1 00:00:00,360 --> 00:00:03,240 Speaker 1: Luke Arnold's joining us now. Scrublands is out on stand today. 2 00:00:03,400 --> 00:00:07,000 Speaker 2: Luke, Hello, Hello, very well, thank you for having me. 3 00:00:07,160 --> 00:00:09,719 Speaker 1: Can't wait for this to start today. I've read the book. 4 00:00:09,760 --> 00:00:12,399 Speaker 1: I loved the book. So it's a four part mini 5 00:00:12,680 --> 00:00:15,040 Speaker 1: series based on the novel by Chris Hammer. What can 6 00:00:15,080 --> 00:00:16,560 Speaker 1: you tell us about Scrublands? 7 00:00:16,640 --> 00:00:20,320 Speaker 2: Luke? Oh, yeah, so Scrubland. Yeah, like just like the book. 8 00:00:20,400 --> 00:00:23,319 Speaker 2: It begins with father Byron Swift coming out of his 9 00:00:23,440 --> 00:00:26,680 Speaker 2: church on a Sunday and opening fire on his constituent, 10 00:00:27,640 --> 00:00:31,640 Speaker 2: you know, a pretty wild opening. And then I play 11 00:00:32,159 --> 00:00:35,160 Speaker 2: journalist Martin Scarston, who arrhymes on the scene a year later, 12 00:00:35,680 --> 00:00:37,120 Speaker 2: kind of to do a little bit of a puff 13 00:00:37,159 --> 00:00:39,680 Speaker 2: piece see how the town's recovering. Yeah, but you know, 14 00:00:39,720 --> 00:00:41,680 Speaker 2: he starts pulling at threads and seeing that maybe the 15 00:00:41,720 --> 00:00:44,480 Speaker 2: story that originally came out might have more to tell. 16 00:00:44,880 --> 00:00:50,159 Speaker 1: Yes, super cool journalist Martin Scarston was exposed. 17 00:00:51,560 --> 00:00:54,279 Speaker 3: You told me about this book that ages ago, I do. Yes, Hey, 18 00:00:54,360 --> 00:00:56,640 Speaker 3: what was what drew you to this one? Look to 19 00:00:56,360 --> 00:00:58,160 Speaker 3: be honest, man, Of all the things that land on 20 00:00:58,160 --> 00:00:58,720 Speaker 3: the desk. 21 00:00:59,560 --> 00:01:01,640 Speaker 2: Oh yeah, well, I mean one of the books are 22 00:01:01,680 --> 00:01:02,120 Speaker 2: so great. 23 00:01:02,240 --> 00:01:02,680 Speaker 1: Look, I. 24 00:01:04,720 --> 00:01:07,160 Speaker 2: Hadn't I've read them all now and absolutely loved them. 25 00:01:07,160 --> 00:01:09,240 Speaker 2: But at the time my dad was a big fan, 26 00:01:09,319 --> 00:01:11,760 Speaker 2: and so when I mentioned that he was, he got 27 00:01:11,840 --> 00:01:12,560 Speaker 2: very excited. 28 00:01:13,200 --> 00:01:15,080 Speaker 4: And so that that and. 29 00:01:15,840 --> 00:01:17,920 Speaker 2: Really it is, Look, I love a good mystery like 30 00:01:17,959 --> 00:01:20,080 Speaker 2: everyone else, and I've you know, I got to I 31 00:01:20,160 --> 00:01:21,560 Speaker 2: got to do a great role in show called True 32 00:01:21,560 --> 00:01:23,600 Speaker 2: Colors a couple of years ago, and that was a 33 00:01:23,600 --> 00:01:26,520 Speaker 2: beautifu little mystery, you know, in the you know, around Alice, 34 00:01:26,640 --> 00:01:29,319 Speaker 2: and I think it really got me excited to do 35 00:01:29,360 --> 00:01:32,240 Speaker 2: some more, and especially in Australia. And so when you've 36 00:01:32,240 --> 00:01:34,640 Speaker 2: got a book as great as Scrubland with the right 37 00:01:34,800 --> 00:01:36,759 Speaker 2: like Chris Hammer, and then you get a team together 38 00:01:36,840 --> 00:01:40,199 Speaker 2: with someone like Craig McLean directing you of Wolf Creek Fames, 39 00:01:40,760 --> 00:01:43,600 Speaker 2: then it at least has the chances to be something 40 00:01:43,600 --> 00:01:44,280 Speaker 2: pretty special. 