1 00:00:00,240 --> 00:00:06,280 Speaker 1: Christine Empowered by the iHeart app from ninety six AIRVM 2 00:00:06,519 --> 00:00:11,080 Speaker 1: to Whenever You're Listening Today. This is Lisa and Russell's podcast. 3 00:00:11,320 --> 00:00:14,080 Speaker 2: Coming up on the podcast today, Matchbox twenty singer Rob 4 00:00:14,120 --> 00:00:16,280 Speaker 2: Thomas joins us ahead of his shows at the Riverside 5 00:00:16,320 --> 00:00:18,520 Speaker 2: Theater next month. He chats about his new album and 6 00:00:18,560 --> 00:00:20,239 Speaker 2: the friendship he had with George Michael. 7 00:00:20,600 --> 00:00:23,240 Speaker 3: Lisa went to golf Box yesterday and was kindly kidded 8 00:00:23,280 --> 00:00:26,040 Speaker 3: out so well, she doesn't know how she's going to 9 00:00:26,040 --> 00:00:27,440 Speaker 3: fit it all in her car. 10 00:00:27,680 --> 00:00:31,000 Speaker 2: True Story. Ben O'Shea reviews One Battle after Another starring 11 00:00:31,040 --> 00:00:34,120 Speaker 2: Leonardo DiCaprio Shaan Pennaviinzio. 12 00:00:33,320 --> 00:00:35,959 Speaker 3: Del Toro, we opened the book of records and look 13 00:00:36,040 --> 00:00:39,240 Speaker 3: for the person with the most photos in their phone 14 00:00:39,440 --> 00:00:41,160 Speaker 3: and what they're mostly off. 15 00:00:41,240 --> 00:00:43,600 Speaker 2: And a door dash driver has helped police with a 16 00:00:43,600 --> 00:00:46,680 Speaker 2: hostage situation in an unbelievable way. 17 00:00:47,479 --> 00:00:50,960 Speaker 3: You may be aware that both Lisa and I are 18 00:00:51,040 --> 00:00:55,600 Speaker 3: taking on some new challenges as we push further into life, 19 00:00:55,920 --> 00:01:00,960 Speaker 3: things that we haven't maybe done before. I'm learning Spanish 20 00:01:01,000 --> 00:01:07,000 Speaker 3: and Lisa, you're tackling golf. Yes, nothing, nothing frustrating. 21 00:01:07,400 --> 00:01:10,680 Speaker 2: I'm looking forward to starting my lessons with Jess out 22 00:01:10,680 --> 00:01:11,200 Speaker 2: at Jodler. 23 00:01:11,480 --> 00:01:15,280 Speaker 3: That's a PGA profession as your first speci. 24 00:01:15,560 --> 00:01:18,360 Speaker 2: That's yeah, that's going to be pretty amazing. So ahead 25 00:01:18,360 --> 00:01:21,920 Speaker 2: of that, I went into the lovely folk at Golf 26 00:01:21,920 --> 00:01:24,200 Speaker 2: Box yesterday. 27 00:01:24,560 --> 00:01:25,080 Speaker 1: Some clubs. 28 00:01:25,480 --> 00:01:27,280 Speaker 3: I can just picture the scene now, Oh. 29 00:01:27,240 --> 00:01:29,560 Speaker 2: I can give me how a half of those cut 30 00:01:29,640 --> 00:01:31,560 Speaker 2: my friend up here with the whole smear, you know, 31 00:01:31,600 --> 00:01:34,840 Speaker 2: a club's bag, shoes, love shirt. 32 00:01:34,640 --> 00:01:36,360 Speaker 3: Pants, Hey, orange balls. 33 00:01:36,360 --> 00:01:38,360 Speaker 4: I'll have a box of these, being a fox thanked 34 00:01:38,440 --> 00:01:40,160 Speaker 4: lady teas and give me two and alls, give me 35 00:01:40,200 --> 00:01:40,800 Speaker 4: six of those. 36 00:01:41,600 --> 00:01:46,080 Speaker 3: How much are those naked ladies showing for these days? Yeah, okay, 37 00:01:46,120 --> 00:01:49,240 Speaker 3: so it wasn't it wasn't technically you but yeah, that's 38 00:01:49,680 --> 00:01:52,520 Speaker 3: picture of the scene. People right like that. 39 00:01:53,960 --> 00:01:57,600 Speaker 2: I but they they very kindly hooked me up with 40 00:01:57,640 --> 00:02:03,400 Speaker 2: a whole you know package, the whole kit, all the 41 00:02:03,440 --> 00:02:04,600 Speaker 2: clubs in the bag. 42 00:02:05,280 --> 00:02:06,080 Speaker 3: Now that helps. 43 00:02:06,120 --> 00:02:09,119 Speaker 2: As we know, I have a very small car. It's 44 00:02:09,160 --> 00:02:11,840 Speaker 2: a two seater. Producer List was with me and she's like, 45 00:02:11,919 --> 00:02:16,800 Speaker 2: show me the boot and then she looked at the boots. 46 00:02:17,760 --> 00:02:19,640 Speaker 3: Had to take her own car. Sorry, Liz had to 47 00:02:19,639 --> 00:02:20,280 Speaker 3: take her own car. 48 00:02:20,639 --> 00:02:22,320 Speaker 2: There's a dog bed and an umbrella in the boot 49 00:02:22,360 --> 00:02:25,720 Speaker 2: that's full. And then she said, well, can if they 50 00:02:25,760 --> 00:02:27,400 Speaker 2: go in the front seat on the floor, can you 51 00:02:27,440 --> 00:02:29,959 Speaker 2: push the seat back? I said, Liz, look behind you. 52 00:02:31,360 --> 00:02:34,680 Speaker 2: It is a two seater car. The car behind us 53 00:02:34,800 --> 00:02:38,080 Speaker 2: is behind us, so that's not happening. So I'm going 54 00:02:38,120 --> 00:02:42,399 Speaker 2: to call my golf bag miss Daisy, because I'm going 55 00:02:42,440 --> 00:02:44,280 Speaker 2: to have to sit it in the passenger seat. I'm 56 00:02:44,280 --> 00:02:45,880 Speaker 2: going to have to put the top down on the 57 00:02:45,919 --> 00:02:48,520 Speaker 2: car and buckle it in. And that's how we're going 58 00:02:48,600 --> 00:02:50,080 Speaker 2: to have to get daisy. 59 00:02:50,120 --> 00:02:51,720 Speaker 3: Are you going to wear a little cap when you drive? 60 00:02:52,639 --> 00:02:56,800 Speaker 2: And so? And advisor? Actually, because that's that's what we 61 00:02:56,919 --> 00:02:59,720 Speaker 2: do in golf. Sorry, we we we wear a visor 62 00:03:00,560 --> 00:03:04,440 Speaker 2: and we wear a polo. Did you know there's actually 63 00:03:04,520 --> 00:03:10,240 Speaker 2: quite strict dress rules. Oh that's I quite like that. 64 00:03:10,400 --> 00:03:11,840 Speaker 2: I don't mind a dress code. 65 00:03:12,200 --> 00:03:13,360 Speaker 3: Checker pants are okay? 66 00:03:13,800 --> 00:03:15,840 Speaker 2: You know what. I bought some checkered pants yesterday and 67 00:03:15,880 --> 00:03:18,079 Speaker 2: a couple of polos. We're away. 68 00:03:19,200 --> 00:03:23,120 Speaker 3: Ah, Lisa is wearing checked pants. 69 00:03:23,240 --> 00:03:24,800 Speaker 2: Well, I told you I wasn't wearing a skirt when 70 00:03:24,840 --> 00:03:27,760 Speaker 2: I'm going to be bending over picking up balls. I mean, 71 00:03:27,800 --> 00:03:30,280 Speaker 2: who designed that? A man? Obviously? 72 00:03:30,960 --> 00:03:37,440 Speaker 3: TV director design that with his naked lady teeth. 73 00:03:37,560 --> 00:03:41,200 Speaker 2: Yes, yeah, so that's it, you're kidd were off, We're 74 00:03:41,200 --> 00:03:43,160 Speaker 2: off and racing very good. 75 00:03:43,440 --> 00:03:46,240 Speaker 3: Me and miss Daisy, Me and miss Daisy. Wow, so 76 00:03:46,280 --> 00:03:47,240 Speaker 3: when do you hit the fair way? 77 00:03:47,880 --> 00:03:50,680 Speaker 2: Well, I'm off to the driving range again today. 78 00:03:51,160 --> 00:03:52,120 Speaker 3: More get the eye in. 79 00:03:52,160 --> 00:03:55,560 Speaker 2: We got to get that. And as you know, next 80 00:03:55,640 --> 00:04:01,520 Speaker 2: week is the break for although you're not going anywhere. 81 00:04:01,840 --> 00:04:03,760 Speaker 2: You're not going anywhere because you just arrived. 82 00:04:04,560 --> 00:04:05,880 Speaker 3: Was approved and mine was not. 83 00:04:06,200 --> 00:04:08,000 Speaker 2: I will be having next week off and then the 84 00:04:08,040 --> 00:04:13,400 Speaker 2: week after guess what, I've got jury duty. I remember 85 00:04:13,440 --> 00:04:16,359 Speaker 2: it happened to Clarcy. Now it's my turn and you 86 00:04:16,440 --> 00:04:20,680 Speaker 2: can't get out of this. So the week after we're 87 00:04:20,720 --> 00:04:23,880 Speaker 2: not too sure exactly what will be happening, but we're 88 00:04:23,920 --> 00:04:27,320 Speaker 2: playing it by ear and once all that business is 89 00:04:27,400 --> 00:04:30,320 Speaker 2: taken care of, me being inconvenience because some other person 90 00:04:30,360 --> 00:04:33,400 Speaker 2: broke the law, and then then we will get on 91 00:04:33,440 --> 00:04:34,800 Speaker 2: with the golf lessons with Jess. 92 00:04:35,279 --> 00:04:37,160 Speaker 3: Just try and get a few swings in. You know 93 00:04:37,279 --> 00:04:38,080 Speaker 3: where you can. 94 00:04:38,440 --> 00:04:41,760 Speaker 2: In the in the courtroom, one of those little pussy. 