1 00:00:00,320 --> 00:00:02,080 Speaker 1: Join the end Amanda in the morning. 2 00:00:02,160 --> 00:00:07,440 Speaker 2: One fans of Jim Dolan would be be happy to 3 00:00:07,440 --> 00:00:09,120 Speaker 2: know he's okay, but he had to go and get. 4 00:00:08,960 --> 00:00:09,800 Speaker 1: An I proceed. 5 00:00:09,920 --> 00:00:10,840 Speaker 3: Yeah, but he's good. 6 00:00:11,160 --> 00:00:14,160 Speaker 2: Well, he texted him yesterday, but he's he's seeing things 7 00:00:14,160 --> 00:00:14,960 Speaker 2: a bit wonkily. 8 00:00:15,040 --> 00:00:17,840 Speaker 1: You just said trouble with the old peepers. But someone 9 00:00:17,880 --> 00:00:21,479 Speaker 1: has to do is that a medical term? Peers? So 10 00:00:21,640 --> 00:00:23,119 Speaker 1: someone had to come in and step in, So we 11 00:00:23,200 --> 00:00:25,799 Speaker 1: got the next best thing. Well it's not really the 12 00:00:25,840 --> 00:00:26,520 Speaker 1: next best thing. 13 00:00:26,640 --> 00:00:29,600 Speaker 4: His name is Jimmy though as well, and it fits 14 00:00:29,640 --> 00:00:30,840 Speaker 4: the intro and he's come up with. 15 00:00:30,800 --> 00:00:36,519 Speaker 1: This Jimmy the millennials. 16 00:00:36,600 --> 00:00:40,040 Speaker 4: Okay, So because he's away, now I've got to do it. God, 17 00:00:40,200 --> 00:00:42,920 Speaker 4: you've got nothing better to do. So apparently when you 18 00:00:43,120 --> 00:00:45,199 Speaker 4: get over fifty, there's something you got to do with 19 00:00:45,240 --> 00:00:49,080 Speaker 4: your bowse bowse screening chat. Well, doing it is one thing, 20 00:00:49,120 --> 00:00:51,159 Speaker 4: but guys, did you really have to talk about it 21 00:00:51,200 --> 00:00:52,200 Speaker 4: on the radio. 22 00:00:52,360 --> 00:00:54,960 Speaker 1: And then you put the Then you put that and 23 00:00:55,000 --> 00:00:55,520 Speaker 1: you shake. 24 00:00:55,360 --> 00:00:56,640 Speaker 2: That around and you put it in a bag, and 25 00:00:56,640 --> 00:00:58,560 Speaker 2: then you've got to do another one the next day 26 00:00:58,600 --> 00:00:59,680 Speaker 2: and on the same day. 27 00:01:00,080 --> 00:01:02,160 Speaker 3: That's where I made a mistake. The first time, two 28 00:01:02,200 --> 00:01:03,080 Speaker 3: in one day. 29 00:01:03,040 --> 00:01:03,840 Speaker 1: Two in one day. 30 00:01:04,040 --> 00:01:05,840 Speaker 3: It was a rare day and I took advantage of it. 31 00:01:05,920 --> 00:01:07,240 Speaker 3: But it's the wrong thing to do. 32 00:01:07,640 --> 00:01:10,759 Speaker 1: One day. That's going to be your Indian tribal here 33 00:01:10,800 --> 00:01:11,440 Speaker 1: she comes to it. 34 00:01:11,520 --> 00:01:15,440 Speaker 2: One day, stand next to your brother. 35 00:01:15,480 --> 00:01:16,040 Speaker 1: Two dogs. 36 00:01:17,360 --> 00:01:18,520 Speaker 4: That's that's chat. 37 00:01:18,720 --> 00:01:19,080 Speaker 1: Anyway. 38 00:01:19,080 --> 00:01:22,319 Speaker 4: There was more medical stuff with former face of David Jones, 39 00:01:22,319 --> 00:01:25,800 Speaker 4: Debora Hutton, going through hell with her skin cancer taking 40 00:01:25,800 --> 00:01:26,400 Speaker 4: off her face. 41 00:01:26,600 --> 00:01:29,080 Speaker 1: So what happens with you now, Deborah? What's the future thing? 