas was like. 21 00:00:45,479 --> 00:00:48,240 Speaker 2: Do we have a response. Yes, well, I think we 22 00:00:48,280 --> 00:00:49,680 Speaker 2: should hit that. You want to lead with that, and 23 00:00:49,680 --> 00:00:51,680 Speaker 2: then let's let's do ten arena stuff after. 24 00:00:52,360 --> 00:00:54,480 Speaker 1: Okay, Jim Courier. 25 00:00:55,320 --> 00:00:58,160 Speaker 2: Because just to just to refresh Provile's memories, you said 26 00:00:58,160 --> 00:01:01,200 Speaker 2: to Jim what was Anada Armas like? Because she presented 27 00:01:01,240 --> 00:01:03,880 Speaker 2: the trophy for the men's final for the Australian Open 28 00:01:03,920 --> 00:01:06,160 Speaker 2: on Sunday. Yes, and you just send him a message 29 00:01:06,280 --> 00:01:08,720 Speaker 2: rather randomly to saying what was Annada Arma's like And 30 00:01:08,760 --> 00:01:11,720 Speaker 2: then upon discussion through the whole team, we're like, oh, 31 00:01:11,760 --> 00:01:13,560 Speaker 2: that sounds a bit creepy. Will, So you threw me 32 00:01:13,600 --> 00:01:15,240 Speaker 2: under the bus and you just said Wood, he wants 33 00:01:15,240 --> 00:01:15,520 Speaker 2: to know what. 34 00:01:15,640 --> 00:01:20,440 Speaker 1: You wants to know hahaha. Yeah, yeah nice. So yeah, 35 00:01:20,480 --> 00:01:24,640 Speaker 1: he wrote back and he said, Lol, I'm paraphrasing here 36 00:01:24,640 --> 00:01:25,880 Speaker 1: because I haven't got my phone in front of me, 37 00:01:26,080 --> 00:01:32,480 Speaker 1: but he wrote like, haha, would he's sick something like that. 38 00:01:31,920 --> 00:01:37,520 Speaker 1: That's a shame, not surprising from Wood. Is something a 39 00:01:37,560 --> 00:01:42,080 Speaker 1: torture man? Yeah? Yeah, I got which I needed. And 40 00:01:42,120 --> 00:01:45,440 Speaker 1: then he said he said she was wonderful. Yeah, he 41 00:01:45,480 --> 00:01:46,280 Speaker 1: said she was really great. 42 00:01:46,319 --> 00:01:47,080 Speaker 2: How much did they talk? 43 00:01:47,120 --> 00:01:49,200 Speaker 1: She's a really really lovely person. Didn't get into it 44 00:01:49,200 --> 00:01:52,400 Speaker 1: because then it's the nice start looking sick, so I don't. Yeah, 45 00:01:52,560 --> 00:01:54,280 Speaker 1: I'm not prepared yet. But he said she was a really, 46 00:01:54,320 --> 00:01:55,200 Speaker 1: really wonderful person. 47 00:01:55,360 --> 00:01:57,960 Speaker 2: That's great to hear because she's a phenomenal actress. They 48 00:01:57,960 --> 00:01:59,320 Speaker 2: would have had chats in the tunnel no. 49 00:01:59,320 --> 00:02:02,560 Speaker 1: Doubt, no doubt, no doubt, absolutely. 50 00:02:02,440 --> 00:02:06,440 Speaker 2: Tina Arena next board, of course, yes, now yesterday. Look 51 00:02:06,560 --> 00:02:08,520 Speaker 2: if you're just joined us, here is the first time 52 00:02:08,880 --> 00:02:11,360 Speaker 2: Will really wants to be friends with Tina Arena. This 53 00:02:11,440 --> 00:02:13,280 Speaker 2: goes far beyond us just getting there on the show 54 00:02:13,280 --> 00:02:16,280 Speaker 2: for a chat. You would like to off air have 55 00:02:16,520 --> 00:02:19,840 Speaker 2: a relationship with you see has been ongoing where potentially 56 00:02:19,840 --> 00:02:22,520 Speaker 2: you can catch up bi annually. I would say, I 57 00:02:22,520 --> 00:02:24,040 Speaker 2: think she's busy. You're busy, Yeah, I. 58 00:02:23,960 --> 00:02:25,919 Speaker 1: Think, yeah, I think if you've got a friend of 59 00:02:25,960 --> 00:02:28,799 Speaker 1: these days, I mean, life gets busy, People got kids 60 00:02:28,800 --> 00:02:30,680 Speaker 1: and stuff like that, and in her career is to follow. 