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Speaker 1: Happy Thursday. It's the Jam Nation podcast with Jonesy Demanda

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Speaker 1: Jam Singles.

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Speaker 2: It's Angela's turn. She's going on a date tonight. We

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Speaker 2: phone her and break the news. Is she going to

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Speaker 2: go on a date with Scott or is she going

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Speaker 2: on a date with Phil?

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Speaker 1: TikTok tuck out. We had sweet Noodle.

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Speaker 2: Surprise, which does sound like my prison name, and we

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Speaker 2: were quite surprised we were with sweet Noodle Surprise. We

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Speaker 2: won't tell you whether it was a good surprise or

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Speaker 2: a bad surprise, but there was surprise.

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Speaker 1: Our mystery footy Tip. He's a big time Queenslander, but

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Speaker 1: he gave us some tips on how New South Wales

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Speaker 1: can be queenslandage. Very helpful of him.

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Speaker 2: Can I say hi to Wally Lewis?

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Speaker 1: What are you doing? You're ruining of this?

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Speaker 2: Beatles have a new song, which is unusual considering this

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Speaker 2: song has been written by John Lennon who died forty

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Speaker 2: years ago. He wrote it after he left the band.

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Speaker 2: Paul McCartney is releasing this demo track through AI to.

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Speaker 1: Look at You. I would think that you would be

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Speaker 1: a great reverse Parker. After all, I've seen you drive

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Speaker 1: and you are an exemplary driver.

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Speaker 2: I'm not bad at the reverse park. If I stuff

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Speaker 2: it up, I just have to keep driving off the

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Speaker 2: edge of a cliff like Thelma and Louise. I'm not

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Speaker 2: one of those people who's brave enough to try again

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Speaker 2: and again and again.

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Speaker 1: You could just go around the corner and find another park,

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Speaker 1: maybe that you can wedge into it.

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Speaker 2: I could drive to an airport, put a bag on

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Speaker 2: my head, fly to another country and going to witness protection. Yes,

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Speaker 2: I could, Brendan, why do you have to be said?

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Speaker 2: Tales of the reverse park that's coming.

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Speaker 1: Up on this podcast. That a miracle of recording. We

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Speaker 1: have so many requests.

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Speaker 3: For them to do it again, Mistress Amanda and miss Keller.

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Speaker 3: Amanda doesn't work alone.

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Speaker 4: Friend isom making the tools of the train.

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Speaker 1: I've heard them describe him as a drunken idiot.

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Speaker 3: The legendary party Jonesy Amanda the actress.

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Speaker 2: Congratulations, we're in the readio right now.

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Speaker 4: Jon and Amanda.

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Speaker 3: You're doing a great job.

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Speaker 1: Anyone but Selkie Giant now the good radio.

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Speaker 5: Sorry, but if a tangled twist set Amanda's shoot.

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Speaker 1: Timy, we're on the air. Jub the Minus to Amanda, Hello,

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Speaker 1: how are you. I am all right. It's been digesting

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Speaker 1: all the news, switching the news. Last night they were

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Speaker 1: waiting for Ben Robert Smith to come back from his

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Speaker 1: holiday in New Zealand.

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Speaker 2: He was in Bali last week.

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Speaker 1: Wasn't man, come on, let's I would just move on

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Speaker 1: from that, do you think? Yeah?

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Speaker 2: I just feel he brought that case. I have sympathy

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Speaker 2: for anyone with cameras in their faces. But having said that,

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Speaker 2: he bought that case, the defamation case, to court. He

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Speaker 2: asked to be judged on it, and they judged him

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Speaker 2: on it, and that's the result. And there it is.

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Speaker 2: He brought this on himself.

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Speaker 1: Yeah, I'm just saying as an observer. You know, you're

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Speaker 1: watching that, and then you watch the Trump thing, idiot

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Speaker 1: Trump thing.

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Speaker 2: I'm following it very closely.

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Speaker 1: It's just crazy. And then I was reading that Donald

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Speaker 1: Trump two years ago they asked for all those boxes

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Speaker 1: and stuff, and if he just to hand them back,

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Speaker 1: there wouldn't be this.

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Speaker 2: But he hit them.

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Speaker 1: He didn't reason. He in trouble. Yeah, is because he

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Speaker 1: didn't hand them back. Why would he keep them?

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Speaker 2: Well, we spoke about this yesterday. This highlights everything about him.

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Speaker 2: He's small mindedness. He's a giant braggard. He wants to say, look,

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Speaker 2: I was important and I had access to these documents

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Speaker 2: to nuclear capability information. I had all this. He's shown

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Speaker 2: them to people and said the words, I shouldn't be

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Speaker 2: showing you this, which.

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Speaker 1: Is like a show off, like you have a vintage

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Speaker 1: car in your garage, look at this.

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Speaker 2: I was once famous and I had this. But the

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Speaker 2: fact he has said to people, I shouldn't be showing

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Speaker 2: you this, he's a big part of the court case

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Speaker 2: because it shows that he knows they are it's classified information.

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Speaker 1: Also in the paper it said for anyone quibbling with

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Speaker 1: whether this amounts of federal crime, he said back in

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Speaker 1: twenty sixteen, in my administration, I'm going to enforce all

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Speaker 1: laws concerning the protection of classified information. No one will

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Speaker 1: be above the law.

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Speaker 2: He did that because it want for him. He wanted

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Speaker 2: to put Hillary in jail. That's right, yea, with all

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Speaker 2: her emails. I heard someone being interviewed this morning on

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Speaker 2: the streets when talking about you know when they're at

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Speaker 2: the front of the courthouse saying it's a just said,

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Speaker 2: why are they attacking Trump? Why didn't they attack Hillary?

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Speaker 2: And the journalist said, well, he was in the White

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Speaker 2: House for four years. They couldn't find the evidence to

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Speaker 2: put her in jail. It's been investigated, so what happened,

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Speaker 2: So you know, give it up, Give it up, man.

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Speaker 2: Trump was in power for four years and couldn't find

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Speaker 2: the evidence. This is a different story.

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Speaker 1: So much news out there when they were a current

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Speaker 1: affair last don't you see that last night with Ali

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Speaker 1: Langdon the old lady that got stabbed in Geelong in Victoria.

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Speaker 1: So this lady get stabbed by some nutcase and then

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Speaker 1: they've gone out into the street and I was just

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Speaker 1: cooking the chops and in the euphemism cooking the chops,

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Speaker 1: cooking your dinner, right, just cooking the chops. And I

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Speaker 1: don't know, I.

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Speaker 2: Didn't know what the phrase meant, because you said you

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Speaker 2: just said I was cooking the chops.

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Speaker 1: Yeah, I was watching TV.

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Speaker 2: No, I didn't understand that you're cooking dinner at the

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Speaker 2: same time.

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Speaker 1: When do you cook your dinner?

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Speaker 2: Not always in front of the television, have it on

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Speaker 2: the background sometimes.

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Speaker 1: Anyway, I was cooking the chops and then they're just

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Speaker 1: asking bystanders about what they thought about this stabbing in

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Speaker 1: the street. And this lady said this.

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Speaker 6: Years ago, he used to get shot. Now he gets

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Speaker 6: everybody's being stabbed.

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Speaker 1: What such a fashion?

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Speaker 2: Oh, next, I'll bring back the bubble skirt.

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Speaker 1: I'm not wearing what I'm not I'd rather get shot.

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Speaker 2: Like the fashion police come around.

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Speaker 1: Do you remember the good old days where you just

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Speaker 1: get shot? Now you get stabbed?

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Speaker 2: Oh, the world's moving too fast, Lucky.

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Speaker 1: It's gone crazy. Lucky, we're here and with an action pack,

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Speaker 1: show that tonight's the night. It's going to be all

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Speaker 1: right for Angela.

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Speaker 2: Angela is going on a date. We're going to tell

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Speaker 2: her today whether she's going on a date with Scott or.

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Speaker 1: Philm Also, Instagram makes us return, and we can't do

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Speaker 1: anything until we do the Magnificent Seven.

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Speaker 2: Question one, where would you find the Taj Mahal.

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Speaker 1: Podcast? We have for you the Magnificent Seven? Can you

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Speaker 1: go all the way and answer all seven questions correctly?

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Speaker 1: If you do, a Manda will say, probably this years ago.

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Speaker 6: He used to get shot. Now he gets everybody's being stabbed.

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Speaker 1: The good old days. Remember the good old days? Oh,

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Speaker 1: things moving to get shot and not stabbed? What are

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Speaker 1: the kids doing these days? Tim's in Reesby hello, Tim, Jim.

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Speaker 1: Is the good old days, Tim, when you get a

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Speaker 1: shot instead of stabbed. Oh, bring them back as it's

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Speaker 1: so clean. Bang you shot? There you go.

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Speaker 2: Yeah, we'll tell our kids the story of Oh, in

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Speaker 2: my day, I.

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Speaker 1: Shot, I remember, and get shot in the morning, shot

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Speaker 1: in the afternoon.

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Speaker 2: And then Mum would say, put a band aid on it, give.

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Speaker 1: It a rub and play.

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Speaker 2: Tim. Here's question number one for you. Where would you

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Speaker 2: find the taj Mahal.

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Speaker 1: India in India? India? In Raiders of the Lost Art?

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Speaker 1: What chases Indiana out of the temple? It's not really

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Speaker 1: a temple. They were the good old days when you

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Speaker 1: get chased by a giant rolling bolder.

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Speaker 2: I don't even remember those days. Let's play sing it back, Tim,

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Speaker 2: can you sing the next line of this song?

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Speaker 6: Do you see.

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Speaker 2: Well less co tweeners, lots of COVID tweens. I know

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Speaker 2: you don't.

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Speaker 3: Go, Tim, Well, I'll say let's go aid Tiffany's.

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Speaker 7: He said, well, do we think that's close enough?

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Speaker 2: I think it's close enough. Yeah, I think so. He

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Speaker 2: didn't say let's have breakfast at Tiffany's.

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Speaker 1: We don't have the reveal.

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Speaker 2: What he said was, what about breakfast at Tiffany's.

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Speaker 1: Yeah, we should have the reveal in there. Ryan, can

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Speaker 1: you make a note? Can you have someone shot?

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Speaker 8: No?

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Speaker 1: Old school? No, go new school? Stab them? Okay?

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Speaker 2: Question for known for turning green when angry the Marvel

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Speaker 2: character the Hulk was originally what color a purple? B blue?

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Speaker 9: Sea?

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Speaker 2: Gray?

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Speaker 3: Gray?

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Speaker 1: The answer that was a degree of authority? Tim, do

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Speaker 1: you know why?

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Speaker 3: I just loved the skin of marble souls.

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Speaker 2: Days, for the good old days where you could read

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Speaker 2: your comics and not get shot or get sorry my

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Speaker 2: mistake actually for people who aren't as across it as

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Speaker 2: Tim is. Originally stan Lee wanted the Hulk to be gray,

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Speaker 2: but due to ink problems, the color it went green.

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Speaker 1: Oh really, that's fascinating. I'll still have for a big fact. Thanks.

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Speaker 1: If Tim goes all the way, the irony could probably

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Speaker 1: rehash that. What kind of meat typically comes in rashes? Tim?

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Speaker 3: Bacon? Bacon comes to wrestling?

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Speaker 1: That's right.

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Speaker 2: Question six? How many suspects are there in a game

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Speaker 2: of cludo? You know you, scar Let's go through them.

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Speaker 2: This isn't your you don't have to know them. But

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Speaker 2: there was.

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Speaker 1: Missus White forgot mister green Ye running out of options,

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Speaker 1: weren't they, missus Peacock, Professor Plum, Miss Scar she was

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Speaker 1: always a little sexy.

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Speaker 2: Oh they all had the same No, she was a.

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Speaker 1: Bit sexy of the card on the car.

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Speaker 2: Okay, and Colonel Mustard.

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Speaker 1: Brian Austin Green was in which nineties TV show? Tim,

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Speaker 1: You'll be all the way, Tim if you get this

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Speaker 1: question right?

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Speaker 3: Or two an old time?

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Speaker 1: Oh my goodness me here he is, this young man,

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Speaker 1: he's come from nowhere. Congratulations, you won the jam pack

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Speaker 1: one hundred and fifty dollars to spend at the skin

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Speaker 1: clinic in Concord Here to bring your skin to life

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Speaker 1: at two hundred dollars. Archie Brothers voucher the entertainment destination

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Speaker 1: with arcades, dodgeams, bowling and laser tag book down at

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Speaker 1: Archie Brothers dot com dot A. You and Jonesy demanded

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Speaker 1: coach choose feed to color and some state of the

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Speaker 1: pencils and a cartner of your favorite beer anything else

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Speaker 1: you'd like to add their Tim.

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Speaker 3: Under pleasure with you guys, and I don't be shot anymore.

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Speaker 2: I must you're such a modern man.

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Speaker 1: He's a modern guy. Yeah, well this does mean.

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Speaker 2: That you're going to have to get out your childhood.

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Speaker 1: I really wanted to use that Marvel character one, but

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Speaker 1: that would be very lazy, you, sir, I don't worry.

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Speaker 1: I'll go and I'll get my people onto it, okay,

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Speaker 1: and will come up with a big facts sure vision.

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Speaker 2: Okay, it's a big bag and it's not crazy on

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Speaker 2: a fult.

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Speaker 4: Lady Nima big.

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Speaker 5: That's on trade.

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Speaker 1: Because we went all the way and the Magnificent seven

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Speaker 1: just before we have a big fact. The first television

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Speaker 1: commercial was broadcast in nineteen forty one. It costs nine

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Speaker 1: dollars to air.

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Speaker 2: Do you wonder what it was?

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Speaker 1: Hello Frank Walker from National Chiles.

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Speaker 10: You are okay, it's a big bag and it's not alone.

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Speaker 2: Shows longer than the Fact tape, Hardy Racing.

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Speaker 4: Jonesy and Amanda podcast.

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Speaker 10: Coming in.

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Speaker 1: Thumbing through the Jermanac A big with the musical Facts

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Speaker 1: on this Day. In nineteen ninety nine, up for a

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Speaker 1: seven year recording hiatus, Santana released the album Supernatural, with

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Speaker 1: hit singles like Smooth. Rob Thomas sings the lead vocals

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Speaker 1: in the song Smooth. You know that he didn't know

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Speaker 1: that it had been released as a single, though he

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Speaker 1: was standing on a street corner in Manhattan, New York City,

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Speaker 1: and a convertible full of girls pulled up with the

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Speaker 1: song blasting on the car radio.

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Speaker 2: So what did he think it'd just be an album track?

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Speaker 1: He was a sort of sound and then these girls,

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Speaker 1: you know, pull up like it's in a Van Halen

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Speaker 1: film clip, and he's going to hang on, that's my song.

