1 00:00:00,200 --> 00:00:03,000 Speaker 1: I heard when you announced this act least no fear 2 00:00:03,040 --> 00:00:03,960 Speaker 1: in your voice whatsoever. 3 00:00:04,120 --> 00:00:05,680 Speaker 2: I thought this would be quite safe. 4 00:00:05,880 --> 00:00:11,800 Speaker 3: We had a cover, an envelope contains the music topic 5 00:00:11,880 --> 00:00:15,000 Speaker 3: to discuss this five minutes on the clock to film, 6 00:00:15,360 --> 00:00:20,520 Speaker 3: and there's no times of prayer. This's banter with Colezy 7 00:00:20,560 --> 00:00:21,880 Speaker 3: and Lisa. 8 00:00:22,400 --> 00:00:26,759 Speaker 1: Okay, Lisa, I have the envelope. I have the envelope. 9 00:00:27,080 --> 00:00:29,120 Speaker 1: I have the envelope. I've got the timer ready to go. 10 00:00:29,520 --> 00:00:31,200 Speaker 1: Once you expose what. 11 00:00:31,160 --> 00:00:35,120 Speaker 4: The artist is, it's crowded house always, it is the 12 00:00:35,280 --> 00:00:36,200 Speaker 4: mighty crowded house. 13 00:00:36,240 --> 00:00:39,879 Speaker 2: This crowded house, I would dare say. One of the 14 00:00:39,880 --> 00:00:41,720 Speaker 2: best bands ever. 15 00:00:41,680 --> 00:00:44,080 Speaker 1: One of the finest and one of the finest songwriters ever. 16 00:00:44,200 --> 00:00:45,720 Speaker 1: Neil Finn. What a superstar. 17 00:00:45,920 --> 00:00:47,599 Speaker 4: One of those bands that you can put on and 18 00:00:47,600 --> 00:00:49,479 Speaker 4: listen to all the way to Margaret River on your 19 00:00:49,520 --> 00:00:53,440 Speaker 4: drive and halfway home again. Absolutely, I came out a 20 00:00:53,520 --> 00:00:55,640 Speaker 4: random a description, but I did that one. 21 00:00:55,920 --> 00:00:57,880 Speaker 1: And we know Neil's history with his you know, with 22 00:00:57,920 --> 00:01:00,440 Speaker 1: his brother and his bandmates. Of course, saying split ends 23 00:01:00,440 --> 00:01:02,520 Speaker 1: before that he was just a youngster and joining his brother, 24 00:01:02,600 --> 00:01:04,640 Speaker 1: his older brother Tim's band all those years ago. 25 00:01:04,760 --> 00:01:07,280 Speaker 4: Yes, well, to probably have to start there, just quickly 26 00:01:07,400 --> 00:01:10,399 Speaker 4: have a little background. Split Ends first band I ever 27 00:01:10,440 --> 00:01:14,000 Speaker 4: saw in concert on my own at the well, you know, 28 00:01:14,000 --> 00:01:15,640 Speaker 4: without my brother having to come along with He had 29 00:01:15,640 --> 00:01:17,360 Speaker 4: to come to Abba and he still hasn't forgiven me 30 00:01:17,400 --> 00:01:17,640 Speaker 4: for that. 31 00:01:18,360 --> 00:01:19,280 Speaker 2: Yeah. 32 00:01:19,400 --> 00:01:22,480 Speaker 4: And it was the concert hall, right, and that's where 33 00:01:22,520 --> 00:01:25,000 Speaker 4: you want to see things, yes, And I thought, this 34 00:01:25,080 --> 00:01:27,520 Speaker 4: is a bit of a rush. And then of course, 35 00:01:28,280 --> 00:01:31,080 Speaker 4: you know, Split Ends were great. Then Crowded House, Yeah, 36 00:01:31,319 --> 00:01:31,880 Speaker 4: was sublime. 37 00:01:31,959 --> 00:01:33,880 Speaker 1: Well, Neil Finn had a band called them Alanes and 38 00:01:33,880 --> 00:01:35,400 Speaker 1: that sort of developed from there, and all of a 39 00:01:35,400 --> 00:01:37,319 Speaker 1: sudden he had this new band. He had Nick Seymore 40 00:01:37,400 --> 00:01:40,440 Speaker 1: in the band, Mark Simil's brother of course, and Paul Hester, 41 00:01:40,480 --> 00:01:41,560 Speaker 1: who was the drummer at the end. 42 00:01:41,640 --> 00:01:42,959 Speaker 2: We just love and miss. 43 00:01:43,080 --> 00:01:45,000 Speaker 1: Drummer at the end of these Split Ends days of 44 00:01:45,040 --> 00:01:48,840 Speaker 1: the original lineup, and he was just a look. He 45 00:01:48,960 --> 00:01:52,000 Speaker 1: was the wacky clown and the band who was just 46 00:01:52,360 --> 00:01:55,720 Speaker 1: always alive and that and we you don't always well 47 00:01:55,720 --> 00:01:57,640 Speaker 1: know what's going on below the surface. But it was 48 00:01:57,640 --> 00:01:58,760 Speaker 1: a sad mise for rhythm. 