1 00:00:00,520 --> 00:00:07,120 Speaker 1: Great to flick with ben o'she good. Before we get 2 00:00:07,120 --> 00:00:09,360 Speaker 1: into talking about the Bob Marley movie, I just want 3 00:00:09,400 --> 00:00:11,600 Speaker 1: to make sure you know we understand the ground rules here, 4 00:00:11,680 --> 00:00:13,720 Speaker 1: like are any of us going to do like a 5 00:00:13,760 --> 00:00:17,520 Speaker 1: West Indian patois. No, we're gonna avoid that. We're gonna 6 00:00:17,520 --> 00:00:20,279 Speaker 1: avoid that, that lovely up your set of mind. We're not 7 00:00:20,320 --> 00:00:23,959 Speaker 1: going to do that, Chris Gale, because we're not going 8 00:00:24,000 --> 00:00:29,800 Speaker 1: to do Ambrose West Indian Test Cricket team impersonation. Because 9 00:00:30,600 --> 00:00:33,680 Speaker 1: it's amazing in this film, like it's you know, I 10 00:00:33,680 --> 00:00:36,280 Speaker 1: think one thing that it strives to do is be 11 00:00:36,520 --> 00:00:40,040 Speaker 1: as authentic as possible. And they had the film had 12 00:00:40,080 --> 00:00:43,040 Speaker 1: this global search to find the actor to play Bob 13 00:00:43,040 --> 00:00:45,000 Speaker 1: Marley like It's you know it was. They found Ramy 14 00:00:45,040 --> 00:00:49,120 Speaker 1: Malick to play Freddie Mercury, Tarran Edgerton to play Elton John. 15 00:00:49,400 --> 00:00:53,120 Speaker 1: These casting decisions are so critical to the success of 16 00:00:53,159 --> 00:00:57,600 Speaker 1: these music bio films because it's like the fans of 17 00:00:57,640 --> 00:00:59,680 Speaker 1: these of these bands and these singers, they have to 18 00:00:59,680 --> 00:01:01,880 Speaker 1: be able to go. If they don't buy it at 19 00:01:02,120 --> 00:01:04,759 Speaker 1: they won't buy it's over. It's over. And so after 20 00:01:05,040 --> 00:01:07,040 Speaker 1: a couple of years of searching high and Low. They 21 00:01:07,080 --> 00:01:10,680 Speaker 1: settled on Kingsley Benadeer, who was in Peaky Blinders, he 22 00:01:10,720 --> 00:01:13,640 Speaker 1: was in the TV adoptation of High Fidelity. He was 23 00:01:13,680 --> 00:01:16,440 Speaker 1: just recently in the Barbie movie as one of the Kens. 24 00:01:17,480 --> 00:01:20,840 Speaker 1: But you know, he's not really a huge household name. 25 00:01:21,440 --> 00:01:24,839 Speaker 1: He will be after this. Oh my gosh, is he good. 26 00:01:25,360 --> 00:01:29,959 Speaker 1: He is just so fantastic at bringing Bob Marley to life. 27 00:01:30,360 --> 00:01:32,000 Speaker 1: The film is not perfect, so I don't want to 28 00:01:32,240 --> 00:01:33,959 Speaker 1: make everybody think that this is something that it will 29 00:01:34,000 --> 00:01:38,160 Speaker 1: just change your life. But Kingsley Benadeer is so good. 30 00:01:38,319 --> 00:01:41,959 Speaker 1: The film tells a story of a very small chapter 31 00:01:42,319 --> 00:01:46,720 Speaker 1: of Marley's life from about the mid seventies, probably nineteen 32 00:01:46,760 --> 00:01:48,880 Speaker 1: seventy six to nineteen seventy eight, so you've got about 33 00:01:48,880 --> 00:01:50,559 Speaker 1: two years of his life and you might think, geez, 34 00:01:50,560 --> 00:01:53,800 Speaker 1: that's such a small slice of a man who's been 35 