1 00:00:00,080 --> 00:00:01,359 Speaker 1: It's time for our podcast. 2 00:00:01,560 --> 00:00:05,080 Speaker 2: I mixed bag today, big laughs. We hope in fight 3 00:00:05,120 --> 00:00:08,960 Speaker 2: for your flashback. But also mon one of our producers 4 00:00:09,800 --> 00:00:13,720 Speaker 2: has been a few years ago, was in Thailand and 5 00:00:13,800 --> 00:00:17,680 Speaker 2: she had a drink that was laced with methanol and 6 00:00:17,760 --> 00:00:21,040 Speaker 2: she felt terrible. She really suffered the results two days 7 00:00:21,079 --> 00:00:23,599 Speaker 2: of diarrhea, of vomiting. She's going to talk us through 8 00:00:23,960 --> 00:00:26,680 Speaker 2: what happened, how she felt, and how easy it is 9 00:00:26,960 --> 00:00:29,400 Speaker 2: for those drinks to be to be drunk at bars. 10 00:00:29,560 --> 00:00:30,920 Speaker 1: Yeah, it's quite scary. 11 00:00:31,760 --> 00:00:35,800 Speaker 3: Also, coming up on a lighter note, the pub test Cardigans. 12 00:00:36,000 --> 00:00:37,360 Speaker 1: Do they pass the pub test? 13 00:00:37,400 --> 00:00:39,239 Speaker 2: We're covering all fruits of the pie today and. 14 00:00:39,240 --> 00:00:50,839 Speaker 1: The week that was Jimi Rise, Jibby jabber. Now that 15 00:00:50,920 --> 00:00:53,440 Speaker 1: the miracle of recording. We have so many requests for 16 00:00:53,520 --> 00:00:56,040 Speaker 1: them to do it again. Mistress Amanda's miss killer. 17 00:00:56,720 --> 00:01:02,360 Speaker 2: Amanda doesn't work alone. Friend in making the Tools of 18 00:01:02,400 --> 00:01:03,200 Speaker 2: the Train, I've. 19 00:01:03,080 --> 00:01:07,680 Speaker 3: Heard them describe him as a drunken idiot, the legendary 20 00:01:07,680 --> 00:01:11,040 Speaker 3: part of Jersey and Amanda the actress. 21 00:01:11,080 --> 00:01:14,760 Speaker 2: Congratulations, murder. We're on the ready right now. Jersey and Amanda, 22 00:01:14,840 --> 00:01:18,520 Speaker 2: you're doing a great job. Anyone but your silkie giant 23 00:01:20,360 --> 00:01:21,040 Speaker 2: good radio. 24 00:01:21,280 --> 00:01:29,080 Speaker 3: Sorry, but it's a tongue twist set and Amanda's shoe, Timy, we're. 25 00:01:28,840 --> 00:01:30,680 Speaker 1: On the air. Tell me the morning to you man 26 00:01:30,720 --> 00:01:31,640 Speaker 1: at fry. 27 00:01:31,760 --> 00:01:34,680 Speaker 2: Fryya and can I please have the intro? Ryan? 28 00:01:36,319 --> 00:01:36,639 Speaker 1: Yes? 29 00:01:36,680 --> 00:01:37,000 Speaker 2: Please? 30 00:01:37,040 --> 00:01:37,400 Speaker 1: What else? 31 00:01:38,400 --> 00:01:42,680 Speaker 4: Army Hardy, it's Amanda's shipping far. 32 00:01:43,400 --> 00:01:46,000 Speaker 2: Two ships have made their way into the harbors, true ships. 33 00:01:46,160 --> 00:01:48,200 Speaker 2: Two ships who've got the Carnival's splendor? 34 00:01:48,320 --> 00:01:49,920 Speaker 1: How many souls don't know? 35 00:01:50,000 --> 00:01:52,440 Speaker 2: But it's a three night getaway and that's when. 36 00:01:52,320 --> 00:01:53,120 Speaker 3: You say get away. 37 00:01:53,440 --> 00:01:54,480 Speaker 1: Where where's that going to? 38 00:01:54,880 --> 00:01:57,360 Speaker 2: Don't know? And we've got the where's it docky in 39 00:01:57,440 --> 00:02:01,920 Speaker 2: hat well, we also have the silver nice New Zealand. Well, 40 00:02:01,920 --> 00:02:04,720 Speaker 2: which ones which I can't see from here. One's being 41 00:02:04,760 --> 00:02:07,480 Speaker 2: docked under the in circular keys or you know the 42 00:02:07,480 --> 00:02:08,359 Speaker 2: international terminal. 43 00:02:08,440 --> 00:02:09,720 Speaker 1: That's a Carnival splendor, is it? 44 00:02:09,840 --> 00:02:12,680 Speaker 2: And the other one the silver meuse Brendan, that you've 45 00:02:12,680 --> 00:02:15,360 Speaker 2: been looking at through your binoculars. Yes, when you first 46 00:02:15,480 --> 00:02:17,120 Speaker 2: brought your binoculars into the studio. 47 00:02:17,160 --> 00:02:18,000 Speaker 1: How many souls on this? 48 00:02:18,240 --> 00:02:23,120 Speaker 2: I said? I said, I think it's not nice because 49 00:02:23,440 --> 00:02:26,040 Speaker 2: we yes, we have a vista, but there's also buildings 50 00:02:26,080 --> 00:02:28,359 Speaker 2: in the way and some residential areas. He said, I'm 51 00:02:28,400 --> 00:02:31,200 Speaker 2: just looking at infrastructure. Well, I walk in this morning 52 00:02:31,280 --> 00:02:33,239 Speaker 2: as you've got your binoculars, and he said, I can 53 00:02:33,320 --> 00:02:36,320 Speaker 2: see people on the deck. And Ryan told me, Brian 54 00:02:36,360 --> 00:02:39,359 Speaker 2: told you what that You said, maybe Sidney Sweeney's there 55 00:02:39,360 --> 00:02:40,440 Speaker 2: with her top off. 56 00:02:41,200 --> 00:02:42,920 Speaker 5: And you just wanted to have a quick look just 57 00:02:43,000 --> 00:02:43,440 Speaker 5: in case. 58 00:02:44,600 --> 00:02:47,960 Speaker 2: You know, what is this about? Infrastructure? What is this about? 59 00:02:48,000 --> 00:02:50,720 Speaker 2: You said, it's nothing creepy or pervy, and then suddenly 60 00:02:50,800 --> 00:02:53,440 Speaker 2: looking at people on that ship, seeing if their tops 61 00:02:53,440 --> 00:02:57,600 Speaker 2: are on or off. Push your binoculars away and keep 62 00:02:57,639 --> 00:02:58,120 Speaker 2: them away. 63 00:02:58,240 --> 00:03:02,720 Speaker 3: Sidney Sweeney, if perhaps she's on that ship, shut up? 64 00:03:02,880 --> 00:03:07,680 Speaker 1: What do you tell them? What about the bro code? Mate? 65 00:03:09,080 --> 00:03:10,880 Speaker 2: So that's what's been going on in this show. 66 00:03:10,960 --> 00:03:13,960 Speaker 3: Is the studio doing work, putting together all the CDs 67 00:03:14,000 --> 00:03:15,160 Speaker 3: and what we're going to do on the show. 68 00:03:15,240 --> 00:03:16,880 Speaker 2: You're looking out the window and. 69 00:03:16,840 --> 00:03:20,640 Speaker 3: I made commentary. You're not suppose you're blavative. 70 00:03:21,800 --> 00:03:25,440 Speaker 2: Anyway. Anyway, I've got a big show today. 71 00:03:25,720 --> 00:03:29,359 Speaker 1: Huge trains are back on time or back off strike. 72 00:03:29,320 --> 00:03:32,080 Speaker 2: The words to that effect. There's no train strike. We 73 00:03:32,120 --> 00:03:35,360 Speaker 2: were looking down the barrel of three days of the 74 00:03:35,360 --> 00:03:38,960 Speaker 2: worst train strike that the city had ever seen. That's 75 00:03:39,000 --> 00:03:39,560 Speaker 2: not happening. 76 00:03:39,640 --> 00:03:40,440 Speaker 1: That's good news. 77 00:03:41,160 --> 00:03:43,880 Speaker 3: Also good news for you on the show today Instagram 78 00:03:44,000 --> 00:03:49,200 Speaker 3: makes its return. Also five for your flashback that's coming up, 79 00:03:49,520 --> 00:03:50,960 Speaker 3: Big Friday show. 80 00:03:50,920 --> 00:03:52,560 Speaker 1: And we can't do it. What's about it? Now? You 81 00:03:52,560 --> 00:03:54,000 Speaker 1: look like you look ll Turst faced. 82 00:03:54,080 --> 00:03:56,480 Speaker 2: I'm not turst faces is my actual face. But the 83 00:03:56,520 --> 00:03:58,120 Speaker 2: fact that you think it looks urst has annoyed me. 84 00:04:00,120 --> 00:04:03,200 Speaker 3: Just seem to be able to not do anything without annoying. 85 00:04:03,720 --> 00:04:06,440 Speaker 2: He says, I know, well, maybe that's a you problem. 86 00:04:07,640 --> 00:04:10,119 Speaker 3: Maybe it's just someone else's problem. And I'll just keep 87 00:04:10,160 --> 00:04:11,720 Speaker 3: being me, keep being. 88 00:04:11,520 --> 00:04:14,480 Speaker 2: You, and go through and scroll your photos of Sidney Sweeney. 89 00:04:14,560 --> 00:04:16,720 Speaker 1: We have the Magnificent Seven as well. Would you like 90 00:04:16,760 --> 00:04:17,159 Speaker 1: to play that? 91 00:04:17,320 --> 00:04:19,520 Speaker 2: This question number one? What color is the Grinch? 92 00:04:22,560 --> 00:04:25,920 Speaker 3: Let me get my binoculars out. Maybe he or she 93 00:04:26,279 --> 00:04:27,960 Speaker 3: or they is on one of. 94 00:04:27,880 --> 00:04:30,640 Speaker 2: The ships, maybe Brendon, You never know. 95 00:04:30,920 --> 00:04:34,680 Speaker 3: Let's put on a banger to start Friday. 96 00:04:35,920 --> 00:04:39,080 Speaker 1: Now Nation, we have for you the Magnificent Seven. 97 00:04:39,520 --> 00:04:41,240 Speaker 3: There are seven questions. Could you all the way and 98 00:04:41,279 --> 00:04:43,839 Speaker 3: answer all seven questions correctly? If you do that, Amanda 99 00:04:43,839 --> 00:04:44,320 Speaker 3: will say. 100 00:04:44,320 --> 00:04:46,040 Speaker 2: She let me just check in. Have you seen Sidney 101 00:04:46,080 --> 00:04:50,160 Speaker 2: Sweeney is she on that ship? Is she is the Grinch? 102 00:04:50,200 --> 00:04:50,640 Speaker 2: There is she? 103 00:04:50,800 --> 00:04:52,040 Speaker 3: There? 104 00:04:52,160 --> 00:04:57,040 Speaker 2: Is it happening? No one's there. Puts your binoculars away. 105 00:04:58,080 --> 00:05:01,359 Speaker 2: People going about their lives not know. The man in 106 00:05:01,400 --> 00:05:03,320 Speaker 2: this building is a look a look a look. 107 00:05:03,360 --> 00:05:07,760 Speaker 3: And you make one comment to a work colleague who's 108 00:05:07,800 --> 00:05:12,160 Speaker 3: about to leave, and he breaks the circle of trust 109 00:05:12,600 --> 00:05:13,400 Speaker 3: and blabs it. 110 00:05:15,600 --> 00:05:18,240 Speaker 2: Well, let's go to Katrina in Bella Vista. Hello, Katrina, 111 00:05:19,000 --> 00:05:22,760 Speaker 2: good morning. What color is the grinch? Katrina? Green? 112 00:05:22,960 --> 00:05:28,760 Speaker 3: Green, wishbone, egg and wingback are all types. 113 00:05:28,480 --> 00:05:29,960 Speaker 1: Of what Katrina. 114 00:05:31,560 --> 00:05:34,080 Speaker 2: All pass with chicken, That's what I would have thought, 115 00:05:34,600 --> 00:05:36,480 Speaker 2: But no, they are. But there are also other things. 116 00:05:36,880 --> 00:05:43,760 Speaker 2: Jim's in Campbelltown, Jim, wishbone, egg, wing back, Chesterfield. I'm 117 00:05:43,760 --> 00:05:45,479 Speaker 2: throwing them in now. There are all types of what. 118 00:05:48,440 --> 00:05:48,680 Speaker 4: For you? 119 00:05:53,120 --> 00:05:54,320 Speaker 2: No, what a shame? 120 00:05:54,640 --> 00:05:56,640 Speaker 1: If anything, Gym, You're on your way. 121 00:05:56,720 --> 00:06:01,760 Speaker 3: He is, I know he is thirteen wsfim is number wishbone, egg, 122 00:06:02,080 --> 00:06:04,280 Speaker 3: wing bag, Chesterfield. 123 00:06:04,360 --> 00:06:09,320 Speaker 2: What are some other ones? Yes, that's not really one 124 00:06:09,360 --> 00:06:12,679 Speaker 2: of these. You put your feet on that chester food. 125 00:06:12,680 --> 00:06:17,320 Speaker 2: You said that, Yeah, yeah, rhyme with some other ones. 126 00:06:17,839 --> 00:06:21,440 Speaker 1: Dining dining, No, yeah, dining, Ye're very good. 127 00:06:21,520 --> 00:06:24,920 Speaker 3: Yeah, yeah, yeah, yeah, office lounge. 128 00:06:25,440 --> 00:06:27,640 Speaker 2: Yeah, okay, they're the clues. 129 00:06:27,800 --> 00:06:35,080 Speaker 3: JD Events, good. 130 00:06:34,440 --> 00:06:35,960 Speaker 1: Podcast, the Magnificence. 131 00:06:36,160 --> 00:06:40,040 Speaker 2: We're up to question number two. It's going to debian likehart, Hello, Debbie, 132 00:06:40,920 --> 00:06:44,159 Speaker 2: there you go on very well, wishbone, egg wing back 133 00:06:44,600 --> 00:06:45,240 Speaker 2: types of what. 134 00:06:46,839 --> 00:06:47,560 Speaker 1: The chair? 135 00:06:47,640 --> 00:06:48,960 Speaker 2: Yes, the egg chair, the wing back. 136 00:06:49,040 --> 00:06:50,960 Speaker 1: Yes, let's play monster bash. 137 00:06:51,240 --> 00:06:52,039 Speaker 3: Let's kick off this. 138 00:06:56,120 --> 00:07:08,719 Speaker 2: We've mashed two songs together, Debbie, what are they? 139 00:07:09,279 --> 00:07:13,440 Speaker 1: D J ri is in the house. That's put your 140 00:07:13,520 --> 00:07:14,080 Speaker 1: arms in the air. 141 00:07:19,000 --> 00:07:21,200 Speaker 2: Oh, it sounds like one was just sped up, but 142 00:07:21,200 --> 00:07:23,200 Speaker 2: it is another song with it. Do you know what 143 00:07:23,200 --> 00:07:23,520 Speaker 2: they are? 144 00:07:25,000 --> 00:07:27,280 Speaker 1: No? 145 00:07:27,280 --> 00:07:33,440 Speaker 2: No, sorry, deb Ron's in Helen's books. Sorry, we can't listen. 146 00:07:33,640 --> 00:07:34,840 Speaker 2: We say no for much longer. 147 00:07:35,040 --> 00:07:36,040 Speaker 1: Ron, Hello, Ron? 148 00:07:36,080 --> 00:07:36,360 Speaker 2: Do you know? 149 00:07:36,920 --> 00:07:38,360 Speaker 1: Let DJ Ryan put it on again? 150 00:07:38,840 --> 00:07:45,880 Speaker 3: He's got a vibe here, little face. 151 00:07:52,400 --> 00:07:55,960 Speaker 2: It's a hard one though. What are the songs? Bron? 152 00:07:57,680 --> 00:07:59,840 Speaker 6: Complicated by amine? 