1 00:00:01,200 --> 00:00:04,880 Speaker 1: Okay, welcome to the show. Yeah, obviously, were about to 2 00:00:04,920 --> 00:00:09,959 Speaker 1: launch into things here. Oh yeah, that's funny about that, 3 00:00:10,480 --> 00:00:12,680 Speaker 1: to launch into things. It's just like a real high 4 00:00:12,760 --> 00:00:15,360 Speaker 1: energy start. Well, what am I going to do? I know, 5 00:00:15,480 --> 00:00:20,800 Speaker 1: I know. Here we go get excited for the radio show. 6 00:00:21,239 --> 00:00:22,799 Speaker 1: It's a big one. It's a big one. It's a 7 00:00:22,840 --> 00:00:25,360 Speaker 1: big big boy or big girl. What gender would you 8 00:00:25,360 --> 00:00:32,920 Speaker 1: call our radio show today? Yeah, yeah, I wouldn't. I'm 9 00:00:32,960 --> 00:00:34,440 Speaker 1: not going to do that answer question. 10 00:00:35,520 --> 00:00:36,040 Speaker 2: I wouldn't. 11 00:00:36,080 --> 00:00:40,120 Speaker 1: I just wouldn't. A trick question. And you both weren't 12 00:00:40,159 --> 00:00:41,159 Speaker 1: that very very well? 13 00:00:43,159 --> 00:00:47,280 Speaker 3: Gender neutral? Gender neutral radio is easy one. If it 14 00:00:47,320 --> 00:00:47,879 Speaker 3: was an animal? 15 00:00:48,040 --> 00:00:51,960 Speaker 1: What animal? Nice correction? 16 00:00:52,080 --> 00:00:59,000 Speaker 3: Boys draft obviously. Oh, yes, we are trying to talk 17 00:00:59,040 --> 00:00:59,800 Speaker 3: to healthy Harold. 18 00:01:00,280 --> 00:01:03,640 Speaker 1: Yeah, we want him. We want him on the show badly. Yes, 19 00:01:03,760 --> 00:01:05,120 Speaker 1: the guy who well not. 20 00:01:05,160 --> 00:01:07,200 Speaker 3: The guy the giraffe who dragged him into a van 21 00:01:07,400 --> 00:01:09,399 Speaker 3: at school. He parked up in your school or just 22 00:01:09,440 --> 00:01:11,480 Speaker 3: outside your school and taught you about sex. 23 00:01:11,720 --> 00:01:16,360 Speaker 1: We want to find that guy. Was it compulsory? Yeah? 24 00:01:16,440 --> 00:01:18,160 Speaker 1: Or do you reckon? There was a letter sent home? 25 00:01:19,319 --> 00:01:24,120 Speaker 1: That's a really good that's great question. We're asking about 26 00:01:24,200 --> 00:01:26,039 Speaker 1: memories of Harold. By the way, in the show. 27 00:01:26,200 --> 00:01:28,360 Speaker 3: Yeah, and maybe we need some parents calling and they 28 00:01:28,360 --> 00:01:29,880 Speaker 3: can answer the question as to whether there was like 29 00:01:30,120 --> 00:01:31,080 Speaker 3: a letter or like. 30 00:01:31,319 --> 00:01:37,040 Speaker 1: Also to see how people perceived it, because I remember 31 00:01:37,080 --> 00:01:40,280 Speaker 1: it being a bit of a drag. I did like 32 00:01:40,319 --> 00:01:44,720 Speaker 1: the idea of going into a dark caravan. Yeah, I 33 00:01:44,959 --> 00:01:48,760 Speaker 1: found it quite uncomfortable in anything outside the classroom. I love. Yeah, 34 00:01:49,000 --> 00:01:55,360 Speaker 1: absolute surprised me for you. I like English, We do that, guys. 35 00:01:55,360 --> 00:01:57,840 Speaker 1: Why would we leave our books? Our books are our 36 00:01:57,840 --> 00:02:01,160 Speaker 1: most precious possessions. I was just had to win something, 37 00:02:02,120 --> 00:02:06,400 Speaker 1: so reality of Facebook. Yeah yeah, so I I really 38 00:02:06,560 --> 00:02:09,600 Speaker 1: really struggled to leave the classroom. But it's funny. I 39 00:02:09,600 --> 00:02:12,760 Speaker 1: was going to cav our digital essay and she was saying, 40 00:02:12,960 --> 00:02:16,040 Speaker 1: being from the country, like when Harold arrived, it was 41 00:02:16,080 --> 00:02:19,079 Speaker 1: like fanfare, like it was the biggest thing that would 42 00:02:19,120 --> 00:02:21,240 Speaker 1: happen when that van rocked up, was the biggest thing 43 00:02:21,280 --> 00:02:24,280 Speaker 1: in their schooling term. You know where she's from from 44 00:02:24,400 --> 00:02:28,040 Speaker 1: tiny town in central New South Wales, so it's like wow, wow, wow, 45 00:02:28,200 --> 00:02:31,160 Speaker 1: there's nothing else going on, so this is amazing. So 46 00:02:31,240 --> 00:02:34,840 Speaker 1: it sounds like it was an all encompassing, whole Australia 47 00:02:34,880 --> 00:02:38,520 Speaker 1: initiative and it was a really big deal for people 48 00:02:38,520 --> 00:02:39,280 Speaker 1: when howld Rock. 49 00:02:39,320 --> 00:02:41,160 Speaker 3: Well, the question is it still a big deal because 50 00:02:41,160 --> 00:02:42,960 Speaker 3: he's so he's on the socials. 51 00:02:43,280 --> 00:02:47,720 Speaker 1: He followed, He followed, will washed He mentioned you in 52 00:02:47,760 --> 00:02:48,239 Speaker 1: his story. 53 00:02:49,040 --> 00:02:53,040 Speaker 3: Yeah, right, So like he's he's active, he's he's active 54 00:02:53,080 --> 00:02:55,440 Speaker 3: on the socials. You think he's washed up. But I 55 00:02:55,480 --> 00:02:57,800 Speaker 3: mean there's sorts of questions for me to ask, you know, 56 00:02:58,000 --> 00:02:59,880 Speaker 3: did he have his hottest album in the nineties and 57 00:03:00,080 --> 00:03:02,320 Speaker 3: struggling to get back out there, or like understand what 58 00:03:02,360 --> 00:03:03,040 Speaker 3: people desire. 59 00:03:03,120 --> 00:03:07,600 Speaker 1: I just think and I hope, I hope we have 60 00:03:07,760 --> 00:03:13,520 Speaker 1: moved past educating kids about sex and threw a giraffe. 61 00:03:13,760 --> 00:03:16,639 Speaker 1: It was hell, it was life. It was like health. 62 00:03:17,480 --> 00:03:21,440 Speaker 1: It was health. It was it was it was because 63 00:03:21,440 --> 00:03:24,079 Speaker 1: it was all about like prescription, medication and stuff as well, 64 00:03:24,560 --> 00:03:30,960 Speaker 1: prescription and sex prescription. This is the interesting thing. We're 65 00:03:30,960 --> 00:03:33,360 Speaker 1: going to take calls in this today because I thinks 66 00:03:33,440 --> 00:03:36,760 Speaker 1: memories of this are very, very different yesterday. What he 67 00:03:36,800 --> 00:03:38,400 Speaker 1: was trying to tell me, there's a robot man in 68 00:03:38,440 --> 00:03:39,480 Speaker 1: the van. Robot man. 69 00:03:39,680 --> 00:03:44,440 Speaker 3: So you pulled an imaginary cord and so I got chosen. 70 00:03:44,440 --> 00:03:47,000 Speaker 3: Once I got picked by Harold, I stood up and 71 00:03:47,040 --> 00:03:49,560 Speaker 3: there was like pull just here, and I was like done, 72 00:03:49,640 --> 00:03:51,120 Speaker 3: and so I yanked. 73 00:03:50,800 --> 00:03:53,400 Speaker 1: Down a sound it all sounds a bit strange. 74 00:03:53,280 --> 00:03:55,960 Speaker 3: Yanked down, and then all of a sudden, the walls 75 00:03:55,960 --> 00:03:59,440 Speaker 3: started like a panel in the in the caravans, and 76 00:03:59,480 --> 00:04:02,080 Speaker 3: there was a bot man behind there with little light 77 00:04:02,200 --> 00:04:03,480 Speaker 3: up bolb. 78 00:04:03,360 --> 00:04:06,880 Speaker 1: Who pointed at a dick, what you said last night? 79 00:04:07,040 --> 00:04:10,680 Speaker 1: He was like, well, penis, which I was like, he 80 00:04:10,760 --> 00:04:14,440 Speaker 1: said penis, and then he pointed at boobs. No, what 81 00:04:14,640 --> 00:04:16,600 Speaker 1: you said last time? That's what stayed with me. But 82 00:04:16,680 --> 00:04:18,919 Speaker 1: so also a bulb would light up on the shoulder 83 00:04:18,960 --> 00:04:21,560 Speaker 1: and everyone I remember the light up body part. I 84 00:04:21,600 --> 00:04:23,599 Speaker 1: don't remember the robot man or the penis, and I 85 00:04:23,640 --> 00:04:26,400 Speaker 1: feel like that it was like a human body. It 86 00:04:26,480 --> 00:04:29,200 Speaker 1: was a human body. It was a separate robot man 87 00:04:29,279 --> 00:04:32,400 Speaker 1: as a separate robot man to the body. What is 88 00:04:32,440 --> 00:04:34,000 Speaker 1: that what he's saying? No, oh my god, there was 89 00:04:34,040 --> 00:04:35,960 Speaker 1: a body as well. There was a body there was 90 00:04:36,040 --> 00:04:39,400 Speaker 1: I forgot about a body and take pieces off and 91 00:04:39,400 --> 00:04:43,680 Speaker 1: it was like the liver, Yes you could do that, 92 00:04:43,520 --> 00:04:45,240 Speaker 1: do that, and it was like it was like a 93 00:04:45,240 --> 00:04:51,279 Speaker 1: person with half a face. Yes, it was throwing a 94 00:04:51,279 --> 00:04:54,200 Speaker 1: few prescription drugs, a penis and a robot. You've got 95 00:04:54,520 --> 00:04:57,920 Speaker 1: a weird man, guys, and a giraffe. Anyway, We're coming 96 00:04:57,920 --> 00:04:59,440 Speaker 1: to hear from you guys about it soon. Let's start 97 00:04:59,440 --> 00:05:01,920 Speaker 1: the show. Let's just tracking baby, how I time we done? 98 00:05:02,240 --> 00:05:06,200 Speaker 3: I've got a one two hours anyway, So that's for 99 00:05:06,279 --> 00:05:06,920 Speaker 3: you guys right now. 100 00:05:13,600 --> 00:05:16,640 Speaker 1: Grew And is back on TV, catching on ABC, ABC 101 00:05:16,880 --> 00:05:19,000 Speaker 1: I View and the host as he has been for 102 00:05:19,080 --> 00:05:23,120 Speaker 1: fifteen seasons. Now is Will Anderson on Will and what 103 00:05:23,200 --> 00:05:23,920 Speaker 1: do you welcome Will? 104 00:05:25,520 --> 00:05:30,200 Speaker 2: Will Woody Will Wednesday? I love it, Thanks for having me. 105 00:05:30,240 --> 00:05:31,520 Speaker 2: I appreciate you having me back. 106 00:05:31,880 --> 00:05:34,120 Speaker 3: I ask you, Will, when does Will have said there 107 00:05:34,160 --> 00:05:36,800 Speaker 3: that you know, fifteen years you've been host of grew And, 108 00:05:36,839 --> 00:05:39,560 Speaker 3: at what stage does that go from something you're really 109 00:05:39,600 --> 00:05:42,320 Speaker 3: proud of to oh, maybe I've. 110 00:05:42,240 --> 00:05:43,120 Speaker 1: Been doing that too long? 111 00:05:45,240 --> 00:05:51,559 Speaker 2: Thanks? Good question. This is like David Warner The Lives 112 00:05:51,600 --> 00:05:56,360 Speaker 2: on the first morning. I just not gonna too long? 113 00:05:56,440 --> 00:05:58,440 Speaker 2: Like what are you going to finish up? Is this 114 00:05:58,560 --> 00:05:59,440 Speaker 2: the final season? 115 00:05:59,680 --> 00:05:59,760 Speaker 4: Like? 116 00:06:00,360 --> 00:06:01,600 Speaker 2: Really? Like what's going on? 117 00:06:01,720 --> 00:06:05,920 Speaker 1: Can I stipulate? I didn't mean years that, I didn't mean. 118 00:06:09,400 --> 00:06:10,719 Speaker 2: How did it a lot like that? 119 00:06:11,080 --> 00:06:12,360 Speaker 1: I mean long? 120 00:06:12,360 --> 00:06:15,960 Speaker 2: Have you got to go over a while? 121 00:06:17,040 --> 00:06:19,600 Speaker 1: I'm on Will's team here. That was rogue. 122 00:06:19,640 --> 00:06:22,359 Speaker 3: I don't know, there's so a character out of mouth. 123 00:06:22,520 --> 00:06:24,960 Speaker 3: I didn't see that as a sledge. I honestly did 124 00:06:24,960 --> 00:06:27,520 Speaker 3: not see that as a sledge. Honestly, as it came up. 125 00:06:28,000 --> 00:06:30,480 Speaker 1: To him, mate, you've been doing fifteen years? How long 126 00:06:30,600 --> 00:06:31,120 Speaker 1: is too long? 127 00:06:31,279 --> 00:06:31,359 Speaker 2: Like? 128 00:06:31,760 --> 00:06:33,359 Speaker 1: How and what part of that is? 129 00:06:33,720 --> 00:06:36,200 Speaker 2: Well even if you just said that, maybe that could 130 00:06:36,240 --> 00:06:38,320 Speaker 2: be a slip at the time, but you really prefaced 131 00:06:38,360 --> 00:06:41,360 Speaker 2: it with at the start it was good. Remember at 132 00:06:41,360 --> 00:06:44,039 Speaker 2: the start, it was really like, Remember that was like 133 00:06:44,160 --> 00:06:45,600 Speaker 2: one of the biggest shows on television. 134 00:06:45,640 --> 00:06:48,280 Speaker 1: Remember that you. 135 00:06:48,160 --> 00:06:50,360 Speaker 2: Were still doing it when it was that. But now 136 00:06:50,400 --> 00:06:52,200 Speaker 2: that it's like the third most popular show at the 137 00:06:52,400 --> 00:06:54,360 Speaker 2: best League, don't you reckon? We should kick it out 138 00:06:54,400 --> 00:06:54,680 Speaker 2: the door? 139 00:06:55,000 --> 00:06:58,960 Speaker 1: It really this time as well? Was it really? 