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Speaker 1: Here we go. We're getting a bit musical for this pod,

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Speaker 1: bringing a musical element.

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Speaker 2: Excuse me, mate, So Will's on the Panasonic k k

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Speaker 2: Z two fifty right now.

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Speaker 3: Forty nine you go, yeah.

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Speaker 2: Yeah, should have prepared this, mate, Sorry, I want to

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Speaker 2: do that for zero four nine. Okay, okay, here we go,

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Speaker 2: hang on, hang on, hang wait wait wait wait wait okay, guys,

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Speaker 2: iinery number one.

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Speaker 1: No, I was just kidding. No, no, guess what it was.

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Speaker 1: I'm in control. No, that's our Itinerary number one. I'm

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Speaker 1: going to guess Will. Sorry, I was figuring out the way.

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Speaker 2: Hey, hey, I mean please just have a little bit

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Speaker 2: of structure in here, guys, please now number one.

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Speaker 1: That a bit of a music game.

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Speaker 3: Will.

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Speaker 1: You're doing piano lessons at the moment. You're getting very

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Speaker 1: how's it going?

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Speaker 2: It's going well, going well, lat He just leant over

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Speaker 2: you're keeping for there and crushed some keys.

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Speaker 1: Nice.

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Speaker 2: Now, So to see how well it is going, you're

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Speaker 2: going to play a song right now. I'm going to

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Speaker 2: try and guess the song. Can I get a genre?

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Speaker 2: Or is this is this a pop song? Is this

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Speaker 2: a song that we play? Is this is this a

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Speaker 2: is this a banger.

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Speaker 1: It's a pop song.

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Speaker 4: It's a banger.

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Speaker 2: It's a pop song and a banger. All right, pop banger?

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Speaker 2: Oh god, that's loud alright, Sorry, yeah, nice, nice, He'll ride.

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Speaker 3: I just need to put a rhythm in as well.

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Speaker 1: Okay, And I think I'm gonna go for Have you

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Speaker 1: rehearsed this next time you bring a music idea, please rehearse?

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Speaker 1: All right?

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Speaker 5: You ready?

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Speaker 1: Yeah, I'm pretty okay.

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Speaker 2: Here we go.

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Speaker 5: Okay, here we go, Here we go, Here we go,

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Speaker 5: go back to the rhythm column. He remember the other

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Speaker 5: day when we were having a chat in the room

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Speaker 5: about podcast quality, yes, and like keeping it to ten minutes.

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Speaker 2: And we got a lot of feedback about making sure

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Speaker 2: we're only doing good stuff in bcs.

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Speaker 1: Yeah, that kind of thing. And I think we've taken

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Speaker 1: it on board. We leave this new guy like a

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Speaker 1: Virgin Madonna. I do know the song. Oh what is that?

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Speaker 1: Oh damn it? It's on the yeah it.

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Speaker 2: I feel like I'm just in the area of I

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Speaker 2: feel like I've heard it again.

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Speaker 1: Ah, era, can you give us an era? It's not

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Speaker 1: like a virgin.

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Speaker 5: Praises Oh okay, I know what it is.

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Speaker 3: Praises baby, And let ourselves.

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Speaker 1: Get swept away. Nice nice sing to it, sing to

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Speaker 1: it goes up. I just realized that I need the

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Speaker 1: first two number bait behind it. It's sounded all right, well,

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Speaker 1: and so let's how the song starts. Can you just

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Speaker 1: play this? Where's the dinner?

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Speaker 3: Should we start the podcast now?

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Speaker 1: Now?

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Speaker 2: It's nice Itinery number two because I was the reason

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Speaker 2: I was playing that is because.

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Speaker 1: Oh this this, this we've done with the music game.

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Speaker 1: Thank you. You're gonna what you can do? Callbacks to

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Speaker 1: Itinery number one. That's in the rules. I'm sorry.

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Speaker 2: I'm a stickle for the rules. By the way, but

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Speaker 2: if there's a change of topic, we play Jimmy barms.

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Speaker 1: You should learn how to play that on keyboard.

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Speaker 3: Yeah, that would be good actually, because I could play

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Speaker 3: live itinerary, live itinery would be fine and speak to

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Speaker 3: the music teacher.

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Speaker 4: I'm not going to bother with that. But yeah, we'll

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Speaker 4: figure it out.

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Speaker 1: No, Jimmy martt just say sorry, I'll ever figured it out, okay.

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Speaker 4: Anyway.

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Speaker 1: Number two, Yeah, well.