95 00:04:41,400 --> 00:04:43,760 Speaker 3: You can put a little plastic at the wall and 96 00:04:43,839 --> 00:04:47,039 Speaker 3: just sorry, you're up in the Hallway, just chipping that 97 00:04:47,160 --> 00:04:48,160 Speaker 3: yet they won't mind. 98 00:04:48,240 --> 00:04:50,160 Speaker 2: Someone will be putting from the rough in that courtroom, 99 00:04:50,160 --> 00:04:50,920 Speaker 2: but it won't be made. 100 00:04:51,040 --> 00:04:55,280 Speaker 3: All right, Okay, so holiday jury duty, but after that, 101 00:04:55,360 --> 00:04:58,280 Speaker 3: I'm taking no more excuses, all right, no more. 102 00:04:58,960 --> 00:05:02,040 Speaker 2: We are one month out from Rob Thomas visiting us 103 00:05:02,120 --> 00:05:04,440 Speaker 2: for the All Night Days tour. It's been a long 104 00:05:04,480 --> 00:05:06,040 Speaker 2: time since I've had one of those. And All Night 105 00:05:06,120 --> 00:05:09,040 Speaker 2: Day He's going to be at the Riverside Theater Friday 106 00:05:09,080 --> 00:05:11,920 Speaker 2: October twenty four and Saturday October twenty five. Tickets are 107 00:05:11,920 --> 00:05:15,440 Speaker 2: available through Ticketech. His new album All Night Days is 108 00:05:15,480 --> 00:05:17,880 Speaker 2: out now and he's with us this morning. Good morning, Rob. 109 00:05:18,000 --> 00:05:19,400 Speaker 5: So can we just say that like we're a month 110 00:05:19,440 --> 00:05:21,080 Speaker 5: away from Rob Thomas Day, Rob. 111 00:05:21,000 --> 00:05:23,599 Speaker 2: Thomas Thomas, We absolutely can. 112 00:05:24,000 --> 00:05:25,200 Speaker 5: I want to make it. I want to make it. 113 00:05:25,160 --> 00:05:26,320 Speaker 5: I want to make it a thing like. 114 00:05:26,480 --> 00:05:30,840 Speaker 2: Yeah, a celebration of all things Rob Thomas. I love it, 115 00:05:31,320 --> 00:05:33,559 Speaker 2: Rob Thomas, Festivus. 116 00:05:33,160 --> 00:05:36,280 Speaker 3: It's everything and everybody gets a day Rob. Why shouldn't you. 117 00:05:37,240 --> 00:05:39,239 Speaker 5: Exactly thank you? Thank you so much. 118 00:05:39,640 --> 00:05:42,400 Speaker 2: Went through to have you coming back. You seem to 119 00:05:42,720 --> 00:05:45,120 Speaker 2: enjoy coming to Australia just a bit. 120 00:05:45,360 --> 00:05:48,080 Speaker 5: Yeah, Well, I mean it's been almost thirty years. You 121 00:05:48,080 --> 00:05:50,240 Speaker 5: guys have been really really nice and we've had I think, 122 00:05:50,279 --> 00:05:52,600 Speaker 5: a really great relationship together. You know, you guys have 123 00:05:53,000 --> 00:05:55,920 Speaker 5: been always kind of down for my brand of whatever. 124 00:05:56,200 --> 00:05:58,839 Speaker 2: Yeah, we get you, we do. 125 00:05:59,120 --> 00:06:00,880 Speaker 5: Yeah, Yeah, that's what I feel. 126 00:06:01,000 --> 00:06:04,000 Speaker 3: Yeah, we've been getting you for a very very long time. 127 00:06:04,400 --> 00:06:08,360 Speaker 3: So now we're up to the sixth solo album. You know, 128 00:06:08,400 --> 00:06:11,760 Speaker 3: there's Matchbox and then there's Rob solos, six of those 129 00:06:11,920 --> 00:06:15,000 Speaker 3: all night days. Does the album don't come from being 130 00:06:15,040 --> 00:06:16,840 Speaker 3: able to listen to it on a Saturday night as 131 00:06:16,880 --> 00:06:19,440 Speaker 3: well as as a Sunday day. It's an anytime album. 132 00:06:19,640 --> 00:06:22,240 Speaker 5: Yeah. I think that every record I have has to 133 00:06:22,279 --> 00:06:24,599 Speaker 5: have your Saturday nights and your Sunday mornings, right, Like 134 00:06:24,640 --> 00:06:27,800 Speaker 5: you have to think that you feel great about and 135 00:06:27,839 --> 00:06:29,239 Speaker 5: then the things that you feel sad about. 136 00:06:29,520 --> 00:06:31,960 Speaker 3: And is it also a little bit about yeah, up 137 00:06:32,000 --> 00:06:34,240 Speaker 3: all night because you know you are in the music biz. 138 00:06:34,920 --> 00:06:37,240 Speaker 3: Lisa might not still be up for staying up all night, 139 00:06:37,320 --> 00:06:39,080 Speaker 3: but I'm sure you are. 140 00:06:39,360 --> 00:06:42,120 Speaker 5: Well, I'm not normally, but then something about being on 141 00:06:42,160 --> 00:06:44,320 Speaker 5: the road makes you have to. And therefore I do 142 00:06:44,400 --> 00:06:45,800 Speaker 5: appreciate the fact that I get to do that. 143 00:06:46,040 --> 00:06:48,320 Speaker 2: Yeah, So did you start working on this album mid 144 00:06:48,360 --> 00:06:49,200 Speaker 2: COVID lockdowns. 145 00:06:49,240 --> 00:06:49,960 Speaker 3: That's what we heard. 146 00:06:50,120 --> 00:06:52,839 Speaker 5: Yeah, Like you know, originally in twenty twenty I was 147 00:06:52,839 --> 00:06:55,200 Speaker 5: going to make a solo record, and then the world 148 00:06:55,279 --> 00:06:57,640 Speaker 5: kind of shut down for a minute, and when twenty 149 00:06:57,720 --> 00:07:00,320 Speaker 5: twenty three Matchbox we decided to make a record, and 150 00:07:00,400 --> 00:07:02,480 Speaker 5: so some of these songs got put on hold. Some 151 00:07:02,560 --> 00:07:04,680 Speaker 5: of them were on the Matchbox record, some of the 152 00:07:04,680 --> 00:07:06,800 Speaker 5: Matchbox record wound up on this record. It just you know, 153 00:07:06,839 --> 00:07:07,800 Speaker 5: it was a whole process. 154 00:07:07,960 --> 00:07:08,279 Speaker 2: Yeah. 155 00:07:08,600 --> 00:07:10,480 Speaker 5: The good thing is I know for a fact that 156 00:07:10,520 --> 00:07:12,280 Speaker 5: these are the best songs that I have because I 157 00:07:12,320 --> 00:07:14,520 Speaker 5: didn't just put them out immediately, like I got to 158 00:07:14,520 --> 00:07:16,680 Speaker 5: sit on them for a minute. Like you know, by 159 00:07:16,680 --> 00:07:18,040 Speaker 5: the time I put this out, I was so glad 160 00:07:18,080 --> 00:07:19,240 Speaker 5: for you guys to hear it. Like I was like, 161 00:07:19,880 --> 00:07:21,560 Speaker 5: you guys like this right, You guys like it right 162 00:07:21,720 --> 00:07:23,200 Speaker 5: right right? 163 00:07:23,560 --> 00:07:26,559 Speaker 3: Because obviously you know you've written stuff for the band, 164 00:07:26,760 --> 00:07:29,600 Speaker 3: you've not now you're up to the sixth solo album. 165 00:07:29,720 --> 00:07:33,000 Speaker 3: Does inspiration still come to you easily from new material? 166 00:07:33,320 --> 00:07:35,160 Speaker 5: Yeah? I think so, because, like I said, I write 167 00:07:35,200 --> 00:07:37,320 Speaker 5: all the time, and I don't try to write a 168 00:07:37,360 --> 00:07:39,840 Speaker 5: record to try to define me. I just write records 169 00:07:39,840 --> 00:07:43,240 Speaker 5: defining the moment that I'm in, and my moment is 170 00:07:43,240 --> 00:07:45,360 Speaker 5: probably a lot like what you guys are going through. 171 00:07:45,400 --> 00:07:47,400 Speaker 5: So like I could write a song about a moment 172 00:07:47,440 --> 00:07:49,320 Speaker 5: that I'm going through, but that moment is something that 173 00:07:49,320 --> 00:07:51,160 Speaker 5: you guys understand, you know what I mean, Like I 174 00:07:51,440 --> 00:07:53,760 Speaker 5: write about it, maybe I'm getting older, or maybe I'm 175 00:07:53,760 --> 00:07:55,720 Speaker 5: writing about a fight that I just had with my wife, 176 00:07:55,760 --> 00:07:59,280 Speaker 5: but like we all understand how that moment makes you feel. Yeah, 177 00:07:59,320 --> 00:08:02,400 Speaker 5: And so those moments come easily. So I think when 178 00:08:02,440 --> 00:08:04,720 Speaker 5: you don't try and write for an artist and you 179 00:08:04,800 --> 00:08:06,920 Speaker 5: just try and write for a person, it's way easier 180 00:08:06,920 --> 00:08:08,400 Speaker 5: and people relate to them a lot more. 181 00:08:08,640 --> 00:08:10,480 Speaker 2: Yeah, that's I mean, that's the thing. I wouldn't even 182 00:08:10,520 --> 00:08:13,800 Speaker 2: have one good song in me, So it's nice when 183 00:08:13,920 --> 00:08:15,320 Speaker 2: someone can write. 