140 00:07:00,320 --> 00:07:00,520 Speaker 5: Wow? 141 00:07:00,760 --> 00:07:03,240 Speaker 1: I was really I couldn't believe it. I was like 142 00:07:03,520 --> 00:07:03,919 Speaker 1: someone that. 143 00:07:04,400 --> 00:07:07,400 Speaker 2: You changed, man, you have changed. Like when we first 144 00:07:07,440 --> 00:07:11,040 Speaker 2: met you was such a respectful young man, like honestly, 145 00:07:11,320 --> 00:07:13,520 Speaker 2: like I remember, like I used to come in on 146 00:07:13,560 --> 00:07:16,480 Speaker 2: your little regional radio show, give you a little boost 147 00:07:16,720 --> 00:07:20,360 Speaker 2: with my national profile. Was so respectful, it was so 148 00:07:20,480 --> 00:07:23,480 Speaker 2: queer in now it's like, where are you going to 149 00:07:23,520 --> 00:07:24,000 Speaker 2: piss off. 150 00:07:27,640 --> 00:07:32,320 Speaker 1: It's got to him, Kyle. Kyle spoken to something like, 151 00:07:33,400 --> 00:07:35,600 Speaker 1: I'm trying to be a building. Is that what you've 152 00:07:35,680 --> 00:07:37,760 Speaker 1: gone for? Clearly not working for me. I don't wear 153 00:07:37,760 --> 00:07:38,360 Speaker 1: a shock jock. 154 00:07:38,440 --> 00:07:42,560 Speaker 2: Well obviously, yeah, I mean I imagine if it was 155 00:07:42,640 --> 00:07:44,760 Speaker 2: Kyle who was giving you that. The first information, the 156 00:07:44,920 --> 00:07:46,960 Speaker 2: question you could have asked Kyle was when are you 157 00:07:47,080 --> 00:07:55,200 Speaker 2: going to finish ups? Kyle? It's gone pretty well for 158 00:07:55,240 --> 00:07:57,280 Speaker 2: a while, this sort of. 159 00:07:57,240 --> 00:08:00,640 Speaker 1: Thing you want to be bandying about in people where 160 00:08:00,680 --> 00:08:04,280 Speaker 1: they can do the same thing back to you at 161 00:08:04,280 --> 00:08:09,480 Speaker 1: the same time, jordanything here is it in my head? 162 00:08:09,480 --> 00:08:12,840 Speaker 1: With discussion as to like, what's forty years fun discussion 163 00:08:12,880 --> 00:08:17,040 Speaker 1: is long? And two is that the functions? 164 00:08:17,080 --> 00:08:21,320 Speaker 2: I mate, you're fifty, You're fifty next year. I notice 165 00:08:21,320 --> 00:08:23,480 Speaker 2: you ever won the people sureice at the Comedy Festival 166 00:08:23,480 --> 00:08:25,440 Speaker 2: for a few years, So what's. 167 00:08:25,280 --> 00:08:25,840 Speaker 1: Going on with that? 168 00:08:26,240 --> 00:08:28,800 Speaker 2: When does popular already peaked and waned a little bit? 169 00:08:28,840 --> 00:08:29,040 Speaker 2: Has it? 170 00:08:29,160 --> 00:08:31,800 Speaker 1: Mate? He's had the conversation we're going to vote initially, 171 00:08:31,840 --> 00:08:34,360 Speaker 1: grow sure we go to vote? Is Will Anderson washed up? 172 00:08:34,440 --> 00:08:37,079 Speaker 1: Let's do it? Come on, you might as well thirty 173 00:08:37,120 --> 00:08:38,040 Speaker 1: one six mins. 174 00:08:38,160 --> 00:08:41,280 Speaker 2: Notice notice your book still is and in the best 175 00:08:41,280 --> 00:08:41,920 Speaker 2: sellers at the. 176 00:08:41,840 --> 00:08:44,160 Speaker 1: Airport what I Will buy, So it's all the key 177 00:08:44,240 --> 00:08:51,400 Speaker 1: mets going, well, you know what years if I did 178 00:08:51,440 --> 00:08:53,199 Speaker 1: mean it to a sledge, my god, is a backfight. 179 00:08:56,679 --> 00:08:58,679 Speaker 1: We're going to talk about Growing Up next because it's 180 00:08:58,720 --> 00:09:00,320 Speaker 1: a brand new season of Grew and it is the 181 00:09:00,360 --> 00:09:06,680 Speaker 1: fifteenth No. No one's thinking final Barbie because obviously there's 182 00:09:06,679 --> 00:09:10,840 Speaker 1: a brand new Barbie movie coming out. Margo Robbie's in it. 183 00:09:10,960 --> 00:09:13,080 Speaker 1: It's all the rage and everyone's very excited about it. 184 00:09:13,120 --> 00:09:15,640 Speaker 1: But I think there's obviously a lot more to Barbie 185 00:09:15,720 --> 00:09:18,120 Speaker 1: over the years in terms of well, I know, obviously 186 00:09:18,200 --> 00:09:20,640 Speaker 1: ruins about advertising, but I'm sure you guys on Grew 187 00:09:20,679 --> 00:09:22,960 Speaker 1: and going to this in depth, what she's meant to 188 00:09:23,040 --> 00:09:25,320 Speaker 1: people and what she stands for and all that sort 189 00:09:25,320 --> 00:09:25,760 Speaker 1: of stuff. 190 00:09:25,960 --> 00:09:29,199 Speaker 2: One of the biggest and longest lasting brands in the world. 191 00:09:29,240 --> 00:09:30,880 Speaker 2: I know that wood. He did say off air that 192 00:09:31,080 --> 00:09:33,240 Speaker 2: she's been around a bit too long and then is 193 00:09:33,240 --> 00:09:35,199 Speaker 2: she going to wrap them up? That was what his 194 00:09:35,440 --> 00:09:41,200 Speaker 2: feedback is. Barbie, Right, Yeah, we get the hang of it, mate, everything, 195 00:09:41,200 --> 00:09:44,200 Speaker 2: When are you gonna move on? So other young dolls 196 00:09:44,240 --> 00:09:49,240 Speaker 2: can get some space in the merchandise. I get other 197 00:09:49,400 --> 00:09:52,400 Speaker 2: little brats on the road trying to knock down Barbie. 198 00:09:52,440 --> 00:09:55,680 Speaker 2: At all Barbie success, They're going to remember without Barbie, 199 00:09:55,679 --> 00:10:00,600 Speaker 2: they wouldn't be room for brats. You know. I'm an 200 00:10:00,640 --> 00:10:03,200 Speaker 2: incredible brand. And one of the most interesting things to 201 00:10:03,240 --> 00:10:05,440 Speaker 2: me about the idea that we're talking about Barbie is 202 00:10:05,480 --> 00:10:07,520 Speaker 2: that this was a brand that ten years ago, twelve 203 00:10:07,559 --> 00:10:09,640 Speaker 2: years ago, was going out of business. This is the 204 00:10:09,800 --> 00:10:13,440 Speaker 2: Barbi story. So Barbie was originally a revolutionary doll because 205 00:10:13,480 --> 00:10:17,400 Speaker 2: dolls were basically babies before Barbie, right, and Barbie was 206 00:10:17,480 --> 00:10:20,800 Speaker 2: kind of the first adult doll that came along for children, 207 00:10:20,880 --> 00:10:24,800 Speaker 2: so at the time incredibly revolutionary. Then like she went 208 00:10:24,840 --> 00:10:27,320 Speaker 2: to space before men went on the moon, like, you know, 209 00:10:27,360 --> 00:10:29,920 Speaker 2: she had all these different jobs and aspirations, and they 210 00:10:29,960 --> 00:10:33,080 Speaker 2: actually saw that young people, young women in particular, had 211 00:10:33,160 --> 00:10:36,680 Speaker 2: broader aspirations because suddenly they were dressing these Barbies and 212 00:10:36,720 --> 00:10:38,800 Speaker 2: seeing that they could have all these different jobs. So 213 00:10:38,920 --> 00:10:41,360 Speaker 2: for a while she was a bit of a feminist icon. 214 00:10:41,440 --> 00:10:43,920 Speaker 2: And then of course we went through the period where 215 00:10:43,960 --> 00:10:46,600 Speaker 2: her unrealistic body shape and the fact that if Barbie 216 00:10:46,640 --> 00:10:48,760 Speaker 2: was a real woman, she would like you know, have 217 00:10:48,880 --> 00:10:52,240 Speaker 2: no kid, in over all the time, it became a 218 00:10:52,280 --> 00:10:54,920 Speaker 2: big issue around this is not a positive body shape, 219 00:10:54,960 --> 00:10:57,120 Speaker 2: and so then it was going out of business. So 220 00:10:57,200 --> 00:10:59,560 Speaker 2: ten twelve years ago they were losing billions of dollars. 221 00:10:59,679 --> 00:11:02,240 Speaker 2: Barbie was on the nose. So from an advertising point 222 00:11:02,280 --> 00:11:05,000 Speaker 2: of view, we wanted to work out how Barbie has 223 00:11:05,040 --> 00:11:07,600 Speaker 2: suddenly become not just one of the biggest brands in 224 00:11:07,600 --> 00:11:10,280 Speaker 2: the world again, they've just made one hundred million dollar 225 00:11:10,400 --> 00:11:13,680 Speaker 2: movie about it. There's often about this movie that Mattel 226 00:11:13,760 --> 00:11:16,440 Speaker 2: have announced they're going to make forty five other movies 227 00:11:16,480 --> 00:11:20,160 Speaker 2: based on their pre existing goals that they have, yes, 228 00:11:20,160 --> 00:11:23,800 Speaker 2: including rock em Sock and Robots the movie you know 229 00:11:24,360 --> 00:11:28,200 Speaker 2: the movie. These are real ones. They've announced forty five. 230 00:11:28,320 --> 00:11:29,920 Speaker 1: They didn't want to just kick it off at. 231 00:11:29,960 --> 00:11:35,679 Speaker 2: Ten magic eight ball the movie. So this is how 232 00:11:35,679 --> 00:11:37,880 Speaker 2: big the brand is now. And it's been adopted, of 233 00:11:37,920 --> 00:11:40,640 Speaker 2: course by the same people who ten twelve years ago 234 00:11:40,880 --> 00:11:42,840 Speaker 2: were the ones who were perhaps going to say Barbie 235 00:11:42,840 --> 00:11:45,960 Speaker 2: was unrealistic. So it's an amazing marketing story. The popularity 236 00:11:45,960 --> 00:11:48,480 Speaker 2: of Barbie has been coming back gradually, but then now 237 00:11:48,480 --> 00:11:51,120 Speaker 2: it's like bursts. Yeah, this is the biggest thing in 238 00:11:51,160 --> 00:11:54,760 Speaker 2: a very long time. Like Barbie, the doll is sold 239 00:11:54,760 --> 00:11:57,520 Speaker 2: out pretty much everywhere, the Margo version of the Barbie. 240 00:11:57,559 --> 00:11:59,959 Speaker 2: There is actually a whole bunch of different other versions 241 00:12:00,040 --> 00:12:02,720 Speaker 2: of the Barbie available now, but the Margo version is 242 00:12:02,720 --> 00:12:05,840 Speaker 2: the most popular version. You've got Margot Robbie, literally a 243 00:12:05,920 --> 00:12:09,640 Speaker 2: living Barbie now walking around, not just promoting this like. 244 00:12:09,760 --> 00:12:12,760 Speaker 1: Movie with a movie. 245 00:12:13,040 --> 00:12:16,200 Speaker 2: You're like, you're promoting just the movie. Robbie going to 246 00:12:16,240 --> 00:12:21,000 Speaker 2: the premiere is dressed as so every kid is watching. 247 00:12:21,080 --> 00:12:23,360 Speaker 2: That's going. I want to have that. I want to 248 00:12:23,360 --> 00:12:25,720 Speaker 2: see that. I've seen her in real life at a 249 00:12:25,720 --> 00:12:28,920 Speaker 2: movie premiere. So you've just added this incredible lay of 250 00:12:28,960 --> 00:12:31,240 Speaker 2: aspiration to something that was already aspirational. 251 00:12:31,920 --> 00:12:33,160 Speaker 1: People still buying Ken. 252 00:12:34,400 --> 00:12:45,720 Speaker 2: Look, Ken comes with Barbie. I guess Ken's interesting chet. 253 00:12:47,000 --> 00:12:47,800 Speaker 1: Yet, you know the. 254 00:12:47,840 --> 00:12:50,000 Speaker 2: Thing about Ken is he's got a real sort of 255 00:12:50,040 --> 00:12:55,280 Speaker 2: like you know, remember Julia Gillard's mysterious partner vibe, strong, 256 00:12:55,440 --> 00:12:59,120 Speaker 2: powerful in the background partner that we could never figure out, 257 00:12:59,240 --> 00:13:04,880 Speaker 2: like sitting around talking in men's sheds or whatever somewhere 258 00:13:04,880 --> 00:13:05,959 Speaker 2: talking about it. 259 00:13:05,880 --> 00:13:07,680 Speaker 1: Seems like pretty all still looks like he's in touch 260 00:13:07,720 --> 00:13:09,920 Speaker 1: with his feelings as well. That's exactly what he's doing 261 00:13:09,920 --> 00:13:10,679 Speaker 1: in a men's shed. 262 00:13:11,080 --> 00:13:17,640 Speaker 2: Yeah, Ken shed right, just like the non alpha doles 263 00:13:17,720 --> 00:13:21,040 Speaker 2: to sit around together, right, well, Barbie, like Barbie needs 264 00:13:21,040 --> 00:13:23,200 Speaker 2: to be with a more alpha doll Is. Honestly, I 265 00:13:23,200 --> 00:13:31,199 Speaker 2: mean everyone, I reckon Optimist Prime and Barbie Is. 266 00:13:31,240 --> 00:13:38,520 Speaker 1: It's one of their forty five movies. I reckon great stuff. 267 00:13:38,559 --> 00:13:40,320 Speaker 1: All right. Well, if you're only going to sea and 268 00:13:40,400 --> 00:13:43,480 Speaker 1: here we're talking more about Barbie tonight, that evolution. It 269 00:13:43,600 --> 00:13:45,719 Speaker 1: is on the Growing eight thirty a b C t 270 00:13:45,920 --> 00:13:47,720 Speaker 1: V ABC. I view as we can always catch up 271 00:13:47,720 --> 00:13:49,160 Speaker 1: on things you're missed on the ABC. Can catch up 272 00:13:49,160 --> 00:13:50,959 Speaker 1: on the whole fifteenth season of Grew and it's all 273 00:13:51,000 --> 00:13:52,679 Speaker 1: there will. Thanks so much for joining us, mate. I 274 00:13:52,720 --> 00:13:55,120 Speaker 1: love that when you guys do specialize on something like this, 275 00:13:55,280 --> 00:13:57,240 Speaker 1: Like in what world did you ever think that you 276 00:13:57,280 --> 00:13:59,960 Speaker 1: could comfortably talk for half an hour about the evil 277 00:14:00,400 --> 00:14:03,080 Speaker 1: of Barbie? But you're so well researched on it, and 278 00:14:03,080 --> 00:14:05,960 Speaker 1: obviously the conversation is so rich on the show that 279 00:14:06,040 --> 00:14:08,360 Speaker 1: you just become completely involved in it. Now. 280 00:14:08,559 --> 00:14:11,040 Speaker 2: Yeah, I dare anyone to watch that segment and think 281 00:14:11,080 --> 00:14:12,360 Speaker 2: we should wrap this show. 282 00:14:12,200 --> 00:14:18,760 Speaker 1: Up right now. I want to dive right back into 283 00:14:18,760 --> 00:14:21,840 Speaker 1: a conversation which I think we glanced yesterday. I think 284 00:14:21,880 --> 00:14:23,720 Speaker 1: we touched it, we caressed it. We had a little 285 00:14:23,720 --> 00:14:25,880 Speaker 1: bit of a checkout. Yeah, and I think we got 286 00:14:25,880 --> 00:14:28,320 Speaker 1: a bit excited. And then I went home last night 287 00:14:28,360 --> 00:14:29,880 Speaker 1: and I was like, gee, whiz, We're going to have 288 00:14:29,920 --> 00:14:34,400 Speaker 1: to talk more about healthy Harold the giraffe in the 289 00:14:34,440 --> 00:14:36,600 Speaker 1: life ed van, because I think there's a lot to 290 00:14:36,680 --> 00:14:40,560 Speaker 1: unpack here. Were you in that weird caravan with the giraffe? 