42 00:01:31,840 --> 00:01:32,040 Speaker 4: Yeah? 43 00:01:32,240 --> 00:01:37,000 Speaker 1: Two eyes cut out. It's good. I saw you working 44 00:01:37,040 --> 00:01:37,880 Speaker 1: down a tucker Bag. 45 00:01:40,959 --> 00:01:45,320 Speaker 2: I'm a new face. Tucker Bag even exists anymore. 46 00:01:45,480 --> 00:01:48,040 Speaker 1: Let's bring it back. Let's bring tucker Bag Bag. Come on. 47 00:01:48,720 --> 00:01:50,840 Speaker 4: Apparently there's some song by Cold. She's well, I've never 48 00:01:50,880 --> 00:01:53,440 Speaker 4: heard of before flame trees or something. I mean, I 49 00:01:53,480 --> 00:01:55,440 Speaker 4: don't really know about it, but you guys seem to. 50 00:01:55,640 --> 00:01:58,040 Speaker 4: Jonesy was trying to explain it to me in the corridor. 51 00:01:58,200 --> 00:02:01,040 Speaker 4: I kind of lost interest. Something about a young out 52 00:02:01,040 --> 00:02:04,000 Speaker 4: of factory worker and his girl, the plight of them 53 00:02:04,120 --> 00:02:06,840 Speaker 4: or something. A man a speculator that was him, having 54 00:02:06,920 --> 00:02:10,280 Speaker 4: scattered thoughts about his time in the town. Meanwhile, Jones 55 00:02:10,280 --> 00:02:12,560 Speaker 4: he thought it was one of his old mates drinking 56 00:02:12,600 --> 00:02:15,960 Speaker 4: buddies breaking his train of thought or something. 57 00:02:15,960 --> 00:02:16,840 Speaker 1: To listen to him. 58 00:02:20,880 --> 00:02:23,240 Speaker 2: So he's sitting there, any books in there, and his 59 00:02:23,320 --> 00:02:29,480 Speaker 2: mate goes and brings him back to the reality of 60 00:02:29,560 --> 00:02:31,880 Speaker 2: now and what he's doing. He's sitting at the bar 61 00:02:32,919 --> 00:02:35,239 Speaker 2: or the little table, and he's got his beer, his 62 00:02:35,280 --> 00:02:36,840 Speaker 2: little chips, and that's what he's thinking. 63 00:02:36,880 --> 00:02:37,520 Speaker 1: It's poetry. 64 00:02:37,560 --> 00:02:40,480 Speaker 3: There's no point in us phone Don Walker and ask him. 65 00:02:40,600 --> 00:02:42,120 Speaker 1: Have you got his number? Can we hear Don Walker 66 00:02:42,160 --> 00:02:43,840 Speaker 1: on the line? Actually? What are we? We should get 67 00:02:43,840 --> 00:02:44,639 Speaker 1: Don Walker on the line? 68 00:02:44,680 --> 00:02:47,840 Speaker 4: Don Walker, whoever that is? He had better things to do, 69 00:02:47,880 --> 00:02:50,800 Speaker 4: apparently as do I. But the next day he replied 70 00:02:51,160 --> 00:02:51,639 Speaker 4: in email. 71 00:02:51,720 --> 00:02:55,000 Speaker 3: Don Walker has responded in an email. Great, this was 72 00:02:55,040 --> 00:02:57,239 Speaker 3: put to him. What does the lyric mean? 73 00:02:57,639 --> 00:03:00,440 Speaker 1: And he heard the break he heard what we spoke about. Yes, today, 74 00:03:00,880 --> 00:03:03,280 Speaker 1: here is the email, Don Walker. 75 00:03:04,760 --> 00:03:07,520 Speaker 3: They're not eating chips with the beer in Flame Trees. 76 00:03:07,960 --> 00:03:12,880 Speaker 3: They're sharing a bowl of nuts roasted and salted mixed. 