153 00:08:02,040 --> 00:08:03,120 Speaker 2: And what's the other one? 154 00:08:04,400 --> 00:08:04,760 Speaker 6: Treasure? 155 00:08:05,000 --> 00:08:05,120 Speaker 4: Oh? 156 00:08:05,160 --> 00:08:09,080 Speaker 1: It is? Was that a pet name for us? Right? 157 00:08:10,240 --> 00:08:14,760 Speaker 1: Should be very come on? How many European countries still 158 00:08:14,800 --> 00:08:16,160 Speaker 1: have a monarch? Monarch? 159 00:08:16,320 --> 00:08:22,480 Speaker 3: Is it A to B twelve or C twenty two? 160 00:08:22,960 --> 00:08:23,720 Speaker 6: I'd say. 161 00:08:25,080 --> 00:08:25,440 Speaker 1: Twelve. 162 00:08:25,520 --> 00:08:30,880 Speaker 2: It is twelve. I'll know what they are Denmark, Norway, Sweden, 163 00:08:31,160 --> 00:08:35,600 Speaker 2: the United States, Spain and the United States, The Kingdom, Sorry, 164 00:08:35,720 --> 00:08:39,199 Speaker 2: civil we're close enough now, Spain, the Netherlands and Belgium. 165 00:08:39,360 --> 00:08:42,160 Speaker 3: All right, okay, because the king of Spain and he's 166 00:08:42,200 --> 00:08:45,239 Speaker 3: misso got all mud thrown at them because of the landslides, 167 00:08:45,559 --> 00:08:47,640 Speaker 3: the flooding and stuff over Espaniola. 168 00:08:47,800 --> 00:08:50,040 Speaker 2: Is this why you're working on sbs? The misso got 169 00:08:50,120 --> 00:08:51,520 Speaker 2: mud slung all over them from this. 170 00:08:51,840 --> 00:08:54,120 Speaker 1: King and he's missile. Come on, run knows what I'm 171 00:08:54,120 --> 00:08:55,800 Speaker 1: talking about? Did you run? Yeah? 172 00:08:55,800 --> 00:08:56,439 Speaker 6: I do excellently. 173 00:08:56,559 --> 00:08:59,840 Speaker 2: Thank his Question number five, what finger is often associated 174 00:08:59,880 --> 00:09:04,920 Speaker 2: with making promises? Pinky the pinky finger? 175 00:09:06,320 --> 00:09:09,160 Speaker 1: How many strings are on a standard ukulele ron? 176 00:09:10,920 --> 00:09:11,680 Speaker 4: I had no idea. 177 00:09:15,280 --> 00:09:18,280 Speaker 2: You're guessing your way right to the you're going to 178 00:09:18,320 --> 00:09:20,520 Speaker 2: do it? Here comes question seven, right at your ron. 179 00:09:20,679 --> 00:09:24,720 Speaker 2: Which American rock bands performing in Sydney this weekend is 180 00:09:24,840 --> 00:09:25,440 Speaker 2: Pearl Jams? 181 00:09:25,520 --> 00:09:27,880 Speaker 1: It is How did they go? Did anyone see them? 182 00:09:28,600 --> 00:09:28,640 Speaker 4: No? 183 00:09:28,760 --> 00:09:29,320 Speaker 2: I spoke to someone. 184 00:09:29,320 --> 00:09:30,680 Speaker 1: I'm sure when you saw them. 185 00:09:30,520 --> 00:09:32,199 Speaker 2: See them in Melbourne? Said they were amazing. 186 00:09:32,280 --> 00:09:35,160 Speaker 3: Usually someone sends a you know when Coldplay came, I'll 187 00:09:35,160 --> 00:09:36,800 Speaker 3: get some intel man. 188 00:09:36,880 --> 00:09:38,680 Speaker 1: Pearl Jam rocked I haven't heard anything. 189 00:09:38,679 --> 00:09:38,800 Speaker 4: Well. 190 00:09:38,800 --> 00:09:40,320 Speaker 2: I heard from Melbourne that they're incredible. 191 00:09:40,440 --> 00:09:42,960 Speaker 1: I would imagine the Pearl Jam would rock, it's just presumed. 192 00:09:42,960 --> 00:09:45,120 Speaker 2: And I heard that Eddie's voice is still incredible. 193 00:09:45,120 --> 00:09:45,840 Speaker 1: It's amazing. 194 00:09:46,200 --> 00:09:49,439 Speaker 3: Congratulations you've won the Rod, the Ron Pack, the Jam 195 00:09:49,480 --> 00:09:52,360 Speaker 3: Pack run two hundred dollars to spend on classes at 196 00:09:52,440 --> 00:09:55,959 Speaker 3: Bailey Nelson World Class I wear without the designer price 197 00:09:56,040 --> 00:09:58,600 Speaker 3: tag of one hundred and fifty dollars price line voucher 198 00:09:58,640 --> 00:10:02,400 Speaker 3: thanks to Quality Health owned vitamins and supplements and Jonesy 199 00:10:02,440 --> 00:10:03,520 Speaker 3: Demandicate choose. 200 00:10:03,320 --> 00:10:05,200 Speaker 1: For the color and some sale of pencils. Run anything 201 00:10:05,240 --> 00:10:05,920 Speaker 1: you'd like to add. 202 00:10:06,559 --> 00:10:08,800 Speaker 6: Oh, thank you so much and did all right? 203 00:10:08,880 --> 00:10:11,839 Speaker 2: I'm considering us all guesses and considering every You answered 204 00:10:11,880 --> 00:10:14,320 Speaker 2: every question with a question. I think you did. Okay, 205 00:10:15,200 --> 00:10:19,880 Speaker 2: thank you appreciate it's only up here. Jonesy and Amanda 206 00:10:20,520 --> 00:10:27,840 Speaker 2: make podcast. Today's gonna be a great day and beautiful day. Okay, 207 00:10:28,040 --> 00:10:31,480 Speaker 2: it's easy for you to say a hangover. Oh sad 208 00:10:31,520 --> 00:10:35,240 Speaker 2: one today on Today Day. At nineteen ninety seven, in 209 00:10:35,320 --> 00:10:38,040 Speaker 2: Excess frontman Michael Hutchins was found dead in the Sydney 210 00:10:38,280 --> 00:10:40,880 Speaker 2: Hotel suite. Yeah he as we know was one of 211 00:10:40,880 --> 00:10:45,400 Speaker 2: Australia's biggest and best selling bands. In Excess. He was 212 00:10:45,440 --> 00:10:52,200 Speaker 2: known for his emotive vocals and sensational live performances. Well, 213 00:10:52,240 --> 00:10:54,360 Speaker 2: that was twenty seven years ago and he passed away. 214 00:10:55,000 --> 00:10:56,840 Speaker 3: I just always have that feeling if he just hung 215 00:10:56,880 --> 00:10:59,280 Speaker 3: on a little bit longer, it would have been okay. 216 00:11:00,000 --> 00:11:02,000 Speaker 2: Well, in Excess and Michael Hutchins have had a profound 217 00:11:02,000 --> 00:11:04,559 Speaker 2: impact on rock and roll. They recognized in two thousand 218 00:11:04,559 --> 00:11:07,720 Speaker 2: and one as the inductees of the Aria Hall of Fame. 219 00:11:08,280 --> 00:11:09,640 Speaker 1: I'm sure if Michael. 220 00:11:09,360 --> 00:11:12,079 Speaker 7: Was here tonight he'd be as proud as we are 221 00:11:12,200 --> 00:11:15,640 Speaker 7: of this award. We are in the age of Aquarius, 222 00:11:16,040 --> 00:11:18,199 Speaker 7: which is an age of peace, and. 223 00:11:18,200 --> 00:11:19,280 Speaker 1: We can make that happen. 224 00:11:20,240 --> 00:11:21,360 Speaker 7: Michael was an aquarium. 225 00:11:21,960 --> 00:11:23,520 Speaker 1: He was also a poet. 226 00:11:23,880 --> 00:11:27,000 Speaker 7: He was charismatic and yet he was shy. He was 227 00:11:27,000 --> 00:11:30,160 Speaker 7: a great singer, and yet he knew himself as just 228 00:11:30,240 --> 00:11:30,720 Speaker 7: a man. 229 00:11:31,880 --> 00:11:33,080 Speaker 1: He was also our friend. 230 00:11:34,440 --> 00:11:38,480 Speaker 7: Thank you, Michael for your friendship and your incredible talent and. 231 00:11:38,360 --> 00:11:39,959 Speaker 1: What I mean when I say if you just hung 232 00:11:40,040 --> 00:11:40,840 Speaker 1: on a bit longer. 233 00:11:41,200 --> 00:11:43,960 Speaker 3: He was the mind that in Excess for a has 234 00:11:44,000 --> 00:11:46,760 Speaker 3: been banned after that thing at the britt Pop Awards 235 00:11:46,800 --> 00:11:50,079 Speaker 3: when Liam Gallagher or Lol Gallagher slagged him on stage. Yeah, 236 00:11:50,120 --> 00:11:52,280 Speaker 3: if he just hung on to the year two thousand 237 00:11:52,440 --> 00:11:55,280 Speaker 3: because you two brought out Or you Can't Leave behind 238 00:11:55,320 --> 00:11:58,560 Speaker 3: that album and that was their resurgence. If in excess, 239 00:11:58,640 --> 00:12:01,120 Speaker 3: if Michael had just held on, they'd be still here. 240 00:12:01,280 --> 00:12:03,280 Speaker 1: They'd be one of those supergroups. 241 00:12:02,679 --> 00:12:05,680 Speaker 3: Because everyone's you know, everyone's vibing on those old school bands, 242 00:12:05,679 --> 00:12:08,920 Speaker 3: but in the nineties everyone's going on the popular The 243 00:12:08,920 --> 00:12:11,160 Speaker 3: life of a rock band, isn't that that long? 244 00:12:11,520 --> 00:12:15,040 Speaker 2: And whether he chose to leave or not, yeah, I 245 00:12:15,080 --> 00:12:18,319 Speaker 2: know he was living a desperate life at the end 246 00:12:18,400 --> 00:12:21,240 Speaker 2: of course. Yeah, so that was twenty seven years ago. 247 00:12:21,320 --> 00:12:23,600 Speaker 2: Let's hear one of their greatest hits does live. 248 00:12:23,440 --> 00:12:27,880 Speaker 3: On through us and insul gm. I'll look at this 249 00:12:28,280 --> 00:12:33,480 Speaker 3: at the door. Oh my goodness, it's Mike Tyson. 250 00:12:34,320 --> 00:12:37,360 Speaker 2: It's come to my attention that people like you will 251 00:12:37,440 --> 00:12:41,959 Speaker 2: be making fun of me because of an errant camera 252 00:12:42,120 --> 00:12:44,959 Speaker 2: angle capturing my geese three and covered dare we. 253 00:12:45,040 --> 00:12:48,080 Speaker 3: Ah well, it was pretty funny. 254 00:12:48,520 --> 00:12:52,360 Speaker 2: Yeah, yes, sure, but you should be acknowledging my amazing 255 00:12:52,440 --> 00:12:55,440 Speaker 2: achievements and what the late you've got a prison officer 256 00:12:55,520 --> 00:12:59,600 Speaker 2: pregnant Look, have you forgotten I still hold the record 257 00:13:00,080 --> 00:13:03,160 Speaker 2: as the youngest boxer ever in a heavyweight title. 258 00:13:03,440 --> 00:13:06,720 Speaker 1: Yes, you did do three years in jail for rape. 259 00:13:07,080 --> 00:13:12,080 Speaker 2: Look whatever, I won my first nineteen professional fats by knocker. 260 00:13:12,559 --> 00:13:14,560 Speaker 1: Are you owe a lot of money to the irs? 261 00:13:14,679 --> 00:13:18,320 Speaker 2: Twelve of those knockouts, young man, were in the first round. 262 00:13:18,800 --> 00:13:20,959 Speaker 1: Well yeah, okay, you know what, you have a legacy, 263 00:13:21,040 --> 00:13:24,000 Speaker 1: You do have a point. Why are you here? Iron? Mike? 264 00:13:24,760 --> 00:13:27,280 Speaker 2: Do you want to buy a photocopy of my butt? 265 00:13:27,960 --> 00:13:28,440 Speaker 1: How much? 266 00:13:28,720 --> 00:13:33,200 Speaker 2: Ten million dollars? I told you I trouble the irs. 267 00:13:34,120 --> 00:13:36,480 Speaker 2: I'll throw in a towel. See what I did? 268 00:13:36,600 --> 00:13:36,800 Speaker 7: There? 269 00:13:37,120 --> 00:13:38,400 Speaker 1: Sure is anything else? 270 00:13:38,600 --> 00:13:39,040 Speaker 2: That's all? 271 00:13:39,320 --> 00:13:40,439 Speaker 1: What about a piece of paper? 272 00:13:40,480 --> 00:13:45,559 Speaker 2: Take this piece of paper from management? Should I go? 273 00:13:45,640 --> 00:13:45,840 Speaker 4: Now? 274 00:13:46,360 --> 00:13:49,040 Speaker 1: Sure? Doors? Sound effect to you? 275 00:13:49,160 --> 00:13:49,400 Speaker 4: Ryan? 276 00:13:50,720 --> 00:13:52,640 Speaker 2: You left out the bit about the bum of the end? 277 00:13:52,720 --> 00:13:57,120 Speaker 2: Brendan's where were you? 278 00:13:57,360 --> 00:13:58,400 Speaker 1: Did you believe? 279 00:13:58,400 --> 00:14:01,720 Speaker 2: I'm just who was here? Who was here? Tyson was here? 280 00:14:02,000 --> 00:14:03,520 Speaker 2: What did he have to say for himself? 281 00:14:03,600 --> 00:14:05,520 Speaker 1: That we've sounded like blanch. 282 00:14:05,200 --> 00:14:08,360 Speaker 2: From the spittle all over my microphone? 283 00:14:08,880 --> 00:14:12,680 Speaker 1: Anyway, Management rides. Everyone is coming into work because the 284 00:14:12,800 --> 00:14:15,360 Speaker 1: snap rail strike has been a verdict. 285 00:14:15,440 --> 00:14:17,720 Speaker 2: You heard that sales teams. You got to still come into. 286 00:14:17,640 --> 00:14:21,000 Speaker 3: World and it is working from home Bush. The trains 287 00:14:21,000 --> 00:14:23,520 Speaker 3: are back. Today's five few flash back rail songs. 288 00:14:23,640 --> 00:14:24,840 Speaker 1: You know, when I was going across. 289 00:14:24,560 --> 00:14:26,840 Speaker 2: The road songs, He's back. 290 00:14:29,440 --> 00:14:31,760 Speaker 1: Rail songs. When I was going across the Harbor Bridge, 291 00:14:31,800 --> 00:14:33,200 Speaker 1: I was there was a song that just. 292 00:14:33,200 --> 00:14:36,000 Speaker 3: Kept It was like a like an eworm that just 293 00:14:36,080 --> 00:14:37,400 Speaker 3: kept coming into my head. 294 00:14:37,640 --> 00:14:38,280 Speaker 1: As I was going. 295 00:14:38,480 --> 00:14:39,920 Speaker 3: You know, I'll tell one of the great things in 296 00:14:39,960 --> 00:14:42,080 Speaker 3: the city is getting on a motorcycle and riding across 297 00:14:42,080 --> 00:14:43,640 Speaker 3: the Harbor Bridge and you watch one of the trains 298 00:14:43,640 --> 00:14:45,400 Speaker 3: go across there and you're just zipping across and you 299 00:14:45,480 --> 00:14:46,640 Speaker 3: look up at that infrastructure. 