291 00:14:40,680 --> 00:14:41,320 Speaker 1: Can I ask? 292 00:14:41,880 --> 00:14:42,880 Speaker 6: Yes, yes, I was. 293 00:14:42,920 --> 00:14:47,760 Speaker 1: What's his name again, Arthur or something? Harold, Harold, buddy Harold. 294 00:14:48,400 --> 00:14:50,600 Speaker 1: We all have to start asking questions about the fact 295 00:14:50,640 --> 00:14:52,760 Speaker 1: that most of us learned about sex through a giraffe 296 00:14:52,760 --> 00:14:53,400 Speaker 1: in a caravan. 297 00:14:53,840 --> 00:14:54,080 Speaker 2: Yeah. 298 00:14:55,400 --> 00:14:58,200 Speaker 1: Really, I'm not sure how that got through the committee. 299 00:14:59,400 --> 00:15:00,640 Speaker 1: He's still kicking Harold. 300 00:15:00,800 --> 00:15:04,440 Speaker 3: Yeah, that's why we working at subway savage. 301 00:15:04,760 --> 00:15:08,600 Speaker 1: Yeah, cheap has a cheap joke. 302 00:15:09,480 --> 00:15:12,000 Speaker 3: Since that chat, by the way, since we briefly brushed it, 303 00:15:12,080 --> 00:15:16,480 Speaker 3: as you said, Harold d MDS. Harold's got everyone's d 304 00:15:16,960 --> 00:15:19,720 Speaker 3: these days. Harold, Harold got in touch with us. He's 305 00:15:19,760 --> 00:15:22,840 Speaker 3: still kicking around, so he'll be hell. He still cruises 306 00:15:22,880 --> 00:15:25,880 Speaker 3: around Australia in his caravan, rocking up at schools. 307 00:15:26,480 --> 00:15:29,040 Speaker 1: What do you what do you remember from the van? 308 00:15:29,320 --> 00:15:33,880 Speaker 3: Okay, there's definitely sex. Said chat that Harold sort of went. 309 00:15:33,720 --> 00:15:36,560 Speaker 1: Over discussed was there an actual giraffe in there? Like 310 00:15:36,720 --> 00:15:40,080 Speaker 1: was it actually a puppet or was there a video screen? 311 00:15:40,400 --> 00:15:43,920 Speaker 1: I remember real puppet and it was pitch black apart 312 00:15:43,920 --> 00:15:45,880 Speaker 1: from and he stars on the roof. 313 00:15:46,040 --> 00:15:48,800 Speaker 3: He'd stick his head out of like a almost like 314 00:15:48,840 --> 00:15:51,120 Speaker 3: an event would come on event, but like the. 315 00:15:51,080 --> 00:15:53,600 Speaker 1: A wall would trap door. It was a trap door 316 00:15:53,640 --> 00:15:57,040 Speaker 1: that it sounds a bit intense, but a thing on 317 00:15:57,080 --> 00:15:59,280 Speaker 1: the wall with a herd hole. Yeah, HARDI hole, yeah, 318 00:15:59,320 --> 00:16:02,040 Speaker 1: HARDI hole. And Harold would pop his head out and 319 00:16:02,160 --> 00:16:04,800 Speaker 1: be like, oh it's truth. Here's Harold right. Yeah, so 320 00:16:04,840 --> 00:16:06,640 Speaker 1: I remember that. I remember stars on the roof. 321 00:16:06,680 --> 00:16:09,720 Speaker 3: And the only other thing I remember is a kid 322 00:16:09,720 --> 00:16:12,920 Speaker 3: would get chosen to step up and pull an imaginary cord. 323 00:16:13,440 --> 00:16:15,600 Speaker 1: So you remember this. I do not remember this. I'm 324 00:16:15,600 --> 00:16:16,840 Speaker 1: sure this was the thing. And then you said there 325 00:16:16,880 --> 00:16:19,200 Speaker 1: was a robot arm that opened up and then there 326 00:16:19,200 --> 00:16:22,480 Speaker 1: was a man's penis behind it. No, yeah, really that's 327 00:16:22,520 --> 00:16:24,720 Speaker 1: one of my words. And really mix it seem like 328 00:16:24,720 --> 00:16:28,840 Speaker 1: like a mold of just a human skeleton with different 329 00:16:28,840 --> 00:16:30,560 Speaker 1: body parts on it. Yeah, it was just like it. 330 00:16:30,520 --> 00:16:33,640 Speaker 3: Was just like a model of a man and there 331 00:16:33,640 --> 00:16:36,440 Speaker 3: were little light up bulbs on the different parts of 332 00:16:36,440 --> 00:16:38,600 Speaker 3: the body and then they'd light up like shoulder and 333 00:16:38,600 --> 00:16:41,280 Speaker 3: you go, everyone would go shoulder and light up. 334 00:16:41,240 --> 00:16:44,920 Speaker 1: Thigh, you'd go thigh. That that's but that's it for me. 335 00:16:45,520 --> 00:16:47,720 Speaker 3: After that, my memory gets very very hazy, and I 336 00:16:47,720 --> 00:16:50,600 Speaker 3: am incredibly curious though I'm thirteen one oh six five. 337 00:16:50,920 --> 00:16:54,560 Speaker 1: Yeah, do you remember Harold Hell? I think Harold. I 338 00:16:54,600 --> 00:16:56,600 Speaker 1: think we all remember Harold. I think the moment that 339 00:16:56,680 --> 00:16:59,280 Speaker 1: you see, you know, any time you see a giraffe, 340 00:16:59,320 --> 00:17:02,160 Speaker 1: you're like, second, did I learn about sex from giraffe? Yeah? 341 00:17:02,360 --> 00:17:04,240 Speaker 1: When I was at school, Like, I've had those moments 342 00:17:04,880 --> 00:17:06,880 Speaker 1: that I'm pretty sure he did. Like it was a 343 00:17:06,880 --> 00:17:09,480 Speaker 1: apples and vegetables well button push. Tom seems to think 344 00:17:09,480 --> 00:17:11,560 Speaker 1: that he also spoke to us about prescription drugs, which 345 00:17:11,560 --> 00:17:14,240 Speaker 1: I was across. I remember healthy Harold teaching us about 346 00:17:14,280 --> 00:17:18,320 Speaker 1: expiry dates on meds so that you weren't taking like 347 00:17:18,480 --> 00:17:22,960 Speaker 1: off panandole and stuff. Right, why a giraffe? Can I 348 00:17:23,000 --> 00:17:26,679 Speaker 1: ask that there's a few there's just a few question 349 00:17:26,760 --> 00:17:29,880 Speaker 1: marks for me and look because obviously, as I said, 350 00:17:29,880 --> 00:17:31,560 Speaker 1: I was spaking to a lot of people about this recently, 351 00:17:32,400 --> 00:17:34,920 Speaker 1: and some of them from the country. I digital broducer kV. 352 00:17:35,280 --> 00:17:38,240 Speaker 1: She's from the country, and she was like when Healthy 353 00:17:38,240 --> 00:17:39,800 Speaker 1: Harold in the Life Air And by the way, guys, 354 00:17:39,800 --> 00:17:41,600 Speaker 1: if you're not across this, it was in a caravan. 355 00:17:41,960 --> 00:17:44,760 Speaker 1: When the caravan rocked up, it was like Christmas for them. Yeah, 356 00:17:44,840 --> 00:17:46,359 Speaker 1: and I'm not sure what that says about where she 357 00:17:46,440 --> 00:17:48,840 Speaker 1: was from, but like there's that's it was a big 358 00:17:48,880 --> 00:17:51,399 Speaker 1: deal for them. Everyone got pumped. Yeah, I feel like 359 00:17:51,400 --> 00:17:54,280 Speaker 1: we got excited. But I'm also imagining this time when 360 00:17:54,320 --> 00:17:57,000 Speaker 1: it was a bit weird. So here's a question. Yeah, 361 00:17:57,400 --> 00:17:59,840 Speaker 1: was Healthy Harold the giraffe in the Live Air van? 362 00:18:00,119 --> 00:18:03,000 Speaker 1: Was it like awesome? Was it as good as you're 363 00:18:03,040 --> 00:18:05,600 Speaker 1: remembering it to be, or was it a bit strange? 364 00:18:06,040 --> 00:18:11,399 Speaker 1: That's how we educated ourselves about sex and life and drugs. 365 00:18:11,400 --> 00:18:14,320 Speaker 1: Because I'm awesome, I'm definitely team we know that it 366 00:18:14,400 --> 00:18:16,880 Speaker 1: was a highlight. I'm posing a bit of a question here, 367 00:18:16,880 --> 00:18:18,800 Speaker 1: and I'm getting mixed answers from a lot of people. 368 00:18:18,880 --> 00:18:22,080 Speaker 1: Do we think that was a stroke of genius from 369 00:18:22,080 --> 00:18:24,919 Speaker 1: the federal government? To introduce a giraffe. Is it a 370 00:18:24,960 --> 00:18:27,639 Speaker 1: government initiative? I think it might be. I think it's 371 00:18:27,640 --> 00:18:32,320 Speaker 1: privately Do you think do you think Harold's are privately identity? Well, look, 372 00:18:32,359 --> 00:18:33,760 Speaker 1: we'll have to talk to him. He has slipped into 373 00:18:33,760 --> 00:18:36,119 Speaker 1: our DMS Harold, so we will hopefully be able to 374 00:18:36,160 --> 00:18:37,520 Speaker 1: chat with him in the next couple of days. But 375 00:18:37,960 --> 00:18:40,680 Speaker 1: let's just take a walk down memory lane right now 376 00:18:40,720 --> 00:18:43,040 Speaker 1: and just see what people remember, because the patchwork quilt 377 00:18:43,080 --> 00:18:44,640 Speaker 1: that you and I are putting together, and what that 378 00:18:45,000 --> 00:18:49,399 Speaker 1: caravan and that giraffe looked like woods is not the same. No, 379 00:18:49,480 --> 00:18:52,479 Speaker 1: it's not. We got Will here, Will. What's your healthy 380 00:18:52,600 --> 00:18:56,560 Speaker 1: Harold memory? Hey, guys, Yeah, it was. 381 00:18:56,920 --> 00:18:58,359 Speaker 6: I think it was a positive experience. 382 00:18:59,080 --> 00:18:59,719 Speaker 1: Yeah, it was. 383 00:19:00,000 --> 00:19:00,680 Speaker 7: It was definitely. 384 00:19:00,920 --> 00:19:01,680 Speaker 8: It was exciting. 385 00:19:01,720 --> 00:19:03,399 Speaker 6: You're right. You painted the picture pretty well, you go, 386 00:19:03,480 --> 00:19:04,560 Speaker 6: and it was all sort of pitch black. 387 00:19:04,720 --> 00:19:06,560 Speaker 1: Yes, I think you had to bang on the wall 388 00:19:06,560 --> 00:19:08,640 Speaker 1: a couple of times and the giraffe would pop out. 389 00:19:08,920 --> 00:19:12,040 Speaker 1: That's right, you had to back it in out to get. 390 00:19:13,800 --> 00:19:17,879 Speaker 6: Yeah, yes, that's it's a weird sort of curtain set up. 391 00:19:17,960 --> 00:19:20,960 Speaker 1: Yes, weird, weird curtain set up set up, no doubt 392 00:19:21,000 --> 00:19:25,960 Speaker 1: about Yeah, yeah, the curtains, alcohol, coffee, panted old being 393 00:19:25,960 --> 00:19:28,240 Speaker 1: and drug that sort of thing. But sorry, said he 394 00:19:28,280 --> 00:19:33,600 Speaker 1: offered alcohol and coffee. Giraffe out. It was like a 395 00:19:33,680 --> 00:19:38,800 Speaker 1: right near a Christmas time. You guys went to Amazing Amazing. Well, 396 00:19:39,520 --> 00:19:41,199 Speaker 1: I remember that they go, Harold's not going to come 397 00:19:41,200 --> 00:19:43,280 Speaker 1: out unless you make some noise for him. Yes, and 398 00:19:43,320 --> 00:19:46,280 Speaker 1: he always yes to have your feet on the Yes. 399 00:19:46,520 --> 00:19:48,600 Speaker 3: Let's got a scarlet here, Scarlet. What do you remember 400 00:19:48,640 --> 00:19:49,639 Speaker 3: about healthy Harold? 401 00:19:50,520 --> 00:19:55,920 Speaker 6: I remember specifically when he sure has to go clean 402 00:19:56,000 --> 00:19:57,040 Speaker 6: his bedrooms. 403 00:19:57,560 --> 00:19:59,720 Speaker 5: Every single time he goes down behind his. 404 00:19:59,680 --> 00:20:03,440 Speaker 7: Little that they had, he wouldn't. 405 00:20:02,640 --> 00:20:05,120 Speaker 6: Make a bang, and he would bump his head every 406 00:20:05,160 --> 00:20:07,000 Speaker 6: single time he went down to clean his room. 407 00:20:07,320 --> 00:20:14,200 Speaker 1: Yes, every time it got me. He's done it again, Scarlet. 408 00:20:14,280 --> 00:20:17,680 Speaker 1: Do you think saying they made that same gig every time? 409 00:20:18,320 --> 00:20:21,280 Speaker 1: I was operating under the assumption, given the amount of 410 00:20:21,280 --> 00:20:25,280 Speaker 1: people that obviously went into Harold's caravan, that there was 411 00:20:25,359 --> 00:20:28,600 Speaker 1: more than one healthy Harold caravan going around? But was 412 00:20:28,640 --> 00:20:29,359 Speaker 1: there just one? 413 00:20:30,240 --> 00:20:31,240 Speaker 4: Do you think? 