184 00:08:15,600 --> 00:08:21,120 Speaker 3: Everybody trying, everyone's I mean whether it's a good song 185 00:08:21,200 --> 00:08:23,600 Speaker 3: is another matter, but everyone's got a song. 186 00:08:23,960 --> 00:08:25,760 Speaker 5: I'm like, I'm listen, I'm a i'm a i'm a 187 00:08:25,840 --> 00:08:27,840 Speaker 5: I'm a lover of songs. Right, So you know that 188 00:08:27,880 --> 00:08:30,360 Speaker 5: moment where you have a song that just for some 189 00:08:30,400 --> 00:08:33,040 Speaker 5: reason you love it because it explains how you feel 190 00:08:33,040 --> 00:08:35,319 Speaker 5: in a way that you couldn't say it oh. 191 00:08:34,960 --> 00:08:36,439 Speaker 2: All the time. Well that's what I mean. 192 00:08:36,440 --> 00:08:40,120 Speaker 5: It's last have someone writ. 193 00:08:39,080 --> 00:08:42,600 Speaker 2: Yeah, yeah, totally tell us about the shows at the riverside. 194 00:08:42,720 --> 00:08:43,720 Speaker 2: Who's coming with you? 195 00:08:44,120 --> 00:08:46,000 Speaker 5: So each place that I go in Australia, were taking 196 00:08:46,040 --> 00:08:49,400 Speaker 5: a different artist from that local place, I think. And 197 00:08:49,440 --> 00:08:51,880 Speaker 5: then with you know, with my Soco band, it's been 198 00:08:52,280 --> 00:08:53,840 Speaker 5: this band that I'm in. It I've been with for 199 00:08:53,840 --> 00:08:56,959 Speaker 5: twenty years, so it's not like a just a hired band. 200 00:08:57,080 --> 00:08:57,320 Speaker 2: Yeah. 201 00:08:57,360 --> 00:08:59,160 Speaker 5: And it's also my son is the guitar player in 202 00:08:59,200 --> 00:09:02,400 Speaker 5: the band, So it's like it's it's family and it's 203 00:09:02,480 --> 00:09:04,440 Speaker 5: joy and it's fun. So like our thing is when 204 00:09:04,440 --> 00:09:07,120 Speaker 5: we come to see you, we don't play music for 205 00:09:07,200 --> 00:09:08,960 Speaker 5: you guys. We want you guys to be a part 206 00:09:09,040 --> 00:09:11,160 Speaker 5: of this night that we're all curating, you know, I mean, 207 00:09:11,280 --> 00:09:13,120 Speaker 5: because it's like we only get so many of these 208 00:09:13,240 --> 00:09:15,120 Speaker 5: nights and it's our night too, and we want everyone 209 00:09:15,120 --> 00:09:15,840 Speaker 5: to have a great time. 210 00:09:15,920 --> 00:09:18,840 Speaker 3: Does the mouth off at you because you know your dad? 211 00:09:19,280 --> 00:09:19,720 Speaker 2: Yeah? 212 00:09:19,960 --> 00:09:23,680 Speaker 5: No, because I'm also his boss. 213 00:09:24,400 --> 00:09:28,080 Speaker 2: Now I believe your manager also managed David Bowie and 214 00:09:28,200 --> 00:09:31,760 Speaker 2: George Michael. And is it true that your last memory 215 00:09:31,880 --> 00:09:34,920 Speaker 2: of George is watching Avatar with him in Australia. 216 00:09:35,000 --> 00:09:38,800 Speaker 5: Yeah, in Sydney. Yeah, he was there for his tour 217 00:09:38,920 --> 00:09:41,400 Speaker 5: and I was just finishing my tour. Yeah, so him 218 00:09:41,440 --> 00:09:43,800 Speaker 5: and I went to go see Avatar together, and then 219 00:09:43,840 --> 00:09:45,760 Speaker 5: my last memory was actually him and I an elevator 220 00:09:45,800 --> 00:09:48,160 Speaker 5: fighting about Avatar. 221 00:09:48,520 --> 00:09:50,400 Speaker 2: Ought whether it was a good movie or not. 222 00:09:50,600 --> 00:09:52,800 Speaker 5: Yeah, yeah, he did not like it. I thought it 223 00:09:52,840 --> 00:09:57,120 Speaker 5: was really good. Different but you know it's funny my wife, 224 00:09:57,160 --> 00:09:58,839 Speaker 5: and my wife reminded to me, like him and I 225 00:09:58,880 --> 00:10:01,320 Speaker 5: that was kind of our thing. We always talked about music, 226 00:10:01,360 --> 00:10:03,400 Speaker 5: and we always we disagreed on everything. Like my favorite 227 00:10:03,400 --> 00:10:05,280 Speaker 5: album was Pink Floyd the Wall, and he thought it 228 00:10:05,360 --> 00:10:09,040 Speaker 5: was ship. No. No, it's a great record. 229 00:10:09,080 --> 00:10:11,079 Speaker 2: It is one of the greatest things of all time. 230 00:10:12,440 --> 00:10:15,560 Speaker 5: Yeah, especially if you're my age and like doing drugs 231 00:10:15,640 --> 00:10:16,720 Speaker 5: listening to it. It's amazing. 232 00:10:17,520 --> 00:10:21,080 Speaker 3: It was built for it, it was wait for it. 233 00:10:21,280 --> 00:10:22,760 Speaker 2: Absolutely So. 234 00:10:23,000 --> 00:10:25,160 Speaker 3: Do you remember the very first time you heard yourself 235 00:10:25,200 --> 00:10:26,640 Speaker 3: on the radio? How did it feel? 236 00:10:26,920 --> 00:10:28,520 Speaker 5: I do, because it was like one of those moments 237 00:10:28,520 --> 00:10:31,040 Speaker 5: you would expect, Like we were in the van and trailer, yeah, 238 00:10:31,360 --> 00:10:34,720 Speaker 5: driving you know, like to the like across the country 239 00:10:34,880 --> 00:10:37,440 Speaker 5: in America to get to like our next gig and 240 00:10:37,480 --> 00:10:40,080 Speaker 5: we were moving into Dallas and we we were listening 241 00:10:40,120 --> 00:10:42,839 Speaker 5: to a seat a tape cassette at the time. I 242 00:10:42,880 --> 00:10:44,280 Speaker 5: don't know if you if you kids know what a 243 00:10:44,280 --> 00:10:44,880 Speaker 5: cassette is. 244 00:10:47,760 --> 00:10:49,880 Speaker 2: Along the freeway, don't you worry. 245 00:10:50,600 --> 00:10:52,960 Speaker 5: So we ejected the cassette and the second that we did, 246 00:10:53,280 --> 00:10:56,120 Speaker 5: our song came on. I remember like we were like 247 00:10:56,160 --> 00:10:58,000 Speaker 5: we saw like Dallas over there, and we were like 248 00:10:58,080 --> 00:11:00,760 Speaker 5: we had that moment where you know, hands and we 249 00:11:00,840 --> 00:11:03,240 Speaker 5: just felt we felt like we had made it. And 250 00:11:03,240 --> 00:11:05,480 Speaker 5: then by the way, that song later on did not 251 00:11:05,640 --> 00:11:08,600 Speaker 5: do well and we almost got dropped. Thank care, felt 252 00:11:08,600 --> 00:11:09,680 Speaker 5: like we were giant. 253 00:11:10,280 --> 00:11:11,640 Speaker 2: It would it would all. 254 00:11:11,679 --> 00:11:15,079 Speaker 3: Thanks all thanks to a dodgy casine. We love it. 255 00:11:16,480 --> 00:11:18,600 Speaker 2: There you are winding it back on with a pencil. 256 00:11:18,960 --> 00:11:21,200 Speaker 2: Rob Thomas. We can't wait to have you in town 257 00:11:21,280 --> 00:11:24,720 Speaker 2: October twenty four and Saturday, October twenty five for Rob 258 00:11:24,760 --> 00:11:27,480 Speaker 2: Thomas Day, nay two days it is. It's a festival. 259 00:11:27,720 --> 00:11:31,560 Speaker 2: Tickets are available through ticke Tech. The album All Night 260 00:11:31,640 --> 00:11:35,480 Speaker 2: Days is out now. Thanks for joining us this morning. 261 00:11:35,559 --> 00:11:37,160 Speaker 5: Guys, Thank you so much for your time. We're gonna 262 00:11:37,160 --> 00:11:37,920 Speaker 5: have a really good time. 263 00:11:37,960 --> 00:11:39,920 Speaker 3: We look forward to seeing you at the Riverside theater. 264 00:11:40,200 --> 00:11:41,960 Speaker 5: Thanks Rob, Thank you guys so much. 265 00:11:42,040 --> 00:11:48,520 Speaker 1: Bye, more Lisa, more Russell More podcast soon, he said, 266 00:11:48,679 --> 00:11:54,640 Speaker 1: another record, incredible world record, Lisa and Russell's folk of records. 267 00:11:54,640 --> 00:11:56,480 Speaker 2: We've never seen anything like him. 268 00:12:02,920 --> 00:12:05,160 Speaker 3: I'll be very interested to see how we go with 269 00:12:05,200 --> 00:12:08,240 Speaker 3: this one, because going in, I'm expecting to be blown 270 00:12:08,280 --> 00:12:10,960 Speaker 3: away with some of the numbers that we're about to ask. 271 00:12:11,000 --> 00:12:14,720 Speaker 2: I expect we will be. I wonder what will you know? 272 00:12:14,800 --> 00:12:18,600 Speaker 2: What makes it? Whether it's age based, whether it's demo, 273 00:12:18,800 --> 00:12:20,800 Speaker 2: you know, demogra interesting. 