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Speaker 2: Well, that's Santana's song that I'm singing on.

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Speaker 1: Yeah, but i'd be claiming that.

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Speaker 2: Sure.

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Speaker 1: It's like when I'm standing on a corner and a

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Speaker 1: bunch of girls in a convertible pull up and they're

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Speaker 1: playing highlights from our show.

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Speaker 2: Yeah, and here you do it in correct time call?

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Speaker 2: Whoa what?

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Speaker 1: He rocks? Why would they put an incorrect time call

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Speaker 1: in a replay of our show?

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Speaker 2: Well you have to ask yourself that.

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Speaker 1: But yeah, that's right, ladies, that's me and know what's

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Speaker 1: her face? Anyway?

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Speaker 2: So what we're going to play some of our old work.

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Speaker 1: Then, But rather at that stage didn't know it was

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Speaker 1: going to be a big song. He just thought, you know,

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Speaker 1: that's that's that's kind of a quirky coincidence. But then

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Speaker 1: he knew it was really big. He was in Los

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Speaker 1: Angeles comes, another girl came on. Elevator opens. Guess who

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Speaker 1: came out?

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Speaker 2: You're going to go through all the people in.

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Speaker 1: Jason Howstead from Metallica, Well, how would I ever have?

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Speaker 1: Comes out, and he says to him, Hey, Rob, you

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Speaker 1: know I love your new song with Santana. It's so good.

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Speaker 1: That's when you know you've got a hit on your hands.

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Speaker 2: What are we playing?

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Speaker 1: What do you think?

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Speaker 2: I'm sure you may have seen this on the news

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Speaker 2: last night. The Beatles may be releasing one more song.

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Speaker 2: You wonder how can this be? Well, George has passed away.

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Speaker 2: John Lennon's been dead for forty years. That's extraordinary, isn't it.

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Speaker 2: Ringo and Paul remain I think I'll tell you the story.

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Speaker 1: He just doesn't know it. No one's told it.

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Speaker 2: Ringo's looking good, looks really good.

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Speaker 1: You seen him on the drums.

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Speaker 2: He looks pretty good.

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Speaker 1: I saw him. He came out here a few years

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Speaker 1: ago with his all Star band. It was amazing.

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Speaker 2: Yeah, And having watched that series, the Peter Jackson series,

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Speaker 2: I know it very emotional about the Beatles in a

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Speaker 2: way I never did before. And actually Ringo was a

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Speaker 2: very lovely presence in that band. He was almost like

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Speaker 2: the peacemaker. He sat back, let the creatives have their

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Speaker 2: arguments or do whatever they needed to do. He was

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Speaker 2: just there for everyone. They're really the guy who has

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Speaker 2: got along with everybody.

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Speaker 1: Tells a great story. He's on a private jet with

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Speaker 1: Ringo Star. They're going to something and Ringo just looks

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Speaker 1: over and he's drinking a big scotch Leo and just says,

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Speaker 1: how good's this?

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Speaker 2: See he could start take pleasure in life. I'm become

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Speaker 2: a fan of Ringer.

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Speaker 1: I like, well, anyway.

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Speaker 2: What's happening here though, is it's a John Lennon song

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Speaker 2: that was written after the band broke up, and you think, well,

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Speaker 2: how can that be a new single. I'll tell you

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Speaker 2: why they're using AI. They're using artificial intelligence. Here's what

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Speaker 2: Paul McCartney said yesterday.

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Speaker 8: We were able to take John's voice and get it

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Speaker 8: pure through this AI, so that then we could mix

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Speaker 8: the record as you would normally do.

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Speaker 2: So what happened is that this had been on a

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Speaker 2: John Lennon demo tape he'd been mucking around with songs.

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Speaker 2: It was called a ropey old demo on a cassette.

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Speaker 2: Pretty much is that the name of the album should

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Speaker 2: have been. So what they've been able to do is

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Speaker 2: extricate John's vocals from this demo. And we haven't heard

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Speaker 2: what the song's going to be called yet or any

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Speaker 2: of that. That information hasn't been released, but they will

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Speaker 2: reproduce that with Paul, presumably, and we'll have a new

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Speaker 2: Beatles song.

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Speaker 1: Wow.

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Speaker 2: Amazing. So Paul received the demo from Yoko Ono Lennon's widow.

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Speaker 2: It was one of several songs on a cassette labeled

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Speaker 2: for Paul that he made shortly before his death, which

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Speaker 2: is he wouldn't have thought I'm about to die. I'm

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Speaker 2: only four years old. But he had the cassette labeled

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Speaker 2: for Paul, and Yoko handed it to Paul, and Paul

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Speaker 2: has now done this. The world hasn't heard this, but

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Speaker 2: I've been able to get an exclusive.

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Speaker 1: Really.

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Speaker 2: Here is a snippet below.

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Speaker 11: Wany hang on, did you hear a bit of Yoko

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Speaker 11: in there?

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Speaker 1: And I thought I thought I did. I thought thought

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Speaker 1: they might a bit a bit of Yoko influence we.

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Speaker 2: Are imagining it sounds incredible.

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Speaker 1: I can't wait for the rest of the album.

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Speaker 2: More news as it comes to hand.

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Speaker 4: Pomcast.

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Speaker 1: If you got a problem, don't care what it is.

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Speaker 12: If you need a hem, I.

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Speaker 1: Can assure you amusing you might have this fully operational

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Speaker 1: battle station. We can do some good things for people

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Speaker 1: in the community.

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Speaker 2: We're big fans and supporters of Sydney Sick Kid's Appeal

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Speaker 2: at Westmead and Randwick Children's Hospitals, and yesterday we received

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Speaker 2: an email asking for help because they're catering for parents

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Speaker 2: and for all the workers who do such good works

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Speaker 2: for both those hospitals. So we say, can anyone help?

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Speaker 2: There'd be about fifteen thousand people who'd need to take

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Speaker 2: a hundred fifteen hundred What did I say?

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Speaker 1: Fifteen thousand?

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Speaker 2: Rob from Glory Baker's has had a heart attack.

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Speaker 1: Well, Rob heard our plea, Yes that we could feed

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Speaker 1: these people. Rob, it's not fifteen thousand people, it's fifteen hundred.

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Speaker 2: Row.

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Speaker 5: They got that.

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Speaker 2: So Rob, you're from Glenory Bakery, you heard the core.

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Speaker 2: What can you offer?

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Speaker 1: What can you do? Rob?

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Speaker 7: Look, guys, it's a great cause. And I spoke to

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Speaker 7: the team yesterday and Glenory Bakery would love to cater

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Speaker 7: for this entire event.

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Speaker 2: That is fantastic. What sort of things because I'm starving.

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Speaker 2: It is five to seven. Talk me through some of

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Speaker 2: the food items.

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Speaker 7: Well, look, we're famous for our pies and sausage rolls,

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Speaker 7: so there'll be a few of those in there. We're

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Speaker 7: thinking about adding some nice panini with our sour dough bread.

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Speaker 7: We've got a couple other little special sweet treats for

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Speaker 7: them as well. We're just really excited to be part

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Speaker 7: of it and to give back to these people.

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Speaker 1: Rob you are great. Thank you so much. That is

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Speaker 1: a great thing and I'll appreciate that you guys made

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Speaker 1: great stuff. Also, tell us about the Pie of Origin.

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Speaker 1: How's that going. We're beating beefies in Queensland. Look, we're

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Speaker 1: doing our best.

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Speaker 7: We have raised a bit of money so far through

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Speaker 7: pie sales, but now we're in now eleventh year and

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Speaker 7: we've raised almost one hundred and fifty thousand people in

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Speaker 7: need over over eleven years.

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Speaker 12: But I'll tell you what, Jonesy, now.

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Speaker 7: That you mentioned it, we are currently in the Pie

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Speaker 7: of Origin challenge and what we were thinking is why

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Speaker 7: don't we donate our one dollar from every pie during

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Speaker 7: the Origin series to the cause also at the Sydney

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Speaker 7: Children's Hospital Foundation.

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Speaker 1: Mate that's great.

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Speaker 2: That is fantastic. So we're raising money, as you know,

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Speaker 2: for the Sydney Children's Hospital Foundation, but also you're going

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Speaker 2: to be catering to their appeal day. That's just wonderful.

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Speaker 1: Thank you so good. Rob.

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Speaker 7: Starting now, anyone who wants to get involved come down

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Speaker 7: to Glenori Bakery and we'd love to see you.

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Speaker 2: Guys.

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Speaker 1: Rub your a legend, get down there. One dollar from

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Speaker 1: every pie so we'll go to the Sydney Sick Kids Appeal.

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Speaker 1: You can also donate directly to the appeal by visiting

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Speaker 1: sc HF dot org dot au. Rob from Glenory Bakery.

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Speaker 1: Thank you, Thank you guys carrying about your business therese

402
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Speaker 1: good people. Doesn't the system work well?

403
00:18:55,400 --> 00:18:57,040
Speaker 2: How about you? Would you like to win a thousand

404
00:18:57,080 --> 00:18:59,560
Speaker 2: dollars maybe two thousand dollars? Give us a call. We're

405
00:18:59,560 --> 00:19:01,680
Speaker 2: going to play Instagram shures.

406
00:19:04,560 --> 00:19:05,639
Speaker 5: Who wants a free money?

407
00:19:05,680 --> 00:19:13,880
Speaker 1: Instances and Amanda's on this beautiful day. Ten questions sixty

408
00:19:13,920 --> 00:19:15,800
Speaker 1: seconds on the clock. You could pass. If you don't

409
00:19:15,800 --> 00:19:17,639
Speaker 1: know an answer, we'll come back to that question of

410
00:19:17,720 --> 00:19:20,919
Speaker 1: time permits. If you do that, you get one thousand dollars.

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00:19:21,520 --> 00:19:24,080
Speaker 2: We could turn it into two thousand dollars. Do you

412
00:19:24,119 --> 00:19:25,040
Speaker 2: want to double your money?

413
00:19:25,080 --> 00:19:25,800
Speaker 1: We can and we have.

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00:19:26,160 --> 00:19:28,919
Speaker 2: You just want to answer one more tiny wafer of

415
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Speaker 2: a question.

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00:19:29,600 --> 00:19:29,919
Speaker 1: Easy.

417
00:19:30,119 --> 00:19:31,760
Speaker 2: If you get it right, you get two grand. If

418
00:19:31,800 --> 00:19:33,760
Speaker 2: you get it wrong, sorry about that. You walk away

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00:19:33,800 --> 00:19:34,200
Speaker 2: with nothing.

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Speaker 1: Sarah is in Oyster Bay.

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00:19:35,760 --> 00:19:39,320
Speaker 2: Hi, Sarah, Good morning every one. Sarah. You know how

422
00:19:39,320 --> 00:19:41,399
Speaker 2: this goes. If you're not sure, say pause because if

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00:19:41,400 --> 00:19:43,040
Speaker 2: you get it wrong, it's over. But if you pause,

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Speaker 2: we probably have time to come back. Okay, okay, all right,

425
00:19:46,400 --> 00:19:51,000
Speaker 2: sixty seconds. Ten questions? Your time? Sarah starts now. What

426
00:19:51,160 --> 00:19:52,159
Speaker 2: is the opposite of empty?

427
00:19:53,160 --> 00:19:53,440
Speaker 3: Cool?

428
00:19:53,680 --> 00:19:55,280
Speaker 2: Question two? What is a chicken?

429
00:19:55,359 --> 00:19:56,800
Speaker 4: Lay an egg?

430
00:19:57,080 --> 00:20:00,000
Speaker 2: Question three? True or false? A tomato is a fruit?

431
00:20:00,080 --> 00:20:01,199
Speaker 3: True?

432
00:20:01,600 --> 00:20:04,199
Speaker 2: Question four? What's the primary language spoken in Italy?

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00:20:05,200 --> 00:20:05,920
Speaker 10: I'm Italian?

434
00:20:06,160 --> 00:20:09,000
Speaker 2: Question five? What's the color of the Australian one hundred dollars?

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00:20:09,040 --> 00:20:16,800
Speaker 1: Note it is yellow pineapple color? No, no, no, that's

436
00:20:16,800 --> 00:20:17,400
Speaker 1: a fifty.

437
00:20:18,480 --> 00:20:23,040
Speaker 2: It's green greens one hundred oh, Sarah.

438
00:20:22,880 --> 00:20:25,359
Speaker 1: But you do you were embarking on a journey.

439
00:20:25,400 --> 00:20:27,520
Speaker 2: But you do get one hundred dollars for your grocery,

440
00:20:27,600 --> 00:20:31,520
Speaker 2: so you get to see that color up close. Sarah,

441
00:20:31,560 --> 00:20:32,680
Speaker 2: Thank you.

442
00:20:32,760 --> 00:20:35,040
Speaker 1: I don't think we send cash in the paioup. No,

443
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Speaker 1: that's true.

444
00:20:36,960 --> 00:20:38,399
Speaker 2: Coins we send Sarah.

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00:20:38,720 --> 00:20:40,600
Speaker 1: Ask your local drug dealer to have a look at

446
00:20:40,640 --> 00:20:43,560
Speaker 1: their wallet, because they're the ones that have the cash,

447
00:20:43,720 --> 00:20:46,360
Speaker 1: all guys and drug dealers.

448
00:20:46,720 --> 00:20:48,240
Speaker 2: I saw someone the other day. I was walking on

449
00:20:48,240 --> 00:20:51,320
Speaker 2: the street and I saw someone reverse park. And in

450
00:20:51,359 --> 00:20:55,439
Speaker 2: Sydney it's almost impossible to survive without reverse parking. I

451
00:20:55,480 --> 00:20:58,399
Speaker 2: saw someone attempting a reverse park. They stuffed it up.

452
00:20:58,920 --> 00:21:01,399
Speaker 2: They came out when to do again. Took them a

453
00:21:01,440 --> 00:21:03,720
Speaker 2: couple of gos, and all the cars behind them were

454
00:21:03,720 --> 00:21:07,640
Speaker 2: banking up. Everyone's head was turned to watch them attempt

455
00:21:07,640 --> 00:21:11,640
Speaker 2: it again and again. I'm never brave enough to do that.

456
00:21:11,920 --> 00:21:14,639
Speaker 2: I try it once, and my car, as you know,

457
00:21:14,760 --> 00:21:16,920
Speaker 2: has this great. Actually, I've got a car that could

458
00:21:16,920 --> 00:21:19,840
Speaker 2: park itself, but I haven't learned how. I can barely

459
00:21:20,080 --> 00:21:23,240
Speaker 2: use the radio, but I do. It does have those

460
00:21:23,480 --> 00:21:26,119
Speaker 2: yellow lines that you can follow into the parking spot.