414 00:20:32,119 --> 00:20:32,439 Speaker 9: See? 415 00:20:32,480 --> 00:20:34,760 Speaker 7: I was also I think you guys mentioned something about 416 00:20:34,800 --> 00:20:36,840 Speaker 7: being in like a bit of a rural area. 417 00:20:36,960 --> 00:20:39,280 Speaker 6: I was also in like kind of the middle of 418 00:20:39,320 --> 00:20:40,119 Speaker 6: nowhere as well. 419 00:20:41,600 --> 00:20:43,840 Speaker 7: I wasn't really touch with anyone, so I don't know, 420 00:20:44,000 --> 00:20:45,879 Speaker 7: I didn't really have the radar for that kind of 421 00:20:45,880 --> 00:20:46,600 Speaker 7: thing at the time. 422 00:20:46,920 --> 00:20:49,240 Speaker 1: Yeah, yeah, it feels like no one did. But finally 423 00:20:49,320 --> 00:20:54,600 Speaker 1: were the caravan has covered more kilometers across Australia than 424 00:20:54,720 --> 00:20:57,160 Speaker 1: any other caravan. I actually think you think it's the same. 425 00:20:57,720 --> 00:21:01,359 Speaker 3: Remember Harold would come once a year that if that, 426 00:21:01,400 --> 00:21:03,920 Speaker 3: it might have been a biannual thing, which would suggest 427 00:21:04,480 --> 00:21:07,639 Speaker 3: that he's doing Australia. He does every town in Australia 428 00:21:07,720 --> 00:21:09,880 Speaker 3: and then he comes back, he returns. 429 00:21:10,000 --> 00:21:14,480 Speaker 1: I think there's only one let's go to I think 430 00:21:14,520 --> 00:21:18,920 Speaker 1: there is. But again if that, if that is the case, 431 00:21:18,960 --> 00:21:21,920 Speaker 1: then then like again, I am. I don't know whether 432 00:21:21,960 --> 00:21:24,919 Speaker 1: I'm impressed or terrified about the fact that the entire 433 00:21:25,040 --> 00:21:28,159 Speaker 1: nation's children is reliant on a caravan going from primary 434 00:21:28,200 --> 00:21:30,639 Speaker 1: school to primary school to teach them about sex. But 435 00:21:30,680 --> 00:21:32,840 Speaker 1: he was the best. He was the best at it. 436 00:21:33,320 --> 00:21:36,760 Speaker 1: He was the best. Let's go to Sarah. He's insane. 437 00:21:37,240 --> 00:21:40,080 Speaker 1: That he's insane, that he's actually I. 438 00:21:40,040 --> 00:21:44,320 Speaker 3: Would say, with with the we're saying, he talks about sex, alcohol, coffee, 439 00:21:44,440 --> 00:21:46,399 Speaker 3: drugs and all that sort of I'd say they're icky 440 00:21:46,480 --> 00:21:49,959 Speaker 3: subjects for teachers to address. I reckon teachers and schools 441 00:21:50,000 --> 00:21:52,040 Speaker 3: would have been like, I am pumped that there's a 442 00:21:52,040 --> 00:21:54,240 Speaker 3: giraffe offering to do this conversation. 443 00:21:55,119 --> 00:21:58,320 Speaker 1: So the popularity. You can totally understand that as a teacher, 444 00:21:58,320 --> 00:22:00,640 Speaker 1: it's great that you were absolved at that responsible. Like 445 00:22:00,920 --> 00:22:03,800 Speaker 1: if you're like, let's just imagine like a foreign diplomat 446 00:22:03,840 --> 00:22:05,680 Speaker 1: comes over here and they're like, you know, inspecting the 447 00:22:05,760 --> 00:22:08,119 Speaker 1: you know, how Australian kids are learning about sex and 448 00:22:08,200 --> 00:22:10,040 Speaker 1: life and all these sorts of things. They'd be like, Oh, guys, 449 00:22:10,040 --> 00:22:13,119 Speaker 1: what's the what's the program that you've got going on? Yeah, 450 00:22:13,280 --> 00:22:17,000 Speaker 1: we've got this half who goes from down to town 451 00:22:17,119 --> 00:22:19,560 Speaker 1: across the country and the kids sit in the caravan 452 00:22:19,640 --> 00:22:21,920 Speaker 1: and he tells them about prescription drugs and sex. 453 00:22:21,960 --> 00:22:24,960 Speaker 3: You're right, I'm shocked that hasn't gone glow. I think 454 00:22:24,960 --> 00:22:29,639 Speaker 3: it's brilliant. Let's go to siahs Sarah. It's hard to 455 00:22:29,680 --> 00:22:31,560 Speaker 3: imagine that pitch document getting up, isn't it when it 456 00:22:31,600 --> 00:22:33,080 Speaker 3: was first pitch It's hard to imagine getting that. 457 00:22:33,200 --> 00:22:37,480 Speaker 1: Let's go to Sarah here, Sarah, how are you? We're 458 00:22:37,520 --> 00:22:40,800 Speaker 1: so good? Healthy Harold's what's your memory of the big fella? 459 00:22:40,960 --> 00:22:46,159 Speaker 7: Oh? I have the fondest memories of being in primary school, 460 00:22:46,280 --> 00:22:48,520 Speaker 7: and obviously it kind of cuts to town. There's not 461 00:22:48,520 --> 00:22:51,360 Speaker 7: a whole lot else going on. But when you got 462 00:22:51,400 --> 00:22:54,000 Speaker 7: wind of healthy Harold coming to school, it was the 463 00:22:54,080 --> 00:22:57,320 Speaker 7: best day ever. And a hind fight now that I'm 464 00:22:57,359 --> 00:23:00,040 Speaker 7: thirty three and stepping into a dark band with a 465 00:23:00,119 --> 00:23:02,080 Speaker 7: dra telling me about a little bit. 466 00:23:04,040 --> 00:23:06,199 Speaker 1: Yeah, but was there a bud, Sarah? 467 00:23:06,760 --> 00:23:09,080 Speaker 7: But it was such a fdden memory of just being 468 00:23:09,480 --> 00:23:13,600 Speaker 7: like in primary school and just the excitement of having 469 00:23:13,800 --> 00:23:15,200 Speaker 7: something coming to town. 470 00:23:15,320 --> 00:23:17,960 Speaker 1: Really yes, and getting out of the classroom. 471 00:23:18,000 --> 00:23:19,840 Speaker 3: I loved it was like when it was announce that 472 00:23:19,840 --> 00:23:22,160 Speaker 3: you were getting out of your classroom and going into 473 00:23:22,200 --> 00:23:23,600 Speaker 3: a dark van to go and hang out with. 474 00:23:23,600 --> 00:23:26,520 Speaker 1: A dress you have there, Sarah, Like, I suppose this 475 00:23:26,560 --> 00:23:28,879 Speaker 1: is the ultimate test. Really, do you think there was 476 00:23:28,920 --> 00:23:31,320 Speaker 1: a lesson that you learned in Harold's Van that you 477 00:23:31,359 --> 00:23:33,199 Speaker 1: have carried with you into your life now or at 478 00:23:33,200 --> 00:23:34,800 Speaker 1: any stage you've looked back on and been. 479 00:23:34,720 --> 00:23:38,240 Speaker 7: Like, probably not to get into a dark van with somebody. 480 00:23:42,200 --> 00:23:49,720 Speaker 7: I'm going to a soft drink, no. 481 00:23:49,720 --> 00:23:59,520 Speaker 1: Ducy, no, alrighty Woods, pretty simple can you tell the 482 00:23:59,520 --> 00:24:01,680 Speaker 1: difference between a cannon beer opening and a can of 483 00:24:01,760 --> 00:24:04,320 Speaker 1: soft drink opening just by the sound of it opening? 484 00:24:04,440 --> 00:24:07,199 Speaker 3: And we believe, to truly believe you can tell a difference. 485 00:24:07,240 --> 00:24:09,920 Speaker 3: You need to get five in a row. We've done 486 00:24:09,920 --> 00:24:11,560 Speaker 3: it on this show for a very long time. Only 487 00:24:11,600 --> 00:24:14,040 Speaker 3: one person has ever pulled it off. But the reason 488 00:24:14,040 --> 00:24:15,919 Speaker 3: we are bringing it back to the forefront of this 489 00:24:16,000 --> 00:24:21,720 Speaker 3: show is because the one and only Joe Jonas direct 490 00:24:21,760 --> 00:24:24,960 Speaker 3: message to this on social media. He slid into our 491 00:24:25,040 --> 00:24:28,600 Speaker 3: DMS right and he said I want to play I 492 00:24:28,600 --> 00:24:36,600 Speaker 3: think actually said I need to play Willem body drabbing 493 00:24:36,640 --> 00:24:44,040 Speaker 3: you off. So it is confirmed that he is playing 494 00:24:44,080 --> 00:24:47,640 Speaker 3: tomorrow Wilbart. Now, naturally, given that he's playing tomorrow, we've 495 00:24:47,640 --> 00:24:50,840 Speaker 3: been talking a lot about how we think Joey Jojo 496 00:24:50,960 --> 00:24:51,280 Speaker 3: is going. 497 00:24:51,240 --> 00:24:51,800 Speaker 1: To go Ya. 498 00:24:54,280 --> 00:24:56,119 Speaker 3: You seem to think there's a lot of pressure on 499 00:24:56,200 --> 00:24:58,760 Speaker 3: him and you think his reputation could be in tat 500 00:24:58,800 --> 00:25:00,840 Speaker 3: as if he can't nail the five. 501 00:25:00,960 --> 00:25:03,800 Speaker 1: Given that he reached out to us, it's a lose 502 00:25:03,840 --> 00:25:06,760 Speaker 1: lose Woods. I'm gonna be honest, I I'm baffled that 503 00:25:06,800 --> 00:25:10,000 Speaker 1: he reached out. He's either he's either such an ego 504 00:25:10,119 --> 00:25:12,920 Speaker 1: maniac that like he's living in this you know, as 505 00:25:12,960 --> 00:25:14,800 Speaker 1: I imagine you are. If you're a Jonah's brother, you 506 00:25:14,920 --> 00:25:17,160 Speaker 1: just like everything I touched turns to gold. I live 507 00:25:17,160 --> 00:25:20,800 Speaker 1: in a castle literally with a queen Censor Stark, And 508 00:25:21,359 --> 00:25:24,639 Speaker 1: sure you know I can just call radio stations and 509 00:25:24,640 --> 00:25:26,560 Speaker 1: slide into people's DMS and go, yeah, I reckon, I 510 00:25:26,600 --> 00:25:28,000 Speaker 1: can do that. I can, I can do that. I reckon. 511 00:25:28,040 --> 00:25:30,680 Speaker 1: He's lost touch with reality. I don't. I don't think 512 00:25:30,680 --> 00:25:35,000 Speaker 1: he realizes how hard a five can can you hear it? Challenges? 513 00:25:35,240 --> 00:25:38,040 Speaker 1: And unless he and Sansor Stark are as you put 514 00:25:38,119 --> 00:25:41,520 Speaker 1: last night opening cans, Unless Santsa Stark's waking him up 515 00:25:41,520 --> 00:25:44,560 Speaker 1: with a can every morning, that's definitely happening. Do you 516 00:25:44,600 --> 00:25:49,119 Speaker 1: think you think Sophie Sophy Turner is waking Joe Jonas 517 00:25:49,200 --> 00:25:50,919 Speaker 1: up with a cannon by the Bureau soft drink and 518 00:25:50,960 --> 00:25:53,840 Speaker 1: he has to with his eyes closed, go Ber. I 519 00:25:53,880 --> 00:25:56,920 Speaker 1: think when Joe came home after is that that's amazing 520 00:25:56,960 --> 00:25:57,720 Speaker 1: if they are doing that. 521 00:25:58,040 --> 00:26:00,480 Speaker 3: When when he came home after telling him so that 522 00:26:00,520 --> 00:26:03,120 Speaker 3: he'd slid into our DMS, he told her, I think 523 00:26:03,200 --> 00:26:06,800 Speaker 3: I think she went, Wow, Joe, your complete reputation is 524 00:26:06,800 --> 00:26:08,080 Speaker 3: on the line here if you don't get the few, 525 00:26:08,240 --> 00:26:09,880 Speaker 3: hope so, and then I think she took it upon 526 00:26:09,920 --> 00:26:11,760 Speaker 3: herself to start training Joe. 527 00:26:12,560 --> 00:26:15,520 Speaker 1: You're like, if you're going to throw So she turned 528 00:26:15,520 --> 00:26:16,880 Speaker 1: full mister me argue at that point. 529 00:26:16,960 --> 00:26:19,520 Speaker 3: So she's the one who he's sleeping five am banks 530 00:26:20,359 --> 00:26:22,040 Speaker 3: softly god beit softly god bit. 531 00:26:22,000 --> 00:26:22,520 Speaker 1: That's what's having. 532 00:26:22,560 --> 00:26:25,480 Speaker 3: It's like a huge boot camp run by Santa Stark 533 00:26:25,520 --> 00:26:28,320 Speaker 3: slash Sophie Turner. That's what I would think. And also 534 00:26:28,400 --> 00:26:30,600 Speaker 3: I hope is going on. I hope he's taking it 535 00:26:30,600 --> 00:26:31,200 Speaker 3: this seriously. 536 00:26:31,240 --> 00:26:34,159 Speaker 1: Well, okay, so so whether or not, whether or not 537 00:26:34,240 --> 00:26:38,040 Speaker 1: he's going through So if you turn a boot camp, yeah, 538 00:26:38,359 --> 00:26:41,600 Speaker 1: so if you turn again here, bootcare whether or not 539 00:26:41,600 --> 00:26:44,399 Speaker 1: he's going through that. The other option here, and this 540 00:26:44,480 --> 00:26:47,920 Speaker 1: is the option I really am afraid of, is that 541 00:26:48,280 --> 00:26:52,840 Speaker 1: he's a music producer. And I'm afraid that he is 542 00:26:53,000 --> 00:26:56,320 Speaker 1: confident because he's got reason to be confident, because he 543 00:26:56,400 --> 00:27:00,719 Speaker 1: has got amazing sonic capacity as an audio produce. If 544 00:27:00,720 --> 00:27:03,000 Speaker 1: he's sitting in front of monitors every day listening to 545 00:27:03,040 --> 00:27:06,159 Speaker 1: sound changing sound, those guys get very good at listening 546 00:27:06,200 --> 00:27:08,960 Speaker 1: to the minutia of audio so is he just going 547 00:27:09,040 --> 00:27:12,080 Speaker 1: to come on here, turn a boot camp or not 548 00:27:12,400 --> 00:27:14,880 Speaker 1: and just pants this whole operation and do a five 549 00:27:14,920 --> 00:27:17,200 Speaker 1: can can you Hear It? Challenge in his sleep? Because 550 00:27:17,200 --> 00:27:19,119 Speaker 1: he's his music. So I think we need to do 551 00:27:19,119 --> 00:27:21,320 Speaker 1: a bit of a test about that now. Yeah, yeah, yeah, yeah, 552 00:27:22,600 --> 00:27:24,919 Speaker 1: Third and one O six five. If you work in 553 00:27:25,720 --> 00:27:30,680 Speaker 1: audio production? Yeah, can you be just a singer? Yes? Yeah, 554 00:27:30,720 --> 00:27:33,160 Speaker 1: oh yeah, you work in music, You work in music, 555 00:27:33,200 --> 00:27:35,960 Speaker 1: you work in audio production? Thirty one O six five, 556 00:27:36,560 --> 00:27:38,040 Speaker 1: Can you please give us a call because I think 557 00:27:38,080 --> 00:27:40,919 Speaker 1: we need to find out because if if, if we 558 00:27:41,040 --> 00:27:43,040 Speaker 1: get three music producers that come on the show right 559 00:27:43,040 --> 00:27:45,000 Speaker 1: now and they're able to do the five can challenge immediately? 