1 00:00:00,080 --> 00:00:03,159 Speaker 1: Welcome to the podcast. So this is just one option. 2 00:00:03,320 --> 00:00:08,360 Speaker 1: Will for the name of the cover band of powder Finger, Yeah, 3 00:00:08,440 --> 00:00:11,879 Speaker 1: Talcum Powdered Fingers. If you haven't heard the journey, Yes, 4 00:00:12,000 --> 00:00:16,000 Speaker 1: I did travel through South America thirteen years ago with 5 00:00:16,040 --> 00:00:19,239 Speaker 1: through other blogs, pretending to be the band powder Finger. Yeah, 6 00:00:19,280 --> 00:00:23,320 Speaker 1: and like I got away with it. Like thirteen years ago, 7 00:00:23,320 --> 00:00:25,200 Speaker 1: you didn't have internet access on your phone, so you 8 00:00:25,239 --> 00:00:26,720 Speaker 1: could get away with lies like. 9 00:00:26,680 --> 00:00:29,400 Speaker 2: This interet or not. No one in South America knew 10 00:00:29,400 --> 00:00:30,240 Speaker 2: who powder Finger were. 11 00:00:30,280 --> 00:00:32,919 Speaker 1: But if I went to Argentina today, they'd go, oh, 12 00:00:33,320 --> 00:00:36,120 Speaker 1: I'll google you, but no, you're not. Thirteen years ago 13 00:00:36,120 --> 00:00:38,559 Speaker 1: you couldn't do that. So it was actually extraordinary that 14 00:00:38,560 --> 00:00:40,560 Speaker 1: we got away with it for so long. People treated 15 00:00:40,640 --> 00:00:42,159 Speaker 1: us like royalty over there, Will. 16 00:00:43,000 --> 00:00:45,560 Speaker 3: Yeah, which is the yeah interesting because they didn't know 17 00:00:45,560 --> 00:00:46,680 Speaker 3: who powder Thinger were but. 18 00:00:46,920 --> 00:00:48,879 Speaker 1: An Australian band, and then we could. The other thing 19 00:00:49,000 --> 00:00:52,440 Speaker 1: is phones could play music, yeah obviously, so like that 20 00:00:52,440 --> 00:00:55,200 Speaker 1: blew them away, like that's you. We were like, can 21 00:00:55,200 --> 00:00:56,000 Speaker 1: I ask a question? 22 00:00:56,120 --> 00:00:58,640 Speaker 4: Yeah, this thing, I'm just trying to put myself back 23 00:00:58,640 --> 00:01:02,040 Speaker 4: into early twenties Woody in South America. Yeah, they don't 24 00:01:02,040 --> 00:01:02,920 Speaker 4: have internet access. 25 00:01:02,920 --> 00:01:03,520 Speaker 2: In their phones. 26 00:01:04,040 --> 00:01:05,319 Speaker 1: So you've gone with a band. 27 00:01:05,760 --> 00:01:09,560 Speaker 4: Very famous in Australia was the theory that you could 28 00:01:09,560 --> 00:01:11,520 Speaker 4: have been anyone. You could have been from the police, 29 00:01:11,600 --> 00:01:12,920 Speaker 4: you could have been from the killers. 30 00:01:13,200 --> 00:01:16,280 Speaker 1: It wasn't like I think it's it's just sort of 31 00:01:16,280 --> 00:01:19,120 Speaker 1: spontaneous happened. We didn't plan it. We're at a bar 32 00:01:19,200 --> 00:01:21,840 Speaker 1: one night and one person was like, like, who are 33 00:01:21,880 --> 00:01:23,240 Speaker 1: you and then just made a joking and was like, oh, 34 00:01:23,240 --> 00:01:26,000 Speaker 1: we're actually a band. We're a band, and then so 35 00:01:26,200 --> 00:01:28,039 Speaker 1: which what's your band called? And then another bloke said, 36 00:01:28,080 --> 00:01:30,479 Speaker 1: like Shagg said powder Finger, and then we just rolled 37 00:01:30,480 --> 00:01:32,200 Speaker 1: with it and then it worked so well. On that 38 00:01:32,280 --> 00:01:34,240 Speaker 1: night when it spontaneously came up, we were just. 39 00:01:34,160 --> 00:01:37,600 Speaker 3: Like, let's tours tour of the band stepped. 40 00:01:37,280 --> 00:01:40,240 Speaker 1: Into the mind of the genius is there in South America. Yeah, 41 00:01:40,280 --> 00:01:43,000 Speaker 1: that's how it happens. I mean, that's that's the origin 42 00:01:43,040 --> 00:01:44,000 Speaker 1: of the story. 43 00:01:43,840 --> 00:01:46,040 Speaker 3: And the important the important thing to note here is 44 00:01:46,080 --> 00:01:48,600 Speaker 3: that you've never actually played a song as powder Finger. 45 00:01:48,760 --> 00:01:50,800 Speaker 1: Well, no, we did a cover song as powder Finger 46 00:01:50,840 --> 00:01:52,800 Speaker 1: in Brazil. We did a cover song of Case. 47 00:01:52,880 --> 00:01:54,840 Speaker 3: And this is where you found your calling is the 48 00:01:54,920 --> 00:01:56,920 Speaker 3: drama because you slapped on the balustrade. 49 00:01:57,280 --> 00:01:59,160 Speaker 1: Yeah, there's like a I don't know what a balustrade is, 50 00:01:59,160 --> 00:02:02,640 Speaker 1: but there was a bannister, yeah, at in front of. 51 00:02:02,560 --> 00:02:06,120 Speaker 4: The stage, and I just yeah, were you playing this 52 00:02:06,200 --> 00:02:08,200 Speaker 4: on a speaker or you just singing it into a 53 00:02:08,320 --> 00:02:11,960 Speaker 4: mic with no musical background stage. 54 00:02:12,600 --> 00:02:14,280 Speaker 1: I think it was just a guitar stage. You can 55 00:02:14,280 --> 00:02:16,280 Speaker 1: see the photo actually on our instagram. Will and Would. 56 00:02:16,320 --> 00:02:18,960 Speaker 1: I think it's a story, so get there quickly. But 57 00:02:19,360 --> 00:02:21,320 Speaker 1: Sugar was on the guitar because we'd actually just said 58 00:02:21,320 --> 00:02:23,919 Speaker 1: that Sugar was the third best guitarist in Australia, so 59 00:02:23,960 --> 00:02:27,000 Speaker 1: he could get He got the beat going of Ka San. 60 00:02:27,440 --> 00:02:29,720 Speaker 1: No one was on the harm monica unfortunately, and then 61 00:02:29,760 --> 00:02:32,760 Speaker 1: I was banging the banister and then Shaggs sond It 62 00:02:32,840 --> 00:02:36,040 Speaker 1: was great from from my memory, pretty bloody awesome rendition 63 00:02:36,200 --> 00:02:36,600 Speaker 1: of case. 64 00:02:36,680 --> 00:02:40,160 Speaker 3: And you were obviously stone cults over at the time, 65 00:02:40,200 --> 00:02:42,240 Speaker 3: so your memory is going to be peachy. 66 00:02:42,360 --> 00:02:43,640 Speaker 1: I didn'tdrink it all in South America. 67 00:02:44,240 --> 00:02:45,519 Speaker 2: Oh m hmm. 68 00:02:47,960 --> 00:02:48,320 Speaker 3: Here we are. 69 00:02:51,120 --> 00:02:52,160 Speaker 2: What's he going tomorrow? 70 00:02:52,680 --> 00:02:53,359 Speaker 1: We need a name? 71 00:02:53,800 --> 00:02:54,800 Speaker 2: Oh yeah, we need a name. 72 00:02:54,800 --> 00:02:55,960 Speaker 3: If you have a name for the band, for the 73 00:02:55,960 --> 00:02:57,920 Speaker 3: tribute band, they're going to do one gig, one gig 74 00:02:57,960 --> 00:03:00,799 Speaker 3: only one song. Only tell us what it is so 75 00:03:00,800 --> 00:03:02,200 Speaker 3: you can put their name on the bill. I'd love 76 00:03:02,200 --> 00:03:04,640 Speaker 3: to get you opening for someone big the girl. 77 00:03:05,880 --> 00:03:07,720 Speaker 1: We will only open for someone if they're huge. 78 00:03:07,760 --> 00:03:11,920 Speaker 3: Otherwise Strokes are coming in June here we take them. 79 00:03:12,760 --> 00:03:15,320 Speaker 2: See you guys, all right. This is the Will. 80 00:03:15,160 --> 00:03:17,880 Speaker 5: And Woody podcast. 81 00:03:19,120 --> 00:03:23,320 Speaker 3: Australian comedy festivals all over the country are great. We're 82 00:03:23,320 --> 00:03:25,560 Speaker 3: really one of the best things about being out of 83 00:03:25,639 --> 00:03:29,239 Speaker 3: COVID is being able to see live entertainment again. 84 00:03:29,320 --> 00:03:31,440 Speaker 2: Would so make sure you get out there, guys. 85 00:03:31,480 --> 00:03:34,800 Speaker 3: Honestly, even just not just it's not just for the performer, 86 00:03:34,840 --> 00:03:36,560 Speaker 3: it's also you'll have a cracking night. 87 00:03:36,680 --> 00:03:38,800 Speaker 2: See live entertainment is something. 88 00:03:38,480 --> 00:03:40,360 Speaker 3: That we got to relish again because it is one 89 00:03:40,400 --> 00:03:42,240 Speaker 3: of the best parts about being on this planet and 90 00:03:42,240 --> 00:03:44,640 Speaker 3: one of the best people who does it is Dial 91 00:03:44,720 --> 00:03:47,480 Speaker 3: rook jayasing it joins us right now. You can get 92 00:03:47,520 --> 00:03:50,280 Speaker 3: tickets to go and see deals show Delicious at comedy 93 00:03:50,280 --> 00:03:52,960 Speaker 3: dot com dot Au, Still Perth, Still Brisbane shows to 94 00:03:53,000 --> 00:03:54,520 Speaker 3: come Dial Welcome to the show. 95 00:03:55,320 --> 00:03:56,400 Speaker 5: Hello mane oh man. 96 00:03:56,400 --> 00:03:57,960 Speaker 6: I was so excited to get in on there, but 97 00:03:58,000 --> 00:03:59,040 Speaker 6: you just kept going to plugs. 98 00:03:59,080 --> 00:04:00,400 Speaker 7: I was like, all right, I let the plan happened. 99 00:04:00,480 --> 00:04:02,240 Speaker 2: Yeah, yeah, so long. 100 00:04:02,400 --> 00:04:06,080 Speaker 6: Thanks, thank you so much for having me. Last time 101 00:04:06,080 --> 00:04:08,640 Speaker 6: I spoke to you both, I reckon it was if 102 00:04:08,640 --> 00:04:11,040 Speaker 6: I got my calculations right. Was just before I was 103 00:04:11,040 --> 00:04:14,040 Speaker 6: about to go into Mastership, or rather before it went 104 00:04:14,080 --> 00:04:18,480 Speaker 6: to air. And yeah, I remember the call ended. I 105 00:04:18,520 --> 00:04:21,200 Speaker 6: think it was you Woody, who will I think when 106 00:04:21,600 --> 00:04:23,120 Speaker 6: saying that you had no hope for me? 107 00:04:25,600 --> 00:04:27,760 Speaker 1: That's true. We lined up. We actually we know we 108 00:04:27,920 --> 00:04:29,880 Speaker 1: we We put a lot of money towards you getting 109 00:04:29,920 --> 00:04:30,839 Speaker 1: voted at first Deal. 110 00:04:31,400 --> 00:04:35,000 Speaker 6: So you see, this is a lesson a lot of 111 00:04:35,000 --> 00:04:38,039 Speaker 6: my mates have learned. Never underestimates the shoe lancing. 112 00:04:40,720 --> 00:04:43,880 Speaker 3: Since Mastership, Celebrity Masterchif you came fourth in somebody master shif, 113 00:04:44,000 --> 00:04:44,919 Speaker 3: congratulations on that. 114 00:04:44,960 --> 00:04:47,599 Speaker 2: But you're going to have a whole bunch of brand 115 00:04:47,600 --> 00:04:48,320 Speaker 2: new fans. 116 00:04:48,960 --> 00:04:50,880 Speaker 3: I was going to ask you, Yeah, you've obviously you've 117 00:04:50,920 --> 00:04:54,120 Speaker 3: just done Melbourne, Sydney Comedy Sydney Comedy festivals. Can you 118 00:04:54,120 --> 00:04:58,760 Speaker 3: can you tell the difference between like the legacy Salt 119 00:04:58,800 --> 00:05:00,800 Speaker 3: of the Earth Deal Rook fans and those that have 120 00:05:00,960 --> 00:05:02,400 Speaker 3: just joined since Mastership? 