300 00:14:46,640 --> 00:14:48,400 Speaker 1: But this song was in my head as I was 301 00:14:48,400 --> 00:14:49,760 Speaker 1: watching the train and the city. 302 00:14:49,920 --> 00:14:52,120 Speaker 2: You're watching the train, you're looking up, you're riding a bike, 303 00:14:52,160 --> 00:14:55,360 Speaker 2: all possible, and we all have two of our train 304 00:14:55,480 --> 00:14:57,040 Speaker 2: songs for you after seven A. 305 00:14:57,040 --> 00:14:58,920 Speaker 1: Little bit avant garde though my song. 306 00:14:58,800 --> 00:15:01,000 Speaker 2: Oh I hope we can deal with at Brendan. Shall 307 00:15:01,040 --> 00:15:02,840 Speaker 2: we get Mike Tyson to come back in case we 308 00:15:02,880 --> 00:15:03,520 Speaker 2: can't handle it. 309 00:15:04,160 --> 00:15:06,080 Speaker 3: I'll get him to come him. Bite your Glove. 310 00:15:08,760 --> 00:15:13,320 Speaker 1: Nations, now, what's. 311 00:15:13,120 --> 00:15:20,760 Speaker 2: The free money instance? And Amanda's the champ is here. 312 00:15:20,840 --> 00:15:23,280 Speaker 3: Ten questions sixty seconds on the clock. You can pass 313 00:15:23,320 --> 00:15:24,640 Speaker 3: if you don't know an answer. Will come back to 314 00:15:24,680 --> 00:15:27,320 Speaker 3: that question of time permits you get all the questions right, 315 00:15:27,640 --> 00:15:28,560 Speaker 3: one thousand dollars. 316 00:15:28,600 --> 00:15:30,600 Speaker 2: You can make it two thousand dollars by answering a 317 00:15:30,600 --> 00:15:32,560 Speaker 2: bonus question, but it is double or nothing. 318 00:15:33,240 --> 00:15:34,880 Speaker 1: Lara is in the Northern Beaches. 319 00:15:34,920 --> 00:15:40,640 Speaker 2: Hi, Lara, Hi, Hello, and Amanda. We are well, we're 320 00:15:40,760 --> 00:15:42,760 Speaker 2: very well. We're desperate to give away some money. Are 321 00:15:42,800 --> 00:15:44,680 Speaker 2: you ready to receive the money? Lara? 322 00:15:45,880 --> 00:15:47,920 Speaker 6: I am so ready to receive the money. 323 00:15:48,120 --> 00:15:50,480 Speaker 2: All right, Well, we've got ten questions sixty seconds. Say 324 00:15:50,480 --> 00:15:52,200 Speaker 2: pass if you're not sure. We usually have time to 325 00:15:52,200 --> 00:15:55,960 Speaker 2: come back. All right, okay, thanks, okay, Lara, Here we 326 00:15:56,040 --> 00:15:58,880 Speaker 2: go because he comes. Question number one? What country do 327 00:15:58,920 --> 00:16:00,520 Speaker 2: we live in? 328 00:16:00,600 --> 00:16:01,160 Speaker 3: Australia? 329 00:16:01,320 --> 00:16:03,800 Speaker 2: Question two? What word is both a baby cow and 330 00:16:03,880 --> 00:16:08,600 Speaker 2: a body part? Question three? Who is the male lead 331 00:16:08,680 --> 00:16:14,600 Speaker 2: in Titanic? Leo DiCaprio? Question four? True or false? Sharks 332 00:16:14,600 --> 00:16:15,280 Speaker 2: are mammals? 333 00:16:17,480 --> 00:16:22,320 Speaker 1: True? Are you from Australia? 334 00:16:23,080 --> 00:16:26,760 Speaker 2: Mammals give birth to live young. They suckle. 335 00:16:27,280 --> 00:16:31,800 Speaker 1: Oh that's Lara. Oh, I can't hide my disappointment. 336 00:16:31,840 --> 00:16:33,760 Speaker 2: I'm so sorry, Lara, are you're going to do it? 337 00:16:33,800 --> 00:16:35,960 Speaker 2: One hundred bucks? Be getting on with and have a 338 00:16:35,960 --> 00:16:41,640 Speaker 2: great weekend. Thank you so much, Thank you, Lara. Damn Nation. 339 00:16:48,440 --> 00:16:51,360 Speaker 1: Fight for your flashback two songs. 340 00:16:51,440 --> 00:16:54,320 Speaker 3: End of one song leaves management right this morning. It's 341 00:16:54,400 --> 00:16:57,800 Speaker 3: happy that the snap rail strike has been averted. They 342 00:16:57,840 --> 00:17:01,600 Speaker 3: want bums and seats in the offices now on people 343 00:17:01,640 --> 00:17:03,120 Speaker 3: working at home, feeding that cab. 344 00:17:03,080 --> 00:17:05,480 Speaker 2: People who made plans to work from home today, and 345 00:17:05,480 --> 00:17:07,960 Speaker 2: I being on Russ Fro good on your union. Now 346 00:17:08,000 --> 00:17:08,760 Speaker 2: I've got to go back. 347 00:17:09,119 --> 00:17:11,199 Speaker 1: Today's five few flashback train songs. 348 00:17:11,920 --> 00:17:14,480 Speaker 2: Songs you go first. I I said yours was a 349 00:17:14,480 --> 00:17:16,320 Speaker 2: bit avant guard. I might frighten us a bit. 350 00:17:16,440 --> 00:17:18,720 Speaker 3: I was going across the Harvey Bridge just over there, 351 00:17:18,720 --> 00:17:21,760 Speaker 3: a great piece of infrastructure, and I always just appreciate. 352 00:17:21,440 --> 00:17:23,840 Speaker 1: Riding a motorcycle across it. You know, you should come 353 00:17:23,880 --> 00:17:25,760 Speaker 1: on the back of my bike. Actually've been on my 354 00:17:25,800 --> 00:17:26,560 Speaker 1: bike across. 355 00:17:26,520 --> 00:17:28,760 Speaker 2: And I've also been on other people's bikes across the bridge. 356 00:17:29,400 --> 00:17:31,200 Speaker 2: Twenty years ago. I had a bode had a bike 357 00:17:31,240 --> 00:17:32,080 Speaker 2: and he used to drive. 358 00:17:31,880 --> 00:17:34,760 Speaker 1: Me across the Philip You know that phil what's on 359 00:17:34,840 --> 00:17:35,480 Speaker 1: a bike did he have? 360 00:17:35,960 --> 00:17:36,560 Speaker 2: I don't know. 361 00:17:36,680 --> 00:17:39,080 Speaker 1: Oh, come on, I don't know how many ccs. 362 00:17:39,160 --> 00:17:39,679 Speaker 2: I don't know. 363 00:17:39,960 --> 00:17:43,719 Speaker 1: Was it Japanese? Was it? 364 00:17:45,080 --> 00:17:47,000 Speaker 2: Thank you Ryan, I appreciate your laughter. 365 00:17:48,000 --> 00:17:50,920 Speaker 1: Was this is important? I'm not going anywhere into. 366 00:17:50,760 --> 00:17:54,040 Speaker 3: You ill in Japan anywhere? I don't know, Ilish, American 367 00:17:54,119 --> 00:17:54,640 Speaker 3: or Italian? 368 00:17:54,960 --> 00:17:55,920 Speaker 2: He was Australian. 369 00:17:56,080 --> 00:17:57,119 Speaker 1: Now what was the bike? 370 00:17:57,520 --> 00:18:00,639 Speaker 2: I don't know. Come on, It's like me saying to 371 00:18:00,680 --> 00:18:05,560 Speaker 2: you what caked in? Was something a Yamaha as many 372 00:18:05,640 --> 00:18:09,280 Speaker 2: years ago? It was, you know, forty years ago. I'm 373 00:18:09,280 --> 00:18:12,000 Speaker 2: gonna I'm going steam coming out of it. I was 374 00:18:12,040 --> 00:18:13,040 Speaker 2: wearing a bustle, you know what. 375 00:18:13,040 --> 00:18:15,320 Speaker 1: I reckon it was? I reckon it was? Oh it was. 376 00:18:15,960 --> 00:18:18,000 Speaker 2: It was a Yamaha. Now let's get on with this store, 377 00:18:18,800 --> 00:18:20,000 Speaker 2: get on with this. We have to be off. 378 00:18:19,840 --> 00:18:22,840 Speaker 3: Around fifty anyway, that makes me happen? 379 00:18:22,880 --> 00:18:23,400 Speaker 2: Okay? Good. 380 00:18:23,560 --> 00:18:26,359 Speaker 3: As I was going across this piece of infrastructure, you 381 00:18:26,400 --> 00:18:27,560 Speaker 3: should do it on a motorbike. 382 00:18:27,640 --> 00:18:28,760 Speaker 2: I should have. 383 00:18:28,840 --> 00:18:30,920 Speaker 1: I made it all that stuff out, and I was 384 00:18:30,960 --> 00:18:33,320 Speaker 1: watching the train go across the bridge, and this song 385 00:18:33,440 --> 00:18:34,560 Speaker 1: just looped in my head. 386 00:18:35,080 --> 00:18:43,720 Speaker 3: The Quad City DJs ride the train, come on ride it? 387 00:18:43,920 --> 00:18:46,040 Speaker 1: Remember this from Space Jam? 388 00:18:46,320 --> 00:18:59,800 Speaker 2: It was everywhere? Okay, that's a dreadful song, I know, 389 00:19:00,160 --> 00:19:03,919 Speaker 2: and it's all even you're trying to dance to it 390 00:19:03,960 --> 00:19:09,640 Speaker 2: isn't getting any vibe happening. Well, that's great, but it's 391 00:19:09,680 --> 00:19:11,639 Speaker 2: not going to win. I'm hoping I could be wrong 392 00:19:12,040 --> 00:19:16,000 Speaker 2: against the might of this. You knew it was on 393 00:19:16,040 --> 00:19:23,600 Speaker 2: the Way you knew Morning the Storm a delightful song 394 00:19:23,640 --> 00:19:25,439 Speaker 2: about a woman waiting at home all day for a 395 00:19:25,480 --> 00:19:29,600 Speaker 2: man to come home from work and get her out 396 00:19:29,600 --> 00:19:34,400 Speaker 2: of those crazy overalls. 397 00:19:35,320 --> 00:19:38,240 Speaker 1: That was an old steamer she was on in the 398 00:19:38,240 --> 00:19:39,080 Speaker 1: film Quick She Was. 399 00:19:39,560 --> 00:19:42,200 Speaker 2: That music video was filmed on the Bluebell Railway, a 400 00:19:42,240 --> 00:19:45,160 Speaker 2: heritage line running between East and West Sussex in England. 401 00:19:46,720 --> 00:19:48,800 Speaker 2: For the for the fans of trains might not be 402 00:19:48,920 --> 00:19:52,399 Speaker 2: bike fans, but the video stars London and Southwestern Railway 403 00:19:52,480 --> 00:19:56,200 Speaker 2: number four eight eight I preserved LSWR four one five 404 00:19:56,280 --> 00:19:57,879 Speaker 2: class locomoting. 405 00:19:58,000 --> 00:20:01,360 Speaker 3: Oh and here's the woman that wait. Remember a motorcycle 406 00:20:01,920 --> 00:20:03,120 Speaker 3: brand or capacity? 407 00:20:06,000 --> 00:20:08,480 Speaker 2: Those are our songs. What would you like to hear today? 408 00:20:08,760 --> 00:20:11,159 Speaker 1: Amanda's ex boyfriend is listening. I'd love to hear. 409 00:20:11,280 --> 00:20:12,400 Speaker 2: No, he's in Melbourne at the moment. 410 00:20:12,600 --> 00:20:14,280 Speaker 1: He said to know that pretty good. 411 00:20:14,320 --> 00:20:16,080 Speaker 2: We're still friends. We're still friends. 412 00:20:17,200 --> 00:20:19,560 Speaker 1: Where is he? What he's on? To find my family? 413 00:20:19,600 --> 00:20:20,960 Speaker 3: App something EXCUTU. 414 00:20:21,160 --> 00:20:23,439 Speaker 2: No, you know, I happen to be a friendly person. 415 00:20:23,840 --> 00:20:26,000 Speaker 2: You can give us a call thirteen times with CFM 416 00:20:26,280 --> 00:20:28,920 Speaker 2: or verte on our Instagram story at Jones and Amanda 417 00:20:29,200 --> 00:20:34,440 Speaker 2: what would you like to hear? Today? Podcast? 418 00:20:34,560 --> 00:20:39,280 Speaker 3: We're celebrating the Ryle rail strike has been averted. Train songs. 419 00:20:39,760 --> 00:20:42,280 Speaker 3: I was just saying this song came into my mind. 420 00:20:42,320 --> 00:20:43,760 Speaker 3: I was going across the Harbor Bridge. I was on 421 00:20:43,760 --> 00:20:46,160 Speaker 3: my motorcycle. I looked up at the infrastructure. I looked 422 00:20:46,200 --> 00:20:48,080 Speaker 3: at the trains and I thought, this is the greatest 423 00:20:48,080 --> 00:20:50,080 Speaker 3: city in the world, and this is what it's about. 424 00:20:50,119 --> 00:20:52,760 Speaker 3: On a motorcycle on the Harvey Bridge, listening to Quiet 425 00:20:52,800 --> 00:20:53,359 Speaker 3: City DJ. 426 00:20:55,119 --> 00:20:59,479 Speaker 1: Come on and ride it the train and I may 427 00:20:59,640 --> 00:21:00,760 Speaker 1: mention to you. 428 00:21:01,200 --> 00:21:03,720 Speaker 3: About going across the bridge on a motorcycle. It's such 429 00:21:03,720 --> 00:21:06,639 Speaker 3: a great experience. And I forgot that I've taken you 430 00:21:06,720 --> 00:21:09,919 Speaker 3: many times across the Harbor Bridge on my big Harley. 431 00:21:10,000 --> 00:21:10,200 Speaker 4: Yeah. 432 00:21:10,200 --> 00:21:12,680 Speaker 3: And when we were doing Channel seven because we had 433 00:21:12,720 --> 00:21:15,280 Speaker 3: to get to the Channel seven studios for Larry and 434 00:21:15,359 --> 00:21:18,280 Speaker 3: KYLEI remember that and you couldn't get there on time. 435 00:21:18,320 --> 00:21:21,240 Speaker 3: You'd leave in your car, and I'd shop five hours 436 00:21:21,240 --> 00:21:23,440 Speaker 3: before you because I can go on the bus lanes 437 00:21:23,440 --> 00:21:25,800 Speaker 3: and I'm on a motorcycle. So, as I said him passing, 438 00:21:25,840 --> 00:21:27,160 Speaker 3: I said, why don't you just come on my bike? 439 00:21:27,520 --> 00:21:29,199 Speaker 3: And we did that for about a year or so. 440 00:21:29,440 --> 00:21:31,160 Speaker 2: I have been across the bridge on a bike before. 441 00:21:31,240 --> 00:21:32,360 Speaker 2: You seem obsessed with this. 442 00:21:32,440 --> 00:21:35,040 Speaker 1: Well, your former partner. 443 00:21:35,359 --> 00:21:38,280 Speaker 2: My boyfriend I was, you know, that was forty years ago. 444 00:21:38,520 --> 00:21:39,560 Speaker 2: I'm still friends with him. 445 00:21:39,600 --> 00:21:41,119 Speaker 1: I know him is a nice fellow. I like him. 446 00:21:41,200 --> 00:21:44,520 Speaker 1: Was on Simon Town's as Wonderful. What's not to like? Anyway? 