274 00:12:21,080 --> 00:12:24,000 Speaker 3: So let's set the scene here that the chapter. The 275 00:12:24,120 --> 00:12:29,239 Speaker 3: title of this chapter is who has the most photos 276 00:12:29,440 --> 00:12:34,120 Speaker 3: on their phone? Now you would have said maybe demographic glasses. 277 00:12:35,080 --> 00:12:38,080 Speaker 3: You'll start hang on, hang on my glass. 278 00:12:38,200 --> 00:12:41,400 Speaker 2: That tells you how what demographic I'm in? How now, 279 00:12:41,520 --> 00:12:45,680 Speaker 2: young people, young producers, how do I tell how many photos? 280 00:12:46,040 --> 00:12:46,160 Speaker 6: Oh? 281 00:12:46,240 --> 00:12:48,319 Speaker 3: Hang on your photo app and it should have it 282 00:12:48,400 --> 00:12:50,800 Speaker 3: up the top. Look while you work that out. 283 00:12:50,840 --> 00:12:53,840 Speaker 2: Five and seventy seven you're kidding, Yeah, but they're all 284 00:12:53,840 --> 00:12:55,840 Speaker 2: in the cloud, they're up in the they're up in 285 00:12:55,880 --> 00:12:56,240 Speaker 2: the sky. 286 00:12:56,720 --> 00:13:01,400 Speaker 3: Well, on my phone, I have three thound, five hundred 287 00:13:01,480 --> 00:13:05,600 Speaker 3: and thirteen. Now you talk about the generation gap, I 288 00:13:05,640 --> 00:13:09,240 Speaker 3: asked my daughter last night, who's sixteen. I said, how 289 00:13:09,240 --> 00:13:11,120 Speaker 3: many have you know? You'd expect there to be heaps, 290 00:13:11,160 --> 00:13:13,920 Speaker 3: wouldn't you? She only had nine hundred and forty nine. Wow, 291 00:13:14,000 --> 00:13:17,080 Speaker 3: So Dad's got thousands more than she's got. 292 00:13:17,440 --> 00:13:21,400 Speaker 2: So well. What I don't understand, though, come on, give 293 00:13:21,400 --> 00:13:24,439 Speaker 2: me is when is why? 294 00:13:24,559 --> 00:13:24,760 Speaker 5: Why? 295 00:13:24,840 --> 00:13:27,040 Speaker 2: They disappear and go up to the cloud and I 296 00:13:27,080 --> 00:13:29,839 Speaker 2: can't find a photo that I'm looking for? What's that about? 297 00:13:29,920 --> 00:13:32,640 Speaker 3: I've got Google Photos. Everything sits on Google. 298 00:13:32,400 --> 00:13:35,840 Speaker 2: Phe Now we've got Ai changing gay couples straight, and 299 00:13:35,880 --> 00:13:36,720 Speaker 2: yet we can't get that. 300 00:13:36,880 --> 00:13:38,959 Speaker 3: Get least phone to it. 301 00:13:39,040 --> 00:13:40,760 Speaker 2: What's why? Why? 302 00:13:40,960 --> 00:13:43,120 Speaker 3: So I've got three thousand, five hundred and thirteen. My 303 00:13:43,200 --> 00:13:45,600 Speaker 3: daughter's got nine hundred and forty nine, which I find 304 00:13:45,600 --> 00:13:49,400 Speaker 3: absolutely staying. My son has none because you have his 305 00:13:49,480 --> 00:13:50,480 Speaker 3: phone out in the rain, when. 306 00:13:50,400 --> 00:13:54,200 Speaker 2: He has got fourteen, two hundred and thirty three mainly 307 00:13:54,280 --> 00:13:59,960 Speaker 2: cats and screenshots of memes. Same Liz has, Oh, Liz 308 00:14:00,240 --> 00:14:03,240 Speaker 2: has twenty three thousand, seven hundred and ninety seven. Liz, 309 00:14:03,280 --> 00:14:05,480 Speaker 2: are they all of guinea pigs? There's a lot of 310 00:14:05,480 --> 00:14:06,319 Speaker 2: guinea pigs. 311 00:14:07,520 --> 00:14:10,040 Speaker 3: Obviously there's a heavy emphasis on guinea pigs. Why did 312 00:14:10,080 --> 00:14:12,720 Speaker 3: you write it there because there's there's a lot of gudea, 313 00:14:13,120 --> 00:14:14,640 Speaker 3: a lot of guinea pigs. 314 00:14:15,240 --> 00:14:19,360 Speaker 2: See, yeah, that's just that's in my phone. But most 315 00:14:19,360 --> 00:14:24,120 Speaker 2: of them have gone somewhere else. I understand. I don't 316 00:14:24,120 --> 00:14:24,520 Speaker 2: get it. 317 00:14:26,000 --> 00:14:28,920 Speaker 3: This is a record that's up for grabs, and would 318 00:14:28,960 --> 00:14:31,720 Speaker 3: be really interested to know what kind of photos you have. 319 00:14:31,920 --> 00:14:35,320 Speaker 2: I mean, I don't take a lot of photos, and. 320 00:14:35,240 --> 00:14:38,480 Speaker 3: Some people are really bad at deleting the photos that 321 00:14:38,480 --> 00:14:40,240 Speaker 3: they don't want. Because I actually do that on a 322 00:14:40,240 --> 00:14:42,440 Speaker 3: regular basis too. I go back and I go, well, 323 00:14:42,440 --> 00:14:47,040 Speaker 3: I've got four shots of the same thing, and some 324 00:14:47,280 --> 00:14:50,280 Speaker 3: of them you have what they call photo burst, where 325 00:14:50,320 --> 00:14:52,800 Speaker 3: you can just press the camera and it'll go for 326 00:14:52,800 --> 00:14:54,400 Speaker 3: a second. It'll take the whole ton of phoes and 327 00:14:54,480 --> 00:14:56,120 Speaker 3: you just pick the one that works. 328 00:14:57,040 --> 00:14:59,720 Speaker 2: A lot of photos of my great nieces because they're 329 00:15:00,520 --> 00:15:03,360 Speaker 2: I mean, look how cute they are. When'd you have 330 00:15:03,400 --> 00:15:04,680 Speaker 2: photos to keep? 331 00:15:04,720 --> 00:15:09,280 Speaker 3: Seven? Then? Would now? Six thousand and five hundred and 332 00:15:09,320 --> 00:15:14,000 Speaker 3: forty five from Kathy and Langford. That's impressive. That's only 333 00:15:14,680 --> 00:15:16,760 Speaker 3: three thousand more than me. I think you can do 334 00:15:16,800 --> 00:15:17,280 Speaker 3: better than. 335 00:15:17,160 --> 00:15:21,720 Speaker 2: That case and seventy seven not really, that's rather underwhelming. 336 00:15:21,880 --> 00:15:23,520 Speaker 3: I'm more staggered to the fact that you don't know 337 00:15:23,520 --> 00:15:24,360 Speaker 3: where they've all gone. 338 00:15:24,920 --> 00:15:25,880 Speaker 2: They're in the cloud. 339 00:15:26,480 --> 00:15:30,680 Speaker 3: Where's the cloud? Lisa in the sky? I just stepped 340 00:15:30,680 --> 00:15:32,880 Speaker 3: out to get a drink. Peter in our sales department 341 00:15:32,920 --> 00:15:36,280 Speaker 3: just yelled out across the room twenty seven thousand plus. 342 00:15:36,440 --> 00:15:38,680 Speaker 2: But why do your photos all stay there and mind 343 00:15:38,720 --> 00:15:40,040 Speaker 2: disappear up into the cloud. 344 00:15:40,680 --> 00:15:45,160 Speaker 3: Maybe it's all in your configurations. You need to you 345 00:15:45,200 --> 00:15:47,160 Speaker 3: need to talk to a technical person. 346 00:15:48,920 --> 00:15:50,200 Speaker 2: Tell you what we're getting a lot of tech. 347 00:15:50,520 --> 00:15:53,480 Speaker 3: We're almost crashing the text shine and the phone lines 348 00:15:53,480 --> 00:15:56,760 Speaker 3: are full. Everyone's willing to fess up on how many photos. 349 00:15:56,800 --> 00:16:01,720 Speaker 2: Sharon in Woodvale has thirty nine thousands, seven hundred and 350 00:16:01,840 --> 00:16:03,080 Speaker 2: eighty seven. 351 00:16:03,680 --> 00:16:07,280 Speaker 3: Anonymous has over thirty one thousand, and declares, I think 352 00:16:07,280 --> 00:16:08,160 Speaker 3: I have a problem. 353 00:16:08,240 --> 00:16:13,280 Speaker 2: Yes there's another thirty seven thousand, hang on, hang on, 354 00:16:13,400 --> 00:16:17,240 Speaker 2: what do we got here? Sixty thousand, eight hundred and 355 00:16:17,280 --> 00:16:24,120 Speaker 2: thirty seven items And that is from Michelle in Northern. 356 00:16:24,200 --> 00:16:26,640 Speaker 3: Kim of San Marimo, nearly forty six thousand. A lot 357 00:16:26,680 --> 00:16:28,800 Speaker 3: of holiday snaps. You know, you don't have to keep 358 00:16:28,840 --> 00:16:29,280 Speaker 3: them all. 359 00:16:29,720 --> 00:16:32,360 Speaker 2: Just the best ones, that's right, just the best ones. 360 00:16:33,200 --> 00:16:38,080 Speaker 2: There You go anyway, let's go to tapping and flow. Hello, Flow, Hello, Flow. 361 00:16:38,760 --> 00:16:39,440 Speaker 2: How you doing? 362 00:16:39,680 --> 00:16:40,360 Speaker 3: Oh we're good. 363 00:16:40,520 --> 00:16:41,160 Speaker 2: What do you got? 364 00:16:41,520 --> 00:16:42,440 Speaker 3: How's your phone hanging? 