61 00:02:30,800 --> 00:02:33,040 Speaker 1: So one thing once you get into your thirties, you know, 62 00:02:33,680 --> 00:02:36,120 Speaker 1: I think I would consider somebody a friend if I'm 63 00:02:36,160 --> 00:02:37,520 Speaker 1: catching up with them once or twice a year. 64 00:02:37,600 --> 00:02:40,400 Speaker 2: Yeah, yep, So a bi annual catch up is a day, 65 00:02:40,480 --> 00:02:40,880 Speaker 2: to be honest. 66 00:02:40,919 --> 00:02:42,880 Speaker 1: But that's that's probably the reality of life. You can 67 00:02:42,880 --> 00:02:45,440 Speaker 1: think of it as she is Tina Arena. You know 68 00:02:45,520 --> 00:02:47,440 Speaker 1: she's not you know she's not John Andan. I went 69 00:02:47,480 --> 00:02:48,000 Speaker 1: to school with. 70 00:02:48,400 --> 00:02:52,760 Speaker 2: No's she's busy, she's touring. Anyway, you've drafted a message, 71 00:02:52,760 --> 00:02:54,040 Speaker 2: you think a text message is the way to go. 72 00:02:54,120 --> 00:02:55,600 Speaker 1: Okay, he tours back on. 73 00:02:56,080 --> 00:02:58,640 Speaker 2: Yes, and you're going to go with the whole Let's 74 00:02:58,760 --> 00:03:01,000 Speaker 2: keep it business at the start, try and get her 75 00:03:01,000 --> 00:03:03,080 Speaker 2: in here for a radio interview to promote her show. 76 00:03:03,160 --> 00:03:05,400 Speaker 2: And then when we've got her here, it's almost like 77 00:03:05,440 --> 00:03:06,840 Speaker 2: when she's in the spider's web. 78 00:03:07,480 --> 00:03:10,640 Speaker 1: Well, no, no, no, I'm not sure we'd. 79 00:03:10,560 --> 00:03:15,120 Speaker 2: Ok well, then that's fair. I think we just remove okay, 80 00:03:15,160 --> 00:03:15,920 Speaker 2: when she's in the fox. 81 00:03:16,240 --> 00:03:21,080 Speaker 1: Any analogy to a trap or a predatory yeah, okay 82 00:03:21,160 --> 00:03:23,080 Speaker 1: behavior because at the end of the day, I'm just 83 00:03:23,120 --> 00:03:24,720 Speaker 1: talking about catching up with her. It was a mate. 84 00:03:24,760 --> 00:03:28,520 Speaker 2: Yeah, okay, So with her on a Thursday, Yes, on 85 00:03:28,760 --> 00:03:30,760 Speaker 2: what we think will be a balcony at her house. 86 00:03:30,800 --> 00:03:32,600 Speaker 2: We're not one hundred if she has a balcony, but 87 00:03:32,600 --> 00:03:37,600 Speaker 2: I imagine that she does. So no trap. But when 88 00:03:37,640 --> 00:03:39,800 Speaker 2: she when she sees you in person, that's when you 89 00:03:39,840 --> 00:03:40,920 Speaker 2: can casually. 90 00:03:40,600 --> 00:03:43,880 Speaker 3: Almost the opposite to a trap, you know, a freedom. 91 00:03:44,160 --> 00:03:48,440 Speaker 3: We're freeing her like a dove. Yeah, because becoming friends 92 00:03:48,440 --> 00:03:50,960 Speaker 3: with you is really her Yeah. Yeah, I like that 93 00:03:51,080 --> 00:03:51,520 Speaker 3: nice twist. 