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Speaker 1: The Will and Woody Podcast. Welcome to the pod. It's

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Speaker 1: great to have you here. Best year of the week.

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Speaker 2: You're about to hear plenty behind the scenes action. We're

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Speaker 2: just saying, how good is Stranger Things?

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Speaker 1: We were we were saying that, you were.

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Speaker 2: Saying that Tom wants us to say for the movie Pod,

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Speaker 2: which we will be putting out one day.

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Speaker 1: But that doesn't exist. Yeah, it is stranger Things. We

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Speaker 1: just like to squeeze in movie TV. So good. You

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Speaker 1: threw it. You threw at me though you were like,

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Speaker 1: got it like best TV show ever? You went up

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Speaker 1: at the end, No I didn't. I said, is it

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Speaker 1: your favorite show? Okay, you just asked that question of.

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Speaker 2: Me, and I think there's a difference between your favorite

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Speaker 2: show and the best show ever. By the way, sure,

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Speaker 2: I reckon because I would say there are lots of

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Speaker 2: movies that I would You know, there are movies in

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Speaker 2: the conversation the best movie that are not in.

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Speaker 1: The conversation for favorite movie. Sure, because favorite indicates a

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Speaker 1: subjective nature. So do you want my favorite TV showever

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Speaker 1: or the best TV showever? From me? Both? I wonder

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Speaker 1: if mind lines up. I think my my for the

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Speaker 1: movie podcast, I think we'll just let.

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Speaker 2: Me arguably thank you, though, Tom, I appreciate it Dark Yes,

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Speaker 2: I think his best TV show ever.

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Speaker 1: Right, Okay, it's a bit tired. It falls away scene

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Speaker 1: back to the future, so it's so much better than

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Speaker 1: back to the we can, we will go to we

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Speaker 1: will we will throw down if we keep going here.

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Speaker 1: But Dark is The Germans do good things. The Germans,

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Speaker 1: the Germans. It was the Germans. It's the best. It's

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Speaker 1: the best thing the Germans have put on the screen.

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Speaker 1: I'm not super across the other things that the Germans

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Speaker 1: have made in their film industry, but that was good

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Speaker 1: favorite TV showever.

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Speaker 2: Poo is worried about one other things the Germans have

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Speaker 2: put on the screen. What the Germans put on the screen?

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Speaker 1: What's popped into your head there, Pooy? Only the very

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Speaker 1: famous movie Doust Boot? Dost boot? Is that about a boot?

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Speaker 1: I actually don't know. I've never watched it.

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Speaker 2: Schindler's List, But I don't think the Germans put them

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Speaker 2: on the screen.

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Speaker 1: America, the Americans. Liam Neeson put him on the map.

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Speaker 1: How old was put him on the map? No, I

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Speaker 1: think it did. No, I think he was doing other

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Speaker 1: things before that. I reckon that was Nison's first click

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Speaker 1: You Reckon.

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Speaker 3: No.

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Speaker 2: Liam Neeson's debut movie was Shindler's List.

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Speaker 1: No, not for first starring role. I'd say, okay, Shindle's

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Speaker 1: list is a very old film. Shindler's List. Let's have

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Speaker 1: a look at me. What did Neson do pre Schindler's List?

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Speaker 2: Liam Neeson's famously You've Gone and You're gone. He made

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Speaker 2: his He's made his debut, and I knew you'd be gone.

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Speaker 2: He made his debut in nineteen seventy eight. Schindler's list

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Speaker 2: is nineteen ninety three.

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Speaker 1: Oh bloody. So he makes a lot of movies before

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Speaker 1: he gets anywhere in the issue. How many movies has

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Speaker 1: he made? Liam Neeson he Reckon. He rips out two

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Speaker 1: or three action movies a year.

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Speaker 2: Well, he had the really horrific incident with his with

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Speaker 2: his wife, the skiing accident, and I think the only

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Speaker 2: way that he could get through that was by working.

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Speaker 2: I think he said that before that pretty much accepted

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Speaker 2: every script that was on the back burner for him,

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Speaker 2: and he was like, I can't think about this, so

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Speaker 2: I'm playing it. She hit her head and she.

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Speaker 1: She yeah, she was. She was in a combra and

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Speaker 1: I think since passed away. But he just said.

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Speaker 2: All I can only the only thing I didn't do

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Speaker 2: to get through that is just work.

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Speaker 1: It makes sense because he got he turns that.

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Speaker 4: Movie he does it says that he's been in over

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Speaker 4: a hundred films.

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Speaker 1: That's awesome. That's awesome.

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Speaker 2: So you were so so you reckon the best TV

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Speaker 2: show ever made the Germans.

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Speaker 1: Dar Yes, any.

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Speaker 2: Other German film. I suppose dust Booters up there, boo pants.

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Speaker 2: I don't know what you were so worried about.

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Speaker 1: Even kind of freaked out when I was talking about

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Speaker 1: the German film industry. Sure, why that's so controversially?

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Speaker 2: Yeah, me, neither dust boot All quiet on the Western

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Speaker 2: front was the German movie?

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Speaker 1: Didn't say it? Carry on them? Run, Lola, Run.

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Speaker 3: Oh.

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Speaker 1: That's a great movie, a very very good movie.

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Speaker 4: It's a high energy, innovative thriller that explores the concept

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Speaker 4: of fate through a series of what if scenario That's.

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Speaker 1: A sick That is a sick, sick film. I think

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Speaker 1: I'm thinking of Run, Fat Boy Run stars Simon Pegg.

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Speaker 1: It was also a great movie. Was Downfall a German movie? Downfall?

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Speaker 1: That was a very good movie.

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Speaker 2: I mean, it's funny see Google not as smart as

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Speaker 2: chat GVT is telling me that the book Thief is

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Speaker 2: a German movie, and that's not as written by in

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Speaker 2: Australian Marcus Zuzak book Thief Shindler's List.

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Speaker 1: We're not going to call the German movie Google's taken

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Speaker 1: as movies based in Germany.

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Speaker 2: Yeah, the best TV show Dark and the Germans did

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Speaker 2: put that together. Yes, favorite TV show. And you've led

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Speaker 2: yourself here, I know, and I put yourself in this.

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Speaker 1: Definitely should have thought about it before I brought it up. Confidently.

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Speaker 1: I had one on the tip of my tongue. You know,

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Speaker 1: it should be the TV show that just pops into

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Speaker 1: my head? What's that like?

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Speaker 2: Japanese porn? You like watching? When you cooked? Blue Samurai?

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Speaker 1: Oh, Blue Eyed Samurai? Extraordinary, extraordinary. I had had a

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Speaker 1: couple of drinks before I did watch that, and it

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Speaker 1: was if you do, if you are over over the

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Speaker 1: age of eighteen and you feel like watching like quite

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Speaker 1: an extraordinary story it's about. So apparently this is a

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Speaker 1: true story in Japan. Japan were very brutal with their

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Speaker 1: like who they allowed in and like they were very

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Speaker 1: pure right long long time ago. So the idea of

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Speaker 1: having blue eyes and living in Japan was seen as

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Speaker 1: like a oh you're like a you're not pure right

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Speaker 1: kind of thing. Anyway, So is this getting to your

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Speaker 1: favorite TV shirt? Yes, Okay, the show is about an

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Speaker 1: epic samurai who was always trying to conceal her eyes.

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Speaker 1: She's got blue eyes. Yeah, people kind of be like, oh,

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Speaker 1: you're a mutant, but wow, got samurai's skill. Kind of think.

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Speaker 1: So she's sort of like shunned by society and she

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Speaker 1: kind of fights her way back there. But anyway, the

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Speaker 1: main thing that I didn't to talk about is, oh,

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Speaker 1: I had had a couple of drinks before watching this,

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Speaker 1: and I was watching a scene and I was like,

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Speaker 1: I swear to got to just throw an animated penis,

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Speaker 1: but that I must have just imagined it. Anyway, as

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Speaker 1: I kept watching it, prolific nudity in animation form, which

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Speaker 1: which I'd never experienced that before. I've never experienced that before,

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Speaker 1: I'd say I saw as you know in ads.

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Speaker 3: Oh yeah, it's.

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Speaker 1: A Japanese animation, mate, Like, come on, if you're not

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Speaker 1: seeing a dick.

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Speaker 3: Yeah.

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Speaker 2: There was a scene in like probably not probably Japanese,

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Speaker 2: was a scene in a brothel.

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Speaker 1: There was a guy with no hands. Yeah, is that right?

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Speaker 1: That's obviously when it goes to the brothel, right, it's

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Speaker 1: kind of hands. Why did he go to the brothel

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Speaker 1: because he can't I can't do it himself. Get so

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Speaker 1: this is early, get creative. What do you want to do?

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Speaker 1: Use his feet? Well, and I'll leave that there. He's

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Speaker 1: getting to your favorite TV show? Oh? Sorry, No, you

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Speaker 1: took me to Blue Eyed Samura.

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Speaker 2: You took yourself to Blue Samara. And then I asked

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Speaker 2: you halfway through as.

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Speaker 1: You started talking about it, is it getting to your

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Speaker 1: favorite TV show? And you said yes. I thought you said,

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Speaker 1: is it getting to Blue Eyed Samurai? Sorry? Sorry, that's okay,

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Speaker 1: that's okay, So my favorite TV show there? Yeah, yeah,

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Speaker 1: there's just so many TV I think Severances as like

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Speaker 1: as as a pure mind bending stuff, don't you well,

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Speaker 1: it's just as like a from the start where you

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Speaker 1: don't you have no idea? What's have you watched Severance?

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Speaker 2: No, I've actually to be fair of when you watched

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Speaker 2: the first two epps. Okay, it's not too intense for

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Speaker 2: sim so you can probably speak.

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Speaker 1: The private time to watch the books. Nice, we'll find

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Speaker 1: that private time man, because season two is coming out

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Speaker 1: sand which is pretty exciting, but it's so beautifully gave

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Speaker 1: you this little this drip fed you little bits of

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Speaker 1: information better than any TV series I've ever had before,

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Speaker 1: you know what I mean. And then you like, oh

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Speaker 1: my god, it's all coming together, and then I feel

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Speaker 1: like the back half is just just repetitive. Oh my god,

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Speaker 1: Oh my god, I've repetitive. Oh my god. You know

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Speaker 1: it's a good TV show when you when you're oh

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Speaker 1: my god. Yeah, yeah, yeah, you know they finished episode

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Speaker 1: or you know that it's a good TV show when

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Speaker 1: you know you've got your strict nine point thirty PM

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Speaker 1: bed time.

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Speaker 2: Yeah, when you're on a good line to go, I've

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Speaker 2: got to watch another epic.

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Speaker 1: But chat that Him and I always have a feeling.

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Speaker 1: Do we watch the first ten minutes of the next

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Speaker 1: app Yeah, we do that.

