1 00:00:00,360 --> 00:00:02,200 Speaker 1: It's the rym Woo podcast. 2 00:00:02,759 --> 00:00:05,200 Speaker 2: Yeah, so the greatest chicken and I'm gonna I'm gonna 3 00:00:05,240 --> 00:00:06,920 Speaker 2: be honest to you, the greatest trigger groundsman ever pulled. 4 00:00:06,960 --> 00:00:08,959 Speaker 2: Youre probably thinking of yourself, Oh god, you know those 5 00:00:09,000 --> 00:00:11,080 Speaker 2: poor people, those poor people that got. 6 00:00:10,960 --> 00:00:14,160 Speaker 3: Swashbuckled by a groundsman. But the reality is it's probably 7 00:00:14,160 --> 00:00:14,480 Speaker 3: been you. 8 00:00:16,040 --> 00:00:18,400 Speaker 4: That's been swashed buckles. Yeah, I've been swashed back. 9 00:00:18,520 --> 00:00:20,880 Speaker 2: I've all been swindled by a groundsman. And I'm gonna 10 00:00:20,880 --> 00:00:22,880 Speaker 2: go out here and say this, And I've been thinking 11 00:00:22,880 --> 00:00:23,160 Speaker 2: this for. 12 00:00:23,120 --> 00:00:23,599 Speaker 3: A long time. 13 00:00:23,920 --> 00:00:29,800 Speaker 2: I think grounds people could be the dodgiest people on 14 00:00:29,840 --> 00:00:30,320 Speaker 2: the planet. 15 00:00:30,560 --> 00:00:33,000 Speaker 4: WHOA, Now that's a big sweeping statement. 16 00:00:33,040 --> 00:00:35,960 Speaker 2: Cool grounds people. I like for a long time, there 17 00:00:36,080 --> 00:00:37,519 Speaker 2: was a lot of times when I was looking at 18 00:00:37,840 --> 00:00:40,440 Speaker 2: those guys going like, what are you actually doing? 19 00:00:40,760 --> 00:00:43,200 Speaker 4: As in so you by dodgy, you're just saying they're 20 00:00:43,280 --> 00:00:45,440 Speaker 4: lazy with their work. Do you also think there's a 21 00:00:45,440 --> 00:00:46,440 Speaker 4: bit of an You go. 22 00:00:46,440 --> 00:00:48,559 Speaker 2: To the park and there's like a guy on one 23 00:00:48,560 --> 00:00:51,160 Speaker 2: of those huge mowers that looks like a traff like 24 00:00:51,159 --> 00:00:52,320 Speaker 2: like a tractor, like a header. 25 00:00:52,560 --> 00:00:54,600 Speaker 3: It's that big cutting the grass on the oval. 26 00:00:54,680 --> 00:00:55,440 Speaker 4: Yeah you have seen him? 27 00:00:55,480 --> 00:00:59,080 Speaker 2: Yeah, yeah, how long is that meant to take? Yeah, No, 28 00:00:59,160 --> 00:00:59,840 Speaker 2: it's very true. 29 00:00:59,880 --> 00:01:02,080 Speaker 3: No one really has any idea. 30 00:01:02,280 --> 00:01:04,200 Speaker 4: I reckon he brings the blades up at about ten 31 00:01:04,240 --> 00:01:06,679 Speaker 4: in the morning and then just drives around until four 32 00:01:06,760 --> 00:01:07,080 Speaker 4: or five. 33 00:01:08,280 --> 00:01:10,959 Speaker 3: He works in podcast on he puts it on auto pilot. 34 00:01:11,120 --> 00:01:12,640 Speaker 2: And if he came to me at the start of 35 00:01:12,640 --> 00:01:14,600 Speaker 2: the day, and let's let's be honest, the council who's 36 00:01:14,600 --> 00:01:16,400 Speaker 2: paying them, they've got no idea how long it takes 37 00:01:16,440 --> 00:01:18,120 Speaker 2: him out an oval he walks in there at the 38 00:01:18,120 --> 00:01:19,920 Speaker 2: start of the day, is like, right, guys, how many 39 00:01:19,959 --> 00:01:21,800 Speaker 2: ovals have you got? Like just the two got the 40 00:01:21,800 --> 00:01:23,880 Speaker 2: cricket over in the soccer pitch. If he came back 41 00:01:23,920 --> 00:01:25,440 Speaker 2: and was like, it's going to take me a week, 42 00:01:26,120 --> 00:01:27,560 Speaker 2: I wouldn't think that was unreasonable. 43 00:01:27,600 --> 00:01:29,520 Speaker 4: No, I'd be the same. Yep, I'd be exactly the same. 44 00:01:29,600 --> 00:01:33,959 Speaker 2: Maybe that's just showing that nothing about their caper. 45 00:01:34,080 --> 00:01:36,959 Speaker 4: But no people are similar though no one knows about 46 00:01:36,959 --> 00:01:41,080 Speaker 4: the ground people's Keep Lives. I don't know what happened. 47 00:01:41,080 --> 00:01:47,440 Speaker 4: Then anyway, we shig get into the full show. 48 00:01:46,000 --> 00:01:55,320 Speaker 3: Keep Keep Lives. Guys, we can edit that now it's in. 49 00:01:55,800 --> 00:01:57,800 Speaker 2: We're also going to be talking guys, or you're you're 50 00:01:57,840 --> 00:02:01,559 Speaker 2: going to find out the resolution to the great white 51 00:02:01,680 --> 00:02:04,680 Speaker 2: G string drama that's unfolded over the last couple of days. 52 00:02:04,720 --> 00:02:08,000 Speaker 4: Can I just say as well, the follow up in 53 00:02:08,080 --> 00:02:12,240 Speaker 4: this full show is better than you could ever imagine. Yes, 54 00:02:12,480 --> 00:02:16,120 Speaker 4: frightfully awkward. So you'll get it about halfway through this podcast. 55 00:02:16,320 --> 00:02:26,400 Speaker 3: Enjoy. Here's the show. Ye, who along? 56 00:02:29,360 --> 00:02:45,959 Speaker 5: And where is Bondboddy doesn't care what care? 57 00:02:46,240 --> 00:02:49,880 Speaker 3: Listen, listen, listen, Let's get down to it. Australia, here's 58 00:02:49,880 --> 00:02:50,720 Speaker 3: the question for you. 59 00:02:51,320 --> 00:02:54,720 Speaker 2: Is a rogue g string on your balcony an accident 60 00:02:55,200 --> 00:02:57,000 Speaker 2: or is it your neighbor hitting on you? 61 00:02:57,639 --> 00:03:00,400 Speaker 4: That is exactly what has happened to my good friend Dave, 62 00:03:00,440 --> 00:03:02,560 Speaker 4: who joins on the phone right now. Welcome Dave. 63 00:03:04,400 --> 00:03:05,120 Speaker 6: Hello, boys. 64 00:03:05,800 --> 00:03:09,880 Speaker 4: Now we spoke to you about this yesterday, the rogue 65 00:03:09,880 --> 00:03:11,799 Speaker 4: white G string that's on the balcony. A whole bunch 66 00:03:11,840 --> 00:03:15,120 Speaker 4: of females called Dave, and I mean they were pretty 67 00:03:15,160 --> 00:03:18,120 Speaker 4: sure that this is a play from the woman who 68 00:03:18,200 --> 00:03:23,399 Speaker 4: lives upstairs in the apartment block in g Progesters. 69 00:03:23,639 --> 00:03:26,840 Speaker 7: I definitely think it's a play. It is definitely no 70 00:03:27,040 --> 00:03:28,280 Speaker 7: question a play. 71 00:03:29,520 --> 00:03:30,280 Speaker 8: Upstairs. 72 00:03:31,080 --> 00:03:34,600 Speaker 9: Knock on the door. That is an invitation waiting light there. 73 00:03:35,840 --> 00:03:38,960 Speaker 4: So it's been twenty four hours, Dave, where's your head 74 00:03:39,200 --> 00:03:39,440 Speaker 4: with it? 75 00:03:40,400 --> 00:03:43,600 Speaker 6: Well, I didn't take up Carol's suggestion to knock on the. 76 00:03:43,600 --> 00:03:48,480 Speaker 4: Door, but yeah, of course, yeah. 77 00:03:47,240 --> 00:03:49,000 Speaker 6: Yeah, I mean I think I need to try to 78 00:03:49,040 --> 00:03:50,840 Speaker 6: reach out to find the owner. 79 00:03:51,360 --> 00:03:55,960 Speaker 4: Ex Me So and Dave to confirm you actually have 80 00:03:56,120 --> 00:03:59,360 Speaker 4: the number of the woman who lives on top of 81 00:03:59,400 --> 00:04:00,000 Speaker 4: your apartment. 82 00:04:01,080 --> 00:04:05,800 Speaker 6: Yeah. Yeah, we've texted around the sexy topics of shared 83 00:04:05,920 --> 00:04:07,520 Speaker 6: laundries and washing machines before. 84 00:04:08,840 --> 00:04:10,440 Speaker 4: Okay, great, so there's a relationship. 85 00:04:10,480 --> 00:04:12,120 Speaker 2: So yeah, I was going to say, so you actually have, 86 00:04:12,720 --> 00:04:14,160 Speaker 2: like you know, you would not a say you've got 87 00:04:14,200 --> 00:04:16,960 Speaker 2: a foot in the door, but you're not a total 88 00:04:16,960 --> 00:04:18,040 Speaker 2: stranger calling. 89 00:04:17,760 --> 00:04:20,719 Speaker 6: Her no no, Like we've moved here on the same 90 00:04:20,839 --> 00:04:23,520 Speaker 6: day about six or seven months ago, open have hardly 91 00:04:23,520 --> 00:04:27,479 Speaker 6: seen each other. Initial text around you said washing machine. 92 00:04:27,920 --> 00:04:28,920 Speaker 6: Yeah that's it. 93 00:04:29,040 --> 00:04:30,560 Speaker 2: Okay, Can I can I just ask that, like just 94 00:04:30,640 --> 00:04:32,080 Speaker 2: for everyone else because there are lots of people to 95 00:04:32,160 --> 00:04:34,040 Speaker 2: tuning in for the first time now that didn't hear 96 00:04:34,080 --> 00:04:38,800 Speaker 2: this yesterday, Like you just found a white lacey g 97 00:04:38,960 --> 00:04:41,680 Speaker 2: string on top of a plant out the front of 98 00:04:41,680 --> 00:04:42,159 Speaker 2: your house. 99 00:04:43,240 --> 00:04:44,520 Speaker 6: Yeah, on my balcony. 100 00:04:44,640 --> 00:04:46,600 Speaker 2: Yeah, okay, okay, because I was running this past my 101 00:04:46,920 --> 00:04:48,520 Speaker 2: partner sam must not, you know, Sammy, and I was 102 00:04:48,560 --> 00:04:51,960 Speaker 2: talking to her about it, and she thinks that. 103 00:04:52,000 --> 00:04:54,160 Speaker 3: You'd have to be out of your mind. 104 00:04:56,240 --> 00:04:59,839 Speaker 2: To be putting a pair of underwear out in front 105 00:04:59,839 --> 00:05:02,520 Speaker 2: of guy's place as a way to hit on him. 106 00:05:02,560 --> 00:05:09,320 Speaker 3: Just yeah, Well, I think we're all well, look to 107 00:05:09,360 --> 00:05:11,800 Speaker 3: be honest, mate, Like, I kind of hope she's right. 108 00:05:11,880 --> 00:05:13,680 Speaker 2: But the great thing about this phone call that you're 109 00:05:13,680 --> 00:05:15,680 Speaker 2: about to make right up next to is this is 110 00:05:15,720 --> 00:05:18,560 Speaker 2: a win win for everyone listening. If it's if it's 111 00:05:18,600 --> 00:05:21,279 Speaker 2: been left out there and she's keen on you massive 112 00:05:21,320 --> 00:05:24,000 Speaker 2: moment on the radio. Absolutely, if it's been left out 113 00:05:24,000 --> 00:05:26,159 Speaker 2: there and it's just blown off the balcony and you're 114 00:05:26,279 --> 00:05:28,800 Speaker 2: calling her live on the radio, which legally you're going 115 00:05:28,880 --> 00:05:31,560 Speaker 2: to have to tell her and it goes badly. 