447 00:21:44,560 --> 00:21:46,520 Speaker 1: I asked you what motorcycle you were? 448 00:21:46,720 --> 00:21:49,280 Speaker 2: I don't know. I've texted him. It was working in 449 00:21:49,320 --> 00:21:52,000 Speaker 2: Melbourne at the moment, and he's he's filming a TV 450 00:21:52,040 --> 00:21:54,639 Speaker 2: show where they film ambulance workers and paramedics, So chances 451 00:21:54,640 --> 00:21:56,560 Speaker 2: are he's doing something more important than just responding to 452 00:21:56,600 --> 00:21:59,919 Speaker 2: this issuay. What's the question I said to him, Jones, 453 00:22:00,040 --> 00:22:03,040 Speaker 2: he wants to know what bike used to ride with 454 00:22:03,080 --> 00:22:05,320 Speaker 2: me on the back? Can you text the answer? 455 00:22:05,560 --> 00:22:07,320 Speaker 1: Yeah, I'd like I just like an answer so we 456 00:22:07,320 --> 00:22:07,680 Speaker 1: can move. 457 00:22:07,720 --> 00:22:09,560 Speaker 2: Well, let's see what answer we're going to get. That's 458 00:22:09,600 --> 00:22:12,440 Speaker 2: your song anyway, which is dreadful. I've gone with this. 459 00:22:16,720 --> 00:22:18,960 Speaker 2: Let's see what people want to hear today. Hello, Anna 460 00:22:19,000 --> 00:22:22,600 Speaker 2: and Stanhope Gardens fight for your flashback? Hi, good morning, 461 00:22:22,680 --> 00:22:27,200 Speaker 2: Go Hannah over to you, and that's what you speak about. 462 00:22:28,760 --> 00:22:32,000 Speaker 2: I'm Amanda. Thanks, You've got to be you, Amanda, thank you. 463 00:22:32,359 --> 00:22:36,320 Speaker 2: It's nostalgic, it is, and that's like bullying. You're getting 464 00:22:37,160 --> 00:22:38,040 Speaker 2: your city DJs. 465 00:22:38,080 --> 00:22:38,919 Speaker 1: Isn't nostalgic. 466 00:22:39,359 --> 00:22:42,720 Speaker 2: No, Nina, Nina, fight for your flashback. 467 00:22:43,680 --> 00:22:43,880 Speaker 3: Hi. 468 00:22:44,359 --> 00:22:47,439 Speaker 6: I'm voting for joint because that song is so bad 469 00:22:47,600 --> 00:22:48,880 Speaker 6: that it's going to be so good. 470 00:22:49,160 --> 00:22:50,760 Speaker 2: It's Joins all the way today. 471 00:22:50,880 --> 00:22:53,320 Speaker 3: When you mean bad like bad like Michael Jackson bad, 472 00:22:53,359 --> 00:22:56,080 Speaker 3: or it's bad like like rotten. 473 00:22:55,880 --> 00:22:59,560 Speaker 2: Fruit bad, Jonesy, you take a vote where you can 474 00:22:59,560 --> 00:23:01,919 Speaker 2: get it. Lauren's in avalon. 475 00:23:02,200 --> 00:23:03,200 Speaker 1: I get it's the vibe. 476 00:23:03,600 --> 00:23:06,160 Speaker 2: That's the point of this lashback, Lauren. 477 00:23:06,680 --> 00:23:08,320 Speaker 6: Listen, Jonesy, you've missed the train. 478 00:23:08,760 --> 00:23:10,800 Speaker 2: If this was a hate to see test, you'd fail. 479 00:23:11,080 --> 00:23:13,200 Speaker 6: And I think you just got an AI to vote. 480 00:23:13,640 --> 00:23:16,520 Speaker 6: It's Shena and Amanda there are there on the train 481 00:23:16,600 --> 00:23:17,160 Speaker 6: and you're. 482 00:23:17,000 --> 00:23:17,680 Speaker 1: Your mised it. 483 00:23:18,760 --> 00:23:21,760 Speaker 2: Maybe Nina is an AI. That what that vote you 484 00:23:21,800 --> 00:23:24,800 Speaker 2: got there. Maybe it's I. Anyway, we still have time 485 00:23:24,840 --> 00:23:27,040 Speaker 2: to take your calls thirteen WSFM. We can go to 486 00:23:27,080 --> 00:23:29,120 Speaker 2: an Instagram story at Jones and Amanda and I'm just. 487 00:23:29,080 --> 00:23:31,040 Speaker 3: Going to say, right now, I know a lock in 488 00:23:31,040 --> 00:23:34,159 Speaker 3: the answer, but I reckon I was a Yamaha capacity. 489 00:23:34,480 --> 00:23:36,239 Speaker 2: You go on the back of his bike and love him. 490 00:23:37,200 --> 00:23:40,720 Speaker 1: This is weird. I just I liked weird. It's not weird. 491 00:23:40,760 --> 00:23:42,880 Speaker 1: That's weird. People want to know this. 492 00:23:43,119 --> 00:23:45,000 Speaker 2: You want to know. No one else cares other people. 493 00:23:45,160 --> 00:23:49,240 Speaker 2: He probably can't even remember. Anyway, We'll see if he 494 00:23:49,280 --> 00:23:51,280 Speaker 2: takets back, he might be busy saving a life. 495 00:23:51,320 --> 00:23:55,200 Speaker 3: Every Man remember whatever motorcycle he wrote. Okay, they forget 496 00:23:55,200 --> 00:23:56,960 Speaker 3: about the women, but they remember the motorcycle. 497 00:23:57,000 --> 00:24:03,479 Speaker 8: I'm just saying, Jonesy and Amanda should podcast. 498 00:24:09,680 --> 00:24:14,240 Speaker 1: Fight for your flashback. Two songs into one song leaves. 499 00:24:14,359 --> 00:24:17,840 Speaker 3: Management is happy that the snap rail striker has been averted. 500 00:24:17,840 --> 00:24:20,639 Speaker 3: They wrote this morning, Today's five few flashback train songs. 501 00:24:20,680 --> 00:24:23,560 Speaker 3: I've gone with the Quiet City DJs, come on ride 502 00:24:23,600 --> 00:24:25,679 Speaker 3: it brackets the train. 503 00:24:32,160 --> 00:24:35,280 Speaker 2: I've gone with this classic from nineteen eighty one. 504 00:24:35,480 --> 00:24:38,080 Speaker 3: You know it's gone from banger to classics. 505 00:24:38,960 --> 00:24:39,760 Speaker 1: It's diminishing. 506 00:24:40,040 --> 00:24:44,240 Speaker 2: No classics is probably better than a bangers. It's a 507 00:24:44,280 --> 00:24:47,320 Speaker 2: classic and a caanga. 508 00:24:48,520 --> 00:24:51,239 Speaker 3: My song, I just I want to plead for my 509 00:24:51,359 --> 00:24:54,199 Speaker 3: song because I was going across the Harbor Bridge, and 510 00:24:54,240 --> 00:24:55,520 Speaker 3: you know I love motorcycles. 511 00:24:55,720 --> 00:24:59,280 Speaker 1: I love motorcycles. I always have since I really hit 512 00:24:59,320 --> 00:24:59,640 Speaker 1: by wall. 513 00:25:00,440 --> 00:25:00,919 Speaker 2: Get on with it. 514 00:25:00,920 --> 00:25:02,480 Speaker 3: But I'm righting across the Harbor Bridge. I see the 515 00:25:02,520 --> 00:25:04,000 Speaker 3: train and that song popped into my head. 516 00:25:04,000 --> 00:25:05,960 Speaker 1: And that's what it's about. Motorcyclist, understand this. 517 00:25:06,280 --> 00:25:10,120 Speaker 3: You have your internal like little iPod in your head 518 00:25:10,119 --> 00:25:12,760 Speaker 3: where the songs go through your head as you're cruising 519 00:25:12,800 --> 00:25:16,040 Speaker 3: the highways, and buy it'll come on. I did say, 520 00:25:16,720 --> 00:25:19,119 Speaker 3: I did say to you going across the Harbor Bridge 521 00:25:19,119 --> 00:25:21,639 Speaker 3: on a motorcycle. You've been on my motorcycle many for 522 00:25:21,720 --> 00:25:24,320 Speaker 3: a year, pretty much once a week we would go 523 00:25:24,320 --> 00:25:25,280 Speaker 3: across the bridge. 524 00:25:25,680 --> 00:25:28,760 Speaker 1: And then you failed to remember that, but you remembered. 525 00:25:28,640 --> 00:25:31,840 Speaker 3: Your former boyfriend used to take him take you on 526 00:25:31,960 --> 00:25:34,480 Speaker 3: his bike across the Harbor breage once or twice back 527 00:25:34,480 --> 00:25:35,480 Speaker 3: in the seventies. 528 00:25:35,560 --> 00:25:37,119 Speaker 2: Or twice a few times. 529 00:25:37,240 --> 00:25:39,040 Speaker 1: Yeah, and I asked you. 530 00:25:38,960 --> 00:25:41,800 Speaker 2: In my seventies, I wasn't a child, I asked you. 531 00:25:42,480 --> 00:25:45,000 Speaker 1: I asked you what motorcycle did he ride? 532 00:25:45,080 --> 00:25:47,640 Speaker 2: Well, to put an end to the discussion, I've texted 533 00:25:47,680 --> 00:25:49,560 Speaker 2: him because I don't know. I don't care what it was, 534 00:25:49,600 --> 00:25:52,959 Speaker 2: but it matters to you weirdly enormously. 535 00:25:52,520 --> 00:25:53,600 Speaker 1: Because I'll tell you this. 536 00:25:54,080 --> 00:25:57,080 Speaker 3: I have six motorcycles for if you ask my wife, 537 00:25:57,160 --> 00:25:58,960 Speaker 3: and I'll tell you this right now, I know everything 538 00:25:59,000 --> 00:25:59,840 Speaker 3: about them. 539 00:26:00,320 --> 00:26:03,560 Speaker 2: Sure, Helen wouldn't. I don't have to know what bike 540 00:26:03,640 --> 00:26:04,040 Speaker 2: he had. 541 00:26:04,080 --> 00:26:05,840 Speaker 3: Okay, So I'm saying it's I'm saying I'm going to 542 00:26:05,920 --> 00:26:09,120 Speaker 3: put my final answer, and it's not a two strike Yamaha. 543 00:26:09,880 --> 00:26:12,200 Speaker 1: It's a six fifty. I think it's a Yamaha six 544 00:26:12,160 --> 00:26:12,600 Speaker 1: to fifty. 545 00:26:12,760 --> 00:26:16,280 Speaker 2: Well, he's texted me back. He is in Melbourne. He's 546 00:26:16,320 --> 00:26:21,320 Speaker 2: texted me back. There are two bikes he had two, 547 00:26:23,119 --> 00:26:28,760 Speaker 2: a Suzuki T two fifty and then a Honda five hundred, 548 00:26:30,160 --> 00:26:32,479 Speaker 2: none of which are either of the things that you've mentioned. 549 00:26:33,840 --> 00:26:37,000 Speaker 2: You've been buzzed out of the regiment. I'm afraid, Brendan Ryan, 550 00:26:37,600 --> 00:26:40,040 Speaker 2: I don't think we need all this out. So your 551 00:26:40,080 --> 00:26:43,480 Speaker 2: special spidey sense about things is way off. 552 00:26:43,600 --> 00:26:45,399 Speaker 1: Two of the most unsexy bikes. 553 00:26:45,520 --> 00:26:48,040 Speaker 2: He was a kid, he like did you. He was 554 00:26:48,160 --> 00:26:51,760 Speaker 2: probably in his twenties as was I. Can we move 555 00:26:51,800 --> 00:26:54,040 Speaker 2: on now? Can we move on? 556 00:26:55,200 --> 00:26:55,400 Speaker 1: Yes? 557 00:26:55,720 --> 00:26:58,480 Speaker 2: I don't like shame. Here, I'm coming to his defense. 558 00:26:58,800 --> 00:27:00,600 Speaker 2: I don't like shame with the bike he had as 559 00:27:00,600 --> 00:27:01,720 Speaker 2: a twenty five year old. 560 00:27:02,119 --> 00:27:05,639 Speaker 3: Yeah, I can't even say the jackets inappropriate? 561 00:27:05,680 --> 00:27:07,440 Speaker 2: What bike did you have when you were twenty five? 562 00:27:07,880 --> 00:27:11,040 Speaker 3: When I was twenty five, I had a GS seven fifty? 563 00:27:11,160 --> 00:27:12,720 Speaker 1: Oh well whatever, Zuki? 564 00:27:12,920 --> 00:27:13,720 Speaker 2: Yeah, well you didn't have. 565 00:27:13,760 --> 00:27:15,720 Speaker 3: Man and then I had an excess eleven hundred one 566 00:27:15,800 --> 00:27:16,280 Speaker 3: point one. 567 00:27:16,320 --> 00:27:18,360 Speaker 2: All right, let's get over this. We are playing fight 568 00:27:18,400 --> 00:27:21,200 Speaker 2: for your flashback, you know. Hello, Chris and Campbelltown, Fight 569 00:27:21,240 --> 00:27:23,840 Speaker 2: for your flashback? What song would you like to hear today? 570 00:27:24,880 --> 00:27:26,280 Speaker 2: Good morning, Jasie and Amanda. 571 00:27:26,359 --> 00:27:29,640 Speaker 9: I'd love to hear Sheena Easton Well making the morning Train. 572 00:27:29,760 --> 00:27:31,720 Speaker 2: Let's do it. Well, let's see if we can do it. 573 00:27:31,720 --> 00:27:32,480 Speaker 2: We've got more I did. 574 00:27:32,520 --> 00:27:36,560 Speaker 3: Never mentioned the bolderdor at a CB nine hundred Boulderdoor Honda. 575 00:27:36,680 --> 00:27:39,080 Speaker 2: Hello, Peter and Falconbridge, Fight for your flashback. 576 00:27:39,720 --> 00:27:43,080 Speaker 6: Good morning to you both. Amanda. I knew straight away 577 00:27:43,080 --> 00:27:45,200 Speaker 6: when they said the category that you're going to pick 578 00:27:45,280 --> 00:27:48,359 Speaker 6: that song and it's so boring, so I'm going to 579 00:27:48,440 --> 00:27:51,320 Speaker 6: have to go to James just for that fact. But James, 580 00:27:51,600 --> 00:27:53,199 Speaker 6: I don't know where you dug that up from. But 581 00:27:53,280 --> 00:27:55,879 Speaker 6: let's hear that, because you know you never hear that. 582 00:27:57,119 --> 00:28:01,760 Speaker 2: Okay, well you've offended both of us, Peter and thank you, Hello, Julie, 583 00:28:01,800 --> 00:28:02,800 Speaker 2: Fight for your flashback. 584 00:28:03,960 --> 00:28:05,200 Speaker 9: I'm going for you, Amanda. 585 00:28:05,240 --> 00:28:07,880 Speaker 6: As soon as I heard that, I started singing. 586 00:28:07,880 --> 00:28:10,119 Speaker 2: It's great, all right, well, thank you, let's see if 587 00:28:10,160 --> 00:28:12,840 Speaker 2: we get there. Sue is in Georgie's hall, Fight for 588 00:28:12,880 --> 00:28:17,400 Speaker 2: your flashback, Sue. Good morning guys. This morning I heard 589 00:28:17,520 --> 00:28:21,040 Speaker 2: Jonesy's song and I thought, firstly, I've never heard that before, 590 00:28:21,560 --> 00:28:24,160 Speaker 2: and secondly, I think I'd like to hear the whole thing. 591 00:28:24,359 --> 00:28:27,200 Speaker 2: And then I'm sorry, but it's fight for your Flashback, 592 00:28:27,240 --> 00:28:30,080 Speaker 2: and we hear this song so often. Anyway, I'm going 593 00:28:30,080 --> 00:28:30,639 Speaker 2: for Jonesy. 