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Speaker 2: We do that every time because I my my point

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Speaker 2: of my take on episode, they obviously want to finish

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Speaker 2: the episode on a climax or on a cliffhanger. Sure, right,

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Speaker 2: that's that's them to get them watching the next one.

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Speaker 1: Presumed Innocent did it very well as well.

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Speaker 2: Yes, Presumingism did very well, But my take on it

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Speaker 2: is that you what to avoid, step outside of the

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Speaker 2: step outside of the algorithm.

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Speaker 1: Everyone.

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Speaker 2: My take on it is don't let don't don't finish

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Speaker 2: on the cliffhanger, finish on the mellow out.

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Speaker 1: As in halfway through an ap Yeah, so we'll finish

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Speaker 1: if you have the control made. You know, I've got

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Speaker 1: the control.

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Speaker 2: Yeah, I'll finished fifteen, I'll finish ten or fifteen minutes

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Speaker 2: into the stop. Yeah, because I'll go like, Okay, I

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Speaker 2: found out what I needed to know, and we'll start

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Speaker 2: there because it's anymore getting dictated to as to when

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Speaker 2: you should finish the episode, which is the end of

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Speaker 2: the episode. But really you can finish that.

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Speaker 1: You can. You can pause the narrative whenever you want.

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Speaker 1: I know I can. I know I can do that. Yeah, yeah,

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Speaker 1: so do it, but like do it, man, take control

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Speaker 1: of your TV watching.

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Speaker 4: That part of the excitement though, Like the dopamine here

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Speaker 4: at the end of the episode and morning to watch,

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Speaker 4: if I was addicted.

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Speaker 2: To dopeman, yeah for sure, I'd feel that way as well, Tom,

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Speaker 2: But I'm free. No me is the best, No, no,

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Speaker 2: not at all, boys now, yeah, yeah it is.

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Speaker 1: But it also ruins your your ability to enjoy the

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Speaker 1: things in the moment. But when you've got the dopamine.

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Speaker 2: Yeah, I mean you're blind to everything else now because

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Speaker 2: it's so good.

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Speaker 1: Nah nah, because you lost. Now let's get into the podcast.

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Speaker 1: I pity you. You uh, you are extraordinary. A lot

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Speaker 1: of things that dopemine can stop episodes halfway through. It

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Speaker 1: must be wild being are that. I appreciate that. I

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Speaker 1: can't imagine living like that.

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Speaker 2: I've got a twigs bar just sitting here, brother, just

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Speaker 2: sitting here, might not have it that this is so.

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Speaker 1: Outrageous to me. I've got through all my snacks. Yeah.

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Speaker 4: Will is actually going to talk about why this podcast.

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Speaker 1: About a little man that oh no ship? Yeah, great point,

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Speaker 1: Tom good hook. What does your little man say? Donate

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Speaker 1: the twigs?

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Speaker 5: Yeah?

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Speaker 1: Oh yeah, yeah, well it used to used to say

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Speaker 1: don't eat. What does he say now?

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Speaker 2: I think I kind of just enjoyed the madness now.

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Speaker 1: I don't like. I don't deal very well with too

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Speaker 1: much routine.

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Speaker 2: Oh yeah, I quite enjoy the stopping things halfway through.

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Speaker 2: I like, I like being in a like if I

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Speaker 2: do too much routine, I get very weird atually. Funnily enough,

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Speaker 2: we're gonna play a bit of Stephen Fry a little

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Speaker 2: bit later on or I'm gonna do that right now, Yeah,

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Speaker 2: right now.

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Speaker 1: If you want.

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Speaker 2: I saw him talk last night, and you guys would

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Speaker 2: have heard a lot of Stephen from this podcast. So

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Speaker 2: I'm going to keep it pretty pretty shallow. I'm going

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Speaker 2: to set up my own Stephen podcast, which is meeting

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Speaker 2: you about Stephen. But he actually finished his The last

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Speaker 2: thing he said in his talk that he saw I

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Speaker 2: saw him last night two nights ago. The last thing

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Speaker 2: he said was that he was talking about his manic

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Speaker 2: depression because he airs bipolar, and you know, like every

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Speaker 2: now and then he'll go like, you know, he'll just

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Speaker 2: have a real episode where you know, fully flip out.

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Speaker 2: He'll he'll know, remove all of his contacts, he want

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Speaker 2: to speak to you over ages, He'll fall off a cliff.

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Speaker 1: Does he have a plann does he go somewhere? I

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Speaker 1: don't think it's controllable.

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Speaker 2: And if it's mania, he will have like you come

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Speaker 2: on the other side of his mania and he might

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Speaker 2: have sold his house, you know, like rinst all his

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Speaker 2: credit cards and you know, said something awful to his

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Speaker 2: parents and like just just lost it. And then he

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Speaker 2: comes out the other side of it and goes, oh

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Speaker 2: my god, and then just goes into the shocking depression

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Speaker 2: and he'll wake up and he's in Fiji anyway.

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Speaker 1: So that's basically the situation.

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Speaker 2: And so he kind of comes in and out of

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Speaker 2: popular culture where it's like, oh, you know, he's the

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Speaker 2: host of QI and then where the hell Stephen five?

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Speaker 1: For three years. That's just how he is.

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Speaker 2: Yeah, So what he said was I thought was quite

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Speaker 2: interesting because he said what happens is he comes back

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Speaker 2: from one of these things and every cab that he

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Speaker 2: gets into in London, the cab driver always says.

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Speaker 1: To him, you're right.

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Speaker 2: It's like yeah, yeah, very well, and he's like, you

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Speaker 2: went off the way off the rails for a while there,

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Speaker 2: didn't you Like, you went off the rails And he

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Speaker 2: was like he kept hearing this, and he said that

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Speaker 2: he actually got really sick of hearing it, to the

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Speaker 2: point where he realized, quite blissfully, he was like, who

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Speaker 2: the fuck would want to be on the rails?

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Speaker 1: Like the rails are a prison.

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Speaker 2: He was like, if at any stage I am on

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Speaker 2: the rails, I will hate my life.

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Speaker 1: Yeah, like I will hate it. I don't want to

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Speaker 1: I don't want to.

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Speaker 2: He's like for all the people that are you know, allowed,

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Speaker 2: you know, have the I think that the great privilege

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Speaker 2: of waking up one day and meaning like I want

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Speaker 2: to be a teacher, I want to be a doctor,

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Speaker 2: I want to be a scientist. Whatever those people are.

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Speaker 2: I've always envied those people like that is there, but

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Speaker 2: that's also their burden.

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Speaker 1: That's who they will be. They are on the rails.

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Speaker 2: The gift of not knowing what you want to be

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Speaker 2: and just being like, I don't know what I want

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Speaker 2: to do, which.

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Speaker 1: Has always been me.

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Speaker 2: That is the fact that you have the choice, but

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Speaker 2: you are off the rails. Sure you don't have security.

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Speaker 2: So it's funny how that works.

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Speaker 5: Right.

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Speaker 2: You're either kind of like, yeah, cool, this is what

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Speaker 2: I want to do with my life, and you know

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Speaker 2: that you're you know, you're a lab rat. You're in

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Speaker 2: you know, classic rails person.

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Speaker 1: Just put on the coat.

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Speaker 2: Every day, they get the Petri dishes out, and they'll do.

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Speaker 1: That for thirty years and they'll be so happy.

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Speaker 2: They will be so happy. I've always envied those people.

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Speaker 2: Another couple of classic careers mechanics. For some reason, everyone's

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Speaker 2: doing a mechanics they wake up one day they're like,

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Speaker 2: oh my god, I love cars.

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Speaker 1: I want to pick them apart. I want to be

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Speaker 1: in them all day, every day. That's probably another one.

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Speaker 1: The booth people. You know, when you go through like

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Speaker 1: a gate or something and they're booth attendant. I don't

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Speaker 1: think they've always wanted to be booth attendants. Think about it.

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Speaker 1: Imagine if they had do you know what I mean?

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Speaker 1: What this is all I wanted to do interaction with something.

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Speaker 1: You're giving me you two dollars to open the gate?

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Speaker 1: What they've always wanted to do. But I don't think

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Speaker 1: that many booth attendants have all like I don't think

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Speaker 1: they have one two he said how I said, how

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Speaker 1: I am mane live in the dream? Not one word

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Speaker 1: of sarcasm. One. I was like, that's awesome, man. All right,

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Speaker 1: well yeah, I think I think I've always envied those people.

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Speaker 1: But it was nice to hear. Does that mean that

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Speaker 1: you're off the rails? I'm always off the rails.

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Speaker 2: Though I'm not like, not like in a bad way,

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Speaker 2: just like I think I spend a lot of my

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Speaker 2: time trying to get on the rails, and I think

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Speaker 2: I I think I just need to realize that I'm

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Speaker 2: just not a very happy person on the rails.

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Speaker 1: You guys know what I'm like, and I'm on the rails.

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Speaker 2: You know, like when I try and do those like

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Speaker 2: month long you know, like health kicks ackad.

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Speaker 1: You never last a month. I suck. I usually last

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Speaker 1: one or two.

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Speaker 6: I suck.

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Speaker 1: I get really aggravated. I start annoying people. I just

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Speaker 1: I do not deal very well with it. I do

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Speaker 1: always worry when you go like really clean weekend, really

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Speaker 1: whole weekends. Man, I'm like, ah, that's going to be

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Speaker 1: a while. Can you be an annoying week Yeah? You

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Speaker 1: need to get off the run. You actually think about

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Speaker 1: the perfect example of this, I think is like elite

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Speaker 1: athletes that have like been like on the rails more

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Speaker 1: than anyone for like twelve years straight, like that most

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Speaker 1: heavily on the rails. People that that we're talking diet,

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Speaker 1: we're talking routine, we're talking everything right, and then it ends,

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Speaker 1: Yeah and they go off the and see, you see

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Speaker 1: that transition is so deal very well with it?

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Speaker 5: Well.

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Speaker 1: You probably you can probably link in child stars as well,

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Speaker 1: with people who are like very famous from a young age.

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Speaker 1: They've got someone telling them you need to be here

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Speaker 1: at this time, and there is physically someone who will

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Speaker 1: take you to the next thing, the next thing, and

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Speaker 1: the next thing. That is rails.

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Speaker 7: That's all.

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Speaker 1: That's rails for days. That's rails four days. And then

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Speaker 1: you remove those rails.

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Speaker 8: And say what, what actually is life?

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Speaker 1: Exactly?

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Speaker 2: Because is the routine becomes who they are. But I

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Speaker 2: like having a much more holistic broad approach.

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Speaker 1: Anything can happen at anytime. It's fun and finally enough,

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Speaker 1: I'm opposite can surprise people, plead opposite. So if I

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Speaker 1: if I'm not on the rails, everything is messed up. Yeah,

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Speaker 1: like like nothing, I can't even get through a day.