121 00:05:03,360 --> 00:05:04,600 Speaker 7: I absolutely can. 122 00:05:04,760 --> 00:05:06,159 Speaker 6: And I feel bad for him. 123 00:05:07,720 --> 00:05:11,839 Speaker 5: Because the show Mastership is so wholesome, and not that 124 00:05:11,920 --> 00:05:15,080 Speaker 5: I'm not wholesome, but I do have you know, there's 125 00:05:15,080 --> 00:05:18,280 Speaker 5: a lot more, say, flowery language than say you'd expect 126 00:05:18,279 --> 00:05:21,800 Speaker 5: to hear on a show like Mastership, right, but I do. 127 00:05:21,880 --> 00:05:22,599 Speaker 7: I do a little bit of. 128 00:05:22,600 --> 00:05:25,760 Speaker 6: An audience survey beforehand, and you know, like whenever I 129 00:05:25,839 --> 00:05:27,560 Speaker 6: sort of go into an area that might be a 130 00:05:27,600 --> 00:05:29,840 Speaker 6: little bit blue or whatever. You know, I always put 131 00:05:29,880 --> 00:05:31,640 Speaker 6: a lot of thought into my materials. I'm not just 132 00:05:31,640 --> 00:05:34,640 Speaker 6: being crooked for the sake of being here, but it 133 00:05:35,200 --> 00:05:37,480 Speaker 6: can be confronting if you only just see this wholesome 134 00:05:37,520 --> 00:05:42,040 Speaker 6: boy making courage on Telly and then suddenly to start 135 00:05:42,080 --> 00:05:44,719 Speaker 6: sharing some of my more revealing stories, going, oh Jesus, 136 00:05:44,760 --> 00:05:46,240 Speaker 6: I didn't know that was humanly possible. 137 00:05:47,880 --> 00:05:50,040 Speaker 1: I've actually heard deal that a lot of your show 138 00:05:50,760 --> 00:05:53,080 Speaker 1: is about a relationship you had with a girl from 139 00:05:53,320 --> 00:05:56,599 Speaker 1: WY and you're currently doing shows in Wy, aren't you. 140 00:05:57,200 --> 00:05:57,400 Speaker 2: Yeah. 141 00:05:57,480 --> 00:06:01,080 Speaker 6: Yeah, So my girlfriend she's originally from w from Mandra 142 00:06:01,880 --> 00:06:06,640 Speaker 6: as you both might be because I assume Perts but 143 00:06:06,640 --> 00:06:08,320 Speaker 6: but turns out it's Mandra. So I kind of feel 144 00:06:08,320 --> 00:06:12,200 Speaker 6: like I got a bit catfish, to be honest, because 145 00:06:12,240 --> 00:06:15,680 Speaker 6: if you if you know anything about mandra you'll understand why. 146 00:06:15,839 --> 00:06:18,560 Speaker 6: But yeah, and a fair bit of the real story. 147 00:06:18,600 --> 00:06:21,560 Speaker 6: The material is about, you know, meeting her family, and 148 00:06:21,920 --> 00:06:24,520 Speaker 6: you know, one of the big disagreements she and Maddie 149 00:06:24,560 --> 00:06:25,960 Speaker 6: and my my partner's name is Madie, and one of 150 00:06:26,000 --> 00:06:28,800 Speaker 6: the disagreements we have is I reckon her mom and 151 00:06:28,880 --> 00:06:34,320 Speaker 6: dad are bogains and she disagrees. So and so I 152 00:06:34,360 --> 00:06:36,600 Speaker 6: do a lot of stuff about that. But what's interesting 153 00:06:36,680 --> 00:06:41,479 Speaker 6: is this Saturday Is show. You know, both the mom 154 00:06:41,480 --> 00:06:44,200 Speaker 6: and along and dad have already they're coming along. They've 155 00:06:44,240 --> 00:06:45,919 Speaker 6: already seen the show. To be fair, they came to 156 00:06:46,000 --> 00:06:49,640 Speaker 6: Melbourne and they they loved it, and they came twice 157 00:06:49,680 --> 00:06:51,640 Speaker 6: and now they're coming again, this time bringing all their 158 00:06:51,640 --> 00:06:54,240 Speaker 6: workmates and friends and family. So so I know, like, 159 00:06:54,440 --> 00:06:56,320 Speaker 6: you know, I've obviously nail it. Like if they if 160 00:06:56,320 --> 00:06:59,360 Speaker 6: they felt like helped by it, they've obviously not. They're 161 00:06:59,360 --> 00:07:01,560 Speaker 6: going to boy call or whatever. Right Instead, they're like, no, 162 00:07:01,680 --> 00:07:03,880 Speaker 6: this is great, We're bringing more mate. They're bringing work 163 00:07:03,920 --> 00:07:08,800 Speaker 6: colleagues to me. That's like the ultimate ultimate endorsement. You know, 164 00:07:08,520 --> 00:07:11,000 Speaker 6: you don't want to bring your work colleagues if you're 165 00:07:11,000 --> 00:07:13,800 Speaker 6: embarrassed about what I share. But What's interesting though, is 166 00:07:13,800 --> 00:07:17,240 Speaker 6: that the I do give Maddie's Nan a bit of 167 00:07:17,280 --> 00:07:21,080 Speaker 6: a roasting and Nan coming to the show on the Sunday. 168 00:07:21,520 --> 00:07:23,480 Speaker 1: On the Sunday, where do you get off to? You're 169 00:07:23,520 --> 00:07:24,280 Speaker 1: going to the Banana? 170 00:07:24,440 --> 00:07:30,520 Speaker 6: Yeah, Whatsana made nothing against the Nana except that when 171 00:07:30,520 --> 00:07:32,440 Speaker 6: she first met she goes, oh, I really loved your 172 00:07:32,600 --> 00:07:34,480 Speaker 6: master Chef. I reckon I was an Indian in a 173 00:07:34,560 --> 00:07:40,480 Speaker 6: past life. I mean I didn't even have I didn't 174 00:07:40,480 --> 00:07:42,720 Speaker 6: even have time to explain that I'm Sri Lankan. You know, 175 00:07:42,840 --> 00:07:45,920 Speaker 6: maybe she didn't get the memo that the colonies are free. 176 00:07:46,280 --> 00:07:50,280 Speaker 5: And then she goes on to explain why she reckoned. 177 00:07:50,040 --> 00:07:53,000 Speaker 6: She was an Indian path I leave it for people 178 00:07:53,000 --> 00:07:53,680 Speaker 6: to come to the show. 179 00:07:56,160 --> 00:07:58,720 Speaker 3: You can still see Tyl tonight. He's going to be 180 00:07:58,760 --> 00:08:01,400 Speaker 3: doing Perth this weekend. Easy Perth right now, So fourteenth 181 00:08:01,440 --> 00:08:03,760 Speaker 3: and fifteenth is in Perth Comedy dot com do you 182 00:08:03,840 --> 00:08:05,160 Speaker 3: if you want to. It's gonna be in Brisbane in 183 00:08:05,160 --> 00:08:06,680 Speaker 3: a few weeks as well. We've got more with dill 184 00:08:06,720 --> 00:08:09,640 Speaker 3: Rick jising right out next comedy festivals all over the 185 00:08:09,680 --> 00:08:11,360 Speaker 3: country at the moment. Come out and see some of 186 00:08:11,400 --> 00:08:14,040 Speaker 3: Australia's best, and one of the best is dial Dicinger. 187 00:08:14,080 --> 00:08:15,880 Speaker 2: It joins us right now. You can still see Dill 188 00:08:16,000 --> 00:08:18,119 Speaker 2: show Delicious. 189 00:08:17,600 --> 00:08:19,840 Speaker 3: At comedy dot com. 190 00:08:19,200 --> 00:08:20,680 Speaker 2: Dot au Dil. 191 00:08:20,840 --> 00:08:23,640 Speaker 3: We're just learning about the fact that you had to 192 00:08:23,640 --> 00:08:28,800 Speaker 3: do a long distance with your partner for a year. Yeah, 193 00:08:29,280 --> 00:08:31,000 Speaker 3: can you talk a little bit more about that and 194 00:08:31,080 --> 00:08:32,880 Speaker 3: like how hard that was for a lot of people. 195 00:08:33,720 --> 00:08:37,880 Speaker 6: Mate, It's actually really tough because you know, we matched 196 00:08:37,880 --> 00:08:40,680 Speaker 6: on the dating app where it throws your location around 197 00:08:40,720 --> 00:08:43,960 Speaker 6: the world. It was towards the end of twenty twenty 198 00:08:44,000 --> 00:08:45,960 Speaker 6: that I was just like, oh, well, we'll see what's happening. 199 00:08:46,800 --> 00:08:49,160 Speaker 1: So you were just done with Melbourne. You were like, no, Melbourne, 200 00:08:51,360 --> 00:08:52,600 Speaker 1: if you have passed the test. 201 00:08:53,400 --> 00:08:55,640 Speaker 6: I've got rejected from everyone in Melbourne. 202 00:08:55,880 --> 00:08:57,479 Speaker 2: And then I thought. 203 00:08:57,200 --> 00:08:59,880 Speaker 6: All right, no, yeah, it's just I don't know if 204 00:08:59,880 --> 00:09:01,079 Speaker 6: you're as an app called. 205 00:09:00,960 --> 00:09:05,280 Speaker 1: Rea that one that's the celebrity one deal. 206 00:09:05,160 --> 00:09:08,800 Speaker 2: Rook Yeah yeah, yeah, yeah, is it true you need to. 207 00:09:08,800 --> 00:09:14,280 Speaker 1: Be nominated by another celebrity exactly. 208 00:09:14,320 --> 00:09:16,559 Speaker 6: It's a really look. I don't think I find it's 209 00:09:16,559 --> 00:09:19,120 Speaker 6: such a weird set up because it's either celebrity or 210 00:09:19,120 --> 00:09:21,360 Speaker 6: you have to be good looking, and obviously I got 211 00:09:21,400 --> 00:09:23,000 Speaker 6: into twice because. 212 00:09:27,440 --> 00:09:31,240 Speaker 2: Who nominated you for the celebrity dating app? Oh I don't. 213 00:09:31,880 --> 00:09:34,320 Speaker 6: I'll be one hundred percent I don't remember. But what 214 00:09:34,360 --> 00:09:37,000 Speaker 6: I do know is that my my mate, Tommy Little 215 00:09:37,160 --> 00:09:39,800 Speaker 6: he can't get on it because apparently not not famous 216 00:09:39,880 --> 00:09:42,840 Speaker 6: or good looking enough to be on it, I mean, 217 00:09:42,920 --> 00:09:45,600 Speaker 6: sends me a message going back for me and I 218 00:09:45,640 --> 00:09:47,559 Speaker 6: don't talk. Who gave you this number? 219 00:09:47,559 --> 00:09:48,000 Speaker 2: Get away? 220 00:09:52,400 --> 00:09:54,000 Speaker 6: But yeah, no, so we mentioned on this and then 221 00:09:54,120 --> 00:09:55,839 Speaker 6: of course, like at the time, you know, this was 222 00:09:55,880 --> 00:09:58,560 Speaker 6: December twenty twenty, I thought borders are going to open shortly. 223 00:09:58,640 --> 00:10:01,400 Speaker 6: Surely w a now some of your big deal. But 224 00:10:01,520 --> 00:10:03,880 Speaker 6: oh mate, I'll tell you what long distance relationship is 225 00:10:03,920 --> 00:10:06,720 Speaker 6: hard enough let alone. But Mark McGowan, you McGowan is 226 00:10:06,720 --> 00:10:16,840 Speaker 6: like she blocking you at every press, brutal. But but yeah, 227 00:10:16,840 --> 00:10:18,680 Speaker 6: we know, you know, we bounced it, like we sort of. 228 00:10:18,720 --> 00:10:20,520 Speaker 6: I did quarantine in for two weeks to get in. 229 00:10:20,559 --> 00:10:22,079 Speaker 6: At one point she quarantined the two. 230 00:10:22,120 --> 00:10:23,400 Speaker 7: It's like it was really. 231 00:10:23,160 --> 00:10:25,520 Speaker 6: Tough, but you know, a happy ending in the sense 232 00:10:25,559 --> 00:10:28,520 Speaker 6: that she moved to Melbourne about about two months ago, 233 00:10:28,800 --> 00:10:31,400 Speaker 6: so now we're living together. 234 00:10:32,559 --> 00:10:35,920 Speaker 1: She moved to Melbourne two months ago and to go 235 00:10:36,080 --> 00:10:40,000 Speaker 1: there what did you say. Okay, great timing comedy festival started. 