116 00:05:31,960 --> 00:05:33,520 Speaker 3: I mean, that's also a win for the people in 117 00:05:33,560 --> 00:05:36,960 Speaker 3: their cars, So it's going to be good. 118 00:05:37,760 --> 00:05:40,080 Speaker 4: Really appreciate you putting your body and reputation on the 119 00:05:40,080 --> 00:05:48,640 Speaker 4: line here. Let's go to a song. Everyone. Right up next, 120 00:05:49,160 --> 00:05:51,560 Speaker 4: Dave makes the phone call and ask the question, was 121 00:05:51,600 --> 00:05:55,360 Speaker 4: it a play throwing the G string on his balcony. 122 00:05:56,160 --> 00:05:59,800 Speaker 2: Is a rogue G string on your balcony an accident? 123 00:06:00,279 --> 00:06:02,800 Speaker 2: Or is it your neighbor hitting on you? That is 124 00:06:02,800 --> 00:06:06,520 Speaker 2: the question posed to us by our friend Dave yesterday 125 00:06:06,680 --> 00:06:07,120 Speaker 2: that this. 126 00:06:07,120 --> 00:06:09,120 Speaker 4: Is no hypothetical day found a white G string on 127 00:06:09,160 --> 00:06:11,599 Speaker 4: his balcony. We're trying to get to the bottom of 128 00:06:11,640 --> 00:06:14,320 Speaker 4: the cause of the G string inding up on a balcony. 129 00:06:14,400 --> 00:06:16,680 Speaker 4: And the amazing thing is Dave joins on the line 130 00:06:16,720 --> 00:06:19,839 Speaker 4: right now, and Dave, you are willing to call the 131 00:06:19,880 --> 00:06:22,520 Speaker 4: person who lives on top of you and ask if 132 00:06:22,520 --> 00:06:24,159 Speaker 4: the G string throw was a ploy. 133 00:06:24,440 --> 00:06:27,400 Speaker 10: I've got my little script here, I'll introduce you and 134 00:06:27,440 --> 00:06:29,000 Speaker 10: then we'll just wing it from there. 135 00:06:29,080 --> 00:06:30,360 Speaker 4: Yeah, sounds sounds. 136 00:06:33,760 --> 00:06:37,479 Speaker 3: One of them. 137 00:06:40,080 --> 00:06:40,479 Speaker 2: Nowhere. 138 00:06:40,480 --> 00:06:45,880 Speaker 6: We're all under that expectation. 139 00:06:46,000 --> 00:06:47,680 Speaker 3: Every result is a good one. 140 00:06:47,720 --> 00:06:48,880 Speaker 4: Mate. 141 00:06:49,040 --> 00:06:51,520 Speaker 3: All right, mate, you're ready to go. We're ready to go. 142 00:06:51,800 --> 00:06:52,680 Speaker 3: Let's give her a call. 143 00:07:01,240 --> 00:07:03,159 Speaker 10: Hey, Stevie, it's David from downstairs. 144 00:07:03,200 --> 00:07:06,000 Speaker 7: There you going, And what are you going to tell me? 145 00:07:06,560 --> 00:07:08,040 Speaker 10: I remember a good of a sorry to tell you 146 00:07:08,080 --> 00:07:11,200 Speaker 10: other bloom and a little bit of a pickle. I 147 00:07:11,320 --> 00:07:15,000 Speaker 10: want to woke up yesterday morning, I found a white 148 00:07:15,080 --> 00:07:17,640 Speaker 10: gee string on a plant on my balcony, and I'm 149 00:07:17,640 --> 00:07:23,200 Speaker 10: trying to return it to its owner. So I I 150 00:07:23,320 --> 00:07:26,880 Speaker 10: told my friend Woody, who worked on Kiss FM radio station, 151 00:07:28,160 --> 00:07:30,520 Speaker 10: and we discussed what I should do on his radio 152 00:07:30,600 --> 00:07:35,360 Speaker 10: show yesterday. Him and his colleague are on the phone. 153 00:07:35,520 --> 00:07:36,680 Speaker 10: Now is. 154 00:07:39,080 --> 00:07:40,679 Speaker 7: The time home? 155 00:07:41,560 --> 00:07:41,720 Speaker 6: There? 156 00:07:41,760 --> 00:07:44,440 Speaker 4: We go, Well, we'll throw it back to Dave. He 157 00:07:45,440 --> 00:07:48,640 Speaker 4: wants to ask you a few questions, Stevie, could it. 158 00:07:48,600 --> 00:07:51,600 Speaker 8: Be yours that you could well be? 159 00:07:53,080 --> 00:07:53,280 Speaker 6: Yeah? 160 00:07:53,400 --> 00:07:54,600 Speaker 10: Right? 161 00:07:55,440 --> 00:07:56,160 Speaker 6: What's that? Yeah? 162 00:07:56,200 --> 00:07:59,320 Speaker 10: I mean it's the white one. It's very clean. 163 00:08:00,520 --> 00:08:00,960 Speaker 6: Good to know. 164 00:08:02,480 --> 00:08:07,240 Speaker 10: And was it deliberately thrown down there or accidental? 165 00:08:07,280 --> 00:08:07,760 Speaker 6: Do you think? 166 00:08:08,480 --> 00:08:08,800 Speaker 8: Ah? 167 00:08:09,040 --> 00:08:10,200 Speaker 1: Probably accidental? 168 00:08:10,240 --> 00:08:12,720 Speaker 6: I reckon it's been wendy lately. 169 00:08:14,360 --> 00:08:18,760 Speaker 10: It has Would you like it back or do you 170 00:08:18,760 --> 00:08:20,400 Speaker 10: think it could be someone else's? 171 00:08:21,400 --> 00:08:21,560 Speaker 4: Oh? 172 00:08:21,600 --> 00:08:23,520 Speaker 11: I mean, look, you keep it, you go for your 173 00:08:23,560 --> 00:08:24,920 Speaker 11: life if that's what you're into. 174 00:08:25,960 --> 00:08:28,239 Speaker 10: No, I'm not into it. I'm just king to return 175 00:08:28,280 --> 00:08:29,000 Speaker 10: it to its owner. 176 00:08:31,240 --> 00:08:32,800 Speaker 11: I mean put it through my light box. 177 00:08:34,080 --> 00:08:39,160 Speaker 2: Perfect, Okay, I'm glad we sort of that. 178 00:08:42,040 --> 00:08:42,959 Speaker 3: This is super. 179 00:08:46,120 --> 00:08:47,920 Speaker 4: So through the. 180 00:08:49,400 --> 00:08:50,719 Speaker 3: Just just just before you. 181 00:08:50,679 --> 00:08:53,360 Speaker 2: Go, Stevie, just is it again? This is just a hypothetical. 182 00:08:53,559 --> 00:08:57,200 Speaker 2: Just what if Dave left his undies on your balcony. 183 00:08:59,160 --> 00:09:00,920 Speaker 11: I mean, i'd probably give you guys are called by 184 00:09:00,960 --> 00:09:01,360 Speaker 11: the sounds. 185 00:09:05,320 --> 00:09:08,920 Speaker 4: All right, we'll talk to you tomorrow, Stevie perfect. 186 00:09:09,920 --> 00:09:12,840 Speaker 2: Did you see a pair of bart Simpson's silky boxes 187 00:09:13,400 --> 00:09:15,680 Speaker 2: on your balcony and where they have come from? 188 00:09:16,520 --> 00:09:18,040 Speaker 11: Just make sure they're clean. 189 00:09:19,120 --> 00:09:19,880 Speaker 4: That's on you, Dave. 190 00:09:19,960 --> 00:09:21,800 Speaker 2: Thank you so much, and make sure when we're in 191 00:09:21,840 --> 00:09:23,240 Speaker 2: sitting next we'll have a drink with you on the 192 00:09:23,240 --> 00:09:25,040 Speaker 2: balcony somewhere without the jobs. 193 00:09:25,800 --> 00:09:26,520 Speaker 3: Thanks so much. 194 00:09:32,440 --> 00:09:34,640 Speaker 10: I'm still here, okay. 195 00:09:37,360 --> 00:09:40,480 Speaker 4: Was an entertainment perspective, goes, I mean I was, I 196 00:09:40,520 --> 00:09:41,280 Speaker 4: was loving it. 197 00:09:42,559 --> 00:09:44,320 Speaker 10: She shut me down. I'm pretty quick. 198 00:09:44,480 --> 00:09:46,720 Speaker 3: Yeah, yeah, yeah, yeah. 199 00:09:47,120 --> 00:09:50,960 Speaker 2: You put your pride on the line for the rest 200 00:09:50,960 --> 00:09:53,240 Speaker 2: of the country's entertainment and for that, you know, we 201 00:09:53,280 --> 00:09:54,160 Speaker 2: can't thank you enough. 202 00:09:54,440 --> 00:09:57,960 Speaker 3: There's absolutely no doubt that she has zero interest in you. 203 00:09:58,559 --> 00:10:03,880 Speaker 2: And then definitely weren't her jocks. And I'm pretty sure 204 00:10:03,920 --> 00:10:06,679 Speaker 2: she's close to moving, but a part with that shee's 205 00:10:06,760 --> 00:10:08,719 Speaker 2: That was good gear, the most all good phone call 206 00:10:08,800 --> 00:10:10,839 Speaker 2: I've ever heard, So thanks for I appreciate it. 207 00:10:11,480 --> 00:10:14,439 Speaker 10: Yeah, perfect, boys yourself. 208 00:10:17,720 --> 00:10:20,720 Speaker 4: It's the Will and Woody podcast right now on thirteen 209 00:10:20,880 --> 00:10:23,600 Speaker 4: one oh sixty five. We're trying to find the person 210 00:10:23,679 --> 00:10:26,400 Speaker 4: with the job that does the least amount of work 211 00:10:26,600 --> 00:10:30,120 Speaker 4: in Australia. Now you can dub someone in as well, 212 00:10:30,200 --> 00:10:33,240 Speaker 4: or it can be a previous job, of course. And 213 00:10:33,520 --> 00:10:35,439 Speaker 4: I'm talking about it because there was a dude in 214 00:10:35,480 --> 00:10:39,520 Speaker 4: Italy will who just stopped rocking up to work for 215 00:10:39,600 --> 00:10:44,280 Speaker 4: fifteen years. It took them fifteen years to realize. 216 00:10:44,360 --> 00:10:49,560 Speaker 3: I was talking about the vo yesterday. I've heard about 217 00:10:49,600 --> 00:10:50,880 Speaker 3: this guy. He's civil seven. 218 00:10:51,120 --> 00:10:53,559 Speaker 2: Yeah, he's a civil seven and it took him fifteen 219 00:10:53,640 --> 00:10:54,600 Speaker 2: years to jack him down. 220 00:10:54,679 --> 00:10:55,079 Speaker 3: Yeah. 221 00:10:54,880 --> 00:10:57,520 Speaker 2: Yeah, he earned the equivalent of eight hundred and fifty 222 00:10:57,720 --> 00:11:01,679 Speaker 2: thousand dollars extraordinary literally for doing nothing. 223 00:11:01,800 --> 00:11:04,000 Speaker 4: So and clearly when he was there, he was doing 224 00:11:04,200 --> 00:11:08,440 Speaker 4: like nothing because you didn't miss him. What I see 225 00:11:08,440 --> 00:11:11,240 Speaker 4: if people can beat old Italy man, I. 226 00:11:11,280 --> 00:11:13,880 Speaker 2: Think because I meant the clickbait for the article was 227 00:11:13,880 --> 00:11:16,199 Speaker 2: he was the longest amount of sick days ever. 228 00:11:16,880 --> 00:11:18,800 Speaker 3: He's always not he was, he wasn't sick. 229 00:11:19,640 --> 00:11:22,240 Speaker 4: Well, if he was sick, he's bloody sick. That's I 230 00:11:22,280 --> 00:11:23,760 Speaker 4: don't think you can go. I've got a cold. I'll 231 00:11:23,760 --> 00:11:26,200 Speaker 4: be back in fifteen years. It's going to take me 232 00:11:26,240 --> 00:11:27,600 Speaker 4: a while to wipe the virus. 