00:01:53,840 --> 00:01:57,680 Speaker 1: so influential on pop culture. But a lot happened in 36 00:01:57,680 --> 00:02:01,040 Speaker 1: those couple of years. So the film starts off in Jamaica, 37 00:02:01,080 --> 00:02:05,320 Speaker 1: where there's this huge political civil unrest, almost a civil 38 00:02:05,360 --> 00:02:09,360 Speaker 1: war between these different political factions, and it looked like 39 00:02:09,520 --> 00:02:13,320 Speaker 1: the whole country was about to descend into war, and 40 00:02:13,400 --> 00:02:15,919 Speaker 1: Bob took it upon himself to stage a peace concert 41 00:02:16,240 --> 00:02:18,440 Speaker 1: to bring everybody together. People told him that has a 42 00:02:18,520 --> 00:02:21,680 Speaker 1: terrible idea. His record label, Iland Record, said, Bob, what 43 00:02:21,680 --> 00:02:23,280 Speaker 1: are you doing? You know, like you're becoming so big 44 00:02:23,320 --> 00:02:26,240 Speaker 1: around the world, like why would you do this? And 45 00:02:26,320 --> 00:02:30,240 Speaker 1: it turned out to be extremely personally risky when you know, 46 00:02:30,280 --> 00:02:34,000 Speaker 1: a couple of days before the concert, some gunman broke 47 00:02:34,080 --> 00:02:38,800 Speaker 1: into his compound, shot some of his closest confidants, shot 48 00:02:38,840 --> 00:02:42,480 Speaker 1: his manager, nearly died, shot his wife Rita in the 49 00:02:42,560 --> 00:02:47,800 Speaker 1: head she survived, which was incredible, and shot Bob Marley himself, 50 00:02:48,400 --> 00:02:50,480 Speaker 1: and so on this assassination attempt. And then a few 51 00:02:50,520 --> 00:02:54,160 Speaker 1: days later he is on stage for this concert, which 52 00:02:54,200 --> 00:02:57,080 Speaker 1: is just incredible in itself and maybe for casual fans 53 00:02:57,160 --> 00:03:00,080 Speaker 1: might not know that about him, and he pulled it off. 54 00:03:00,080 --> 00:03:02,360 Speaker 1: It was all great. But then because of all of 55 00:03:02,400 --> 00:03:05,239 Speaker 1: the political turmoil at the time, he's decided to, you know, 56 00:03:05,639 --> 00:03:07,400 Speaker 1: to get out of here. I'm going to go to London. 57 00:03:08,000 --> 00:03:09,920 Speaker 1: And so then the film chronicles the next kind of 58 00:03:09,960 --> 00:03:12,800 Speaker 1: year or so of his life in London, where he's 59 00:03:13,000 --> 00:03:16,239 Speaker 1: coming up with the album that will be Exodus, which 60 00:03:16,280 --> 00:03:19,519 Speaker 1: is of course an all time classic and then his 61 00:03:19,560 --> 00:03:22,520 Speaker 1: first kind of major tours of Europe where he really 62 00:03:22,560 --> 00:03:25,440 Speaker 1: became a global superstar, and so it covers all of 63 00:03:25,480 --> 00:03:28,000 Speaker 1: that territory, and then his decision to go back to 64 00:03:28,080 --> 00:03:32,000 Speaker 1: Jamaica to do kind of another big piece protest a 65 00:03:32,080 --> 00:03:35,720 Speaker 1: concert to kind of like overcome his personal fears and 66 00:03:35,840 --> 00:03:38,600 Speaker 1: the risks to his safety, go back to Jamaica where 67 00:03:38,640 --> 00:03:41,160 Speaker 1: it all started, and kind of give back like the 68 00:03:41,160 --> 00:03:43,640 Speaker 1: whole one love thing. So that's kind of the arc 69 00:03:43,720 --> 00:03:47,960 Speaker 1: of the film. There is, of course, some amazing music throughout. 