236 00:10:40,600 --> 00:10:41,480 Speaker 2: I'm hitting the road. 237 00:10:42,960 --> 00:10:45,400 Speaker 7: Not only that, not only just hitting the road. I'm 238 00:10:45,440 --> 00:10:50,440 Speaker 7: going to go see your family before you do. I'm 239 00:10:50,440 --> 00:10:52,880 Speaker 7: going to go hang out with your nephew, nieces, your 240 00:10:52,960 --> 00:10:54,800 Speaker 7: cat and I'll stay hi to them. But you know, 241 00:10:54,880 --> 00:10:57,520 Speaker 7: you stay here and call Melbourne enjoy. I'm just gonna 242 00:10:57,559 --> 00:11:00,280 Speaker 7: go crabbing in the Estuary. 243 00:11:01,240 --> 00:11:03,320 Speaker 1: Which is the number one to its attraction of Mandra. 244 00:11:03,520 --> 00:11:12,240 Speaker 2: Yeah, explain that to non Australians. That's what they're doing, Mandra. Well, guys, 245 00:11:12,600 --> 00:11:15,720 Speaker 2: I'm so glad she's with you now, mate, Yeah, yeah. 246 00:11:15,559 --> 00:11:17,080 Speaker 6: Yeah, Well I mean. 247 00:11:18,640 --> 00:11:19,880 Speaker 7: For the last so many weeks. 248 00:11:20,600 --> 00:11:23,120 Speaker 6: Yeah, between that and so many other weird things that 249 00:11:23,160 --> 00:11:25,200 Speaker 6: are happening. Oh man, it's been it's been a it's. 250 00:11:25,040 --> 00:11:26,199 Speaker 2: Been a challenge all of the time. 251 00:11:26,320 --> 00:11:28,880 Speaker 6: It's better, yeah, but long distance is a tough one. 252 00:11:28,920 --> 00:11:30,439 Speaker 2: We're making his work great stuff. 253 00:11:30,480 --> 00:11:32,120 Speaker 3: Deal Well, it's beautiful to have you on the show, mate, 254 00:11:32,120 --> 00:11:34,880 Speaker 3: Always great to hear your voice. I know anyone can 255 00:11:34,880 --> 00:11:37,800 Speaker 3: get tickets to Deal Rooks show Delicious at comedy dot 256 00:11:37,840 --> 00:11:38,840 Speaker 3: com dot I you. 257 00:11:38,920 --> 00:11:41,600 Speaker 6: Will, don't there anyone like there's just heaps like anyone 258 00:11:41,640 --> 00:11:44,079 Speaker 6: can get you. Honestly, it's like. 259 00:11:44,520 --> 00:11:46,600 Speaker 1: You need to be a celebrity and good looking to 260 00:11:46,600 --> 00:11:48,400 Speaker 1: get into. 261 00:11:49,360 --> 00:11:49,920 Speaker 2: Nominated. 262 00:11:51,400 --> 00:11:54,319 Speaker 7: Thank you boys, I really love chatting to your Thanks 263 00:11:54,320 --> 00:11:55,800 Speaker 7: Timon still always goodness. 264 00:11:55,800 --> 00:11:57,320 Speaker 2: Thay to you mate comedy dot com do you if 265 00:11:57,360 --> 00:11:58,280 Speaker 2: you want to say till long? 266 00:11:58,720 --> 00:11:58,920 Speaker 5: Wait? 267 00:12:04,520 --> 00:12:05,480 Speaker 2: Well, very well. 268 00:12:05,520 --> 00:12:10,320 Speaker 1: Will I much better than household actor Steve Burton. We 269 00:12:10,360 --> 00:12:14,360 Speaker 1: all know him, excuse me, we all know his work 270 00:12:14,440 --> 00:12:16,480 Speaker 1: on General Hospitals, which is. 271 00:12:16,480 --> 00:12:18,880 Speaker 2: A huge general hospitals. 272 00:12:19,080 --> 00:12:20,960 Speaker 1: Sorry, general hospital, sorry, not the. 273 00:12:20,960 --> 00:12:23,640 Speaker 2: Plural hospitals in general. 274 00:12:24,600 --> 00:12:28,880 Speaker 8: That's a huge soap opera General hospital. 275 00:12:28,920 --> 00:12:31,079 Speaker 1: General hospital is a huge soap opera in the US. 276 00:12:31,120 --> 00:12:32,840 Speaker 1: But shocking. 277 00:12:33,360 --> 00:12:34,960 Speaker 2: But general hospital. 278 00:12:35,080 --> 00:12:37,680 Speaker 1: Yeah, look that's bad, but this story is incredible. Stayed 279 00:12:37,679 --> 00:12:39,720 Speaker 1: with me with so. Steve Burton has been married for 280 00:12:39,800 --> 00:12:44,240 Speaker 1: twenty three years. He is splitting from his wife of 281 00:12:44,280 --> 00:12:48,679 Speaker 1: twenty three years because he announced on Instagram she's pregnant 282 00:12:48,760 --> 00:12:53,600 Speaker 1: right now that the baby is not his. He spoke 283 00:12:53,640 --> 00:12:54,240 Speaker 1: about it recently. 284 00:12:54,240 --> 00:12:58,200 Speaker 3: Here he is, mind, I'm telling your baby that's not mine. 285 00:12:58,720 --> 00:13:03,080 Speaker 1: There he is now the fascinating thing here, Will is 286 00:13:03,240 --> 00:13:09,440 Speaker 1: a person who's a person who stars on soap operas, 287 00:13:10,679 --> 00:13:15,679 Speaker 1: has had a soap opera moment in real life. Very good, 288 00:13:16,400 --> 00:13:20,320 Speaker 1: and I would love to hear about other soap opera 289 00:13:20,360 --> 00:13:23,600 Speaker 1: moments in real life. Okay, thirteen one oh sixty five 290 00:13:23,720 --> 00:13:24,280 Speaker 1: is our number. 291 00:13:24,360 --> 00:13:26,160 Speaker 2: What constitutes a soap opera moment? 292 00:13:26,400 --> 00:13:31,240 Speaker 1: Soap operas are famous for unbelievable storylines like that that 293 00:13:31,400 --> 00:13:33,240 Speaker 1: couldn't happen in real life. I'll give you an example 294 00:13:33,320 --> 00:13:35,200 Speaker 1: from The Young and the Restless, which is a famous 295 00:13:35,240 --> 00:13:37,680 Speaker 1: soap opera. Just listen to this audio. 296 00:13:38,320 --> 00:13:39,520 Speaker 3: You're a fighter, Victor. 297 00:13:39,720 --> 00:13:43,199 Speaker 2: You are going to overcome this disease and go on 298 00:13:43,320 --> 00:13:51,160 Speaker 2: to live a very full life. Flat Adam, we would steal. 299 00:13:51,520 --> 00:13:53,520 Speaker 9: Please, please, we need an ambulance at the Newman ranch. 300 00:13:53,640 --> 00:13:54,560 Speaker 2: No, it's my father. 301 00:13:54,679 --> 00:13:55,240 Speaker 10: He collapsed. 302 00:13:55,400 --> 00:13:59,559 Speaker 1: Tell them that hurry, I can't get them poor whatever 303 00:13:59,679 --> 00:14:01,360 Speaker 1: has she He's saying to Victor that he's going to 304 00:14:01,440 --> 00:14:03,880 Speaker 1: live a long life. He does, he has a hard 305 00:14:04,679 --> 00:14:07,680 Speaker 1: and he dies. So it's it's I'm looking for moments 306 00:14:07,720 --> 00:14:10,960 Speaker 1: that are so unbelieva, stranger than fiction, stranger than ficure. 307 00:14:10,960 --> 00:14:13,000 Speaker 1: That's what soap operas are famous for. It's happened to 308 00:14:13,040 --> 00:14:15,120 Speaker 1: you in real life. Yes, give us a goal. Can 309 00:14:15,160 --> 00:14:17,679 Speaker 1: I can't play another one for it. Yeah, I'm not. 310 00:14:17,760 --> 00:14:19,640 Speaker 1: I'm not going to give context of this one. Just 311 00:14:19,680 --> 00:14:21,400 Speaker 1: have a listen to it and I'll explain it a 312 00:14:21,440 --> 00:14:24,800 Speaker 1: bit more after it. The one with the kidnapping and 313 00:14:24,840 --> 00:14:26,560 Speaker 1: the murder button push of job. 314 00:14:27,000 --> 00:14:29,920 Speaker 2: The kidnapping and the murder this. 315 00:14:31,840 --> 00:14:33,280 Speaker 1: And you're not taking my son anywhere? 316 00:14:34,960 --> 00:14:35,480 Speaker 3: What are you doing? 317 00:14:36,280 --> 00:14:39,600 Speaker 2: She's behind that cats kidnapping and also touch murder. Nicole 318 00:14:39,640 --> 00:14:42,160 Speaker 2: would never do that, You're right, Nicole? 319 00:14:42,800 --> 00:14:44,600 Speaker 7: What never we need to talk about. 320 00:14:50,240 --> 00:14:53,600 Speaker 1: So when he says Nicole, so he's accused this woman, Nicole, 321 00:14:53,800 --> 00:14:56,640 Speaker 1: of kidnapping and murdering Chad anyway. 322 00:14:56,360 --> 00:15:00,040 Speaker 2: Okay, and then kidnapping and murdering Chad Chad a kid. 323 00:15:00,200 --> 00:15:03,280 Speaker 1: I don't know, okay anyway, when people start defending the 324 00:15:03,360 --> 00:15:05,560 Speaker 1: collt Nicole wouldn't do that. The guy goes, you're right, 325 00:15:06,040 --> 00:15:09,600 Speaker 1: Nicole wouldn't do that, and then pulls off a prosthetic 326 00:15:09,680 --> 00:15:13,560 Speaker 1: from her face. She was just wearing her face mask 327 00:15:13,880 --> 00:15:17,440 Speaker 1: like in Mission Impossible. So I think we all get 328 00:15:17,480 --> 00:15:20,760 Speaker 1: the idea. Thirteen one zero six five is the number. 329 00:15:21,480 --> 00:15:23,160 Speaker 2: It's it's a get out of jail freak car of 330 00:15:23,200 --> 00:15:28,280 Speaker 2: the old mask on the face kills would be solved 331 00:15:28,320 --> 00:15:30,440 Speaker 2: in what if it wasn't that person? 332 00:15:30,800 --> 00:15:32,560 Speaker 1: Yeah, well we're not going to get into the face mask. 333 00:15:32,960 --> 00:15:34,160 Speaker 1: Face masking mission impossible. 334 00:15:34,160 --> 00:15:36,000 Speaker 2: But they dropped it after a while, didn't they know 335 00:15:36,200 --> 00:15:37,760 Speaker 2: it's in the New One? Is it in the New One? 336 00:15:38,160 --> 00:15:38,720 Speaker 2: Face mask? 337 00:15:38,760 --> 00:15:41,240 Speaker 1: It's pretty sure they've got the suitcase where they make 338 00:15:41,280 --> 00:15:43,640 Speaker 1: the face and then that's right, you need to stick 339 00:15:43,640 --> 00:15:46,680 Speaker 1: your head in a suitcase and you're a new person. Anyway, 340 00:15:47,480 --> 00:15:50,640 Speaker 1: soap opera moment? Has it happened to you in real life? 341 00:15:51,280 --> 00:15:52,680 Speaker 1: From you're right up next to William Woody? 342 00:15:52,800 --> 00:15:54,600 Speaker 2: Yea, all right, hard to think, aren't they. 343 00:15:55,120 --> 00:15:57,440 Speaker 1: Well they're extra they've got to be extraordinary and disbelieving. 344 00:15:57,520 --> 00:15:58,520 Speaker 2: All right, we'll take them up next. 345 00:15:58,560 --> 00:16:01,160 Speaker 1: Will the money asking right now if you have had 346 00:16:01,280 --> 00:16:05,200 Speaker 1: a soap opera moment in real life? 347 00:16:06,200 --> 00:16:06,800 Speaker 2: Yeah, right here? 348 00:16:08,000 --> 00:16:11,800 Speaker 1: And that is because a famous soap opera actor called 349 00:16:11,880 --> 00:16:16,600 Speaker 1: Steve Burton this is truly extraordinary, revealed on Instagram that 350 00:16:16,720 --> 00:16:19,680 Speaker 1: he's splitting from his wife of twenty three years because 351 00:16:19,720 --> 00:16:26,040 Speaker 1: the baby is not his totally, this is extraordinary soap 352 00:16:26,080 --> 00:16:28,960 Speaker 1: opera actor happened to him in real life? So anyway, 353 00:16:28,960 --> 00:16:29,600 Speaker 1: so that's sort of asking. 354 00:16:29,640 --> 00:16:31,280 Speaker 2: These are like stranger than fiction moments. 