233 00:11:29,320 --> 00:11:30,280 Speaker 3: Maybe that's what he said. 234 00:11:30,320 --> 00:11:32,120 Speaker 2: Maybe that's what he went back with his like, guys, 235 00:11:32,200 --> 00:11:34,600 Speaker 2: I'm sick, I'm still away from me. 236 00:11:34,640 --> 00:11:40,880 Speaker 4: I'll give you a five year upter. We got Tommy here. Tom, 237 00:11:41,280 --> 00:11:43,600 Speaker 4: you think you've got a job that requires minimal effort? 238 00:11:43,679 --> 00:11:47,360 Speaker 12: Mate, Yeah, mate, boys, I'm a greens keeper. So come 239 00:11:47,440 --> 00:11:51,000 Speaker 12: light middle of winter, it's like a bit wet, bit windy, 240 00:11:51,400 --> 00:11:53,280 Speaker 12: can't cut any grass. The boys just sit in the 241 00:11:53,280 --> 00:11:54,439 Speaker 12: shed and play the PlayStation. 242 00:11:54,760 --> 00:11:58,400 Speaker 4: Oh, as soon as there's any moisture there, Tom, you 243 00:11:58,440 --> 00:11:59,400 Speaker 4: can't work with the grass. 244 00:12:00,800 --> 00:12:02,760 Speaker 11: Nah, we probably can, but we just not. 245 00:12:06,480 --> 00:12:09,559 Speaker 2: That's one of the great hood winkings of all time, 246 00:12:09,720 --> 00:12:13,160 Speaker 2: that there's just this like handshake amongst all groundsmen that 247 00:12:13,200 --> 00:12:15,839 Speaker 2: you're not going to tell anybody else that you can 248 00:12:15,920 --> 00:12:17,360 Speaker 2: actually work on wet grass. 249 00:12:17,840 --> 00:12:19,240 Speaker 3: I'd buy that. I'd buy that. 250 00:12:19,360 --> 00:12:21,800 Speaker 4: Yeah, I've been buying that. I didn't think you could 251 00:12:21,800 --> 00:12:24,520 Speaker 4: mow in the rain. I thought it would short the 252 00:12:25,120 --> 00:12:31,640 Speaker 4: mower anyway. I'm an idiot. Let's go to Clinton. The wow, 253 00:12:31,840 --> 00:12:33,560 Speaker 4: I got Clinton here, and now Clinton, this was a 254 00:12:33,600 --> 00:12:35,840 Speaker 4: previous job that required minimal effort? 255 00:12:36,760 --> 00:12:37,200 Speaker 6: Correct? 256 00:12:37,640 --> 00:12:38,240 Speaker 4: What was it? 257 00:12:39,800 --> 00:12:42,200 Speaker 3: I used to work for a company that made coke cans. 258 00:12:42,280 --> 00:12:43,559 Speaker 6: My job was to check. 259 00:12:43,400 --> 00:12:44,000 Speaker 11: Them for dints. 260 00:12:44,960 --> 00:12:49,040 Speaker 4: No, so Clinton, over say a week, how many of 261 00:12:49,040 --> 00:12:50,240 Speaker 4: those cans that have dint? 262 00:12:51,559 --> 00:12:53,559 Speaker 6: Oh maybe ten? 263 00:12:53,679 --> 00:12:54,120 Speaker 13: Fifteen? 264 00:12:55,120 --> 00:13:00,320 Speaker 4: So that that's that's your output of the week. Yeah, again, 265 00:13:00,440 --> 00:13:01,040 Speaker 4: that's what I did. 266 00:13:01,120 --> 00:13:05,440 Speaker 3: Let the job go, Clinton. That sounds like the dream baby, Yeah, 267 00:13:05,760 --> 00:13:06,600 Speaker 3: very boring man. 268 00:13:06,720 --> 00:13:09,760 Speaker 11: Yeah but after that. 269 00:13:10,080 --> 00:13:16,880 Speaker 2: Yeah, yeah, yeah, yeah, that's a wild job. I think 270 00:13:16,920 --> 00:13:20,840 Speaker 2: we're going to go to Diana on thirty one oh six. 271 00:13:20,840 --> 00:13:27,040 Speaker 4: Five Dianaa there, Yeah, I'm here. What's the job that 272 00:13:27,080 --> 00:13:28,160 Speaker 4: requires minimal effort? 273 00:13:29,240 --> 00:13:31,280 Speaker 9: Well? I was in between jobs, so I joined an 274 00:13:31,280 --> 00:13:35,240 Speaker 9: agency and they sent me to a job at some 275 00:13:35,320 --> 00:13:38,800 Speaker 9: factory in canvas Field. I sat up high through watching 276 00:13:38,840 --> 00:13:40,640 Speaker 9: through a window, and all I did was pressing a 277 00:13:40,679 --> 00:13:44,040 Speaker 9: button and let trucks come in all day. 278 00:13:43,840 --> 00:13:46,040 Speaker 4: So you're effectively opening the garage door. 279 00:13:46,080 --> 00:13:48,880 Speaker 9: That's what you were doing basically all day. 280 00:13:49,200 --> 00:13:49,640 Speaker 3: Pretty good? 281 00:13:49,760 --> 00:13:50,920 Speaker 10: Did not move, did you? 282 00:13:51,080 --> 00:13:53,160 Speaker 2: So what was the criterion on letting the truck through 283 00:13:53,240 --> 00:13:54,800 Speaker 2: or was it just you just let everyone in? 284 00:13:55,760 --> 00:13:55,840 Speaker 6: No? 285 00:13:55,960 --> 00:13:58,600 Speaker 9: I just a massive truck. I don't know what they 286 00:13:58,600 --> 00:14:01,679 Speaker 9: were delivering to roll up to the gates. 287 00:14:01,720 --> 00:14:04,559 Speaker 3: The button big how are you big enough? You can 288 00:14:04,600 --> 00:14:08,560 Speaker 3: come in Diana. You give meself one hundred dollars every 289 00:14:08,600 --> 00:14:09,840 Speaker 3: prize back. That's buddy Goose. 290 00:14:10,200 --> 00:14:15,040 Speaker 2: Congratulations. I'm gonna wrap it up here at all, merely 291 00:14:15,080 --> 00:14:17,040 Speaker 2: here mill you reckon. You have the job that required 292 00:14:17,040 --> 00:14:18,600 Speaker 2: the least amount of effort. What you got. 293 00:14:19,640 --> 00:14:21,640 Speaker 11: I used to work in a Chinese restaurant, and the 294 00:14:21,680 --> 00:14:24,240 Speaker 11: six months that I worked there, we had two customers 295 00:14:24,400 --> 00:14:26,600 Speaker 11: and I would just polish and re polish the cutlery 296 00:14:26,720 --> 00:14:28,800 Speaker 11: like you know, every single time. 297 00:14:28,880 --> 00:14:31,240 Speaker 3: Two customers over six months. 298 00:14:31,880 --> 00:14:34,520 Speaker 11: Yeah, they went bankrupt, like the day I quit. 299 00:14:34,640 --> 00:14:38,840 Speaker 3: What the thoughts? Oh, two customers over six months? 300 00:14:39,480 --> 00:14:39,720 Speaker 6: Yeah? 301 00:14:40,520 --> 00:14:43,200 Speaker 4: Chefs still cook food there, like do they still you know, 302 00:14:43,280 --> 00:14:45,560 Speaker 4: just to keep the skill up like training almost they 303 00:14:45,600 --> 00:14:47,880 Speaker 4: still hands hot? Yeah yeah. 304 00:14:47,920 --> 00:14:49,800 Speaker 7: They would just sort of feed their family as while 305 00:14:49,800 --> 00:14:50,240 Speaker 7: they were there. 306 00:14:50,360 --> 00:14:52,480 Speaker 4: Yea, yeah, that is great. 307 00:14:55,320 --> 00:14:57,920 Speaker 1: When would you catch up? Tip number forty eight. 308 00:14:58,560 --> 00:15:01,680 Speaker 13: Listen to the boys on Hargh speed and the show 309 00:15:01,760 --> 00:15:03,480 Speaker 13: will go for twice. 310 00:15:03,440 --> 00:15:08,320 Speaker 1: So also they'll sound drunk. Ha it's Will and Woody. 311 00:15:08,360 --> 00:15:09,680 Speaker 2: Hey, it's Will and what it brought to you by 312 00:15:09,680 --> 00:15:13,520 Speaker 2: Binge this afternoon. I hope everyone's having a wonderful drive home. 313 00:15:13,600 --> 00:15:15,680 Speaker 2: If you're just joining us Woods. 314 00:15:15,840 --> 00:15:19,720 Speaker 3: We are trying to solve an unsolved mystery. 315 00:15:20,520 --> 00:15:23,680 Speaker 14: The world's best shows are now streaming on Binge. 316 00:15:23,760 --> 00:15:27,960 Speaker 2: This is a cold case. Start a good dear, Maria. 317 00:15:28,160 --> 00:15:30,520 Speaker 1: It's Will Woodies Unsolved Mysteries. 318 00:15:31,680 --> 00:15:35,200 Speaker 2: Yeah, that's right, brought to you by Mayor of East Town, 319 00:15:35,640 --> 00:15:38,800 Speaker 2: the best thing on TV and Binge right now. 320 00:15:39,000 --> 00:15:39,400 Speaker 3: Woods. 321 00:15:39,920 --> 00:15:42,920 Speaker 2: You and I have got ourselves an unsolved mystery, a 322 00:15:43,000 --> 00:15:44,680 Speaker 2: cold case if you will. 323 00:15:44,560 --> 00:15:47,560 Speaker 4: Yeah, absolutely. If you missed the details yesterday, here it 324 00:15:47,600 --> 00:15:49,200 Speaker 4: is fifteen. 325 00:15:49,360 --> 00:15:51,840 Speaker 11: I went to a Meghan Trainer concert. Meghan Trainer herself 326 00:15:51,880 --> 00:15:54,400 Speaker 11: gave me her CD. I decided to bring it to 327 00:15:54,440 --> 00:15:56,000 Speaker 11: work one day. I went to go and put it 328 00:15:56,280 --> 00:15:59,160 Speaker 11: in because they've changed PD and I could find it. 329 00:15:59,240 --> 00:16:01,000 Speaker 11: Now I have ever up to it and I still 330 00:16:01,040 --> 00:16:02,960 Speaker 11: don't have it back, and I've got this empty case. 331 00:16:03,200 --> 00:16:04,440 Speaker 3: Just didn't boom, Carly. 332 00:16:04,720 --> 00:16:07,120 Speaker 2: The admissible mystery that we're going to be solving is 333 00:16:07,680 --> 00:16:15,960 Speaker 2: where's your Megan Train or the CD from It's no 334 00:16:16,040 --> 00:16:19,560 Speaker 2: laughing matter because Calie is very serious about this CD. 335 00:16:19,640 --> 00:16:21,800 Speaker 2: We've got Callie who's back on the phone with us now. 336 00:16:21,840 --> 00:16:24,920 Speaker 2: Welcome back, CALLI, Hi, thank go, I Hi very well, 337 00:16:24,920 --> 00:16:27,800 Speaker 2: thank you. Welcome back to William Woody's Unsolved Mysteries. Now, Cally, 338 00:16:27,840 --> 00:16:29,920 Speaker 2: we want to try and delve a little bit deeper 339 00:16:30,160 --> 00:16:34,080 Speaker 2: into just what happened that day and exactly. 340 00:16:33,760 --> 00:16:37,480 Speaker 3: Who you think of the suspects who stole the CD. 341 00:16:39,520 --> 00:16:42,480 Speaker 7: Well, I've got a couple, Like all my girls are great. 