365 00:16:43,520 --> 00:16:47,440 Speaker 4: Actually feels so bad now to hear in all these numbers, 366 00:16:47,680 --> 00:16:51,520 Speaker 4: But I have twenty thousand, three hundred and sixty's what 367 00:16:51,520 --> 00:16:51,920 Speaker 4: what of. 368 00:16:53,760 --> 00:16:58,080 Speaker 5: Majority training videos? A few puppies, a few sunsets, and 369 00:16:58,240 --> 00:17:00,280 Speaker 5: let's not forget the kids in the family, of. 370 00:17:00,280 --> 00:17:02,400 Speaker 3: Course, what sort of training videos are we talking? 371 00:17:03,480 --> 00:17:04,680 Speaker 5: I actually do a child wrong. 372 00:17:04,720 --> 00:17:10,359 Speaker 2: Man as a strong man? Yeah, oh wow, oh goodness, 373 00:17:10,440 --> 00:17:11,200 Speaker 2: and pretty cool. 374 00:17:11,440 --> 00:17:13,920 Speaker 3: And puppies and sunsets. That's quite a variety you've got 375 00:17:13,920 --> 00:17:14,400 Speaker 3: on your phone. 376 00:17:15,720 --> 00:17:19,240 Speaker 2: Puppies at sunset, Yeah, I've got puppies at sunset. 377 00:17:18,960 --> 00:17:20,160 Speaker 3: Being held by a strong man. 378 00:17:21,119 --> 00:17:23,320 Speaker 2: Yeah that just sounds rude. 379 00:17:23,320 --> 00:17:26,680 Speaker 3: Now take your fly, Oh, well done. 380 00:17:26,840 --> 00:17:29,919 Speaker 2: That's a reasonable amount. That's based on what I'm seeing. 381 00:17:30,000 --> 00:17:34,439 Speaker 2: I mean, Michelle sixty, that's a lot to clean up. 382 00:17:34,640 --> 00:17:38,680 Speaker 2: Kate and Quinn's rocks. What do you got a morning. 383 00:17:39,440 --> 00:17:42,600 Speaker 7: Forty two, eight hundred and eighty, and what are they? 384 00:17:43,359 --> 00:17:44,440 Speaker 2: I'm pretty sure there's. 385 00:17:44,280 --> 00:17:46,800 Speaker 7: More on a phone, an old phone somewhere as well. 386 00:17:47,000 --> 00:17:48,720 Speaker 2: Yes, that's what I reckon. 387 00:17:48,720 --> 00:17:50,840 Speaker 3: They're not all the same there's so many photos on 388 00:17:50,880 --> 00:17:52,920 Speaker 3: her phone, it's it's breaking up the signal. We can 389 00:17:52,920 --> 00:17:53,560 Speaker 3: hardly hear. 390 00:17:54,080 --> 00:17:58,760 Speaker 2: Kate, what are they of? Mostly probably most of my 391 00:17:59,200 --> 00:18:03,120 Speaker 2: children when they Yes, but I do that thing where 392 00:18:03,160 --> 00:18:06,720 Speaker 2: you take like ten photos to begin with and then 393 00:18:06,840 --> 00:18:09,760 Speaker 2: I don't go back to them. 394 00:18:10,040 --> 00:18:12,199 Speaker 3: Yes, that's the trick, you know. You know. They do 395 00:18:12,280 --> 00:18:15,320 Speaker 3: have the duplication feature on there too, where it'll clean 396 00:18:15,320 --> 00:18:19,720 Speaker 3: out any duplication duplicate photos. So that's a good way. Yeah, 397 00:18:19,720 --> 00:18:23,359 Speaker 3: that's a good way to get you your photo numbers down. Okay, 398 00:18:23,520 --> 00:18:25,960 Speaker 3: so all of your kids? Yeah, So I mean this 399 00:18:26,000 --> 00:18:26,600 Speaker 3: is going to be one of. 400 00:18:26,560 --> 00:18:28,000 Speaker 2: The most back looking for a photo. 401 00:18:28,080 --> 00:18:31,959 Speaker 3: Must be hell, be a nightmare. They must be one 402 00:18:31,960 --> 00:18:34,600 Speaker 3: of the most documented generations in history. 403 00:18:35,000 --> 00:18:40,320 Speaker 2: Oh absolutely, I should go through, but now it's too overwhelming. Yes, 404 00:18:41,560 --> 00:18:44,720 Speaker 2: that's some of them are going to be lost forever. Okay, 405 00:18:45,800 --> 00:18:46,320 Speaker 2: thanks Kate. 406 00:18:46,880 --> 00:18:50,000 Speaker 3: That's a good number, Thank you, Kate. All right, so 407 00:18:50,359 --> 00:18:52,560 Speaker 3: they are impressive numbers. So what are we up to? 408 00:18:52,640 --> 00:18:54,080 Speaker 3: Sixty thousand, six. 409 00:18:55,000 --> 00:18:58,119 Speaker 2: And thirty seven, Michelle in Northern that's the number to beat. 410 00:18:59,160 --> 00:19:04,560 Speaker 3: I'm thinking that's a phone with quite a bit of 411 00:19:04,600 --> 00:19:05,080 Speaker 3: memory on. 412 00:19:05,040 --> 00:19:08,240 Speaker 2: It, I think, So what we got here, we got 413 00:19:08,880 --> 00:19:12,679 Speaker 2: we got so oh, your storage is full. Any new 414 00:19:12,760 --> 00:19:16,320 Speaker 2: or pending photos will not be synced. That's that's attached 415 00:19:16,320 --> 00:19:19,320 Speaker 2: to the photo of someone who's got thirty six, four 416 00:19:19,440 --> 00:19:21,520 Speaker 2: hundred and eighty one items. 417 00:19:21,600 --> 00:19:24,159 Speaker 3: Yes, they have cleanup services on the phone, so you 418 00:19:24,359 --> 00:19:27,359 Speaker 3: give them a go clean up, get rid of the duplicates, 419 00:19:27,760 --> 00:19:30,840 Speaker 3: and then you can you can jam more photos on there. Well, 420 00:19:31,720 --> 00:19:33,760 Speaker 3: some of these numbers that are coming through for hour 421 00:19:34,040 --> 00:19:35,760 Speaker 3: are staggering. Are staggering. 422 00:19:36,400 --> 00:19:39,040 Speaker 2: I mean you must, you must be taking photos all 423 00:19:39,240 --> 00:19:43,040 Speaker 2: day long. We've opened up the book of records, and 424 00:19:43,640 --> 00:19:46,520 Speaker 2: who has the most photos in their phone? It's the 425 00:19:46,600 --> 00:19:48,760 Speaker 2: record we're looking for today. Who's going to join a 426 00:19:48,840 --> 00:19:51,879 Speaker 2: Steve of Orange Grove, who was last week's record holder 427 00:19:52,200 --> 00:19:55,199 Speaker 2: for having a sixty two thousand dollars tax bill. The 428 00:19:55,240 --> 00:20:00,760 Speaker 2: category was who copped the biggest fine? Well, me set 429 00:20:00,800 --> 00:20:03,879 Speaker 2: the tone with Eliza, who says, I have sixty one 430 00:20:03,920 --> 00:20:06,800 Speaker 2: hundred and eighty photos. Is a lot of Eliza, it's 431 00:20:06,800 --> 00:20:07,560 Speaker 2: a fair amount. 432 00:20:07,680 --> 00:20:12,439 Speaker 3: But resent to okay, tell us Ian, Okay, tell us 433 00:20:12,480 --> 00:20:15,400 Speaker 3: what he is Ian of Quinn's Rocks, and he's got 434 00:20:15,400 --> 00:20:19,040 Speaker 3: a photos. Obviously he set us a photo. 435 00:20:19,359 --> 00:20:21,080 Speaker 2: Yeah, communicates. 436 00:20:21,160 --> 00:20:26,680 Speaker 3: I have one hundred and seventy eight thousand, two hundred 437 00:20:26,720 --> 00:20:31,679 Speaker 3: and seventy one photographs of what have you been taking 438 00:20:31,760 --> 00:20:37,000 Speaker 3: photos since nineteen o eight? I mean that is just insane. 439 00:20:37,480 --> 00:20:40,680 Speaker 2: I think it's safe to say Ian is his carrote 440 00:20:41,080 --> 00:20:41,360 Speaker 2: to beat. 441 00:20:41,480 --> 00:20:43,320 Speaker 3: He's the wonder beat. Can you beat him? 442 00:20:43,920 --> 00:20:49,560 Speaker 2: Susan in Marie, Good morning, Good morning. Oh hello, Susan. 443 00:20:49,720 --> 00:20:52,560 Speaker 2: How many of you got in your phone? I have? 444 00:20:52,920 --> 00:20:57,320 Speaker 4: Oh it's gone off, hold on, it's caught up, it's 445 00:20:57,359 --> 00:21:02,480 Speaker 4: gone up. I hear it is sixty one and fifty 446 00:21:02,560 --> 00:21:04,160 Speaker 4: three items. 447 00:21:04,400 --> 00:21:08,920 Speaker 2: That's that is impressive. What you've got photos of everyone? 448 00:21:09,080 --> 00:21:09,480 Speaker 7: Everyone? 449 00:21:09,560 --> 00:21:11,040 Speaker 2: I know? Yes, every meal? 450 00:21:11,400 --> 00:21:14,120 Speaker 3: You know a lot of people every meal You've ever eaten. 451 00:21:15,920 --> 00:21:16,520 Speaker 2: Every meal? 452 00:21:17,440 --> 00:21:17,600 Speaker 1: Oh? 453 00:21:17,680 --> 00:21:20,560 Speaker 2: Yes, I've got hates and meals. I took some last night. Yeah, 454 00:21:21,680 --> 00:21:25,199 Speaker 2: I have friends loves everywhere I go. I take photos 455 00:21:25,240 --> 00:21:25,840 Speaker 2: of what I eat. 456 00:21:27,000 --> 00:21:31,960 Speaker 3: Yeah, this is how people are doing it right now. 457 00:21:32,160 --> 00:21:34,040 Speaker 5: I've got I've got pets as well. 458 00:21:34,160 --> 00:21:40,720 Speaker 2: I got Yeah, I've got pets and memes because you 459 00:21:41,880 --> 00:21:46,520 Speaker 2: and receipts. Very good, Susan. That is a very impressive number. 