41 00:01:44,920 --> 00:01:49,800 Speaker 1: It has that. I mean obviously the way it starts 42 00:01:49,840 --> 00:01:53,720 Speaker 1: with the priest opening fire on his congregations that is 43 00:01:53,920 --> 00:01:57,680 Speaker 1: quintessentially Australian. But the vibe of the story and its 44 00:01:57,720 --> 00:02:01,840 Speaker 1: location and it's setting and everything is so Australian. 45 00:02:03,280 --> 00:02:05,280 Speaker 2: Yeah it is, you know, and we do do a 46 00:02:05,360 --> 00:02:09,520 Speaker 2: great asinoir here and with it, you know, and we 47 00:02:09,600 --> 00:02:10,919 Speaker 2: do love it, and I think the rest of the 48 00:02:10,960 --> 00:02:13,200 Speaker 2: world is starting to love it too. You see how 49 00:02:13,200 --> 00:02:15,280 Speaker 2: a lot of our great Yeah, that's it. It's a 50 00:02:15,360 --> 00:02:17,799 Speaker 2: real it's our own take on it. It's kind of 51 00:02:17,840 --> 00:02:20,480 Speaker 2: a rich and all that, and yeah, and it does 52 00:02:20,600 --> 00:02:22,639 Speaker 2: you see just how great it looks like. I think 53 00:02:22,680 --> 00:02:26,240 Speaker 2: the show looks fantastic. And you know, yeah, that the 54 00:02:26,240 --> 00:02:28,919 Speaker 2: beauty and the terror all wrapped up in our landscape. 55 00:02:29,000 --> 00:02:30,639 Speaker 3: Yeah, we've seen that a lot, likely with the dry 56 00:02:30,680 --> 00:02:32,920 Speaker 3: and a few others around the place. Look, honey, handler 57 00:02:32,919 --> 00:02:34,880 Speaker 3: it I was driving down Sterling Highway two days ago 58 00:02:34,919 --> 00:02:36,960 Speaker 3: and I saw a giant your head was huge on 59 00:02:37,000 --> 00:02:39,800 Speaker 3: a giant billboard. How do you go with spotting stuff, 60 00:02:39,960 --> 00:02:41,800 Speaker 3: especially when things are getting promoted as heavily as this, 61 00:02:42,080 --> 00:02:42,959 Speaker 3: Does it freak you out of it? 62 00:02:43,120 --> 00:02:46,520 Speaker 2: Yeah? Look, I do kind of forget about it, I 63 00:02:46,520 --> 00:02:47,920 Speaker 2: have to say, because I look, I do a bit 64 00:02:47,960 --> 00:02:50,440 Speaker 2: of writing myself. So often I'm like, if I'm not acting, 65 00:02:50,560 --> 00:02:52,960 Speaker 2: I'm usually with my head and the laptop writing my 66 00:02:52,960 --> 00:02:54,880 Speaker 2: own stuff. So, which is kind of where I've been 67 00:02:54,919 --> 00:02:56,639 Speaker 2: for the last few weeks. So I've always missed most 68 00:02:56,680 --> 00:02:58,440 Speaker 2: of it. And I took my head out today or 69 00:02:58,520 --> 00:03:01,400 Speaker 2: the Luckily friends do send me and go exactly like that, 70 00:03:01,560 --> 00:03:04,600 Speaker 2: go like you know, oh, you're looming over this freeway 71 00:03:04,760 --> 00:03:09,040 Speaker 2: or you know, interrupting their favorite show. It is strange, 72 00:03:09,600 --> 00:03:11,040 Speaker 2: but I think because it's all in servers of a 73 00:03:11,080 --> 00:03:13,440 Speaker 2: show that I really love, I think of it more 74 00:03:13,480 --> 00:03:15,080 Speaker 2: to do with that than anything to do with me. 75 00:03:15,440 --> 00:03:17,880 Speaker 1: Now, don't play yourself down in terms of the factor 76 00:03:17,960 --> 00:03:21,280 Speaker 