342 00:16:42,560 --> 00:16:45,960 Speaker 7: There's like Leah, she's got two daughters. Could have borrowed it. 343 00:16:46,200 --> 00:16:49,480 Speaker 7: Let it, let the girls listen to it. Okay, Snaze 344 00:16:49,520 --> 00:16:52,480 Speaker 7: she's also got two girls. That's like a bit of music. 345 00:16:52,560 --> 00:16:57,520 Speaker 7: So she's a possibility, right, And Kathy don't know. She's 346 00:16:57,560 --> 00:16:59,280 Speaker 7: a music buff, so I don't know. 347 00:16:59,480 --> 00:17:03,240 Speaker 2: Okay, So I've got Leah Snares, But it sounds like 348 00:17:03,480 --> 00:17:05,840 Speaker 2: the of them, Lea and Snares are probably the ones 349 00:17:05,840 --> 00:17:10,080 Speaker 2: that you're feeling most likely to have stolen it. Yeah, okay, 350 00:17:10,320 --> 00:17:11,640 Speaker 2: I when you stand on the phone of can CALLI 351 00:17:11,680 --> 00:17:14,000 Speaker 2: because we've brought in a private investigator to help with 352 00:17:14,000 --> 00:17:17,560 Speaker 2: this matter, Cali, We've got doctor Louise. 353 00:17:17,160 --> 00:17:19,760 Speaker 3: Marlo who joins in the studio right now. 354 00:17:19,920 --> 00:17:23,840 Speaker 4: Hi, do you want to tell everyone doctor Louise Marla 355 00:17:24,080 --> 00:17:24,679 Speaker 4: what you. 356 00:17:24,600 --> 00:17:26,159 Speaker 15: Do what I do? 357 00:17:26,280 --> 00:17:29,240 Speaker 16: Well, I have a fascination with the psychology of voice 358 00:17:29,560 --> 00:17:32,479 Speaker 16: and how people give things away in their voice and 359 00:17:32,560 --> 00:17:35,720 Speaker 16: also in their body language. But often voice is a 360 00:17:35,800 --> 00:17:38,520 Speaker 16: reflection of what we're doing with our body. So in 361 00:17:38,600 --> 00:17:40,560 Speaker 16: our body, we hold our breath and we'll hear it 362 00:17:40,640 --> 00:17:43,240 Speaker 16: in the voice, and that's what I love to analyze. 363 00:17:43,359 --> 00:17:43,960 Speaker 9: Wow, so. 364 00:17:45,560 --> 00:17:47,800 Speaker 4: This is great. Would you say you're a bit of 365 00:17:47,840 --> 00:17:50,600 Speaker 4: a human lie detector doctor, Well. 366 00:17:50,680 --> 00:17:54,120 Speaker 16: It's not always about lying. It's about different moods or 367 00:17:54,160 --> 00:17:56,719 Speaker 16: different information. And we do tend toys think, oh, it's 368 00:17:56,720 --> 00:17:58,480 Speaker 16: about whether I'm lying or not lying. And I know 369 00:17:58,520 --> 00:18:01,840 Speaker 16: we're looking at lying here, but it's not always about lying, 370 00:18:02,240 --> 00:18:05,600 Speaker 16: so you can it's about whether you're emotional or connected. 371 00:18:07,800 --> 00:18:11,080 Speaker 2: I heard I heard before that you spent some time 372 00:18:11,160 --> 00:18:14,040 Speaker 2: studying some footage at the funeral of the royal funeral. 373 00:18:14,080 --> 00:18:15,080 Speaker 3: Reason is that right? 374 00:18:15,880 --> 00:18:18,359 Speaker 2: And you were essentially able to pick apart what was 375 00:18:18,400 --> 00:18:20,560 Speaker 2: actually going on within the body language of the people 376 00:18:20,560 --> 00:18:22,119 Speaker 2: who are the royals who were on screen. 377 00:18:22,359 --> 00:18:25,800 Speaker 16: Yeah, and look, I've had some criticism because people say, 378 00:18:25,840 --> 00:18:28,400 Speaker 16: shouldn't be analyzing people at a funeral, But the issue 379 00:18:28,480 --> 00:18:32,399 Speaker 16: is if you're in the public eye, you're in the 380 00:18:32,400 --> 00:18:34,680 Speaker 16: public eye. You know that's what I do, And what 381 00:18:34,720 --> 00:18:35,760 Speaker 16: are they giving away? 382 00:18:36,000 --> 00:18:36,679 Speaker 4: Where's Harry. 383 00:18:36,840 --> 00:18:40,600 Speaker 16: Harry was angry, angry. Harry had clinched fists while he 384 00:18:40,680 --> 00:18:43,920 Speaker 16: was much angry face. He could have done his hair 385 00:18:44,000 --> 00:18:48,919 Speaker 16: quite frankly. And Harry in the church, I picked this up. 386 00:18:48,960 --> 00:18:52,000 Speaker 16: No one else picked it up. He flapped the order 387 00:18:52,040 --> 00:18:56,560 Speaker 16: of servants against his thigh. Now that's showing he was anxious. 388 00:18:56,640 --> 00:19:00,960 Speaker 17: He was he was look, he was was disrespectful. 389 00:19:01,600 --> 00:19:04,680 Speaker 15: They had one job. How is a he's a black ship. 390 00:19:05,520 --> 00:19:08,800 Speaker 3: He's gone right, He's gone right. Wow. 391 00:19:08,880 --> 00:19:10,399 Speaker 2: Okay, So we're just getting a little bit of an 392 00:19:10,440 --> 00:19:12,879 Speaker 2: idea of what doctor Louise is very capable of. You 393 00:19:12,880 --> 00:19:15,320 Speaker 2: can go and find Louise at Louise marl at m 394 00:19:15,520 --> 00:19:17,760 Speaker 2: h l E dot com dot au. What we're gonna 395 00:19:17,760 --> 00:19:21,199 Speaker 2: do right up next to Louise Carli, We're gonna get 396 00:19:21,200 --> 00:19:23,960 Speaker 2: a couple of the suspects on the phone, and then 397 00:19:24,240 --> 00:19:27,280 Speaker 2: Louise we're going to interrogate them, and then we're going 398 00:19:27,320 --> 00:19:30,040 Speaker 2: to use Louise the human light detector. 399 00:19:29,600 --> 00:19:35,040 Speaker 3: In here to tell who stole the c D. Stay 400 00:19:35,080 --> 00:19:36,480 Speaker 3: with us right up. 401 00:19:36,440 --> 00:19:38,800 Speaker 1: Next, it's the Will and Woody podcast. 402 00:19:41,320 --> 00:19:44,360 Speaker 14: The World's Specials are now streaming on Binge. 403 00:19:44,560 --> 00:19:45,520 Speaker 9: This is a cord. 404 00:19:48,359 --> 00:19:51,320 Speaker 14: Maria it's will and Woodies, unsolved mysteries. 405 00:19:52,320 --> 00:19:55,240 Speaker 2: It's hot and happening, it's hot property, unsolved mysteries. Everybody's 406 00:19:55,280 --> 00:19:57,840 Speaker 2: doing it. It's it's in vogue woods and we're not 407 00:19:57,920 --> 00:20:00,000 Speaker 2: initiating this at all. We're definitely jumping on the bed 408 00:20:00,359 --> 00:20:02,120 Speaker 2: because this is what people want to listen to right now. 409 00:20:02,160 --> 00:20:05,280 Speaker 2: So gearing the whole show towards a mystery that we 410 00:20:05,320 --> 00:20:07,880 Speaker 2: can solve. Here on the show, I've actually brought in 411 00:20:08,400 --> 00:20:11,960 Speaker 2: a genius p I get this, a PhD in not 412 00:20:12,040 --> 00:20:17,000 Speaker 2: only business, but a master's in organizational psychology and practice 413 00:20:17,240 --> 00:20:22,359 Speaker 2: practitioner in neuro linguistic programming. GE whiz doctor Louise Mahler 414 00:20:22,440 --> 00:20:25,720 Speaker 2: is in the studio. I'm going to paraphrase that and 415 00:20:25,720 --> 00:20:29,080 Speaker 2: say she's a human light detector. She's a human light detector. 416 00:20:29,320 --> 00:20:32,720 Speaker 2: Here are the facts of our unsolved mystery. 417 00:20:32,840 --> 00:20:35,399 Speaker 11: Fifteen. I went to a Megan Trainer concert. Megan Trainer 418 00:20:35,440 --> 00:20:38,359 Speaker 11: herself gave me her CD. I decided to bring it 419 00:20:38,359 --> 00:20:39,880 Speaker 11: to work one day. I went to go and put 420 00:20:39,880 --> 00:20:42,760 Speaker 11: it in because they've changed CD and I'm going to 421 00:20:42,760 --> 00:20:44,520 Speaker 11: find it. No one had ever owned up to it, 422 00:20:44,600 --> 00:20:46,159 Speaker 11: and I still don't have it back and I've got 423 00:20:46,200 --> 00:20:47,000 Speaker 11: this empty case. 424 00:20:47,240 --> 00:20:50,280 Speaker 2: Just to confirm, carl the unmissible mystery that we're going 425 00:20:50,359 --> 00:20:53,399 Speaker 2: to be solving is where's your Megan train or CD? 426 00:20:55,160 --> 00:20:55,520 Speaker 5: From? 427 00:20:58,600 --> 00:20:59,800 Speaker 3: All right, So there's our mystery. 428 00:21:00,200 --> 00:21:02,600 Speaker 2: We've got a missing Megan train or CD given to 429 00:21:02,720 --> 00:21:06,080 Speaker 2: Carli by Megan Train or herself. We've just found out 430 00:21:06,160 --> 00:21:08,639 Speaker 2: from Carlie that she was working with two different women, 431 00:21:08,720 --> 00:21:11,679 Speaker 2: or working with two different women. One is called Kathy, 432 00:21:12,119 --> 00:21:15,639 Speaker 2: one is called Snares. We've got both those suspects. 433 00:21:15,119 --> 00:21:17,680 Speaker 3: On the phone right now. Good afternoon, Kathy, Good afternoon, Stairs. 434 00:21:17,680 --> 00:21:18,359 Speaker 3: Welcome to the show. 435 00:21:18,560 --> 00:21:22,800 Speaker 4: Hey, Hi, First question to you, Kathy. Keep in mind 436 00:21:22,840 --> 00:21:24,800 Speaker 4: we have a human light of tective that he's listening 437 00:21:24,880 --> 00:21:27,680 Speaker 4: to you right now. Kathy, did you take the CD? 438 00:21:28,160 --> 00:21:28,360 Speaker 2: No? 439 00:21:29,880 --> 00:21:33,080 Speaker 4: Wow, Okay, just fight back there, Snares. Did you steal 440 00:21:33,119 --> 00:21:33,560 Speaker 4: the CD? 441 00:21:34,119 --> 00:21:35,199 Speaker 18: I absolutely did not. 442 00:21:35,560 --> 00:21:37,000 Speaker 11: I've got no idea what you're talking about. 443 00:21:37,280 --> 00:21:39,879 Speaker 4: Extra wow, Kathy? Did you were you there when the 444 00:21:39,960 --> 00:21:41,800 Speaker 4: Megan train or CD was being played? 445 00:21:42,359 --> 00:21:45,160 Speaker 18: Yes? I was, Oh yep. 446 00:21:45,359 --> 00:21:47,240 Speaker 4: Were you enjoying the Megan train or songs? 