355 00:16:31,400 --> 00:16:33,200 Speaker 1: Well, that's what soap operas are famous for. It's like 356 00:16:33,480 --> 00:16:35,760 Speaker 1: no one's believing that storyline, you know what I mean. 357 00:16:36,120 --> 00:16:37,720 Speaker 1: So I want to hear of those moments having in 358 00:16:37,800 --> 00:16:44,440 Speaker 1: real life. We've got Kazeesha here, Hi Kazisha, Hi Kazisha, 359 00:16:44,560 --> 00:16:47,520 Speaker 1: tell us about your soap opera moment in real life. 360 00:16:48,720 --> 00:16:52,320 Speaker 11: So, a couple of years back, I was working at 361 00:16:52,360 --> 00:16:56,080 Speaker 11: a cafe and I had this coworker. He was about 362 00:16:56,200 --> 00:17:00,040 Speaker 11: nineteen years old, and he came to us and I 363 00:17:00,080 --> 00:17:04,760 Speaker 11: was like, guys, I've got this girl pregnant. We're going 364 00:17:04,840 --> 00:17:08,520 Speaker 11: to keep it. And we were like, holy shit, that's scary, 365 00:17:08,720 --> 00:17:12,320 Speaker 11: but good for you. And so we were checking in 366 00:17:12,520 --> 00:17:15,080 Speaker 11: every few weeks. We're like, Sam, how are you doing, Like, 367 00:17:15,520 --> 00:17:18,120 Speaker 11: how's the baby coming along? He was telling us how 368 00:17:19,560 --> 00:17:22,920 Speaker 11: the baby was going, like the ultrasounds, all of that, 369 00:17:23,800 --> 00:17:27,800 Speaker 11: and then we decided to all chip in by I'm 370 00:17:27,840 --> 00:17:29,960 Speaker 11: a present. It was coming up to nine months. We 371 00:17:30,040 --> 00:17:32,919 Speaker 11: were getting really excited. Mind you, this baby was going 372 00:17:33,000 --> 00:17:35,200 Speaker 11: to be called Philippa. 373 00:17:35,359 --> 00:17:38,280 Speaker 2: He decided the name get to the points, get to 374 00:17:38,400 --> 00:17:38,760 Speaker 2: the point. 375 00:17:41,119 --> 00:17:45,280 Speaker 11: So we bring the gift in and handed to him 376 00:17:45,320 --> 00:17:50,760 Speaker 11: and he's like, guys, I'm so sorry, Philippa flood isn't real. 377 00:17:52,359 --> 00:17:53,760 Speaker 11: The baby's sake. 378 00:17:54,760 --> 00:17:59,840 Speaker 1: Made baby that is, it wasn't worth a five minutes to. 379 00:18:02,840 --> 00:18:04,679 Speaker 2: Let's go to Laura build up. 380 00:18:05,600 --> 00:18:07,680 Speaker 3: I mean, when it got to nine months down there, 381 00:18:07,720 --> 00:18:09,920 Speaker 3: twelve weeks again, then the thirty weeks again. 382 00:18:11,240 --> 00:18:13,720 Speaker 2: What's the blood type on the thing. Let's go to Laura. 383 00:18:14,680 --> 00:18:16,880 Speaker 1: Laura, you've had a soap opera moment in real life. 384 00:18:16,960 --> 00:18:17,480 Speaker 1: Hit us with it. 385 00:18:18,359 --> 00:18:20,359 Speaker 12: I that was a pretty big moment in my life. 386 00:18:20,720 --> 00:18:24,320 Speaker 12: Long story short, My ex boyfriend cheated on me, so 387 00:18:24,440 --> 00:18:26,720 Speaker 12: I thought, you know what, stuff this guy. I'm gonna 388 00:18:26,720 --> 00:18:30,119 Speaker 12: go out and get my revenge. Got my revenge. And 389 00:18:30,680 --> 00:18:33,280 Speaker 12: when my daughter was born, I was like, probably doesn't 390 00:18:33,280 --> 00:18:37,080 Speaker 12: add up here. Why is my child so white? 391 00:18:37,200 --> 00:18:37,400 Speaker 3: Fur? 392 00:18:38,200 --> 00:18:40,639 Speaker 12: I am brown, my ex boyfriend's brown. 393 00:18:41,200 --> 00:18:43,440 Speaker 11: Three years later, we're gonnagreen. 394 00:18:43,680 --> 00:18:48,960 Speaker 12: First came out my daughter was not his, and I 395 00:18:49,040 --> 00:18:55,720 Speaker 12: had to tell him and it went horribly. Everyone in 396 00:18:55,800 --> 00:18:59,359 Speaker 12: my whole life was like, wait, so he's not the 397 00:18:59,480 --> 00:19:03,360 Speaker 12: dad who said dad like girl, we got to find 398 00:19:03,359 --> 00:19:03,680 Speaker 12: that out. 399 00:19:03,840 --> 00:19:07,200 Speaker 11: But anyway, long story short, it's called her real dad's 400 00:19:07,240 --> 00:19:07,680 Speaker 11: life now. 401 00:19:07,840 --> 00:19:11,399 Speaker 2: But oh wow, here's the guy, Laura. 402 00:19:12,240 --> 00:19:13,960 Speaker 12: I mean, it could have only been the one person. 403 00:19:14,320 --> 00:19:17,119 Speaker 2: Okay, one revenge, and he sued to be at the DNA. 404 00:19:17,840 --> 00:19:20,720 Speaker 12: It was pretty crazy. I called the one night stand 405 00:19:20,760 --> 00:19:22,520 Speaker 12: and I said, so, you have a. 406 00:19:22,600 --> 00:19:25,520 Speaker 3: Three year old, and it is It is a bit 407 00:19:25,520 --> 00:19:27,480 Speaker 3: annoying when Woods has to leave work early to go 408 00:19:27,560 --> 00:19:29,000 Speaker 3: and pick him up. 409 00:19:29,000 --> 00:19:31,000 Speaker 2: But apart from that, sounds like a good bit. 410 00:19:31,920 --> 00:19:34,240 Speaker 1: You I blind that I am out Laura's baby's father. 411 00:19:35,880 --> 00:19:37,480 Speaker 1: I mean, I've had a few of those DNA tests. 412 00:19:37,520 --> 00:19:43,080 Speaker 1: But then come on, no, no, Brooklyn, Brooklyn, my god, man, Brooklyn, 413 00:19:44,240 --> 00:19:47,359 Speaker 1: sorry man, sorry, tell us you're so proper. 414 00:19:47,400 --> 00:19:50,520 Speaker 10: Moment A bit thrown there. It's a wild thing to say, 415 00:19:50,800 --> 00:19:56,720 Speaker 10: the extra twisted tell us, tell us you're so proper. 416 00:19:56,760 --> 00:19:58,120 Speaker 10: A moment that happened in real life. 417 00:19:59,119 --> 00:20:01,600 Speaker 12: Okay, So, mom, I'm so sure I hit a rough patch. 418 00:20:01,720 --> 00:20:03,800 Speaker 12: I had to move in with my mom and my 419 00:20:03,920 --> 00:20:06,960 Speaker 12: stepdad and my boyfriend came with us. Turned out that 420 00:20:07,240 --> 00:20:09,720 Speaker 12: the whole time my boyfriend was sleeping with my mom 421 00:20:10,320 --> 00:20:11,959 Speaker 12: and now they're together living happily. 422 00:20:17,760 --> 00:20:18,560 Speaker 6: Is going on? 423 00:20:20,000 --> 00:20:20,320 Speaker 5: Wow? 424 00:20:20,920 --> 00:20:23,840 Speaker 1: And so he was family Christmas? How is it? 425 00:20:24,240 --> 00:20:24,440 Speaker 5: Well? 426 00:20:24,560 --> 00:20:26,440 Speaker 12: I don't, I don't. I don't speak to my mom 427 00:20:26,560 --> 00:20:28,800 Speaker 12: at all. Obviously, she defended what she did and saw 428 00:20:28,880 --> 00:20:30,240 Speaker 12: nothing wrong with it. So I was like, well, you 429 00:20:30,280 --> 00:20:31,000 Speaker 12: don't have a play. 430 00:20:32,400 --> 00:20:35,040 Speaker 2: Yeah, she saw nothing, Brooklyn. How did you find out? 431 00:20:35,520 --> 00:20:36,240 Speaker 2: How did you find that? 432 00:20:37,520 --> 00:20:39,840 Speaker 12: Pretty much? My my little brother screwed up and he 433 00:20:39,920 --> 00:20:41,840 Speaker 12: put a photo on Snapchat of my mom and my 434 00:20:41,960 --> 00:20:44,320 Speaker 12: ex outside and put a love heart around it, and 435 00:20:44,359 --> 00:20:45,480 Speaker 12: I was like, it did a bit weird. 436 00:20:46,359 --> 00:20:47,400 Speaker 7: So I confronted them. 437 00:20:48,240 --> 00:20:50,480 Speaker 12: Yeah, they I confronted them. They told me I was crazy. 438 00:20:50,600 --> 00:20:53,480 Speaker 12: And then one day I actually went round to her 439 00:20:53,560 --> 00:20:55,160 Speaker 12: house when my mom was meant to be at work 440 00:20:55,200 --> 00:20:56,480 Speaker 12: and my ex was apparently at. 441 00:20:56,400 --> 00:20:58,760 Speaker 6: Work, and I caught them together in my step third step. 442 00:20:59,160 --> 00:21:03,080 Speaker 3: Oh, oh my. 443 00:21:03,200 --> 00:21:06,119 Speaker 2: God, Brooklyn. I'm so sorry. Oh Brooklyn. 444 00:21:06,880 --> 00:21:09,040 Speaker 12: Sorry, it's a good thing. It the trash took itself 445 00:21:09,080 --> 00:21:10,800 Speaker 12: out of my life and I'm happier than ever. 446 00:21:11,040 --> 00:21:14,320 Speaker 2: Oh okay, say mate, the trash took itself out. How 447 00:21:14,800 --> 00:21:15,440 Speaker 2: good is that? 448 00:21:15,920 --> 00:21:16,320 Speaker 1: Hopefully? 449 00:21:16,440 --> 00:21:16,920 Speaker 12: Wow? 450 00:21:17,040 --> 00:21:19,480 Speaker 3: Brooklyn. Hey Brooklyn, you're gonna have Brooklyn mine. You have 451 00:21:19,600 --> 00:21:22,200 Speaker 3: yourself a spinal E's pillow, mate. There you go, that's 452 00:21:22,240 --> 00:21:22,440 Speaker 3: for you. 453 00:21:23,080 --> 00:21:24,760 Speaker 7: They're very good, Thank you so much. 454 00:21:24,920 --> 00:21:26,119 Speaker 1: No worry by staff, Brooklyn. 455 00:21:26,200 --> 00:21:28,520 Speaker 2: No correlation between beds and pillows there. 456 00:21:28,440 --> 00:21:32,120 Speaker 1: But absolutely not, ab solutely not. That'd be cheap. Let's 457 00:21:32,160 --> 00:21:33,400 Speaker 1: go to a song or something. 458 00:21:34,040 --> 00:21:37,119 Speaker 5: Coming up next were there are more Will and Woody, 459 00:21:38,280 --> 00:21:40,239 Speaker 5: the Will and Woody podcast. 460 00:21:40,000 --> 00:21:48,280 Speaker 1: Right now, a chance to win fifty dollars excel effectively, 461 00:21:48,320 --> 00:21:51,080 Speaker 1: it's people's chance to dupe us here. You give us 462 00:21:51,080 --> 00:21:53,359 Speaker 1: a call on thirteen one oh sixty five, and you 463 00:21:53,560 --> 00:21:56,400 Speaker 1: sell us an item in one word. You use one 464 00:21:56,440 --> 00:21:58,639 Speaker 1: word to sell the item. Then we get one question 465 00:21:58,880 --> 00:22:01,760 Speaker 1: about the item. Okay. We hear about two items, Will, 466 00:22:01,800 --> 00:22:03,240 Speaker 1: and then we have to choose one. We have to 467 00:22:03,280 --> 00:22:05,719 Speaker 1: pay fifty dollars for one, that's right, okay, So hopefully 468 00:22:05,800 --> 00:22:08,240 Speaker 1: we get a good deal here. And also we were 469 00:22:08,240 --> 00:22:09,879 Speaker 1: speaking for the song. We've always been good at this. 470 00:22:09,960 --> 00:22:13,560 Speaker 1: We've got ourselves a juicer, we've. 471 00:22:13,400 --> 00:22:15,320 Speaker 3: Got we've got a smart watch last time. Actually we've 472 00:22:15,320 --> 00:22:17,919 Speaker 3: got a Samsung smart watch, so yeah, exactly right. 473 00:22:18,720 --> 00:22:21,680 Speaker 2: We've got a bread maker. We haven't actually we haven't 474 00:22:21,680 --> 00:22:24,080 Speaker 2: actually got a lemon at all in all of this. No, 475 00:22:24,200 --> 00:22:25,480 Speaker 2: it's not an actual lemon either. 