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Speaker 1: It's just and there can be no weird side described.

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Speaker 1: But like, I need to be so structured in order

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Speaker 1: to enjoy the rest of my day. You do and

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Speaker 1: and like and then and then yeah, and then this

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Speaker 1: is like this sounds like it's a like it doesn't

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Speaker 1: make sense, So it sounds I'm saying the opposite thing.

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Speaker 1: But I need to be so on the rails to

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Speaker 1: get off the rails. Yes, yes, if I'm off, then

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Speaker 1: I'm lost already and I'm too lost.

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Speaker 2: Yeah that's very true. Yes, I think it's also your relation.

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Speaker 2: I think it's also your relationship with it though, Like

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Speaker 2: I think that I enjoy being off the rails because

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Speaker 2: on the rails for.

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Speaker 1: Me means I'm working. Yeah, sure, sure, sure sure.

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Speaker 2: And there is certainly there's certainly a point where, you know,

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Speaker 2: I get off the rails to a point where I'm like,

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Speaker 2: I'm off the rails too much, and there's a voice

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Speaker 2: that's like, hey, get back.

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Speaker 1: On the rails.

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Speaker 2: But my poison is definitely that I'm I go too

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Speaker 2: hard on I'm on the rails. Yeah, when I get

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Speaker 2: on the rails, I'm like, Okay, cool, we're locked in here.

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Speaker 1: Let's burn And I do. I burn out.

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Speaker 2: I really do that, you know, if you gonna stick

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Speaker 2: with the rails train analogy, I genuinely burn through all

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Speaker 2: my feel I need to get off the rails consistently

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Speaker 2: to be able to get back on. I think we've

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Speaker 2: done a lot of rail chat. Hey, so we lose

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Speaker 2: people directly. For I, I can't stop talking about him.

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Speaker 2: I'm talking about something else genius that he said the

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Speaker 2: other day on the show, which I think is kind

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Speaker 2: of it's a nice way of getting into it really

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Speaker 2: because he is talking about being on the rails and

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Speaker 2: being too hard on the rails, and how I've thought

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Speaker 2: for a long time that was a very bad thing

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Speaker 2: for me.

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Speaker 9: Francis speak. Francis said to me, he said, oh, you

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Speaker 9: like me. He said, you've got a little man, haven't you.

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Speaker 9: I said, well, no, I'm single. He said no, I

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Speaker 9: don't mean that.

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Speaker 1: He said, I mean.

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Speaker 9: He said, in your head. You've got a little man

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Speaker 9: in your head. And maybe tomorrow, maybe next week, I'll

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Speaker 9: have been on this vicious bender, drinking and drinking as

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Speaker 9: I'd love to do, as you know, and then the

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Speaker 9: little man will say no, Francis studio, and I have

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Speaker 9: to obey him. He just goes on and on at me.

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Speaker 9: He says, studio studio now. And that's why I'm alive.

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Speaker 9: He said, you keep your don't you drown your little man.

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Speaker 9: Keep your little man alive.

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Speaker 2: It was really interesting advice, because I don't know if

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Speaker 2: anyone else listening out there has got a little man.

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Speaker 1: I've got a little man, very much, so I have

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Speaker 1: a little man. Allowed your little man very loud. He's

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Speaker 1: not a little he's actually quite a he's quite a

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Speaker 1: big man.

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Speaker 2: And it's quite a It can be for anyone who

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Speaker 2: is if you're a workaholic, or if you're a really

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Speaker 2: harsh judge of yourself like I am, that little man

427
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Speaker 2: becomes your worst.

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Speaker 1: Nightmare because he's quite nasty, to be nasty, super nasty, lazy. Yeah,

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Speaker 1: and in fact you don't got it your job well exactly,

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Speaker 1: just a little man, not me shit hat today.

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Speaker 2: But it does get to the point where you feel

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Speaker 2: as if you're not like the approval of the little

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Speaker 2: man is the only thing that matters, and to the

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Speaker 2: point where you can forget everything else in your life

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Speaker 2: at the cost of getting the approval from the little man.

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Speaker 1: Has the little man ever approved of something you've done?

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Speaker 1: Because the little man ever saying you did well, that's right,

438
00:19:54,160 --> 00:19:56,080
Speaker 1: But it feels so good.

439
00:19:56,720 --> 00:19:59,240
Speaker 2: He's the best feeling in the whole world when that

440
00:19:59,359 --> 00:20:01,520
Speaker 2: little man said you've done a good job. And that's

441
00:20:01,600 --> 00:20:04,200
Speaker 2: because and I think for anyone who's got a little

442
00:20:04,240 --> 00:20:05,880
Speaker 2: man or a little voice in their head that tells

443
00:20:05,920 --> 00:20:07,960
Speaker 2: them to work harder or do better.

444
00:20:08,640 --> 00:20:10,960
Speaker 1: That that's because it's not your voice.

445
00:20:11,359 --> 00:20:14,879
Speaker 2: It's the voice of the parent that you wanted to

446
00:20:14,880 --> 00:20:17,280
Speaker 2: approval from, or it's the voice of the teacher that

447
00:20:17,359 --> 00:20:18,520
Speaker 2: you wanted to approval from.

448
00:20:18,720 --> 00:20:21,720
Speaker 1: That's what the little man is. That's what it is.

449
00:20:22,359 --> 00:20:26,960
Speaker 2: And so I think it's really easy to demonize that voice,

450
00:20:27,600 --> 00:20:30,080
Speaker 2: to go like, I hate the little man in my head.

451
00:20:30,160 --> 00:20:33,040
Speaker 2: It's constantly telling me I'm not good enough, I'm not

452
00:20:33,200 --> 00:20:37,119
Speaker 2: doing well enough. And I think what Steven said, and

453
00:20:37,200 --> 00:20:39,960
Speaker 2: I think this is really important for anyone that's really

454
00:20:40,280 --> 00:20:43,280
Speaker 2: hard on themselves and who beats themselves up with this

455
00:20:43,359 --> 00:20:46,120
Speaker 2: little voice in their head. I think what Stephen said

456
00:20:46,280 --> 00:20:49,280
Speaker 2: is the right approach, And it's actually all about how

457
00:20:49,280 --> 00:20:52,320
Speaker 2: you frame your relationship with that thing. It's not that thing,

458
00:20:52,400 --> 00:20:54,360
Speaker 2: because that thing is going to be there your whole life.

459
00:20:54,400 --> 00:20:55,960
Speaker 2: If you're a hard on yourself person, if you're a

460
00:20:56,000 --> 00:20:59,160
Speaker 2: workolic person, you're always going to have that. If you're

461
00:20:59,160 --> 00:21:01,800
Speaker 2: a perfectionist, always going to have that voice. But and

462
00:21:01,920 --> 00:21:04,200
Speaker 2: you can't change that. It will always be there. I

463
00:21:04,320 --> 00:21:05,720
Speaker 2: mean that it'll be your whole life.

464
00:21:05,800 --> 00:21:07,000
Speaker 1: And if you tell it to shut up and don't

465
00:21:07,000 --> 00:21:07,359
Speaker 1: listen to it.

466
00:21:09,280 --> 00:21:11,600
Speaker 2: But you can change your relationship with it. And I

467
00:21:11,760 --> 00:21:14,240
Speaker 2: don't know if anyone listening to what Stephen just said

468
00:21:15,119 --> 00:21:17,200
Speaker 2: if they found that as relieving as I did. But

469
00:21:18,520 --> 00:21:21,080
Speaker 2: for him to say, I'm so glad I've got a

470
00:21:21,119 --> 00:21:25,119
Speaker 2: little man in my head that changed something for me

471
00:21:26,359 --> 00:21:30,040
Speaker 2: that that really I felt the ground shift there, because

472
00:21:31,000 --> 00:21:33,159
Speaker 2: I've never said to myself, I'm glad I've got a

473
00:21:33,160 --> 00:21:36,600
Speaker 2: little man. Yeah, I've always looked on it as i've

474
00:21:36,720 --> 00:21:39,760
Speaker 2: got to I've got to satisfy the voice in my

475
00:21:39,880 --> 00:21:42,960
Speaker 2: head in order to be happy. Yea, as opposed to

476
00:21:43,840 --> 00:21:47,480
Speaker 2: I'm glad that I have that outlook on life that

477
00:21:47,600 --> 00:21:49,639
Speaker 2: i'm I'm glad that i'm I'm a worker.

478
00:21:49,840 --> 00:21:51,680
Speaker 1: And have you found that little man has got a

479
00:21:51,720 --> 00:21:52,240
Speaker 1: bit nicer?

480
00:21:52,440 --> 00:21:56,560
Speaker 2: Yes? You were like, hey, thanks, thanks, make yourself comfortable,

481
00:21:56,560 --> 00:22:00,400
Speaker 2: because I think the exactly because I think. The deeper realization,

482
00:22:00,720 --> 00:22:03,000
Speaker 2: and this is going to be really hard for anyone

483
00:22:03,080 --> 00:22:05,320
Speaker 2: that really struggles with how they think about themselves, is

484
00:22:05,359 --> 00:22:08,800
Speaker 2: that nothing in your head is actually there to hurt you.

485
00:22:09,600 --> 00:22:13,320
Speaker 2: Every single part of your psyche is trying.

486
00:22:13,119 --> 00:22:13,680
Speaker 1: To protect you.

487
00:22:14,720 --> 00:22:16,399
Speaker 2: It doesn't make sense that you'd have something in your

488
00:22:16,440 --> 00:22:18,760
Speaker 2: head that was trying to sabotage you. Everything in your

489
00:22:18,800 --> 00:22:21,000
Speaker 2: brain is part of your brain, right, So everything in

490
00:22:21,080 --> 00:22:22,960
Speaker 2: your head at some stage is trying to go to you.

491
00:22:23,320 --> 00:22:24,760
Speaker 1: Hey, I'm just trying to help out. I'm just trying

492
00:22:24,800 --> 00:22:26,680
Speaker 1: to help out the part. I'm to help out that

493
00:22:26,840 --> 00:22:29,480
Speaker 1: told me to once piss on an electric fence. I

494
00:22:29,680 --> 00:22:30,560
Speaker 1: reckon they were trying to.

495
00:22:37,760 --> 00:22:37,800
Speaker 5: That.

496
00:22:41,359 --> 00:22:42,840
Speaker 2: I was going to go out and the laugh here,

497
00:22:42,960 --> 00:22:44,960
Speaker 2: But here's here. I mean, I'm happy to I know

498
00:22:45,040 --> 00:22:47,240
Speaker 2: what you're trying to do to me. Who are you trying?

499
00:22:47,280 --> 00:22:48,920
Speaker 2: Who are you going to piss on the electric fence.