594 00:28:30,840 --> 00:28:34,719 Speaker 3: Sure I can I commend you on, you know, broadening 595 00:28:34,760 --> 00:28:36,840 Speaker 3: your horizons, because that's what it's. 596 00:28:36,720 --> 00:28:41,680 Speaker 2: About, really, all right, Stacy's Embardie a song from six. Stacy, 597 00:28:41,920 --> 00:28:45,560 Speaker 2: you are delivering the winning song today. What song has won? 598 00:28:46,760 --> 00:28:50,720 Speaker 6: Good morning guys, Happy Friday. Right, no one, no one 599 00:28:50,760 --> 00:28:52,200 Speaker 6: works nine to five anymore. 600 00:28:53,440 --> 00:28:55,440 Speaker 2: But it's a great sing a long song. 601 00:28:55,520 --> 00:28:56,600 Speaker 6: So, Amanda, you've got the. 602 00:28:56,640 --> 00:28:59,480 Speaker 1: Link, Stacy, I thought it was going to happen for me. 603 00:28:59,640 --> 00:29:03,240 Speaker 2: Here it is nine to five Sheena Eastern Morning Train, 604 00:29:04,240 --> 00:29:07,120 Speaker 2: Take it away, Sheena. 605 00:29:08,360 --> 00:29:08,880 Speaker 1: Podcast. 606 00:29:10,680 --> 00:29:12,920 Speaker 2: I actually lost his job years ago. Was just pretending 607 00:29:13,480 --> 00:29:15,240 Speaker 2: take a briefcase and get on a train. 608 00:29:15,320 --> 00:29:17,320 Speaker 1: All right, Okay, I thought he was driving the train though. 609 00:29:17,680 --> 00:29:17,880 Speaker 2: No. 610 00:29:18,040 --> 00:29:19,680 Speaker 1: In the film clip he gives. 611 00:29:19,440 --> 00:29:23,640 Speaker 3: The indication that he's driving an old steam powered train, 612 00:29:23,800 --> 00:29:24,920 Speaker 3: but it's into the eighties. 613 00:29:25,840 --> 00:29:28,280 Speaker 1: I don't know. Maybe he's an enthusiast. But then he 614 00:29:28,360 --> 00:29:31,160 Speaker 1: works all day to Ernie's path so they can play 615 00:29:31,200 --> 00:29:32,640 Speaker 1: all night. And the poor guy, when's. 616 00:29:32,360 --> 00:29:33,520 Speaker 2: Hes sleeping, when's he's sleeping? 617 00:29:33,560 --> 00:29:35,720 Speaker 3: Brandon Anyway, I don't want to make stories out of songs. 618 00:29:35,760 --> 00:29:38,840 Speaker 1: I'm just disappointed city DJs didn't get up. 619 00:29:39,120 --> 00:29:41,920 Speaker 3: I'm almost as disappointed that you're come on form a 620 00:29:41,960 --> 00:29:44,880 Speaker 3: flame right around at a Honda five hundred. 621 00:29:44,960 --> 00:29:46,400 Speaker 2: If you if I knew you were going to bike 622 00:29:46,440 --> 00:29:48,720 Speaker 2: shame him, I would never have asked him this question, 623 00:29:49,760 --> 00:29:51,320 Speaker 2: how dare you. 624 00:29:50,840 --> 00:29:52,800 Speaker 1: You must write a higher song? Actually? 625 00:29:52,880 --> 00:29:57,880 Speaker 2: No, can you shut up? It's so boring, it's so niche, 626 00:29:58,280 --> 00:30:01,480 Speaker 2: it's so boring and it's so insat insulting. I would 627 00:30:01,480 --> 00:30:02,840 Speaker 2: never have asked him if I knew it was. 628 00:30:02,840 --> 00:30:05,280 Speaker 3: Going to become the five hundred is a collector's item 629 00:30:05,360 --> 00:30:06,640 Speaker 3: now ironically, well. 630 00:30:06,560 --> 00:30:12,840 Speaker 2: So am I. So there you go because I looked. 631 00:30:12,880 --> 00:30:15,200 Speaker 2: You know, you've asked me to ask him a question, 632 00:30:15,280 --> 00:30:16,480 Speaker 2: and now you're slagging it off. 633 00:30:17,960 --> 00:30:20,840 Speaker 1: But you don't remember. You didn't remember going on the 634 00:30:20,840 --> 00:30:21,640 Speaker 1: back of my bike. 635 00:30:22,080 --> 00:30:23,640 Speaker 2: Come on for a year, let's move on. 636 00:30:24,080 --> 00:30:25,280 Speaker 1: Hello, it's Jonesy and Amanda. 637 00:30:25,280 --> 00:30:26,800 Speaker 3: As if you couldn't tell, let's get on down to 638 00:30:26,800 --> 00:30:28,680 Speaker 3: the Jones Answer the pub test. 639 00:30:28,720 --> 00:30:32,000 Speaker 2: Bigg questions, big important question today? What is it cardigans? 640 00:30:32,160 --> 00:30:33,280 Speaker 2: Do they pass the pub test? 641 00:30:33,360 --> 00:30:34,040 Speaker 1: What the band? 642 00:30:34,280 --> 00:30:35,640 Speaker 2: No, the actual. 643 00:30:35,360 --> 00:30:37,120 Speaker 1: Clothing of the successful band? 644 00:30:39,600 --> 00:30:43,120 Speaker 2: Could you be more tangential with all our conversational today? 645 00:30:44,320 --> 00:30:46,040 Speaker 2: Follow a straight line for a minute. 646 00:30:46,200 --> 00:30:47,080 Speaker 1: It's this kind of day. 647 00:30:47,160 --> 00:30:49,120 Speaker 2: There was an article in the paper the other day 648 00:30:49,240 --> 00:30:52,200 Speaker 2: about the return of the cardigan. How do you feel 649 00:30:52,200 --> 00:30:56,680 Speaker 2: about cardigans? Because are they in style? Yes, they've become 650 00:30:56,800 --> 00:31:00,240 Speaker 2: back in style really because they're saying that they are 651 00:31:00,320 --> 00:31:03,080 Speaker 2: lux lounge wear or casual sheek amplified by the work 652 00:31:03,080 --> 00:31:06,200 Speaker 2: from home culture. So the shift has been a resurgency 653 00:31:06,200 --> 00:31:09,120 Speaker 2: in cozy, easy to wear items. So cardigans have been 654 00:31:09,200 --> 00:31:12,120 Speaker 2: back front and center. That's not how you wear them. 655 00:31:12,640 --> 00:31:15,320 Speaker 2: But they're shapeless. Some people have said it's like giving up. 656 00:31:15,360 --> 00:31:18,320 Speaker 2: It's a cry for help. And also in movies, if 657 00:31:18,360 --> 00:31:22,000 Speaker 2: they're going to show someone's transformation, or it's like Clark 658 00:31:22,120 --> 00:31:26,200 Speaker 2: Kent when he's not being Superman, he shows his dagginess 659 00:31:26,240 --> 00:31:28,680 Speaker 2: by wearing a cardigan. That's how you take a man's 660 00:31:28,680 --> 00:31:30,400 Speaker 2: testicles off by putting in a cardigan. 661 00:31:31,000 --> 00:31:35,720 Speaker 3: Well, in Grease, you look at Grease Danny Zuko. He's 662 00:31:35,760 --> 00:31:37,840 Speaker 3: a big greaser and he's. 663 00:31:37,360 --> 00:31:39,040 Speaker 2: Got a leather jacket and all that. 664 00:31:39,160 --> 00:31:41,160 Speaker 3: He's a tough guy and then he's got to turn 665 00:31:41,200 --> 00:31:43,320 Speaker 3: into a big pussy so he puts the cardigan on 666 00:31:43,400 --> 00:31:43,760 Speaker 3: it again. 667 00:31:43,960 --> 00:31:45,480 Speaker 1: Yeah, the rydel cardigan. 668 00:31:45,640 --> 00:31:47,800 Speaker 2: I mean, I love a cardigan, but I just look 669 00:31:47,840 --> 00:31:50,840 Speaker 2: completely shapeless in a cardigan. You would look ridiculous in 670 00:31:50,880 --> 00:31:53,960 Speaker 2: a cardigan. But cardigan's are fabulous and lots of women 671 00:31:53,960 --> 00:31:55,360 Speaker 2: look amazing in card I don't. 672 00:31:55,200 --> 00:31:57,360 Speaker 1: Think I've ever worn a cardigan. Are you saying cardigan? 673 00:31:57,480 --> 00:31:59,840 Speaker 3: I wouldn't judge a woman for wearing a cardigan. 674 00:31:59,600 --> 00:32:01,760 Speaker 2: But do you think you judge women if they wear 675 00:32:01,800 --> 00:32:04,760 Speaker 2: cargo pants, so they've given up. How about a big 676 00:32:04,800 --> 00:32:08,920 Speaker 2: bulky cardigan. How would you feel about that? The evolution 677 00:32:09,040 --> 00:32:12,120 Speaker 2: of the cardigan? Is cardigan still in fashion? Do cardigans 678 00:32:12,440 --> 00:32:15,160 Speaker 2: pass the pub tests? 679 00:32:15,240 --> 00:32:17,479 Speaker 3: The method or poisoning story of the two friends in 680 00:32:17,600 --> 00:32:22,160 Speaker 3: Vietnam is scary as and it's tragic because young Bianca 681 00:32:22,240 --> 00:32:23,240 Speaker 3: Jones has passed away. 682 00:32:23,560 --> 00:32:25,880 Speaker 1: Her friend Holly is still fighting for life in hospital. 683 00:32:26,080 --> 00:32:29,000 Speaker 2: Five people have now died as a result of this 684 00:32:29,080 --> 00:32:33,800 Speaker 2: louse poisoning. Mon who's one of our producers here this morning, 685 00:32:33,880 --> 00:32:37,760 Speaker 2: said that when you're in Vietnam, yeah, in Thailand, Thailand, 686 00:32:38,200 --> 00:32:39,840 Speaker 2: you had a similar experience. 687 00:32:39,960 --> 00:32:42,240 Speaker 10: Yeah, back in twenty eighteen, I went over with my 688 00:32:42,320 --> 00:32:45,120 Speaker 10: boyfriend at the time and you know, odd at a bar, 689 00:32:45,640 --> 00:32:48,960 Speaker 10: you know, normal functioning bar night out, had a couple 690 00:32:48,960 --> 00:32:53,520 Speaker 10: of cocktails, ended up really really unwell and throwing up, 691 00:32:53,880 --> 00:32:55,960 Speaker 10: you know, in the bathroom, laying in the shower. 692 00:32:56,480 --> 00:32:57,600 Speaker 2: It was really really awful. 693 00:32:57,600 --> 00:33:01,120 Speaker 3: And that was two drinks, right, And did you suspect 694 00:33:01,120 --> 00:33:02,360 Speaker 3: it was methanol poisoning? 695 00:33:02,680 --> 00:33:04,520 Speaker 10: At the time, I was like, oh gosh, maybe I 696 00:33:04,560 --> 00:33:06,920 Speaker 10: didn't eat enough or something like that, and maybe I 697 00:33:06,960 --> 00:33:09,000 Speaker 10: went too hard. On the alcohol or whatever, and I 698 00:33:09,000 --> 00:33:11,080 Speaker 10: was like, it was two drinks, so it doesn't make sense. 699 00:33:11,840 --> 00:33:14,719 Speaker 10: And thinking back to my symptoms at the time, I 700 00:33:14,760 --> 00:33:15,360 Speaker 10: was dizzy. 701 00:33:15,480 --> 00:33:16,360 Speaker 2: I couldn't see. 702 00:33:16,760 --> 00:33:19,160 Speaker 10: It wasn't normal like for two drinks at the time, 703 00:33:19,160 --> 00:33:21,400 Speaker 10: and you know, had been drinking pretty heavily on the holiday. 704 00:33:21,440 --> 00:33:24,280 Speaker 10: You know, I'm on holiday, so it didn't make sense 705 00:33:24,320 --> 00:33:25,520 Speaker 10: that it was just alcohol. 706 00:33:25,600 --> 00:33:28,680 Speaker 2: It's funny that we talk about it as methanol poisoning 707 00:33:28,800 --> 00:33:30,880 Speaker 2: because I've been watching the stories and I've been wondering 708 00:33:31,240 --> 00:33:33,800 Speaker 2: why would they do that? And you were saying to 709 00:33:33,840 --> 00:33:36,360 Speaker 2: me Brendan this morning that this tell me what you're 710 00:33:36,400 --> 00:33:36,800 Speaker 2: saying about. 711 00:33:36,800 --> 00:33:38,960 Speaker 3: This is how they avoid well they have Ethanol is 712 00:33:39,400 --> 00:33:42,080 Speaker 3: taxed differently to methanol. Methanol is what we use, you 713 00:33:42,080 --> 00:33:44,400 Speaker 3: know for fuel, car feel and things like that. Ethanol 714 00:33:44,520 --> 00:33:47,880 Speaker 3: is which goes to alcohol hole but you can easily 715 00:33:48,520 --> 00:33:50,800 Speaker 3: the chemistry. Then this is what they worry about with 716 00:33:50,840 --> 00:33:54,600 Speaker 3: those home brewers, that how ethanol can turn to methanol 717 00:33:54,280 --> 00:33:56,800 Speaker 3: like that. So if someone doesn't know what they're doing 718 00:33:57,080 --> 00:34:00,400 Speaker 3: when they're making arak and all those sort of things easily, 719 00:34:00,440 --> 00:34:02,200 Speaker 3: and that's what leads to blindness. 720 00:34:02,240 --> 00:34:04,400 Speaker 2: So what they're doing, though, is they are trying to 721 00:34:04,400 --> 00:34:06,479 Speaker 2: make a cheap form of alcohol. They're not setting out 722 00:34:06,560 --> 00:34:10,680 Speaker 2: to poison you. They're not, that's right. They're making these 723 00:34:10,719 --> 00:34:13,279 Speaker 2: drinks and you can't tell when you're drinking it that 724 00:34:13,280 --> 00:34:14,840 Speaker 2: that's in it exactly the same. 725 00:34:14,880 --> 00:34:18,480 Speaker 10: It tasted exactly like your average vodka, soda or cocktail. 726 00:34:18,680 --> 00:34:20,680 Speaker 2: That's what is so alarming. So I know that Penny 727 00:34:20,680 --> 00:34:22,879 Speaker 2: Warm this morning has made, you know, has said, hey, 728 00:34:23,000 --> 00:34:25,840 Speaker 2: people need to be aware and be careful. But you 729 00:34:25,880 --> 00:34:28,840 Speaker 2: but short of drinking at the most expensive hotel in 730 00:34:28,880 --> 00:34:31,520 Speaker 2: the city, how do you know You. 731 00:34:31,560 --> 00:34:33,520 Speaker 10: Just can't, I guess drink out of a bottle. 732 00:34:33,680 --> 00:34:35,520 Speaker 2: But I mean it's this is why girls. I mean, 733 00:34:35,560 --> 00:34:37,879 Speaker 2: girls are going to drink cocktails. Guys drink beer, maybe 734 00:34:37,880 --> 00:34:39,879 Speaker 2: out of a bottle, but girls are going to drink 735 00:34:39,880 --> 00:34:40,480 Speaker 2: mixed drinks. 