461
00:21:26,240 --> 00:21:29,480
Speaker 2: So I'm not so bad at reverse parking. But if

462
00:21:29,480 --> 00:21:31,960
Speaker 2: I try once and can't get in, that's it. I

463
00:21:31,960 --> 00:21:34,439
Speaker 2: will drive to the airport, get on a plane and

464
00:21:34,440 --> 00:21:36,720
Speaker 2: go and live in Vietnam rather than hold people up.

465
00:21:38,760 --> 00:21:42,720
Speaker 2: I'm not brave enough or ballsy enough to hold up

466
00:21:42,960 --> 00:21:46,080
Speaker 2: an entire road of traffic to reverse park.

467
00:21:46,720 --> 00:21:49,840
Speaker 1: That's I'm the opposite to you. When I do drive

468
00:21:49,880 --> 00:21:52,280
Speaker 1: a car, largely, I ride a motorcycle, and they're pretty

469
00:21:52,280 --> 00:21:52,760
Speaker 1: easy to park.

470
00:21:52,760 --> 00:21:54,200
Speaker 2: You stay, but you can't reverse them.

471
00:21:54,280 --> 00:21:57,520
Speaker 1: You can't reverse it reverse the matter bike just roll backwards.

472
00:21:57,920 --> 00:21:59,680
Speaker 1: I find that people are less patient, though, because you

473
00:21:59,680 --> 00:22:02,760
Speaker 1: don't have a propulsion in reverse. You do it yourself.

474
00:22:02,800 --> 00:22:06,639
Speaker 1: You're pushing it back. And sometimes one guy was huffing

475
00:22:06,680 --> 00:22:08,200
Speaker 1: and puffing the other day. So I made up my

476
00:22:08,240 --> 00:22:09,480
Speaker 1: business to go extra slide.

477
00:22:09,520 --> 00:22:13,800
Speaker 2: Oh no, I see, I'd be at the airport. What

478
00:22:14,560 --> 00:22:18,560
Speaker 2: to fly away rather than rather than go slow to

479
00:22:18,640 --> 00:22:19,320
Speaker 2: annoy people?

480
00:22:19,440 --> 00:22:20,720
Speaker 1: Is this your answer to everything?

481
00:22:20,720 --> 00:22:24,439
Speaker 2: You just fly away, going to witness protection somewhere. I

482
00:22:24,480 --> 00:22:26,120
Speaker 2: can't bear the anxiety of it.

483
00:22:26,160 --> 00:22:27,639
Speaker 1: But if I'm in a car, I do like a

484
00:22:27,680 --> 00:22:31,080
Speaker 1: reverse park. I enjoy it very much. I like the challenge.

485
00:22:31,040 --> 00:22:32,880
Speaker 2: Do you even like reversing boats? Oh?

486
00:22:32,920 --> 00:22:35,320
Speaker 1: I love backing a trailer up. That's my that's hard.

487
00:22:35,560 --> 00:22:38,320
Speaker 1: That's my gift, not for me, but for some people

488
00:22:38,320 --> 00:22:38,520
Speaker 1: in this.

489
00:22:39,240 --> 00:22:40,960
Speaker 2: It's I ever done it in a street?

490
00:22:41,600 --> 00:22:45,920
Speaker 1: Yeah? I reverse parked my boat. I was going along

491
00:22:45,920 --> 00:22:47,120
Speaker 1: I was going to put the boat in the water,

492
00:22:47,240 --> 00:22:48,520
Speaker 1: and I thought I'll get a cart and a beer

493
00:22:48,520 --> 00:22:51,760
Speaker 1: as well. The bottle shop. The cafe crowd was there.

494
00:22:51,960 --> 00:22:53,840
Speaker 1: There was a spot like it would have been a

495
00:22:53,880 --> 00:22:56,720
Speaker 1: two and a half car length spot in front of

496
00:22:56,720 --> 00:22:58,880
Speaker 1: the bottle shop. And I went, you know what, I'm

497
00:22:58,920 --> 00:23:01,679
Speaker 1: going to do this it's I happened and I just

498
00:23:02,720 --> 00:23:07,520
Speaker 1: straight back. I'm sure I could hear applause. I got out,

499
00:23:07,920 --> 00:23:09,320
Speaker 1: you know, I got out. I was like this.

500
00:23:09,520 --> 00:23:11,840
Speaker 2: If I was watching, I would be praying that you

501
00:23:11,840 --> 00:23:13,800
Speaker 2: would stuff it up, because no one likes a big ego.

502
00:23:13,960 --> 00:23:15,480
Speaker 1: There was a lot of There's a lot of people,

503
00:23:15,480 --> 00:23:18,720
Speaker 1: even women. There was ladies there saying geez, all right,

504
00:23:18,960 --> 00:23:19,600
Speaker 1: he's all.

505
00:23:19,560 --> 00:23:20,240
Speaker 2: Right, all right.

506
00:23:20,320 --> 00:23:22,080
Speaker 1: That guy, that guy going to the bottle shop.

507
00:23:22,160 --> 00:23:24,359
Speaker 2: That guy waving his arms around like a hero.

508
00:23:24,760 --> 00:23:30,880
Speaker 1: Guy that looks like Tommy, Tommy Jones. He's the sort

509
00:23:30,880 --> 00:23:33,919
Speaker 1: of guy that I could do.

510
00:23:33,920 --> 00:23:36,320
Speaker 2: You want to keep going. You're saying these things out loud.

511
00:23:37,440 --> 00:23:38,080
Speaker 1: I can't speak.

512
00:23:38,160 --> 00:23:40,040
Speaker 2: Brings out the worst in everyone.

513
00:23:40,320 --> 00:23:41,760
Speaker 1: I can't speak for these people.

514
00:23:41,800 --> 00:23:44,040
Speaker 2: I thought the tribal drum could beat for tales of

515
00:23:44,080 --> 00:23:44,760
Speaker 2: the reverse bar.

516
00:23:45,960 --> 00:23:48,399
Speaker 1: It's gone bad. You can brag.

517
00:23:48,600 --> 00:23:51,720
Speaker 2: You can brag. Or if you've watched someone do it

518
00:23:51,840 --> 00:23:54,159
Speaker 2: in front of a hundred people in a restaurant or

519
00:23:54,400 --> 00:23:57,560
Speaker 2: and you've seen it go bad or good, just what's happened?

520
00:23:57,680 --> 00:23:59,200
Speaker 2: Tales of the revers.

521
00:23:59,520 --> 00:24:03,000
Speaker 1: It's the worst place to reverse park outside of pub

522
00:24:03,480 --> 00:24:04,440
Speaker 1: That is the worst place.

523
00:24:05,119 --> 00:24:10,000
Speaker 2: Challenges there And also and you're driving test reverse park horrendous.

524
00:24:11,240 --> 00:24:13,160
Speaker 1: Yeah are you pulling a fo that's a big part

525
00:24:13,200 --> 00:24:13,760
Speaker 1: of the test.

526
00:24:13,840 --> 00:24:16,440
Speaker 2: Yeah, I know. Don't make us do it. My brother

527
00:24:16,520 --> 00:24:18,280
Speaker 2: moved to Brisbane years ago. He said one of the

528
00:24:18,280 --> 00:24:20,359
Speaker 2: main reasons was so we never had to reverse park.

529
00:24:20,560 --> 00:24:22,840
Speaker 1: What's with Queenslanders in the reverse park?

530
00:24:23,080 --> 00:24:25,560
Speaker 2: No, they don't have to. I find it actually easier

531
00:24:25,600 --> 00:24:27,600
Speaker 2: to reverse park than park forwards.

532
00:24:27,720 --> 00:24:27,919
Speaker 1: You know.

533
00:24:28,000 --> 00:24:31,480
Speaker 2: The hardest thing is in a road where it's one

534
00:24:31,520 --> 00:24:33,919
Speaker 2: way you have to park on the other side.

535
00:24:34,280 --> 00:24:36,920
Speaker 1: No, that's easy. That's addle where you're on the driver's

536
00:24:36,920 --> 00:24:38,760
Speaker 1: side and you're just boom boom straight back.

537
00:24:38,920 --> 00:24:39,320
Speaker 10: So hard.

538
00:24:39,359 --> 00:24:42,960
Speaker 1: That's the easiest park in the history hard. That is nuts.

539
00:24:43,080 --> 00:24:44,800
Speaker 2: People looked at you and said, yeah, I want to

540
00:24:44,800 --> 00:24:47,480
Speaker 2: get a piece of that action you then you woke

541
00:24:47,600 --> 00:24:51,280
Speaker 2: up to witness it. Tales of the Reverse Park.

542
00:24:53,560 --> 00:24:57,399
Speaker 1: Podcast the Tribal Drummers beating Tales of the Reverse park.

543
00:24:58,320 --> 00:25:01,520
Speaker 2: That's me reverse parking there. I'm not particularly bad at it,

544
00:25:01,560 --> 00:25:03,720
Speaker 2: but I'm anxious about it, and I don't think i'd

545
00:25:03,760 --> 00:25:05,920
Speaker 2: do it in front of a big crewdit cafe. You

546
00:25:06,040 --> 00:25:07,880
Speaker 2: choose a big credit cafe, I don't choose.

547
00:25:07,880 --> 00:25:10,960
Speaker 1: But it was a spot parker boat. It was a

548
00:25:11,000 --> 00:25:13,880
Speaker 1: bottle shop for a start, and I don't know where

549
00:25:13,880 --> 00:25:14,560
Speaker 1: you get she said.

550
00:25:14,560 --> 00:25:15,320
Speaker 2: There were people watching.

551
00:25:15,720 --> 00:25:18,800
Speaker 1: Of course, there's people watching. There's people watching, and they're

552
00:25:18,800 --> 00:25:21,280
Speaker 1: all out of the cafe. And there was a moment

553
00:25:21,320 --> 00:25:22,800
Speaker 1: of doubt. I thought it should I be doing this,

554
00:25:23,200 --> 00:25:26,240
Speaker 1: and then something the devil inside me said, can't make

555
00:25:26,280 --> 00:25:26,800
Speaker 1: you do this?

556
00:25:26,880 --> 00:25:28,639
Speaker 2: And they're all watching and thinking that guy's taking up

557
00:25:28,640 --> 00:25:30,080
Speaker 2: seven spaces two.

558
00:25:29,960 --> 00:25:33,359
Speaker 1: And a half spaces. But it just worked. And sometimes

559
00:25:33,359 --> 00:25:35,119
Speaker 1: when you're backing a trailer, it doesn't work for you,

560
00:25:35,119 --> 00:25:38,040
Speaker 1: I got to admit, But sometimes the trailer gods are

561
00:25:38,080 --> 00:25:40,840
Speaker 1: just on your side. And it was just beautiful right

562
00:25:40,880 --> 00:25:42,440
Speaker 1: in there. I'm sure I heard applause.

563
00:25:43,200 --> 00:25:46,480
Speaker 2: I'm sure I did, and some flatulence from your tales

564
00:25:46,520 --> 00:25:47,560
Speaker 2: of the reverse.

565
00:25:47,840 --> 00:25:49,640
Speaker 1: Why don't you just go along with me and support

566
00:25:49,680 --> 00:25:50,280
Speaker 1: me on that.

567
00:25:50,359 --> 00:25:53,359
Speaker 2: Because I know what you're like, and there's something about

568
00:25:53,400 --> 00:25:54,960
Speaker 2: you that just loves yourself.

569
00:25:55,359 --> 00:25:58,800
Speaker 1: I love just when a job is done well, I

570
00:25:58,840 --> 00:26:01,880
Speaker 1: applaud other people for it, and in kind, I expect

571
00:26:01,920 --> 00:26:04,240
Speaker 1: that same celebration.

572
00:26:04,880 --> 00:26:08,560
Speaker 2: What a celebration? Hello Bridget, how are you ahi?

573
00:26:08,640 --> 00:26:09,840
Speaker 5: Good morning? I was in Amanda.

574
00:26:09,840 --> 00:26:12,359
Speaker 2: How are you very well? What happened with the reverse park?

575
00:26:12,920 --> 00:26:15,240
Speaker 5: Okay, it's not me, So I'm going to preface this

576
00:26:15,359 --> 00:26:18,159
Speaker 5: by saying I am a very good reverse parker, and

577
00:26:18,200 --> 00:26:21,720
Speaker 5: I always choose reverse parking over going in front first.

578
00:26:21,880 --> 00:26:24,280
Speaker 5: So many many many years ago, I was in a

579
00:26:24,320 --> 00:26:27,160
Speaker 5: car park. It was really really busy, and I pulled

580
00:26:27,240 --> 00:26:29,520
Speaker 5: up behind a lady trying to get into a spot

581
00:26:29,680 --> 00:26:32,120
Speaker 5: and I don't know how many times she was trying

582
00:26:32,119 --> 00:26:34,399
Speaker 5: to get in this spot and she just could not

583
00:26:34,520 --> 00:26:37,480
Speaker 5: do it. And then there was cars banking up behind me.

584
00:26:37,960 --> 00:26:40,560
Speaker 5: Then the horn started, Then all the yelling with a

585
00:26:40,600 --> 00:26:43,840
Speaker 5: few choice words were being said, and I was just

586
00:26:43,880 --> 00:26:46,119
Speaker 5: feeling so sorry for this woman. It must have been

587
00:26:46,160 --> 00:26:48,040
Speaker 5: ten minutes. I don't know how many goos she'd give it,

588
00:26:48,440 --> 00:26:51,040
Speaker 5: and I thought, right, had enough done? Got out of

589
00:26:51,040 --> 00:26:53,240
Speaker 5: a car, locked my car, I said, Darling, would you

590
00:26:53,320 --> 00:26:55,199
Speaker 5: like me to park your car, and she was on

591
00:26:55,200 --> 00:26:58,440
Speaker 5: the verge of tears and she said, oh my god, yes, please, yes, pleaple.

592
00:26:58,440 --> 00:27:01,000
Speaker 5: I said, come on out to get got in, reversed

593
00:27:01,000 --> 00:27:04,080
Speaker 5: the car, gave it the keys back. Everyone started two

594
00:27:04,240 --> 00:27:06,720
Speaker 5: mare horns and clapping at me, going koray and I

595
00:27:06,760 --> 00:27:08,199
Speaker 5: didn't have a good day, so you laid us.

596
00:27:08,240 --> 00:27:11,760
Speaker 1: See, Bridget is one of those people were giving you admiration.

597
00:27:11,960 --> 00:27:13,679
Speaker 1: I would have been clapping with those people.