500
00:22:48,760 --> 00:22:51,119
Speaker 1: In front of a group of people? Wanted to make

501
00:22:51,200 --> 00:23:01,560
Speaker 1: them laugh? There you go, damn it. I've been thinking

502
00:23:01,600 --> 00:23:04,720
Speaker 1: about that chat. Is that right? Has that been? Was

503
00:23:04,760 --> 00:23:12,600
Speaker 1: that we stewing on it? Lastly? Stewing? Take percolate, brewing, steeping, No,

504
00:23:12,760 --> 00:23:14,760
Speaker 1: I'll take percolate, percolate.

505
00:23:15,440 --> 00:23:17,359
Speaker 7: So a few options there, but you would have liked

506
00:23:17,400 --> 00:23:26,520
Speaker 7: that your words, you did right in different ways diffusing, diffusing, percolarinating, aggressive,

507
00:23:27,520 --> 00:23:29,520
Speaker 7: It gets me just stewe territory.

508
00:23:30,359 --> 00:23:32,919
Speaker 1: Riining, brining, brining.

509
00:23:34,119 --> 00:23:35,159
Speaker 7: Like you Brian pickle?

510
00:23:35,680 --> 00:23:41,560
Speaker 1: Is that right? Mate? Well, you do whatever you want

511
00:23:41,560 --> 00:23:42,360
Speaker 1: to do in your own time.

512
00:23:42,400 --> 00:23:45,439
Speaker 2: Mate, I imagine would involve a bit of pickle brining.

513
00:23:45,560 --> 00:23:48,440
Speaker 2: You very very weird man, all right? Would so carry on?

514
00:23:49,359 --> 00:23:49,560
Speaker 5: Yeah?

515
00:23:49,960 --> 00:23:54,399
Speaker 1: Within my percolation this idea that you listen to the

516
00:23:54,680 --> 00:23:58,080
Speaker 1: to the little man that I listened to it. Just

517
00:23:58,160 --> 00:24:00,320
Speaker 1: just the discussion that we had was around like, it's

518
00:24:00,320 --> 00:24:03,440
Speaker 1: probably a good thing to listen to that voice. Ah,

519
00:24:05,160 --> 00:24:09,760
Speaker 1: I don't think that it was. No, I don't think.

520
00:24:10,040 --> 00:24:12,639
Speaker 1: I don't think it's that clear circulated for me.

521
00:24:12,800 --> 00:24:13,240
Speaker 5: I think so.

522
00:24:13,800 --> 00:24:17,160
Speaker 1: I think the take home is that it's.

523
00:24:17,320 --> 00:24:21,960
Speaker 2: Very easy to hate the little man, and I think

524
00:24:22,119 --> 00:24:24,600
Speaker 2: that leads to a bad relation with the little a

525
00:24:24,640 --> 00:24:27,080
Speaker 2: bad relationship with little because you resent it because it's

526
00:24:27,160 --> 00:24:30,440
Speaker 2: the it's that you should be doing voice, that's that's

527
00:24:30,480 --> 00:24:33,320
Speaker 2: the little man, right, And I think what's really healthy

528
00:24:33,400 --> 00:24:35,399
Speaker 2: when I heard Stephen talk about it is I was like, Oh,

529
00:24:35,520 --> 00:24:39,720
Speaker 2: that's really that's clever, because I think you create a

530
00:24:39,800 --> 00:24:43,399
Speaker 2: bad relationship with anything in your life by your attitude

531
00:24:43,440 --> 00:24:46,280
Speaker 2: towards it. Right, So if your attitude towards the little

532
00:24:46,320 --> 00:24:48,600
Speaker 2: man is oh my god, piss off, of course it's

533
00:24:48,680 --> 00:24:50,600
Speaker 2: going to become a demon for you. But as soon

534
00:24:50,640 --> 00:24:53,159
Speaker 2: as he said, oh, it's a cool thing to have.

535
00:24:53,800 --> 00:24:56,800
Speaker 2: That's why I said afterwards, it's worth reminding yourself that

536
00:24:57,359 --> 00:24:59,399
Speaker 2: everything that is in your head is there trying to

537
00:24:59,440 --> 00:25:02,440
Speaker 2: protect you, because when you do have something that's annoying you,

538
00:25:03,040 --> 00:25:05,680
Speaker 2: it's nice to be reminded of like this is there

539
00:25:05,720 --> 00:25:07,320
Speaker 2: for a reason. This is trying to help me out,

540
00:25:07,760 --> 00:25:10,200
Speaker 2: and don't hate on it, because the more you hate

541
00:25:10,240 --> 00:25:11,600
Speaker 2: on it, the worse it's going to get for you.

542
00:25:12,080 --> 00:25:15,800
Speaker 1: So that, yeah, absolutely, it does make sense different, But

543
00:25:15,920 --> 00:25:20,359
Speaker 1: sometimes the little man is saying some very unconstructive things

544
00:25:20,480 --> 00:25:23,200
Speaker 1: that like, for example of if I fully listened to

545
00:25:23,280 --> 00:25:26,520
Speaker 1: my little man, it's like, don't try and do that.

546
00:25:26,760 --> 00:25:29,040
Speaker 1: You're not good enough and you will fail at that. Yes,

547
00:25:29,840 --> 00:25:31,960
Speaker 1: how could you possibly think that you can go and

548
00:25:32,080 --> 00:25:34,080
Speaker 1: do that? And it's funny, it was just like getting

549
00:25:34,119 --> 00:25:36,399
Speaker 1: that line of like okay, okay, I'm gonna listen to

550
00:25:36,440 --> 00:25:38,000
Speaker 1: you a little man, because you're trying to look after me.

551
00:25:38,080 --> 00:25:39,920
Speaker 1: But also if I listened to you too much, I

552
00:25:40,000 --> 00:25:41,080
Speaker 1: will not leave the hand. No I know.

553
00:25:41,240 --> 00:25:43,200
Speaker 2: So I think that you again, you've extrapolated it a

554
00:25:43,240 --> 00:25:44,000
Speaker 2: little bit too fast.

555
00:25:44,040 --> 00:25:46,560
Speaker 1: So happens percolate? Yeah yeah, yeah, well you might.

556
00:25:46,480 --> 00:25:50,720
Speaker 2: Have brood here, you might have even Brian's very good

557
00:25:50,920 --> 00:25:55,000
Speaker 2: turned into it. It's funny how how particular the language

558
00:25:55,040 --> 00:25:57,560
Speaker 2: gets with this sort of stuff. But the first thing

559
00:25:57,600 --> 00:26:00,240
Speaker 2: you said then was I'm going to listen to you

560
00:26:00,400 --> 00:26:05,680
Speaker 2: little man. I think that's different because I think that

561
00:26:05,800 --> 00:26:09,439
Speaker 2: there's there's a where like if you the little man

562
00:26:09,560 --> 00:26:13,840
Speaker 2: becomes an issue when you're blindly listening sure, because that

563
00:26:14,040 --> 00:26:17,960
Speaker 2: then takes him from sitting on your shoulder to in

564
00:26:18,080 --> 00:26:20,800
Speaker 2: the control tower because you don't even realize that you're

565
00:26:20,840 --> 00:26:24,880
Speaker 2: listening to it right right, You're following versus.

566
00:26:26,080 --> 00:26:28,240
Speaker 1: Here, I hear what you're saying, and I and I

567
00:26:28,440 --> 00:26:31,040
Speaker 1: and I know that you're trying to protect me.

568
00:26:32,320 --> 00:26:35,760
Speaker 2: And then that changes your relationship with the voice because

569
00:26:35,800 --> 00:26:39,440
Speaker 2: then you go from blindly listening to it to I

570
00:26:39,520 --> 00:26:42,200
Speaker 2: can accept you that you're there, and I appreciate what

571
00:26:42,240 --> 00:26:44,600
Speaker 2: you're trying to say for me, but I don't need

572
00:26:44,640 --> 00:26:45,160
Speaker 2: to listen.

573
00:26:45,040 --> 00:26:46,919
Speaker 1: To you right right.

574
00:26:47,040 --> 00:26:50,480
Speaker 2: So it's again it's the attitude to the voice, which

575
00:26:50,480 --> 00:26:52,080
Speaker 2: I thought was really nice with what he was saying,

576
00:26:52,080 --> 00:26:54,920
Speaker 2: because he was like, thanks, little man, I hear what

577
00:26:54,960 --> 00:26:56,320
Speaker 2: you're saying, and that's not a bad idea.

578
00:26:56,440 --> 00:26:58,280
Speaker 1: I'm going to leave this bender right now because in

579
00:26:58,520 --> 00:27:00,280
Speaker 1: that situation, that voice is a good thing for him

580
00:27:00,280 --> 00:27:01,879
Speaker 1: to right.

581
00:27:02,240 --> 00:27:04,800
Speaker 2: Another time, when a little man is going you're no

582
00:27:04,920 --> 00:27:07,399
Speaker 2: good at this, you go, hey, thanks, little guy, I

583
00:27:07,480 --> 00:27:09,120
Speaker 2: know what you're trying to do there, because I failed

584
00:27:09,160 --> 00:27:11,000
Speaker 2: at that a while ago. And that was embarrassing for me,

585
00:27:11,119 --> 00:27:13,480
Speaker 2: and I do struggle with my fear of failure. But

586
00:27:14,119 --> 00:27:15,520
Speaker 2: I don't need to listen to that right now.

587
00:27:15,920 --> 00:27:18,280
Speaker 1: That's different generally speaking. This little man to shut up, then.

588
00:27:19,119 --> 00:27:22,159
Speaker 2: I think, So this is the fascinating thing for me.

589
00:27:23,600 --> 00:27:25,440
Speaker 2: If you turn around to the little.

590
00:27:25,200 --> 00:27:26,719
Speaker 1: Man and go, oh my god, my god, I can

591
00:27:26,880 --> 00:27:28,000
Speaker 1: do this. I can do it, I can do it,

592
00:27:28,040 --> 00:27:29,639
Speaker 1: I can do it, I'd never be that confrontational.

593
00:27:29,720 --> 00:27:31,199
Speaker 2: By the way, Fine, the little man's going to get

594
00:27:31,240 --> 00:27:34,160
Speaker 2: bigger and bigger. Yeah, yeah, if you cower, the little

595
00:27:34,200 --> 00:27:36,480
Speaker 2: man's going to get bigger and bigger and bigger. If

596
00:27:36,560 --> 00:27:39,400
Speaker 2: you can find a place where you go shake his hand,

597
00:27:39,640 --> 00:27:41,639
Speaker 2: thanks so much, dude. And it's the hardest thing in

598
00:27:41,680 --> 00:27:43,800
Speaker 2: the world because basically what I'm saying is you need

599
00:27:43,920 --> 00:27:46,760
Speaker 2: to learn a way to like the parts of yourself

600
00:27:46,840 --> 00:27:50,480
Speaker 2: that you dislike the most. That is, your relationship with

601
00:27:50,880 --> 00:27:54,200
Speaker 2: the little man is ultimately how it because the little

602
00:27:54,240 --> 00:27:55,920
Speaker 2: man is the part of yourself that you hate the most.