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Speaker 2: We probably want to talk about the fact that in

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Speaker 2: less than forty eight hours we are going to be

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Speaker 2: having a sit down interview in person with.

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Speaker 3: Tina one and only Tina. Okay, Irena. Now, first question

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Speaker 3: to you is can I have my phone on my phone?

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Speaker 3: Because someone please get my phone because I've got my

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Speaker 3: Where is it? I've got a text from her?

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Speaker 1: Have we locked in a time yet?

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Speaker 4: I've got a text from her?

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Speaker 1: Oh great? First question is do you want me to

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Speaker 1: pull a sickie just before? Like what? He's got the runs?

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Speaker 1: He's so he couldn't make it to get what's some

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Speaker 1: one on one time?

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Speaker 4: You actually have got the run?

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Speaker 1: I've got him rooids. I don't have the runs.

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Speaker 4: About hemorrhoids? We had both?

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Speaker 2: No, no, no, yeah, a couple of hemorrhoids. Abay, she's

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Speaker 2: shouted for me outside I hate steak.

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Speaker 6: Shouted for you.

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Speaker 4: Oh, thank you, thank you.

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Speaker 1: That was very Why is no one laughing? That was

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Speaker 1: very good?

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Speaker 2: Shattered into shouted, Oh like I'm shouted, I'm shouted for you.

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Speaker 1: That was absolutely champagne. Well done.

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Speaker 4: Okay, so here here we go.

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Speaker 1: Okay, So do you do you want to pull a

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Speaker 1: sicky or not?

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Speaker 2: Would you rather one on one time or would you

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Speaker 2: want to be a buffer and I can bring things

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Speaker 2: up potentially that make you look more impressive.

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Speaker 1: Also, how do you how do you want me?

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Speaker 3: I'm I don't think I want you to have to

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Speaker 3: stick you like I think. She pumped to talk to

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Speaker 3: both of us. Okay, she said, Johnny, he said today, I.

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Speaker 1: Don't know where we're at. There in the texture you

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Speaker 1: said to her, she said.

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Speaker 4: You should be fine.

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Speaker 3: That the heat today was debilitating. I'll confirm when my

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Speaker 3: brain is less frieda absolute scorcha, absolute scorcha, ad scorch.

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Speaker 1: Absolute perth scorcha.

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Speaker 4: Then the power went out, and I felt we were.

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Speaker 3: Really screwed because I've got a little baby, smiling, melting face,

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Speaker 3: no stress mate speak.

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Speaker 4: Then brilliant, it's pretty good.

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Speaker 1: And then when did she write back?

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Speaker 4: The next day?

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Speaker 3: She wrote back on Friday, Gee, now here, I've got

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Speaker 3: a couple of questions for you.

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Speaker 4: Yeah, perfect, she.

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Speaker 3: Said, Hey William, Yeah this is nice. She said, Hey, William,

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Speaker 3: Next Wednesday.

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Speaker 1: She's doing the whole maternal thing with you, and I'm

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Speaker 1: enjoying it.

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Speaker 3: Next Wednesday is fine. The twenty eighth, what time and

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Speaker 3: address please, Tina.

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Speaker 1: Wow, she's letting you control the time.

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Speaker 4: And then glad it's cooler today. Nice?

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Speaker 2: Nice that ps at the end there, Yeah, I like it.

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Speaker 1: Firstly, she's big on the PostScript. Yeah, that's twice.

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Speaker 3: She's she's doing the PS without writing without writing PS,

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Speaker 3: she writes Tina, and then she writes just a little

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Speaker 3: here's a little afterthought assumed ps is.

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Speaker 4: Just drops like it as well.

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Speaker 1: Yeah, you don't need to sign post a PS. We

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Speaker 1: all know this is.

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Speaker 4: We know we know it's PostScript. I'll put my name there,

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Speaker 4: so it has to so.

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Speaker 2: Okay, firstly, love that she calls you Willim. That's a

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Speaker 2: really nice little dynamic you guys have got going on.

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Speaker 2: And I think we can we can flex that and

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Speaker 2: exercise that a.

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Speaker 1: Little bit more because I could call her by her

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Speaker 1: real name as we go, Hey mom to mom. Okay,

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Speaker 1: the too much, that was too.

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Speaker 4: Much, totally wild woods.

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Speaker 2: Well, I just thought the whole maternal thing was. I

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Speaker 2: thought that was a nice little bit of banter.

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Speaker 3: Because her, because her real name is Philipina Lydia Arena.