598
00:27:13,960 --> 00:27:17,399
Speaker 2: I'm feeling for that other girl who's almost in tears

599
00:27:17,400 --> 00:27:19,320
Speaker 2: and a relief at the car's park. But I would

600
00:27:19,320 --> 00:27:20,399
Speaker 2: have just given up labor.

601
00:27:20,480 --> 00:27:22,000
Speaker 1: You would have been in Vietnam.

602
00:27:21,840 --> 00:27:23,800
Speaker 2: Absolutely in a ditch with a bag.

603
00:27:23,560 --> 00:27:25,639
Speaker 1: On my head, eating a Nazi gory.

604
00:27:26,359 --> 00:27:28,280
Speaker 2: Sounds quite attractive now you put it like that.

605
00:27:28,320 --> 00:27:29,399
Speaker 1: Good on your Bridget. Thank you.

606
00:27:29,440 --> 00:27:33,160
Speaker 4: Bridget Jonesy and Amanda Germ podcast.

607
00:27:35,840 --> 00:27:36,560
Speaker 5: Up Focus.

608
00:27:36,720 --> 00:27:37,679
Speaker 2: We have places to be.

609
00:27:41,520 --> 00:27:44,240
Speaker 1: The tribal drum has been beating tales of the reverse park.

610
00:27:44,359 --> 00:27:46,680
Speaker 1: Some people fear it, some people love.

611
00:27:46,480 --> 00:27:49,600
Speaker 2: It, don't they just some people live to watch someone

612
00:27:49,800 --> 00:27:50,399
Speaker 2: stuff it up.

613
00:27:50,520 --> 00:27:52,080
Speaker 1: I don't live to watch someone stuff it up, but

614
00:27:52,119 --> 00:27:54,000
Speaker 1: I do appreciate a good reverse park, or when a

615
00:27:54,000 --> 00:27:56,639
Speaker 1: truck he backs up a truck and they've got to

616
00:27:56,640 --> 00:27:58,680
Speaker 1: put in a loading dock. You think, oh, that's pretty good.

617
00:27:58,720 --> 00:28:02,840
Speaker 2: Yeah, nailed, it is, Skill said, it really is. Tales

618
00:28:02,880 --> 00:28:06,280
Speaker 2: of the reverse park color Ronda, Hello there, how are

619
00:28:06,320 --> 00:28:08,200
Speaker 2: you very well? Who was reversing?

620
00:28:08,960 --> 00:28:09,120
Speaker 3: It?

621
00:28:09,200 --> 00:28:11,600
Speaker 2: Was me back in the eighties.

622
00:28:11,920 --> 00:28:16,119
Speaker 13: I was going for my full black license and I

623
00:28:16,160 --> 00:28:19,439
Speaker 13: did my reverse park's part of the test, and I

624
00:28:19,440 --> 00:28:21,000
Speaker 13: thought it was a little bit too far up from

625
00:28:21,040 --> 00:28:24,880
Speaker 13: the curb. But before the instructors of the test, instructor

626
00:28:24,960 --> 00:28:28,960
Speaker 13: said anything, I decided, Oh, I volunteered to do it again.

627
00:28:29,359 --> 00:28:33,120
Speaker 5: And so then I started to get nervous and panicked.

628
00:28:32,680 --> 00:28:35,719
Speaker 13: And I ended up perpendicular to the curve, and the

629
00:28:35,760 --> 00:28:37,560
Speaker 13: instructor said, what.

630
00:28:37,359 --> 00:28:38,680
Speaker 4: The hell were you doing?

631
00:28:38,760 --> 00:28:39,959
Speaker 13: That was perfect?

632
00:28:40,360 --> 00:28:44,400
Speaker 2: Now I have to sail you. Oh one was perfect,

633
00:28:44,600 --> 00:28:47,040
Speaker 2: and I stuffed it out and then I just let the.

634
00:28:47,080 --> 00:28:50,840
Speaker 13: Parent cried and sixteen and I was like, oh.

635
00:28:50,720 --> 00:28:53,840
Speaker 1: You've got to be kidding that to us.

636
00:28:53,880 --> 00:28:56,680
Speaker 2: All ended up perpendicular to the It's not the best

637
00:28:56,680 --> 00:28:57,560
Speaker 2: way to reverse park.

638
00:28:57,640 --> 00:28:58,360
Speaker 1: How do you do that?

639
00:28:58,800 --> 00:29:01,200
Speaker 2: How that's that is a skill?

640
00:29:01,240 --> 00:29:04,320
Speaker 1: Even happened My daughter did something similar to that when

641
00:29:04,320 --> 00:29:06,760
Speaker 1: she just got a piece she was in my car,

642
00:29:06,800 --> 00:29:09,320
Speaker 1: you know, the land Cruiser I've got, and we're coming

643
00:29:09,320 --> 00:29:11,240
Speaker 1: back from the footy and we were going to KFC.

644
00:29:11,600 --> 00:29:14,160
Speaker 1: I'd had a couple of drinks. Anyway, she was parking.

645
00:29:14,200 --> 00:29:16,120
Speaker 1: I wasn't really paying attention, but she parked the car

646
00:29:16,120 --> 00:29:17,920
Speaker 1: and she said, Dad, I think I'm really close to

647
00:29:18,000 --> 00:29:19,760
Speaker 1: that car next to us. I said, well, how close,

648
00:29:19,800 --> 00:29:22,400
Speaker 1: sweet pea? And I went to I got out of

649
00:29:22,440 --> 00:29:25,720
Speaker 1: the passenger side, walked around and literally it was a

650
00:29:25,800 --> 00:29:29,360
Speaker 1: paper's width away from the car. And I said, she

651
00:29:29,480 --> 00:29:32,280
Speaker 1: managed to do I said, how how did you do that?

652
00:29:32,640 --> 00:29:34,680
Speaker 1: Because I thought she'd actually hit the car, hadn't hit

653
00:29:34,720 --> 00:29:37,560
Speaker 1: the car. Had to go into KFC and say, does

654
00:29:37,600 --> 00:29:39,880
Speaker 1: anyone own a red Berena. It was like a yes man.

655
00:29:39,920 --> 00:29:43,000
Speaker 1: I said, look, we got a situation. She couldn't reverse out,

656
00:29:43,280 --> 00:29:45,520
Speaker 1: we couldn't move the car. The lady in the red

657
00:29:45,560 --> 00:29:47,640
Speaker 1: Barena had to move the car. She came and she said, over,

658
00:29:47,640 --> 00:29:49,080
Speaker 1: you hit my car And I said no, as you

659
00:29:49,120 --> 00:29:51,280
Speaker 1: can see, we could put a piece of paper between

660
00:29:51,760 --> 00:29:53,640
Speaker 1: the mudguard and my car and you the door of

661
00:29:53,680 --> 00:29:55,680
Speaker 1: your car. She said, you're right, She said how did

662
00:29:55,720 --> 00:29:58,400
Speaker 1: she do that? In the meantime, Romany's gone, you know,

663
00:29:58,440 --> 00:30:00,800
Speaker 1: into a bit of a state because where everyone's gathered

664
00:30:00,840 --> 00:30:02,360
Speaker 1: round to marvel at this.

665
00:30:02,600 --> 00:30:04,640
Speaker 2: So she couldn't have reversed out without damaging that.

666
00:30:04,800 --> 00:30:07,560
Speaker 1: Barricia had to move the Barna had to go first.

667
00:30:07,560 --> 00:30:09,000
Speaker 1: It was almost we had to get people to lift

668
00:30:09,000 --> 00:30:10,080
Speaker 1: it up to get it out of the way.

669
00:30:10,160 --> 00:30:13,200
Speaker 2: You're there eighteen BSD beating KFC go on.

670
00:30:14,280 --> 00:30:16,720
Speaker 1: It was a bit of a show, terrible.

671
00:30:17,080 --> 00:30:18,520
Speaker 2: Hello Allison, how are you?

672
00:30:19,040 --> 00:30:23,120
Speaker 14: Good morning, good, thank you. This is approximately three years ago.

673
00:30:23,440 --> 00:30:26,320
Speaker 14: I had a trailer attached to my car. I go

674
00:30:26,400 --> 00:30:28,720
Speaker 14: to Flower Pound pick up some soil, which is a

675
00:30:28,720 --> 00:30:31,000
Speaker 14: one way in, one way out kind of situation. Drove

676
00:30:31,080 --> 00:30:35,160
Speaker 14: in and I'm like, oh no, there's no spaces except one,

677
00:30:35,360 --> 00:30:38,600
Speaker 14: and there's a massive truck. I'm like, oh no, so

678
00:30:38,720 --> 00:30:40,920
Speaker 14: I thought, fugaret, I'll just do it for reverse part.

679
00:30:41,600 --> 00:30:45,440
Speaker 14: The trailer was all successful. Got out so patting myself

680
00:30:45,440 --> 00:30:47,520
Speaker 14: on the back, and the truck driver gets out and goes,

681
00:30:48,080 --> 00:30:49,320
Speaker 14: holy crap.

682
00:30:49,760 --> 00:30:51,400
Speaker 15: And you're a woman too, and.

683
00:30:51,280 --> 00:30:54,360
Speaker 14: It's a Hemi so it's like a Hemi engine and

684
00:30:54,400 --> 00:30:56,959
Speaker 14: it's a five point seven lean a Hemi engine and

685
00:30:56,960 --> 00:30:59,560
Speaker 14: he's going, oh my god, I've never seen that before

686
00:31:00,320 --> 00:31:01,080
Speaker 14: you could appreciate.

687
00:31:01,160 --> 00:31:02,720
Speaker 1: I appreciate it. I'm with that track.

688
00:31:03,120 --> 00:31:05,680
Speaker 2: But still that is such a backhanded compliment. And you're

689
00:31:05,720 --> 00:31:06,920
Speaker 2: a woman too, you know.

690
00:31:07,840 --> 00:31:11,480
Speaker 14: I just laughed hysterical. I was like, yes, I just

691
00:31:11,560 --> 00:31:13,280
Speaker 14: got off and go in and say, yeah, I need

692
00:31:13,360 --> 00:31:13,720
Speaker 14: to soil.

693
00:31:14,160 --> 00:31:16,360
Speaker 1: It's when you see someone back up something that you

694
00:31:16,400 --> 00:31:17,960
Speaker 1: don't expect to see them back up. I'll give you

695
00:31:18,000 --> 00:31:19,600
Speaker 1: a case in point. When I was a Channel nine

696
00:31:19,680 --> 00:31:21,200
Speaker 1: I used to do a show with Joe Bailey. You know,

697
00:31:21,280 --> 00:31:25,360
Speaker 1: Joe Bailey, flamboyd hairdresser. Joe also has a large collection

698
00:31:25,440 --> 00:31:28,720
Speaker 1: of horses. So he came into Channel nine and in

699
00:31:28,800 --> 00:31:31,680
Speaker 1: his big get out of town fall drive with a

700
00:31:31,720 --> 00:31:34,040
Speaker 1: horse flat on the back, and well, let's see how

701
00:31:34,040 --> 00:31:37,560
Speaker 1: he goes with this, and he backed it imperfectly.

702
00:31:37,320 --> 00:31:40,560
Speaker 2: Because you didn't expect a homosexual reverse.

703
00:31:40,680 --> 00:31:44,800
Speaker 1: I didn't expect Joe Bailey it's not about sexuality kind

704
00:31:44,800 --> 00:31:48,400
Speaker 1: of joseph, you know, And I just didn't. I said, man,

705
00:31:48,480 --> 00:31:50,360
Speaker 1: that was yeah, that was impressive.

706
00:31:50,480 --> 00:31:53,160
Speaker 2: Yeah, that's just as patronizing as that guy saying.

707
00:31:53,480 --> 00:31:56,440
Speaker 1: And a woman didn't patronizing, but I was. I was appreciative.

708
00:31:56,480 --> 00:31:59,960
Speaker 1: It's not you know, don't at me, don't start the store.

709
00:32:01,280 --> 00:32:03,360
Speaker 1: I was just impressed, Okay.

710
00:32:03,200 --> 00:32:05,600
Speaker 2: Be impressed if I saw a toddler do it.

711
00:32:05,120 --> 00:32:07,920
Speaker 1: It's like when you picked that motorbike off me. Remember

712
00:32:08,120 --> 00:32:10,240
Speaker 1: I was the motorbike fell on my leg and I

713
00:32:10,280 --> 00:32:12,080
Speaker 1: was trapped and I was in on the curb and

714
00:32:12,120 --> 00:32:14,920
Speaker 1: you came along and you lifted your skirt up and

715
00:32:14,960 --> 00:32:17,080
Speaker 1: you just went and lifted the bike off me.

716
00:32:17,760 --> 00:32:21,880
Speaker 2: I don't know if I bothered today, for the early days.

717
00:32:22,280 --> 00:32:25,920
Speaker 1: Anyway, thank you for all your calls. Let's get on

718
00:32:26,000 --> 00:32:27,920
Speaker 1: down to the jokes in abound of arms for the

719
00:32:27,960 --> 00:32:32,200
Speaker 1: pub test and today AI releasing new music from Dead Musics.

720
00:32:32,320 --> 00:32:35,680
Speaker 1: Does it pass the pub test? Paul McCartney has found

721
00:32:35,800 --> 00:32:37,080
Speaker 1: a tape from John Lennon.

722
00:32:37,280 --> 00:32:40,840
Speaker 2: We spoke about this earlier. Yes, Paul McCartney has found

723
00:32:40,840 --> 00:32:44,440
Speaker 2: an old demo tape from John Lennon and AI has

724
00:32:44,440 --> 00:32:47,160
Speaker 2: been able to take his voice from that and Paul

725
00:32:47,200 --> 00:32:49,720
Speaker 2: has said he's he's going to produce it as a

726
00:32:49,760 --> 00:32:51,640
Speaker 2: new song and release it later in the year.

727
00:32:51,720 --> 00:32:52,360
Speaker 1: There's what he said.

728
00:32:52,400 --> 00:32:54,960
Speaker 8: We were able to take John's voice and get it

729
00:32:55,080 --> 00:32:58,640
Speaker 8: pure through this AI so that then we could mix

730
00:32:58,680 --> 00:33:01,320
Speaker 8: the record as you would normally do.

731
00:33:02,080 --> 00:33:05,160
Speaker 1: Would you trust something set in by Yoko Ono remem

732
00:33:05,240 --> 00:33:13,680
Speaker 1: what happened last time? Long wand she can't help us out?