460 00:21:46,680 --> 00:21:51,280 Speaker 3: We like that, Susan. Well done. 461 00:21:51,920 --> 00:21:55,000 Speaker 2: I'm going to have more than we do. 462 00:21:55,040 --> 00:21:57,760 Speaker 3: There are some well done anyway, Susan. 463 00:21:58,240 --> 00:22:02,800 Speaker 2: We do have one person with more than Susan. We 464 00:22:02,920 --> 00:22:06,879 Speaker 2: just mentioned before, Ian in Quinn's Rocks has one hundred 465 00:22:06,920 --> 00:22:10,840 Speaker 2: and seventy eight thousand, two hundred and seventy one. He 466 00:22:10,960 --> 00:22:14,560 Speaker 2: is not making it up. He sent us the screenshot 467 00:22:14,720 --> 00:22:16,080 Speaker 2: of his phone. 468 00:22:16,359 --> 00:22:19,080 Speaker 3: And we needed to verify this. We needed to get 469 00:22:19,160 --> 00:22:23,359 Speaker 3: him on the phone and find out how the heck 470 00:22:23,680 --> 00:22:28,000 Speaker 3: you accumulate one hundred and seventy eight thousand last photos? 471 00:22:28,080 --> 00:22:30,000 Speaker 2: Can you put your phone down for one moment to 472 00:22:30,040 --> 00:22:33,280 Speaker 2: talk to us? Put it down, step away from the phone, 473 00:22:33,600 --> 00:22:35,359 Speaker 2: knowing on your count, step away from the phone you're 474 00:22:35,359 --> 00:22:39,320 Speaker 2: talking on it, take your finger off the photo button 475 00:22:39,359 --> 00:22:42,639 Speaker 2: for one second. How on earth did you accumulate this 476 00:22:42,760 --> 00:22:44,080 Speaker 2: many photos? 477 00:22:44,560 --> 00:22:44,720 Speaker 3: Well? 478 00:22:44,800 --> 00:22:47,480 Speaker 7: Unfortunate the number I gave you no longer accurate because 479 00:22:47,480 --> 00:22:49,280 Speaker 7: I've just checked him even more than there. 480 00:22:50,400 --> 00:22:52,960 Speaker 2: All right, tell us how many we got it? No, 481 00:22:53,000 --> 00:22:55,240 Speaker 2: I'm not judging you, but we need the exact number. 482 00:22:55,240 --> 00:22:56,280 Speaker 3: What have you got summer? 483 00:22:57,720 --> 00:23:01,960 Speaker 7: Well, there was another three have gone on there before. 484 00:23:06,800 --> 00:23:09,440 Speaker 7: I've got no idea whether or from. We've got two 485 00:23:09,720 --> 00:23:13,520 Speaker 7: children who are now teenagers. Yes, dogs, that's now eight yes, 486 00:23:13,800 --> 00:23:18,159 Speaker 7: So there's and a grandchild who's now two months. My 487 00:23:18,280 --> 00:23:22,919 Speaker 7: wife just seems to be addicted to Whenever she sees something, 488 00:23:22,960 --> 00:23:25,280 Speaker 7: she'll take ten twenty pictures of it. 489 00:23:25,800 --> 00:23:31,520 Speaker 2: What it does? It grows? What are there more photos 490 00:23:31,520 --> 00:23:32,720 Speaker 2: of the grandchild or the dog? 491 00:23:34,880 --> 00:23:36,120 Speaker 7: I'm going to say the children? 492 00:23:37,520 --> 00:23:38,560 Speaker 2: You didn't have to think about it. 493 00:23:40,320 --> 00:23:43,399 Speaker 7: Yeah, I think at the moment, children followed by dogs. 494 00:23:43,400 --> 00:23:47,720 Speaker 7: They're followed by grandchild. But grandchild I'm sure will start. 495 00:23:48,320 --> 00:23:50,360 Speaker 2: They'll sarge your head. They're only two months old. 496 00:23:50,440 --> 00:23:52,200 Speaker 3: Ian. Is it time to step in, do you think 497 00:23:52,240 --> 00:23:55,920 Speaker 3: and take control of the situation? No? 498 00:23:56,040 --> 00:23:56,480 Speaker 7: Why not? 499 00:23:56,480 --> 00:23:57,560 Speaker 2: As long as this story. 500 00:23:58,920 --> 00:24:05,040 Speaker 7: I've had to pay exits to get more terribyt Oh. 501 00:24:04,960 --> 00:24:06,359 Speaker 3: My god, we're into terrorbytes. 502 00:24:07,680 --> 00:24:09,120 Speaker 2: It's called an ianvite. 503 00:24:09,160 --> 00:24:15,240 Speaker 3: Actually, oh, it's okay, And you know what. 504 00:24:15,640 --> 00:24:21,600 Speaker 2: It secures your spot in Lisa and Russell's Book of Records. 505 00:24:22,280 --> 00:24:26,000 Speaker 2: With one hundred and seventy eight thousand, two hundred and 506 00:24:26,160 --> 00:24:30,240 Speaker 2: seventy four photos in their phone. 507 00:24:30,280 --> 00:24:32,920 Speaker 7: It's probably increased by now you've. 508 00:24:33,200 --> 00:24:34,560 Speaker 2: Been taking photos while your. 509 00:24:36,200 --> 00:24:37,920 Speaker 3: We're not going to put the photos in as well. 510 00:24:37,960 --> 00:24:40,320 Speaker 3: Otherwise that's a whole volume of chapters. 511 00:24:41,320 --> 00:24:45,560 Speaker 2: We won't do that. Congratulations, the winner. 512 00:24:45,720 --> 00:24:53,360 Speaker 3: That is impressive. It sounds he sounds exhausted, Yes, well elated, 513 00:24:53,359 --> 00:24:54,400 Speaker 3: he's also defeated. 514 00:24:56,280 --> 00:25:00,000 Speaker 2: That's Oh, that's another page in the book of records. 515 00:25:00,240 --> 00:25:04,000 Speaker 3: Over one hundred and seventy eight thousand photos on your phone. Yeah, 516 00:25:04,040 --> 00:25:04,560 Speaker 3: that's much. 517 00:25:04,560 --> 00:25:06,760 Speaker 2: You're trying to find a specific. 518 00:25:06,240 --> 00:25:07,840 Speaker 3: One you'd have to catch. I hope that can. 519 00:25:08,040 --> 00:25:10,120 Speaker 2: I can't find a specific one in monkst my five 520 00:25:10,200 --> 00:25:11,280 Speaker 2: hundred and seventy seven. 521 00:25:11,359 --> 00:25:14,760 Speaker 1: Yeah. More more of Lisa and Mussel's podcast. It's on 522 00:25:14,800 --> 00:25:20,560 Speaker 1: the way soon. There's sure report on ninety six AIRM. 523 00:25:22,400 --> 00:25:26,080 Speaker 2: Much talked about search for the next James Bond might 524 00:25:26,240 --> 00:25:31,119 Speaker 2: finally be approaching some sort of resolution or revelation, hopefully. 525 00:25:32,200 --> 00:25:36,239 Speaker 2: OSCAR nominated director Dennis Villeneuve. Whenever I hear his name, 526 00:25:36,280 --> 00:25:39,159 Speaker 2: I think that the little guy with the Blade pasta 527 00:25:39,240 --> 00:25:42,920 Speaker 2: Blade has revealed his plans for James Bond film number 528 00:25:42,960 --> 00:25:47,080 Speaker 2: twenty six. The casting process will begin next year and 529 00:25:47,119 --> 00:25:49,879 Speaker 2: we're almost there as soon as Villaineru wraps up production 530 00:25:49,920 --> 00:25:53,280 Speaker 2: of June Part three, and he's confirmed they're looking for 531 00:25:53,320 --> 00:25:58,199 Speaker 2: a fresh face, quote unquote, an unknown younger actor in 532 00:25:58,240 --> 00:26:00,919 Speaker 2: his late twenties or early thirties who Hails from Britain, 533 00:26:01,359 --> 00:26:05,240 Speaker 2: puts the fan favorite picks like Idris Elba and Henry 534 00:26:05,320 --> 00:26:08,000 Speaker 2: Kevill Henry Cavell out of the running. The Next Chance 535 00:26:08,040 --> 00:26:10,240 Speaker 2: Bond film is expected to premiere in twenty twenty eight, 536 00:26:10,280 --> 00:26:13,879 Speaker 2: with filming set for twenty twenty seven. Jimmy Kimmel was 537 00:26:13,920 --> 00:26:17,720 Speaker 2: greeted with a standing ovation upon his visibly emotional return 538 00:26:17,760 --> 00:26:19,600 Speaker 2: to his late night show last night, as he thanked 539 00:26:19,600 --> 00:26:21,840 Speaker 2: those who'd stood up for him and stood by him. 540 00:26:22,080 --> 00:26:23,960 Speaker 2: As you know, Kimmel was taken off their last week 541 00:26:24,000 --> 00:26:27,200 Speaker 2: due to comments related to the shooting of Charlie Kirk. 542 00:26:27,400 --> 00:26:30,560 Speaker 2: He walked out to the ovation saying, I'm not sure 543 00:26:30,600 --> 00:26:32,600 Speaker 2: who had a weird of forty eight hours, me or 544 00:26:32,600 --> 00:26:33,960 Speaker 2: the CEO of Dylan Ol. 545 00:26:34,119 --> 00:26:36,000 Speaker 8: I've been hearing a lot about what I need to 546 00:26:36,040 --> 00:26:39,040 Speaker 8: say and do tonight, and the truth is, I don't 547 00:26:39,040 --> 00:26:40,240 Speaker 8: think what I have to say is. 548 00:26:40,240 --> 00:26:41,320 Speaker 3: Going to make much of a difference. 