736 00:34:40,680 --> 00:34:42,080 Speaker 1: Those symptoms as well that you talk. 737 00:34:42,160 --> 00:34:44,080 Speaker 3: So you're in the shower and and were you thinking 738 00:34:44,120 --> 00:34:45,720 Speaker 3: I've got to go to a hospital or something. 739 00:34:46,000 --> 00:34:47,640 Speaker 10: At the time, I was still like, oh, maybe I 740 00:34:47,719 --> 00:34:50,560 Speaker 10: just drank too much, and I think had drinks. Yeah, 741 00:34:50,560 --> 00:34:52,520 Speaker 10: I think there's a lot of blame for myself that 742 00:34:52,719 --> 00:34:55,040 Speaker 10: in that moment thinking oh, I've just gone too hard 743 00:34:55,080 --> 00:34:58,480 Speaker 10: and how silly of me, how embarrassing. But it wasn't really, 744 00:34:58,760 --> 00:35:00,640 Speaker 10: you know, embarrassing. Thinking back to it, I was like, 745 00:35:00,680 --> 00:35:01,759 Speaker 10: I've been poisoned. 746 00:35:01,960 --> 00:35:03,279 Speaker 3: Yeah, and what did you do for the rest of 747 00:35:03,320 --> 00:35:05,680 Speaker 3: your holiday? So at what stage was this in the whole? 748 00:35:05,920 --> 00:35:06,680 Speaker 2: Pretty early on? 749 00:35:06,880 --> 00:35:09,239 Speaker 10: I think we were in Pouquette at the time, and 750 00:35:10,000 --> 00:35:12,279 Speaker 10: I felt really sick for the next two days and 751 00:35:12,360 --> 00:35:14,360 Speaker 10: I didn't drink at all going forward. 752 00:35:15,120 --> 00:35:18,600 Speaker 2: That's a terrifying thank you. And how do you protect 753 00:35:18,640 --> 00:35:20,840 Speaker 2: yourself short of don't drink when you're on the holiday 754 00:35:20,880 --> 00:35:23,839 Speaker 2: because they're not deliberately poisoning you. Nothing you they're making 755 00:35:23,920 --> 00:35:26,799 Speaker 2: cheap alcohol you don't know because it tastes exactly and 756 00:35:26,920 --> 00:35:28,280 Speaker 2: smells exactly the same. 757 00:35:28,440 --> 00:35:30,840 Speaker 3: Yeah, I guess you're in a third woll country and 758 00:35:30,880 --> 00:35:32,920 Speaker 3: you've just got to remember that you're not back at 759 00:35:32,960 --> 00:35:34,440 Speaker 3: home when you're overseas. 760 00:35:35,080 --> 00:35:39,480 Speaker 2: Thank you, min fine, thank you podcast. 761 00:35:40,000 --> 00:35:46,359 Speaker 5: When God, I wanted to get on right now, your 762 00:35:46,400 --> 00:35:48,680 Speaker 5: windows your head. 763 00:35:48,719 --> 00:35:54,799 Speaker 3: A yell, I have the jonesy demand of arms. The 764 00:35:54,880 --> 00:35:59,080 Speaker 3: topic topic of discussion cardigans. Do they pass the pub test? 765 00:35:59,160 --> 00:36:01,279 Speaker 2: So made a comeback to a certain extent because of 766 00:36:01,480 --> 00:36:04,520 Speaker 2: people working from home, the resurgence in cozy, easy to 767 00:36:04,520 --> 00:36:08,120 Speaker 2: wear clothes, lux lounge wear or casual chic. But some 768 00:36:08,160 --> 00:36:11,680 Speaker 2: people are saying the cardigan is shapeless for many people. 769 00:36:11,800 --> 00:36:14,840 Speaker 2: Some young girls are greating cardigans. But a man and 770 00:36:14,880 --> 00:36:17,319 Speaker 2: a cardigan, I don't mind it. I kind of like it, 771 00:36:17,360 --> 00:36:19,480 Speaker 2: but you find it sort of demasculating. 772 00:36:20,239 --> 00:36:22,680 Speaker 3: Yeah, I think if Danny's goo in Greece, you know 773 00:36:22,800 --> 00:36:24,080 Speaker 3: they want to soften him up. 774 00:36:24,040 --> 00:36:28,879 Speaker 1: They put cardigan. Yeah, I've never worn one. Probably when 775 00:36:28,880 --> 00:36:31,880 Speaker 1: I was a little kid. My grandma might have knitted 776 00:36:31,920 --> 00:36:32,239 Speaker 1: me one. 777 00:36:32,520 --> 00:36:34,520 Speaker 2: So cardigans do they pass the pub test? 778 00:36:34,840 --> 00:36:35,160 Speaker 10: Oh? 779 00:36:35,200 --> 00:36:35,839 Speaker 9: Absolutely? 780 00:36:36,040 --> 00:36:38,279 Speaker 6: Guys in cardigan are so hot. 781 00:36:38,880 --> 00:36:41,439 Speaker 9: My husband has been wearing one for like thirty. 782 00:36:41,160 --> 00:36:43,080 Speaker 6: Years and I love it. 783 00:36:43,160 --> 00:36:46,760 Speaker 2: Guitly not and I'm an old corojur and I wouldn't 784 00:36:46,760 --> 00:36:50,120 Speaker 2: even wear it a few n I think they probably 785 00:36:50,160 --> 00:36:52,880 Speaker 2: passed a pub test for a certain demographic, but not me. 786 00:36:54,040 --> 00:36:56,759 Speaker 3: Maybe a bowl of hat as well, but definitely don't 787 00:36:56,760 --> 00:36:57,560 Speaker 3: part the pub test. 788 00:36:57,960 --> 00:37:00,000 Speaker 2: Definitely not leave them back where they belong. 789 00:37:00,239 --> 00:37:01,560 Speaker 6: Did they pass a pub test? 790 00:37:01,640 --> 00:37:03,840 Speaker 2: You go to any retirement home, they're all the rage. 791 00:37:04,120 --> 00:37:12,319 Speaker 1: It's true. Youth's always regular contributor there WSFM. 792 00:37:12,320 --> 00:37:14,720 Speaker 3: Hello, there is Jonesy, no matter of facts, The Chemists Warehouse, 793 00:37:14,760 --> 00:37:15,279 Speaker 3: so better Man. 794 00:37:15,320 --> 00:37:17,480 Speaker 1: It's the new movie with Robbie Williams, and I watched 795 00:37:17,480 --> 00:37:18,000 Speaker 1: it yesterday. 796 00:37:18,040 --> 00:37:21,520 Speaker 3: I didn't know what to expect, and then Robbie Williams 797 00:37:21,600 --> 00:37:22,560 Speaker 3: in the movie. 798 00:37:22,400 --> 00:37:23,880 Speaker 1: Is a monkey. I don't want. 799 00:37:23,719 --> 00:37:28,000 Speaker 3: To say too much work. I thought, what's this going 800 00:37:28,040 --> 00:37:29,920 Speaker 3: to be? You know, because sometimes you're just tired and 801 00:37:29,960 --> 00:37:31,560 Speaker 3: we've got to go and see these movies. We've got 802 00:37:31,600 --> 00:37:33,799 Speaker 3: Robbi Williams coming in on the show next week, and 803 00:37:33,840 --> 00:37:34,880 Speaker 3: you just couldn't be bothered. 804 00:37:35,000 --> 00:37:35,600 Speaker 1: But I tea you. 805 00:37:35,680 --> 00:37:37,879 Speaker 3: I was weeping like a baby at the end of it. 806 00:37:37,880 --> 00:37:38,719 Speaker 1: It was so good. 807 00:37:39,160 --> 00:37:41,480 Speaker 3: One of the best movies I've ever seen, and it 808 00:37:41,560 --> 00:37:44,640 Speaker 3: just encapsulates his whole life and you get past the monkey. 809 00:37:44,800 --> 00:37:47,480 Speaker 1: It's just it's so brilliantly done. It's got an end 810 00:37:47,480 --> 00:37:48,719 Speaker 1: of the Rocket Man about it. 811 00:37:49,200 --> 00:37:50,799 Speaker 3: I don't know if I'm supposed to be talking about it, 812 00:37:50,800 --> 00:37:53,759 Speaker 3: but anyway, it's it's just a great movie. I'm just 813 00:37:53,800 --> 00:37:56,320 Speaker 3: saying that so people when they're saying it's a great movie, 814 00:37:56,960 --> 00:37:59,200 Speaker 3: people say, well that Jonesy. He said that it's like 815 00:37:59,520 --> 00:38:00,840 Speaker 3: anything you do you do on TV. 816 00:38:01,239 --> 00:38:03,759 Speaker 2: It was a great movie. With an ape like. 817 00:38:04,520 --> 00:38:07,319 Speaker 3: Enough about this radio show but your own. You were 818 00:38:07,320 --> 00:38:09,640 Speaker 3: at the ABC upfronts last night. 819 00:38:09,600 --> 00:38:12,960 Speaker 2: Yes, oh, yesterday, that's right. So I've been filming a 820 00:38:12,960 --> 00:38:15,600 Speaker 2: couple of shows for the ABC and they were announced yesterday. 821 00:38:16,560 --> 00:38:19,080 Speaker 2: One of them is called Role of a Lifetime and 822 00:38:19,320 --> 00:38:22,279 Speaker 2: it's a parenting show that I'm hosting. Kate Richie is 823 00:38:22,320 --> 00:38:26,359 Speaker 2: involved and a swathe of experts. But what's great about 824 00:38:26,360 --> 00:38:29,360 Speaker 2: this show is that this is where the first people 825 00:38:29,480 --> 00:38:31,759 Speaker 2: now are the first generation. We're trying to keep their 826 00:38:31,840 --> 00:38:34,480 Speaker 2: children safe in two realms, in the real world and 827 00:38:34,520 --> 00:38:38,759 Speaker 2: in the online world. And how terrifying that is for 828 00:38:38,880 --> 00:38:42,600 Speaker 2: young men. What imagery of masculinity are they getting all 829 00:38:42,600 --> 00:38:45,759 Speaker 2: the andrew Tates, etc. What are girls getting in their 830 00:38:45,760 --> 00:38:48,680 Speaker 2: heads about body image, about trad wives, about anything? And 831 00:38:48,760 --> 00:38:52,719 Speaker 2: parents feel helpless to help their kids. So this isn't 832 00:38:52,719 --> 00:38:55,280 Speaker 2: sort of that usual well d kind of parenting advice. 833 00:38:55,640 --> 00:38:59,440 Speaker 2: This is cutting edge advice from people who are kids themselves, 834 00:38:59,560 --> 00:39:04,480 Speaker 2: from pair parents, from experts, the latest psychology technology. You 835 00:39:04,520 --> 00:39:06,840 Speaker 2: will learn so much from this show, and it's funny 836 00:39:06,880 --> 00:39:10,080 Speaker 2: and charming as well. And also I've been filming another 837 00:39:10,120 --> 00:39:13,640 Speaker 2: show called The Piano, and this show is very very 838 00:39:13,640 --> 00:39:17,200 Speaker 2: close to my heart. So what happens. We put out 839 00:39:17,200 --> 00:39:20,319 Speaker 2: a call to like whether it's a refugee center, old 840 00:39:20,360 --> 00:39:23,160 Speaker 2: people's home schools, asking people to come and film a 841 00:39:23,160 --> 00:39:26,400 Speaker 2: documentary just talking about their love of the piano and 842 00:39:26,400 --> 00:39:29,319 Speaker 2: their connection to the piano. So we put pianos in 843 00:39:29,400 --> 00:39:31,680 Speaker 2: there's a railway station, a shopping center. We filmed in 844 00:39:31,760 --> 00:39:35,319 Speaker 2: various locations and seventy five people came down to play 845 00:39:35,320 --> 00:39:37,759 Speaker 2: the piano and to tell their story. And what they 846 00:39:37,760 --> 00:39:41,480 Speaker 2: didn't know was that Andrea Lamb, who's Australia is leading 847 00:39:42,120 --> 00:39:46,200 Speaker 2: classical pianist, and Harry Connick Junior were just sitting behind 848 00:39:46,239 --> 00:39:50,000 Speaker 2: a little door nearby watching them perform. This isn't a competition, 849 00:39:50,040 --> 00:39:52,879 Speaker 2: there's no chairs turning, there's no judgment. But what they 850 00:39:52,920 --> 00:39:56,120 Speaker 2: did was they found someone's story that really spoke to them. 851 00:39:56,560 --> 00:39:58,800 Speaker 2: And in each episode they asked someone if they'd like 852 00:39:58,840 --> 00:40:01,520 Speaker 2: to be part of a concert, performing on stage with 853 00:40:01,600 --> 00:40:05,400 Speaker 2: them at the end, and we filmed that concept not 854 00:40:05,480 --> 00:40:08,000 Speaker 2: so long ago. You came along to that, Brendan, and 855 00:40:08,040 --> 00:40:12,360 Speaker 2: it's so moving. These people's stories. You scratch the surface 856 00:40:12,400 --> 00:40:16,480 Speaker 2: and people's stories are uplifting and sad and wonderful and 857 00:40:16,600 --> 00:40:20,600 Speaker 2: people's connection to music is quite extraordinary. I bored my 858 00:40:20,680 --> 00:40:24,680 Speaker 2: eyes out filming this and it's heartwarming and lovely and 859 00:40:24,719 --> 00:40:26,080 Speaker 2: I can't wait for you to see it next year. 860 00:40:26,160 --> 00:40:27,880 Speaker 3: I'm just happy we can talk about it. I've been 861 00:40:27,880 --> 00:40:30,800 Speaker 3: wanting to blab it for agent. Yeah, that's great, and 862 00:40:31,280 --> 00:40:32,919 Speaker 3: you're going to be so great. You are so good 863 00:40:32,960 --> 00:40:33,359 Speaker 3: on TV. 864 00:40:33,520 --> 00:40:36,399 Speaker 2: Oh this show, Thank you. This isn't about me, I'm 865 00:40:36,480 --> 00:40:39,000 Speaker 2: the host of it, but the people we met and 866 00:40:39,040 --> 00:40:42,400 Speaker 2: their stories will really stick with you. I think this 867 00:40:42,480 --> 00:40:43,839 Speaker 2: is going to be a fantastic show. 868 00:40:43,920 --> 00:40:48,080 Speaker 3: It's about me and you and shoring up our future 869 00:40:48,120 --> 00:40:48,560 Speaker 3: on TV. 870 00:40:48,719 --> 00:40:53,080 Speaker 2: Me and the ape. You can't even play the piano. 871 00:40:54,160 --> 00:40:56,640 Speaker 1: I can do that thing with my fist and two fingers. 872 00:40:56,360 --> 00:41:00,799 Speaker 2: Pretty much all I can do. Yeah. 873 00:41:01,040 --> 00:41:01,520 Speaker 1: Podcast. 874 00:41:01,920 --> 00:41:04,080 Speaker 2: We spoke to Bob Geldoff a couple of weeks ago. 875 00:41:04,600 --> 00:41:08,120 Speaker 2: The fortieth anniversary of band Aid and band Aid still continues. 