1: and author yourself. A trilogy of fantasy adventure novels called 77 00:03:21,280 --> 00:03:25,400 Speaker 1: The Last Smile in Sunder City is all yours? Do 78 00:03:25,440 --> 00:03:27,960 Speaker 1: you when you're an author yourself? Do you feel that 79 00:03:28,440 --> 00:03:32,560 Speaker 1: even more of a connection to the story and where 80 00:03:32,560 --> 00:03:35,000 Speaker 1: it came from for a show like scrub Lands and 81 00:03:35,040 --> 00:03:38,040 Speaker 1: a sort of a I want to be true to 82 00:03:38,160 --> 00:03:39,080 Speaker 1: the author a bit. 83 00:03:40,360 --> 00:03:43,240 Speaker 2: Well, it's both. You want to absolutely be in service 84 00:03:43,240 --> 00:03:46,280 Speaker 2: of the original story, but know that it's a different medium, 85 00:03:46,400 --> 00:03:49,720 Speaker 2: and so there is a real art in turn in 86 00:03:50,040 --> 00:03:52,200 Speaker 2: lifting it up and putting it on the screen for 87 00:03:52,240 --> 00:03:54,880 Speaker 2: this visual medium. And I do love that process, and 88 00:03:54,920 --> 00:03:58,000 Speaker 2: I think Felicity pack hard. You know, our writer producers 89 00:03:58,080 --> 00:04:00,480 Speaker 2: did a really great job in that. As a fan 90 00:04:00,560 --> 00:04:02,640 Speaker 2: of the book, you'll know that there's there's a lot 91 00:04:02,680 --> 00:04:05,360 Speaker 2: of good stuff in there. That you can't really portray 92 00:04:06,480 --> 00:04:08,760 Speaker 2: it in the same way. So much demands internal world, 93 00:04:09,200 --> 00:04:12,240 Speaker 2: and so it is really enjoying that process of going, 94 00:04:12,320 --> 00:04:14,520 Speaker 2: how do we how do we make the best show 95 00:04:14,560 --> 00:04:17,840 Speaker 2: possible while serving with the book but also letting it 96 00:04:17,839 --> 00:04:20,560 Speaker 2: become something else, and so, you know, and then the 97 00:04:20,600 --> 00:04:22,920 Speaker 2: beauty is that if it works, both these things get 98 00:04:22,920 --> 00:04:25,640 Speaker 2: to live side by side and offer somewhat different experience. 99 00:04:26,040 --> 00:04:30,120 Speaker 1: That's perfect. That's the perfect marriage. I believe that filming 100 00:04:30,200 --> 00:04:31,760 Speaker 1: was a bit hampered by the floods. 101 00:04:32,080 --> 00:04:33,600 Speaker 3: It can be a problem. 102 00:04:33,839 --> 00:04:38,040 Speaker 4: Oh, I know, maybe it was. 103 00:04:38,160 --> 00:04:39,640 Speaker 2: I know, I think maybe we kind of want to 104 00:04:39,839 --> 00:04:41,919 Speaker 2: look around there. Definitely things were going on. 105 00:04:42,760 --> 00:04:46,120 Speaker 3: What are you talking about, affected yourself? 106 00:04:46,640 --> 00:04:48,080 Speaker 1: Yeah, yeah, it. 107 00:04:48,040 --> 00:04:52,839 Speaker 2: Was long enough ago that I don't Okay, I'm not sure. 108 00:04:52,680 --> 00:04:54,640 Speaker 4: If it did affect us that much. So I think 109 00:04:54,760 --> 00:04:54,960 Speaker 4: it was. 110 00:04:55,040 --> 00:04:58,080 Speaker 2: It was such a fun It was a relatively fast shoot, so. 111 00:04:58,080 --> 00:05:01,120 Speaker 4: I have forgotten it in the mix. Yeah, but no, 112 00:05:01,200 --> 00:05:04,120 Speaker 4: it's so no, we were I guess the only you know, 113 00:05:04,800 --> 00:05:06,920 Speaker 4: it is always a risk when you know, so many 114 00:05:06,960 --> 00:05:09,599 Speaker 4: of these stories