70 00:03:48,120 --> 00:03:50,240 Speaker 1: A lot of it is kind of just soundtrack music 71 00:03:50,280 --> 00:03:52,280 Speaker 1: happening in the background, but you also get some really 72 00:03:52,360 --> 00:03:56,040 Speaker 1: good performances from Kingsley in the role, whether it's just 73 00:03:56,640 --> 00:04:01,040 Speaker 1: strumming an acoustic guitar, singing some of his classics, or 74 00:04:01,360 --> 00:04:06,360 Speaker 1: you know those scenes from Bohemian Rhapsody and Rocketman where 75 00:04:06,640 --> 00:04:08,960 Speaker 1: you kind of get an insight into how these classic 76 00:04:09,040 --> 00:04:12,360 Speaker 1: songs come about. And by the way, we're rocky, yeah, 77 00:04:13,560 --> 00:04:16,320 Speaker 1: so interesting and as music buffs, you know, like we 78 00:04:16,360 --> 00:04:18,799 Speaker 1: can't get enough of this sort of stuff, and Exodus 79 00:04:18,800 --> 00:04:20,440 Speaker 1: he's kind of just he's got some ideas for a 80 00:04:20,440 --> 00:04:22,320 Speaker 1: couple of lyrics, and his wife says oh, you know, 81 00:04:22,400 --> 00:04:24,000 Speaker 1: like why don't you do it like this? And it's 82 00:04:24,000 --> 00:04:25,760 Speaker 1: like this light bulb moment, and he goes down into 83 00:04:25,800 --> 00:04:27,520 Speaker 1: the Lund room where all the whalers are just kind 84 00:04:27,520 --> 00:04:31,000 Speaker 1: of sitting around drinking tea in London like real fish 85 00:04:31,040 --> 00:04:34,200 Speaker 1: out of water in London society, and they start banging 86 00:04:34,240 --> 00:04:37,800 Speaker 1: on various things that they find around this little flat 87 00:04:38,240 --> 00:04:40,440 Speaker 1: and all of a sudden, like within a couple of minutes, 88 00:04:40,560 --> 00:04:43,200 Speaker 1: up comes Exodus and it's just like, whoam That is 89 00:04:43,360 --> 00:04:46,280 Speaker 1: just so cool? It's so cool. So things like that 90 00:04:46,320 --> 00:04:49,320 Speaker 1: are very special about this movie. His wife, Rita is 91 00:04:49,320 --> 00:04:52,560 Speaker 1: played by Lashana Lynch who's in some recent Marvel movies, 92 00:04:53,080 --> 00:04:56,120 Speaker 1: and she is awesome as well. Like, you know, his 93 00:04:56,240 --> 00:04:59,839 Speaker 1: wife is pretty long suffering character, and if there's a 94 00:05:00,440 --> 00:05:02,279 Speaker 1: of this movie, it's probably that it is a bit 95 00:05:02,400 --> 00:05:05,119 Speaker 1: superficial when it comes to some of the reasons why 96 00:05:05,200 --> 00:05:08,800 Speaker 1: she did suffer so much as his wife. The film 97 00:05:08,880 --> 00:05:12,240 Speaker 1: is produced by Ziggy Marley and also Rita herself, so 98 00:05:12,440 --> 00:05:15,480 Speaker 1: her family are extremely close to the project. So whenever 99 00:05:15,480 --> 00:05:18,280 Speaker 1: that's the case, as it was with Bahamian Rhapsody and Rocketman, 100 00:05:18,960 --> 00:05:21,680 Speaker 1: you're going to get a fairly sanitized version. Yeah, that 101 00:05:22,120 --> 00:05:25,159 Speaker 1: control of Bob Marley's life. Yeah, and so things like 102 00:05:25,360 --> 00:05:29,320 Speaker 1: his womanizing, which was, you know, really off the charts 103 00:05:29,360 --> 00:05:32,880 Speaker 1: like he had must have been merely he was a kid, 104 00:05:33,160 --> 00:05:36,280 Speaker 1: a dozen kids to other women for a guy who 105 00:05:36,320 --> 00:05:39,359 Speaker 1: didn't know woman No crist yeah, lovely, a lot of crime, 106 00:05:40,400 --> 00:05:44,400 Speaker 1: and so that stuff is played down so much that 107 00:05:44,520 --> 00:05:46,599 Speaker 1: it kind of it takes away from the film because 108 00:05:46,640 --> 00:05:48,839 Speaker 1: you know, there's a scene where he's talking to Rita 109 00:05:48,920 --> 00:05:51,720 Speaker 1: back in Jamaica on the telephone in a London payphone, 110 00:05:52,080 --> 00:05:55,479 Speaker 1: and there's just this random woman standing in the background 111 00:05:55,600 --> 00:05:57,960 Speaker 1: and she's not in any way introduced, but you kind 112 00:05:57,960 --> 00:05:59,800 Speaker 1: of meant to think, Okay, well he's got some sort 113 00:05:59,839 --> 00:06:02,680 Speaker 1: of someone on the side in London, but you know, 114 00:06:03,000 --> 00:06:05,039 Speaker 1: I don't know, the way it's handled to me doesn't 115 00:06:05,080 --> 00:06:08,680 Speaker 1: really do justice to the true story. And then when 116 00:06:08,720 --> 00:06:12,800 Speaker 1: there's scenes when Rita Marley, Lashana Lynch's character is kind 117 00:06:12,800 --> 00:06:15,200 Speaker 1: of upset with him, it's kind of like, why we 118 00:06:15,279 --> 00:06:17,440 Speaker 1: haven't really seen any of this stuff that you're so 119 00:06:17,560 --> 00:06:19,480 Speaker 1: upset by, So it kind of does kind of undercut 120 00:06:19,560 --> 00:06:21,720 Speaker 1: some of the drama, which is a shame because her 121 00:06:21,720 --> 00:06:26,280 Speaker 1: performance is really great. It's directed by Ronaldo Marcus Green, 122 00:06:26,360 --> 00:06:29,640 Speaker 1: who's the guy who brought King Richard to us starring 123 00:06:29,680 --> 00:06:32,719 Speaker 1: Will Smith, and so he's got a pretty good trailer record. 124 00:06:32,760 --> 00:06:34,680 Speaker 1: He's got a pretty good track record of these type 125 00:06:34,680 --> 00:06:38,080 Speaker 1: of biographical films. So yeah, so I think there's some 126 00:06:38,120 --> 00:06:39,840 Speaker 1: good and some bad. If you're a Bob Marley fan, 127 00:06:39,960 --> 00:06:41,640 Speaker 1: I think there's so much that you like about it. 128 00:06:41,680 --> 00:06:44,560 Speaker 1: For everybody else, even the casual fan, casual music fan, 129 00:06:44,760 --> 00:06:47,440 Speaker 1: it'll have you, you know, like digging up Bob Marley 130 00:06:47,480 --> 00:06:51,080 Speaker 1: on Spotify or wherever you can track him down. Yeah. Yeah, 131 00:06:51,279 --> 00:06:53,440 Speaker 1: it's definitely worth watching. So some content scenes as well 132 00:06:53,440 --> 00:06:56,560 Speaker 1: in there, some concert scenes as well. Great. So, how 133 00:06:56,600 --> 00:06:59,440 Speaker 1: many Whalers are you giving it? Year, Bunny Whaler? I'm 134 00:06:59,480 --> 00:07:02,680 Speaker 1: going to give this one three. Okay, right, very good, 135 00:07:03,000 --> 00:07:03,520 Speaker 1: Thank you, Ben,