733
00:33:14,040 --> 00:33:16,360
Speaker 2: Well, we're assuming it won't be that. But what did

734
00:33:16,440 --> 00:33:18,960
Speaker 2: happen was that Yoko was the one who gave a

735
00:33:19,000 --> 00:33:22,520
Speaker 2: cassette that was marked for Paul to Paul McCartney. John

736
00:33:22,640 --> 00:33:25,240
Speaker 2: had done some demo stuff and had left it in

737
00:33:25,280 --> 00:33:30,120
Speaker 2: a way to Paul. So is that permission to put

738
00:33:30,160 --> 00:33:33,760
Speaker 2: that song as part of the Beatles? This is a

739
00:33:33,800 --> 00:33:36,840
Speaker 2: bigger question than just at being John Lennon. If if

740
00:33:36,840 --> 00:33:39,360
Speaker 2: a musician has passed away, is it all right to

741
00:33:39,400 --> 00:33:42,120
Speaker 2: have AI bring them back to life?

742
00:33:42,200 --> 00:33:51,560
Speaker 16: They've done it with Amy Amy Winehouse. They didn't create

743
00:33:52,480 --> 00:33:52,920
Speaker 16: did it with it?

744
00:33:52,960 --> 00:33:56,000
Speaker 2: They haven't created new music. They have used holograms of

745
00:33:56,080 --> 00:33:58,200
Speaker 2: them to tour the world, which I think is a

746
00:33:58,240 --> 00:34:02,720
Speaker 2: bit creepy as well, But tore eight new music using AI?

747
00:34:04,120 --> 00:34:05,800
Speaker 2: What do you think? Is this the beginning of a

748
00:34:05,800 --> 00:34:07,680
Speaker 2: big slippery slope? The fact that these two had a

749
00:34:07,680 --> 00:34:10,759
Speaker 2: big related musical relationship and we're in one of the

750
00:34:10,800 --> 00:34:13,799
Speaker 2: world's most famous bands, is that's by the bye to

751
00:34:13,880 --> 00:34:14,799
Speaker 2: the principle of this.

752
00:34:15,000 --> 00:34:17,719
Speaker 1: Remember Natalie Cole did it with her late dad Nat King.

753
00:34:17,960 --> 00:34:20,440
Speaker 2: Yes, but they created that's right. He sang it, she

754
00:34:20,520 --> 00:34:22,120
Speaker 2: sang and they made it look like they'd sung it

755
00:34:22,160 --> 00:34:25,640
Speaker 2: together to take a demo and then produce it up

756
00:34:25,640 --> 00:34:26,320
Speaker 2: to a song.

757
00:34:26,760 --> 00:34:28,960
Speaker 1: What do you think? Does it pass the pub test?

758
00:34:28,960 --> 00:34:31,480
Speaker 2: Does it pass the pub test? So AI releasing new

759
00:34:31,560 --> 00:34:34,160
Speaker 2: music from Dead Muso's does it pass the pub Test?

760
00:34:36,239 --> 00:34:40,319
Speaker 4: Podcast?

761
00:34:43,440 --> 00:34:46,400
Speaker 1: It's round sixteen of the NRL. Our last Mystery Footy

762
00:34:46,400 --> 00:34:49,640
Speaker 1: Tipper was Mick Ennis and he got five out of seven,

763
00:34:50,000 --> 00:34:52,560
Speaker 1: five out of seven, five out of seven. Today, I'm

764
00:34:52,600 --> 00:34:54,840
Speaker 1: kind of a big deal. Our mystery Footy Tipper is

765
00:34:54,880 --> 00:34:59,360
Speaker 1: a big big deal. What's responsible for Queensland's domination of origin?

766
00:34:59,640 --> 00:35:02,600
Speaker 1: Although I might say they're still pretty much dominating origin

767
00:35:02,680 --> 00:35:05,160
Speaker 1: to the day, earning them the title of the King.

768
00:35:05,280 --> 00:35:07,200
Speaker 1: He's a man that needs no introduction, but we'll give

769
00:35:07,239 --> 00:35:11,560
Speaker 1: you one anyway. It's Wally Lewis is Toll Lewis King,

770
00:35:11,600 --> 00:35:14,480
Speaker 1: Wally for lacing on. There's Lewis on the go again.

771
00:35:14,680 --> 00:35:18,600
Speaker 1: Look beautifully overs Lewis Is Lewis holds it up. Now

772
00:35:18,600 --> 00:35:19,359
Speaker 1: he accelerates.

773
00:35:19,520 --> 00:35:24,160
Speaker 8: Here, you guys, a field goal for Lewis with a vicrit.

774
00:35:23,920 --> 00:35:26,080
Speaker 1: On his face. Now is the n run on Lange

775
00:35:26,600 --> 00:35:27,800
Speaker 1: the Emperor of Wayne.

776
00:35:28,440 --> 00:35:31,600
Speaker 3: Hello Wally, Wally, Aho, guys.

777
00:35:31,320 --> 00:35:32,680
Speaker 1: How are you great to talk to you?

778
00:35:32,719 --> 00:35:32,879
Speaker 6: Mate?

779
00:35:32,880 --> 00:35:34,960
Speaker 1: Look, I don't want to ask you your opinion of

780
00:35:35,000 --> 00:35:37,359
Speaker 1: New South Wales Blues? But can I ask you your

781
00:35:37,400 --> 00:35:40,040
Speaker 1: opinion of New South Wales Blues? What can we do

782
00:35:40,120 --> 00:35:41,000
Speaker 1: to be Queensland?

783
00:35:43,080 --> 00:35:45,600
Speaker 3: They weren't far away from it. I've heard a whole

784
00:35:45,640 --> 00:35:48,640
Speaker 3: pile of criticism about New South Wales and what they

785
00:35:49,040 --> 00:35:52,279
Speaker 3: didn't do, what the problems were, what the issues are

786
00:35:52,360 --> 00:35:54,880
Speaker 3: for the next game. But they were beaten on the

787
00:35:54,920 --> 00:35:58,400
Speaker 3: bill by a queenslanteam that really pulled out their best

788
00:35:58,800 --> 00:36:02,320
Speaker 3: in the last couple minutes. So they were so close

789
00:36:02,360 --> 00:36:05,600
Speaker 3: to success. Queensland were so close to failure. So I

790
00:36:05,600 --> 00:36:08,680
Speaker 3: think every State of Orizon game, particularly the second one,

791
00:36:08,760 --> 00:36:11,719
Speaker 3: tends to be the most important of the series to

792
00:36:11,840 --> 00:36:15,000
Speaker 3: keep the game alive, keep the series alive, and certainly

793
00:36:15,000 --> 00:36:17,880
Speaker 3: with a pretty handy team on board, I think this

794
00:36:18,160 --> 00:36:21,799
Speaker 3: wals has certainly got a very good chance of being

795
00:36:21,800 --> 00:36:23,000
Speaker 3: able to level a series.

796
00:36:23,360 --> 00:36:25,279
Speaker 2: There you go, all right, Well let's see what kind

797
00:36:25,280 --> 00:36:28,000
Speaker 2: of tipper you are, Wally. It's a limited round. I

798
00:36:28,000 --> 00:36:30,360
Speaker 2: think there's only one two three for five games, the

799
00:36:30,440 --> 00:36:33,440
Speaker 2: Cowboys and the Panthers on Friday. Who are you tipping there?

800
00:36:34,120 --> 00:36:34,319
Speaker 10: Yeah?

801
00:36:34,400 --> 00:36:36,440
Speaker 3: Well, both of these teams have got a whole pile

802
00:36:36,480 --> 00:36:39,880
Speaker 3: of players out. It's being played in North Queensland, but

803
00:36:40,000 --> 00:36:42,160
Speaker 3: I'm going to go with the Panthers. I think Penrith,

804
00:36:42,719 --> 00:36:48,080
Speaker 3: certainly Ivan Cleary. I really appreciate his ability as a coach.

805
00:36:48,160 --> 00:36:50,360
Speaker 3: He gets the best out of his players. I'll go

806
00:36:50,440 --> 00:36:52,799
Speaker 3: for the Panthers this one, despite it being played in

807
00:36:52,880 --> 00:36:56,920
Speaker 3: North Queenslane where a lot of teams feel extremely uncomfortable

808
00:36:56,960 --> 00:36:58,160
Speaker 3: venturing into towns.

809
00:36:57,880 --> 00:37:01,080
Speaker 1: Ball and Amanda's Roosters, that's what they are officially known as,

810
00:37:01,280 --> 00:37:04,359
Speaker 1: take on the Knights. Who are you tipping now?

811
00:37:04,400 --> 00:37:05,799
Speaker 3: I'm going to go for the Knights in this one

812
00:37:05,800 --> 00:37:07,359
Speaker 3: and it will probably up there he a little bit,

813
00:37:07,400 --> 00:37:12,280
Speaker 3: but I'm still having trouble understanding why the Roosters aren't

814
00:37:12,320 --> 00:37:14,200
Speaker 3: going a little bit better than what they are. That

815
00:37:14,320 --> 00:37:15,879
Speaker 3: might be a nice way of saying it. I think

816
00:37:16,040 --> 00:37:20,400
Speaker 3: it's been a fairly poor season for them and James

817
00:37:20,440 --> 00:37:24,560
Speaker 3: Tedesco He's had one of those years, I think where

818
00:37:25,160 --> 00:37:28,840
Speaker 3: everyone seems to be criticizing him when it's not his fault.

819
00:37:28,840 --> 00:37:32,719
Speaker 3: At all, but in a match like this, I think

820
00:37:32,760 --> 00:37:34,680
Speaker 3: I'm going to go for the Knights because they're playing

821
00:37:34,719 --> 00:37:37,080
Speaker 3: on their home track and they seem to be ten

822
00:37:37,120 --> 00:37:40,040
Speaker 3: foot tall and bulletproof while playing at Newcastle and a

823
00:37:40,080 --> 00:37:42,680
Speaker 3: little easier to beat while they're playing away from home.

824
00:37:43,600 --> 00:37:45,640
Speaker 2: All right, Well, then we have the Eels and the

825
00:37:45,680 --> 00:37:47,279
Speaker 2: Sea Eagles. Where are you going there?

826
00:37:47,960 --> 00:37:50,319
Speaker 3: Yeah, I'm going to go for the Eels in this one.

827
00:37:50,560 --> 00:37:54,680
Speaker 3: Playing at Paramatta, they always seem to play fairly, fairly well.

828
00:37:55,360 --> 00:37:59,160
Speaker 3: I believe that they're going to be feeling a little

829
00:37:59,160 --> 00:38:01,960
Speaker 3: bit tougher with some of their players missing from from

830
00:38:02,000 --> 00:38:06,040
Speaker 3: state of origin. But I think that certainly when they're

831
00:38:06,320 --> 00:38:10,000
Speaker 3: when they're we're playing at home at Parramatta, they tend

832
00:38:10,000 --> 00:38:12,600
Speaker 3: to to be ten foot tall and bulletproof there. They

833
00:38:12,680 --> 00:38:13,680
Speaker 3: played much much better.

834
00:38:14,120 --> 00:38:15,760
Speaker 1: Yeah, Tigers versus the Storm.

835
00:38:16,600 --> 00:38:17,920
Speaker 3: Yeah, I'm going to go for the Tigers.

836
00:38:17,960 --> 00:38:18,319
Speaker 12: And this one.

837
00:38:18,360 --> 00:38:20,560
Speaker 3: I've had people questioning me in Brisbane a year to four.

838
00:38:20,640 --> 00:38:22,719
Speaker 3: Quit going for the for the Tigers? What about the

839
00:38:22,760 --> 00:38:26,319
Speaker 3: way they played last week? The Storm? There that one

840
00:38:26,360 --> 00:38:30,399
Speaker 3: of those teams that they certainly play extremely well consistently,

841
00:38:30,480 --> 00:38:33,279
Speaker 3: had a wonderful game last week, but they're missing a

842
00:38:33,280 --> 00:38:35,239
Speaker 3: whole pile of their Origin stars. So I think I'll

843
00:38:35,280 --> 00:38:36,399
Speaker 3: go for the Tigers in this.

844
00:38:36,320 --> 00:38:38,839
Speaker 1: One and the Sharks versus Bulldogs. I suppose with Nico

845
00:38:38,960 --> 00:38:40,800
Speaker 1: Hines he's in the Sharks side.

846
00:38:41,040 --> 00:38:43,200
Speaker 3: Yeah, yeah, you had the nail on the head there,

847
00:38:43,200 --> 00:38:45,240
Speaker 3: and he'll want to prove to the to the Origin

848
00:38:45,280 --> 00:38:49,160
Speaker 3: selectors that he shouldn't have been dropped from the side.

849
00:38:49,200 --> 00:38:52,840
Speaker 3: He's had a as he had described at a Shaka

850
00:38:52,960 --> 00:38:55,959
Speaker 3: last week, it wasn't one of those games. But he'd

851
00:38:55,960 --> 00:38:58,239
Speaker 3: be a guy that I'd pick in in every side,

852
00:38:58,280 --> 00:39:00,799
Speaker 3: every representative side. He can play every position in the

853
00:39:00,800 --> 00:39:03,000
Speaker 3: back line, and I think he'll be able to prove

854
00:39:03,080 --> 00:39:06,840
Speaker 3: to selectors they did it wrong. And certainly for Sharks fans,

855
00:39:07,160 --> 00:39:12,200
Speaker 3: he's he's presented a consistent performance. Every week. He produces

856
00:39:12,560 --> 00:39:15,680
Speaker 3: a very good effort and certainly that's that's going to

857
00:39:15,680 --> 00:39:16,520
Speaker 3: get the Sharky's home.

858
00:39:16,600 --> 00:39:18,640
Speaker 1: As I look at him, I feeling he's been hard

859
00:39:18,680 --> 00:39:20,799
Speaker 1: done by that because he's a very gifted player. It's

860
00:39:20,800 --> 00:39:23,640
Speaker 1: almost like no one was watching him, like he makes

861
00:39:23,680 --> 00:39:26,440
Speaker 1: one mistake and everyone piles onto him like selected wise

862
00:39:26,480 --> 00:39:26,799
Speaker 1: for that.

863
00:39:27,640 --> 00:39:31,160
Speaker 3: Yeah, he's a wonderfully talented player. I like watching him play.

864
00:39:31,239 --> 00:39:33,759
Speaker 3: I think he's a fantastic guy off the field and

865
00:39:33,840 --> 00:39:38,359
Speaker 3: listening to him talk, he's a realist. He doesn't try

866
00:39:38,360 --> 00:39:41,080
Speaker 3: to take rome in a day. But he's playing in

867
00:39:41,200 --> 00:39:45,600
Speaker 3: a Sharks team that really do need to present their best.