77 00:03:15,200 --> 00:03:18,760 Speaker 1: That's it. There's nothing else. He's nuts it. Well, who's 78 00:03:18,800 --> 00:03:19,880 Speaker 1: going to explain this? Sut? 79 00:03:21,639 --> 00:03:23,240 Speaker 3: Don't Walker has a lot to say about that song. 80 00:03:23,320 --> 00:03:26,880 Speaker 1: Funly enough, we know where the pineapple goes. 81 00:03:28,639 --> 00:03:31,760 Speaker 4: Christine Arneu was revealed as the voice behind the Goldfish 82 00:03:31,800 --> 00:03:34,480 Speaker 4: on the Mast singer this week and was happy to 83 00:03:34,520 --> 00:03:35,240 Speaker 4: be back performing. 84 00:03:35,400 --> 00:03:36,480 Speaker 1: I haven't dined in a while. 85 00:03:37,200 --> 00:03:39,840 Speaker 3: Absolutely there and bring some joy into people. 86 00:03:39,920 --> 00:03:42,520 Speaker 1: But it's good your outther, it's good you're performing. It 87 00:03:42,560 --> 00:03:44,200 Speaker 1: was great to see you. Who do you think is 88 00:03:44,240 --> 00:03:50,360 Speaker 1: inside Osha Ginsburg? It's got me be I can't work 89 00:03:50,400 --> 00:03:50,880 Speaker 1: it out now. 90 00:03:50,880 --> 00:03:53,400 Speaker 4: Most people my age know that Facebook these days is 91 00:03:53,440 --> 00:03:57,080 Speaker 4: actually just a forum for mums to complain about stuff. 92 00:03:57,120 --> 00:04:00,640 Speaker 4: And lo and behold Jones and Amanda found a complaining 93 00:04:00,680 --> 00:04:02,240 Speaker 4: about inappropriate dolls? 94 00:04:02,360 --> 00:04:04,640 Speaker 1: What is this? 95 00:04:06,520 --> 00:04:07,280 Speaker 4: That is the. 96 00:04:08,800 --> 00:04:11,280 Speaker 1: Sold on the market for our little girls? 97 00:04:13,400 --> 00:04:18,640 Speaker 4: Sweat the irony beat beat And if you thought that 98 00:04:18,720 --> 00:04:21,679 Speaker 4: all that bow screening thing was going to go away quietly, 99 00:04:21,760 --> 00:04:22,840 Speaker 4: I mean I certainly did. 100 00:04:23,160 --> 00:04:25,280 Speaker 1: Well then we were both wrong. And you've got to 101 00:04:25,320 --> 00:04:27,200 Speaker 1: mail it today. But you've got to mail it. Don't 102 00:04:27,200 --> 00:04:28,120 Speaker 1: mail it in the morning. 103 00:04:28,400 --> 00:04:30,680 Speaker 2: If they advised to mail it when the post he 104 00:04:30,760 --> 00:04:31,800 Speaker 2: comes in the afternoon. 105 00:04:32,080 --> 00:04:34,400 Speaker 1: You know why it's out of the box. Well, you say, 106 00:04:34,440 --> 00:04:36,000 Speaker 1: it's not sitting in the postbox all day. 107 00:04:36,040 --> 00:04:38,760 Speaker 3: I guess, But how do you know when the postman comes, 108 00:04:39,320 --> 00:04:41,000 Speaker 3: he comes to separate container. 109 00:04:46,720 --> 00:04:50,040 Speaker 1: Of course you've led me to say, okay, cool, that's it. 110 00:04:50,320 --> 00:04:52,640 Speaker 1: I can go. This has been Jimmy Steepichether, thank you. 111 00:04:52,680 --> 00:04:53,479 Speaker 3: Wow, what a week. 112 00:04:53,880 --> 00:04:57,120 Speaker 1: A week, joins the Amanda in the morning at one 113 00:04:57,160 --> 00:04:57,719 Speaker 1: point seven