1 00:00:00,360 --> 00:00:02,840 Speaker 1: Wayne Green's a rock singer who's teetered on the brink 2 00:00:02,880 --> 00:00:05,280 Speaker 1: of fame not once, but three times. And as he 3 00:00:05,320 --> 00:00:08,320 Speaker 1: turns seventy, he's embarking on a project that represents the 4 00:00:08,360 --> 00:00:12,000 Speaker 1: pinnacle of his life's work and he's joining us now. 5 00:00:12,200 --> 00:00:13,960 Speaker 1: Good morning, Wayne made. 6 00:00:13,840 --> 00:00:15,920 Speaker 2: Welcome, Good morning mate. 7 00:00:15,960 --> 00:00:17,520 Speaker 3: How are Yeah, we're very well. 8 00:00:17,840 --> 00:00:22,520 Speaker 1: So tell us about the documentary, The Fight for Rock 9 00:00:22,560 --> 00:00:23,000 Speaker 1: and Roll? 10 00:00:24,239 --> 00:00:25,720 Speaker 2: Do you want to know what it's about. 11 00:00:25,600 --> 00:00:28,880 Speaker 1: Or tell us how it came about making it? 12 00:00:29,400 --> 00:00:32,600 Speaker 2: Yeah, I've got to call out of the Blue from 13 00:00:33,040 --> 00:00:37,240 Speaker 2: Greg Gabaloni's name was yes and yeah, and he said 14 00:00:37,280 --> 00:00:39,960 Speaker 2: he had a really good friend who was a fan 15 00:00:40,000 --> 00:00:41,720 Speaker 2: of mine who wanted to make a doc gay and 16 00:00:41,840 --> 00:00:45,199 Speaker 2: I thought he was kidding. Yeah, so I checked it 17 00:00:45,200 --> 00:00:50,600 Speaker 2: all out. Ian Harley's name was from Halo Records, Halo 18 00:00:50,720 --> 00:00:55,000 Speaker 2: for Films, and he was thinking about it, right. So 19 00:00:55,040 --> 00:00:58,600 Speaker 2: it's come on from there, right out of the blue. 20 00:01:00,040 --> 00:01:02,440 Speaker 2: And we've spent about eighteen months to another think. Yeah. 21 00:01:02,480 --> 00:01:04,240 Speaker 3: Ian loves a good story and he loves putting it 22 00:01:04,280 --> 00:01:06,639 Speaker 3: on the on the screen, especially there at the backlob Unreal. 23 00:01:07,680 --> 00:01:10,560 Speaker 2: Yeah. Yeah, they're great people there. And the guy who 24 00:01:10,600 --> 00:01:12,880 Speaker 2: did it, Luk's a really lovely Blake turn put a 25 00:01:12,880 --> 00:01:13,720 Speaker 2: lot of time into it. 26 00:01:15,280 --> 00:01:19,520 Speaker 1: So yeah, we've just done a great series on our 27 00:01:19,560 --> 00:01:22,840 Speaker 1: show about the Perth you know, live music scene in 28 00:01:22,880 --> 00:01:26,480 Speaker 1: the pubs back in the eighties. You had some time 29 00:01:26,520 --> 00:01:28,559 Speaker 1: in the pubs back in the eighties. Tell us about 30 00:01:29,200 --> 00:01:31,119 Speaker 1: playing with the Boys for example. 31 00:01:32,440 --> 00:01:34,480 Speaker 2: Oh yeah, I was in the Boys. I was in 32 00:01:34,520 --> 00:01:38,880 Speaker 2: the Fantoms as well in his late seventies early eighties. Won. 33 00:01:38,959 --> 00:01:42,160 Speaker 2: There was just so much work. It was an incredible thing. 34 00:01:42,240 --> 00:01:47,480 Speaker 2: The series you've been doing beautiful bad thank you. Yeah, 35 00:01:47,560 --> 00:01:49,720 Speaker 2: it's a good to document all that stuff. Someone's got 36 00:01:49,720 --> 00:01:54,520 Speaker 2: to do. Yeah, really vibrant days. I was in the Boys. 37 00:01:54,520 --> 00:01:58,280 Speaker 2: I did an album with them, yep, threw it over 38 00:01:58,360 --> 00:02:02,920 Speaker 2: Earth with them, and that's about ninety percent. Let's work now, 39 00:02:02,960 --> 00:02:03,280 Speaker 2: I reckon. 