476 00:22:25,880 --> 00:22:29,160 Speaker 1: No, so good luck, jeepiness. Let's go to Jess here. Jess, 477 00:22:29,200 --> 00:22:31,679 Speaker 1: what's the one word you would use to sell us 478 00:22:31,720 --> 00:22:32,240 Speaker 1: your item? 479 00:22:33,520 --> 00:22:34,040 Speaker 12: Fragrant? 480 00:22:35,400 --> 00:22:38,200 Speaker 2: France, like a lot sounds just fragrant. 481 00:22:38,200 --> 00:22:43,639 Speaker 3: Fragrant or fragrance because fragrance fragrance, so hang. 482 00:22:43,520 --> 00:22:46,320 Speaker 1: On to hang on. So he's I'm thinking she wants 483 00:22:46,400 --> 00:22:50,560 Speaker 1: us to think expensive. Yeah, but keep in mind she's 484 00:22:50,760 --> 00:22:54,040 Speaker 1: she's duping. So a fragrance really conveniences eating its smells, right, 485 00:22:54,480 --> 00:22:56,240 Speaker 1: what's the definition of fragrance. 486 00:22:57,400 --> 00:23:00,800 Speaker 2: Well, I think a fragrance is this smell of something. 487 00:23:01,640 --> 00:23:03,320 Speaker 2: Is the words fragrant, Yeah, that's what I was going 488 00:23:03,359 --> 00:23:03,600 Speaker 2: to say. 489 00:23:03,600 --> 00:23:03,960 Speaker 1: It should be. 490 00:23:04,840 --> 00:23:05,200 Speaker 2: That's why. 491 00:23:05,800 --> 00:23:08,480 Speaker 3: That's why I just confirmed that, because fragrant means it smells, 492 00:23:08,840 --> 00:23:09,960 Speaker 3: it smells, it's fragrant. 493 00:23:10,160 --> 00:23:12,400 Speaker 2: So it could be probably smells nice as well. 494 00:23:12,480 --> 00:23:14,040 Speaker 3: It could be a diaper, could be a flat No, 495 00:23:14,240 --> 00:23:16,280 Speaker 3: it smells, yeah, I'd say smells nice. So it could 496 00:23:16,280 --> 00:23:18,000 Speaker 3: be something. It could be a flower that she found. 497 00:23:18,119 --> 00:23:20,359 Speaker 2: Do you we know what else smells nice and is 498 00:23:20,440 --> 00:23:22,560 Speaker 2: a value that's not perfume? There's a question. 499 00:23:24,720 --> 00:23:27,160 Speaker 1: A delicious pie or some sort of food, like really 500 00:23:27,280 --> 00:23:30,080 Speaker 1: nice food would smell nice, that's true, or like a 501 00:23:30,200 --> 00:23:33,440 Speaker 1: candle or a oh ye or a diffuser. Okay, let's 502 00:23:33,440 --> 00:23:35,879 Speaker 1: stop talking about So what do you want to ask her? 503 00:23:35,920 --> 00:23:39,920 Speaker 1: Should we ask? Is it, should we ask if it 504 00:23:39,960 --> 00:23:42,840 Speaker 1: comes in a bottle to just wipe out the cologne perfume? 505 00:23:44,640 --> 00:23:46,960 Speaker 2: Sure, Jess, but then. 506 00:23:46,800 --> 00:23:49,560 Speaker 1: It could be okay, hold fire. 507 00:23:52,119 --> 00:23:55,080 Speaker 2: Does it have any other value apart from being fragrant? 508 00:23:57,240 --> 00:23:58,680 Speaker 1: Has that been in there rules a bit? What do 509 00:23:58,800 --> 00:24:01,440 Speaker 1: you mean asking if it's worth? If it's god value? 510 00:24:02,119 --> 00:24:04,680 Speaker 2: Can you use it for anything else other than smelling it? Oh? Good? 511 00:24:04,880 --> 00:24:07,240 Speaker 1: Okay, Jess. Can you use your item for anything other 512 00:24:07,320 --> 00:24:08,040 Speaker 1: than smelling it? 513 00:24:09,280 --> 00:24:10,800 Speaker 12: You can make your car so nice? 514 00:24:11,240 --> 00:24:14,280 Speaker 2: Alright, So she's pretty much given away, which is great. 515 00:24:14,520 --> 00:24:17,159 Speaker 1: Okay, that's that's the lemons. 516 00:24:20,040 --> 00:24:21,080 Speaker 2: Let's go to Elizabeth. 517 00:24:21,240 --> 00:24:24,600 Speaker 1: Elizabeth. One word you'd use to describe your item. 518 00:24:26,320 --> 00:24:26,720 Speaker 11: Listening? 519 00:24:27,560 --> 00:24:29,960 Speaker 1: Listening, okay, which. 520 00:24:29,840 --> 00:24:33,000 Speaker 2: Is obviously what Jess wasn't doing with the producers all. 521 00:24:33,240 --> 00:24:37,679 Speaker 1: Elizabeth, so listening? Okay? So it could be like an 522 00:24:37,720 --> 00:24:40,479 Speaker 1: iPod or like a CD player. 523 00:24:41,280 --> 00:24:44,480 Speaker 2: Mate, surely we're going Elizabeth. Regardless of what this is, 524 00:24:44,680 --> 00:24:46,399 Speaker 2: Jess is trying to spell us a car freshener. 525 00:24:47,200 --> 00:24:48,879 Speaker 1: Yeah, but Elizabeth might be trying to sell. 526 00:24:48,800 --> 00:24:50,520 Speaker 2: Us like, what's worse than a car freshener? 527 00:24:51,119 --> 00:24:52,600 Speaker 1: Heaps of things work, a piece of poop? 528 00:24:54,720 --> 00:24:54,920 Speaker 3: Words? 529 00:24:54,920 --> 00:24:57,480 Speaker 2: All right, we'll carry on all right listening, what do 530 00:24:57,560 --> 00:24:57,840 Speaker 2: you think? 531 00:24:58,240 --> 00:25:00,400 Speaker 1: Well, okay, here's what I want to ask. I want 532 00:25:00,400 --> 00:25:03,080 Speaker 1: to ask it if it's electronic. Okay, Elizabeth, is your 533 00:25:03,080 --> 00:25:07,600 Speaker 1: item electronic? Yes, so we got to use Elizabeth. So 534 00:25:07,680 --> 00:25:09,600 Speaker 1: we've got some sort of CD player, I pods something 535 00:25:09,680 --> 00:25:13,760 Speaker 1: you have to you having to use Elizabeth, we're taking 536 00:25:13,880 --> 00:25:14,399 Speaker 1: your item. 537 00:25:16,640 --> 00:25:19,879 Speaker 12: Awesome, So you've just got yourself air pods. 538 00:25:20,640 --> 00:25:27,000 Speaker 1: Hell, yeah, we've got air pods. 539 00:25:28,280 --> 00:25:30,240 Speaker 6: Yes they work? 540 00:25:31,760 --> 00:25:33,840 Speaker 1: Yeah, like unbelievable. 541 00:25:34,000 --> 00:25:35,760 Speaker 2: Is your voice going out? What's wrong with them? 542 00:25:37,320 --> 00:25:37,639 Speaker 5: Pardon? 543 00:25:37,840 --> 00:25:38,680 Speaker 2: What's wrong with them? 544 00:25:40,080 --> 00:25:42,280 Speaker 11: Nothing's wrong with them. Nothing's wrong with them. They're just 545 00:25:42,320 --> 00:25:44,800 Speaker 11: being used, which is probably a big gross if you 546 00:25:44,840 --> 00:25:45,760 Speaker 11: have on them. 547 00:25:47,320 --> 00:25:50,160 Speaker 12: Oh probably maybe use a lot that's. 548 00:25:51,520 --> 00:25:53,359 Speaker 1: Get some wipes, or get one of those candles, you know, 549 00:25:53,400 --> 00:25:56,440 Speaker 1: the ear wax candles. Light them up, baby, it's extraordinary. 550 00:25:57,760 --> 00:25:58,320 Speaker 2: Just you me. 551 00:26:01,480 --> 00:26:05,359 Speaker 1: Anyway, we're good at this right up next a thousand 552 00:26:05,400 --> 00:26:09,480 Speaker 1: bucks next to the quiz and then as well, boys, 553 00:26:09,520 --> 00:26:10,720 Speaker 1: do we want to find out what Jess? 554 00:26:11,720 --> 00:26:18,440 Speaker 2: We should a car for? Jess? Jess? What do you have? 555 00:26:19,480 --> 00:26:21,600 Speaker 12: Well? I had a card affuse of it? 556 00:26:22,480 --> 00:26:23,520 Speaker 11: It looks like a skull. 557 00:26:24,359 --> 00:26:26,639 Speaker 1: Yeah, we knew that. I mean everyone knew that, God 558 00:26:26,720 --> 00:26:27,000 Speaker 1: damn it. 559 00:26:27,080 --> 00:26:31,720 Speaker 3: Job well, and let's get into what I think is 560 00:26:31,920 --> 00:26:33,639 Speaker 3: just a great story if you're having a bit of 561 00:26:33,680 --> 00:26:36,280 Speaker 3: a stinky Thursday. And let's face it, there they're they're rare, 562 00:26:36,720 --> 00:26:40,760 Speaker 3: but they happen stinky Thursdays. A guy in Florida in 563 00:26:40,880 --> 00:26:45,280 Speaker 3: Palm Beach, Palm Beach, how they talk Florida Floridians. 564 00:26:45,640 --> 00:26:47,880 Speaker 2: Uh yeah, I'll pat give me some of your best 565 00:26:47,880 --> 00:26:51,680 Speaker 2: Florida accent. Palm Beach. That's you go text and every time, 566 00:26:51,800 --> 00:26:54,720 Speaker 2: every time. You haven't got any other gears anyway. A 567 00:26:54,840 --> 00:26:56,840 Speaker 2: guy in a plane in Florida. 568 00:26:57,400 --> 00:27:03,040 Speaker 3: The pilot passes out, landing the plane literally like your 569 00:27:03,040 --> 00:27:05,240 Speaker 3: worst night man pilot's tiny little plane. 570 00:27:05,560 --> 00:27:08,040 Speaker 2: Pilot passes out out cold. 571 00:27:08,240 --> 00:27:12,920 Speaker 3: Yeah, the passenger, one of the passengers, gets forward into 572 00:27:12,960 --> 00:27:17,560 Speaker 3: the cockpit, grabs the controls, and then radios in to 573 00:27:17,720 --> 00:27:19,800 Speaker 3: the control tout. Now, if we were a lesser show, 574 00:27:20,280 --> 00:27:21,280 Speaker 3: we were a lesser show. 575 00:27:21,160 --> 00:27:22,119 Speaker 2: We wouldn't have that audio. 576 00:27:22,720 --> 00:27:24,000 Speaker 1: Yeah we don't, do we but we do? 577 00:27:24,320 --> 00:27:26,240 Speaker 2: We do? We don't. This is him radioing into the 578 00:27:26,280 --> 00:27:27,320 Speaker 2: control tower. Have a listen. 579 00:27:27,960 --> 00:27:30,359 Speaker 10: I've got a curious situation here, pilot. 580 00:27:33,720 --> 00:27:36,560 Speaker 1: Now airplanes, Jesus calm. 581 00:27:36,800 --> 00:27:40,240 Speaker 2: Isn't he situation here? I have no idea how to 582 00:27:40,240 --> 00:27:40,840 Speaker 2: fly an airplanes. 583 00:27:40,840 --> 00:27:42,680 Speaker 1: It's extra So what happens is what happens. 584 00:27:42,760 --> 00:27:45,120 Speaker 2: So he passes out and then he passes out as well. 585 00:27:47,800 --> 00:27:48,680 Speaker 1: We are two down. 586 00:27:50,400 --> 00:27:55,920 Speaker 2: We have to there, I go. So yeah, so no, no, 587 00:27:56,920 --> 00:28:00,800 Speaker 2: he lands the plane, land the plane. 588 00:28:01,320 --> 00:28:04,080 Speaker 1: So obviously someone's talking him through it, like there's. 589 00:28:03,920 --> 00:28:05,920 Speaker 2: A control tower, talks him all the way through. 590 00:28:05,960 --> 00:28:10,639 Speaker 3: It is incredible for pilots all over the world. You 591 00:28:10,720 --> 00:28:13,000 Speaker 3: need is one person in the control tower. Yeah, and 592 00:28:13,119 --> 00:28:16,680 Speaker 3: a game passenger. Land yourself a plane, yeah, be part 593 00:28:16,680 --> 00:28:19,520 Speaker 3: of the experience. You know you've got domestic business class? 594 00:28:19,720 --> 00:28:21,280 Speaker 3: Would you like to land the plane for an extra 595 00:28:21,400 --> 00:28:22,240 Speaker 3: ten grand of that? 596 00:28:22,320 --> 00:28:25,320 Speaker 1: Will we should pitch that. We should pitch that tqwantas Yeah, 597 00:28:25,400 --> 00:28:26,040 Speaker 1: they might go for it. 598 00:28:26,200 --> 00:28:26,560 Speaker 2: We could. 599 00:28:26,960 --> 00:28:27,600 Speaker 1: I'd want to do it. 600 00:28:28,119 --> 00:28:28,960 Speaker 2: What land the plane? 601 00:28:29,080 --> 00:28:30,560 Speaker 1: Do you imagine that for an experience? 