447 00:21:47,560 --> 00:21:47,760 Speaker 13: Oh? 448 00:21:47,800 --> 00:21:49,679 Speaker 18: Look I have one or two songs with hers that 449 00:21:49,760 --> 00:21:52,560 Speaker 18: I quite enjoy. 450 00:21:52,920 --> 00:21:55,000 Speaker 3: Snares, have you got anybody else? 451 00:21:55,040 --> 00:21:58,600 Speaker 2: In your life that you know might have enjoyed a 452 00:21:58,640 --> 00:22:00,959 Speaker 2: Megan Train or CD if you had have taken it. 453 00:22:01,520 --> 00:22:03,159 Speaker 18: No, no, I do not. 454 00:22:03,720 --> 00:22:06,320 Speaker 4: So are you not a fan of Megan Trainer either? Snaars? 455 00:22:06,680 --> 00:22:08,520 Speaker 11: I don't mind be a Megan Trainer, but I would 456 00:22:08,520 --> 00:22:10,200 Speaker 11: say it's quite a a niche. 457 00:22:11,440 --> 00:22:12,879 Speaker 1: Sort of style of music. 458 00:22:14,320 --> 00:22:16,159 Speaker 4: Now I'm gonna throw to a human light deitector at 459 00:22:16,160 --> 00:22:18,280 Speaker 4: this point, are there any questions you'd like us to ask? 460 00:22:18,760 --> 00:22:22,440 Speaker 15: Oh? Could you spell Snares for me? Snars? S n 461 00:22:22,640 --> 00:22:26,480 Speaker 15: e zed Okay, and Kathy, how long have you been 462 00:22:26,520 --> 00:22:27,200 Speaker 15: working together? 463 00:22:28,040 --> 00:22:31,399 Speaker 18: We've been working together probably just over a year and 464 00:22:31,440 --> 00:22:31,840 Speaker 18: a half. 465 00:22:31,960 --> 00:22:33,360 Speaker 15: Great, And do you enjoy your job? 466 00:22:33,600 --> 00:22:35,320 Speaker 18: I love my job? I love it. 467 00:22:35,480 --> 00:22:35,880 Speaker 4: M hmm. 468 00:22:36,520 --> 00:22:40,600 Speaker 3: I love how obscure these questions are, like, can you spell? Snares? 469 00:22:40,840 --> 00:22:42,960 Speaker 3: I mean, gee, we all got goosebumps there? What'd she 470 00:22:43,040 --> 00:22:44,240 Speaker 3: get out of that? Who knows? 471 00:22:45,040 --> 00:22:47,560 Speaker 4: What's your favorite? What's your favorite color? Snares? 472 00:22:48,560 --> 00:22:51,000 Speaker 17: I'm going to go with blue that helped to Marlow. 473 00:22:52,840 --> 00:22:59,159 Speaker 13: Yeah, just because she has interesting questions and knows the 474 00:22:59,240 --> 00:23:04,280 Speaker 13: truth doesn't mean you can just throw out random. 475 00:23:03,359 --> 00:23:05,400 Speaker 17: Kathy's got my suspicion going. 476 00:23:05,400 --> 00:23:12,840 Speaker 3: Wow, why is it why why? Why? 477 00:23:13,840 --> 00:23:16,240 Speaker 16: Well, when you asked initially whether she took it, we 478 00:23:16,359 --> 00:23:21,959 Speaker 16: got an over effusive no, and I thought, yeah, okay, 479 00:23:21,960 --> 00:23:24,119 Speaker 16: that was weird and Jen, so I asked her if 480 00:23:24,119 --> 00:23:25,199 Speaker 16: you enjoyed a job it? 481 00:23:25,320 --> 00:23:25,560 Speaker 6: Yes? 482 00:23:25,960 --> 00:23:29,840 Speaker 17: And then Snares came right in and wasn't just you 483 00:23:29,880 --> 00:23:30,200 Speaker 17: know it? 484 00:23:30,200 --> 00:23:31,200 Speaker 15: It had a pattern. 485 00:23:31,320 --> 00:23:34,040 Speaker 16: She hasn't altered her pattern, whereas Kathy is altered to 486 00:23:34,040 --> 00:23:34,480 Speaker 16: her pattern. 487 00:23:34,600 --> 00:23:39,960 Speaker 3: Kathy, your patent altering bastard. Well let's let's talk about it. 488 00:23:40,240 --> 00:23:41,560 Speaker 2: So do you think we can just do you think 489 00:23:41,600 --> 00:23:43,959 Speaker 2: we can dismiss Snares as a suspect in this? 490 00:23:44,119 --> 00:23:44,760 Speaker 15: Absolutely? 491 00:23:44,840 --> 00:23:45,159 Speaker 3: Really? 492 00:23:45,280 --> 00:23:45,480 Speaker 13: Yeah? 493 00:23:45,760 --> 00:23:48,200 Speaker 3: Wow, you may walk free. 494 00:23:48,720 --> 00:23:49,480 Speaker 1: Thank you so much. 495 00:23:49,480 --> 00:23:51,280 Speaker 18: I'm very relieved, no worries all. 496 00:23:51,280 --> 00:23:54,480 Speaker 2: Thanks for joining us. Have yourself a wonderful Thursday. We 497 00:23:54,640 --> 00:23:58,199 Speaker 2: happy stay with us. Right up next towards you and 498 00:23:58,240 --> 00:24:02,840 Speaker 2: I are absolutely elbow deep in a cold case. Here 499 00:24:02,880 --> 00:24:05,880 Speaker 2: an unsolved mystery, all thanks to Binge. 500 00:24:06,440 --> 00:24:09,480 Speaker 14: The world's specials are now streaming on Binge. 501 00:24:09,680 --> 00:24:10,080 Speaker 13: This is a. 502 00:24:12,119 --> 00:24:13,840 Speaker 3: Bust on a good Dear Maria. 503 00:24:14,080 --> 00:24:16,440 Speaker 1: It's Will and Woodies unsolved mysteries. 504 00:24:17,119 --> 00:24:19,679 Speaker 2: So once we rifled through thousands of applications, you know 505 00:24:19,760 --> 00:24:22,080 Speaker 2: whose mystery We're going to solve them. We've stumbled across 506 00:24:22,119 --> 00:24:24,960 Speaker 2: the mystery of Kathy, who once upon a time rocked 507 00:24:25,040 --> 00:24:28,199 Speaker 2: up to work. Carl, I should say, forgive me that 508 00:24:28,240 --> 00:24:29,440 Speaker 2: look which said I had it wrong. 509 00:24:30,119 --> 00:24:33,199 Speaker 3: Carl rocked up. Carly rocked up to her workplace with 510 00:24:33,200 --> 00:24:35,440 Speaker 3: a Meghan train or CD given to her by Megan 511 00:24:35,520 --> 00:24:37,400 Speaker 3: train Or. The CD then vanished. 512 00:24:37,480 --> 00:24:41,200 Speaker 4: Yeah, that's right. We have then had two suspects delivered 513 00:24:41,200 --> 00:24:43,719 Speaker 4: to us from Carly. She believes it was either Snares 514 00:24:43,800 --> 00:24:45,919 Speaker 4: or Kathy. We have a PI in here or a 515 00:24:46,040 --> 00:24:50,320 Speaker 4: human light detective, Doctor Luise, who is asking these women questions. 516 00:24:50,400 --> 00:24:52,480 Speaker 2: Yes, we've got Carli on the phone here as the 517 00:24:52,480 --> 00:24:53,600 Speaker 2: original owner of the CD. 518 00:24:53,800 --> 00:24:54,240 Speaker 3: Carlie. 519 00:24:54,520 --> 00:24:57,480 Speaker 2: We've just found out that Kathy, according to our human 520 00:24:57,560 --> 00:24:59,840 Speaker 2: light detector and PI in the studio. 521 00:24:59,520 --> 00:25:03,680 Speaker 3: Doctor Lui, is mala is very much a suspect. 522 00:25:04,680 --> 00:25:06,000 Speaker 7: That's okay, Kathy. 523 00:25:06,040 --> 00:25:09,639 Speaker 16: You also said if we like Megan Trainer, you also 524 00:25:09,680 --> 00:25:10,360 Speaker 16: went high and. 525 00:25:10,280 --> 00:25:12,000 Speaker 15: You went yeah, no, I like some of the songs. 526 00:25:12,080 --> 00:25:14,640 Speaker 15: Yeah yeah, and you changed. 527 00:25:14,359 --> 00:25:18,000 Speaker 3: Your peach change change your pattern again. We've got you. 528 00:25:17,960 --> 00:25:26,280 Speaker 7: Again, Kathy, though she's always like that. 529 00:25:23,600 --> 00:25:23,679 Speaker 8: Like. 530 00:25:25,200 --> 00:25:26,040 Speaker 3: This is a conspiracy. 531 00:25:26,040 --> 00:25:28,520 Speaker 2: Are you girls working together or something? Here, carl why 532 00:25:28,520 --> 00:25:30,960 Speaker 2: are you defending her? You try to find the CD mate. 533 00:25:30,880 --> 00:25:33,280 Speaker 7: But because you know what like she she is like 534 00:25:33,320 --> 00:25:35,520 Speaker 7: that one minute, she's you know, she's a scorpio. You 535 00:25:35,520 --> 00:25:37,160 Speaker 7: know what cops are like, they're down. 536 00:25:37,359 --> 00:25:38,120 Speaker 15: I'm a scorpio. 537 00:25:38,720 --> 00:25:42,359 Speaker 4: So so sorry, doctor Marla, would you say that if 538 00:25:42,400 --> 00:25:44,879 Speaker 4: Kathy is always like that, she's always lying? 539 00:25:45,359 --> 00:25:47,040 Speaker 15: No, No, that's her pattern. 540 00:25:47,280 --> 00:25:51,399 Speaker 16: But isn't it interesting she's got a hypnotic trance over Carly. 541 00:25:52,320 --> 00:25:54,600 Speaker 17: Carli cannot accept her. 542 00:25:54,600 --> 00:25:57,159 Speaker 7: Guilt because I work with them all the time. I 543 00:25:57,240 --> 00:25:59,880 Speaker 7: know what they're like, how they react to things. 544 00:26:01,600 --> 00:26:03,959 Speaker 3: Anything, Kathy, with everything? 545 00:26:05,960 --> 00:26:07,760 Speaker 4: Can I ask you with everything we're talking about? And 546 00:26:07,840 --> 00:26:10,800 Speaker 4: you've got Carli defending in now, which is really interesting. 547 00:26:10,840 --> 00:26:13,240 Speaker 4: But doctor Marler, I think still believes that there might 548 00:26:13,280 --> 00:26:15,800 Speaker 4: be a little bit of forging of the truth here. Kathy, 549 00:26:15,920 --> 00:26:18,040 Speaker 4: I'll give you a chance right now. Do you want 550 00:26:18,040 --> 00:26:20,040 Speaker 4: to come clean? Did you take the c D? 551 00:26:20,440 --> 00:26:23,000 Speaker 18: Look, if I had taken a CD, I would one 552 00:26:23,119 --> 00:26:25,360 Speaker 18: hundred percent complaint because I know how much it means 553 00:26:25,359 --> 00:26:25,800 Speaker 18: to Carley. 554 00:26:26,560 --> 00:26:28,560 Speaker 17: Okay, and that's a classic Lives response. 555 00:26:33,640 --> 00:26:34,879 Speaker 15: The answer was no. 556 00:26:35,640 --> 00:26:38,760 Speaker 16: The answer was no, not if I had taken it, 557 00:26:39,000 --> 00:26:42,040 Speaker 16: why would you be asking me this because if I had, 558 00:26:42,119 --> 00:26:43,679 Speaker 16: I would have done that. 559 00:26:43,680 --> 00:26:44,840 Speaker 17: That's what the murder. 560 00:26:47,960 --> 00:26:49,080 Speaker 18: I don't want to come clean. 561 00:26:49,680 --> 00:26:51,200 Speaker 15: What you don't want to come clean? 562 00:26:51,840 --> 00:26:53,720 Speaker 18: Well, wouldn't it? Isn't that what I would say if 563 00:26:53,720 --> 00:26:57,119 Speaker 18: I had taken it. I don't understand. 