you're using that kind of drought ridden 115 00:05:10,160 --> 00:05:12,520 Speaker 4: desert landscape, and it can be a thing if sudden 116 00:05:12,560 --> 00:05:13,599 Speaker 4: you had some really good rain. 117 00:05:13,480 --> 00:05:18,120 Speaker 2: The week before. Yeah, so we did send some of 118 00:05:18,120 --> 00:05:20,760 Speaker 2: the camera crew off into the you know, some drier 119 00:05:20,839 --> 00:05:25,080 Speaker 2: places to Yeah. 120 00:05:25,120 --> 00:05:27,960 Speaker 3: Yeah, absolutely, it's all that time frames and budgets and that. Hey, look, 121 00:05:28,200 --> 00:05:29,920 Speaker 3: you know you've had your head obviously, you know a 122 00:05:29,960 --> 00:05:32,160 Speaker 3: lot in a laptop writing and as a writer. Did 123 00:05:32,200 --> 00:05:34,280 Speaker 3: you mean playing Martin in this one? Did you ever 124 00:05:34,480 --> 00:05:36,520 Speaker 3: think along your trip that there was going to be 125 00:05:36,640 --> 00:05:39,080 Speaker 3: maybe some journalism involved, that it ever appeal to yours 126 00:05:39,120 --> 00:05:39,880 Speaker 3: as a career. 127 00:05:41,120 --> 00:05:44,000 Speaker 2: Oh, I think I feel much safer in the land 128 00:05:44,000 --> 00:05:44,680 Speaker 2: of make believe. 129 00:05:45,000 --> 00:05:47,520 Speaker 4: I yeah, I swear. 130 00:05:47,560 --> 00:05:53,480 Speaker 2: Journalists absolutely, which is you know, and which is really 131 00:05:53,560 --> 00:05:56,440 Speaker 2: interesting dealing with Like I love dealing with things and 132 00:05:56,480 --> 00:05:59,360 Speaker 2: like real life things. Yeah, absolutely, the idea about how 133 00:05:59,400 --> 00:06:02,360 Speaker 2: important is and the truth is and what can happen 134 00:06:02,440 --> 00:06:04,760 Speaker 2: and who can be hurt if that isn't upheld, Like 135 00:06:04,839 --> 00:06:08,000 Speaker 2: I love dealing with real things like that. But for me, 136 00:06:08,360 --> 00:06:13,440 Speaker 2: I filtering it through the world of fiction metaphor things 137 00:06:13,520 --> 00:06:16,960 Speaker 2: like that. I think is my playground a lot more 138 00:06:17,080 --> 00:06:20,520 Speaker 2: than you know than actual journalism. So I think I'm 139 00:06:20,560 --> 00:06:22,599 Speaker 2: much safe for playing a journalists and being one. 140 00:06:22,560 --> 00:06:26,839 Speaker 1: Such a well, Chris Hammer was is a proper reputable 141 00:06:26,960 --> 00:06:29,520 Speaker 1: journalist and that's why he writes Martin Scarston so well. 142 00:06:29,800 --> 00:06:33,160 Speaker 1: And the good news is it is a series of books, 143 00:06:33,400 --> 00:06:37,800 Speaker 1: so let's hope this isn't the only outing. Look, I 144 00:06:37,800 --> 00:06:41,120 Speaker 1: don't know four parts of Martin will be enough for me. 145 00:06:42,600 --> 00:06:46,960 Speaker 2: Yeah, well, look it does fly by like this. Scrublands 146 00:06:47,000 --> 00:06:49,839 Speaker 2: is great, but it moves, and so hopefully everyone's feeling 147 00:06:49,880 --> 00:06:52,400 Speaker 2: the same because I would love to get back in 148 00:06:52,400 --> 00:06:54,720 Speaker 2: in Martin's head before too long. So here we go. 149 00:06:55,160 --> 00:06:58,159 Speaker 1: Well, it all starts today on stan Luke Arnold. So 150 00:06:58,240 --> 00:06:59,240 Speaker 1: lovely to talk to you. 151 00:07:00,000 --> 00:07:00,760 Speaker 2: Need to talk to you too,