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Speaker 3: There we go and then her I think her parents

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Speaker 3: called her Pina, which became Tina. Will you think I

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Speaker 3: should call her Filipina?

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Speaker 4: Yeah, I don't know. I don't know about that.

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Speaker 3: At some point signs off as Tina. I signed off

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Speaker 3: as Will though she started calling me William call.

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Speaker 2: Her Phil, Phil, Phil, two thirty Wednesday.

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Speaker 1: Please, that's just for me. That's a little cookie for me.

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Speaker 2: I've been quite unselfish with this whole thing, but that's

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Speaker 2: a little cookie for me, and I think I've earned it.

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Speaker 1: Phil, Phil, I don't think you've been unselfish. I think

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Speaker 1: you've been appreciate. That's the first time I'm taking a

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Speaker 1: little bit of a piece of flesh from how's the

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Speaker 1: dinner was? Chop? Phil? I'm not calling her Phil anyway.

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Speaker 1: That was just the update.

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Speaker 5: There.

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Speaker 4: She's coming. She's coming in on Wednesday.

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Speaker 1: What time, two o'clock? And you had this, you had this,

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Speaker 1: you did this in print, you've done this. Yep, amazing.

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Speaker 1: So two o'clock Wednesday.

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Speaker 2: Okay, you've obviously been thinking about this way more than me, surely.

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Speaker 2: So what what are you thinking needs to come up

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Speaker 2: in this conversation for her to go bugger man?

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Speaker 1: I need to be friends with that bloke.

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Speaker 4: Ah, it's a good question. I probably trying to be myself.

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Speaker 2: Ah.

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Speaker 1: That never works.

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Speaker 3: That's not what you want to hear, because you know

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Speaker 3: what happens if you try and not be yourself and

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Speaker 3: the person falls in love with the person that you're

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Speaker 3: trying to be, not with who you really are, and

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Speaker 3: then you find yourself putting on this fake thing whenever

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Speaker 3: you're around them, and then you get exhausted by them,

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Speaker 3: then you resent them, and then you know you either

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Speaker 3: end up killing them more or excommunicating them.

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Speaker 1: Isn't that Midsummer Night's dream?

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Speaker 2: I was like, good, babeh experience, very Shakespearean.

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Speaker 3: She's the man, She's the man, which also which might

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Speaker 3: be midsummer Night's dream.

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Speaker 1: I mean they all kind of.

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Speaker 4: Just do that.

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Speaker 1: Yeah, the Lion king was was just Hamlet Achilles. I'm

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Speaker 1: just throwing things least or his mum famously dressed him

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Speaker 1: up like a woman that was never gonna last, was it. Yeah.

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Speaker 2: As soon as they came and attacked the troop of

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Speaker 2: women that he danced with, he was like, well, I'm

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Speaker 2: the best warrior and I'm going.

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Speaker 1: To kill all your motherfuckers. But then obviously my cover's blind.

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Speaker 4: What they got to do with me and Tanya a

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Speaker 4: Rena don't know anyway.

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Speaker 2: I was just showing that, you know, you guys know Shakespeare,

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Speaker 2: I know, Greek mythology.

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Speaker 3: Homer anyway, Sorry, Okay, yeah, so I get that.

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Speaker 2: No, I get that, and I want you to beat yourself.

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Speaker 2: And I think that's a great idea. But I do

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Speaker 2: think that I, while I want to have a good

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Speaker 2: relationship with Tina Arena, I don't feel this need to

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Speaker 2: go and get a chardie with her. I feel like

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Speaker 2: I can be a sacrificial lamb of some description here.

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Speaker 2: I'm happy to bring things up about you. Do you

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Speaker 2: know what I mean? Like you like that, like use

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Speaker 2: me as like, oh, I can come in and go

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Speaker 2: will Sorry I forgot to mention, Sorry, Tina.

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Speaker 1: I read your PhD. Great, it's really I found that

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Speaker 1: really quite insightful. You know what I mean?

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Speaker 4: Yep, yep, love that. So what do you well she

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Speaker 4: speaks French. Oh that's I've got songs in French.

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Speaker 2: I'm going to come in here and I will will

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Speaker 2: will sorry my mentor, teen, I'm sorry about this. I'm

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Speaker 2: going to this French restaurant tonight and I've just got

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Speaker 2: the menu. I just have I have no idea what any.

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Speaker 1: Of this is. So what what is?

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Speaker 4: That's? Great?

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Speaker 1: Racad? You know whatever?