564 00:26:58,320 --> 00:27:00,920 Speaker 17: You're going to defict of what if I had murdered them? 565 00:27:00,920 --> 00:27:04,680 Speaker 15: Why would I be here now? And you'd be asking. 566 00:27:04,800 --> 00:27:07,480 Speaker 18: Yeah, this is true? 567 00:27:07,600 --> 00:27:09,639 Speaker 2: Yeah, Well that's a shame. We've already passed your details 568 00:27:09,640 --> 00:27:10,200 Speaker 2: onto the police. 569 00:27:10,240 --> 00:27:14,159 Speaker 3: Kathy. We've got you for a CD steal and for 570 00:27:14,280 --> 00:27:16,720 Speaker 3: a murder. Now, it's really slip really gold. 571 00:27:16,560 --> 00:27:19,479 Speaker 2: Off a cliff for you the first d afternoon, Kathy, 572 00:27:20,119 --> 00:27:22,320 Speaker 2: we're going to have to get doctor Louise Malo out 573 00:27:22,320 --> 00:27:23,160 Speaker 2: of your woods. 574 00:27:23,520 --> 00:27:24,720 Speaker 3: She's been amazing to listen. 575 00:27:24,840 --> 00:27:27,560 Speaker 2: If you want to go anything about Louise Louisemila dot 576 00:27:27,560 --> 00:27:30,080 Speaker 2: com dot A. You fascinating, Louise. Thank you so much 577 00:27:30,080 --> 00:27:32,960 Speaker 2: for joining us. That was truly awesome. Kathy, are you there? 578 00:27:33,560 --> 00:27:36,119 Speaker 2: I'm here mate, You're back on the show tomorrow. You 579 00:27:36,160 --> 00:27:37,560 Speaker 2: are in the stand, my friend. 580 00:27:37,640 --> 00:27:41,119 Speaker 3: We have got you on the ropes for the CD steal. 581 00:27:41,280 --> 00:27:43,720 Speaker 4: Have a good meal tonight, Kathy, it might be your last. 582 00:27:46,680 --> 00:27:47,440 Speaker 4: We're putting away. 583 00:27:49,000 --> 00:27:50,560 Speaker 1: It's the Will and Woody podcast. 584 00:27:50,680 --> 00:27:53,000 Speaker 2: Well, and whatdy Andrew Denton yet to come this afternoon. 585 00:27:53,000 --> 00:27:55,280 Speaker 2: He's going to join the boys. Very excited for that, Woods, 586 00:27:55,280 --> 00:27:58,000 Speaker 2: But you're very excited about something else over there. 587 00:27:58,119 --> 00:28:00,680 Speaker 4: Well, I think we both could be onto something. Yesterday 588 00:28:00,720 --> 00:28:02,560 Speaker 4: on the show, we were talking about the great film 589 00:28:02,600 --> 00:28:06,040 Speaker 4: ace Ventura. The on screen romance in that film is 590 00:28:06,160 --> 00:28:09,639 Speaker 4: Jim Carrey and Courtney Cox. This was our discussion on that. 591 00:28:11,160 --> 00:28:13,520 Speaker 2: Would you say, name James Jim Carrey betting about his 592 00:28:13,520 --> 00:28:14,440 Speaker 2: average with Courtney Cox? 593 00:28:14,480 --> 00:28:17,119 Speaker 4: What do you reckon based on purely physical attributes? 594 00:28:17,240 --> 00:28:17,440 Speaker 6: Yeah? 595 00:28:17,600 --> 00:28:19,719 Speaker 3: Yeah, she's really at the peak of her powers. There 596 00:28:19,760 --> 00:28:20,080 Speaker 3: isn't she. 597 00:28:20,240 --> 00:28:23,040 Speaker 4: Jim was still finding himself I think physically. 598 00:28:24,560 --> 00:28:25,080 Speaker 3: A whole. 599 00:28:25,280 --> 00:28:30,760 Speaker 4: The question is, with on screen romances, is one of 600 00:28:30,800 --> 00:28:33,080 Speaker 4: the people always batting above their average? 601 00:28:33,960 --> 00:28:34,560 Speaker 3: Great question. 602 00:28:35,080 --> 00:28:38,000 Speaker 4: I'll give you an example straight up. Yes, the movie Titanic. 603 00:28:38,240 --> 00:28:39,480 Speaker 3: Yes, Jack, I. 604 00:28:39,440 --> 00:28:40,920 Speaker 19: Want you to draw me like one of your French 605 00:28:40,960 --> 00:28:45,480 Speaker 19: girls wearing this, wearing only this. 606 00:28:47,720 --> 00:28:50,600 Speaker 2: Now you've played the sauciest Winslet scene on there, and 607 00:28:50,800 --> 00:28:53,760 Speaker 2: we all know that she is batting well above her 608 00:28:53,800 --> 00:28:55,440 Speaker 2: average with DiCaprio in that movie. 609 00:28:55,560 --> 00:28:59,720 Speaker 4: I disagree completely because she also has the money as well. 610 00:28:59,760 --> 00:29:01,520 Speaker 4: He's the poor boy. 611 00:29:01,720 --> 00:29:04,680 Speaker 3: He's a pauper. He's a pauper, he's a poor pery. 612 00:29:04,920 --> 00:29:07,880 Speaker 4: So I actually think that Jack is batting above his average. 613 00:29:07,920 --> 00:29:11,760 Speaker 2: I reckon Winslet's batting above her average in two areas 614 00:29:11,760 --> 00:29:14,360 Speaker 2: there as well, because' obviously got the romance with Billy Zaye, 615 00:29:14,360 --> 00:29:17,080 Speaker 2: who's the sauciest bloke on the Titanic, rolls around in 616 00:29:17,080 --> 00:29:18,400 Speaker 2: a white tuxedo and a revolver. 617 00:29:18,440 --> 00:29:20,600 Speaker 4: I mean, Jesus Christ, Yeah, Zaye is sexy, but we're 618 00:29:20,640 --> 00:29:23,200 Speaker 4: not bringing up keep Billy zaying to one side. I 619 00:29:23,240 --> 00:29:24,160 Speaker 4: would love to hear the. 620 00:29:25,200 --> 00:29:26,360 Speaker 3: It's just a laydown mozaire. 621 00:29:26,680 --> 00:29:27,440 Speaker 4: No, of course. 622 00:29:27,480 --> 00:29:30,320 Speaker 2: I mean he's in the Phantom and Catherine Zeta Jones 623 00:29:30,400 --> 00:29:32,600 Speaker 2: is his personal and Captain Zeta Jones. 624 00:29:32,800 --> 00:29:35,080 Speaker 3: Yeah, and still it's Zane laid down. 625 00:29:35,280 --> 00:29:35,440 Speaker 6: Yeah. 626 00:29:35,480 --> 00:29:37,080 Speaker 4: I don't know. I'm going to stop talking about that. Yeah, 627 00:29:37,080 --> 00:29:39,640 Speaker 4: fair enough, But right now, for you guys listening, thirteen 628 00:29:39,680 --> 00:29:42,600 Speaker 4: one oh sixty five is our number. We've all watched Titanic. 629 00:29:42,640 --> 00:29:45,120 Speaker 4: We all love Titanic. The question to everyone listening is 630 00:29:45,560 --> 00:29:48,280 Speaker 4: between Jack and Rose between leon ad and DiCaprio and 631 00:29:48,360 --> 00:29:51,560 Speaker 4: Kate Winslet. Yeah, who is batting above their average? 632 00:29:51,560 --> 00:29:51,720 Speaker 6: There? 633 00:29:51,840 --> 00:29:54,000 Speaker 2: I can't believe that you think that Winslet is a 634 00:29:54,080 --> 00:29:59,920 Speaker 2: chance here it's DiCaprio, like peak boyhood hot DiCaprio, it's 635 00:30:00,040 --> 00:30:02,240 Speaker 2: before he puts on any of that like weird weight. 636 00:30:02,520 --> 00:30:05,160 Speaker 4: No, Kate Winslet has that. She has the elegance. She's 637 00:30:05,280 --> 00:30:08,480 Speaker 4: dressed well all the time. And have you not seen 638 00:30:08,600 --> 00:30:11,600 Speaker 4: him pale? Shit well? But that paleness is beautiful. 639 00:30:11,680 --> 00:30:15,840 Speaker 3: DiCaprio spends his life sketching French nude women. 640 00:30:16,600 --> 00:30:18,160 Speaker 4: She's one of the nude women. 641 00:30:18,280 --> 00:30:20,840 Speaker 3: Oh yeah, the good point you guys. 642 00:30:21,480 --> 00:30:23,720 Speaker 2: Over to you, guys, thirty one oh sixty five? Who 643 00:30:23,760 --> 00:30:27,320 Speaker 2: is batting above their average in the Titanic? 644 00:30:27,640 --> 00:30:35,120 Speaker 4: In this movie Titanic, of course the on screen romance 645 00:30:35,200 --> 00:30:39,680 Speaker 4: Jack and Rose, Leonardo DiCaprio, and Kate Winslet, which one 646 00:30:39,680 --> 00:30:43,360 Speaker 4: of them is batting above their average? Now I've opened 647 00:30:43,440 --> 00:30:45,520 Speaker 4: up to you, guys, thirteen one oh sixty five, give 648 00:30:45,600 --> 00:30:48,160 Speaker 4: us a call with your opinion on who is batting 649 00:30:48,200 --> 00:30:49,000 Speaker 4: above their average? 650 00:30:49,040 --> 00:30:49,200 Speaker 13: Now? 651 00:30:49,200 --> 00:30:52,800 Speaker 4: Will you think that Winslet is batting above our average? 652 00:30:52,920 --> 00:31:00,840 Speaker 2: With DiCaprio, she has a slice of nineties Leo, right, 653 00:31:01,320 --> 00:31:04,680 Speaker 2: which is arguably hottest Leo. I don't think anyone had 654 00:31:04,680 --> 00:31:08,600 Speaker 2: photos of Kate Winslet pinned up in their room at 655 00:31:08,600 --> 00:31:09,040 Speaker 2: that stage. 656 00:31:09,080 --> 00:31:10,920 Speaker 4: Do you also remember the scene though, where she's the 657 00:31:10,920 --> 00:31:13,520 Speaker 4: former ballet dancer and she has the toughness amongst all 658 00:31:13,520 --> 00:31:16,959 Speaker 4: the men drinking their beers to balance on her toes. 659 00:31:17,000 --> 00:31:18,880 Speaker 3: That's right, yes, I remember that scene. 660 00:31:18,960 --> 00:31:19,560 Speaker 4: That was hot. 661 00:31:19,680 --> 00:31:23,080 Speaker 2: But I think what takes away from Winslet in Titanic 662 00:31:23,160 --> 00:31:24,280 Speaker 2: is that she's just got a little bit of this 663 00:31:24,360 --> 00:31:26,280 Speaker 2: like a bit of a rich sort of a pong 664 00:31:26,360 --> 00:31:29,640 Speaker 2: about her if we remember, if we remember correctly, like 665 00:31:29,920 --> 00:31:34,160 Speaker 2: Leo's got this like underdog, vagabond adventurous thing. Like he 666 00:31:34,240 --> 00:31:37,400 Speaker 2: wins a card game to get himself on the Titanic. 667 00:31:37,600 --> 00:31:38,440 Speaker 3: That is just wild. 668 00:31:38,560 --> 00:31:41,680 Speaker 4: If it he's flaky. If that ship docked, he would 669 00:31:41,720 --> 00:31:43,760 Speaker 4: have bailed on Rose and played another card game, got 670 00:31:43,800 --> 00:31:48,480 Speaker 4: another ship. He's flaky, makes him a investment, you know, 671 00:31:48,600 --> 00:31:52,239 Speaker 4: winning a card game onto a ship is hot. It's 672 00:31:52,240 --> 00:31:54,800 Speaker 4: pretty sexy. We've got Adele here. We need a female opinion. 