94 00:03:51,960 --> 00:03:57,840 Speaker 2: Anyway, can the text message because Tina Arena was a 95 00:03:57,920 --> 00:04:03,560 Speaker 2: guest at MIM's Mum's wedding, what she worked with her 96 00:04:04,160 --> 00:04:09,160 Speaker 2: forteen years at Young Talent time, shut up what. I 97 00:04:09,200 --> 00:04:11,720 Speaker 2: have been told this before, but somehow I just I 98 00:04:11,840 --> 00:04:15,040 Speaker 2: forgot it. What And Mim last night was like, what 99 00:04:15,080 --> 00:04:17,279 Speaker 2: do you know? Tina Arena was at mum's wedding. There's 100 00:04:17,320 --> 00:04:21,640 Speaker 2: like there's a massive person. Oh my god, So do 101 00:04:21,680 --> 00:04:22,800 Speaker 2: you want to call Michelle? 102 00:04:22,839 --> 00:04:24,200 Speaker 1: Does Michelle talk to her? 103 00:04:24,800 --> 00:04:26,000 Speaker 2: Well, let's ask Michelle. 104 00:04:26,000 --> 00:04:27,800 Speaker 1: But she was at the wedding, so even then she 105 00:04:28,000 --> 00:04:30,320 Speaker 1: just go, Hey Tina, Michelle, it's mish. 106 00:04:30,760 --> 00:04:32,760 Speaker 2: Yeah, yeah, you can definitely do that. 107 00:04:32,800 --> 00:04:34,000 Speaker 1: I don't know does she call herself miss? 108 00:04:34,800 --> 00:04:36,560 Speaker 2: She's never referred to herself as miss in front of me, 109 00:04:36,640 --> 00:04:38,320 Speaker 2: but maybe Tina and her everything where it's like hey, 110 00:04:38,440 --> 00:04:41,360 Speaker 2: hey Tea, Hey mishrved each other's names. 111 00:04:41,360 --> 00:04:43,560 Speaker 1: Okay, let's get can we call Let's call Michelle. Le's 112 00:04:43,600 --> 00:04:47,680 Speaker 1: call me? Yeah. 113 00:04:47,760 --> 00:04:50,320 Speaker 2: Are you going to go to a concert will April. 114 00:04:49,960 --> 00:04:54,360 Speaker 1: Twenty six, Hall of Melbourne Town Hall, Yeah, April twenty seventh. Yeah, 115 00:04:54,440 --> 00:04:55,840 Speaker 1: that's a plan. A. We're going as a team. 116 00:04:56,960 --> 00:04:57,800 Speaker 2: She was gonna love this. 117 00:04:58,480 --> 00:05:01,560 Speaker 1: Well, I'll be probably backstage having a shady so you know, 118 00:05:01,600 --> 00:05:03,120 Speaker 1: I'd like to say we'll go as a team. 119 00:05:02,960 --> 00:05:04,240 Speaker 2: But manifest it will I like that. 120 00:05:04,839 --> 00:05:07,080 Speaker 1: I just don't well, not manifest. I'm just talking about 121 00:05:07,120 --> 00:05:07,560 Speaker 1: what will happen. 122 00:05:07,600 --> 00:05:08,800 Speaker 2: Do you think when she comes in for a chat 123 00:05:08,800 --> 00:05:10,520 Speaker 2: you could have a I don't know if she's coming 124 00:05:10,560 --> 00:05:12,920 Speaker 2: in for a chat just yet. I think she will 125 00:05:14,680 --> 00:05:18,120 Speaker 2: or a popular show. Welcome to one number one, We're 126 00:05:18,279 --> 00:05:20,960 Speaker 2: big promo, another premo. 127 00:05:22,800 --> 00:05:25,520 Speaker 1: Does Michelle know you're calling? No, she knows she's on 128 00:05:25,560 --> 00:05:27,920 Speaker 1: the podcast. Are you gonna tell her? 129 00:05:28,360 --> 00:05:29,520 Speaker 2: Yeah, she's gonna be cool? 130 00:05:30,040 --> 00:05:36,720 Speaker 1: Yeah? Okay, is she gonna answer? Not sure? It's a 131 00:05:36,800 --> 00:05:39,800 Speaker 1: private number. Nah, this is the hot line number. 132 00:05:43,000 --> 00:05:44,120 Speaker 2: Hi, you've called Michelle. 133 00:05:44,320 --> 00:05:46,239 Speaker 1: Sorry, she sounds lovely. 134 00:05:46,360 --> 00:05:47,200 Speaker 2: Yeah, she's lovely. 