603
00:27:56,600 --> 00:27:58,560
Speaker 1: Absolutely it is. So I'm find this is really funny.

604
00:27:58,560 --> 00:27:59,960
Speaker 1: You're doing this whole chat with me with Ray band

605
00:28:00,040 --> 00:28:03,760
Speaker 1: some classes, I'm starting to feel like I'm talking to

606
00:28:03,840 --> 00:28:06,320
Speaker 1: a guru and like, I'm not talking to will and

607
00:28:06,680 --> 00:28:10,120
Speaker 1: I'm sorry. You're in a child.

608
00:28:11,280 --> 00:28:14,520
Speaker 4: In a child calls it, you're in a child, and

609
00:28:14,600 --> 00:28:17,080
Speaker 4: you just need to nurture that child. So sometimes the

610
00:28:17,200 --> 00:28:20,359
Speaker 4: child's being completely erratic and irrational, but you need to

611
00:28:20,560 --> 00:28:22,240
Speaker 4: calm the child.

612
00:28:23,800 --> 00:28:26,399
Speaker 1: Away. If it was my daughter doing that, I wouldn't

613
00:28:26,480 --> 00:28:30,200
Speaker 1: just go like, shut up, you idiot and not talk

614
00:28:30,280 --> 00:28:32,240
Speaker 1: to yea. It might be the child. I think.

615
00:28:32,320 --> 00:28:34,119
Speaker 2: I think that's an important wing to make. Is it

616
00:28:34,280 --> 00:28:37,680
Speaker 2: like I'm talking about isn't it exactly? But I'm talking

617
00:28:37,720 --> 00:28:40,080
Speaker 2: about the thing that you least like about yourself that

618
00:28:40,240 --> 00:28:41,920
Speaker 2: that might not be you're in a child that, But

619
00:28:42,040 --> 00:28:44,480
Speaker 2: you're in a child for instance. You know that you

620
00:28:44,600 --> 00:28:46,640
Speaker 2: have all these parts of yourself that make up who

621
00:28:46,720 --> 00:28:48,960
Speaker 2: you are, and at different times, these voices are going

622
00:28:49,040 --> 00:28:51,520
Speaker 2: to try and speak to you in different ways. And

623
00:28:51,600 --> 00:28:53,400
Speaker 2: I think that it's just about listening to each of

624
00:28:53,440 --> 00:28:55,200
Speaker 2: those voices and giving them space, because I think that

625
00:28:55,400 --> 00:28:57,560
Speaker 2: you run into trouble when you try and push them away.

626
00:28:58,920 --> 00:29:01,520
Speaker 2: That's when that's when attention arises. That's when you get

627
00:29:01,560 --> 00:29:03,840
Speaker 2: real suffering. Is when you go, I'm going to bury

628
00:29:03,920 --> 00:29:06,520
Speaker 2: that part of me, because that part of you really

629
00:29:06,680 --> 00:29:09,000
Speaker 2: just is like any other part of you, like it

630
00:29:09,480 --> 00:29:11,280
Speaker 2: deserves to be listened to it because it's trying to

631
00:29:11,320 --> 00:29:12,320
Speaker 2: help you out totally.

632
00:29:12,360 --> 00:29:14,120
Speaker 1: Even when they're in a bad mood, sometimes they're in

633
00:29:14,160 --> 00:29:16,160
Speaker 1: a really bad moods they're in a good mood. But

634
00:29:16,280 --> 00:29:17,800
Speaker 1: sometimes even when they're in a really good mood, you're

635
00:29:17,840 --> 00:29:22,080
Speaker 1: like you, you are just being ridiculous today. Yeah, silly, silly. Yeah.

636
00:29:22,120 --> 00:29:23,480
Speaker 1: And I think I actually said this to you on

637
00:29:23,560 --> 00:29:25,240
Speaker 1: the on the on the way to your wedding, Like,

638
00:29:25,960 --> 00:29:29,080
Speaker 1: I think that the different parts of yourself.

639
00:29:30,160 --> 00:29:35,720
Speaker 2: Ah, the reason that you develop these parts that get

640
00:29:35,800 --> 00:29:38,840
Speaker 2: buried is because when you were a little kid that

641
00:29:39,200 --> 00:29:41,120
Speaker 2: the thing that you were trying to connect with most

642
00:29:41,280 --> 00:29:43,880
Speaker 2: was your parents, right, Like, because you had to fit in.

643
00:29:44,000 --> 00:29:46,080
Speaker 2: That's your number one need as a child. I need

644
00:29:46,160 --> 00:29:48,320
Speaker 2: to I need to connect because if I fit in,

645
00:29:48,800 --> 00:29:50,680
Speaker 2: I'm part of the pack and then I can't get hurt.

646
00:29:51,000 --> 00:29:51,160
Speaker 1: Right.

647
00:29:51,520 --> 00:29:54,560
Speaker 2: So, if you're if your parents tell you or don't

648
00:29:54,600 --> 00:29:56,440
Speaker 2: necessarily tell you, but act in a way that they

649
00:29:56,520 --> 00:29:59,760
Speaker 2: don't appreciate who you are as your authentic self, there's

650
00:29:59,760 --> 00:30:01,440
Speaker 2: gonna there be other parts of you that come forward

651
00:30:01,440 --> 00:30:03,800
Speaker 2: that they do. Like, so you're going to get used

652
00:30:03,800 --> 00:30:06,080
Speaker 2: to those parts of you being the parts of you

653
00:30:06,200 --> 00:30:08,000
Speaker 2: that you're like under show these off the most because

654
00:30:08,000 --> 00:30:10,360
Speaker 2: this is when I get the love, and then you

655
00:30:10,560 --> 00:30:12,600
Speaker 2: reject these other parts of you that make up your

656
00:30:12,640 --> 00:30:13,280
Speaker 2: authentic self.

657
00:30:13,560 --> 00:30:15,040
Speaker 1: It was very deep chat on the way to the

658
00:30:15,080 --> 00:30:17,920
Speaker 1: word it was. It was definitely not like a pregame.

659
00:30:18,880 --> 00:30:19,840
Speaker 1: So it's often not much.

660
00:30:20,000 --> 00:30:22,360
Speaker 2: It's not often until like much later in your life

661
00:30:23,480 --> 00:30:26,840
Speaker 2: where you actually can have the time and space where

662
00:30:26,840 --> 00:30:30,040
Speaker 2: you have been loved enough to hear one of these

663
00:30:30,120 --> 00:30:33,360
Speaker 2: voices that you shoved down when you were four years old,

664
00:30:34,160 --> 00:30:37,360
Speaker 2: that is trying to like you're screaming for attention, and

665
00:30:37,480 --> 00:30:39,400
Speaker 2: they can often they can often say things which are

666
00:30:39,480 --> 00:30:43,240
Speaker 2: like quite confronting and not safe and feel not safe,

667
00:30:43,280 --> 00:30:45,560
Speaker 2: and so it's quite hard to have a normal or

668
00:30:45,560 --> 00:30:48,200
Speaker 2: a loving relationship with those voices because you're like, shit, dude,

669
00:30:48,680 --> 00:30:50,080
Speaker 2: where have you been for thirty years?

670
00:30:50,520 --> 00:30:52,200
Speaker 1: I can't just love you straight away? I don't know

671
00:30:52,240 --> 00:30:54,360
Speaker 1: what where did that come from? To hang out with

672
00:30:54,400 --> 00:30:55,120
Speaker 1: them tonight.

673
00:30:56,720 --> 00:30:59,080
Speaker 7: This year?

674
00:31:00,040 --> 00:31:02,040
Speaker 1: Anyway? Sorry, this is what you were talking about with

675
00:31:02,320 --> 00:31:08,720
Speaker 1: No A Breather Space, I mean, same album. This is

676
00:31:08,760 --> 00:31:13,000
Speaker 1: a banger almost is she talking about the little man.

677
00:31:13,840 --> 00:31:14,440
Speaker 3: No, she's not.

678
00:31:15,680 --> 00:31:18,880
Speaker 1: Just take it, just take it well, just take it

679
00:31:19,960 --> 00:31:22,480
Speaker 1: all right. We're gonna sorry that that really did get deep.

680
00:31:22,520 --> 00:31:24,000
Speaker 1: I hope it's got something out of that though.

681
00:31:24,040 --> 00:31:27,320
Speaker 2: I think it's important, definitely conversation to have. Definitely let's

682
00:31:27,320 --> 00:31:30,600
Speaker 2: go to the ads. Yeah, buddy, lighting up with the ads.

683
00:31:30,640 --> 00:31:54,240
Speaker 1: Guys, welcome back, all right, Now we've got as deep

684
00:31:54,280 --> 00:31:56,240
Speaker 1: as we can get. Yeah, we have, and I'm sorry

685
00:31:56,280 --> 00:31:57,840
Speaker 1: to take you there again, but this is pretty deeper

686
00:31:57,920 --> 00:31:58,120
Speaker 1: we go.

687
00:31:58,320 --> 00:31:59,080
Speaker 3: We're going back.

688
00:32:01,280 --> 00:32:01,400
Speaker 5: To you.

689
00:32:02,320 --> 00:32:04,440
Speaker 1: I love I love the deepness as well. And I

690
00:32:04,480 --> 00:32:07,360
Speaker 1: think there's really got to the core of one member

691
00:32:08,200 --> 00:32:09,720
Speaker 1: of our team. I'm not going to say which one,

692
00:32:09,800 --> 00:32:12,600
Speaker 1: but there's no better moment on this radio show than

693
00:32:12,640 --> 00:32:15,600
Speaker 1: when you really know you've got one of the members

694
00:32:15,600 --> 00:32:17,520
Speaker 1: of the team. They had no idea this was coming,

695
00:32:18,520 --> 00:32:21,560
Speaker 1: and when it arrived it was pure bliss for everybody

696
00:32:22,120 --> 00:32:27,160
Speaker 1: apart from them. Enjoy quick question. Yeah, and I hope

697
00:32:27,240 --> 00:32:30,600
Speaker 1: you feel comfortable answering this, honestly, do you have a

698
00:32:30,680 --> 00:32:35,200
Speaker 1: sex playlist songs? I know what you're asking. Do you

699
00:32:35,280 --> 00:32:39,640
Speaker 1: have one? I'm just interested. I have I have certain

700
00:32:39,720 --> 00:32:45,760
Speaker 1: records that I would play to enhance the mood. Yeah, okay,

701
00:32:46,320 --> 00:32:48,400
Speaker 1: So but you don't have like a playlist on like

702
00:32:48,480 --> 00:32:50,080
Speaker 1: Spotify or iHeart.