673 00:31:54,840 --> 00:31:57,080 Speaker 4: You've caught on thirteen one oh sixty five Adele, who's 674 00:31:57,120 --> 00:31:59,800 Speaker 4: batting above their average in Titanic? Is it Kate Winslet or. 675 00:31:59,800 --> 00:32:03,480 Speaker 2: Le Leo one hund Right? 676 00:32:03,560 --> 00:32:05,200 Speaker 3: Why what's so hot about Winslet? 677 00:32:05,880 --> 00:32:07,600 Speaker 8: That hair is to die for? 678 00:32:08,000 --> 00:32:09,360 Speaker 18: And what he touched on the skin? 679 00:32:09,520 --> 00:32:11,000 Speaker 8: Her skin is beautiful. 680 00:32:11,480 --> 00:32:14,560 Speaker 4: It's beautiful, pale skin and like that. 681 00:32:14,560 --> 00:32:16,200 Speaker 11: Rich pong that you're talking about. 682 00:32:16,360 --> 00:32:18,000 Speaker 7: Think she didn't come across as like. 683 00:32:18,840 --> 00:32:21,840 Speaker 11: Lady in the street freaking the sheets in that scene. 684 00:32:23,720 --> 00:32:26,440 Speaker 3: That so well, Oh you mean in the car? You 685 00:32:26,480 --> 00:32:27,120 Speaker 3: mean in the car? 686 00:32:27,600 --> 00:32:27,840 Speaker 12: Yeah? 687 00:32:27,880 --> 00:32:30,520 Speaker 11: And that draw me like a French g She killed it. 688 00:32:30,640 --> 00:32:34,280 Speaker 2: Yeah, the DiCaprio drew her like a friend. The other 689 00:32:34,280 --> 00:32:36,120 Speaker 2: thing I'd like to point out here, Adele, is you know, 690 00:32:36,360 --> 00:32:38,160 Speaker 2: great point, you know, but they've got the car scene. 691 00:32:38,160 --> 00:32:40,360 Speaker 2: We see her hand on the window. But can I 692 00:32:40,400 --> 00:32:43,440 Speaker 2: just point out any man that can make a car 693 00:32:43,480 --> 00:32:45,239 Speaker 2: steam up like that and make a woman put her 694 00:32:45,240 --> 00:32:46,440 Speaker 2: hand on the window like that? 695 00:32:47,600 --> 00:32:49,880 Speaker 4: She was providing the steam as well, that. 696 00:32:49,960 --> 00:32:54,720 Speaker 10: On her own. 697 00:32:56,480 --> 00:32:59,760 Speaker 1: Sorry, had the podcast left on two time speed there 698 00:33:00,120 --> 00:33:03,120 Speaker 1: sounded like a chipmunk. It's the Will and Woody podcast. 699 00:33:03,280 --> 00:33:05,800 Speaker 2: Wellds've all been in the position where we've had a 700 00:33:05,960 --> 00:33:10,120 Speaker 2: very sick friend or relative, someone we love who's really 701 00:33:10,160 --> 00:33:11,600 Speaker 2: at the end of their tether are they're about to die 702 00:33:11,600 --> 00:33:14,360 Speaker 2: and we all have that really shocking situation where they're 703 00:33:14,360 --> 00:33:17,440 Speaker 2: in hospital at the end, looks like they want to go, 704 00:33:17,560 --> 00:33:18,520 Speaker 2: You want them to go. 705 00:33:18,560 --> 00:33:19,280 Speaker 3: But they can't. 706 00:33:20,000 --> 00:33:25,920 Speaker 2: And it's this really interesting, dynamic, polarizing, icky field that 707 00:33:26,040 --> 00:33:27,880 Speaker 2: is euthanasia or voluntary. 708 00:33:27,480 --> 00:33:28,160 Speaker 3: Sist the dying. 709 00:33:28,800 --> 00:33:31,600 Speaker 4: And I think any conversation around death is one that 710 00:33:31,640 --> 00:33:34,920 Speaker 4: we usually don't want to have, yeah, because it's heavy stuff. 711 00:33:35,080 --> 00:33:38,480 Speaker 4: But one person that is diving headfirst into those chats 712 00:33:38,600 --> 00:33:39,400 Speaker 4: is Andrew Denton. 713 00:33:39,600 --> 00:33:41,560 Speaker 2: I've got to mention before we get into Andrew, the 714 00:33:41,640 --> 00:33:44,760 Speaker 2: number for Lifeline is thirteen eleven fourteen. If this conversation 715 00:33:44,840 --> 00:33:46,400 Speaker 2: triggers anything for you and you need to talk to 716 00:33:46,440 --> 00:33:50,560 Speaker 2: someone immediately, thirteen eleven fourteen for Lifeline. Otherwise, please strap 717 00:33:50,600 --> 00:33:52,800 Speaker 2: yourselves in for what I think is hopefully going to 718 00:33:52,800 --> 00:33:55,080 Speaker 2: be one of the most interesting chats you're going to 719 00:33:55,120 --> 00:33:56,200 Speaker 2: hear this week. 720 00:33:56,080 --> 00:33:59,720 Speaker 14: Our next guest. It's one of Australia's best creative forces. 721 00:34:00,160 --> 00:34:00,640 Speaker 2: Us of all. 722 00:34:00,680 --> 00:34:03,720 Speaker 14: You might say he's worked on TV shows for years, 723 00:34:03,880 --> 00:34:07,200 Speaker 14: The Money or the Gun, Will Anderson's Juggernaut, Bruin and 724 00:34:07,440 --> 00:34:08,480 Speaker 14: blah blah blah. 725 00:34:08,520 --> 00:34:09,719 Speaker 1: That's actually a TV show. 726 00:34:09,840 --> 00:34:14,520 Speaker 19: He's also the guy responsible for reinventing Australia's Night of Nights, 727 00:34:14,680 --> 00:34:17,200 Speaker 19: the Loogies. I wonder if he worked in getting one 728 00:34:17,239 --> 00:34:20,360 Speaker 19: of those little golden trophies for himself. When he's not 729 00:34:20,440 --> 00:34:23,400 Speaker 19: working his magic on TV, he's taking his talents to 730 00:34:23,520 --> 00:34:26,399 Speaker 19: podcast and that's why he's here today to talk about 731 00:34:26,480 --> 00:34:30,520 Speaker 19: his glove breaking series Better Off Dead. Welcome to the show, 732 00:34:30,640 --> 00:34:33,280 Speaker 19: The Unstoppable Force and rud Enton. 733 00:34:33,880 --> 00:34:41,120 Speaker 2: Yes, Andrew Denton, mate, pleasure to have you on the show, mate, genuinely, 734 00:34:41,160 --> 00:34:42,600 Speaker 2: an absolutely pleasure to have you on the show. It's 735 00:34:42,600 --> 00:34:44,480 Speaker 2: a real tone shift for us here at Willam Woody, 736 00:34:44,560 --> 00:34:48,000 Speaker 2: So congratulations and taking us away from fart jokes into 737 00:34:48,600 --> 00:34:50,920 Speaker 2: voluntary assisted dying which not many people could do. 738 00:34:52,160 --> 00:34:52,399 Speaker 6: Well. 739 00:34:52,560 --> 00:34:54,959 Speaker 8: Look, I feel a slight sense of pride at having 740 00:34:55,000 --> 00:34:58,160 Speaker 8: moved you on from fartjo, switches and tech a good 741 00:34:58,200 --> 00:34:59,439 Speaker 8: half of my career as well. 742 00:35:00,000 --> 00:35:00,440 Speaker 11: It might have. 743 00:35:00,440 --> 00:35:05,840 Speaker 4: Empathy, light and shade. It's all about light and shades absolutely, 744 00:35:05,920 --> 00:35:08,640 Speaker 4: But Andrew Better Off Dead, let's talk about it. This 745 00:35:08,719 --> 00:35:11,439 Speaker 4: is all about well, well, where it started. Was you 746 00:35:11,880 --> 00:35:13,919 Speaker 4: an experience you had with your own father kid? 747 00:35:14,280 --> 00:35:17,719 Speaker 8: Yeah, that's right, dad died back in ninety seven of 748 00:35:17,880 --> 00:35:21,400 Speaker 8: heart congestice heart failure, went to our local hospital. They 749 00:35:21,400 --> 00:35:23,160 Speaker 8: did everything they could do. They did the best they 750 00:35:23,160 --> 00:35:26,160 Speaker 8: could do, but it was really painful last three days 751 00:35:26,200 --> 00:35:30,560 Speaker 8: and it trauatized our family and it kind of set 752 00:35:30,560 --> 00:35:33,600 Speaker 8: me on the path eventually to asking why don't we 753 00:35:33,640 --> 00:35:36,600 Speaker 8: have laws in Australia to help someone in my dad's position? 754 00:35:37,080 --> 00:35:40,560 Speaker 2: Yep, yeah, so, which is as he said, set you 755 00:35:40,640 --> 00:35:44,600 Speaker 2: on the path now to season two of this podcast 756 00:35:44,680 --> 00:35:47,239 Speaker 2: called Better Off Dad, which people can get anywhere wherever 757 00:35:47,280 --> 00:35:49,640 Speaker 2: they get their podcasts. The first season of the podcast 758 00:35:49,680 --> 00:35:54,000 Speaker 2: was essentially you interviewing people to try and get more 759 00:35:54,040 --> 00:35:56,200 Speaker 2: of a picture of exactly what this is. But now 760 00:35:56,520 --> 00:36:01,560 Speaker 2: season two, now you're actually talking to people who are 761 00:36:01,560 --> 00:36:04,080 Speaker 2: looking to use it. I was going to say have 762 00:36:04,200 --> 00:36:08,319 Speaker 2: used it, but that would have been tough. And also, 763 00:36:08,440 --> 00:36:12,239 Speaker 2: and importantly and something I'm really interested in, the resistance 764 00:36:12,960 --> 00:36:17,640 Speaker 2: to it. Yeah, this fascinates me. My girlfriend's mum works 765 00:36:17,640 --> 00:36:19,960 Speaker 2: in a hospice in the Netherlands where she works exclusively 766 00:36:19,960 --> 00:36:22,799 Speaker 2: with young men who have chosen to die, and she 767 00:36:23,000 --> 00:36:26,360 Speaker 2: psychologically prepares them and their families for the decision they've made. 768 00:36:26,440 --> 00:36:28,239 Speaker 3: So this is quite close to home with me. 769 00:36:28,360 --> 00:36:31,319 Speaker 2: But what are the arguments around why someone wouldn't want 770 00:36:31,320 --> 00:36:33,560 Speaker 2: this to be a choice that someone can make. 771 00:36:34,080 --> 00:36:36,160 Speaker 8: Well, first of all, probably best to get the reason, 772 00:36:36,200 --> 00:36:38,840 Speaker 8: and the reason almost always when you come down to 773 00:36:38,920 --> 00:36:41,360 Speaker 8: it is it's a moral objection, and almost always it 774 00:36:41,400 --> 00:36:45,160 Speaker 8: comes down to a religious one, which is God decides 775 00:36:45,280 --> 00:36:47,800 Speaker 8: our days and our deaths, and it's not for us 776 00:36:48,120 --> 00:36:51,600 Speaker 8: to end it ahead of the appointed hour. So that's 777 00:36:52,640 --> 00:36:55,439 Speaker 8: the reason why people do that. The argument they most 778 00:36:55,480 --> 00:36:57,479 Speaker 8: commonly put is, look, you can't ever write a law 779 00:36:57,719 --> 00:37:00,279 Speaker 8: like this to help people to die that's safe. I 780 00:37:00,280 --> 00:37:01,920 Speaker 8: don't know if I can use the word bullshit, but 781 00:37:02,120 --> 00:37:03,360 Speaker 8: that is a bullshit argument. 