40 00:02:03,760 --> 00:02:06,080 Speaker 3: Yeah. Is it true? You guys did over three hundred 41 00:02:06,120 --> 00:02:08,400 Speaker 3: gigs when I'm Green and the Phantom so gigs in 42 00:02:08,400 --> 00:02:09,919 Speaker 3: that first year and that's phenomenal. 43 00:02:10,800 --> 00:02:16,600 Speaker 2: It's outrageous, isn't it. There's three three hundred and eleven wow. Wow. Yeah, 44 00:02:16,720 --> 00:02:19,079 Speaker 2: and that's that's four gigs nonber this two or three 45 00:02:19,120 --> 00:02:20,040 Speaker 2: bags front at a time. 46 00:02:20,240 --> 00:02:23,360 Speaker 3: Yeah, that would have been places like Discarbagage Hotel. 47 00:02:25,160 --> 00:02:30,000 Speaker 2: Yeah, yeah, I'll discover was like on the Church on 48 00:02:30,000 --> 00:02:32,679 Speaker 2: a Sunday for a lot of people. Yeah, it was 49 00:02:34,000 --> 00:02:41,760 Speaker 2: really wilds the City Hotel, CEB, the White Scenes yeah, 50 00:02:42,120 --> 00:02:45,200 Speaker 2: and Thendo's nightclub. Yes, they were all the sort of 51 00:02:45,240 --> 00:02:51,400 Speaker 2: rock venues. Yeah, but I really miss it, to be honest, 52 00:02:51,600 --> 00:02:53,520 Speaker 2: I'm glad I'm not young, bl like getting into it now. 53 00:02:54,320 --> 00:02:56,160 Speaker 1: It's very different, totally different. 54 00:02:57,160 --> 00:02:58,720 Speaker 2: Yeah, it's a whole new saying. 55 00:02:58,960 --> 00:03:05,240 Speaker 1: Speaking but yeah, yeah, no, I was say speaking of touring, Uh, 56 00:03:05,400 --> 00:03:07,560 Speaker 1: you toured with the Kings. 57 00:03:08,560 --> 00:03:09,200 Speaker 2: Yeah, I did. 58 00:03:09,240 --> 00:03:11,519 Speaker 1: It was part of my ideal of incredible. 59 00:03:12,639 --> 00:03:16,000 Speaker 2: It was fantastic. It was the first time I've ever 60 00:03:16,040 --> 00:03:21,840 Speaker 2: stayed in my four star hotels. Yeah. No, they were 61 00:03:21,880 --> 00:03:25,240 Speaker 2: really good to so gave just good accommodation and they 62 00:03:25,240 --> 00:03:27,160 Speaker 2: were one of my favorite bands ever and it was 63 00:03:27,200 --> 00:03:28,760 Speaker 2: part of the deal for me to join the Boys. 64 00:03:28,800 --> 00:03:29,880 Speaker 2: That was kind of the sweeteness. 65 00:03:30,240 --> 00:03:33,880 Speaker 3: Oh gotcha? Yeah you didn't, you know, like, let writ 66 00:03:33,919 --> 00:03:36,360 Speaker 3: Davies down throw any any TV's at the window in 67 00:03:36,400 --> 00:03:37,280 Speaker 3: the pool, did you, mate? 68 00:03:38,080 --> 00:03:41,560 Speaker 2: No? No, no, we actually we behaved ourselves really well done. 69 00:03:41,800 --> 00:03:46,280 Speaker 2: And yeah, I've never been at a check and a 70 00:03:46,360 --> 00:03:48,720 Speaker 2: record of bruins. I've done a lot of other nasty things. 71 00:03:49,120 --> 00:03:51,800 Speaker 3: You haven't been that, Joe Walsh. 72 00:03:52,400 --> 00:03:54,880 Speaker 2: No, no, no, only by accident. 73 00:03:55,800 --> 00:03:58,200 Speaker 1: Yeah, nice one dives into swimming pools from the top 74 00:03:58,200 --> 00:03:59,600 Speaker 1: of a roof anywhere. 