549 00:26:41,359 --> 00:26:43,240 Speaker 8: If you like me, like me, if you don't, you don't. 550 00:26:43,280 --> 00:26:46,000 Speaker 8: I have no illusions about changing anyone's mind, but I 551 00:26:46,040 --> 00:26:48,000 Speaker 8: do want to make something clear because it's important to 552 00:26:48,000 --> 00:26:51,280 Speaker 8: me as a human, and that is you understand that 553 00:26:51,320 --> 00:26:53,919 Speaker 8: it was never my intention to make light of the 554 00:26:54,040 --> 00:26:55,800 Speaker 8: murder of a young man. 555 00:26:57,000 --> 00:26:57,679 Speaker 5: I don't. 556 00:26:59,600 --> 00:27:01,880 Speaker 2: Quite action had a fair bit to say. Of course, 557 00:27:01,880 --> 00:27:04,000 Speaker 2: he went on to remind people that on the day 558 00:27:04,920 --> 00:27:07,240 Speaker 2: the shooting happened, he was one of the first people 559 00:27:07,280 --> 00:27:11,080 Speaker 2: to go online and you know, send his condolences to 560 00:27:11,119 --> 00:27:13,400 Speaker 2: the family and say could we please stop killing each 561 00:27:13,440 --> 00:27:18,800 Speaker 2: other anyway? Now, today's what's AI getting used for? Story? 562 00:27:19,600 --> 00:27:23,240 Speaker 2: China just used AI to turn a gay couple straight 563 00:27:24,040 --> 00:27:29,119 Speaker 2: in the Dave Yes in the Days please explain, I 564 00:27:29,280 --> 00:27:32,240 Speaker 2: will in the Dave Franco and Alison Bree horror film 565 00:27:32,320 --> 00:27:36,119 Speaker 2: which is called Together and is on now. Homosexuality is 566 00:27:36,160 --> 00:27:40,840 Speaker 2: decriminalized in China, but same sex relationships are not legally recognized. 567 00:27:40,359 --> 00:27:41,960 Speaker 3: And they don't like it on the big screen. 568 00:27:42,080 --> 00:27:45,000 Speaker 2: Well they do not, so they used AI to turn 569 00:27:45,040 --> 00:27:49,479 Speaker 2: a man's face into a woman's face to show a 570 00:27:49,520 --> 00:27:54,080 Speaker 2: gay couple as heterosexual before the film could be shown there. 571 00:27:54,520 --> 00:27:58,840 Speaker 3: The c CC please will. 572 00:27:58,600 --> 00:28:02,200 Speaker 2: Manipulate everything and have a listen to this. This headline 573 00:28:02,240 --> 00:28:04,960 Speaker 2: is so indicative of the times we live in. Door 574 00:28:05,080 --> 00:28:10,639 Speaker 2: dash driver uncovers hostage situation. A Texas door dash driver 575 00:28:10,960 --> 00:28:14,639 Speaker 2: reported a suspicious order to police, leading to the discovery 576 00:28:14,640 --> 00:28:17,080 Speaker 2: of the hostage situation that was taking place at a 577 00:28:17,119 --> 00:28:21,240 Speaker 2: motel in Sweetwater, Texas. The door dash driver told police 578 00:28:21,359 --> 00:28:27,280 Speaker 2: he just received a delivery order for rubbish bags, zip ties, bleach, 579 00:28:27,720 --> 00:28:35,280 Speaker 2: and a hatchet. Police arrived at the motel. Door dash, 580 00:28:35,400 --> 00:28:38,560 Speaker 2: I think, guys the door dasher talking about I get 581 00:28:38,600 --> 00:28:39,960 Speaker 2: like let a door dash, I get everything. 582 00:28:40,000 --> 00:28:42,160 Speaker 3: Door doastack. Lucky that door dash person had seen enough 583 00:28:42,160 --> 00:28:44,240 Speaker 3: of those kind of movies to know that, hey, this 584 00:28:44,360 --> 00:28:44,960 Speaker 3: is that's a kid. 585 00:28:45,440 --> 00:28:48,360 Speaker 2: Police arrived at the motel to find an armed man 586 00:28:48,480 --> 00:28:52,120 Speaker 2: barricading himself inside a room with a hostage. The hostage 587 00:28:52,120 --> 00:28:55,840 Speaker 2: managed to escape to safety. A crisis negotiator arrived and 588 00:28:55,920 --> 00:28:59,880 Speaker 2: negotiated the man's peaceful surrender, probably with Sam Uberrites or something, 589 00:29:00,160 --> 00:29:03,120 Speaker 2: and then he was arrested on charges of aggravated kidnapping 590 00:29:03,160 --> 00:29:07,320 Speaker 2: and drug charges. Door desk, Wow, I want rubbish bag, 591 00:29:07,440 --> 00:29:09,720 Speaker 2: zip tires, bleach and a hatchet. 592 00:29:10,560 --> 00:29:13,080 Speaker 3: They will deliver anything and everything. 593 00:29:14,000 --> 00:29:20,840 Speaker 4: What great the flick with Beno Good morning, Good morning guys. 594 00:29:20,880 --> 00:29:23,360 Speaker 4: I've got one for all the film nerds out there. 595 00:29:23,560 --> 00:29:26,800 Speaker 2: Oh well, I did like the look of the trailer. 596 00:29:26,960 --> 00:29:30,400 Speaker 3: This is a film nerd, Yeah, exactly a list. 597 00:29:30,440 --> 00:29:32,800 Speaker 4: This is going to be right up your alley. So 598 00:29:33,360 --> 00:29:37,480 Speaker 4: from director Paul Thomas Anderson, who you know, known better 599 00:29:37,480 --> 00:29:39,640 Speaker 4: to his friends as PTA. That's what all the cool 600 00:29:39,720 --> 00:29:44,160 Speaker 4: kids call him, so ptaight. He of course is an 601 00:29:44,240 --> 00:29:47,920 Speaker 4: autur director who really kicked off his career in great 602 00:29:47,960 --> 00:29:51,680 Speaker 4: fashion with Boogie Knights and then has given us films 603 00:29:51,720 --> 00:29:53,640 Speaker 4: like There Will Be Blood, which is considered one of 604 00:29:53,720 --> 00:29:57,360 Speaker 4: the greatest films of the twenty first century. More recently, 605 00:29:58,040 --> 00:30:01,920 Speaker 4: Licorice Pizza and Anthem Thread. Both of those films were 606 00:30:01,960 --> 00:30:04,920 Speaker 4: nominated for Best Picture at the Academy Awards. So he 607 00:30:05,080 --> 00:30:09,200 Speaker 4: is in the absolute upper echelon of directors in Hollywood. 608 00:30:09,240 --> 00:30:11,400 Speaker 4: So every time he's got a new film coming out, 609 00:30:12,120 --> 00:30:14,160 Speaker 4: people are very excited to see what he's going to do. 610 00:30:14,200 --> 00:30:15,800 Speaker 4: It's kind of like, you know, like if the Tarantino 611 00:30:15,800 --> 00:30:17,480 Speaker 4: who's got a new film coming out, it's just one 612 00:30:17,480 --> 00:30:20,320 Speaker 4: of those movies that you circle in the calendar as 613 00:30:20,400 --> 00:30:23,360 Speaker 4: this is going to be interesting. And so his latest 614 00:30:23,400 --> 00:30:26,920 Speaker 4: film sees him team up with Leonardo DiCaprio for the 615 00:30:26,960 --> 00:30:31,440 Speaker 4: first time one battle after another. But I will say 616 00:30:31,520 --> 00:30:35,040 Speaker 4: right off the bat that timing is everything, and I think, 617 00:30:35,440 --> 00:30:41,240 Speaker 4: unfortunately for Pta, is timing this time around is just terrible. 618 00:30:41,520 --> 00:30:41,760 Speaker 2: Wow. 619 00:30:42,080 --> 00:30:46,160 Speaker 4: So well, so the film kicks off, like you realize 620 00:30:46,200 --> 00:30:48,960 Speaker 4: straight away what I'm talking about. So the opening scene 621 00:30:48,960 --> 00:30:53,080 Speaker 4: in the film is a group of radical left activists 622 00:30:53,120 --> 00:30:58,480 Speaker 4: in America doing an armed raid on an ice facility. 