560 00:27:45,760 --> 00:27:47,480 Speaker 1: You know, why have we got Joe Jones on the show? 561 00:27:47,560 --> 00:27:53,199 Speaker 3: I'd ask probably just the you know, the celebst. 562 00:27:54,119 --> 00:27:56,080 Speaker 1: Absolutely we're going to play a game of can you 563 00:27:56,119 --> 00:27:57,880 Speaker 1: Hear It? With them? And I think if they can 564 00:27:57,960 --> 00:28:02,080 Speaker 1: do it, I just don't think we give Jonas the platform. 565 00:28:02,680 --> 00:28:05,320 Speaker 1: Well I'm against I'm just against pumping up his tires 566 00:28:05,320 --> 00:28:06,680 Speaker 1: for the sake of it. What would you do in place? 567 00:28:06,880 --> 00:28:10,480 Speaker 1: Fine topic? I don't know, little cheek story where you 568 00:28:10,480 --> 00:28:12,840 Speaker 1: get stuck thir in one of six five. That's hot gear. 569 00:28:12,960 --> 00:28:15,439 Speaker 1: You know, have you seen a ghost have died? I 570 00:28:15,480 --> 00:28:19,400 Speaker 1: mean all these, I mean the best, the greatest hits. 571 00:28:19,480 --> 00:28:23,000 Speaker 1: Let's just bump him now, and where to get stuck anyway? So, yes, 572 00:28:23,119 --> 00:28:25,320 Speaker 1: music producers have got We've got Tommy here. 573 00:28:25,359 --> 00:28:30,600 Speaker 3: Tommy, you you're a mix engineer, mate, that's right, okay, 574 00:28:31,240 --> 00:28:34,240 Speaker 3: American twang as well? So okay the American factors here 575 00:28:34,240 --> 00:28:35,679 Speaker 3: as well. Are all Americans good at this? 576 00:28:35,840 --> 00:28:40,280 Speaker 1: Sorry? You're Canadian? Excuse me? Okay? And you work a 577 00:28:40,280 --> 00:28:45,160 Speaker 1: lot in underground music? Thank you physically? Or do you 578 00:28:45,240 --> 00:28:48,240 Speaker 1: mean like? No? Okay, I'm going to stop asking questions. 579 00:28:48,360 --> 00:28:50,560 Speaker 1: All right, let's this is why we don't hang out anymore. 580 00:28:51,200 --> 00:28:53,880 Speaker 1: This is why it's outside of studio time. You and 581 00:28:53,920 --> 00:28:54,840 Speaker 1: I go different ways. 582 00:28:55,000 --> 00:28:57,440 Speaker 3: Let's see now, Tommy, So before I start, do you 583 00:28:57,480 --> 00:28:59,800 Speaker 3: do you think you're going to be unbelievable? This is 584 00:28:59,800 --> 00:29:03,080 Speaker 3: gonna be easy for you because you work underground in music. 585 00:29:04,560 --> 00:29:06,280 Speaker 6: I can't say I've ever tried this kind of a 586 00:29:06,360 --> 00:29:09,120 Speaker 6: challenge before. So learning experience for me too. Let's see 587 00:29:09,120 --> 00:29:09,640 Speaker 6: how it goes. 588 00:29:09,840 --> 00:29:11,160 Speaker 1: Okay, amazing, amazing? 589 00:29:11,280 --> 00:29:13,560 Speaker 3: So rules are simple, mate, you tell me if this 590 00:29:13,640 --> 00:29:15,840 Speaker 3: is a can of soft drink or a beer. 591 00:29:23,720 --> 00:29:27,240 Speaker 6: Shay going with, can't get the same one more time? 592 00:29:27,320 --> 00:29:28,080 Speaker 6: Can do that again? 593 00:29:28,280 --> 00:29:31,920 Speaker 1: No, no, it's a real can. It's genuinely a real 594 00:29:31,960 --> 00:29:34,120 Speaker 1: can as well. He's opened the can into the microphone. There, 595 00:29:34,120 --> 00:29:35,760 Speaker 1: he's only got five cans for your guys. 596 00:29:36,640 --> 00:29:38,000 Speaker 6: I'm going with soft drink. 597 00:29:40,000 --> 00:29:44,440 Speaker 1: Oh lordy, lordy lordy. Oh no, Wow, Jonas, he might 598 00:29:44,480 --> 00:29:46,520 Speaker 1: have lost his show on this spot on the shine 599 00:29:46,520 --> 00:29:49,360 Speaker 1: of all right. That's wow. Okay, here we go. It's 600 00:29:49,360 --> 00:29:52,160 Speaker 1: only got one canood's got He's got a fifty to 601 00:29:52,200 --> 00:29:54,320 Speaker 1: fifty other fist. We're gonna have to bump Joe Jonas 602 00:29:54,320 --> 00:29:57,280 Speaker 1: for weids against scared. I'd rather not have Joe Jonas 603 00:29:57,280 --> 00:29:59,160 Speaker 1: and have Joe Jonas come on here and just pants us. 604 00:29:59,800 --> 00:30:03,480 Speaker 3: I was kind of can just to meet the guy anyway, 605 00:30:04,240 --> 00:30:04,640 Speaker 3: can too? 606 00:30:04,840 --> 00:30:05,200 Speaker 1: Can too? 607 00:30:10,760 --> 00:30:14,240 Speaker 6: Back to me? Sounds like a soft drink. 608 00:30:16,000 --> 00:30:25,640 Speaker 1: Oh no, he's got to Tom's going to Wow. Okay, 609 00:30:26,240 --> 00:30:28,520 Speaker 1: that was also a coke. I mean, if we find 610 00:30:28,520 --> 00:30:32,120 Speaker 1: out that audio producers can hear it? Joe Jonas is 611 00:30:32,160 --> 00:30:34,040 Speaker 1: scheduled to be playing Can You Hear It? Tomorrow? But 612 00:30:34,920 --> 00:30:36,400 Speaker 1: I just don't think there's any point at this stage. 613 00:30:36,400 --> 00:30:40,320 Speaker 1: Would it does take the sheene off. I mean, I 614 00:30:40,320 --> 00:30:42,320 Speaker 1: mean he might. He might be listening right now Joe 615 00:30:42,360 --> 00:30:44,400 Speaker 1: on the iHeart Radio app and he might go, sorry, boys, 616 00:30:44,400 --> 00:30:46,520 Speaker 1: I heard Tom play I'm out. 617 00:30:47,160 --> 00:30:49,680 Speaker 3: All right, Here we go, tell me can number three. 618 00:30:49,720 --> 00:30:54,480 Speaker 3: Keeping in mind you potentially canceling Joe Jonas on this show. 619 00:30:54,520 --> 00:30:54,840 Speaker 1: Here we Go. 620 00:31:00,000 --> 00:31:00,520 Speaker 6: It's a beer. 621 00:31:01,080 --> 00:31:04,600 Speaker 1: Oh my god, Wow, he's clinical as well. He could 622 00:31:04,640 --> 00:31:08,080 Speaker 1: have got Tom. Do you know who Joe Jonas is? Yeah, 623 00:31:08,240 --> 00:31:10,080 Speaker 1: of course, yeah, okay, everyone knows you. 624 00:31:10,400 --> 00:31:13,120 Speaker 3: The biggest guest we've ever had, and we're potentially bumping Tom. 625 00:31:13,160 --> 00:31:15,240 Speaker 1: Tom works in the underground, so I didn't know if 626 00:31:15,240 --> 00:31:18,480 Speaker 1: he I didn't know if that crossed his zeitgeist. It's 627 00:31:18,480 --> 00:31:20,760 Speaker 1: three from three, he's three from three and that was, 628 00:31:20,880 --> 00:31:23,200 Speaker 1: by the way, that was a shocking can opening. Yeah, 629 00:31:23,200 --> 00:31:25,640 Speaker 1: and he still got it. He still got it. All right, 630 00:31:25,680 --> 00:31:28,959 Speaker 1: Here we go, Can number four? Can four? Tom, I'm 631 00:31:28,960 --> 00:31:29,360 Speaker 1: gonna go. 632 00:31:33,040 --> 00:31:33,120 Speaker 2: You. 633 00:31:44,000 --> 00:31:45,040 Speaker 6: I'm going to see is a beer? 634 00:31:47,280 --> 00:31:50,880 Speaker 1: Sorry soft tag? 635 00:31:52,040 --> 00:31:53,920 Speaker 5: Not bad, not bad? 636 00:31:54,760 --> 00:32:00,560 Speaker 1: Look I got sorry, Tom. You have shown not. 637 00:32:00,680 --> 00:32:03,680 Speaker 3: All people who work in music can nail the five 638 00:32:03,800 --> 00:32:07,480 Speaker 3: from five. So so yeah, great effort though. 639 00:32:07,360 --> 00:32:09,280 Speaker 1: Time, Tommy, great ef You can have tickets to go 640 00:32:09,320 --> 00:32:11,240 Speaker 1: and see Indiana Jones. I'm not sure if he's reached 641 00:32:11,240 --> 00:32:13,720 Speaker 1: the underground yet, but that's a that's a hot film. 642 00:32:13,760 --> 00:32:21,200 Speaker 1: The Dial of Destiny jo Joe Jonas is still on Wow. 643 00:32:22,960 --> 00:32:26,760 Speaker 1: I think what Tom proves is that audio engineers stand 644 00:32:26,760 --> 00:32:29,320 Speaker 1: a better chance, so he will be hearing something that 645 00:32:30,000 --> 00:32:33,480 Speaker 1: he was. He was amazing. He was at can four 646 00:32:33,680 --> 00:32:37,800 Speaker 1: and he moved at a cant and a cantor nice 647 00:32:37,840 --> 00:32:40,640 Speaker 1: mind the part, thank you? So yeah. Joe Jonas still 648 00:32:40,640 --> 00:32:42,520 Speaker 1: on the show tomorrow and he'll be good. Is it 649 00:32:42,600 --> 00:32:44,720 Speaker 1: less of a feat now that we know audio engineers 650 00:32:44,760 --> 00:32:47,360 Speaker 1: are good at it? I don't do that. You might 651 00:32:47,440 --> 00:32:50,040 Speaker 1: have taken the sheen off Joe. I mean he's still 652 00:32:50,040 --> 00:32:51,640 Speaker 1: got the spot tomorrow. He will be playing can you 653 00:32:51,680 --> 00:32:56,200 Speaker 1: Hear It tomorrow? Wow? Thursday night, Joe Jonas on the show. Guys, 654 00:32:56,240 --> 00:33:01,320 Speaker 1: look forward to that. But what he thinks he's the 655 00:33:01,440 --> 00:33:12,320 Speaker 1: fastest parent in Australia to run with a pram at brilliant, brilliant. 656 00:33:12,560 --> 00:33:14,760 Speaker 1: Welcome to the Celebrity for hundred meter. 657 00:33:14,720 --> 00:33:15,120 Speaker 2: Pram Ra. 658 00:33:19,440 --> 00:33:19,800 Speaker 1: Time. 659 00:33:22,800 --> 00:33:24,560 Speaker 3: If this is the first time you're hearing this and 660 00:33:24,960 --> 00:33:27,200 Speaker 3: you do think it's an outlandish claim, it's actually not 661 00:33:27,520 --> 00:33:30,720 Speaker 3: because Remy, my beautiful daughter is nine months old. Now 662 00:33:30,880 --> 00:33:33,400 Speaker 3: I'm consistently out there running with a PRAM and I've 663 00:33:33,440 --> 00:33:36,320 Speaker 3: just come to realize, William, that I am really moving 664 00:33:36,360 --> 00:33:38,680 Speaker 3: when I'm out there, and it's a handling. I mean, 665 00:33:38,680 --> 00:33:40,320 Speaker 3: it's it's the whole gamut, to be honest, it's not 666 00:33:40,360 --> 00:33:42,080 Speaker 3: just raw power, it's the handling as well. 667 00:33:42,560 --> 00:33:44,280 Speaker 1: Everybody else has thought this except you. 668 00:33:45,040 --> 00:33:48,600 Speaker 3: Yeah, stupidly, really serpidly. Yeah, And I think because of that, 669 00:33:48,640 --> 00:33:50,640 Speaker 3: no one's taking this seriously. So I started taking it 670 00:33:50,640 --> 00:33:53,280 Speaker 3: seriously and like I'm really starting to clock up the 671 00:33:53,320 --> 00:33:56,040 Speaker 3: case one and also just really hit that speeder hard. 672 00:33:56,160 --> 00:34:02,000 Speaker 1: Well, I'm really really thrilled if that speed no one 673 00:34:02,240 --> 00:34:06,560 Speaker 1: that's most runners. So the really exciting thing is that 674 00:34:06,840 --> 00:34:08,520 Speaker 1: people could head along too will and Woody and tells 675 00:34:08,520 --> 00:34:11,040 Speaker 1: which celebrity they would like to go in the prim 676 00:34:11,120 --> 00:34:12,560 Speaker 1: race just when one thousand bucks if you don't to 677 00:34:12,560 --> 00:34:14,759 Speaker 1: do that Willingwoody dot com. But demos that have gone 678 00:34:14,760 --> 00:34:18,040 Speaker 1: on board this five thousand dollars for someone if they 679 00:34:18,080 --> 00:34:19,960 Speaker 1: win this race, to go to a charity of their choice, 680 00:34:19,960 --> 00:34:22,560 Speaker 1: which means that people have started an answering the call. 681 00:34:22,680 --> 00:34:25,239 Speaker 1: People have started to want to challenge you. I was 682 00:34:25,280 --> 00:34:28,279 Speaker 1: thrilled yesterday that Dave Thornton reached out. Now, Thouno is 683 00:34:28,320 --> 00:34:30,880 Speaker 1: a comedian, he's not an athlete, so he dectually managed 684 00:34:30,920 --> 00:34:32,600 Speaker 1: to reach a deal with him about giving him a 685 00:34:32,640 --> 00:34:33,839 Speaker 1: bit of a head start in the race. 686 00:34:33,960 --> 00:34:36,520 Speaker 3: Yeah, thirty meters, which I still think is overs. But 687 00:34:36,600 --> 00:34:38,400 Speaker 3: he will be starting on the day from thirty. 