135 00:05:47,240 --> 00:05:50,360 Speaker 1: She's American. No, was it automatic? It was that American 136 00:05:50,839 --> 00:05:51,000 Speaker 1: that it. 137 00:05:51,040 --> 00:05:51,719 Speaker 2: Was her voice? 138 00:05:52,160 --> 00:05:52,680 Speaker 1: Is it right? 139 00:05:53,240 --> 00:06:01,840 Speaker 2: She's formalized it. I think for the Hi you've called Michelle. 140 00:06:01,760 --> 00:06:04,080 Speaker 1: Will like Siri. 141 00:06:05,040 --> 00:06:07,400 Speaker 2: Hi, just keep it. 142 00:06:07,839 --> 00:06:09,480 Speaker 1: Get you got the fader of here just in case 143 00:06:09,640 --> 00:06:16,200 Speaker 1: the voicemail again. HI, give it an official shell. M hm, Hi, 144 00:06:16,400 --> 00:06:21,359 Speaker 1: you've called Michelle. Sorry, mister nuns like. 145 00:06:21,360 --> 00:06:24,680 Speaker 2: The lady of this numbers not because just keeping this 146 00:06:24,800 --> 00:06:25,839 Speaker 2: numbers connect. 147 00:06:26,120 --> 00:06:28,920 Speaker 1: This number has painted HI, it's going to cool. 148 00:06:29,080 --> 00:06:34,480 Speaker 2: It's gonna cool my my fiance real quick man, it's Woody. Yeah, 149 00:06:34,760 --> 00:06:39,040 Speaker 2: you need that. We're just recording the podcast Cooler Idea. Yeah, 150 00:06:39,200 --> 00:06:45,960 Speaker 2: that's it. We're just on the podcast. Where's your mum? 151 00:06:46,400 --> 00:06:48,839 Speaker 1: I don't live with her anymore, surprisingly, so. 152 00:06:51,600 --> 00:06:53,159 Speaker 2: She's not taking because we need to talk to her 153 00:06:53,160 --> 00:06:55,560 Speaker 2: about Tina A Rena, her connection to Tina Arena. 154 00:06:56,040 --> 00:06:57,360 Speaker 1: Oh god, she'd cross that too. 155 00:06:58,440 --> 00:07:02,440 Speaker 4: All right, well when we go over there, Well, I. 156 00:07:02,400 --> 00:07:04,600 Speaker 2: Just thought you'd know, you guys are generally across each 157 00:07:04,600 --> 00:07:05,279 Speaker 2: other's movements. 158 00:07:05,760 --> 00:07:08,440 Speaker 4: Well, yeah, actually I do have her on Find my Friends. 159 00:07:08,480 --> 00:07:10,120 Speaker 2: So oh look her up, Yeah, look her up. Where 160 00:07:10,160 --> 00:07:10,920 Speaker 2: is she? 161 00:07:10,920 --> 00:07:11,720 Speaker 4: She's probably at home. 162 00:07:11,760 --> 00:07:13,120 Speaker 1: Do you want to know what she's doing? She's out 163 00:07:13,160 --> 00:07:14,000 Speaker 1: there killing snakes? 164 00:07:15,400 --> 00:07:16,320 Speaker 4: Yeah, so true. 165 00:07:16,400 --> 00:07:19,680 Speaker 2: Yeah, she's such a fierce woman. She is independent woman. 166 00:07:20,600 --> 00:07:21,320 Speaker 1: Do you want to know? 167 00:07:21,400 --> 00:07:23,160 Speaker 4: I could probably give you some dirty details. 168 00:07:23,440 --> 00:07:29,040 Speaker 2: Okay, you were talking, So Tina went to your mum's wedding? Right, 169 00:07:29,320 --> 00:07:31,960 Speaker 2: Oh she's in. No, she's at a consult for work. 170 00:07:32,560 --> 00:07:33,240 Speaker 2: Oh she's work. 171 00:07:33,280 --> 00:07:35,280 Speaker 1: How do you know that from her final friends? 172 00:07:35,800 --> 00:07:38,480 Speaker 4: Well, she's in she's in Jewelreen and I don't I 173 00:07:38,520 --> 00:07:57,239 Speaker 4: don't know the local on there. Money. 174 00:07:59,760 --> 00:08:02,800 Speaker 2: So okay, just quickly. Obviously we can't talk to her today. 