876 00:41:08,160 --> 00:41:11,479 Speaker 2: It started as a famine relief in Ethiopia. It since 877 00:41:11,520 --> 00:41:15,839 Speaker 2: expanded to charitable efforts across Africa, and band Aid since 878 00:41:15,840 --> 00:41:18,040 Speaker 2: it was founded in nineteen eighty four, has raised over 879 00:41:18,280 --> 00:41:21,120 Speaker 2: two hundred and forty one million Australian dollars. Who a lot, 880 00:41:21,160 --> 00:41:21,440 Speaker 2: isn't it. 881 00:41:21,520 --> 00:41:23,640 Speaker 1: That's heaps of money, so you may. 882 00:41:23,520 --> 00:41:27,280 Speaker 2: Remember they are because of the fortieth anniversary. They're putting 883 00:41:27,320 --> 00:41:30,040 Speaker 2: together a couple of the versions of band Aid throughout 884 00:41:30,040 --> 00:41:33,560 Speaker 2: the years and re launching them. I guess there was 885 00:41:33,600 --> 00:41:39,120 Speaker 2: the original one in nineteen. 886 00:41:38,840 --> 00:41:39,680 Speaker 1: Eighty four yep. 887 00:41:40,440 --> 00:41:46,359 Speaker 2: And then in twenty fourteen we had another version, one 888 00:41:46,360 --> 00:41:50,440 Speaker 2: direction Ellie Goulding, Sam Smith, and front and center of 889 00:41:50,480 --> 00:41:52,759 Speaker 2: all that was Ed Sheeran and. 890 00:41:52,920 --> 00:41:58,960 Speaker 1: Chris first time we let him like the Vanish Shape 891 00:41:59,040 --> 00:41:59,960 Speaker 1: did the bono bits. 892 00:42:00,040 --> 00:42:02,319 Speaker 2: So they're all being re released and Ed Sheeran has 893 00:42:02,360 --> 00:42:05,640 Speaker 2: taken to his Instagram to say, my approval wasn't sought 894 00:42:05,680 --> 00:42:09,120 Speaker 2: on this new band Aid forty release. I had the choice, 895 00:42:09,160 --> 00:42:11,640 Speaker 2: and if I had the choice, I would have respectfully 896 00:42:11,640 --> 00:42:15,480 Speaker 2: declined to use my vocals. A decade on, my understanding 897 00:42:15,480 --> 00:42:18,719 Speaker 2: of the narrative associated with this has changed. This is 898 00:42:18,800 --> 00:42:22,720 Speaker 2: just a personal stance. I'm hoping it's a forward looking one. 899 00:42:23,040 --> 00:42:26,080 Speaker 2: Love to all. And he has tagged in something written 900 00:42:26,120 --> 00:42:31,040 Speaker 2: by an African rapper, a Gharanian rapper. His name is 901 00:42:31,040 --> 00:42:34,680 Speaker 2: fuse Odg and it's the kind of talking about the 902 00:42:34,719 --> 00:42:38,640 Speaker 2: white savior complex the white savior complex or a white 903 00:42:38,719 --> 00:42:41,879 Speaker 2: savior ism is an ideology that a white person acts 904 00:42:41,920 --> 00:42:46,400 Speaker 2: upon from a position of superiority to rescue black, indigenous 905 00:42:46,520 --> 00:42:49,520 Speaker 2: or people of color and communities like that. So this 906 00:42:49,560 --> 00:42:52,120 Speaker 2: is what he has pointed to with this Gharannian rapper. 907 00:42:52,440 --> 00:42:57,799 Speaker 2: By showcasing dehumanizing imagery, these initiatives fuel pity rather than 908 00:42:57,840 --> 00:43:02,200 Speaker 2: partnership discouraging meaningful engagement. I know they might have gained 909 00:43:02,200 --> 00:43:04,719 Speaker 2: public sympathy. People might donate two pounds a month and 910 00:43:04,719 --> 00:43:07,160 Speaker 2: they feel sorry for the continent and the people in Africa, 911 00:43:07,239 --> 00:43:09,920 Speaker 2: but they never go there. They never invest in the continent, 912 00:43:10,200 --> 00:43:12,720 Speaker 2: missing the opportunity to truly uplift and support the continent. 913 00:43:13,040 --> 00:43:16,239 Speaker 2: It's imperative that as Africans we take back control of 914 00:43:16,239 --> 00:43:19,440 Speaker 2: our narrative and of our story. And I've heard this 915 00:43:19,480 --> 00:43:22,600 Speaker 2: set a number of times that it's us donating to 916 00:43:22,600 --> 00:43:25,279 Speaker 2: the little black babies. It's kind of a patronizing part 917 00:43:25,280 --> 00:43:28,000 Speaker 2: of that. Whereas Africa is a very vibrant country, and 918 00:43:28,080 --> 00:43:30,920 Speaker 2: yes they are in need, as many countries are of 919 00:43:30,960 --> 00:43:34,239 Speaker 2: our help, but they have to be self determining and 920 00:43:34,280 --> 00:43:36,680 Speaker 2: we have to support them to solve it. 921 00:43:37,000 --> 00:43:40,880 Speaker 3: And that's probably may them, you know, like Zimbabwe, places 922 00:43:40,960 --> 00:43:43,480 Speaker 3: like that, you know you need if you get some 923 00:43:43,520 --> 00:43:47,160 Speaker 3: sort of crazed warlord taking over the place and taking 924 00:43:47,160 --> 00:43:49,680 Speaker 3: all their food away, what are you supposed to do 925 00:43:49,840 --> 00:43:51,839 Speaker 3: well and just wring your hands of it. 926 00:43:51,920 --> 00:43:54,240 Speaker 2: Well, that's that's all well and good. I can't solve 927 00:43:54,239 --> 00:43:56,640 Speaker 2: this problem. But what Insurance is saying is there is 928 00:43:56,640 --> 00:43:59,120 Speaker 2: a different way of a free world. Yeah, he's saying 929 00:43:59,160 --> 00:44:04,160 Speaker 2: there's a different way of looking at Africa and putting 930 00:44:04,160 --> 00:44:07,960 Speaker 2: the just showing starving babies isn't always the best way 931 00:44:08,000 --> 00:44:10,839 Speaker 2: to do it. We need to empower Africa to help 932 00:44:10,840 --> 00:44:13,560 Speaker 2: itself and that's what a lot of people have been saying. 933 00:44:13,560 --> 00:44:15,919 Speaker 2: So it's interesting that it has come out and said 934 00:44:16,000 --> 00:44:18,600 Speaker 2: I don't support this, and I wish they hadn't used 935 00:44:18,640 --> 00:44:28,960 Speaker 2: my voice. Jonesy and Amanda podcast Listen, keeple. 936 00:44:30,760 --> 00:44:33,480 Speaker 1: Next week is our last week on air and we 937 00:44:33,520 --> 00:44:35,319 Speaker 1: want to go out with our band. 938 00:44:35,520 --> 00:44:38,200 Speaker 2: Is this what you were saying is our big announcement? 939 00:44:38,239 --> 00:44:39,359 Speaker 1: This is big, This is big. 940 00:44:39,400 --> 00:44:42,879 Speaker 3: We've lined up giveaways every single day, not one, but two. 941 00:44:43,120 --> 00:44:45,440 Speaker 3: Everyone's a winner in two days. 942 00:44:45,680 --> 00:44:47,680 Speaker 2: Everyone it calls in is going to get an incredible problem. 943 00:44:47,800 --> 00:44:50,600 Speaker 3: Twenty thousand dollars with our Ghoulie of the Year. Someone's 944 00:44:50,640 --> 00:44:54,560 Speaker 3: going to win that. Instagram. We've tooled instagramed up a bit, 945 00:44:54,719 --> 00:44:56,640 Speaker 3: jim Y Ryan, I've been working on that. What are 946 00:44:56,640 --> 00:44:57,560 Speaker 3: we doing with Instagram? 947 00:44:57,640 --> 00:44:57,879 Speaker 1: Ryan? 948 00:44:58,480 --> 00:45:01,520 Speaker 5: It's going to be so easy that even Johnny Dumbo 949 00:45:02,239 --> 00:45:03,160 Speaker 5: will be able to win. 950 00:45:03,400 --> 00:45:05,879 Speaker 11: You said that, No, you did say that. I never 951 00:45:05,920 --> 00:45:08,440 Speaker 11: said written you're on the sheet. I never said, I 952 00:45:08,480 --> 00:45:11,600 Speaker 11: never said give me. I never said that and I 953 00:45:11,640 --> 00:45:16,080 Speaker 11: never said. And the biggest news of all. 954 00:45:16,360 --> 00:45:18,040 Speaker 2: Well, no, you've got to whip out the credit card 955 00:45:18,080 --> 00:45:19,320 Speaker 2: as well. You've missed one. 956 00:45:19,680 --> 00:45:25,160 Speaker 1: And the biggest news of all we're giving away a 957 00:45:25,280 --> 00:45:26,160 Speaker 1: holiday a day. 958 00:45:26,280 --> 00:45:28,399 Speaker 2: Yeah, you've missed out a big one for next week. 959 00:45:29,680 --> 00:45:31,800 Speaker 2: Anyway we're doing put it on the tab as well. 960 00:45:31,840 --> 00:45:34,640 Speaker 2: That's massive. But yes, we're going to give away a 961 00:45:34,640 --> 00:45:37,400 Speaker 2: holiday a day. You've copped that up. Not me, Fingland, 962 00:45:37,400 --> 00:45:40,360 Speaker 2: don't look at me like that. So your chance to 963 00:45:40,400 --> 00:45:45,480 Speaker 2: win a holiday a day next week? This is absolutely massive. 964 00:45:45,640 --> 00:45:45,839 Speaker 6: Yep. 965 00:45:45,920 --> 00:45:48,000 Speaker 2: But what you have to do tune into seven New 966 00:45:48,040 --> 00:45:51,880 Speaker 2: Sydney at six pm on seven and seven Plus on Sunday. 967 00:45:52,360 --> 00:45:54,960 Speaker 2: You will get a code word and then listen to 968 00:45:55,040 --> 00:45:57,239 Speaker 2: us next morning. Each night next week there'll be a 969 00:45:57,280 --> 00:45:59,360 Speaker 2: code word on the news and listen to us the 970 00:45:59,400 --> 00:46:01,640 Speaker 2: next morning when you hear the queue to call the 971 00:46:01,680 --> 00:46:04,959 Speaker 2: first person through on thirteen WSFM with the code word 972 00:46:05,200 --> 00:46:08,520 Speaker 2: will win five a five thousand dollars Quantus holiday and 973 00:46:08,560 --> 00:46:09,239 Speaker 2: holiday vouch. 974 00:46:09,360 --> 00:46:10,120 Speaker 1: How good is that? 975 00:46:10,160 --> 00:46:10,520 Speaker 2: Anri? 976 00:46:10,880 --> 00:46:13,680 Speaker 3: Where's your next holiday? Earn and use Quantus points. I'd 977 00:46:13,680 --> 00:46:16,880 Speaker 3: over five hundred thousand Quantas hotels worldwide. 978 00:46:16,920 --> 00:46:19,239 Speaker 2: We are going out with a bang this week. 979 00:46:19,600 --> 00:46:30,920 Speaker 4: That's happening next week Jen sham Nation Podcast. 980 00:46:32,040 --> 00:46:36,120 Speaker 2: Today is your last chance for a fresh ghoulie because 981 00:46:36,400 --> 00:46:38,640 Speaker 2: next week we are going to be counting down our 982 00:46:38,760 --> 00:46:42,200 Speaker 2: favorite finalists and this time next week someone will be 983 00:46:42,200 --> 00:46:44,480 Speaker 2: winning twenty thousand dollars cash. 984 00:46:44,640 --> 00:46:45,200 Speaker 1: Big deal. 985 00:46:45,320 --> 00:46:46,720 Speaker 2: So what have we got today? 986 00:46:47,360 --> 00:46:50,799 Speaker 9: What gets my goolies is snails eating my mail. For 987 00:46:50,880 --> 00:46:53,760 Speaker 9: about the last year, I've noticed parts of my letters 988 00:46:53,960 --> 00:46:57,279 Speaker 9: missing and a seemingly chewed couldn't see anything that was 989 00:46:57,320 --> 00:47:00,799 Speaker 9: doing this. But then recently I noticed some snow on 990 00:47:00,880 --> 00:47:03,719 Speaker 9: the roof of the inside of my mailbox. 991 00:47:04,000 --> 00:47:05,520 Speaker 2: They appear to have adapted to. 992 00:47:05,840 --> 00:47:09,200 Speaker 9: Eating paper and now there's little ones there and I 993 00:47:09,239 --> 00:47:10,320 Speaker 9: think they're breeding. 994 00:47:11,239 --> 00:47:12,680 Speaker 2: That's what gets my goolies. 995 00:47:13,000 --> 00:47:14,839 Speaker 3: What you do is you can put a little cup 996 00:47:14,840 --> 00:47:18,040 Speaker 3: of beer in there and drown them and then. 997 00:47:18,360 --> 00:47:21,920 Speaker 2: Drown them, the little baby ones and drown them. Okay, 998 00:47:23,400 --> 00:47:25,279 Speaker 2: alcohol and drown. 999 00:47:25,040 --> 00:47:28,239 Speaker 3: The little snails out of there. Robin people takes them forever. 1000 00:47:28,040 --> 00:47:30,960 Speaker 2: Though slowers get away of all time. 1001 00:47:31,160 --> 00:47:33,200 Speaker 3: Now and what happens is this is true. The snails 1002 00:47:33,239 --> 00:47:36,520 Speaker 3: get attracted to the beer. And I'm not too sure what. 1003 00:47:36,480 --> 00:47:38,160 Speaker 2: Happens because I think they PLoP in. 1004 00:47:38,280 --> 00:47:40,440 Speaker 3: Now I've got people to turn around, mate, because my 1005 00:47:40,600 --> 00:47:41,960 Speaker 3: postbox are turned to a pub. 1006 00:47:42,840 --> 00:47:43,920 Speaker 2: What else have we got? 1007 00:47:44,640 --> 00:47:48,040 Speaker 12: You know what gets my guol is when the gentleman 1008 00:47:48,200 --> 00:47:52,440 Speaker 12: behind the bar that's making sandwiches at the deli makes 1009 00:47:52,480 --> 00:47:56,000 Speaker 12: a sandwich with your gloves on, and then when you 1010 00:47:56,080 --> 00:47:59,360 Speaker 12: go to pay and you're paying cash is happy to 1011 00:47:59,440 --> 00:48:02,920 Speaker 12: take the dirty note is the same hand he's about 1012 00:48:02,920 --> 00:48:04,840 Speaker 12: the cut and run the sandwich with. 1013 00:48:05,360 --> 00:48:06,319 Speaker 3: That w gets more. 1014 00:48:07,040 --> 00:48:08,080 Speaker 1: I've ever wondered about that. 1015 00:48:08,200 --> 00:48:11,200 Speaker 2: Yeah, yeah, it's arbitrary use of glove, isn't it. Yeah, 1016 00:48:11,239 --> 00:48:12,440 Speaker 2: maybe they're starting a duel. 1017 00:48:14,640 --> 00:48:17,560 Speaker 3: Well, they are a last fresh ghoulies twenty of our 1018 00:48:17,560 --> 00:48:19,400 Speaker 3: listeners from the sixteenth century. 