688 00:34:38,120 --> 00:34:40,680 Speaker 1: Meters, which I think is important because I think we're 689 00:34:40,680 --> 00:34:42,200 Speaker 1: going to have a fair race as well. You know 690 00:34:42,280 --> 00:34:43,759 Speaker 1: that you run a lot, You're a very fit guy. 691 00:34:43,760 --> 00:34:47,000 Speaker 1: I thought it's over four hundred meters though it's not 692 00:34:47,040 --> 00:34:49,279 Speaker 1: a one hundred meter race. It's a four hundred a full 693 00:34:49,320 --> 00:34:51,759 Speaker 1: lap around a track with a pram as well. I 694 00:34:51,800 --> 00:34:55,839 Speaker 1: think you'll real founoh in now we've got somebody else 695 00:34:55,960 --> 00:34:58,560 Speaker 1: who would like to fill the field here of the 696 00:34:58,680 --> 00:35:01,400 Speaker 1: celebrity four hundred meters pres m race to prove that 697 00:35:01,440 --> 00:35:04,440 Speaker 1: Wood he is not the fastest person or the fastest 698 00:35:04,480 --> 00:35:07,640 Speaker 1: parent in Australia to run with a pram. He was 699 00:35:07,719 --> 00:35:12,200 Speaker 1: in imstly to get me out of here with you. Oh, 700 00:35:12,239 --> 00:35:15,400 Speaker 1: here we go, here we go. Now we are raising 701 00:35:15,400 --> 00:35:18,279 Speaker 1: the stakes of it here because former athlete hundred so 702 00:35:18,280 --> 00:35:19,799 Speaker 1: it's not Dicker, because Dick I would have mad one 703 00:35:19,880 --> 00:35:26,400 Speaker 1: hundred meters. It's not Dick O. It's a former Brownlow 704 00:35:26,440 --> 00:35:31,719 Speaker 1: medalist AFL player Adam Kearney who joins is right now, 705 00:35:33,840 --> 00:35:34,759 Speaker 1: William and Edward. 706 00:35:34,800 --> 00:35:36,120 Speaker 8: You're hoping for Hellier weren't you. 707 00:35:38,080 --> 00:35:41,000 Speaker 1: Would as well? 708 00:35:41,480 --> 00:35:43,000 Speaker 6: He's ray took. 709 00:35:45,000 --> 00:35:47,480 Speaker 3: Now, Ads, I mean you told me numerous times in 710 00:35:47,480 --> 00:35:49,520 Speaker 3: the jungle that you think you were the most explosive 711 00:35:49,520 --> 00:35:51,319 Speaker 3: player to ever play a flow. 712 00:35:53,239 --> 00:35:59,760 Speaker 1: That Wow, I don't remember saying it. Do you still 713 00:35:59,800 --> 00:36:02,960 Speaker 1: have some of that explosive Adam? 714 00:36:03,760 --> 00:36:06,080 Speaker 6: No, Well, the race is over four hundred meters. 715 00:36:06,160 --> 00:36:10,960 Speaker 8: I am quite explosive over two to three. Now, anything 716 00:36:11,040 --> 00:36:14,040 Speaker 8: further than that I think I may battle a little bit. 717 00:36:14,200 --> 00:36:17,040 Speaker 8: So look, if I am going to be involved in 718 00:36:17,080 --> 00:36:20,880 Speaker 8: this race with cram, which is combining two of the 719 00:36:20,920 --> 00:36:29,200 Speaker 8: things I dislike most children and exercise, I'm. 720 00:36:26,760 --> 00:36:28,880 Speaker 6: Surely given that words. 721 00:36:29,200 --> 00:36:31,520 Speaker 8: I've been at the elite level for thirteen years. You 722 00:36:31,600 --> 00:36:34,920 Speaker 8: know that my knees have very little, to know, cartilage 723 00:36:35,200 --> 00:36:39,239 Speaker 8: in them. Skin folds are a bit higher than when 724 00:36:39,280 --> 00:36:42,600 Speaker 8: I was drafted. Sorn I's got a thirty meter handicaps. 725 00:36:43,440 --> 00:36:44,080 Speaker 8: I want fifty. 726 00:36:44,239 --> 00:36:47,319 Speaker 1: You want to kidding me? Are you kidding me? 727 00:36:48,120 --> 00:36:51,960 Speaker 8: I have not run since round twenty two, twenty sixteen, 728 00:36:52,400 --> 00:36:54,280 Speaker 8: and there were still two weeks to go in the season. 729 00:36:54,680 --> 00:36:59,600 Speaker 1: Okay, now, Adam, now, Now, Ken's Woody flagged with me 730 00:36:59,760 --> 00:37:01,600 Speaker 1: before all the shows today that if we get you 731 00:37:01,640 --> 00:37:04,120 Speaker 1: to run in this race, you are going to try 732 00:37:04,120 --> 00:37:07,399 Speaker 1: and hustle us for a head start. Now now, now, 733 00:37:07,600 --> 00:37:11,200 Speaker 1: naturally we heard that, and mate, this is an official race. Okay, 734 00:37:11,280 --> 00:37:13,799 Speaker 1: this is an official race. So there's gonna be no 735 00:37:13,880 --> 00:37:16,680 Speaker 1: hustling here. There's gonna be a fair fight. We did 736 00:37:16,680 --> 00:37:19,400 Speaker 1: some research, we did some background research. We're going to 737 00:37:19,440 --> 00:37:21,920 Speaker 1: go to a song and on the other side, just 738 00:37:21,960 --> 00:37:23,799 Speaker 1: going to test whether or not all these things you 739 00:37:23,840 --> 00:37:28,000 Speaker 1: say about your flailing fitness is true. Because I seem 740 00:37:28,080 --> 00:37:30,080 Speaker 1: to think you've got her eye on the five grand. 741 00:37:30,480 --> 00:37:34,440 Speaker 3: You are claiming that you deserve a fifty meter headstart 742 00:37:34,520 --> 00:37:37,120 Speaker 3: in the four hundred. Keep it in mind, but Dave Thornton, 743 00:37:37,520 --> 00:37:40,320 Speaker 3: who has never been an apt YEP and his job 744 00:37:40,400 --> 00:37:43,680 Speaker 3: is to stand on a stage and delivered jokes, he 745 00:37:43,719 --> 00:37:45,520 Speaker 3: is only getting a thirty meters headstart. 746 00:37:45,520 --> 00:37:47,000 Speaker 1: You think you deserve twenty more than him? 747 00:37:47,600 --> 00:37:48,799 Speaker 8: Well, what do you want in it? 748 00:37:48,880 --> 00:37:51,280 Speaker 6: At the moment with seventy three kegs. 749 00:37:51,560 --> 00:37:53,800 Speaker 1: No, seventy seventy eight, seventy eight and a half. I 750 00:37:54,320 --> 00:37:56,440 Speaker 1: love her intimately because obviously you guys been a month 751 00:37:56,480 --> 00:38:00,200 Speaker 1: in a jungle together. Adam knows your weight in my 752 00:38:00,280 --> 00:38:02,280 Speaker 1: jungle ways, my jungle. 753 00:38:02,320 --> 00:38:06,640 Speaker 8: We I'm good twenty kilos heavy than you as well, 754 00:38:06,800 --> 00:38:09,880 Speaker 8: and I have no cartlet left in both knees, so 755 00:38:10,000 --> 00:38:13,000 Speaker 8: you would have you'd have full protection and full bounce 756 00:38:13,080 --> 00:38:16,480 Speaker 8: in those knees because you haven't done and played at 757 00:38:16,480 --> 00:38:17,120 Speaker 8: the elite level. 758 00:38:17,120 --> 00:38:20,000 Speaker 1: Okay, Adam, So what what head start? What head start 759 00:38:20,000 --> 00:38:22,080 Speaker 1: are you wanting? If you want to handing out? What 760 00:38:22,120 --> 00:38:24,040 Speaker 1: are you proposing? We can't do fifty? What are you proposing? 761 00:38:24,040 --> 00:38:24,640 Speaker 8: You can? 762 00:38:24,840 --> 00:38:26,520 Speaker 1: You know thirty? I'll tell you that much because. 763 00:38:26,400 --> 00:38:29,000 Speaker 8: Dave, okay, alright, forty nine. 764 00:38:30,920 --> 00:38:33,600 Speaker 1: You're less than thirty meters. Mate, you're less than thirty meters. 765 00:38:33,560 --> 00:38:36,360 Speaker 1: As my more question, you're definitely less than thorn. It 766 00:38:36,400 --> 00:38:37,359 Speaker 1: you've got to be less than thought. 767 00:38:37,800 --> 00:38:39,759 Speaker 8: There's a huge chance that I don't make it to 768 00:38:39,800 --> 00:38:40,600 Speaker 8: the finish line. 769 00:38:40,800 --> 00:38:44,920 Speaker 1: Oh come on, mate, come nine twenty nine? Okay, now 770 00:38:45,120 --> 00:38:46,560 Speaker 1: you want to even with thorn? Can I ask you? 771 00:38:46,600 --> 00:38:48,719 Speaker 3: Though, like quite seriously, like you were training a fair 772 00:38:48,719 --> 00:38:50,320 Speaker 3: bit in the jungle. When you're doing m celebrity to 773 00:38:50,320 --> 00:38:52,120 Speaker 3: get me out here, you've maintained a bit of that, 774 00:38:52,120 --> 00:38:53,239 Speaker 3: haven't you been training a bit? 775 00:38:54,440 --> 00:38:54,640 Speaker 1: Well? 776 00:38:54,680 --> 00:38:58,439 Speaker 8: I'm actually doing an ambassador for for Run Melbourne. 777 00:38:58,160 --> 00:39:01,879 Speaker 1: Which is on Monday. So that's how long's that run? 778 00:39:02,480 --> 00:39:05,839 Speaker 8: Well, it's I asked for the shortest one possible, which 779 00:39:05,840 --> 00:39:08,399 Speaker 8: is five k's, but I haven't got up to five 780 00:39:08,480 --> 00:39:10,480 Speaker 8: k yet the most I can run and I've only 781 00:39:10,560 --> 00:39:13,680 Speaker 8: run on a treadmill the last I think I started 782 00:39:13,680 --> 00:39:16,279 Speaker 8: training about two weeks ago. I get I'm about three 783 00:39:16,360 --> 00:39:19,520 Speaker 8: hundred meters run, seven hundred meters walk. That's how round 784 00:39:19,520 --> 00:39:20,120 Speaker 8: out my case? 785 00:39:20,440 --> 00:39:22,680 Speaker 3: I reckon, you are playing this down, mate, and we 786 00:39:22,719 --> 00:39:26,160 Speaker 3: knew you do this. We called your wife Hayley earlier 787 00:39:26,200 --> 00:39:29,960 Speaker 3: today and she told us this mate. Has he told you, 788 00:39:29,960 --> 00:39:31,680 Speaker 3: by the way, that he's racing me next week in 789 00:39:31,719 --> 00:39:32,560 Speaker 3: a prim rang Yeah, he. 790 00:39:32,560 --> 00:39:34,560 Speaker 7: Told me that he's going to destroy you. He's like 791 00:39:34,680 --> 00:39:37,720 Speaker 7: super competitive. He's already training for it. He's been running 792 00:39:37,760 --> 00:39:39,960 Speaker 7: on the treadmill and he never runs on. 793 00:39:39,880 --> 00:39:42,520 Speaker 1: A treadmill for the normal dad. How fit is he? 794 00:39:42,640 --> 00:39:44,359 Speaker 7: Yeah, he's pretty fair for a normal day. 795 00:39:45,920 --> 00:39:48,200 Speaker 3: Do you think he deserves a head start in the 796 00:39:48,239 --> 00:39:49,879 Speaker 3: four hundred if he pitches that. 797 00:39:50,640 --> 00:39:51,839 Speaker 5: No, don't do it. 798 00:39:52,640 --> 00:39:59,759 Speaker 1: I can so horse trapped. You go behind my back. 799 00:40:00,400 --> 00:40:03,279 Speaker 1: Say it to you, mate, but there's no heads done 800 00:40:03,320 --> 00:40:06,280 Speaker 1: for you. You're going to be on scratch. That's the deal. 801 00:40:07,200 --> 00:40:07,879 Speaker 1: That is the deal. 802 00:40:07,920 --> 00:40:10,000 Speaker 8: I'm not making love to work for a week. 803 00:40:10,040 --> 00:40:16,040 Speaker 1: Now she's pumping the next week then, isn't it best 804 00:40:16,080 --> 00:40:21,200 Speaker 1: week of her life? Now? Ads very quickly before you do, 805 00:40:21,560 --> 00:40:22,600 Speaker 1: wrap up charity. 806 00:40:22,960 --> 00:40:25,560 Speaker 3: If you do manage to get through the four hundred meters, 807 00:40:26,400 --> 00:40:29,279 Speaker 3: the injured body gets there, who will the money go towards? 808 00:40:29,640 --> 00:40:32,200 Speaker 8: Yeah, I'm going to go. Well, they're sponsoring this run 809 00:40:32,280 --> 00:40:34,879 Speaker 8: for me this weekend, so I'll stick with my Room 810 00:40:34,960 --> 00:40:39,840 Speaker 8: Children's Cancer Charity, who a volunteer led organization. They support 811 00:40:39,920 --> 00:40:44,200 Speaker 8: parents and families with kids affected by cancer. So that's 812 00:40:44,200 --> 00:40:44,919 Speaker 8: a pretty good cause. 813 00:40:44,960 --> 00:40:45,200 Speaker 1: I reckon. 814 00:40:45,239 --> 00:40:46,839 Speaker 8: Well, hopefully I can get the job done, get them 815 00:40:46,880 --> 00:40:47,399 Speaker 8: the five k. 816 00:40:47,680 --> 00:40:50,640 Speaker 1: Absolutely love that. I love that great stuff. Adam, so 817 00:40:50,719 --> 00:40:52,359 Speaker 1: great to have you on board. Thanks coming on the show. 818 00:40:52,440 --> 00:40:56,560 Speaker 1: So already the celebrity four hundred meters, prim Race is 819 00:40:56,600 --> 00:41:00,120 Speaker 1: filling out what thinks he's the fastest parent in Australia 820 00:41:00,160 --> 00:41:03,000 Speaker 1: to run with a PRAM and that's going to be tested. 821 00:41:03,080 --> 00:41:05,200 Speaker 1: I'm going to say sometime next week. Already the field's 822 00:41:05,200 --> 00:41:07,160 Speaker 1: filling out. So Dave Thornton's down answer the callies of 823 00:41:07,160 --> 00:41:12,000 Speaker 1: a thirty meters head start. Adam Kearney, former AFL Brownlow 824 00:41:12,040 --> 00:41:13,920 Speaker 1: Medal so best player in two thousand and eight in 825 00:41:13,960 --> 00:41:16,040 Speaker 1: the whole league. He's going to be but he's gonna 826 00:41:16,040 --> 00:41:18,080 Speaker 1: be starting off scratch, so he'll be off zero right 827 00:41:18,080 --> 00:41:19,879 Speaker 1: next to me. You might need a head start of him. 828 00:41:19,920 --> 00:41:22,879 Speaker 1: I'd almost I like that. I'm talking about that. There's 829 00:41:22,880 --> 00:41:25,080 Speaker 1: no doubt about It's five thousand dollars on the line 830 00:41:25,280 --> 00:41:27,640 Speaker 1: as well. It's all thanks to Demoson. When cold and 831 00:41:27,680 --> 00:41:30,799 Speaker 1: flu strikes did Demoson gets it done. Always follow the 832 00:41:30,800 --> 00:41:35,560 Speaker 1: directions for us. Now, Ward's got to have a whole 833 00:41:36,120 --> 00:41:41,000 Speaker 1: row of Taylor Swift tickets to give away. Literally, and 834 00:41:41,239 --> 00:41:43,600 Speaker 1: I know we use this as a cliche, hottest tickets 835 00:41:43,600 --> 00:41:47,080 Speaker 1: in town. These are the hottest tickets in the country 836 00:41:47,320 --> 00:41:50,160 Speaker 1: by a mile. There are millions of people that wanted 837 00:41:50,200 --> 00:41:52,120 Speaker 1: to go to this gig that have missed out, and 838 00:41:52,120 --> 00:41:54,120 Speaker 1: we have a whole row of seats to give away 839 00:41:54,239 --> 00:41:56,120 Speaker 1: every single day for a whole month. 