782 00:37:04,239 --> 00:37:07,000 Speaker 2: Is there anything to do in here with like suicide 783 00:37:07,040 --> 00:37:09,960 Speaker 2: and this being close to the bone in that respect. 784 00:37:10,160 --> 00:37:13,440 Speaker 8: Yeah, Look, people, particularly those who oppose these laws, do 785 00:37:13,600 --> 00:37:17,040 Speaker 8: describe it as suicide. Nobody disagrees that suicide is a 786 00:37:17,120 --> 00:37:18,960 Speaker 8: tragedy and we should do everything to stop it. But 787 00:37:19,239 --> 00:37:22,080 Speaker 8: the way I explained this is this is not suicide. 788 00:37:22,080 --> 00:37:24,280 Speaker 8: And the example is what happened with the Twin Towers 789 00:37:24,280 --> 00:37:28,280 Speaker 8: when they're attacked back on nine eleven. We all remember 790 00:37:28,320 --> 00:37:31,280 Speaker 8: the images of those people jumping from the buildings because 791 00:37:31,280 --> 00:37:34,719 Speaker 8: the buildings were melting, they were on fire, and the 792 00:37:34,800 --> 00:37:38,960 Speaker 8: coroner of New York didn't find those deaths to be suicides. 793 00:37:39,000 --> 00:37:42,080 Speaker 8: But homicide is that they were forced from the building. 794 00:37:42,160 --> 00:37:47,600 Speaker 8: So voluntary assistance dying is for people who are clearly dying. 795 00:37:47,600 --> 00:37:50,359 Speaker 8: It's a choice between two forms of dying. It's not 796 00:37:50,440 --> 00:37:51,880 Speaker 8: suicide as we understand it. 797 00:37:52,120 --> 00:37:55,400 Speaker 2: Yeah, wow, okay, I've never heard it described like that. 798 00:37:55,600 --> 00:37:58,600 Speaker 2: Please stay with us. Got more androde Etine right up next, 799 00:37:58,600 --> 00:38:01,480 Speaker 2: he's going to be talking more aboutvoluntary assisted dying again. 800 00:38:01,560 --> 00:38:03,239 Speaker 2: If this is triggering anything for you, the number of 801 00:38:03,320 --> 00:38:05,439 Speaker 2: Lifeline is thirteen eleven fourteen. If you need to speak 802 00:38:05,440 --> 00:38:07,680 Speaker 2: to someone immediately, Hey, zwill and what he were brought 803 00:38:07,680 --> 00:38:11,680 Speaker 2: to you by Binge on a Thursday afternoon right now. Look, 804 00:38:11,680 --> 00:38:13,200 Speaker 2: we've all been in the position we've had a very 805 00:38:13,239 --> 00:38:15,520 Speaker 2: sick relative or a friend, an older person that we've 806 00:38:15,560 --> 00:38:17,800 Speaker 2: loved in hospital and they're kind of in that really 807 00:38:18,280 --> 00:38:19,880 Speaker 2: yuck in between phase where. 808 00:38:19,719 --> 00:38:22,319 Speaker 3: They're obviously not sick enough to stay alive. 809 00:38:22,040 --> 00:38:23,879 Speaker 2: And functioning on the planet, but at the same time, 810 00:38:24,400 --> 00:38:26,480 Speaker 2: you know, we can't let them go quicker than that 811 00:38:26,560 --> 00:38:29,080 Speaker 2: because of the rules and the laws that dictate around this. 812 00:38:29,160 --> 00:38:32,560 Speaker 2: So there's obviously a really fascinating conversation around voluntary assists 813 00:38:32,560 --> 00:38:36,960 Speaker 2: are Dying or youth in Asia. And Andrew Denton joins 814 00:38:37,040 --> 00:38:38,719 Speaker 2: us right now on the phone. He's got a brand 815 00:38:38,760 --> 00:38:40,800 Speaker 2: new podcast talking about that, and Woods, you and I 816 00:38:40,880 --> 00:38:44,120 Speaker 2: are just firing a billion questions with Andrew, who spent 817 00:38:44,160 --> 00:38:48,319 Speaker 2: the last year essentially interviewing people who are about to 818 00:38:48,440 --> 00:38:52,719 Speaker 2: use the legislation which allows them access the Voluntary Assists. 819 00:38:52,360 --> 00:38:53,720 Speaker 4: Are Dying legal in Victoria. 820 00:38:53,880 --> 00:38:56,799 Speaker 2: Now legal in Victoria's spoken to priests, nurses, doctors, But 821 00:38:56,880 --> 00:38:59,200 Speaker 2: right now we're talking about wo you want to talk about. 822 00:38:59,440 --> 00:39:04,440 Speaker 2: The different is that people can actually access voluntary system dying. 823 00:39:04,320 --> 00:39:07,640 Speaker 4: With yes, specifically, Andrew, what about dementia? Where do you 824 00:39:07,680 --> 00:39:08,520 Speaker 4: stand on that? Andrew? 825 00:39:09,480 --> 00:39:12,720 Speaker 8: Look, it's the question I'm most often asked. I've seen 826 00:39:13,040 --> 00:39:17,000 Speaker 8: dementia in my own family, and I know how hard 827 00:39:17,080 --> 00:39:19,759 Speaker 8: it is. The core of these laws is you've got 828 00:39:19,840 --> 00:39:24,160 Speaker 8: to be mentally competent to ask for acestans to and 829 00:39:24,160 --> 00:39:26,399 Speaker 8: you've got to be mentally competent all the way through 830 00:39:26,440 --> 00:39:31,719 Speaker 8: the process, so that precludes dementia. The doctor who I 831 00:39:31,760 --> 00:39:36,200 Speaker 8: spoke to that deals with these unusual requests said that 832 00:39:36,239 --> 00:39:39,080 Speaker 8: person has to choose to leave the ball before midnight 833 00:39:39,480 --> 00:39:41,760 Speaker 8: to end their life earlier than it would naturally happen 834 00:39:41,880 --> 00:39:44,440 Speaker 8: while I still know what's going on, Andrew. 835 00:39:44,520 --> 00:39:46,880 Speaker 4: Do you think we as a society, and this is 836 00:39:46,880 --> 00:39:48,719 Speaker 4: more of a philosophical question, but do you think we 837 00:39:49,480 --> 00:39:50,720 Speaker 4: fear death too much? 838 00:39:52,520 --> 00:39:58,160 Speaker 8: Too much? I don't. Well, this may answer your question, 839 00:39:58,200 --> 00:39:59,839 Speaker 8: but I don't know if you can fear it too much. 840 00:40:00,160 --> 00:40:04,920 Speaker 8: I've certainly pretty averse to the idea. Yes, I'm generally 841 00:40:04,960 --> 00:40:09,600 Speaker 8: against it. I think it's more the way we deal 842 00:40:09,640 --> 00:40:11,960 Speaker 8: with those fears that perhaps we're not so good at. 843 00:40:12,040 --> 00:40:14,359 Speaker 8: And there's one of the I heard a great thing 844 00:40:14,400 --> 00:40:17,400 Speaker 8: a few days ago, which is in Victorian times, they 845 00:40:17,440 --> 00:40:19,840 Speaker 8: talked about death all the time and never about sex, 846 00:40:20,000 --> 00:40:24,359 Speaker 8: and now it's the other way round. And so it's 847 00:40:24,360 --> 00:40:27,600 Speaker 8: maybe that we don't talk about it enough, We don't 848 00:40:28,040 --> 00:40:30,840 Speaker 8: open our eyes to it enough. So it's very confronting 849 00:40:30,880 --> 00:40:35,520 Speaker 8: to us. But you know it is. Our deepest instinct 850 00:40:35,640 --> 00:40:38,000 Speaker 8: is to be alive, and our deepest fear is to 851 00:40:38,040 --> 00:40:39,480 Speaker 8: not be alive. It's very primal. 852 00:40:39,920 --> 00:40:42,080 Speaker 3: Well, if you want to hear more about it, Better 853 00:40:42,160 --> 00:40:46,399 Speaker 3: Off Dead. Season two. The podcast is available now. 854 00:40:46,480 --> 00:40:50,680 Speaker 2: Andrew Dendon is the host of it, and he navigates, 855 00:40:50,800 --> 00:40:54,320 Speaker 2: weaves through, or I imagine, treads on quite frequently andrew 856 00:40:54,440 --> 00:40:57,359 Speaker 2: all the landmines surrounding this issue in Australia. 857 00:40:58,200 --> 00:41:00,000 Speaker 8: I try and tread on without losing limbs. And I've 858 00:41:00,080 --> 00:41:01,840 Speaker 8: got to say for those it's not going to be 859 00:41:01,880 --> 00:41:04,640 Speaker 8: for everyone, but it's also there are just some beautiful 860 00:41:04,680 --> 00:41:09,799 Speaker 8: stories of love and tenderness and humanity which I defy 861 00:41:09,880 --> 00:41:12,840 Speaker 8: anyone not to walk away feeling misty eyed about. 862 00:41:13,600 --> 00:41:15,719 Speaker 2: Great awesome sounds like a great listen. Mate, Well done 863 00:41:15,760 --> 00:41:18,160 Speaker 2: and all your work. Thanks for joining us next time. 864 00:41:18,360 --> 00:41:21,799 Speaker 2: Fart jokes flat chat of them. 865 00:41:22,120 --> 00:41:24,480 Speaker 8: That's the deal you're on, But I don't know if 866 00:41:24,520 --> 00:41:25,399 Speaker 8: I can keep it a five. 867 00:41:25,560 --> 00:41:29,240 Speaker 3: I'm there, thanks mate, have a wonderful afternoon. 868 00:41:29,760 --> 00:41:30,719 Speaker 8: Thanks well, Thanks wood. 869 00:41:31,000 --> 00:41:33,120 Speaker 3: Yeah, hey, just a quick remind you guys. 870 00:41:33,520 --> 00:41:35,719 Speaker 2: If that was a trigger for you in any way 871 00:41:36,360 --> 00:41:39,040 Speaker 2: made you think particularly dark thoughts or anything like that, 872 00:41:39,080 --> 00:41:41,359 Speaker 2: you want to speak to someone right now, you can. 873 00:41:41,400 --> 00:41:43,600 Speaker 2: It doesn't matter how small, how big your worry is. 874 00:41:43,920 --> 00:41:46,399 Speaker 2: Thirteen eleven fourteen is the number for Lifeline, and there's 875 00:41:46,400 --> 00:41:47,839 Speaker 2: someone there who will answer the phone that you can 876 00:41:47,840 --> 00:41:51,080 Speaker 2: speak to immediately. So Please call them if that's triggered 877 00:41:51,080 --> 00:41:51,640 Speaker 2: anything for you. 878 00:41:51,840 --> 00:41:55,000 Speaker 1: See what you're hearing. Find us on Instagram and Facebook 879 00:41:55,160 --> 00:41:56,120 Speaker 1: search Will and Woody