1019 00:48:20,200 --> 00:48:23,360 Speaker 2: Well, people know history, Brenda, they do Ridgeton et cetera. 1020 00:48:23,480 --> 00:48:27,000 Speaker 1: Let's bring Jeweling back, why don't we? Certainly Banjo's that's 1021 00:48:27,000 --> 00:48:27,640 Speaker 1: always good. 1022 00:48:27,800 --> 00:48:30,440 Speaker 2: Well, next week, someone at this time is going to 1023 00:48:30,440 --> 00:48:32,000 Speaker 2: win twenty thousand dollars. 1024 00:48:32,040 --> 00:48:36,280 Speaker 1: That is it. Jem jam Nation WSFM helow. It's Jonesy Demander. 1025 00:48:36,320 --> 00:48:38,560 Speaker 3: You know, jem Y Raye has been working harder than 1026 00:48:38,600 --> 00:48:41,120 Speaker 3: people coming up with excuses not to come into work. 1027 00:48:41,120 --> 00:48:42,920 Speaker 1: Now that the train strike has been called off. 1028 00:48:42,840 --> 00:48:44,480 Speaker 2: I've caught a few people out, I think, and he's 1029 00:48:44,520 --> 00:48:45,040 Speaker 2: come up with. 1030 00:48:45,000 --> 00:48:47,240 Speaker 1: This Jen White Rice Jimmy Jabs. 1031 00:48:50,320 --> 00:48:52,680 Speaker 5: But I was putting my office chair on gum Tree. 1032 00:48:53,719 --> 00:48:56,920 Speaker 5: The world was talking about the Tyson Paul fight, not 1033 00:48:57,000 --> 00:49:00,680 Speaker 5: so much the fighting, but the pre match undergarm and iron. 1034 00:49:00,800 --> 00:49:03,120 Speaker 1: Mike was wearing how he punches? Did he land? 1035 00:49:03,480 --> 00:49:07,719 Speaker 2: Tyson landed just under eighteen punches across at eight round 1036 00:49:07,760 --> 00:49:11,360 Speaker 2: bount as this English and Paul landed seventy eight times 1037 00:49:11,480 --> 00:49:12,440 Speaker 2: that on the vestory you. 1038 00:49:12,520 --> 00:49:17,280 Speaker 3: See Mike Tyson wearing that thong that about he kisses 1039 00:49:17,320 --> 00:49:18,279 Speaker 3: his son and he. 1040 00:49:18,280 --> 00:49:21,800 Speaker 2: Turns around and he's wearing like chats without a bumby. 1041 00:49:21,960 --> 00:49:24,600 Speaker 1: It's just it's an athletic support. 1042 00:49:24,760 --> 00:49:28,040 Speaker 3: But it just reminded me of one of those guys 1043 00:49:28,120 --> 00:49:29,600 Speaker 3: you know you see in the car park that goes 1044 00:49:29,640 --> 00:49:30,759 Speaker 3: for surf, but they don't use. 1045 00:49:30,680 --> 00:49:32,840 Speaker 1: A towel when they put their wet suit on. It 1046 00:49:33,080 --> 00:49:34,560 Speaker 1: is happy with public nudity. 1047 00:49:36,000 --> 00:49:38,359 Speaker 2: It was very I kept seeing that image like it's 1048 00:49:38,360 --> 00:49:40,680 Speaker 2: become a meme. I thought, what's that from. 1049 00:49:41,920 --> 00:49:45,320 Speaker 5: RuPaul's drag race down under his back? One of the judges, 1050 00:49:45,400 --> 00:49:49,000 Speaker 5: comedian Rhyese Nicholson, was surprised to hear that Jonesy had 1051 00:49:49,080 --> 00:49:52,560 Speaker 5: dabbled in drag, even more so his drag name. 1052 00:49:52,719 --> 00:49:55,600 Speaker 2: A couple of years ago, Jonesy was given a makeover 1053 00:49:55,719 --> 00:49:57,920 Speaker 2: and it was quite extraordinary. It wasn't just like the 1054 00:49:57,960 --> 00:49:59,360 Speaker 2: Footy show puts some makeup on. 1055 00:49:59,600 --> 00:50:02,640 Speaker 1: We had come up with a name. Amanda was caught 1056 00:50:02,920 --> 00:50:03,960 Speaker 1: unawares on heir. 1057 00:50:04,080 --> 00:50:07,640 Speaker 2: I was just reading out the idea is friend over? 1058 00:50:07,920 --> 00:50:11,160 Speaker 2: That was one that that's yours. Yeah, Hailey Davidson. The 1059 00:50:11,239 --> 00:50:14,720 Speaker 2: color sucking me off? I just read that out without 1060 00:50:14,880 --> 00:50:20,320 Speaker 2: pree really, and so you were known as Carla sucking 1061 00:50:20,360 --> 00:50:20,759 Speaker 2: me off. 1062 00:50:23,440 --> 00:50:25,480 Speaker 6: The way the drag names go, the I like the 1063 00:50:25,520 --> 00:50:28,520 Speaker 6: camp ones, like you know, an Irish queen called patio furniture. 1064 00:50:28,280 --> 00:50:31,800 Speaker 4: Like that, Like you know, that's what it's about Michelle Collection. 1065 00:50:32,360 --> 00:50:36,600 Speaker 1: Yeah, you go Collection. It's a slow burden reason. 1066 00:50:36,760 --> 00:50:39,520 Speaker 5: Say what you want about shock Jock Allan Jones, but 1067 00:50:39,719 --> 00:50:43,080 Speaker 5: he's very good at pairing the right outfit with the occasion, 1068 00:50:43,640 --> 00:50:46,040 Speaker 5: like his arrest tracksuit, for example. 1069 00:50:46,080 --> 00:50:47,920 Speaker 3: I got to tell you that tracks is very snappy. 1070 00:50:48,080 --> 00:50:50,080 Speaker 2: Well you know you got you know the police arriving 1071 00:50:50,080 --> 00:50:52,480 Speaker 2: at your door. If you're in Allen's position, it's not 1072 00:50:52,520 --> 00:50:53,280 Speaker 2: going to be a surprise. 1073 00:50:53,280 --> 00:50:55,200 Speaker 3: Well they give the druggers when they go and get 1074 00:50:55,239 --> 00:50:57,400 Speaker 3: drug kingpins and stuff like that. They always come out 1075 00:50:57,440 --> 00:50:59,840 Speaker 3: in their underpants because they get them early in the morning. 1076 00:51:00,120 --> 00:51:03,800 Speaker 2: Any One doesn't rate at lunchtime drops in to gets you. 1077 00:51:03,840 --> 00:51:07,359 Speaker 2: Are you watching tipping point? I just wait till this 1078 00:51:07,400 --> 00:51:10,440 Speaker 2: is He's almost got that disc over the edge. 1079 00:51:10,600 --> 00:51:14,040 Speaker 5: Science has discovered what some old kings sounded like. 1080 00:51:14,120 --> 00:51:16,000 Speaker 13: We already know what he looked like, but thanks to 1081 00:51:16,040 --> 00:51:18,920 Speaker 13: advancements in technology, we now know what King Richard the 1082 00:51:18,920 --> 00:51:22,240 Speaker 13: Third sounded like. Some five hundred years after his death, 1083 00:51:22,320 --> 00:51:26,400 Speaker 13: scientists have reconstructed the late monarch's voice. 1084 00:51:26,320 --> 00:51:31,440 Speaker 3: Prince of Wales and Earl of Chester to have charge 1085 00:51:31,480 --> 00:51:34,239 Speaker 3: of those parts and to govern them. 1086 00:51:34,680 --> 00:51:38,000 Speaker 2: In twenty twenty, they tried to work out what an 1087 00:51:38,000 --> 00:51:41,000 Speaker 2: Egyptian priest from three thousand years ago would sound like. 1088 00:51:41,160 --> 00:51:44,319 Speaker 2: So they got this guy Pharaoh, his name was Nessimum. 1089 00:51:44,440 --> 00:51:47,640 Speaker 2: They looked at his vocal cords and worked out how 1090 00:51:47,680 --> 00:51:50,080 Speaker 2: he would have sounded God. 1091 00:51:50,160 --> 00:51:54,520 Speaker 1: No, Okay, that's science. That's what we're doing in the future. 1092 00:51:54,760 --> 00:51:55,960 Speaker 1: That's what's happening now. 1093 00:51:56,160 --> 00:51:57,920 Speaker 3: As I said on this day in twenty twenty four, 1094 00:51:57,920 --> 00:52:00,759 Speaker 3: because we already know what Caesar Julius he sounded like. 1095 00:52:00,800 --> 00:52:01,680 Speaker 2: What did he sound like? 1096 00:52:08,120 --> 00:52:11,719 Speaker 5: Wrap it up and Amanda broad a new segment to 1097 00:52:11,800 --> 00:52:15,760 Speaker 5: the table draft on the radio. It's got hit written 1098 00:52:15,760 --> 00:52:18,080 Speaker 5: all over it. 1099 00:52:18,120 --> 00:52:24,120 Speaker 2: Time for craft cor Yellow's crazy craft corn All starting 1100 00:52:24,200 --> 00:52:29,000 Speaker 2: with a k kkk. That's unfortunate. Let's make. 1101 00:52:31,000 --> 00:52:31,200 Speaker 1: Through. 1102 00:52:31,680 --> 00:52:33,719 Speaker 2: So what I'm going to make it is a Christmas 1103 00:52:33,920 --> 00:52:36,399 Speaker 2: ballble here it is. Look what I've done. I've done 1104 00:52:36,440 --> 00:52:37,880 Speaker 2: a big ball of alpha. 1105 00:52:37,920 --> 00:52:39,080 Speaker 1: It looks like potato. 1106 00:52:39,160 --> 00:52:43,680 Speaker 2: It does cover generously with a big layer of petroleum jelly. 1107 00:52:43,680 --> 00:52:45,759 Speaker 2: I got this out of your desk, Brendan. Some of 1108 00:52:45,800 --> 00:52:49,840 Speaker 2: it's gone. This is all smeared. We put several dots 1109 00:52:49,880 --> 00:52:52,400 Speaker 2: of food coloring over the top layer. 1110 00:52:52,160 --> 00:52:54,680 Speaker 1: Of this sweet pea. You busy yourself with that. 1111 00:52:55,440 --> 00:52:58,120 Speaker 2: Don't make me sound like I'm in the sheltered workshop. 1112 00:52:59,120 --> 00:53:01,520 Speaker 1: I don't need to make you sound like that. Doing 1113 00:53:01,560 --> 00:53:02,600 Speaker 1: a good enough job of that. 1114 00:53:03,120 --> 00:53:04,800 Speaker 2: Because I'm going to put some city tape on it. 1115 00:53:04,960 --> 00:53:06,160 Speaker 1: And how did that work out? 1116 00:53:06,200 --> 00:53:06,399 Speaker 4: Then? 1117 00:53:06,480 --> 00:53:08,960 Speaker 2: Okay, here we go. Our foil is coming off. I 1118 00:53:08,960 --> 00:53:11,719 Speaker 2: should be able to unwrap this foil. Actually, maybe that 1119 00:53:11,840 --> 00:53:14,200 Speaker 2: hang on now just to be the ball. 1120 00:53:14,360 --> 00:53:16,480 Speaker 1: No, that's not the ball. I just heal foil. 1121 00:53:17,000 --> 00:53:21,880 Speaker 2: That's supposed to be the ball. That is What a waste, 1122 00:53:22,280 --> 00:53:25,319 Speaker 2: What a waste time I've been duped by top. 1123 00:53:26,560 --> 00:53:27,920 Speaker 1: Oh I want to refund. 1124 00:53:28,360 --> 00:53:31,640 Speaker 5: This has been jenwi Riesibijabber. 1125 00:53:33,080 --> 00:53:35,520 Speaker 2: Our favorite caller email of Facebook friend when to double 1126 00:53:35,520 --> 00:53:39,200 Speaker 2: pass the circusila Is Losier starts in Sydney next week, 1127 00:53:39,239 --> 00:53:41,600 Speaker 2: playing at the Entertainment Quarter under the iconic Big Top 1128 00:53:41,640 --> 00:53:42,520 Speaker 2: for a limited season. 1129 00:53:42,560 --> 00:53:45,759 Speaker 3: What a French loin Jonesy Demander's tea towel and key 1130 00:53:45,840 --> 00:53:47,000 Speaker 3: ring as well, that's. 1131 00:53:46,880 --> 00:53:49,400 Speaker 2: A lot of French loin in that as well. Every 1132 00:53:49,440 --> 00:53:51,560 Speaker 2: morning we play the Magnificent Seven. For me to set 1133 00:53:51,640 --> 00:53:53,480 Speaker 2: up what happened in the Magnificent seven, I need to 1134 00:53:53,520 --> 00:53:56,959 Speaker 2: explain I'm not this early, this morning Jonesy, who said 1135 00:53:56,960 --> 00:53:59,520 Speaker 2: he only gets the binoculars out to look at infrastructure. 1136 00:53:59,520 --> 00:54:02,160 Speaker 1: A big ship coming in. Sure there was a I 1137 00:54:02,239 --> 00:54:04,759 Speaker 1: made an offhand comment. He said, you can see my 1138 00:54:04,880 --> 00:54:06,080 Speaker 1: colleague Jim. Why right? 1139 00:54:06,200 --> 00:54:08,120 Speaker 2: He said to me, look, you can see people on 1140 00:54:08,160 --> 00:54:12,480 Speaker 2: it the binoculars. And Ryan pitched in and said that 1141 00:54:12,520 --> 00:54:13,239 Speaker 2: what a jones He. 1142 00:54:13,280 --> 00:54:16,480 Speaker 5: Said, you are hoping that you'd find Sydney Sweeney on 1143 00:54:16,560 --> 00:54:18,680 Speaker 5: the ship topless. 1144 00:54:18,320 --> 00:54:19,920 Speaker 1: You know you keep this to yourself. 1145 00:54:19,960 --> 00:54:23,800 Speaker 2: What anyway, when we started to play the Magnificent Seven, 1146 00:54:24,000 --> 00:54:28,919 Speaker 2: Jim from Campbelltown thought he'd enjoy the joke. Jim Wishbone 1147 00:54:29,160 --> 00:54:33,279 Speaker 2: egg wing back Chesterfield. I'm throwing them in now. There 1148 00:54:33,280 --> 00:54:40,319 Speaker 2: are all types of what so he wins Man of 1149 00:54:40,360 --> 00:54:40,760 Speaker 2: the Match. 1150 00:54:40,920 --> 00:54:42,839 Speaker 1: He wins man right A two. 1151 00:54:43,320 --> 00:54:45,960 Speaker 2: That's enough, he feels back with another chance to win 1152 00:54:46,000 --> 00:54:49,280 Speaker 2: everything you need for Christmas with WSFMS Christmas Free of Christmas. 1153 00:54:49,440 --> 00:54:51,319 Speaker 1: We'll be back from six to night for jam Nations. 1154 00:54:51,360 --> 00:54:52,600 Speaker 2: See you then, good day to you. 1155 00:54:52,680 --> 00:54:54,440 Speaker 1: Well, thank god, that's over. 1156 00:54:56,120 --> 00:54:56,840 Speaker 2: Good bite. 1157 00:55:00,160 --> 00:55:03,480 Speaker 8: Catch Jonesy and Amanda's podcast on the iHeartRadio app or 1158 00:55:03,480 --> 00:55:18,080 Speaker 8: wherever you get your podcasts. Catch up on what you've 1159 00:55:18,080 --> 00:55:20,200 Speaker 8: missed on the free iHeartRadio app,