602 00:28:30,600 --> 00:28:33,200 Speaker 2: I don't think you would, mate. Wait, is the plane full? 603 00:28:33,880 --> 00:28:34,080 Speaker 3: Oh? 604 00:28:34,320 --> 00:28:36,159 Speaker 1: A lot of pressure? Yeah, a lot of pressure. 605 00:28:36,720 --> 00:28:38,720 Speaker 2: I'm still for it for it lives and family. 606 00:28:38,880 --> 00:28:41,320 Speaker 1: Oh no, you know what shocking idea? Yeah, it was 607 00:28:41,360 --> 00:28:43,440 Speaker 1: a joke, wasn't it. You were joking? He was taking 608 00:28:43,440 --> 00:28:43,880 Speaker 1: it too fat. 609 00:28:44,040 --> 00:28:47,000 Speaker 3: In fact, I think a lot of people would consider 610 00:28:48,040 --> 00:28:50,720 Speaker 3: a pilot passing out and having to land the plane 611 00:28:51,120 --> 00:28:52,000 Speaker 3: your worst nightmare. 612 00:28:52,200 --> 00:28:53,120 Speaker 2: Yeah, people hate. 613 00:28:52,960 --> 00:28:54,680 Speaker 3: Flying in general, and a lot of it, A lot 614 00:28:54,720 --> 00:28:56,440 Speaker 3: of that fear is around. Can I trust the guy 615 00:28:56,520 --> 00:28:58,320 Speaker 3: flying the plane? And I want to talk now a 616 00:28:58,360 --> 00:28:59,680 Speaker 3: little bit about worst nightmares? 617 00:28:59,760 --> 00:29:00,560 Speaker 2: Yeah, third and one o. 618 00:29:00,600 --> 00:29:02,880 Speaker 3: Six five, because this guy may have had to have 619 00:29:02,920 --> 00:29:04,440 Speaker 3: lived out his worst nightmare, which. 620 00:29:04,280 --> 00:29:06,920 Speaker 2: Is something that some people have to do. Yeah, third 621 00:29:06,960 --> 00:29:09,360 Speaker 2: and one oh six five? Have your hand to live 622 00:29:09,400 --> 00:29:10,440 Speaker 2: out your worst nightmare? 623 00:29:10,680 --> 00:29:11,440 Speaker 12: Have you been? Are you? 624 00:29:11,560 --> 00:29:12,959 Speaker 3: Were you afraid of snakes? And your felling in one 625 00:29:12,960 --> 00:29:15,880 Speaker 3: of those Indiana Jones pits which is just teeming with them? Whatever, 626 00:29:16,040 --> 00:29:17,200 Speaker 3: Whatever the worst nightmare is. 627 00:29:17,320 --> 00:29:18,600 Speaker 1: I got stalked by a bull once. 628 00:29:18,720 --> 00:29:20,640 Speaker 3: I'd love to hear from you. That's not your worst nightmare. 629 00:29:21,160 --> 00:29:23,680 Speaker 3: I'd love to hear from It wasn't a bull, it 630 00:29:23,760 --> 00:29:25,640 Speaker 3: was it was a wild cow. I have a photo 631 00:29:25,800 --> 00:29:29,000 Speaker 3: in broom. I have a photo anyway, one six five. 632 00:29:29,080 --> 00:29:31,080 Speaker 3: Have you had to live out your worst nightmare? It 633 00:29:31,160 --> 00:29:33,280 Speaker 3: woulds I want you to live out your worst nightmare 634 00:29:33,360 --> 00:29:35,120 Speaker 3: right now, just to illustrate how tough it can be. 635 00:29:36,040 --> 00:29:38,520 Speaker 3: You've got three options. Yeah, you've got a list of 636 00:29:38,600 --> 00:29:42,000 Speaker 3: three of your worst nightmares. Would you either a like 637 00:29:42,080 --> 00:29:44,080 Speaker 3: to detail why you had your locks change at. 638 00:29:44,040 --> 00:29:47,160 Speaker 2: The end of last year. I assume that's a note. 639 00:29:47,360 --> 00:29:50,360 Speaker 3: Let's go on to the other option B by our 640 00:29:50,440 --> 00:29:52,920 Speaker 3: junior producer analysta full tank of petrol. 641 00:29:54,440 --> 00:30:02,320 Speaker 2: Or see say something hectic about bindiowen the locks? You 642 00:30:02,360 --> 00:30:02,960 Speaker 2: want to go to the locks? 643 00:30:03,080 --> 00:30:05,440 Speaker 1: Now I'm paying for petrol. I'm paying for a. 644 00:30:05,480 --> 00:30:08,480 Speaker 2: Pet Bang how much, analyst? 645 00:30:08,600 --> 00:30:08,920 Speaker 6: How much? 646 00:30:09,400 --> 00:30:12,280 Speaker 2: How much you neediot? That is three quarters or something at. 647 00:30:12,160 --> 00:30:14,960 Speaker 9: The moment at least one hundred and thirty busang. 648 00:30:15,480 --> 00:30:24,360 Speaker 3: Wow, she drives a truck high Lol, this is chopsy. 649 00:30:24,880 --> 00:30:26,440 Speaker 2: She drives a yard or something. 650 00:30:26,480 --> 00:30:28,040 Speaker 1: But she's taken him to the cleaners. 651 00:30:28,280 --> 00:30:30,520 Speaker 2: That's what I love about her. That's the worst nightmare 652 00:30:30,520 --> 00:30:33,000 Speaker 2: for you. Once thirty one six minve we're taking course. 653 00:30:35,360 --> 00:30:38,760 Speaker 2: Did you have to live out your likes? Unbelievable? 654 00:30:39,840 --> 00:30:41,680 Speaker 3: Thirty one and six five Have you ever had to 655 00:30:41,800 --> 00:30:45,800 Speaker 3: live out your worst nightmare? That's because there's a guy 656 00:30:45,880 --> 00:30:50,040 Speaker 3: in in Florida who's pilot passed out and he had 657 00:30:50,080 --> 00:30:54,720 Speaker 3: to land the plane totally while a passenger there. Tiana's 658 00:30:54,760 --> 00:30:56,960 Speaker 3: called on thirty one and six five, Tiana, this is 659 00:30:56,960 --> 00:30:58,160 Speaker 3: when you were eight years old. 660 00:31:00,080 --> 00:31:03,080 Speaker 2: And yes, okay, what's your worst nightmare? Let's start with that. 661 00:31:04,840 --> 00:31:05,080 Speaker 6: Bat. 662 00:31:07,240 --> 00:31:09,640 Speaker 2: We got to bruise on the line doing Yeah, no, 663 00:31:09,800 --> 00:31:10,440 Speaker 2: carry on, Tian. 664 00:31:12,560 --> 00:31:15,880 Speaker 12: So I always always into those scary movies with the 665 00:31:15,960 --> 00:31:17,760 Speaker 12: bats and everything, but I was scared of them. 666 00:31:18,080 --> 00:31:18,520 Speaker 1: Yeah. 667 00:31:19,680 --> 00:31:22,760 Speaker 11: So we went to a cabin for my holiday when 668 00:31:22,760 --> 00:31:25,560 Speaker 11: I was eight and it was infested with that. 669 00:31:25,880 --> 00:31:29,480 Speaker 12: They were in the wars in the room, laying around. 670 00:31:29,600 --> 00:31:30,080 Speaker 2: It was fun. 671 00:31:30,320 --> 00:31:32,640 Speaker 12: Under my pillow when I went to sleep. 672 00:31:32,560 --> 00:31:34,000 Speaker 1: There was a bat under your pillow. 673 00:31:35,120 --> 00:31:35,840 Speaker 12: Yeah, I was little. 674 00:31:36,320 --> 00:31:40,520 Speaker 3: That was this? 675 00:31:40,680 --> 00:31:43,040 Speaker 1: Was this a combination book by your dad? Because if 676 00:31:43,080 --> 00:31:45,239 Speaker 1: your dad's eating like my dad, what taught us? 677 00:31:45,600 --> 00:31:48,600 Speaker 2: Heat? Under your pillow? We we un cave like we 678 00:31:48,720 --> 00:31:49,280 Speaker 2: were in a cave. 679 00:31:51,080 --> 00:31:53,280 Speaker 11: No, it was an old country. 680 00:31:52,920 --> 00:31:55,200 Speaker 9: Cabin that my grandfather used to own. 681 00:31:55,480 --> 00:31:55,800 Speaker 12: Wow. 682 00:31:56,520 --> 00:31:57,440 Speaker 2: Extraordinary. 683 00:31:57,560 --> 00:31:57,720 Speaker 12: Wow. 684 00:31:58,240 --> 00:31:59,840 Speaker 2: All right, well that's that's awful. That is living at 685 00:31:59,880 --> 00:32:02,360 Speaker 2: your worst Nightmareredlertly, Yes, and my. 686 00:32:02,480 --> 00:32:04,920 Speaker 1: Worst nightmare will is pretty much anything. Ready to fork 687 00:32:04,960 --> 00:32:07,800 Speaker 1: out money now. You said to me that you wanted 688 00:32:07,800 --> 00:32:10,920 Speaker 1: me to live at my worst nightmare before the song, 689 00:32:11,680 --> 00:32:13,520 Speaker 1: which and you gave me three options is very kind 690 00:32:13,560 --> 00:32:17,000 Speaker 1: of you. Yep, and I chose to pay for junior 691 00:32:17,040 --> 00:32:18,920 Speaker 1: producer Analysa's petrol. 692 00:32:19,000 --> 00:32:19,120 Speaker 12: Now. 693 00:32:19,640 --> 00:32:22,800 Speaker 3: The other two options which were your worst nightmares were 694 00:32:22,880 --> 00:32:25,520 Speaker 3: detailing why you had to change your locks at your 695 00:32:25,560 --> 00:32:27,640 Speaker 3: house at the end of last year, and also saying 696 00:32:27,680 --> 00:32:29,640 Speaker 3: something hectic about Bindi Irwin, you don't like being a 697 00:32:29,720 --> 00:32:30,960 Speaker 3: nice guy and you don't. 698 00:32:30,800 --> 00:32:31,960 Speaker 2: Like telling us why you changed your locks. 699 00:32:32,000 --> 00:32:33,760 Speaker 1: No, I like being a nice guy, so you don't. 700 00:32:33,800 --> 00:32:34,840 Speaker 2: Yeah, you like being a nice guy. 701 00:32:34,960 --> 00:32:36,720 Speaker 1: Yeah, yeah, I do enjoy it now, Analyse. 702 00:32:36,840 --> 00:32:39,320 Speaker 3: But you chose to instead your other worst nightmare buying 703 00:32:39,360 --> 00:32:40,440 Speaker 3: analysa full tanker petrol. 704 00:32:40,640 --> 00:32:42,600 Speaker 1: But I just want to confirm you do not drive 705 00:32:42,640 --> 00:32:44,440 Speaker 1: a highlights. This isn't one hundred and thirty dollars, this 706 00:32:44,560 --> 00:32:45,360 Speaker 1: is sixty max. 707 00:32:45,520 --> 00:32:47,080 Speaker 9: Well this week I do so. 708 00:32:47,760 --> 00:32:49,720 Speaker 1: Yeah, my car's been service this week. 709 00:32:51,160 --> 00:32:51,920 Speaker 2: And it's empty as well. 710 00:32:51,960 --> 00:32:55,080 Speaker 9: The highlights of yeah, yeah, dad gave it to me empty. 711 00:32:55,360 --> 00:32:56,560 Speaker 2: Basically I had to push it in the door. 712 00:32:56,880 --> 00:32:58,360 Speaker 1: You're just borrowing your dad's car, so I after to 713 00:32:58,360 --> 00:32:59,120 Speaker 1: pat one hundred and third. 714 00:32:59,160 --> 00:32:59,920 Speaker 9: Yeah, I'll be borrowing. 715 00:33:00,000 --> 00:33:03,000 Speaker 1: I'll be throwing his car for a while, so that's perfect. Well, 716 00:33:03,000 --> 00:33:05,440 Speaker 1: Analse I would also like you to live at your 717 00:33:05,480 --> 00:33:07,520 Speaker 1: worst nightmare? Right now? The show is yours? 718 00:33:08,560 --> 00:33:09,160 Speaker 5: What do you mean? 719 00:33:10,200 --> 00:33:16,200 Speaker 9: Oh hi, guys, Oh hi, you're listening to It's Anse 720 00:33:17,480 --> 00:33:19,479 Speaker 9: thirteen one O six five. Do you want to hear 721 00:33:19,520 --> 00:33:19,880 Speaker 9: more of me? 722 00:33:20,440 --> 00:33:23,160 Speaker 1: Yeah? Uh? 723 00:33:25,600 --> 00:33:28,920 Speaker 9: How's to drive home? Let's be honest. Will and Woods 724 00:33:28,920 --> 00:33:31,880 Speaker 9: have really thrown me under the bus here. I'm freaking out. 725 00:33:32,360 --> 00:33:36,800 Speaker 9: Hopefully I sound confident now, but you know, you know 726 00:33:36,840 --> 00:33:39,200 Speaker 9: you shouldn't say often I do right now? 727 00:33:42,560 --> 00:33:42,680 Speaker 3: Uh? 728 00:33:43,040 --> 00:33:46,760 Speaker 9: And how was that plane story with the with the 729 00:33:46,840 --> 00:33:51,000 Speaker 9: guy and he took took over the flying and I'm 730 00:33:51,040 --> 00:33:53,280 Speaker 9: sure he's feeling how I'm feeling, how he's feeling when 731 00:33:53,320 --> 00:33:55,600 Speaker 9: he was landing that playing right now? My hands I sweaty. 