623 00:30:58,800 --> 00:31:01,040 Speaker 3: Oh almost down to the day. 624 00:31:01,360 --> 00:31:06,600 Speaker 4: Oh yeah, not great, not great at all. So you know, 625 00:31:06,680 --> 00:31:08,960 Speaker 4: it's like every now and then you see this happen 626 00:31:09,200 --> 00:31:11,600 Speaker 4: where there might be a film about like a plane 627 00:31:11,600 --> 00:31:14,120 Speaker 4: getting hijacked and then there's you know, some sort of 628 00:31:14,160 --> 00:31:16,719 Speaker 4: plane crash, or a movie about a shark and then 629 00:31:16,760 --> 00:31:18,960 Speaker 4: there's a fatal shark attack, or a movie about a 630 00:31:18,960 --> 00:31:22,600 Speaker 4: bushfire and then there's a devastating bushfire. Like these things, 631 00:31:22,800 --> 00:31:25,680 Speaker 4: these there's sometimes this timing lines up, and it's always 632 00:31:25,560 --> 00:31:29,520 Speaker 4: a terrible coincidence for the filmmakers, and you know, people 633 00:31:29,520 --> 00:31:33,240 Speaker 4: impacted by these real life situations. And so unfortunately for Pta, 634 00:31:33,400 --> 00:31:36,000 Speaker 4: that's kind of what the environment in which this film 635 00:31:36,040 --> 00:31:40,160 Speaker 4: is going to land. And it's a bit unfortunate. And 636 00:31:40,280 --> 00:31:43,719 Speaker 4: he wrote it obviously years ago, and the films take 637 00:31:43,760 --> 00:31:46,520 Speaker 4: a long time to make. And so after this this 638 00:31:46,600 --> 00:31:50,600 Speaker 4: initial sequence where there's this raid on this immigration detention 639 00:31:50,720 --> 00:31:55,040 Speaker 4: facility in America, Leonardo DiCaprio's character past plays like a 640 00:31:55,080 --> 00:31:58,960 Speaker 4: sort of a demolitions expert, and he's he's in love 641 00:31:59,000 --> 00:32:04,160 Speaker 4: with the sort of the lead of the revolutionaries, whose 642 00:32:04,240 --> 00:32:06,720 Speaker 4: name is Pa Fidia, and she's this kind of like 643 00:32:06,800 --> 00:32:11,640 Speaker 4: really strong African American character who has this weird kind 644 00:32:11,680 --> 00:32:15,719 Speaker 4: of sexual tension moment with the commanding officer of the 645 00:32:15,720 --> 00:32:19,800 Speaker 4: detention center played by Sean Penn, which is kind of 646 00:32:19,960 --> 00:32:21,600 Speaker 4: it's kind of a bit odd at the time, but 647 00:32:21,800 --> 00:32:25,040 Speaker 4: it really sets a train of events in motion that 648 00:32:25,120 --> 00:32:28,000 Speaker 4: carries throughout the whole film, where you end up with 649 00:32:28,040 --> 00:32:32,480 Speaker 4: this sort of weird love triangle between Leo and Pa Fidia, 650 00:32:32,880 --> 00:32:35,840 Speaker 4: and then Sean Penn's character, who's a really kind of 651 00:32:35,880 --> 00:32:40,719 Speaker 4: like uptight military man but has this kind of obsession 652 00:32:41,360 --> 00:32:44,840 Speaker 4: with this with this revolutionary, and then the film fast 653 00:32:44,840 --> 00:32:49,959 Speaker 4: forwards sixteen years into the future when the female character 654 00:32:50,160 --> 00:32:52,880 Speaker 4: as kind of like off the agenda and it's just 655 00:32:53,240 --> 00:32:56,640 Speaker 4: Leonardo DiCaprio's pat is trying to raise a teenage daughter, 656 00:32:57,320 --> 00:32:59,920 Speaker 4: and then all of a sudden realizes that this guy 657 00:33:00,160 --> 00:33:03,560 Speaker 4: from the past, this military dude, is coming after them, 658 00:33:03,560 --> 00:33:05,840 Speaker 4: and he's relentless and he's going to stop at nothing 659 00:33:06,240 --> 00:33:11,080 Speaker 4: until he captures Leo and his team. Daughter played by 660 00:33:11,320 --> 00:33:14,200 Speaker 4: newcomer Chase Infinity in her first movie role. She's going 661 00:33:14,240 --> 00:33:17,040 Speaker 4: to be a superstar. I can tell you that inanity. 662 00:33:17,760 --> 00:33:19,840 Speaker 3: Yeah, what a name, right. 663 00:33:19,440 --> 00:33:23,440 Speaker 4: It sounds exciting the movie, yes, and so the film 664 00:33:23,520 --> 00:33:27,160 Speaker 4: kind of goes from there. I would say the positives. 665 00:33:27,720 --> 00:33:32,880 Speaker 4: It's incredibly well directed. The score is amazing, like the 666 00:33:32,960 --> 00:33:36,719 Speaker 4: music and the choice of music in this film is 667 00:33:36,880 --> 00:33:39,400 Speaker 4: just as good as anything you'll ever see in a film. 668 00:33:39,640 --> 00:33:43,520 Speaker 4: And there are some sequences that cinematically are certain to 669 00:33:43,560 --> 00:33:47,120 Speaker 4: be iconic and certainly will be studied in film schools 670 00:33:47,120 --> 00:33:50,560 Speaker 4: for the next twenty years. There's a car chase sequence 671 00:33:50,640 --> 00:33:52,840 Speaker 4: that is one of the best that I've ever seen 672 00:33:53,360 --> 00:33:56,360 Speaker 4: captured on film. And so there's a lot. 673 00:33:56,200 --> 00:33:58,040 Speaker 5: Of really really good things about it. 674 00:33:58,400 --> 00:34:01,400 Speaker 4: Oh well, it's it's so much. It's not so much 675 00:34:01,480 --> 00:34:04,840 Speaker 4: because it's you know, this sort of breakneck action. It's 676 00:34:04,920 --> 00:34:08,920 Speaker 4: just so cleverly done using the landscape of the desert 677 00:34:09,160 --> 00:34:11,360 Speaker 4: that you're watch it. You go, wow, that's just so clever. 678 00:34:13,400 --> 00:34:17,719 Speaker 4: But the negatives. Sean Penn's character is, you know, he 679 00:34:17,760 --> 00:34:19,279 Speaker 4: looks like he's having the time of his life, and 680 00:34:19,280 --> 00:34:21,840 Speaker 4: he's obviously a two time Oscar winner, but it gets 681 00:34:21,840 --> 00:34:26,120 Speaker 4: a little bit cartoonish, and I think the film, as 682 00:34:26,120 --> 00:34:28,840 Speaker 4: I mentioned before, the timing the film suffers because you know, 683 00:34:28,880 --> 00:34:31,360 Speaker 4: when Pta was writing this, which is kind of loosely 684 00:34:31,400 --> 00:34:36,319 Speaker 4: adapted from a Thomas Pinchon novel from nineteen ninety, which 685 00:34:36,400 --> 00:34:39,040 Speaker 4: was sort of set in the Reagan era in nineteen eighties, 686 00:34:39,080 --> 00:34:41,400 Speaker 4: this is kind of set in our modern time. So 687 00:34:41,400 --> 00:34:44,120 Speaker 4: when Pta wrote this film, he kind of conceived it 688 00:34:44,160 --> 00:34:51,399 Speaker 4: as romanticizing the radical left and ridiculing the conservative politicians. 689 00:34:51,480 --> 00:34:54,760 Speaker 4: So he kind of deliberately makes them look so stupid. 690 00:34:55,040 --> 00:34:58,439 Speaker 4: And unfortunately that joke is just not very funny. 691 00:34:58,120 --> 00:35:01,480 Speaker 6: At the moment because you know, it's not really hell, 692 00:35:02,239 --> 00:35:05,120 Speaker 6: it's not no no, like when when Pta came up 693 00:35:05,120 --> 00:35:08,120 Speaker 6: with this, you know, it just it just has an 694 00:35:08,120 --> 00:35:10,319 Speaker 6: age well because you look at what's happening in America right. 695 00:35:10,239 --> 00:35:12,360 Speaker 4: Now, and who's laughing? 696 00:35:12,400 --> 00:35:15,600 Speaker 3: Who's laughing at the laughing? Timing is everything? Isn't it all? 697 00:35:15,680 --> 00:35:19,560 Speaker 2: Right? Well? How many? And it also has Benincio del 698 00:35:19,600 --> 00:35:21,880 Speaker 2: Toro's in of course. 699 00:35:21,760 --> 00:35:26,680 Speaker 4: He's amazing as always, he plays he plays real quick. 700 00:35:26,840 --> 00:35:32,640 Speaker 4: Vancio Toro plays the karate instructor of Leonardo DiCaprio's daughter, 701 00:35:32,719 --> 00:35:35,319 Speaker 4: and Leo calls him sense all the time. It gets 702 00:35:35,360 --> 00:35:38,000 Speaker 4: him broke in because it wrote him into the action. 703 00:35:38,120 --> 00:35:39,320 Speaker 4: You can use that is perfect. 704 00:35:39,480 --> 00:35:40,960 Speaker 2: It looks like classic Vincio. 705 00:35:42,080 --> 00:35:44,120 Speaker 4: Oh yeah, he is. He is the best. He's the 706 00:35:44,120 --> 00:35:44,600 Speaker 4: best in this. 707 00:35:44,800 --> 00:35:45,520 Speaker 2: So what do you give it. 708 00:35:47,160 --> 00:35:48,840 Speaker 4: I'm going to give it. I'm going to give it 709 00:35:48,840 --> 00:35:49,360 Speaker 4: four styles. 710 00:35:49,440 --> 00:35:50,879 Speaker 2: This will get all the nominations. 711 00:35:51,840 --> 00:35:55,600 Speaker 4: It's an extremely well good movie, extremely extremely well made movie. 712 00:35:55,680 --> 00:35:57,920 Speaker 4: Pen lines by the timing, but yeah, amazing. 713 00:35:58,200 --> 00:36:03,000 Speaker 2: So separate yourself from that and enjoy it. Okay, thank you, Ben, 714 00:36:03,120 --> 00:36:04,839 Speaker 2: Thanks Ben, love it, thank you. 715 00:36:05,080 --> 00:36:08,360 Speaker 3: All right, all right, there's your weekend viewing. Sorded well, 716 00:36:09,239 --> 00:36:13,799 Speaker 3: certainly for you, Lisa. Being a film nude from one 717 00:36:14,080 --> 00:36:17,080 Speaker 3: battle after another looks good. It sounds like all our 718 00:36:17,120 --> 00:36:19,480 Speaker 3: Dayssa 719 00:36:19,719 --> 00:36:26,800 Speaker 2: M Russell ninety six a FM