868
00:39:45,640 --> 00:39:48,920
Speaker 3: They're missing a couple of players, sure, but so everybody

869
00:39:48,920 --> 00:39:53,279
Speaker 3: in this competition, and the dog he's seemed to really

870
00:39:53,280 --> 00:39:56,239
Speaker 3: get over the top of their opponents on a situation

871
00:39:56,440 --> 00:39:59,960
Speaker 3: like this. But I just think in this game, where

872
00:40:00,080 --> 00:40:02,359
Speaker 3: going to see Nico produce his best and that will

873
00:40:02,360 --> 00:40:03,480
Speaker 3: inspire his teammates.

874
00:40:03,560 --> 00:40:04,000
Speaker 1: There you go.

875
00:40:05,040 --> 00:40:09,600
Speaker 2: In the lead up to Origin on Tuesday night, nine o'clock,

876
00:40:09,680 --> 00:40:13,799
Speaker 2: Wally Lewis The King and our long documentary documentary about you.

877
00:40:15,680 --> 00:40:19,640
Speaker 3: Yeah, yeah, it is. It's a substance. I'm just I

878
00:40:19,760 --> 00:40:23,000
Speaker 3: haven't I'm not wise as to what everyone else is

879
00:40:23,040 --> 00:40:25,360
Speaker 3: saying about me. So I think there could be a

880
00:40:25,360 --> 00:40:28,200
Speaker 3: couple of sprays coming. And Gene Miles was already performance.

881
00:40:29,000 --> 00:40:32,000
Speaker 3: He's already told me he's he's dropped the line about

882
00:40:32,000 --> 00:40:35,960
Speaker 3: being the most arrogant footballer he played alongside, he said,

883
00:40:36,239 --> 00:40:38,279
Speaker 3: But you've got to watch it. He said. There's a

884
00:40:38,400 --> 00:40:41,120
Speaker 3: little bit of a curve then there, and I take,

885
00:40:41,239 --> 00:40:42,840
Speaker 3: he said, But I'm not telling you what I've what

886
00:40:42,880 --> 00:40:46,480
Speaker 3: I've said about you. So that's that's on. I should

887
00:40:46,520 --> 00:40:49,280
Speaker 3: imagine if there's if there's anybody from across the border,

888
00:40:49,560 --> 00:40:53,680
Speaker 3: that's that's giving their opinions. One of the best sprays

889
00:40:53,719 --> 00:40:56,319
Speaker 3: of all time about the state of origin games. But

890
00:40:56,880 --> 00:40:59,200
Speaker 3: I just feel very, very lucky to have played foot you.

891
00:40:59,239 --> 00:41:00,960
Speaker 3: I was born into a foot his family. My mum

892
00:41:01,160 --> 00:41:04,040
Speaker 3: was a good the sportswoman her self. She paid for

893
00:41:04,120 --> 00:41:07,480
Speaker 3: Queensland and netball. My dad actually said that just proved

894
00:41:07,640 --> 00:41:10,000
Speaker 3: there you go. She had five children and she paid

895
00:41:10,040 --> 00:41:11,799
Speaker 3: for Queensland and net ball. She was very good at

896
00:41:11,800 --> 00:41:18,279
Speaker 3: handling balls, wasn't she. She was a real sports woman

897
00:41:18,400 --> 00:41:20,600
Speaker 3: one that that sort of helped me go on. But

898
00:41:20,680 --> 00:41:23,400
Speaker 3: I owe everything to my dad, and I say a

899
00:41:23,400 --> 00:41:26,759
Speaker 3: fair bit about that in this doco. He was a

900
00:41:26,840 --> 00:41:30,319
Speaker 3: wonderful man who just gave me enormous amounts of time

901
00:41:30,360 --> 00:41:31,720
Speaker 3: to teach me how to get better.

902
00:41:31,960 --> 00:41:33,960
Speaker 1: Right well, well, he We look forward to watching it.

903
00:41:34,000 --> 00:41:36,000
Speaker 1: As long as Paul Forton keeps that story about what

904
00:41:36,000 --> 00:41:37,759
Speaker 1: he did to your toilet in your new house out

905
00:41:37,760 --> 00:41:40,040
Speaker 1: of it, that'll be fine.

906
00:41:41,239 --> 00:41:43,800
Speaker 3: I think that one'll have to otherwise we'll be banned

907
00:41:43,840 --> 00:41:45,520
Speaker 3: from being on television for life.

908
00:41:46,040 --> 00:41:48,040
Speaker 1: Wally Lewis, it's always great to told you. The key

909
00:41:48,120 --> 00:41:51,360
Speaker 1: is nine o'clock next Tuesday on Channel nine or streaming

910
00:41:51,440 --> 00:42:01,320
Speaker 1: now on nine Now. Thanks Wally, Thanks God.

911
00:41:58,840 --> 00:42:02,279
Speaker 9: I wanted to get on now.

912
00:42:02,080 --> 00:42:05,360
Speaker 1: Now go to your windows, sick your head on and

913
00:42:05,480 --> 00:42:11,480
Speaker 1: yells hell down to the Jonesy no matter of arms

914
00:42:11,520 --> 00:42:14,719
Speaker 1: for the pub test. AI releasing new music from Dead

915
00:42:14,800 --> 00:42:16,680
Speaker 1: Music as does it pass the pub test.

916
00:42:16,760 --> 00:42:19,000
Speaker 2: We've been talking about this this morning. The Beatles may

917
00:42:19,040 --> 00:42:21,440
Speaker 2: have one last song in them. What's happened is that

918
00:42:21,520 --> 00:42:24,040
Speaker 2: John Lennon had recorded a couple of demos once he

919
00:42:24,120 --> 00:42:26,520
Speaker 2: left the Beatles, but he had them on a cassette

920
00:42:26,560 --> 00:42:29,720
Speaker 2: and they were labeled for Paul, so Yoko Ono passed

921
00:42:29,719 --> 00:42:32,120
Speaker 2: them over to Paul, and with AI they've been able

922
00:42:32,160 --> 00:42:35,239
Speaker 2: to take John's voice from that, and Paul said he's

923
00:42:35,280 --> 00:42:37,560
Speaker 2: going to rework the song and it will be released

924
00:42:37,640 --> 00:42:38,319
Speaker 2: later in the year.

925
00:42:38,440 --> 00:42:40,160
Speaker 1: They did do this back in the nineties though. They

926
00:42:40,160 --> 00:42:42,440
Speaker 1: had a song Free as a Bird, and George Harrison

927
00:42:42,520 --> 00:42:44,800
Speaker 1: was still alive back then and they.

928
00:42:44,680 --> 00:42:48,200
Speaker 2: Reworked it with John Lennon, who passed away.

929
00:42:48,280 --> 00:42:50,120
Speaker 1: As a song it was a Lost Beatles song Free

930
00:42:50,160 --> 00:42:50,840
Speaker 1: as a Bird.

931
00:42:51,000 --> 00:42:53,480
Speaker 2: Yeah, but they didn't did they reproduce it?

932
00:42:53,719 --> 00:42:55,200
Speaker 1: They did it, they stripped it down.

933
00:42:55,239 --> 00:42:57,200
Speaker 2: We didn't have AI in the same way we didn't.

934
00:42:57,160 --> 00:43:00,560
Speaker 1: Have II backed then, but they did release the song Dreadful.

935
00:43:00,600 --> 00:43:03,839
Speaker 2: With this new AI technology, it means that dead musicians

936
00:43:03,880 --> 00:43:05,600
Speaker 2: can be used. It's one thing to be used in

937
00:43:05,600 --> 00:43:08,239
Speaker 2: your former band, true with songs that you've said, hey,

938
00:43:08,239 --> 00:43:10,120
Speaker 2: it's okay to use them. But what does it mean

939
00:43:10,480 --> 00:43:13,000
Speaker 2: just bringing dead musos back to life and using them

940
00:43:13,000 --> 00:43:17,120
Speaker 2: for a sorbent commercial AI releasing new music from dead

941
00:43:17,200 --> 00:43:19,680
Speaker 2: muso's Does it pass the pub test?

942
00:43:20,040 --> 00:43:20,720
Speaker 3: Yes it does.

943
00:43:21,160 --> 00:43:24,960
Speaker 5: That's impressive, But I say great, but there maybe implications

944
00:43:25,080 --> 00:43:28,280
Speaker 5: up the track, so I think it's about having permission

945
00:43:28,719 --> 00:43:29,400
Speaker 5: from family.

946
00:43:29,719 --> 00:43:31,120
Speaker 3: Yes, it passes the pub test.

947
00:43:31,600 --> 00:43:35,640
Speaker 7: Yoko Ono gave Johnan's recordings to Paul McCartney George Harris

948
00:43:35,680 --> 00:43:37,560
Speaker 7: at a Ringo star and now.

949
00:43:37,360 --> 00:43:40,160
Speaker 3: They've just use technology to help separate them. So yes,

950
00:43:40,200 --> 00:43:41,200
Speaker 3: it passes the pub test.

951
00:43:41,280 --> 00:43:42,880
Speaker 1: Oh look, AI, I tell you what.

952
00:43:42,920 --> 00:43:47,000
Speaker 13: It's always a great artist like Michael Jackson one hundred percent.

953
00:43:47,440 --> 00:43:48,880
Speaker 2: If we're talking the likes.

954
00:43:48,719 --> 00:43:52,120
Speaker 1: Of Millie Vanilli or these nobody's maybe.

955
00:43:51,800 --> 00:43:56,160
Speaker 16: Not ironically they mind in the first really didn't actually

956
00:43:56,200 --> 00:43:57,120
Speaker 16: see that'd be interesting.

957
00:43:57,160 --> 00:43:59,239
Speaker 1: Their actual voices, you can hear them on a sorb

958
00:43:59,400 --> 00:44:00,920
Speaker 1: commercial makes me.

959
00:44:00,880 --> 00:44:03,080
Speaker 2: Want to use it.

960
00:44:04,120 --> 00:44:08,480
Speaker 1: Podcast that you do it.

961
00:44:08,560 --> 00:44:12,840
Speaker 17: That's a fancy The moldy, bacteria infested slab of meat.

962
00:44:13,760 --> 00:44:19,600
Speaker 1: Fall off the rest tends to give your diary into

963
00:44:19,640 --> 00:44:22,440
Speaker 1: the jonesy Amanda kitchen right now to enjoy some TikTok

964
00:44:22,480 --> 00:44:24,480
Speaker 1: tackle when we make food from TikTok.

965
00:44:24,520 --> 00:44:26,120
Speaker 2: Yeah, this is what I saw during the week. It's

966
00:44:26,120 --> 00:44:29,560
Speaker 2: called sweet Noodle Surprise, which was my prison name if

967
00:44:29,560 --> 00:44:32,920
Speaker 2: I remember correctly, s n s. That's what it's done.

968
00:44:32,960 --> 00:44:35,239
Speaker 2: So what we start with. I've melted some butter in

969
00:44:35,280 --> 00:44:38,319
Speaker 2: a pan. What I'm doing now, I've got four slices

970
00:44:38,719 --> 00:44:42,040
Speaker 2: of cheese. This is just sliced cheese, you know, from

971
00:44:42,080 --> 00:44:42,600
Speaker 2: a packet.

972
00:44:42,680 --> 00:44:44,320
Speaker 1: Yep, you've got a different yellow cheese.

973
00:44:44,440 --> 00:44:47,600
Speaker 2: I've mixed it up, so one's right yellow and one's orange.

974
00:44:47,640 --> 00:44:49,120
Speaker 1: So what sort of cheese is that?

975
00:44:49,360 --> 00:44:52,160
Speaker 2: It's cheese? So there are four slices in the bottom

976
00:44:52,200 --> 00:44:55,120
Speaker 2: of my electric fry pant. Remember when all our meals

977
00:44:55,160 --> 00:44:57,080
Speaker 2: were made in electric fry pans when we were younger,

978
00:44:57,080 --> 00:44:58,200
Speaker 2: did you got with an electric fry?

979
00:44:58,280 --> 00:45:00,080
Speaker 1: I love electric fry. Pand you cook a roast and

980
00:45:00,080 --> 00:45:01,120
Speaker 1: that you cook anything in it?

981
00:45:01,160 --> 00:45:04,319
Speaker 2: Four slices of cheese. And what happens next is I

982
00:45:04,360 --> 00:45:07,440
Speaker 2: put some cooked two minute noodles on top. Let me

983
00:45:07,520 --> 00:45:09,080
Speaker 2: get the I was gonna put my fingers in.

984
00:45:09,320 --> 00:45:11,560
Speaker 1: You're gonna put your hands into boiling water. Kids, don't

985
00:45:11,560 --> 00:45:12,839
Speaker 1: put your hands into boiling water.

986
00:45:13,239 --> 00:45:16,560
Speaker 2: Brand two minute noodles on top? All right, cheese with

987
00:45:16,600 --> 00:45:20,160
Speaker 2: two minute noodles. Next we crack three eggs in and around.

988
00:45:20,640 --> 00:45:24,760
Speaker 2: There's one. Yep, oh, I hate this a bit. There's one,

989
00:45:26,760 --> 00:45:29,279
Speaker 2: there's two.

990
00:45:29,719 --> 00:45:31,640
Speaker 1: You don't seem to be doing in any sort of order.

991
00:45:31,800 --> 00:45:34,160
Speaker 2: Well, there's three eggs. What order would it be? Would

992
00:45:34,160 --> 00:45:35,800
Speaker 2: I put the whites in first? You suggest?

993
00:45:35,920 --> 00:45:38,239
Speaker 1: I just would you strategically place them?

994
00:45:38,280 --> 00:45:41,640
Speaker 2: So the eggs are around the outside like the buffalo gals.

995
00:45:41,840 --> 00:45:45,000
Speaker 2: So we've got butter on top of that. I put cheese,

996
00:45:45,120 --> 00:45:49,960
Speaker 2: ye noodles, three eggs. Now, I add four slabs of butter.

997
00:45:50,160 --> 00:45:52,960
Speaker 2: More butter, yep, more butter, Brendan, this is what they

998
00:45:52,960 --> 00:45:53,680
Speaker 2: did on tiktop.

999
00:45:53,840 --> 00:45:54,600
Speaker 1: That's a lot of butter.

1000
00:45:54,719 --> 00:45:57,600
Speaker 2: It is, isn't it? Tell the Lord. There's four slices

1001
00:45:57,640 --> 00:46:00,520
Speaker 2: of butter. Now I put the noodle seasoning in. So

1002
00:46:00,719 --> 00:46:02,360
Speaker 2: the seasoning that comes with your noodles.

1003
00:46:02,400 --> 00:46:04,920
Speaker 1: What flavor noodle season is it?

1004
00:46:04,920 --> 00:46:05,920
Speaker 2: It says bumboo.

1005
00:46:07,239 --> 00:46:10,640
Speaker 1: So God only knows bumboo, not familiar with.

1006
00:46:10,640 --> 00:46:11,319
Speaker 2: That's in there.