732 00:33:55,720 --> 00:33:56,640 Speaker 3: This is a long time. 733 00:33:57,640 --> 00:34:02,200 Speaker 9: Wow. How's everyone days? Well, no one can respond to me. 734 00:34:10,760 --> 00:34:11,520 Speaker 2: How you're going? 735 00:34:13,800 --> 00:34:17,000 Speaker 1: That is really like there's no one talking back to you. 736 00:34:17,120 --> 00:34:18,399 Speaker 9: You're like talking to the air. 737 00:34:20,600 --> 00:34:23,560 Speaker 1: I personally like the you know you shouldn't say I'm 738 00:34:23,560 --> 00:34:24,000 Speaker 1: too much. 739 00:34:26,480 --> 00:34:29,719 Speaker 3: Fifteen years ago, you and three of your friends tour 740 00:34:29,880 --> 00:34:32,720 Speaker 3: through South America pretending to be the band Pounder Finger, 741 00:34:33,480 --> 00:34:36,080 Speaker 3: And now you want to get the band back together 742 00:34:36,200 --> 00:34:41,040 Speaker 3: to perform one more song with no musical talent, then. 743 00:34:40,920 --> 00:34:42,920 Speaker 2: Stop saying that. Well, you've got one guy who can 744 00:34:42,960 --> 00:34:45,040 Speaker 2: play the guitar, you can't play the drums. 745 00:34:45,120 --> 00:34:46,600 Speaker 1: I was born with a beat, though, you have to 746 00:34:46,680 --> 00:34:49,040 Speaker 1: admit that if you missed any of this to this. 747 00:34:49,719 --> 00:34:52,680 Speaker 3: A number of years ago Wood he toured South America, 748 00:34:52,719 --> 00:34:54,680 Speaker 3: CA with his mates, pretending to be the band. 749 00:34:54,560 --> 00:34:55,520 Speaker 2: Pounder Finger. 750 00:34:58,920 --> 00:35:00,760 Speaker 1: Sugar. Do you want to get the back together? 751 00:35:02,320 --> 00:35:04,359 Speaker 2: There's one of the two members to get on board. 752 00:35:04,640 --> 00:35:05,960 Speaker 1: Shag's the lead singer, Laflur. 753 00:35:06,680 --> 00:35:07,600 Speaker 2: Not sure what he does. 754 00:35:08,160 --> 00:35:15,319 Speaker 1: Boys, I want to get the band back together. It's Shaggy, Yeah, 755 00:35:15,360 --> 00:35:22,879 Speaker 1: I mean the boys, Laflur, Shag Chuck sorry, So yeah, 756 00:35:22,920 --> 00:35:25,040 Speaker 1: Shag is actually a great singer. It's got a lot 757 00:35:25,080 --> 00:35:26,719 Speaker 1: of passion up there. And you know, you know, you 758 00:35:26,800 --> 00:35:29,160 Speaker 1: know Shag, he moves like a lead singer. 759 00:35:29,200 --> 00:35:29,320 Speaker 2: You know. 760 00:35:29,400 --> 00:35:32,480 Speaker 3: It's all about character pizzazz, and it's also about singing 761 00:35:33,239 --> 00:35:33,719 Speaker 3: not so much. 762 00:35:34,080 --> 00:35:35,920 Speaker 1: And then you've got Lafleur. Look, we don't know what 763 00:35:36,560 --> 00:35:39,400 Speaker 1: do anything. Lafleur is versatile, He'll do what he has to. 764 00:35:40,080 --> 00:35:41,520 Speaker 2: You know, what what does that mean? 765 00:35:41,680 --> 00:35:42,080 Speaker 1: No idea? 766 00:35:42,320 --> 00:35:45,160 Speaker 3: Quite seriously, give me something that Lafleur could be doing well. 767 00:35:45,200 --> 00:35:47,719 Speaker 3: You because you you're going to be concentrating on trying 768 00:35:47,760 --> 00:35:49,160 Speaker 3: to play the drums. You're never play the drums, and 769 00:35:49,160 --> 00:35:49,440 Speaker 3: you're like. 770 00:35:49,480 --> 00:35:52,080 Speaker 1: I'm drums, truck, guitar. What what what can Lafleur do? 771 00:35:52,200 --> 00:35:52,319 Speaker 2: Well? 772 00:35:52,360 --> 00:35:55,560 Speaker 1: Actually, obviously the boy were started WhatsApp group. Oh yeah, 773 00:35:55,600 --> 00:35:57,680 Speaker 1: the band's back is what the title is. WhatsApp group 774 00:35:57,760 --> 00:36:00,319 Speaker 1: is called yeah uh and Lafleur it was very open 775 00:36:00,360 --> 00:36:03,520 Speaker 1: to an eggshaker. He was open to a tambourine. Oh yeah, 776 00:36:03,719 --> 00:36:06,799 Speaker 1: so he thinks he can just bang something. Well sorry, 777 00:36:06,840 --> 00:36:09,040 Speaker 1: he said triangle as well. He could play the. 778 00:36:09,040 --> 00:36:11,840 Speaker 2: Triangle all the heavy hitters now, so he sorted. 779 00:36:11,640 --> 00:36:12,480 Speaker 1: With me on percussion. 780 00:36:12,920 --> 00:36:14,080 Speaker 12: Yeah, there you go. 781 00:36:14,280 --> 00:36:17,640 Speaker 3: Yeah, we'll just turn you down in the mix. So 782 00:36:18,239 --> 00:36:19,879 Speaker 3: I think what we need to get down to though, 783 00:36:20,120 --> 00:36:22,480 Speaker 3: because we've got the band back together, Yeah, we need 784 00:36:22,719 --> 00:36:25,279 Speaker 3: you need a name because you can't, as I said 785 00:36:25,280 --> 00:36:26,880 Speaker 3: to you before, you can't go around being powder of 786 00:36:26,880 --> 00:36:28,000 Speaker 3: finger because we've actually got a book. 787 00:36:28,000 --> 00:36:30,040 Speaker 1: You a gig and worked in South America. 788 00:36:29,960 --> 00:36:31,960 Speaker 2: Because I didn't know who you were. How many times 789 00:36:32,000 --> 00:36:32,600 Speaker 2: you have to go over this? 790 00:36:32,680 --> 00:36:34,720 Speaker 1: I know what you're thinking, So we fly to South America. 791 00:36:35,360 --> 00:36:37,600 Speaker 3: No, well, they're definitely not going to pay for that, mate, 792 00:36:37,800 --> 00:36:42,560 Speaker 3: fair enough, you can barely get ourselves our hose's that's 793 00:36:42,600 --> 00:36:47,480 Speaker 3: a real problem guys. Anyway, Look, it's really really tough 794 00:36:47,640 --> 00:36:51,359 Speaker 3: because we can't say to pubs and stuff, Powderfinger want 795 00:36:51,400 --> 00:36:52,040 Speaker 3: to come and do a gig. 796 00:36:52,360 --> 00:36:53,799 Speaker 1: Hilarious though, No, but. 797 00:36:53,840 --> 00:36:56,000 Speaker 2: It's not because you know, like as I said to you, well, 798 00:36:56,000 --> 00:36:56,840 Speaker 2: there's two problems with that. 799 00:36:57,040 --> 00:36:57,200 Speaker 9: Yeah. 800 00:36:57,280 --> 00:37:00,760 Speaker 3: First of all, the pub licks its lips online, powder 801 00:37:00,800 --> 00:37:02,160 Speaker 3: Fingers playing at the pub, so. 802 00:37:02,200 --> 00:37:03,839 Speaker 1: We get a big crowd, that's what we want, will. 803 00:37:03,800 --> 00:37:06,759 Speaker 3: And then when you walk out and play a mediocre 804 00:37:06,920 --> 00:37:09,359 Speaker 3: version of probably not even a powder Finger song because 805 00:37:09,440 --> 00:37:10,759 Speaker 3: let's face it, you haven't got one of them in 806 00:37:10,800 --> 00:37:12,920 Speaker 3: your repertoire. The only song that chok nose on guitar 807 00:37:13,080 --> 00:37:16,120 Speaker 3: is q SAN. So if you go out there and 808 00:37:16,200 --> 00:37:17,280 Speaker 3: do a mediocre version. 809 00:37:17,080 --> 00:37:20,520 Speaker 2: People be furious. People about hundreds of dollars to see 810 00:37:20,520 --> 00:37:22,920 Speaker 2: a powder Finger free gig. 811 00:37:23,360 --> 00:37:26,799 Speaker 1: Pop up gig. That's what musicians do, pop up gig. 812 00:37:26,960 --> 00:37:29,880 Speaker 2: It's still people are gonna beous. 813 00:37:31,400 --> 00:37:33,719 Speaker 3: You need your Essentially, you need to set the fact 814 00:37:33,719 --> 00:37:35,719 Speaker 3: that you're a tribute band and you need a name. 815 00:37:35,840 --> 00:37:38,719 Speaker 1: It's not cool, But can I make it like very 816 00:37:38,840 --> 00:37:42,000 Speaker 1: close to powder Finger, like powdered finger. Yes, and then 817 00:37:42,040 --> 00:37:44,680 Speaker 1: people can still potentially make that mistake, which is great. 818 00:37:45,920 --> 00:37:48,960 Speaker 2: We could be that mistake. Yeah, sure, sure you can 819 00:37:49,320 --> 00:37:51,040 Speaker 2: do that because if you look at it, soap. 820 00:37:51,160 --> 00:37:54,840 Speaker 3: Look, a tribute band name famously has a bit of 821 00:37:54,880 --> 00:37:57,680 Speaker 3: fun to it, right, So there's like a I think 822 00:37:57,719 --> 00:37:59,480 Speaker 3: that's poke yourm as on there. The other day there's 823 00:37:59,520 --> 00:38:02,719 Speaker 3: a there's a led Zeppelin tribute band which is exclusively 824 00:38:02,800 --> 00:38:05,440 Speaker 3: filled with gay women called les Zeppelin. 825 00:38:05,320 --> 00:38:06,560 Speaker 2: Brilliant, really good stuff. 826 00:38:06,640 --> 00:38:10,840 Speaker 3: Ban the Faux Fighters is a famous food fighters tribute 827 00:38:10,880 --> 00:38:15,759 Speaker 3: band that's really good. The Fillers, the Killers good one. 828 00:38:16,440 --> 00:38:19,759 Speaker 3: So there's some all some really good, some really good. 829 00:38:19,800 --> 00:38:22,760 Speaker 3: Blobby Williams is a guy who tends to be Robbie Williams. 830 00:38:22,880 --> 00:38:25,399 Speaker 1: I've seen Elton Jack perform. Actually that's really good. 831 00:38:25,520 --> 00:38:27,080 Speaker 3: Yeah, so we can have some fun with this. But 832 00:38:27,160 --> 00:38:28,239 Speaker 3: we need to give you a name so we can 833 00:38:28,280 --> 00:38:29,759 Speaker 3: book you a gig. So what we're gonna do thirty 834 00:38:29,760 --> 00:38:32,040 Speaker 3: one and six five is to find number guys. We 835 00:38:32,239 --> 00:38:34,920 Speaker 3: need a tribute band name for powder Finger. 836 00:38:35,760 --> 00:38:37,760 Speaker 1: Power Finger sure. 837 00:38:37,760 --> 00:38:41,400 Speaker 3: Sounds like sounds like a gay club, but yes, thirty 838 00:38:41,480 --> 00:38:45,440 Speaker 3: one six five powdered Dinger. Sorry, that also sounds like 839 00:38:45,520 --> 00:38:50,839 Speaker 3: a gay club. Thirty one six five. Give us a call. 840 00:38:51,400 --> 00:38:53,320 Speaker 3: Give us a call if you've got a good tribute 841 00:38:53,360 --> 00:38:57,279 Speaker 3: band name for powder Finger, because we need a band 842 00:38:57,400 --> 00:38:58,479 Speaker 3: name for Woodies band. 843 00:38:58,719 --> 00:38:59,920 Speaker 1: I quite like powdered Inger. 844 00:39:00,920 --> 00:39:03,960 Speaker 3: A number of years ago, wood he toured South America 845 00:39:04,160 --> 00:39:06,440 Speaker 3: with his mates pretending to be the band powder Finger. 