703
00:32:51,080 --> 00:32:53,560
Speaker 2: I'd rather play a record your beard room. Yes, I'd

704
00:32:53,640 --> 00:32:54,280
Speaker 2: rather play a record.

705
00:32:54,440 --> 00:32:56,959
Speaker 1: Well if you did, so you play records your classic

706
00:32:57,080 --> 00:33:00,680
Speaker 1: like that. Some people make playlists for the beer, and

707
00:33:00,880 --> 00:33:03,720
Speaker 1: usually when they make it on iHeart or Spotify or whatever,

708
00:33:04,080 --> 00:33:07,040
Speaker 1: they keep these private, you know, when it is specifically

709
00:33:07,240 --> 00:33:11,040
Speaker 1: a bedroom or sex playlist. Unfortunately, now I'm not allowed

710
00:33:11,080 --> 00:33:14,200
Speaker 1: to say this person's name, but a very well known politician,

711
00:33:14,880 --> 00:33:24,960
Speaker 1: unfortunately on their Spotify account had their playlist hello and

712
00:33:25,680 --> 00:33:29,760
Speaker 1: someone found it. The playlist was called d You Down,

713
00:33:31,720 --> 00:33:35,200
Speaker 1: which I think is from a Kevin Gates song. And

714
00:33:35,680 --> 00:33:38,640
Speaker 1: but you know that it's his sex playlist though, well

715
00:33:38,720 --> 00:33:41,800
Speaker 1: because it was titled d You Down. What does that mean? Well,

716
00:33:42,320 --> 00:33:44,640
Speaker 1: urban dictionary, if you look up Urban Dictionary, to d

717
00:33:44,840 --> 00:33:47,240
Speaker 1: you down is to give a girl the best d

718
00:33:47,520 --> 00:33:50,880
Speaker 1: of her life. So that's the name. That's the name

719
00:33:51,200 --> 00:33:53,760
Speaker 1: is the politician. I'm not I can't say that it's ready.

720
00:33:53,800 --> 00:33:55,200
Speaker 1: It's ready, isn't it It's not.

721
00:33:56,920 --> 00:33:57,200
Speaker 5: It is.

722
00:33:58,720 --> 00:34:00,360
Speaker 1: It's ready. It's not ready.

723
00:34:00,440 --> 00:34:03,280
Speaker 2: We all know ready to be dynamite in the zec ruddy. Yeah,

724
00:34:03,360 --> 00:34:05,400
Speaker 2: man speak to me and Chinese ready give it to

725
00:34:05,480 --> 00:34:06,120
Speaker 2: me and che.

726
00:34:07,120 --> 00:34:09,560
Speaker 1: I think it'd be very particular about wanting what he wanted.

727
00:34:10,239 --> 00:34:12,560
Speaker 2: Oh yeah, and it obviously used far too many words

728
00:34:12,600 --> 00:34:17,160
Speaker 2: to describe that, but very diplomatic, I imagine, incredibly diplomatic.

729
00:34:18,560 --> 00:34:22,759
Speaker 1: Okay, well it's not it's not Ruddy. It's not very good.

730
00:34:23,120 --> 00:34:25,239
Speaker 2: You've heard of Kevin o San Kevin sixty nine.

731
00:34:26,200 --> 00:34:33,439
Speaker 3: That's that's what his playlist is called sixty nine.

732
00:34:37,680 --> 00:34:41,040
Speaker 1: It's funny. But yes, it's not. Okay, it's not it's

733
00:34:41,120 --> 00:34:44,000
Speaker 1: not Kevin rud Again, I'm not going to say who

734
00:34:44,160 --> 00:34:47,840
Speaker 1: the politician. But they had all sorts of pretty wild songs.

735
00:34:48,200 --> 00:34:51,239
Speaker 1: I didn't know this was a sexy song. I guess

736
00:34:51,480 --> 00:34:54,680
Speaker 1: this is this is Nile Horn can tell that I

737
00:34:54,840 --> 00:34:59,920
Speaker 1: want you. Yeah, So that's on there. It's a sexy

738
00:35:00,080 --> 00:35:05,560
Speaker 1: so yeah, I guess like sweat dripping down. Yeah, it's Abbot,

739
00:35:05,760 --> 00:35:09,560
Speaker 1: isn't it. It was not stop guessing guessing that they'll

740
00:35:09,560 --> 00:35:18,480
Speaker 1: get liturgy. Abbit the Rabbit has to rabbit. It was no, not,

741
00:35:18,800 --> 00:35:21,520
Speaker 1: it's not Abbot the Rabbit. So that one's on there.

742
00:35:21,920 --> 00:35:23,840
Speaker 1: Do we have any other audio that we don't Some

743
00:35:24,000 --> 00:35:25,759
Speaker 1: of the any other audio of the songs that are

744
00:35:25,800 --> 00:35:28,480
Speaker 1: on there, because they're all pretty crass. There's a song

745
00:35:28,520 --> 00:35:33,280
Speaker 1: apparently by Chris Brown called Wet the Bed, which features

746
00:35:33,320 --> 00:35:35,759
Speaker 1: the opening lines again, I can't play this because it's

747
00:35:35,760 --> 00:35:37,839
Speaker 1: too rude, but it's right here, the sound of your

748
00:35:37,920 --> 00:35:41,839
Speaker 1: body drip drip drip as I kiss both sets of lip,

749
00:35:42,080 --> 00:35:46,200
Speaker 1: lip lips. So that's These are the kinds of science politics,

750
00:35:46,920 --> 00:35:50,480
Speaker 1: and it's public. Everyone knows about it. Now. Well, I

751
00:35:50,640 --> 00:35:53,480
Speaker 1: just thought this is so embarrassing for this politician.

752
00:35:53,080 --> 00:35:55,040
Speaker 8: And I was like, I wonder if anyone on our

753
00:35:55,160 --> 00:36:01,239
Speaker 8: team would potentially have like a public playlist, And quite amazingly,

754
00:36:02,280 --> 00:36:05,400
Speaker 8: a massive music fan in our team, Captain poo pants

755
00:36:05,600 --> 00:36:09,000
Speaker 8: no I went on his Spotify, has got a Spotify

756
00:36:09,160 --> 00:36:15,160
Speaker 8: playlist called Captain Pooh no Pants, and well he is

757
00:36:15,360 --> 00:36:17,239
Speaker 8: just a smattering of some.

758
00:36:17,440 --> 00:36:20,640
Speaker 1: Of the songs that Captains has on his sex but with.

759
00:36:20,680 --> 00:36:37,960
Speaker 3: It being around the bushes.

760
00:36:43,719 --> 00:37:06,080
Speaker 10: Gets a little bo.

761
00:37:02,640 --> 00:37:06,400
Speaker 1: Go on, mate, use your microphone. I'm sexy and I

762
00:37:24,280 --> 00:37:24,879
Speaker 1: welcome back.

763
00:37:25,920 --> 00:37:28,279
Speaker 2: So we get one of the produces in there talk

764
00:37:28,320 --> 00:37:30,840
Speaker 2: about the favorite break has that.

765
00:37:33,000 --> 00:37:38,520
Speaker 1: The week much better? Oh hello, hello? Oh yeah, outstanding excellent.

766
00:37:40,080 --> 00:37:45,399
Speaker 1: I'll just crack in you t about you're welcome, DROs Well.

767
00:37:45,440 --> 00:37:49,719
Speaker 1: I was that banana that you're eating? Grape okay to

768
00:37:50,440 --> 00:37:56,040
Speaker 1: too ripe? No, just a bit of blackness of the middle. Oh, No,

769
00:37:56,080 --> 00:37:57,240
Speaker 1: one likes a bruise banana.

770
00:37:57,320 --> 00:37:57,680
Speaker 6: Anyway.

771
00:37:57,800 --> 00:38:07,520
Speaker 1: My favorite part of a nice segue was when Wood

772
00:38:07,600 --> 00:38:11,000
Speaker 1: he appointed you will the punky. No, hang on a

773
00:38:11,040 --> 00:38:13,640
Speaker 1: second here, l J. I don't appoint him. He has

774
00:38:13,680 --> 00:38:16,040
Speaker 1: always said for years he is the pun king. Now

775
00:38:16,080 --> 00:38:18,840
Speaker 1: that I was, I was just acknowledging the past, and

776
00:38:18,880 --> 00:38:21,360
Speaker 1: then we just need to let it go. You've always

777
00:38:21,400 --> 00:38:24,360
Speaker 1: said that you're the pun master. You always say that, mate.

778
00:38:25,520 --> 00:38:28,680
Speaker 1: You don't sit on a bruce banana.

779
00:38:28,800 --> 00:38:31,760
Speaker 2: There's just no way that I have ever called myself

780
00:38:31,840 --> 00:38:32,440
Speaker 2: a puny.

781
00:38:32,400 --> 00:38:34,239
Speaker 1: The way you brought back in the bruce banana there

782
00:38:34,440 --> 00:38:36,040
Speaker 1: and used it as a falling object, and it wasn't

783
00:38:36,080 --> 00:38:37,640
Speaker 1: quite a pun But this is what I'm talking about.

784
00:38:37,680 --> 00:38:40,640
Speaker 1: I've never called myself. I haven't.

785
00:38:41,239 --> 00:38:45,000
Speaker 2: Maybe hence why I just put on the spot and

786
00:38:45,080 --> 00:38:47,120
Speaker 2: we're live, like we're live, So what am I going

787
00:38:47,200 --> 00:38:49,920
Speaker 2: to do? I've got no you've got it's actually the

788
00:38:50,080 --> 00:38:51,680
Speaker 2: laziest piece of radio in the world.

789
00:38:51,719 --> 00:38:55,879
Speaker 1: You've got nothing else. Around it. You've got nothing else

790
00:38:55,920 --> 00:38:58,239
Speaker 1: around I think we've done far lasier. Mate. We do

791
00:38:58,360 --> 00:39:00,839
Speaker 1: a game every week where we open cans. If you're

792
00:39:00,880 --> 00:39:02,319
Speaker 1: going to say you're going to have.

793
00:39:04,560 --> 00:39:09,759
Speaker 2: Follow up, I'm in trouble because I just have to

794
00:39:09,840 --> 00:39:12,160
Speaker 2: sit there and just come up with something because it's live.

795
00:39:12,400 --> 00:39:14,359
Speaker 1: That's the way. That sounds stressful. But if I don't

796
00:39:14,440 --> 00:39:16,600
Speaker 1: do it, then the bit dies in the ass. You

797
00:39:16,640 --> 00:39:18,560
Speaker 1: could say that about every bit, though one of them

798
00:39:19,040 --> 00:39:19,800
Speaker 1: I'm not talking.

799
00:39:20,520 --> 00:39:21,680
Speaker 3: I'm not going to contribute.