175 00:08:02,840 --> 00:08:07,240 Speaker 2: We'll talk to her tomorrow. Do you think your mum 176 00:08:07,360 --> 00:08:09,840 Speaker 2: knows Tina enough, given like, given that she went to 177 00:08:09,880 --> 00:08:11,760 Speaker 2: her wedding, do you think she knows her enough to 178 00:08:11,840 --> 00:08:14,360 Speaker 2: reach out to her and potentially hook up like a 179 00:08:14,360 --> 00:08:17,000 Speaker 2: bit of a friend date for Will and Teen's. 180 00:08:17,640 --> 00:08:20,840 Speaker 4: Well, I mean, if you could get Tina's number and 181 00:08:20,880 --> 00:08:23,600 Speaker 4: then Mum, I don't like she wouldn't have her number still, 182 00:08:23,640 --> 00:08:27,800 Speaker 4: like they lost contact. If you'll get Tina's number and 183 00:08:27,840 --> 00:08:30,040 Speaker 4: then Mum left a voice message being. 184 00:08:29,800 --> 00:08:32,800 Speaker 2: Like, hey Tina, It's Michelle Gibbs. You know, like, how 185 00:08:32,840 --> 00:08:35,600 Speaker 2: are you friend? Will over here would love to catch up. 186 00:08:35,760 --> 00:08:37,280 Speaker 1: We want to go to a group day. 187 00:08:37,400 --> 00:08:39,240 Speaker 2: We've got a number. We've got her number, so we 188 00:08:39,280 --> 00:08:40,120 Speaker 2: could definitely do that. 189 00:08:40,720 --> 00:08:43,240 Speaker 4: Tina, I reckon, she probably wouldn't pick up the call. 190 00:08:43,360 --> 00:08:46,160 Speaker 4: I mean, you know, she's a pretty big deal. Mum 191 00:08:46,280 --> 00:08:50,360 Speaker 4: left her a voicema's I think that you're in She 192 00:08:50,440 --> 00:08:52,920 Speaker 4: did go to so she played at the tennis couple 193 00:08:52,960 --> 00:08:57,200 Speaker 4: of years ago and Mum was in the crowd and 194 00:08:58,040 --> 00:09:01,000 Speaker 4: she didn't play tennis. She was playing these. 195 00:09:00,920 --> 00:09:03,840 Speaker 1: Songs at the tenth Yeah, yeah, and your mum. 196 00:09:03,840 --> 00:09:05,840 Speaker 4: Was in the crowd, and mum was in the crowd 197 00:09:05,880 --> 00:09:07,920 Speaker 4: and she was singing, and then court mum's eye and 198 00:09:08,000 --> 00:09:11,280 Speaker 4: yelled out Michelle and waved to her, and my heart 199 00:09:11,760 --> 00:09:14,960 Speaker 4: wow lost it and was like, oh my god, your 200 00:09:15,000 --> 00:09:16,440 Speaker 4: mum knows to arena. Wow. 201 00:09:18,080 --> 00:09:22,080 Speaker 2: Wow, massive, massive, that's pretty big. 202 00:09:22,160 --> 00:09:23,200 Speaker 1: So they're actually tight. 203 00:09:24,840 --> 00:09:27,240 Speaker 4: So well yeah, well mum worked with it for ten years. 204 00:09:27,280 --> 00:09:31,480 Speaker 1: Wow. Okay, all right, correct, superiors. 205 00:09:32,440 --> 00:09:34,280 Speaker 2: So tomorrow tomorrow. 206 00:09:37,600 --> 00:09:39,640 Speaker 4: I am sort of her agent, but yeah, let's let's 207 00:09:39,679 --> 00:09:40,280 Speaker 4: give it another crack. 208 00:09:41,280 --> 00:09:42,800 Speaker 2: Can you keep her won't be a part of it? 209 00:09:42,920 --> 00:09:45,640 Speaker 2: Can you keep her schedule clean tomorrow? Yeah? 210 00:09:45,640 --> 00:09:47,080 Speaker 4: As her boss, I can definitely do that. 211 00:09:47,520 --> 00:09:47,920 Speaker 3: Brilliant. 