1007
00:46:11,840 --> 00:46:15,160
Speaker 1: And then you put we have a tasted bumboot.

1008
00:46:14,239 --> 00:46:17,399
Speaker 2: Of soy sauce. So that's going in. So we've put

1009
00:46:17,400 --> 00:46:21,280
Speaker 2: our bumboo in. Now we've put in our soy sauce.

1010
00:46:22,480 --> 00:46:24,440
Speaker 2: Next we add some brown sugar.

1011
00:46:25,160 --> 00:46:26,399
Speaker 1: That's why you taste so good.

1012
00:46:27,120 --> 00:46:28,960
Speaker 2: Brown sugar goes in there.

1013
00:46:29,000 --> 00:46:29,399
Speaker 1: How much?

1014
00:46:30,680 --> 00:46:33,239
Speaker 2: That's as much as goes in quite a bit, four

1015
00:46:33,280 --> 00:46:36,040
Speaker 2: tablespoons of brown sugar. This is where interesting. We put

1016
00:46:36,040 --> 00:46:38,719
Speaker 2: our greens in. Now there's some spinach, so I put

1017
00:46:38,760 --> 00:46:42,759
Speaker 2: some spinach on the top, bits of baby spinach. Then

1018
00:46:42,960 --> 00:46:45,680
Speaker 2: this is where it also gets interesting. We put some siracha.

1019
00:46:45,960 --> 00:46:46,560
Speaker 1: I love sera.

1020
00:46:46,880 --> 00:46:51,120
Speaker 2: You might be wondering here why it's called sweet noodle surprise,

1021
00:46:51,719 --> 00:46:56,000
Speaker 2: The sweet bit is whipped cream. Why this now goes

1022
00:46:56,040 --> 00:47:03,319
Speaker 2: on the top? Oh, hell, war on, someone call your name.

1023
00:47:04,239 --> 00:47:06,759
Speaker 2: That's in there. And now what we do is we

1024
00:47:06,840 --> 00:47:12,440
Speaker 2: add some noodle water, and that's it. We put the

1025
00:47:12,480 --> 00:47:16,040
Speaker 2: lid on and we don't stir it in. We let

1026
00:47:16,120 --> 00:47:22,320
Speaker 2: that congeal and cook. It looks like hell, but apparently

1027
00:47:22,360 --> 00:47:25,240
Speaker 2: it's going to be delicious. We cover and we simmer

1028
00:47:26,160 --> 00:47:26,919
Speaker 2: and then we eat.

1029
00:47:27,480 --> 00:47:28,840
Speaker 1: Okay, look like one of those when you go to

1030
00:47:28,840 --> 00:47:31,280
Speaker 1: one of those Japanese restaurants that they've got the food

1031
00:47:31,320 --> 00:47:33,960
Speaker 1: that's made and it's been encased in resin, so you

1032
00:47:34,000 --> 00:47:35,000
Speaker 1: know what you're going to get.

1033
00:47:35,440 --> 00:47:38,240
Speaker 2: I think that cream is the surprise element. It looks

1034
00:47:38,320 --> 00:47:40,279
Speaker 2: like it sweet noodle Surprise.

1035
00:47:40,520 --> 00:47:44,160
Speaker 1: I'm looking forward to tasting the bumboo. Oh you will,

1036
00:47:44,200 --> 00:47:45,080
Speaker 1: don't you worry?

1037
00:47:45,280 --> 00:47:47,000
Speaker 2: Well, we have to get back into our studio and

1038
00:47:47,040 --> 00:47:49,240
Speaker 2: once this is cooked, we will be eating it.

1039
00:47:49,400 --> 00:47:52,280
Speaker 4: Jonesy and Amanda podcast.

1040
00:47:54,040 --> 00:47:56,680
Speaker 6: Start that you do.

1041
00:47:56,960 --> 00:48:01,160
Speaker 17: There's a fancy the moldy, bacteria infested slavs meat.

1042
00:48:02,160 --> 00:48:04,279
Speaker 1: Fall off the.

1043
00:48:06,560 --> 00:48:07,080
Speaker 13: Tends to give you.

1044
00:48:07,719 --> 00:48:10,280
Speaker 1: It's TikTok Tucker Day. This is where we make food

1045
00:48:10,320 --> 00:48:11,080
Speaker 1: from TikTok.

1046
00:48:11,320 --> 00:48:14,120
Speaker 2: Here's what I saw during the week. It's made in

1047
00:48:14,120 --> 00:48:17,520
Speaker 2: a fry pan. It's called sweet noodle Surprise. So we

1048
00:48:17,560 --> 00:48:19,239
Speaker 2: had we melted some butter in a pan. We had

1049
00:48:19,280 --> 00:48:22,080
Speaker 2: four slices of cheese on top. Put some cooked two

1050
00:48:22,080 --> 00:48:25,120
Speaker 2: minute noodles on top of those. We cracked three eggs

1051
00:48:25,160 --> 00:48:27,000
Speaker 2: in the pan. We cracked a lot of things in

1052
00:48:27,040 --> 00:48:27,520
Speaker 2: that kitchen.

1053
00:48:27,560 --> 00:48:29,400
Speaker 1: You always crack it with TikTok tucker.

1054
00:48:29,320 --> 00:48:34,880
Speaker 2: Four thick slices of butter, noodle, seasoning, soy sauce, brown sugar, spinach,

1055
00:48:35,239 --> 00:48:38,640
Speaker 2: a drizzle of siracha, and a drizzle of whipped cream.

1056
00:48:38,880 --> 00:48:40,640
Speaker 1: Well, it's a spray of whipped cream.

1057
00:48:40,440 --> 00:48:43,319
Speaker 2: And some cooked noodle water. Now I haven't taken the

1058
00:48:43,360 --> 00:48:45,280
Speaker 2: cover off since it's been cooking.

1059
00:48:45,360 --> 00:48:47,400
Speaker 1: You've got to release the clashy.

1060
00:48:47,160 --> 00:48:53,359
Speaker 2: Okay, you're ready. How it looks like a big wet

1061
00:48:53,400 --> 00:48:57,000
Speaker 2: omelet with siracha in the middle. Would you agree with that?

1062
00:48:57,080 --> 00:48:59,440
Speaker 1: You know, when you go through the rocks early on

1063
00:48:59,440 --> 00:49:00,239
Speaker 1: a Sunday.

1064
00:49:00,040 --> 00:49:02,319
Speaker 2: It doesn't look like a speech. It actually looks what

1065
00:49:02,360 --> 00:49:04,279
Speaker 2: you said earlier, which is it looks like one of

1066
00:49:04,320 --> 00:49:07,319
Speaker 2: those plastic meals you get in Japan. That looks all right,

1067
00:49:07,440 --> 00:49:10,239
Speaker 2: I'm going to serve it may be delicious.

1068
00:49:11,360 --> 00:49:13,839
Speaker 1: It's actually making me feel I'm well, just looking at it.

1069
00:49:14,400 --> 00:49:16,359
Speaker 2: There's some eggs. Pop some egg in there for you.

1070
00:49:17,000 --> 00:49:21,680
Speaker 2: There's one for you. Actually give that to Ryan and no,

1071
00:49:21,800 --> 00:49:26,280
Speaker 2: you Ryan, Ryan's in your contract. Read the small print.

1072
00:49:27,000 --> 00:49:29,280
Speaker 2: You got to eat it, Brendan. Here's one for your

1073
00:49:29,360 --> 00:49:34,080
Speaker 2: little mate. There you go, Here you go, and I'll

1074
00:49:34,120 --> 00:49:37,240
Speaker 2: try one. Brendan. You go first.

1075
00:49:37,280 --> 00:49:42,879
Speaker 1: When you're presented in a bowl, it's not too bad. Okay, well,

1076
00:49:43,080 --> 00:49:44,920
Speaker 1: actually smells nice. I love.

1077
00:49:47,200 --> 00:49:50,600
Speaker 2: That smells cheesy.

1078
00:49:51,640 --> 00:49:57,320
Speaker 1: Yum, Oh yum, get out of town. That is amazing. Yeah,

1079
00:49:57,360 --> 00:49:58,200
Speaker 1: are you joking?

1080
00:49:58,680 --> 00:50:00,839
Speaker 2: Yum? What do you think?

1081
00:50:01,080 --> 00:50:02,319
Speaker 1: That's all?

1082
00:50:02,400 --> 00:50:06,040
Speaker 2: Either the siracha has dead and all the other flavors,

1083
00:50:06,160 --> 00:50:11,560
Speaker 2: or that is spectacular yum. Either way, it's sweet enough. Yeah,

1084
00:50:11,600 --> 00:50:15,600
Speaker 2: but you get the kicked in of Siracha's beautiful. It

1085
00:50:15,640 --> 00:50:18,640
Speaker 2: looks like, wow, it looks like spube, but it isn't.

1086
00:50:18,760 --> 00:50:21,360
Speaker 2: It looks like spew sweet noodle. Surprise.

1087
00:50:22,400 --> 00:50:24,000
Speaker 1: It gets us going.

1088
00:50:24,640 --> 00:50:25,960
Speaker 2: I'll let you know in half an hour.

1089
00:50:26,360 --> 00:50:28,360
Speaker 6: You started what you do?

1090
00:50:29,080 --> 00:50:29,120
Speaker 8: That?

1091
00:50:29,239 --> 00:50:29,839
Speaker 2: You do it?

1092
00:50:29,840 --> 00:50:33,839
Speaker 17: It's a fancy the moldy bacteria and visited slavers meat

1093
00:50:35,000 --> 00:50:35,480
Speaker 17: fall off.

1094
00:50:35,560 --> 00:50:39,960
Speaker 1: The results too much tends to give you.

1095
00:50:40,920 --> 00:50:41,800
Speaker 2: That is fantastic.

1096
00:50:41,840 --> 00:50:43,719
Speaker 1: I eaten.

1097
00:50:44,520 --> 00:50:46,719
Speaker 2: That is amazing. I've got some paper towels here in

1098
00:50:46,719 --> 00:50:47,759
Speaker 2: case I had to spit it out.

1099
00:50:48,200 --> 00:50:50,080
Speaker 1: That is lovely. That is amazing.

1100
00:50:50,160 --> 00:50:51,759
Speaker 2: This will be up on all our socials if you

1101
00:50:51,800 --> 00:50:54,680
Speaker 2: want to try it this weekend.

1102
00:50:53,239 --> 00:51:02,600
Speaker 1: Same so whoa me so, no need to feel sad

1103
00:51:02,640 --> 00:51:03,160
Speaker 1: and gloom.

1104
00:51:03,440 --> 00:51:05,400
Speaker 4: Let Jones and the man to find love for you.

1105
00:51:06,200 --> 00:51:09,480
Speaker 1: We've put on our matchmaking pants and we are focusing

1106
00:51:09,520 --> 00:51:10,240
Speaker 1: on Angela.

1107
00:51:10,800 --> 00:51:13,839
Speaker 2: That's right, it's Angela's turn this week. She's going on

1108
00:51:13,840 --> 00:51:18,080
Speaker 2: a date tonight. We narrowed it down between two suitors.

1109
00:51:18,200 --> 00:51:19,560
Speaker 1: There's a few suitors for Angela.

1110
00:51:19,719 --> 00:51:23,040
Speaker 2: One is Scott firefighter Hope's romantic who loves to dance.

1111
00:51:23,600 --> 00:51:26,000
Speaker 2: And there's Filled the truck driver who's also looking for

1112
00:51:26,040 --> 00:51:27,920
Speaker 2: love and he thinks he looks a little like Liam Neeson.

1113
00:51:28,080 --> 00:51:30,560
Speaker 2: He does well, we've seen the photo and we're not

1114
00:51:30,600 --> 00:51:31,319
Speaker 2: shot like.

1115
00:51:31,360 --> 00:51:33,920
Speaker 1: He's a good looking guy. I don't see Liam Neeson.

1116
00:51:33,960 --> 00:51:35,520
Speaker 2: They're both lovely fellas. He's Scott.

1117
00:51:36,200 --> 00:51:40,360
Speaker 18: I'm Scott, fifty six year old male, community minded lot

1118
00:51:40,600 --> 00:51:45,640
Speaker 18: firefighter on old fashioned romantic and down on the earth veil

1119
00:51:46,080 --> 00:51:48,920
Speaker 18: that is looking for someone to share good times, a

1120
00:51:49,000 --> 00:51:54,719
Speaker 18: bad times and life with on tall, reasonally fit, shaved head,

1121
00:51:55,200 --> 00:51:59,239
Speaker 18: no facial hair. I'm into the dragon bag raising, keeping fit,

1122
00:51:59,560 --> 00:52:03,280
Speaker 18: pretty good ballroom dancer and just enjoy life.

1123
00:52:03,800 --> 00:52:04,640
Speaker 2: He sounds nice.

1124
00:52:04,680 --> 00:52:05,880
Speaker 1: That's Scott. What about Phil?

1125
00:52:06,480 --> 00:52:10,680
Speaker 12: I fill from Denver Park here. I'm fifty seven year old.

1126
00:52:11,000 --> 00:52:13,680
Speaker 12: I'm a truck driver. I'd really love to go on

1127
00:52:14,120 --> 00:52:18,399
Speaker 12: a date with Angela. I've been divorced about our best

1128
00:52:18,480 --> 00:52:21,560
Speaker 12: part of two and a half years, so I'm pretty fit.

1129
00:52:21,680 --> 00:52:24,600
Speaker 12: I'm a tall fellow. I'm six foot two and in

1130
00:52:24,640 --> 00:52:27,160
Speaker 12: the our language, tannel, what that is in centimetres one

1131
00:52:27,239 --> 00:52:32,879
Speaker 12: hundred and six cakes. I'm a unit and anyway, I'm

1132
00:52:32,880 --> 00:52:37,000
Speaker 12: told I look a bit like Liam Neeson. So anyway, Angela,

1133
00:52:37,520 --> 00:52:41,080
Speaker 12: I will as Liam and say I will, I will

1134
00:52:41,200 --> 00:52:43,520
Speaker 12: hunt you down and I will love you.

1135
00:52:45,080 --> 00:52:51,160
Speaker 1: Right. I came out nice. In the end, Angela has

1136
00:52:51,280 --> 00:52:56,080
Speaker 1: joined as Hello Angela, Hello, how are you? We're great, Angela.

1137
00:52:56,160 --> 00:52:58,080
Speaker 2: We've done a bit of a deep dive and these

1138
00:52:58,080 --> 00:52:59,440
Speaker 2: are two lovely, lovely.

1139
00:52:59,200 --> 00:53:01,239
Speaker 1: Fellows, nice fellas both of them, but we.