840 00:41:58,800 --> 00:42:03,800 Speaker 2: See you, it's a show. 841 00:42:03,880 --> 00:42:06,440 Speaker 3: So many people are asking for tickets for this. I'm 842 00:42:06,440 --> 00:42:08,839 Speaker 3: gonna be honest with you. I can't get tickets to this. 843 00:42:08,920 --> 00:42:10,120 Speaker 3: Will You can't get tickets for this. 844 00:42:10,160 --> 00:42:12,480 Speaker 1: Our entire radio team wanted to go to the tailor 845 00:42:12,480 --> 00:42:15,200 Speaker 1: swift gig obviously. No, that's actually true. No one can 846 00:42:15,239 --> 00:42:17,120 Speaker 1: get them. Well, normally we would be able to. And 847 00:42:17,160 --> 00:42:18,880 Speaker 1: then we got a message where it was like, you know, 848 00:42:18,920 --> 00:42:22,279 Speaker 1: once they saw the demand. Yeah, sorry guys. Yeah, see 849 00:42:22,600 --> 00:42:24,759 Speaker 1: I'm sure Kyle got one, Jackie over we got one. Yeah, 850 00:42:24,800 --> 00:42:26,200 Speaker 1: I mean those real celebrities. 851 00:42:26,200 --> 00:42:26,480 Speaker 2: Sure. 852 00:42:26,719 --> 00:42:29,120 Speaker 1: But what I'm trying to say is you know our level. 853 00:42:29,239 --> 00:42:31,759 Speaker 1: Yeah yeah, no, dee, Yeah, we don't get them. 854 00:42:32,080 --> 00:42:34,359 Speaker 3: But we do have rows of tickets to give away, 855 00:42:34,360 --> 00:42:36,040 Speaker 3: and right now we have a number to call to. 856 00:42:36,040 --> 00:42:37,920 Speaker 1: Get in the drawer, by the way, or to reserve 857 00:42:38,000 --> 00:42:40,279 Speaker 1: your row. You just have to keep listening to us, yes, 858 00:42:40,320 --> 00:42:42,640 Speaker 1: from eight am in the morning all across the workday 859 00:42:42,680 --> 00:42:44,839 Speaker 1: as well, listening you can try and reserve a row. 860 00:42:44,880 --> 00:42:47,120 Speaker 1: Then we call you during this show during Will and 861 00:42:47,160 --> 00:42:48,880 Speaker 1: Woody to give you a whole row of seats to 862 00:42:48,920 --> 00:42:51,120 Speaker 1: go and see tailor Swift if you're outside of Sydney 863 00:42:51,160 --> 00:42:53,680 Speaker 1: and Melbourne. By the way, that's inclusive of flights. So 864 00:42:53,719 --> 00:42:56,360 Speaker 1: it is an amazing prize every day though, guys. So 865 00:42:56,560 --> 00:42:58,359 Speaker 1: hopefully we can give a few of these away now. 866 00:42:58,440 --> 00:43:01,759 Speaker 1: The quick reminder woulds Yes, these people get a bit enthusiastic, 867 00:43:02,239 --> 00:43:05,800 Speaker 1: just a little bit, just a little bit. What's your ears? Eimily, 868 00:43:05,800 --> 00:43:12,400 Speaker 1: you want a whole row of Taylor Swift tickets? Were serious? 869 00:43:12,600 --> 00:43:15,960 Speaker 7: Oh my god, I'm just I'm just so enchanted to be. 870 00:43:16,000 --> 00:43:19,879 Speaker 1: Going in my wildest dreams to. 871 00:43:19,880 --> 00:43:21,200 Speaker 8: Be going to this concert. 872 00:43:21,280 --> 00:43:24,640 Speaker 1: Oh my god, enchanted. It's a weird word. I get weird. 873 00:43:24,680 --> 00:43:27,800 Speaker 1: It was a Taylor Swift reference. Yeah, you found out later. Yeah, yeah. 874 00:43:27,840 --> 00:43:30,160 Speaker 3: Anyway, Yeah, let's make the phone call the next person 875 00:43:30,200 --> 00:43:34,759 Speaker 3: who is winning a row of Taylor Swift tickets. So 876 00:43:34,800 --> 00:43:37,560 Speaker 3: I'm just being told she's this This winner is twelve 877 00:43:37,640 --> 00:43:41,200 Speaker 3: years old, so wow wow. 878 00:43:43,600 --> 00:43:50,560 Speaker 1: Hello, Hello, Hi, there is that Eva speaking? Yes, Hi Eva? 879 00:43:50,640 --> 00:43:52,399 Speaker 1: How are you going? Good? 880 00:43:52,480 --> 00:43:52,960 Speaker 5: Thank you? 881 00:43:53,800 --> 00:43:57,160 Speaker 1: Hell am, I'm very well. I'm very well. Do you 882 00:43:57,200 --> 00:44:00,160 Speaker 1: know who this is? 883 00:44:00,160 --> 00:44:01,280 Speaker 5: Is it Will and Woody? 884 00:44:03,160 --> 00:44:06,840 Speaker 1: Yes it is, Yes, it is it is. Yeah. Do 885 00:44:07,120 --> 00:44:08,320 Speaker 1: you listen to the show either. 886 00:44:09,920 --> 00:44:13,239 Speaker 5: Yeah, we see you on the Telly and Mum and 887 00:44:13,280 --> 00:44:16,719 Speaker 5: I listen every morning and afternoon. 888 00:44:18,000 --> 00:44:20,640 Speaker 1: Yeah, he confusing? Is for koshe will certainly me for 889 00:44:21,040 --> 00:44:25,399 Speaker 1: maybe that's it's very nice of you. Obviously a massive fan. 890 00:44:25,520 --> 00:44:28,480 Speaker 1: Now someone you are a massive fan of, however. 891 00:44:28,480 --> 00:44:30,440 Speaker 5: Is Taylor Swift. 892 00:44:30,840 --> 00:44:33,479 Speaker 1: Oh you you're a fan of Taylor Swift. Interesting? Okay, 893 00:44:33,480 --> 00:44:35,640 Speaker 1: I didn't know that. That's not the reason for my call. 894 00:44:35,680 --> 00:44:37,560 Speaker 1: But have you got tickets to go and see her 895 00:44:37,560 --> 00:44:39,120 Speaker 1: when she goes when she's playing here? 896 00:44:39,920 --> 00:44:44,040 Speaker 5: No, we don't, but we try to get them every 897 00:44:44,120 --> 00:44:45,920 Speaker 5: day for ages. 898 00:44:47,120 --> 00:44:49,120 Speaker 1: What does that involve? You on the you and mum 899 00:44:49,160 --> 00:44:51,040 Speaker 1: on the computer or the iPad? 900 00:44:51,080 --> 00:44:54,719 Speaker 5: Every day phones, We grab all the devices in the 901 00:44:54,840 --> 00:44:58,960 Speaker 5: house and ring whenever they cook. Show Taylor Swift tickets. Cool. 902 00:44:59,000 --> 00:45:03,479 Speaker 1: Now that sounds like a full time job. Either. Either, 903 00:45:04,160 --> 00:45:06,360 Speaker 1: I've got a whole row of Taylor's fift tickets to 904 00:45:06,400 --> 00:45:07,120 Speaker 1: give to you. 905 00:45:08,239 --> 00:45:11,520 Speaker 3: What very what is it? 906 00:45:11,640 --> 00:45:12,400 Speaker 1: What is it? 907 00:45:15,040 --> 00:45:15,239 Speaker 2: Jaw? 908 00:45:16,000 --> 00:45:22,200 Speaker 5: I got them? Is it real? 909 00:45:22,640 --> 00:45:25,960 Speaker 1: It's real? It's really they're yours? 910 00:45:27,719 --> 00:45:28,399 Speaker 5: Oh my gosh. 911 00:45:30,600 --> 00:45:39,480 Speaker 7: Okay, okay, cry cry girl. 912 00:45:39,800 --> 00:45:40,360 Speaker 8: Thanks. 913 00:45:43,480 --> 00:45:46,400 Speaker 1: Either you can cry with happiness. That's okay, It's all right, 914 00:45:46,480 --> 00:45:53,400 Speaker 1: that's yeah. It's all good, thank you? You happy? 915 00:45:54,200 --> 00:45:54,719 Speaker 5: Unhappy? 916 00:45:55,239 --> 00:45:56,960 Speaker 8: So I'm unhappy? 917 00:45:56,920 --> 00:45:58,799 Speaker 1: Yeah, of course, who are you going to take either? 918 00:46:00,040 --> 00:46:03,360 Speaker 5: It's my cousin and my mom and my friends and 919 00:46:03,640 --> 00:46:07,160 Speaker 5: my brother's teacher. His wife is trying to get all 920 00:46:07,200 --> 00:46:11,640 Speaker 5: those students to log into he's going to give some tickets. 921 00:46:11,800 --> 00:46:16,440 Speaker 1: Oh nice, And where do you live either? 922 00:46:16,760 --> 00:46:19,200 Speaker 5: What are you older? 923 00:46:19,719 --> 00:46:23,120 Speaker 1: Older? Beautiful old, beautiful beautiful. 924 00:46:24,320 --> 00:46:27,080 Speaker 5: I have RADI and we listened to her all the time. 925 00:46:27,280 --> 00:46:30,280 Speaker 1: Yeah, very good. He's really reading the credits that yourmum's 926 00:46:30,280 --> 00:46:38,239 Speaker 1: held up in front of you, now, beautiful ever even 927 00:46:38,280 --> 00:46:45,160 Speaker 1: the whole thank you? All right, fine, thank you bye, 928 00:46:46,120 --> 00:46:48,760 Speaker 1: got the whole role. Taylor Swift tickets to give away 929 00:46:48,880 --> 00:46:52,880 Speaker 1: tomorrow here on Mellan Money and every day for the 930 00:46:53,000 --> 00:46:56,000 Speaker 1: whole month, a row of Taylor Swift tickets. Cheez. We 931 00:46:56,040 --> 00:46:59,360 Speaker 1: are genuinely making dreams come true here with those sizes 932 00:46:59,560 --> 00:47:01,239 Speaker 1: is in And I don't know if I could do 933 00:47:01,280 --> 00:47:03,719 Speaker 1: it for another day. That takes it out of me. 934 00:47:03,800 --> 00:47:05,440 Speaker 3: I about that teacher that was getting the kids to 935 00:47:05,560 --> 00:47:07,759 Speaker 3: log in on their own phones to try and get 936 00:47:07,840 --> 00:47:10,879 Speaker 3: them Taylor Swift tickets. 937 00:47:10,960 --> 00:47:19,000 Speaker 1: A new episode of a fair right there? All right? Oh? 938 00:47:19,480 --> 00:47:21,799 Speaker 3: I mean where here we go, Joe Jonas, Let's talk 939 00:47:21,840 --> 00:47:22,640 Speaker 3: about it tomorrow. 940 00:47:23,440 --> 00:47:28,600 Speaker 1: So what was the underground music guy's name? Tom? Tom? Okay? 941 00:47:29,239 --> 00:47:29,439 Speaker 2: He? 942 00:47:30,600 --> 00:47:32,759 Speaker 3: I mean, that was a nervous time for everyone, to 943 00:47:32,800 --> 00:47:34,680 Speaker 3: be honest, It was incredibly nervous because you're right, you 944 00:47:34,719 --> 00:47:35,759 Speaker 3: were so right what you said. 945 00:47:35,800 --> 00:47:37,680 Speaker 1: If he got fired from Vibe, it was like, well, 946 00:47:38,280 --> 00:47:40,120 Speaker 1: actually we're going to put the call into Joe, put 947 00:47:40,160 --> 00:47:43,000 Speaker 1: a slide back into Joe's DMS. Okay, Joe, how are 948 00:47:43,000 --> 00:47:46,799 Speaker 1: you going? We're off busy, busy, and surely we're no 949 00:47:46,880 --> 00:47:49,560 Speaker 1: longer dealing with Joe directly. Surely Joe has put us 950 00:47:49,560 --> 00:47:52,439 Speaker 1: in touch with his people. That's a good question to ask, 951 00:47:53,040 --> 00:47:54,399 Speaker 1: is that what's happened there? 952 00:47:54,840 --> 00:47:56,880 Speaker 3: We were directly talking to Joe on social media, and 953 00:47:57,080 --> 00:47:58,560 Speaker 3: then did we talk to his people? 954 00:47:58,680 --> 00:48:03,680 Speaker 1: Did he go? Surely, he goes, he's Tom's number, he 955 00:48:03,719 --> 00:48:07,000 Speaker 1: looks after all my affairs. Surely that happened. 956 00:48:07,040 --> 00:48:09,799 Speaker 9: Yeah, he put us in the record label that he's 957 00:48:09,840 --> 00:48:15,320 Speaker 9: a part of. There's like a US arm of that people, 958 00:48:15,320 --> 00:48:16,480 Speaker 9: and we went straight to them. 959 00:48:16,560 --> 00:48:19,000 Speaker 1: You know, they're a big deal. When we're talking arms 960 00:48:20,120 --> 00:48:23,040 Speaker 1: of your like when your management's got arms. Yeah, you 961 00:48:23,080 --> 00:48:24,879 Speaker 1: know you're talking and I think. 962 00:48:24,760 --> 00:48:25,480 Speaker 4: It was actually so. 963 00:48:25,640 --> 00:48:25,879 Speaker 8: Yeah. 964 00:48:25,960 --> 00:48:28,960 Speaker 4: So then he's got his own personal management. 965 00:48:31,120 --> 00:48:34,239 Speaker 3: But obviously he says to his layers of management for 966 00:48:34,320 --> 00:48:35,000 Speaker 3: Joe Jonas and. 967 00:48:35,040 --> 00:48:37,160 Speaker 1: He says to all of his arms, when will and 968 00:48:37,200 --> 00:48:40,160 Speaker 1: would he reach out to one of you arms? Yeah? 969 00:48:40,400 --> 00:48:45,279 Speaker 1: Put like let him in. He had opened the gates. 970 00:48:45,480 --> 00:48:47,799 Speaker 3: He gives the password open the gates of Troy and 971 00:48:47,800 --> 00:48:49,040 Speaker 3: that's why we're able to walk in. 972 00:48:49,080 --> 00:48:53,840 Speaker 1: Use the password cake by the Ocean access to my manager. Yeah. 973 00:48:54,400 --> 00:48:59,799 Speaker 9: And also interestingly on that, when the Australian arm of 974 00:48:59,840 --> 00:49:03,160 Speaker 9: that record label found out that we were chatting with him, Yeah, 975 00:49:03,360 --> 00:49:04,040 Speaker 9: got a little. 