49 00:01:58,800 --> 00:02:02,960 Speaker 4: Sometimes it's the wackiest of clowns, the most hurt. 50 00:02:03,120 --> 00:02:04,960 Speaker 1: We'd lost him in such a horrible way as well. 51 00:02:05,040 --> 00:02:08,519 Speaker 2: Yeah, in the mid two thousands. 52 00:02:08,639 --> 00:02:09,480 Speaker 1: Yeah, it was a long time ago. 53 00:02:09,520 --> 00:02:09,680 Speaker 3: Now. 54 00:02:10,200 --> 00:02:13,720 Speaker 4: Anyway, I always used to think, and this is not 55 00:02:13,919 --> 00:02:17,240 Speaker 4: very nice of me, but he used to think, jeez, 56 00:02:17,280 --> 00:02:21,000 Speaker 4: it must hurt Tim, you know, because because it was 57 00:02:21,040 --> 00:02:23,120 Speaker 4: his band and everything, and he was the one. And 58 00:02:23,200 --> 00:02:27,840 Speaker 4: it probably all started with missus Finn, mother Finn saying Tim, 59 00:02:28,000 --> 00:02:30,560 Speaker 4: let your brother play, let your brother have a go. 60 00:02:30,760 --> 00:02:32,960 Speaker 4: It's like, no, it's my band, Like let your brother. 61 00:02:33,040 --> 00:02:35,120 Speaker 4: And then of course it ended up being that Neil 62 00:02:36,240 --> 00:02:37,720 Speaker 4: the really really I. 63 00:02:37,639 --> 00:02:38,600 Speaker 2: Mean, Tim's talented. 64 00:02:39,040 --> 00:02:42,320 Speaker 1: Of course, I think he had wonderful success when he 65 00:02:42,360 --> 00:02:43,840 Speaker 1: came into the band. He was just a little kid, 66 00:02:43,880 --> 00:02:44,639 Speaker 1: you know, pretty much. 67 00:02:44,760 --> 00:02:47,040 Speaker 4: Neil was then, you know, in demand by the likes 68 00:02:47,040 --> 00:02:48,840 Speaker 4: of Fleetwood Match tour with them. 69 00:02:48,720 --> 00:02:52,080 Speaker 1: Neil is and he wrote a song that was number 70 00:02:52,080 --> 00:02:53,840 Speaker 1: one for like four months, I Got You, which was 71 00:02:53,880 --> 00:02:54,880 Speaker 1: an incredible. 72 00:02:54,480 --> 00:02:56,000 Speaker 2: Start message to my girl. 73 00:02:56,120 --> 00:03:00,840 Speaker 4: I still remember recording that on countdown and you know, 74 00:03:00,880 --> 00:03:03,000 Speaker 4: waiting for Gavin would to bloody shut up. 75 00:03:03,080 --> 00:03:06,560 Speaker 2: So I think, you know, plan stop talking, gavinvin. 76 00:03:06,080 --> 00:03:08,519 Speaker 4: Wood speaking well, yet we know you don't have to 77 00:03:08,560 --> 00:03:10,480 Speaker 4: speak right up to the first lyrics. 78 00:03:10,800 --> 00:03:15,079 Speaker 1: Mumbling we know that that's countdown. Yeah, isn't it funny 79 00:03:15,080 --> 00:03:17,799 Speaker 1: how older brother Tim had Neil come into his band 80 00:03:17,800 --> 00:03:20,400 Speaker 1: and then once you had this incredible success of that 81 00:03:20,440 --> 00:03:23,560 Speaker 1: first album or to have of Credit House, that younger 82 00:03:23,600 --> 00:03:25,679 Speaker 1: brother Neil asked him to join his band. Yeah, it 83 00:03:25,720 --> 00:03:27,040 Speaker 1: didn't last that long. It was just the one else. 84 00:03:27,840 --> 00:03:30,079 Speaker 4: It was just and once again I think missus Finn 85 00:03:30,160 --> 00:03:34,760 Speaker 4: rang and said Neil, yeah, let's give rather have it 86 00:03:34,800 --> 00:03:36,560 Speaker 4: go well, let him. 87 00:03:36,400 --> 00:03:36,920 Speaker 2: Have a little go. 88 00:03:37,160 --> 00:03:40,240 Speaker 1: But they went on tour and it wasn't going so 89 00:03:40,280 --> 00:03:43,320 Speaker 1: well apparently, so then Tim decided to go again, so 90 00:03:43,400 --> 00:03:45,880 Speaker 1: he left left Credit House. But Credit House got a 91 00:03:45,920 --> 00:03:48,720 Speaker 1: lot of the success in America by doing that thing 92 00:03:48,720 --> 00:03:50,360 Speaker 1: that a lot of bossie bands didn't do, and that 93 00:03:50,480 --> 00:03:52,800 Speaker 1: is stay there and just