75 00:04:00,200 --> 00:04:05,920 Speaker 2: No, no, no, I don't value time. I yeah, you're 76 00:04:06,160 --> 00:04:07,680 Speaker 2: enough some smope as well. 77 00:04:08,040 --> 00:04:10,600 Speaker 3: Yeah. And I want to talk about the music business 78 00:04:10,600 --> 00:04:12,760 Speaker 3: and money. Unless you're making it bigger, you're not making 79 00:04:12,800 --> 00:04:14,880 Speaker 3: big money. Is it true? You've made more money from 80 00:04:14,920 --> 00:04:18,520 Speaker 3: gardening than than than rock and roll. 81 00:04:18,279 --> 00:04:18,880 Speaker 2: A lot more. 82 00:04:19,080 --> 00:04:23,919 Speaker 4: Yeah, And I haven't done gardening all that long. Yeah, 83 00:04:23,920 --> 00:04:25,960 Speaker 4: it never made a millionaire of that, but the money 84 00:04:26,080 --> 00:04:30,360 Speaker 4: was awful. The other bands around the eighties and that 85 00:04:30,440 --> 00:04:35,320 Speaker 4: they actually opened it up to the bigger venues and 86 00:04:35,360 --> 00:04:38,279 Speaker 4: I think only had two dollar door charges for thanks, 87 00:04:38,279 --> 00:04:40,040 Speaker 4: like the frames that could pull a thousand people. 88 00:04:40,640 --> 00:04:44,680 Speaker 2: Yeah, those yeah, they you pray. Yeah, And the rock 89 00:04:44,720 --> 00:04:46,760 Speaker 2: bands were on a bit of a lower scar. I'm afraid. 90 00:04:47,440 --> 00:04:49,120 Speaker 3: But it's a problem mate. You've got You've got people 91 00:04:49,120 --> 00:04:50,880 Speaker 3: who've been on stage and the roadies and the sound 92 00:04:50,920 --> 00:04:52,480 Speaker 3: and lights, people who haven't got much super You know, 93 00:04:52,600 --> 00:04:54,919 Speaker 3: it is an issue, isn't it. 94 00:04:54,920 --> 00:04:59,960 Speaker 2: It really is. There's a I don't know who. There's 95 00:05:00,040 --> 00:05:05,000 Speaker 2: a really good mob that's looking after people, now about it. 96 00:05:05,040 --> 00:05:07,279 Speaker 3: There is in the music industry. 97 00:05:06,680 --> 00:05:09,920 Speaker 2: Absolutely, that's the Yeah. Yeah, there's a lot of sad 98 00:05:09,960 --> 00:05:13,960 Speaker 2: cases though. I've got mates now that you know, on 99 00:05:14,000 --> 00:05:15,920 Speaker 2: their last legs, some of them, and they're all bagged 100 00:05:16,720 --> 00:05:19,640 Speaker 2: and with no back up. At least I've got mates 101 00:05:19,680 --> 00:05:21,200 Speaker 2: from the PASA, which is good. 102 00:05:21,279 --> 00:05:22,159 Speaker 3: Yeah. 103 00:05:22,200 --> 00:05:25,239 Speaker 1: The Blur for the Blur for the Doctor talks about, 104 00:05:25,279 --> 00:05:27,200 Speaker 1: you know, being on the brink of fame three times, 105 00:05:28,200 --> 00:05:30,080 Speaker 1: and all of that will be explained in the documentary. 106 00:05:30,120 --> 00:05:35,680 Speaker 1: But I'm curious about the nineties when you went to Nashville. 