846 00:39:10,160 --> 00:39:12,000 Speaker 1: Sugar, do you want to get the band back together? 847 00:39:13,560 --> 00:39:15,760 Speaker 2: There's one of the two members to get on board. 848 00:39:15,840 --> 00:39:17,200 Speaker 1: Shags, the lead singer, Laflur. 849 00:39:17,920 --> 00:39:18,799 Speaker 2: Not sure what he does. 850 00:39:19,400 --> 00:39:26,760 Speaker 1: Boys, I want to get the band back together, Shagger, Yeah. 851 00:39:26,560 --> 00:39:26,959 Speaker 12: I mean. 852 00:39:28,360 --> 00:39:29,279 Speaker 2: The boy love that. 853 00:39:30,080 --> 00:39:32,000 Speaker 3: I love that. The boys so they're in, so Chok, 854 00:39:32,080 --> 00:39:34,400 Speaker 3: Shag and Laflur are in. Only one of them actually 855 00:39:34,440 --> 00:39:36,080 Speaker 3: plays an instrument, but that's fine. 856 00:39:37,280 --> 00:39:38,040 Speaker 2: And I got a stress. 857 00:39:38,120 --> 00:39:41,279 Speaker 3: Well, you guys toured South America as powder Finger, but 858 00:39:41,440 --> 00:39:42,960 Speaker 3: you didn't actually play any songs. 859 00:39:43,160 --> 00:39:43,759 Speaker 2: No, what we did. 860 00:39:43,920 --> 00:39:46,319 Speaker 3: You had a drunken version of Casan one night. Yeah, 861 00:39:46,360 --> 00:39:49,080 Speaker 3: so it was four o'clock in the morning to the 862 00:39:49,120 --> 00:39:51,399 Speaker 3: guy who owned the place. Probably there are three people there, 863 00:39:51,719 --> 00:39:52,239 Speaker 3: probably three. 864 00:39:52,160 --> 00:39:52,439 Speaker 1: And a half. 865 00:39:52,440 --> 00:39:54,279 Speaker 2: So that's all you've done. But you want to do 866 00:39:54,400 --> 00:39:55,040 Speaker 2: a whole gig. 867 00:39:55,280 --> 00:39:57,920 Speaker 3: Yeah, you only play one song? I imagine definitely, it's 868 00:39:57,920 --> 00:39:59,879 Speaker 3: all we can manage. Okay, so we need to sort 869 00:39:59,880 --> 00:40:01,480 Speaker 3: of the gig and we just had a name. If 870 00:40:01,520 --> 00:40:02,800 Speaker 3: we're going to book the gig, because I'm hapy to 871 00:40:02,840 --> 00:40:05,200 Speaker 3: book the gig, you'll probably playing before someone. 872 00:40:05,400 --> 00:40:08,440 Speaker 1: I'm not happy with that. Will you'll for someone? I'm 873 00:40:08,440 --> 00:40:10,360 Speaker 1: sorry with the headline or nothing at all? We're not 874 00:40:10,440 --> 00:40:12,840 Speaker 1: going to do it. You can you you're a manager? 875 00:40:12,920 --> 00:40:14,719 Speaker 1: Can you sorry? You want to be a manager that's going. 876 00:40:14,640 --> 00:40:16,600 Speaker 2: To say the big assumption there are? 877 00:40:17,280 --> 00:40:17,440 Speaker 3: Yeah? 878 00:40:17,560 --> 00:40:18,759 Speaker 2: Sure, I mean I'll book the gig for you. 879 00:40:18,920 --> 00:40:20,719 Speaker 1: You can't get us a headline gig and piss off? 880 00:40:20,840 --> 00:40:21,120 Speaker 2: Fine? 881 00:40:21,280 --> 00:40:23,359 Speaker 1: Sorry if I'm talking like a rock star, No, that's fine. 882 00:40:23,400 --> 00:40:24,160 Speaker 2: I'm happy to piss off. 883 00:40:24,840 --> 00:40:28,120 Speaker 1: Okay, now we need you. But can you trying to 884 00:40:28,160 --> 00:40:29,800 Speaker 1: put can you try it as a headline? 885 00:40:29,920 --> 00:40:31,800 Speaker 2: Because we try it? But you'll probably be opening for 886 00:40:31,880 --> 00:40:33,840 Speaker 2: someone I think I know. 887 00:40:34,640 --> 00:40:36,279 Speaker 3: But who's going to rock up? Who's going to who's 888 00:40:36,280 --> 00:40:37,560 Speaker 3: going to rock up to a gig to see a 889 00:40:37,640 --> 00:40:38,520 Speaker 3: band play one song? 890 00:40:38,920 --> 00:40:40,400 Speaker 1: It's getting promotion on the radio? 891 00:40:40,640 --> 00:40:42,160 Speaker 2: Think, well, who do you want to open for? 892 00:40:42,239 --> 00:40:42,279 Speaker 3: You? 893 00:40:44,040 --> 00:40:44,760 Speaker 1: Guys Sebastian. 894 00:40:45,080 --> 00:40:48,359 Speaker 3: Okay, we need a band name. We'll talk about who's 895 00:40:48,360 --> 00:40:49,279 Speaker 3: opening for you another time. 896 00:40:49,400 --> 00:40:51,040 Speaker 2: That's that's a good point. Who's going to open for 897 00:40:51,080 --> 00:40:51,399 Speaker 2: the guys? 898 00:40:51,760 --> 00:40:52,439 Speaker 1: A few warm backs? 899 00:40:52,480 --> 00:40:55,879 Speaker 3: Actually, let's just stick to one if we can. But yeah, 900 00:40:55,920 --> 00:40:58,560 Speaker 3: we can, we can try for guy. But before then, 901 00:40:58,800 --> 00:41:01,239 Speaker 3: we do need a band name. A right, So we're 902 00:41:01,280 --> 00:41:03,759 Speaker 3: taking calls right now? What should would his powder Finger 903 00:41:03,880 --> 00:41:04,919 Speaker 3: tribute band be called? 904 00:41:05,120 --> 00:41:11,360 Speaker 1: Pull on my Finger? It's going to Kimberly, Kimberly, what 905 00:41:11,400 --> 00:41:13,160 Speaker 1: do you think the band name should be? 906 00:41:14,000 --> 00:41:16,320 Speaker 12: Hey, guys, you're very close. I think you should be 907 00:41:16,520 --> 00:41:20,400 Speaker 12: powder my finger out my finger finger. 908 00:41:22,360 --> 00:41:25,960 Speaker 1: I think it could be a reference. But thank you Kimberly. 909 00:41:26,120 --> 00:41:29,960 Speaker 1: But but what I like about kimberly suggestion fingerwer my 910 00:41:30,040 --> 00:41:33,000 Speaker 1: Finger is it's very close to powder Finger, and I 911 00:41:33,080 --> 00:41:33,400 Speaker 1: want to know. 912 00:41:33,480 --> 00:41:34,000 Speaker 2: That's what we need. 913 00:41:34,440 --> 00:41:36,600 Speaker 3: People need to know that you're a tribute band. Chris 914 00:41:36,719 --> 00:41:38,640 Speaker 3: is called thirty one and six five. Chris, what's the 915 00:41:38,680 --> 00:41:40,120 Speaker 3: powder Finger tribute band name? 916 00:41:41,280 --> 00:41:44,080 Speaker 5: Calcom thumbs Talcum Sons. 917 00:41:44,280 --> 00:41:47,600 Speaker 2: Don't Calcom thumbs. 918 00:41:51,120 --> 00:41:54,600 Speaker 1: Keep talm powder tal Con powder thumbs? 919 00:41:54,920 --> 00:41:57,840 Speaker 3: How can we stick to talcum powdered fingers? 920 00:41:57,960 --> 00:41:58,520 Speaker 2: Bloody Love it. 921 00:41:58,560 --> 00:41:59,359 Speaker 1: It's a long name. 922 00:41:59,760 --> 00:42:02,279 Speaker 2: Powder fingers is a bit long. Yeah. I like it though, 923 00:42:03,120 --> 00:42:06,640 Speaker 2: how compowdered fingers? I mean it's good. 924 00:42:06,719 --> 00:42:11,839 Speaker 3: It's growing on me, James, James, the powdered finger. Good mate, 925 00:42:11,880 --> 00:42:12,919 Speaker 3: good mate? What should be called? 926 00:42:15,600 --> 00:42:17,440 Speaker 2: What was that? Make all more time for me? Just 927 00:42:17,520 --> 00:42:18,120 Speaker 2: don't yell. 928 00:42:20,000 --> 00:42:23,280 Speaker 1: Here? Flower ear flower flower? 929 00:42:23,280 --> 00:42:27,040 Speaker 3: It is flower PingER right, Well, we can't use that 930 00:42:27,880 --> 00:42:29,640 Speaker 3: is that's the second one that's probably been on the 931 00:42:29,719 --> 00:42:30,960 Speaker 3: line there all across. 932 00:42:31,040 --> 00:42:34,279 Speaker 1: That is rageous. I wanted to repeat that. Let's go 933 00:42:34,440 --> 00:42:35,000 Speaker 1: to Sue here. 934 00:42:35,200 --> 00:42:38,640 Speaker 2: What are you thinking, Sue? It is expensive, sad. 935 00:42:39,520 --> 00:42:40,400 Speaker 1: James really loved that. 936 00:42:40,520 --> 00:42:44,120 Speaker 2: He loved I'll have one more time for you, was Sue? 937 00:42:44,200 --> 00:42:45,680 Speaker 1: What do you reckon? The band should be called? 938 00:42:46,560 --> 00:42:48,440 Speaker 12: Well, I've actually got to but the first one I 939 00:42:48,560 --> 00:42:50,920 Speaker 12: have is powder stinker. 940 00:42:50,960 --> 00:42:52,080 Speaker 1: Powder stinker. 941 00:42:52,160 --> 00:42:53,680 Speaker 2: I don't mind powder stinker. 942 00:42:53,760 --> 00:42:55,200 Speaker 1: I don't like that it's set in the tone that 943 00:42:55,239 --> 00:42:56,640 Speaker 1: it's going to be a stinker of a song. 944 00:42:56,800 --> 00:42:58,800 Speaker 2: You know, powder stinker? 945 00:42:58,920 --> 00:42:59,560 Speaker 1: How to stinkers? 946 00:42:59,560 --> 00:43:01,200 Speaker 2: Okay? Soon, next one soon? 947 00:43:02,680 --> 00:43:03,800 Speaker 3: Chowder finger. 948 00:43:04,280 --> 00:43:08,480 Speaker 1: Chowder finger, Yeah, chowder finger, so obviously a finger that's 949 00:43:08,480 --> 00:43:14,360 Speaker 1: been in a chowderud finger. I don't mind powder stinker. 950 00:43:15,000 --> 00:43:16,680 Speaker 2: This is powder Finger was. 951 00:43:16,680 --> 00:43:17,160 Speaker 3: The other one. 952 00:43:17,320 --> 00:43:19,719 Speaker 1: T powder Fingers is pretty good stuff, isn't it. 953 00:43:20,239 --> 00:43:21,160 Speaker 2: Let's leave it open. 954 00:43:21,520 --> 00:43:23,560 Speaker 1: I'm pretty close to just flicking the switch on table. 955 00:43:23,560 --> 00:43:25,080 Speaker 2: Well, let's let's leave it open. 956 00:43:25,160 --> 00:43:27,000 Speaker 3: And I reckon I will do if you've got a 957 00:43:27,120 --> 00:43:29,279 Speaker 3: name and you didn't get on there, because there's a 958 00:43:29,480 --> 00:43:31,600 Speaker 3: lot of people who are calling with these because we're 959 00:43:31,640 --> 00:43:34,319 Speaker 3: gonna will settle on it tomorrow and six five you've 960 00:43:34,320 --> 00:43:36,920 Speaker 3: got a tribute band name, head along to Will and 961 00:43:36,960 --> 00:43:40,920 Speaker 3: Woody on the Socials and kV Digital producers go a little. 962 00:43:40,880 --> 00:43:42,520 Speaker 2: Thing there on the stories? 963 00:43:42,640 --> 00:43:42,759 Speaker 3: Is it? 964 00:43:42,840 --> 00:43:45,640 Speaker 8: On the stories there's a picture of us actually performing 965 00:43:45,840 --> 00:43:48,800 Speaker 8: in Brazil as that's when us as powder Finger was 966 00:43:48,840 --> 00:43:50,960 Speaker 8: performing a cover of the song case And I know 967 00:43:51,080 --> 00:43:53,960 Speaker 8: that sounds confusing and it was a very confusing performance 968 00:43:54,000 --> 00:43:55,160 Speaker 8: for the Brazilians in the bar. 969 00:43:57,080 --> 00:43:58,640 Speaker 2: But we all get a gig. Were just said a name. 970 00:43:58,840 --> 00:44:00,680 Speaker 3: Yeah, we can't decide to name yet, Will and Woody 971 00:44:00,719 --> 00:44:02,160 Speaker 3: on the Socials. If you want to put your name 972 00:44:02,239 --> 00:44:03,919 Speaker 3: for it for the powder Finger tribute. 973 00:44:03,600 --> 00:44:06,479 Speaker 2: Band, we will have a name tomorrow. Will and Woody