tour to a tour. And 94 00:03:52,840 --> 00:03:55,560 Speaker 1: they would because they had that incredible ability to improvise 95 00:03:55,560 --> 00:03:57,960 Speaker 1: and just roll up. Paul Hester would play drums on 96 00:03:58,000 --> 00:03:59,960 Speaker 1: the program director's head at a radio station, you know 97 00:04:00,080 --> 00:04:02,000 Speaker 1: that kind of stuff. And they went to visit so 98 00:04:02,080 --> 00:04:05,880 Speaker 1: many different radio stations and TV shows, and America fell 99 00:04:05,880 --> 00:04:08,280 Speaker 1: in love with them and the results were obvious. 100 00:04:08,320 --> 00:04:10,720 Speaker 4: Hard to pick a favorite song because there's so many, 101 00:04:10,800 --> 00:04:13,960 Speaker 4: but I reckon every time I hear I mean four. 102 00:04:13,840 --> 00:04:15,200 Speaker 2: At your feet, that's a fantastic one. 103 00:04:15,360 --> 00:04:17,120 Speaker 4: But I think every time I hear four Seasons in 104 00:04:17,160 --> 00:04:20,679 Speaker 4: one day, I just think, yeah, it is this. Yeah, 105 00:04:20,720 --> 00:04:23,200 Speaker 4: I just can't go past it. I love the melody 106 00:04:23,279 --> 00:04:25,560 Speaker 4: in that song. Yeah, and it's so beautiful. 107 00:04:25,600 --> 00:04:27,360 Speaker 1: And no one writes the lyrics like Neil Finn, who 108 00:04:27,360 --> 00:04:30,880 Speaker 1: gets away with putting cumulo nimbus and getting in a song. 109 00:04:31,200 --> 00:04:34,039 Speaker 2: You know, and you were a song about a pineapple head. 110 00:04:34,080 --> 00:04:35,640 Speaker 1: You were at that fleet with Mac show when they 111 00:04:35,720 --> 00:04:38,560 Speaker 1: two were with Neils. 112 00:04:37,560 --> 00:04:38,920 Speaker 2: Not I didn't. I didn't see that. 113 00:04:38,960 --> 00:04:42,520 Speaker 1: So Neil Finn replaces Lindsay bucking An pretty much along 114 00:04:42,520 --> 00:04:45,320 Speaker 1: with Mike campbellong guitar. And the way that Stevie Nicks 115 00:04:45,320 --> 00:04:48,760 Speaker 1: and Mick Flickwood spoke about Neil was this incredible respect. 116 00:04:48,960 --> 00:04:51,279 Speaker 1: And then Neil got up and did better be home soon. 117 00:04:51,400 --> 00:04:53,719 Speaker 4: I was watching the Arias, however, when Neil Finn called 118 00:04:53,720 --> 00:04:57,520 Speaker 4: out our own Dixie battersby the greatest promoter in the world, 119 00:04:57,600 --> 00:04:59,640 Speaker 4: and that, you know, that says a lot about a person. 120 00:04:59,680 --> 00:05:03,680 Speaker 4: When the caliber of Neil Finn, when they're being inducted 121 00:05:03,839 --> 00:05:06,919 Speaker 4: into the Hall of Fame says, you know, there's so 122 00:05:06,920 --> 00:05:09,080 Speaker 4: many people they could thank, but they pick out our 123 00:05:09,120 --> 00:05:09,719 Speaker 4: own Dixie. 124 00:05:09,880 --> 00:05:12,440 Speaker 1: Yeah. And if people talk about the great songwriters and 125 00:05:12,480 --> 00:05:13,920 Speaker 1: you talk about your Dylan's and all that, and in 126 00:05:14,320 --> 00:05:16,560 Speaker 1: Australia and you know, we take him as Australian these days, 127 00:05:16,640 --> 00:05:18,920 Speaker 1: Neil Finn. People talk about Paul Kelly, the opparial on 128 00:05:18,960 --> 00:05:21,320 Speaker 1: Paul Kelly, and of course Sir Neil Finn, because he's 129 00:05:21,320 --> 00:05:23,679 Speaker 1: written so many wonderful songs. You've got so many people 130 00:05:23,720 --> 00:05:25,680 Speaker 1: now influenced by his writing and he's performing. 131 00:05:25,839 --> 00:05:28,239 Speaker 4: And so it started with big brother Tim and Neil 132 00:05:28,360 --> 00:05:30,200 Speaker 4: and now it's gone all the way through to a 133 00:05:30,200 --> 00:05:31,520 Speaker 4: whole new generation, the. 134 00:05:31,440 --> 00:05:36,760 Speaker 1: Boys in the band. The circle of life in bands. 135 00:05:36,760 --> 00:05:41,480 Speaker 3: The time is over. Thirty six a FM, Clezie and 136 00:05:41,680 --> 00:05:42,440 Speaker 3: Lisa