976 00:49:03,880 --> 00:49:07,239 Speaker 4: Bit put out because they really because that we didn't go. 977 00:49:07,200 --> 00:49:09,400 Speaker 1: Through that we used that arm. We didn't use that arm, 978 00:49:09,440 --> 00:49:13,160 Speaker 1: but made them redundant through the gates. But that arm 979 00:49:13,239 --> 00:49:17,319 Speaker 1: had no access to Joe, Like, if we had to 980 00:49:17,320 --> 00:49:19,920 Speaker 1: reach out to the Australian arm, like, he'd never he 981 00:49:20,560 --> 00:49:23,360 Speaker 1: wouldn't speak to that arm, right, he wouldn't even the 982 00:49:23,400 --> 00:49:24,880 Speaker 1: message Yeah, bypassed that arm. 983 00:49:24,920 --> 00:49:27,439 Speaker 3: And then and then was there any issues with any 984 00:49:27,480 --> 00:49:28,920 Speaker 3: emails or anything like that. 985 00:49:29,640 --> 00:49:31,239 Speaker 1: No, because it came from him, It came from the 986 00:49:31,239 --> 00:49:31,719 Speaker 1: top down. 987 00:49:31,920 --> 00:49:37,040 Speaker 4: Well, wow, Jesus on these boys. 988 00:49:36,880 --> 00:49:39,520 Speaker 1: What happened betting such a naughty boy to what happened 989 00:49:39,560 --> 00:49:43,040 Speaker 1: on the Naughty Boys today? What happened on the emails? 990 00:49:44,160 --> 00:49:46,640 Speaker 4: So what happened? Okay, well what happened? 991 00:49:46,880 --> 00:49:47,480 Speaker 1: Thanks John? 992 00:49:49,040 --> 00:49:50,680 Speaker 4: We hadn't heard anything for a while. 993 00:49:50,920 --> 00:49:52,160 Speaker 1: Is this from the American Arm? 994 00:49:52,480 --> 00:49:54,640 Speaker 4: We were talking directly to the to the American Arm? 995 00:49:54,719 --> 00:49:57,800 Speaker 9: Yeah, right right, And we hadn't heard anything for a while. 996 00:49:58,120 --> 00:50:00,520 Speaker 4: And I was like, we really need to make this happens. 997 00:50:00,520 --> 00:50:00,640 Speaker 1: So I. 998 00:50:02,200 --> 00:50:04,719 Speaker 4: Email together yeah and press sent. 999 00:50:04,840 --> 00:50:06,160 Speaker 9: I was like, we just got to get this out 1000 00:50:06,200 --> 00:50:10,640 Speaker 9: of there, and I said Nick Jonas. 1001 00:50:10,239 --> 00:50:10,319 Speaker 4: And. 1002 00:50:13,200 --> 00:50:15,480 Speaker 1: So what happened was. 1003 00:50:15,360 --> 00:50:17,480 Speaker 4: For me just getting in there and doing stuff. 1004 00:50:17,520 --> 00:50:20,920 Speaker 9: And then I hear this gasp from junior producer analyst 1005 00:50:21,040 --> 00:50:24,520 Speaker 9: behind me, like I killed something. 1006 00:50:24,560 --> 00:50:29,400 Speaker 1: It would have been it would have been you said, no, no, 1007 00:50:30,640 --> 00:50:32,040 Speaker 1: that might have been like. 1008 00:50:34,800 --> 00:50:36,879 Speaker 3: That might have been a power play, which actually rushed 1009 00:50:36,920 --> 00:50:38,480 Speaker 3: them on, like you're not that big of a deal. 1010 00:50:38,400 --> 00:50:42,120 Speaker 1: But did you did you have to do the obligatory 1011 00:50:42,280 --> 00:50:45,880 Speaker 1: crawl through the mud? Please forgive me? Follow up? 1012 00:50:46,120 --> 00:50:46,319 Speaker 7: Yeah? 1013 00:50:46,400 --> 00:50:50,080 Speaker 1: I was like, what did you just write Joe asterisk 1014 00:50:50,280 --> 00:50:50,560 Speaker 1: in the. 1015 00:50:51,200 --> 00:50:52,359 Speaker 4: Total bullshit about us? 1016 00:50:52,600 --> 00:50:54,600 Speaker 9: I was like, oh my god, we were just talking 1017 00:50:54,600 --> 00:51:00,239 Speaker 9: about Nick obviously mean Joe, what. 1018 00:51:00,840 --> 00:51:09,080 Speaker 1: Did you put a haha in there? Did you? Wow? Well, 1019 00:51:09,080 --> 00:51:11,400 Speaker 1: we're lucky he's still coming on the show tomorrow. By 1020 00:51:11,480 --> 00:51:13,719 Speaker 1: the sounds of it, you nearly drop the ashes there. 1021 00:51:13,840 --> 00:51:16,759 Speaker 4: They I think they didn't reply for some time. 1022 00:51:17,040 --> 00:51:19,000 Speaker 1: Really, you actually think they were a bit put out 1023 00:51:19,040 --> 00:51:22,480 Speaker 1: by that. What's the relationship between Nick and Joe? Like, 1024 00:51:22,640 --> 00:51:24,560 Speaker 1: you know, is Joe going to be offended that Nick 1025 00:51:24,600 --> 00:51:27,640 Speaker 1: they're back together? The Jonas brother dated together? Oh sorry, 1026 00:51:27,640 --> 00:51:32,759 Speaker 1: as in like the bands, which I think burries any 1027 00:51:32,800 --> 00:51:36,400 Speaker 1: idea that don't get along, well, not necessarily. I mean 1028 00:51:36,440 --> 00:51:38,760 Speaker 1: Fleetwood Mac famously to it for a very long time 1029 00:51:38,800 --> 00:51:42,960 Speaker 1: with Stevie Nixon Lindsey Buckingham hating each other, but they 1030 00:51:43,000 --> 00:51:44,600 Speaker 1: were sleeping with each other. I don't think Nick and 1031 00:51:44,640 --> 00:51:50,160 Speaker 1: Joe ever slept together, absolutely not when no, well, they're brothers. 1032 00:51:50,280 --> 00:51:56,000 Speaker 1: It's ridiculous. It's just burry that. In case the American 1033 00:51:56,200 --> 00:52:02,600 Speaker 1: arm is listening, we'll get involved. Oh god, just so 1034 00:52:02,680 --> 00:52:10,799 Speaker 1: you know what are we talking trash? Well well done, guys, 1035 00:52:10,840 --> 00:52:13,279 Speaker 1: I mean, here's it's a shame. I mean it is 1036 00:52:13,320 --> 00:52:16,759 Speaker 1: a shame. I just imagined in my head that in 1037 00:52:17,400 --> 00:52:20,480 Speaker 1: the romance of us just you know, having having it, 1038 00:52:20,760 --> 00:52:23,400 Speaker 1: you know, a standard d M chat with Joe Jonas 1039 00:52:23,400 --> 00:52:25,919 Speaker 1: on our TikTok we did have a pretty long How 1040 00:52:25,960 --> 00:52:28,120 Speaker 1: long was the back and forth forth? And who was it? 1041 00:52:28,520 --> 00:52:30,240 Speaker 1: Was it all ok there? Or did we let analyse 1042 00:52:30,280 --> 00:52:31,920 Speaker 1: actually have a crack in the end of just they 1043 00:52:31,920 --> 00:52:33,840 Speaker 1: should read the whole thing? We didn't. We didn't trust 1044 00:52:33,880 --> 00:52:35,040 Speaker 1: analyst with the ball, did we? 1045 00:52:35,120 --> 00:52:37,880 Speaker 3: How long was your back and forth on social media 1046 00:52:38,280 --> 00:52:39,640 Speaker 3: over the d MS with Joe? 1047 00:52:39,760 --> 00:52:41,720 Speaker 1: Like how many times did you write to how quickly 1048 00:52:41,760 --> 00:52:44,560 Speaker 1: did he refer you away to his management? And did 1049 00:52:44,600 --> 00:52:47,000 Speaker 1: he refer you away because you ended up asking him 1050 00:52:47,000 --> 00:52:47,760 Speaker 1: something personal? 1051 00:52:48,560 --> 00:52:50,879 Speaker 10: No, I was pretty professional, surprisingly, right. 1052 00:52:50,800 --> 00:52:54,239 Speaker 1: Where did you go with so he did slip in? 1053 00:52:54,360 --> 00:52:55,200 Speaker 1: Or did you slide in? 1054 00:52:55,560 --> 00:52:55,600 Speaker 2: No? 1055 00:52:55,760 --> 00:52:58,240 Speaker 10: He had a d MS. So what happens on TikTok 1056 00:52:58,360 --> 00:53:02,520 Speaker 10: is if you're not friends, the other person has to 1057 00:53:02,600 --> 00:53:05,520 Speaker 10: d M them first to get the because. 1058 00:53:05,280 --> 00:53:07,759 Speaker 1: He commented on the video, he commented initially, Yeah, he. 1059 00:53:07,760 --> 00:53:09,760 Speaker 10: Commented, and we said d m us because we couldn't 1060 00:53:09,840 --> 00:53:12,040 Speaker 10: d M him without him dming us. 1061 00:53:12,080 --> 00:53:14,359 Speaker 3: He needed to open the gates on social media as 1062 00:53:14,360 --> 00:53:15,760 Speaker 3: well anyway, So then what did he say? 1063 00:53:16,000 --> 00:53:21,399 Speaker 10: So then he said three wave emojis, said let's do 1064 00:53:21,520 --> 00:53:27,600 Speaker 10: this beer can emoji and a soft drink emoji. 1065 00:53:27,440 --> 00:53:32,320 Speaker 1: Brill brilliant yeah, and then a cake by the ocean 1066 00:53:32,320 --> 00:53:38,359 Speaker 1: reference the waves three waves emojis. Sorry, sorry, I thought 1067 00:53:38,400 --> 00:53:40,239 Speaker 1: he was going for the surfing. No, definitely not. 1068 00:53:43,120 --> 00:53:45,799 Speaker 10: I said, yes, mate, how do we contact you? And 1069 00:53:45,960 --> 00:53:48,560 Speaker 10: when are you free to take on the cans beer emoji? 1070 00:53:48,960 --> 00:53:52,480 Speaker 1: You said, did you draft these, by the way in 1071 00:53:52,520 --> 00:53:52,960 Speaker 1: your notes? 1072 00:53:53,920 --> 00:53:58,040 Speaker 10: I think I messaged Alyse and we spoke. 1073 00:53:57,840 --> 00:54:02,640 Speaker 3: About not have let analse anywhere near this. 1074 00:54:02,640 --> 00:54:04,520 Speaker 1: This is great. I love the beer emoji and then 1075 00:54:04,640 --> 00:54:05,400 Speaker 1: and then what happened? 1076 00:54:06,040 --> 00:54:08,560 Speaker 10: Then he replied and he said, what's the best contact 1077 00:54:08,600 --> 00:54:10,879 Speaker 10: for you? 1078 00:54:11,280 --> 00:54:19,920 Speaker 1: And this is when? Is when Analyse lunged for the phone. 1079 00:54:16,120 --> 00:54:16,200 Speaker 5: And. 1080 00:54:20,560 --> 00:54:25,320 Speaker 10: Then I said, you can email executive producer Ed Brackets. 1081 00:54:25,320 --> 00:54:27,719 Speaker 10: Please refer to him as Captain coopants. 1082 00:54:28,800 --> 00:54:30,240 Speaker 1: Love thatang, that's funny. 1083 00:54:30,320 --> 00:54:32,640 Speaker 10: So I gave him that email, and then I also said, 1084 00:54:32,680 --> 00:54:35,440 Speaker 10: you can also see seeing my email as. 1085 00:54:35,160 --> 00:54:41,520 Speaker 1: Email and there it is where it is. Thank you 1086 00:54:41,560 --> 00:54:46,799 Speaker 1: for your honesty. We knew you couldn't be professional during it. 1087 00:54:50,200 --> 00:54:51,040 Speaker 1: Any response to. 1088 00:54:51,040 --> 00:54:53,640 Speaker 10: That, he did two love hard emojis and he's great. 1089 00:54:53,760 --> 00:54:56,960 Speaker 10: Someone named someone should reach out and find a time. 1090 00:54:57,360 --> 00:55:02,920 Speaker 1: Wowow is that's back and forth. That is no doubt, 1091 00:55:03,040 --> 00:55:05,359 Speaker 1: back and forth with a double love heart emoji if 1092 00:55:05,400 --> 00:55:08,560 Speaker 1: you don't mind. And he's then called inside that person's 1093 00:55:08,640 --> 00:55:10,239 Speaker 1: name and go on, take me whither you're going to 1094 00:55:10,239 --> 00:55:12,080 Speaker 1: reach out to you or a woman called Kate is 1095 00:55:12,120 --> 00:55:13,719 Speaker 1: going to reach out to you? Respond to that? I 1096 00:55:13,760 --> 00:55:17,640 Speaker 1: want to do that. Yeah, that's wild. Did Annal insist 1097 00:55:17,760 --> 00:55:21,799 Speaker 1: that she was CC or did you just give her 1098 00:55:21,800 --> 00:55:23,920 Speaker 1: a little did you just give her a little bit 1099 00:55:23,920 --> 00:55:26,560 Speaker 1: of a cookie? Oh? She that was Yeah, Okay, that's 1100 00:55:26,600 --> 00:55:26,960 Speaker 1: a job. 1101 00:55:27,160 --> 00:55:28,759 Speaker 10: But I didn't need to be on that. I just wanted. 1102 00:55:32,719 --> 00:55:35,560 Speaker 1: Yeah, that's amazing, well done. Well I suppose you know, 1103 00:55:35,640 --> 00:55:38,560 Speaker 1: find his keepers? Yeah, fair enough to get you get 1104 00:55:38,600 --> 00:55:40,600 Speaker 1: a little bit of poetic license, There's no doubt about it. 1105 00:55:40,840 --> 00:55:44,880 Speaker 1: He's on. Wow, that's a genuine back and forth. That's awesome, 1106 00:55:45,080 --> 00:55:48,040 Speaker 1: great stuff. Hell, were you trembling over each message? Like 1107 00:55:48,920 --> 00:55:50,920 Speaker 1: hands shaking a little bit kind of thing. I imagine 1108 00:55:50,920 --> 00:55:52,680 Speaker 1: this would be like what do you message in Christian Patraka? 1109 00:55:52,960 --> 00:55:53,120 Speaker 2: Yeah? 1110 00:55:53,120 --> 00:55:55,400 Speaker 10: It was massive, like the Jonah stand. 1111 00:55:55,520 --> 00:55:56,120 Speaker 2: Wow. 1112 00:55:56,320 --> 00:55:58,640 Speaker 10: So this was I was I think I was screaming. 1113 00:55:58,920 --> 00:56:00,640 Speaker 10: I think I called an least to be honest, you. 1114 00:56:01,000 --> 00:56:02,440 Speaker 1: Are you just screaming and typing? 1115 00:56:03,000 --> 00:56:05,000 Speaker 10: I think I ran around my apartment. 1116 00:56:08,880 --> 00:56:10,200 Speaker 1: So how are you feeling about him coming on the 1117 00:56:10,200 --> 00:56:10,840 Speaker 1: show tomorrow? 1118 00:56:13,200 --> 00:56:13,279 Speaker 10: Like? 1119 00:56:13,760 --> 00:56:20,720 Speaker 1: Wow, great, still in those areas? Wow, awesome wild. Alright, 1120 00:56:20,760 --> 00:56:22,480 Speaker 1: Well there you go, guys. That's the story of how 1121 00:56:22,520 --> 00:56:24,640 Speaker 1: he got here. He'll be on the show tomorrow to 1122 00:56:24,719 --> 00:56:27,000 Speaker 1: play can you hear it? Very excited about it. We 1123 00:56:27,040 --> 00:56:27,920 Speaker 1: will see you all then,