1140
00:53:01,280 --> 00:53:03,200
Speaker 2: Just feel that one of them might be more suitable

1141
00:53:03,239 --> 00:53:06,280
Speaker 2: for you. Our spidery sense is saying that you should

1142
00:53:06,280 --> 00:53:08,800
Speaker 2: go on a date tonight with Scott.

1143
00:53:09,520 --> 00:53:13,239
Speaker 15: Oh, that sounds wonderful.

1144
00:53:13,400 --> 00:53:16,560
Speaker 2: Scott the firefighter. He likes to dance, He's into dragon

1145
00:53:16,640 --> 00:53:17,520
Speaker 2: boat racing.

1146
00:53:18,920 --> 00:53:20,920
Speaker 1: And then where's colorful? Stuff like you, he said, of

1147
00:53:21,000 --> 00:53:23,360
Speaker 1: he suits your style of clothing.

1148
00:53:23,440 --> 00:53:25,000
Speaker 2: Well, how do you know we've only seen him in

1149
00:53:25,080 --> 00:53:25,640
Speaker 2: his five.

1150
00:53:25,480 --> 00:53:28,960
Speaker 1: Five I've been doing a bit of extraneous have you research?

1151
00:53:29,080 --> 00:53:31,040
Speaker 2: All right? Well, Angela, the two of you are off

1152
00:53:31,040 --> 00:53:34,440
Speaker 2: tonight for dinner. You will be accompanied by some recording

1153
00:53:34,480 --> 00:53:38,319
Speaker 2: equipment and you will hope you have the night of

1154
00:53:38,360 --> 00:53:40,400
Speaker 2: your life and tomorrow let us know how it goes.

1155
00:53:41,160 --> 00:53:43,680
Speaker 15: I'm looking forward to so can I just say thank

1156
00:53:43,719 --> 00:53:46,040
Speaker 15: you so much? And I'm looking forward to chating to

1157
00:53:46,040 --> 00:53:49,200
Speaker 15: you guys, because you ask both so funny. I keep

1158
00:53:49,200 --> 00:53:51,560
Speaker 15: on smiling at you too, because you're making me laugh.

1159
00:53:51,719 --> 00:53:54,600
Speaker 2: Oh aren't you sweet? Well tonight, puts your serious face,

1160
00:53:54,840 --> 00:53:58,000
Speaker 2: your serious eating face, put your face your fun face.

1161
00:53:58,360 --> 00:54:00,680
Speaker 1: Fun pressure, Angela, That's what's.

1162
00:54:00,560 --> 00:54:02,279
Speaker 2: Something we need to tell you. There is absolutely no

1163
00:54:02,360 --> 00:54:04,279
Speaker 2: pressure for you or Scott. We want this to be

1164
00:54:04,320 --> 00:54:08,240
Speaker 2: fun and wonderful, no pressure, no skin off our noses,

1165
00:54:08,280 --> 00:54:10,600
Speaker 2: if you say, lovely. But it's not going in well.

1166
00:54:10,600 --> 00:54:14,960
Speaker 1: We are competitive and we've had we're loving the success

1167
00:54:14,960 --> 00:54:15,799
Speaker 1: we had last week.

1168
00:54:15,840 --> 00:54:17,840
Speaker 2: But Angela, it's up to you. When you come in

1169
00:54:17,880 --> 00:54:19,279
Speaker 2: here tomorrow, let us know how you got on.

1170
00:54:20,200 --> 00:54:23,640
Speaker 15: I'm looking forward to it. Thank you so much tomorrow.

1171
00:54:23,440 --> 00:54:24,720
Speaker 1: Have a great time Angela.

1172
00:54:24,800 --> 00:54:38,319
Speaker 2: On tonight, download the iHeartRadio app, go to WSFM, press

1173
00:54:38,360 --> 00:54:40,800
Speaker 2: the microphone record your gooli. You could be winning twenty

1174
00:54:40,840 --> 00:54:43,800
Speaker 2: thousand dollars cash if your favorite goolie of the year.

1175
00:54:43,640 --> 00:54:46,480
Speaker 1: From Hair and Formers Machinery House. Easy peasy. What have

1176
00:54:46,520 --> 00:54:46,879
Speaker 1: we got?

1177
00:54:47,640 --> 00:54:49,120
Speaker 7: You know what gets my coolies?

1178
00:54:49,360 --> 00:54:52,120
Speaker 1: When the government's cheap of childcare policy was due to

1179
00:54:52,160 --> 00:54:55,120
Speaker 1: be announced, my childcare center where I send my son

1180
00:54:55,440 --> 00:54:57,760
Speaker 1: then up to its fee, so I don't save any money.

1181
00:54:58,520 --> 00:55:01,520
Speaker 2: I've heard this a couple of time. Yeah, so give

1182
00:55:01,560 --> 00:55:04,600
Speaker 2: with one hand and take with the other. What else

1183
00:55:04,600 --> 00:55:05,839
Speaker 2: have we I'm cool.

1184
00:55:05,560 --> 00:55:09,520
Speaker 9: Man, Hey, James and Amanda. What gets my goolies is

1185
00:55:09,520 --> 00:55:12,440
Speaker 9: when your son ignores the red oil warning lamp in

1186
00:55:12,480 --> 00:55:15,319
Speaker 9: the car and then blows it up and takes my

1187
00:55:15,480 --> 00:55:17,920
Speaker 9: car and now I'm on the bus. And then when

1188
00:55:17,960 --> 00:55:19,960
Speaker 9: you go to borrow the car on the weekend to

1189
00:55:20,000 --> 00:55:22,719
Speaker 9: pop up the shops, there's that much rubbish in the car.

1190
00:55:22,960 --> 00:55:23,440
Speaker 10: It's like a.

1191
00:55:23,400 --> 00:55:27,480
Speaker 9: Rubbish spin and the red bull everywhere. The red bull

1192
00:55:27,560 --> 00:55:31,120
Speaker 9: in there to power a space shuttle, and then he's

1193
00:55:31,160 --> 00:55:35,640
Speaker 9: the kicker no petrol. It really gets my gully.

1194
00:55:35,960 --> 00:55:38,080
Speaker 2: That's like your story, right right right?

1195
00:55:38,080 --> 00:55:41,200
Speaker 1: That sounds that guy's got the same problem with his kid.

1196
00:55:41,880 --> 00:55:47,719
Speaker 1: That's my dad, dad, your dad doing that for?

1197
00:55:48,360 --> 00:55:49,399
Speaker 2: Is that actually your dad?

1198
00:55:49,480 --> 00:55:50,319
Speaker 1: That's actually my dad?

1199
00:55:50,520 --> 00:55:59,359
Speaker 2: The color of your face, Oh, that is excellent. That's

1200
00:55:59,400 --> 00:56:01,520
Speaker 2: the only way he can shame you is by phoning

1201
00:56:01,520 --> 00:56:02,480
Speaker 2: the Ghoulies line.

1202
00:56:02,840 --> 00:56:05,320
Speaker 1: So, for people that don't know, jem Y Rye blew

1203
00:56:05,360 --> 00:56:08,480
Speaker 1: his car up because the little oil shaped lamp was

1204
00:56:08,600 --> 00:56:10,800
Speaker 1: on for two weeks. Yeah, because you guys are working

1205
00:56:10,800 --> 00:56:13,120
Speaker 1: me so hard. A chance to go and fix it.

1206
00:56:13,160 --> 00:56:15,480
Speaker 1: And if you put oil in, Like a car, it

1207
00:56:15,560 --> 00:56:16,840
Speaker 1: needs oil to keep.

1208
00:56:16,680 --> 00:56:19,520
Speaker 2: There and then the engine sees and so now you're

1209
00:56:19,560 --> 00:56:22,160
Speaker 2: driving your dad's car and he's getting the bus and

1210
00:56:22,239 --> 00:56:23,840
Speaker 2: you don't fill it with petrol and you leave your

1211
00:56:23,880 --> 00:56:26,200
Speaker 2: rubbish in it. What an incredible story.

1212
00:56:26,520 --> 00:56:27,600
Speaker 1: The battery lights on too.

1213
00:56:30,239 --> 00:56:31,640
Speaker 2: I hope your father's not listening to this.

1214
00:56:31,719 --> 00:56:34,360
Speaker 1: You might have to put some headlight fluid in it, mate.

1215
00:56:34,680 --> 00:56:36,960
Speaker 2: What's that week? Do I need that too?

1216
00:56:37,840 --> 00:56:40,320
Speaker 1: Give me five hundred bucks and I'll put some headlight flourid.

1217
00:56:40,480 --> 00:56:41,160
Speaker 1: You're good to me.

1218
00:56:41,160 --> 00:56:41,799
Speaker 2: I appreciate it.

1219
00:56:42,040 --> 00:56:43,840
Speaker 1: The bad with the good. If you dipped out. It

1220
00:56:43,840 --> 00:56:46,080
Speaker 1: doesn't matter who you are. You can record your GULI

1221
00:56:46,560 --> 00:56:49,160
Speaker 1: via the iHeartRadio app. It's three to nine.

1222
00:56:51,040 --> 00:56:53,520
Speaker 2: Our favorite caller email of Facebook. Friend wins dinner at

1223
00:56:53,560 --> 00:56:58,320
Speaker 2: Labella Tretorious Labella's Friday and Saturday night dinner Italian buffet,

1224
00:56:58,680 --> 00:57:01,520
Speaker 2: conveniently located at Crown Plaza, Sydney Darling Harbor.

1225
00:57:01,560 --> 00:57:03,160
Speaker 1: You also get the Jones and amount of te towel

1226
00:57:03,200 --> 00:57:05,360
Speaker 1: and eighteenth birthday hearing. We wanted to give it to

1227
00:57:05,400 --> 00:57:09,439
Speaker 1: this lady who summed up today's society on ACA last night.

1228
00:57:09,640 --> 00:57:12,000
Speaker 6: Years ago, it used to get shot. Now he gets

1229
00:57:12,040 --> 00:57:13,400
Speaker 6: everybody's been stabbed.

1230
00:57:13,719 --> 00:57:15,560
Speaker 1: Remember the good old days when you get shot.

1231
00:57:15,800 --> 00:57:17,080
Speaker 2: Oh, I can't keep up any in.

1232
00:57:17,200 --> 00:57:18,680
Speaker 1: These days are all about the stabbing.

1233
00:57:18,920 --> 00:57:21,960
Speaker 2: Well, we spoke earlier about tales of the reverse park. Honestly,

1234
00:57:22,080 --> 00:57:24,400
Speaker 2: if I stuff up a reverse park, I drive straight

1235
00:57:24,440 --> 00:57:27,240
Speaker 2: to the airport, I go into witness protection in a

1236
00:57:27,320 --> 00:57:30,040
Speaker 2: foreign country, and I live in a ditch. But lots

1237
00:57:30,040 --> 00:57:30,760
Speaker 2: of people.

1238
00:57:30,520 --> 00:57:33,160
Speaker 1: You just go around the block and another excuse me.

1239
00:57:34,880 --> 00:57:36,520
Speaker 2: Here's Bridget from Baukham Hills.

1240
00:57:36,760 --> 00:57:39,720
Speaker 5: I am a very good reverse parker, and I always

1241
00:57:39,880 --> 00:57:43,520
Speaker 5: choose reverse parking over going. In Trump's first many many,

1242
00:57:43,520 --> 00:57:45,760
Speaker 5: many years ago. I was in a car park. It

1243
00:57:45,840 --> 00:57:48,520
Speaker 5: was really really busy, and I pulled up behind a

1244
00:57:48,600 --> 00:57:51,160
Speaker 5: lady trying to get into a spot. And I don't

1245
00:57:51,200 --> 00:57:53,320
Speaker 5: know how many times she was trying to get in

1246
00:57:53,360 --> 00:57:55,800
Speaker 5: this spot and she just could not do it. And

1247
00:57:55,840 --> 00:57:59,160
Speaker 5: then there was cars banking up behind me, then the

1248
00:57:59,200 --> 00:58:02,080
Speaker 5: horn star, then all the yelling with a few choice

1249
00:58:02,080 --> 00:58:05,360
Speaker 5: words were being said, and I was just feeling so

1250
00:58:05,400 --> 00:58:07,440
Speaker 5: sorry for this formula. It must have been ten minutes.

1251
00:58:07,480 --> 00:58:09,400
Speaker 5: I don't know how many goos she'd give it, and

1252
00:58:09,440 --> 00:58:12,160
Speaker 5: I thought, right, had enough done, got out of the car,

1253
00:58:12,280 --> 00:58:14,400
Speaker 5: locked my car. I said, darling, would you like me

1254
00:58:14,440 --> 00:58:16,439
Speaker 5: to park your car? And she was on the verge

1255
00:58:16,480 --> 00:58:18,680
Speaker 5: of tears and she said, oh my god, yes, please,

1256
00:58:18,760 --> 00:58:21,200
Speaker 5: yes please. I said, come on out you again, got in,

1257
00:58:21,400 --> 00:58:24,760
Speaker 5: reversed the car, gave to the keys back. Everyone started

1258
00:58:24,760 --> 00:58:27,400
Speaker 5: two their horns and clapping at me, going hooray, and

1259
00:58:27,480 --> 00:58:28,560
Speaker 5: I did have a good day.

1260
00:58:28,360 --> 00:58:28,880
Speaker 2: So your lap.

1261
00:58:29,440 --> 00:58:30,840
Speaker 1: Not all heroes wear capes.

1262
00:58:31,240 --> 00:58:33,480
Speaker 4: Right at that's enough.

1263
00:58:33,440 --> 00:58:36,200
Speaker 2: Ugly feels up. Next, we are back tonight for jam Nation.

1264
00:58:37,200 --> 00:58:40,040
Speaker 2: Ryan's going home to have words with his father, but

1265
00:58:40,120 --> 00:58:41,200
Speaker 2: we'll see you at six o'clock.

1266
00:58:41,320 --> 00:58:43,840
Speaker 1: Good day to you, well, thank god, that's over.

1267
00:58:44,000 --> 00:58:47,520
Speaker 6: Good bite, good bite, wipe the.

1268
00:58:47,480 --> 00:58:49,240
Speaker 4: Two from your own.

1269
00:58:49,520 --> 00:58:52,840
Speaker 10: Catch Jonesy and Amanda's podcast on the iHeartRadio app or

1270
00:58:52,880 --> 00:59:00,439
Speaker 10: wherever you get your podcasts.

1271
00:59:01,840 --> 00:59:04,320
Speaker 4: Jonesy and Amanda podcast.

1272
00:59:04,520 --> 00:59:07,160
Speaker 17: Catch up on what you've missed on the free iHeartRadio

1273
00:59:07,240 --> 00:59:07,520
Speaker 17: app