212 00:09:48,320 --> 00:09:51,040 Speaker 2: Okay, perfect, Thanks Ben, that's huge. 213 00:09:51,080 --> 00:09:51,880 Speaker 1: That's really be. 214 00:09:51,800 --> 00:09:53,319 Speaker 4: Excited that you were calling me to say that you're 215 00:09:53,320 --> 00:09:54,840 Speaker 4: on your way home. But I guess I'll continue to 216 00:09:54,840 --> 00:09:56,600 Speaker 4: hang out with our daughter for a bit loongeril she 217 00:09:56,640 --> 00:09:58,280 Speaker 4: goes to bed, does your kindle? 218 00:09:58,840 --> 00:09:59,760 Speaker 1: What are you cooking tonight? 219 00:09:59,800 --> 00:09:59,839 Speaker 4: Me? 220 00:09:59,880 --> 00:10:01,920 Speaker 1: And would said he was pumped for the zucchinis. 221 00:10:02,960 --> 00:10:04,200 Speaker 2: Yeah, I'm stuffing them. 222 00:10:04,320 --> 00:10:06,800 Speaker 4: I'm just shoving some different things into some zucchini's and 223 00:10:06,960 --> 00:10:07,640 Speaker 4: roasting them up. 224 00:10:08,000 --> 00:10:09,800 Speaker 2: Brilliant. Brilliant. What are you doing with What are you 225 00:10:09,800 --> 00:10:11,760 Speaker 2: doing with the innerds of the zucchini? 226 00:10:13,760 --> 00:10:15,880 Speaker 4: I might chop that up and include it in the 227 00:10:15,960 --> 00:10:17,360 Speaker 4: mix of the stuff. 228 00:10:18,240 --> 00:10:19,920 Speaker 2: That's awesome, that's perfect. 229 00:10:19,960 --> 00:10:21,920 Speaker 4: I invited Semi over for a catch. 230 00:10:21,960 --> 00:10:23,319 Speaker 1: I means busy. 231 00:10:23,400 --> 00:10:25,440 Speaker 2: But but yeah, she was busy, which makes sense. 232 00:10:25,520 --> 00:10:28,960 Speaker 1: I mean people usually have plans, but it's not me. 233 00:10:29,160 --> 00:10:32,000 Speaker 1: Oh for dinner, you as for dinner tonight. Oh no, 234 00:10:32,080 --> 00:10:32,520 Speaker 1: I didn't know. 235 00:10:32,840 --> 00:10:34,080 Speaker 4: I didn't ask her for dinner. 236 00:10:36,360 --> 00:10:39,479 Speaker 1: Righteous bottle. So I'm a bottle. 237 00:10:39,240 --> 00:10:42,440 Speaker 4: Deep and I'm just hoping for a friend, a. 238 00:10:43,920 --> 00:10:46,360 Speaker 2: Drink with a friend. So after a few glasses, you 239 00:10:46,440 --> 00:10:50,280 Speaker 2: got the liquid carriage to message Semi and goo drink. 240 00:10:50,160 --> 00:10:55,840 Speaker 1: With me anybody? I had ashling and and m over. 241 00:10:56,200 --> 00:10:57,839 Speaker 1: That's nice, that's right. 242 00:10:59,440 --> 00:11:01,080 Speaker 4: Okay, anyway, this has been great. 243 00:11:01,800 --> 00:11:02,400 Speaker 3: I'll let you go. 244 00:11:03,120 --> 00:11:04,120 Speaker 2: It was really good chatting. 245 00:11:05,679 --> 00:11:06,760 Speaker 4: Okay, I love you boys. 246 00:11:10,280 --> 00:11:12,520 Speaker 2: That's big. I didn't remember that Australian open story. 247 00:11:12,960 --> 00:11:15,760 Speaker 1: Yeah, that's huge. That is yeah. 248 00:11:15,800 --> 00:11:17,720 Speaker 2: And she's I think mims plan is a good plan. 249 00:11:18,760 --> 00:11:25,120 Speaker 1: That was always the plan. Get Michelle's called Tina. Oh right, yeah, cookie, no, no, 250 00:11:25,160 --> 00:11:27,000 Speaker 1: but like that, Yeah, I think we. 251 00:11:26,880 --> 00:11:28,839 Speaker 2: Were like throwing around a few different things, and Mims 252 00:11:28,840 --> 00:11:30,920 Speaker 2: really consolidated that, yeah, Michelle should call. 253 00:11:31,240 --> 00:11:37,079 Speaker 1: That was tomorrow. Michelle calls Tina Arena. 254 00:11:37,600 --> 00:11:37,920 Speaker 2: Wow. 255 00:11:38,320 --> 00:11:38,800 Speaker 1: Yeah,