800
00:39:25,080 --> 00:39:28,319
Speaker 1: I think the bit's very good and did good because

801
00:39:28,360 --> 00:39:32,000
Speaker 1: I dance a monkey right one day? Horse is tired?

802
00:39:32,600 --> 00:39:34,440
Speaker 1: Ready for it? Your monkey on the horse?

803
00:39:34,480 --> 00:39:36,680
Speaker 6: Are you like, well, get ready monkey?

804
00:39:37,080 --> 00:39:39,920
Speaker 1: Or the lasiest part of the bit. It's about that

805
00:39:39,960 --> 00:39:42,160
Speaker 1: what he doesn't find his own store? So I've got

806
00:39:42,239 --> 00:39:44,880
Speaker 1: that's true, all right? Oh you live and find the

807
00:39:44,960 --> 00:39:50,799
Speaker 1: stories stories. It really is, just why are you sending

808
00:39:51,040 --> 00:39:52,400
Speaker 1: you give me a new story? I just thought we

809
00:39:52,440 --> 00:39:54,480
Speaker 1: could give him a crack because it's the favorite bit

810
00:39:54,520 --> 00:39:56,880
Speaker 1: of the week. So I'm not should we hear the bit,

811
00:39:57,200 --> 00:40:03,480
Speaker 1: I'm not doing it historically. I don't like hackers. Get

812
00:40:03,480 --> 00:40:05,160
Speaker 1: at them a gear, get out of my stuff. I

813
00:40:05,239 --> 00:40:09,520
Speaker 1: don't like them. Hacked, I think multiple times. But I'm

814
00:40:09,520 --> 00:40:12,120
Speaker 1: at the level where I don't really even realize anymore

815
00:40:12,360 --> 00:40:16,600
Speaker 1: when I'm getting hacked. Anyway, let's talk about my I

816
00:40:16,680 --> 00:40:19,160
Speaker 1: think I get hacked all the time. Man, Anyway, I

817
00:40:19,200 --> 00:40:20,800
Speaker 1: don't want to get into it. Oh you get it depressed,

818
00:40:20,840 --> 00:40:22,839
Speaker 1: to get the calls, you get the calls, you get

819
00:40:22,840 --> 00:40:24,720
Speaker 1: the text. A lot of my money have gone to hackers.

820
00:40:24,760 --> 00:40:27,239
Speaker 1: I'm pretty sure. I'm pretty confident of that. Anyway, So

821
00:40:27,480 --> 00:40:29,640
Speaker 1: don't like them. But there are some hackers that I

822
00:40:29,760 --> 00:40:33,800
Speaker 1: do have some respect for because they did this breach

823
00:40:34,080 --> 00:40:38,040
Speaker 1: on a French company, Schneider Electric, where they got a

824
00:40:38,080 --> 00:40:41,479
Speaker 1: whole bunch of their data effectively, and they said, listen,

825
00:40:41,800 --> 00:40:44,000
Speaker 1: if you want the data back, you're gonna have to

826
00:40:44,040 --> 00:40:47,200
Speaker 1: give us one hundred and twenty five thousand dollars worth

827
00:40:47,520 --> 00:40:56,759
Speaker 1: of bag adds. And they're serious. It did' sit. They're like,

828
00:40:56,840 --> 00:41:00,360
Speaker 1: we're not joking. One hundred and twenty five k ionus

829
00:41:00,400 --> 00:41:03,160
Speaker 1: bagades and then we'll give you the data back. Given

830
00:41:03,280 --> 00:41:05,680
Speaker 1: no reason. They're just like, give us one hundred and

831
00:41:05,680 --> 00:41:08,040
Speaker 1: twenty five thousand dollars worth of bag adds now will

832
00:41:08,239 --> 00:41:11,400
Speaker 1: yeap yep for as long as I have known you. No,

833
00:41:13,040 --> 00:41:16,879
Speaker 1: I don't want to play. You have been the pun man.

834
00:41:19,600 --> 00:41:22,759
Speaker 1: I haven't. I actually haven't, and I've never said that's

835
00:41:22,760 --> 00:41:25,560
Speaker 1: a skill. But I think this is. This is stitch

836
00:41:25,600 --> 00:41:29,920
Speaker 1: up the pun Man. No, yees, you are. You're the

837
00:41:29,960 --> 00:41:32,759
Speaker 1: pun Man. You're so good at puns. I don't know

838
00:41:32,800 --> 00:41:34,040
Speaker 1: how you do it. I don't know how you see it.

839
00:41:34,480 --> 00:41:37,000
Speaker 1: You see it before anyone sees it. You're in pun land.

840
00:41:37,120 --> 00:41:40,520
Speaker 1: Boom boom. I don't want to do this. From the

841
00:41:40,640 --> 00:41:45,560
Speaker 1: details of this story, there is an amazing pun I'm

842
00:41:45,600 --> 00:41:50,000
Speaker 1: going to give you thirty seconds to figure out the

843
00:41:50,080 --> 00:41:53,839
Speaker 1: pun pun Man could be a weekly bit. So all

844
00:41:53,880 --> 00:41:56,360
Speaker 1: you need to know is that some hackers have demanded

845
00:41:56,760 --> 00:42:00,400
Speaker 1: one hundred and twenty five thousand dollars worth of bad gets.

846
00:42:01,800 --> 00:42:07,920
Speaker 1: That's ransom for forty gigs of data stolen. Your time

847
00:42:08,080 --> 00:42:14,120
Speaker 1: to find the pun starts. Now, come on, pun Man,

848
00:42:15,239 --> 00:42:15,759
Speaker 1: talk us through it.

849
00:42:16,360 --> 00:42:18,160
Speaker 2: Well, okay, the only thing I can think of right

850
00:42:18,200 --> 00:42:20,320
Speaker 2: now is hacket like baget.

851
00:42:21,120 --> 00:42:23,160
Speaker 1: Oh, that's pretty bad. That's that's weak.

852
00:42:23,400 --> 00:42:28,920
Speaker 2: Uh, that's weak, bun Man hackets on a roll because

853
00:42:28,920 --> 00:42:29,880
Speaker 2: it's like something to do with the.

854
00:42:29,880 --> 00:42:33,439
Speaker 1: Bakery there warmer, Uh.

855
00:42:38,200 --> 00:42:38,400
Speaker 5: Give me.

856
00:42:38,480 --> 00:42:47,440
Speaker 1: One doesn't thrive under pressure. But man, don't know what

857
00:42:47,560 --> 00:42:49,680
Speaker 1: it is. It's like Roger Feder having a fresh area.

858
00:42:49,880 --> 00:42:51,800
Speaker 6: I don't know what it is.

859
00:42:53,840 --> 00:42:57,120
Speaker 1: Stop pitying me. It's the fall of the.

860
00:43:00,239 --> 00:43:00,279
Speaker 3: Is.

861
00:43:00,320 --> 00:43:01,960
Speaker 2: It's owing to do with the bag Yeah, well yeah,

862
00:43:02,000 --> 00:43:02,759
Speaker 2: it's all to do with it.

863
00:43:02,840 --> 00:43:05,880
Speaker 1: That's how pun's work. Yeah, yeah, yeah, the pun is

864
00:43:06,080 --> 00:43:08,319
Speaker 1: yeah yeah, yeah. One hundred and twenty five k worth

865
00:43:08,360 --> 00:43:14,360
Speaker 1: of bagetts. That's a lot of dough. Oh that's the

866
00:43:14,480 --> 00:43:19,440
Speaker 1: level that I'm sorry. I feel like age.

867
00:43:19,480 --> 00:43:32,959
Speaker 6: It is better, not bad, not bad, Eh.

868
00:43:34,400 --> 00:43:37,040
Speaker 1: I carry it and you let yourself down a little bit.

869
00:43:37,080 --> 00:43:40,400
Speaker 1: Now you didn't quite get I don't imagine I'll stop.

870
00:43:40,239 --> 00:43:42,600
Speaker 2: Doing it, you know subject there will be a moment

871
00:43:42,640 --> 00:43:44,919
Speaker 2: we're going strong, you get too competitive, No I don't.

872
00:43:45,040 --> 00:43:47,359
Speaker 2: I don't, and then there'll be great feedback and I'll

873
00:43:47,360 --> 00:43:48,440
Speaker 2: be out, have nothing to do with it.

874
00:43:49,200 --> 00:43:50,200
Speaker 1: Do you want to give him another one?

875
00:43:50,239 --> 00:43:50,640
Speaker 3: You want to do it?

876
00:43:50,719 --> 00:43:52,120
Speaker 1: I don't think you know what. I don't want to

877
00:43:52,360 --> 00:43:56,120
Speaker 1: monkey dance now. I'd love to make the he's going

878
00:43:56,120 --> 00:43:59,280
Speaker 1: to when he's in pod, When he's in podcast form, exactly,

879
00:43:59,320 --> 00:44:05,759
Speaker 1: he doesn't feel. But when we're live, something that's fair enough.

880
00:44:06,239 --> 00:44:07,640
Speaker 1: I think I need to bring back poop.

881
00:44:08,000 --> 00:44:09,960
Speaker 2: I need to bring back a return serve for another

882
00:44:10,200 --> 00:44:11,200
Speaker 2: dance monkey segment.

883
00:44:11,280 --> 00:44:13,279
Speaker 1: I think we've got one making me dance. I reckon,

884
00:44:13,360 --> 00:44:15,680
Speaker 1: I'm happily, I will happily help you come with. I

885
00:44:15,719 --> 00:44:18,040
Speaker 1: think we've got we've got one. We've got one in

886
00:44:18,080 --> 00:44:22,080
Speaker 1: the chamber. What's that making me dance? I need to

887
00:44:22,120 --> 00:44:26,319
Speaker 1: return I just I can't do it. I like to dance.

888
00:44:26,680 --> 00:44:28,160
Speaker 5: I know you.

889
00:44:29,600 --> 00:44:34,239
Speaker 1: No, no, I don't you like dancing. I like to dance.

890
00:44:34,280 --> 00:44:36,440
Speaker 1: This monkey doesn't like to dance. He likes being off

891
00:44:36,440 --> 00:44:38,080
Speaker 1: the rails. That's kind of It's funny that I had

892
00:44:38,080 --> 00:44:39,799
Speaker 1: a second piece of fruit there. What have you got there,

893
00:44:40,360 --> 00:44:46,680
Speaker 1: a little monkey. We're getting out of here, are we.

894
00:44:47,320 --> 00:44:49,239
Speaker 1: I'm going to the best guess the guest of the week.

895
00:44:49,280 --> 00:44:51,279
Speaker 1: You're under that as well. You can do guests of

896
00:44:51,320 --> 00:44:53,279
Speaker 1: the week. Well, look, I think you're going out on

897
00:44:53,400 --> 00:44:55,200
Speaker 1: Guests of the week. Guest of the week right was

898
00:44:56,520 --> 00:44:58,480
Speaker 1: obviously Stephen Pry but we've played a lot of him,

899
00:44:58,760 --> 00:45:01,719
Speaker 1: so we we've done We've done a soul like.