107 00:05:36,080 --> 00:05:40,000 Speaker 1: What is it true that in Nashville absolutely everybody you're 108 00:05:40,000 --> 00:05:43,440 Speaker 1: come into contact with, what's to play your song? Here's 109 00:05:43,440 --> 00:05:44,920 Speaker 1: your coffee, I've got something to play. 110 00:05:46,080 --> 00:05:53,600 Speaker 2: Yeah. They the blood doing petrol for surving, almost every 111 00:05:53,680 --> 00:05:56,760 Speaker 2: every person. And I really loved Australians at the time, 112 00:05:56,800 --> 00:05:57,839 Speaker 2: which was great for mate. 113 00:05:57,920 --> 00:05:59,320 Speaker 3: All right, that's cool. 114 00:05:59,400 --> 00:06:04,280 Speaker 2: Yeah, yeah. They came out by accident. Again. I was 115 00:06:04,440 --> 00:06:06,640 Speaker 2: sick of music, so I went busking and King's Cross 116 00:06:06,680 --> 00:06:09,800 Speaker 2: with the Motormilee oh right, yeah, yeah, and I learned 117 00:06:09,839 --> 00:06:14,920 Speaker 2: to play guitar and did appear little recordings that over 118 00:06:14,960 --> 00:06:18,440 Speaker 2: there and send it over here, and my brother who 119 00:06:18,480 --> 00:06:21,800 Speaker 2: managed the frames, showed that the same one. It's a 120 00:06:21,839 --> 00:06:25,200 Speaker 2: long story, but anyway, and the Duffinancial over the movie again. 121 00:06:25,760 --> 00:06:29,480 Speaker 3: How incredible. Yeah, And like all movies, sometimes the funding 122 00:06:29,480 --> 00:06:31,520 Speaker 3: issue gets in the way and things can fall out. 123 00:06:31,520 --> 00:06:35,000 Speaker 2: That's what happened. Yeah, that's what happens to Easy Year exactly. Mate. Yeah, 124 00:06:35,720 --> 00:06:38,120 Speaker 2: I wish I'm shortening my answers to. 125 00:06:41,960 --> 00:06:45,600 Speaker 1: Where people might be able to find out a bit more. Actually, 126 00:06:45,600 --> 00:06:48,320 Speaker 1: as you're doing a Q and A, I believe and 127 00:06:48,920 --> 00:06:52,560 Speaker 1: a special performance at the one of the screenings at 128 00:06:52,600 --> 00:06:57,920 Speaker 1: Luna this weekend brilliant both Okay, Friday and Saturday special 129 00:06:58,000 --> 00:07:00,479 Speaker 1: screenings of Green the Fight for Rock and Roll Luna. 130 00:07:01,720 --> 00:07:03,560 Speaker 1: Chance to have a chat there. 131 00:07:04,600 --> 00:07:07,839 Speaker 2: Yeah sure, yeah, Q and A with Luke Look the 132 00:07:07,920 --> 00:07:11,320 Speaker 2: director as well. Okay, and I get to play. Actually, 133 00:07:11,400 --> 00:07:14,280 Speaker 2: the Q and A is being run by Leaf is 134 00:07:14,320 --> 00:07:17,960 Speaker 2: my partner this time. I asked her because Bob Gordon 135 00:07:18,000 --> 00:07:21,640 Speaker 2: had to drop out, right, so she might get a 136 00:07:21,640 --> 00:07:22,280 Speaker 2: big date from me. 137 00:07:22,960 --> 00:07:25,600 Speaker 3: Yeah, you'll be right. That's what you do. Go to 138 00:07:25,720 --> 00:07:27,800 Speaker 3: answers you can there. 139 00:07:28,120 --> 00:07:32,640 Speaker 2: Yeah, yeah, I'll do that. I'll do that it's more 140 00:07:32,640 --> 00:07:36,000 Speaker 2: about me than anyway. 141 00:07:36,440 --> 00:07:38,480 Speaker 3: Really, Lottle forward to seeing him mate. Thanks for the 142 00:07:38,560 --> 00:07:39,600 Speaker 3: music ringing over the years. 143 00:07:39,720 --> 00:07:43,240 Speaker 2: Yes, thank you you guys. Thanks Wayne, keep up the 144 00:07:43,320 --> 00:07:43,760 Speaker 2: good work. 145 00:07:44,280 --> 00:07:46,800 Speaker 1: The Fight for Rock and Roll is on at Luna 146 00:07:46,840 --> 00:07:49,360 Speaker 1: this Friday and Saturday with a special performance and a 147 00:07:49,440 --> 00:07:52,200 Speaker 1: Q and a Wayne. Thanks for joining us, Thanks 148 00:07:52,200 --> 00:07:54,120 Speaker 2: Pay Thanks so yeah.