900
00:45:04,480 --> 00:45:06,480
Speaker 2: We can't do that, so instead the guess of the

901
00:45:06,520 --> 00:45:11,680
Speaker 2: week was my daughter, So well we Had, We Had,

902
00:45:12,200 --> 00:45:15,239
Speaker 2: We Had is the guest book, and she absolutely bottled it.

903
00:45:15,320 --> 00:45:17,640
Speaker 1: This week. She put Bo Bob.

904
00:45:17,480 --> 00:45:22,640
Speaker 2: Geldoft girled off Carrington Clark that from kid I think

905
00:45:22,680 --> 00:45:23,239
Speaker 2: I got carried.

906
00:45:23,640 --> 00:45:28,000
Speaker 1: I got no kid Lroy kid Larroy, we got got

907
00:45:28,040 --> 00:45:31,160
Speaker 1: Kidler right, but I think we put that up. It's

908
00:45:31,280 --> 00:45:32,600
Speaker 1: a great way. Do you want to defend yourself?

909
00:45:32,640 --> 00:45:32,839
Speaker 3: Ab?

910
00:45:33,680 --> 00:45:34,400
Speaker 1: Okay, there's a.

911
00:45:34,400 --> 00:45:35,080
Speaker 10: Lot coming up.

912
00:45:35,239 --> 00:45:37,960
Speaker 1: Who've got next week? Who've got next week? Ab? Some

913
00:45:38,160 --> 00:45:39,240
Speaker 1: really fun ones.

914
00:45:41,680 --> 00:45:42,719
Speaker 3: Worry when they call it.

915
00:45:45,280 --> 00:45:49,120
Speaker 1: Mary Watts Mary Watts of fun fun.

916
00:45:49,160 --> 00:46:03,040
Speaker 2: If you're shitting with Jamie Oliver good good, say yeah nice, nice, nice?

917
00:46:03,600 --> 00:46:06,480
Speaker 6: Anyway, give your book a that counts for like five guests.

918
00:46:09,600 --> 00:46:13,520
Speaker 1: She's done well. The absolutely show him some respect. Yeah

919
00:46:13,880 --> 00:46:18,080
Speaker 1: I am oh, yeah, yeah, get yeah. You don't want

920
00:46:18,120 --> 00:46:19,520
Speaker 1: to get on the one side, all right.

921
00:46:19,600 --> 00:46:23,080
Speaker 2: So your best guest of the week was my daughter

922
00:46:23,360 --> 00:46:27,279
Speaker 2: Max instead Woods. I mentioned this to you the other day.

923
00:46:27,400 --> 00:46:29,439
Speaker 2: So Max, my daughter, she's she's two and a half.

924
00:46:29,520 --> 00:46:32,359
Speaker 2: She just she started talking about you a fair bit.

925
00:46:32,520 --> 00:46:34,560
Speaker 2: So she obviously listens to me in the afternoon, so

926
00:46:34,680 --> 00:46:37,000
Speaker 2: she knows that when I go to work. Now she's

927
00:46:37,080 --> 00:46:39,200
Speaker 2: you know, it's kind of beautiful stages of a child's development.

928
00:46:39,239 --> 00:46:39,600
Speaker 1: She sort of.

929
00:46:39,600 --> 00:46:42,520
Speaker 2: Steadily started realizing. She keeps asking me about the fact

930
00:46:42,520 --> 00:46:46,440
Speaker 2: that I work with adorable. So she's like, where's Woody,

931
00:46:46,440 --> 00:46:48,680
Speaker 2: where's Woody? And she got you going to work? And

932
00:46:48,760 --> 00:46:50,720
Speaker 2: then I say yes, and then she says with Woody.

933
00:46:51,320 --> 00:46:54,200
Speaker 2: But then I don't know what is going on? But

934
00:46:54,640 --> 00:46:56,640
Speaker 2: and I told you this off heir as well. She

935
00:46:56,800 --> 00:46:59,640
Speaker 2: started asking me about you and cake. Its weird and

936
00:46:59,719 --> 00:47:01,960
Speaker 2: I I can't get to the bottom that she says,

937
00:47:02,120 --> 00:47:02,719
Speaker 2: is wood he there?

938
00:47:03,080 --> 00:47:04,440
Speaker 1: Is he going to be there? And I said yes?

939
00:47:05,000 --> 00:47:08,440
Speaker 1: And then she says, has he got the cake? I

940
00:47:08,560 --> 00:47:11,480
Speaker 1: never and I never stole her cake. I think I

941
00:47:11,520 --> 00:47:13,480
Speaker 1: want to make that very clear for anyone listening who's

942
00:47:13,480 --> 00:47:15,279
Speaker 1: thinking that maybe I took her cake. I didn't. I

943
00:47:15,360 --> 00:47:17,480
Speaker 1: didn't actually affect that didn't get into the equation. But

944
00:47:17,680 --> 00:47:20,439
Speaker 1: I went to her second birthday. I had some cake,

945
00:47:21,360 --> 00:47:23,640
Speaker 1: but I didn't I didn't take the whole cake.

946
00:47:23,640 --> 00:47:26,080
Speaker 2: I don't think she's holding on to a grudge from her.

947
00:47:26,200 --> 00:47:28,800
Speaker 1: What else, I don't know what I was a good be.

948
00:47:28,920 --> 00:47:31,520
Speaker 1: I've never stolen cake from her. I feel like she

949
00:47:31,800 --> 00:47:33,000
Speaker 1: went to her first birthday.

950
00:47:33,160 --> 00:47:34,640
Speaker 2: Was that the first person I mean, it could be

951
00:47:34,680 --> 00:47:37,400
Speaker 2: a year and a half on Brudge that she's onto

952
00:47:37,400 --> 00:47:39,080
Speaker 2: her friend let it go.

953
00:47:39,680 --> 00:47:42,160
Speaker 1: Maybe I don't know. Does she watched the instagram and

954
00:47:42,239 --> 00:47:43,840
Speaker 1: with the Will and Woody page Instagram?

955
00:47:44,160 --> 00:47:48,160
Speaker 2: No, because I could be translating it wrong, like she

956
00:47:49,200 --> 00:47:50,560
Speaker 2: because she's saying this in Dutch.

957
00:47:50,800 --> 00:47:52,000
Speaker 1: It but what's what's? What's?

958
00:47:52,800 --> 00:47:54,040
Speaker 2: That's why I said to Sam, I was like, is

959
00:47:54,080 --> 00:47:55,680
Speaker 2: she trying to say something else to me? And she

960
00:47:55,840 --> 00:47:58,120
Speaker 2: was like, no, she's asking you about Woody and a cake.

961
00:47:58,160 --> 00:47:59,960
Speaker 2: So we anyway, we're talking about it this last night

962
00:48:00,000 --> 00:48:01,200
Speaker 2: and I was like, we just got to ask her.

963
00:48:01,680 --> 00:48:04,960
Speaker 2: So we're gonna call her now, all right, okay, perfect,

964
00:48:07,000 --> 00:48:07,400
Speaker 2: I'll just.

965
00:48:09,560 --> 00:48:11,120
Speaker 1: I mean, I want you you to be quiet. So

966
00:48:11,280 --> 00:48:11,560
Speaker 1: she just.

967
00:48:14,560 --> 00:48:22,400
Speaker 2: She's downs, Hello, Papa, Hey, Mexipy.

968
00:48:22,800 --> 00:48:23,520
Speaker 1: Yeah, it's puppy.

969
00:48:24,640 --> 00:48:25,680
Speaker 5: It's my papa.

970
00:48:26,040 --> 00:48:29,000
Speaker 1: Yeah it is it's your papa. How are you.

971
00:48:30,920 --> 00:48:32,040
Speaker 5: Are you riking?

972
00:48:32,880 --> 00:48:38,600
Speaker 1: No? I'm working, I'm working. What are you doing?

973
00:48:39,200 --> 00:48:39,319
Speaker 5: Pa?

974
00:48:40,960 --> 00:48:45,920
Speaker 1: Who you doelling? Okay? Hey, Mexi, Mexi? Who do I?

975
00:48:46,440 --> 00:48:47,560
Speaker 1: Who does puppy work with?

976
00:48:48,600 --> 00:48:49,360
Speaker 5: Mad Woodie?

977
00:48:49,719 --> 00:48:49,959
Speaker 3: Yeah?

978
00:48:50,280 --> 00:48:58,120
Speaker 1: Okay? Now what do we know about Woody? A happy jacket?

979
00:48:58,800 --> 00:48:59,560
Speaker 1: He has a jacket?

980
00:49:00,080 --> 00:49:00,160
Speaker 5: Ye?

981
00:49:00,360 --> 00:49:04,040
Speaker 1: Sometimes no doubt, no doubt. What else do you know

982
00:49:04,120 --> 00:49:15,400
Speaker 1: about Woody? What does Woody like to eat cake? Wow?

983
00:49:17,560 --> 00:49:22,880
Speaker 1: Why is that so controversial? This is very scandalous, Maxie.

984
00:49:22,960 --> 00:49:24,239
Speaker 1: I've got Woody here with me.

985
00:49:25,719 --> 00:49:32,959
Speaker 11: Say hi, Max, see silent treatment, because clearly I stole

986
00:49:33,000 --> 00:49:36,120
Speaker 11: looking and she hasn't she hasn't forgotten about it.

987
00:49:38,200 --> 00:49:44,919
Speaker 1: Yes, it's Woody. Hello, bonjour, Maxie. Woody. Woody has the cake.

988
00:49:48,840 --> 00:49:54,600
Speaker 1: She's angry, she's angry, she's shy. Hey Max, when did

989
00:49:54,680 --> 00:49:59,840
Speaker 1: I take the cake? Was it your cake? Maxie?

990
00:50:02,400 --> 00:50:04,200
Speaker 5: You know, I think she may be thinking that. She's

991
00:50:04,280 --> 00:50:14,719
Speaker 5: listening to the radio show Brilliant, and she's like, I

992
00:50:14,800 --> 00:50:17,359
Speaker 5: can talk back. I read you at four o'clock. She's

993
00:50:17,360 --> 00:50:19,399
Speaker 5: gonna talk to the radio. She's like, I talk.

994
00:50:23,080 --> 00:50:24,919
Speaker 1: I think I need to bring a cake over or something,

995
00:50:25,880 --> 00:50:28,239
Speaker 1: even the score, just to smooth things over, to heal

996
00:50:28,320 --> 00:50:38,640
Speaker 1: his wound. Bye, bye, bags, bye, I got to the

997
00:50:38,760 --> 00:50:39,560
Speaker 1: tables already