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Speaker 3: I read it, hm well, because I struggled to understand

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Speaker 3: what you're saying when you try and read it.

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Speaker 1: I'll just hand it over and I'll go, well, can

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Speaker 1: you read me.

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Speaker 4: That whole menu?

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Speaker 1: Read aloud?

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Speaker 2: I'll go, Will, two things I'm gonna go, Will, you're

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Speaker 2: an extraordinary orderer at taste in Firstly, let me know.

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Speaker 1: What I should order tonight? And secondly, what is it?

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Speaker 1: Because it's in French? Yes, and I can't read.

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Speaker 3: But but then you know you follow up with but

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Speaker 3: you know, I know you speak really good French.

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Speaker 1: Because I don't speak really good friend. Yeah yeah? And

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Speaker 1: then sugar, yeah, nice you speak friend? Yeah?

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Speaker 4: Did you spick good French? No?

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Speaker 1: I speak awful French.

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Speaker 2: But I did a couple of years with I'm not

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Speaker 2: going to say his name. We've brought him up before

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Speaker 2: on this podcast. He has the same name as a

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Speaker 2: very famous Australian comedian.

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Speaker 4: Do we bet it?

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Speaker 5: Do we beat the whole name? Did we classic moment?

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Speaker 5: Could it be that the French menu idea? Could that

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Speaker 5: be good? As like, when she's coming in, so you

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Speaker 5: know we're going to bring her in, You're you're read

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Speaker 5: you're talking about it.

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Speaker 2: Sorry, Will's in the middle of making making my decision tonight.

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Speaker 5: Because you would, because you would if she's.

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Speaker 1: In the room, I wouldn't bring it up. That's not

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Speaker 1: going to bring it up. Maybe she's interrupted French, so

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Speaker 1: Will's they're.

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Speaker 5: Going on, you should order the Lasuis oysters or yeah.

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Speaker 1: The Lasuis oysters do so good.

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Speaker 4: Okay, So I'm helping you.

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Speaker 2: We're in the middle of it, and then Tina comes

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Speaker 2: in and go, oh, sorry, Taylor, Will is just helping

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Speaker 2: me with this French men.

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Speaker 3: But the first thing that you want Tina Rena to

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Speaker 3: the first thing you want Tina Rena to walk in on.

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Speaker 4: Is me helping you with a French menu. Yeah okay.

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Speaker 2: And then so two things. She knows you're an unbelievable orderer,

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Speaker 2: and she knows you speak French. That is like the

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Speaker 2: bank bank.

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Speaker 1: And you could be also pairing it with the wine.

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Speaker 1: Knows you're a good wine.

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Speaker 4: And like wine.

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Speaker 3: And then all of a sudden, we're having a shardi

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Speaker 3: on a Thursday.

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Speaker 2: It's it's actually it's actually amazing. Do you know what

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Speaker 2: else you've been doing recently? It has been really good stuff.

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Speaker 2: You've been listening to this podcast with this unbelievable sex

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Speaker 2: therapist doctor.

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Speaker 3: Yeah, right about about Yeah, well, it's just caught what

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Speaker 3: it is because it sounds a bit sick right now.

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Speaker 3: But it's a diary of a CEO, and it's a

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Speaker 3: woman who's like the world authority on clinical sex psychology. Fascinating, brilliant, Okay, intimacy.

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Speaker 2: I'm going to go menu, you get the French, the ordering,

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Speaker 2: the wine, and then I'm going to go, hey, by

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Speaker 2: the way, it's date night with mem and I and.

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Speaker 1: We lost a little bit of spark in the in

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Speaker 1: the boudoir. Any tips.

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Speaker 4: Do you want to.

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Speaker 1: But why that's a weird one. That's a weird one.

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Speaker 1: That was a weird one.

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Speaker 3: As much as I want to be impressive, I also

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Speaker 3: want to be not weird, and I think that gets

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Speaker 3: very weird. You know, as soon as I start talking

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Speaker 3: about you know why, I kind of give examples because

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Speaker 3: you know, it's pretty wild.

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Speaker 1: Stuff in the pod.

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Speaker 3: In the pod, yeah, yeah, yeah, okay, okay.

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Speaker 1: So I appreciate that.

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Speaker 2: Though the menu menu gives you the French, the amazing ordering,

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Speaker 2: the wine, what else do we need?

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Speaker 6: Just asking what's your Yeah, we haven't really touched you

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Speaker 6: music ability, and like you're very into music and you

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Speaker 6: know a lot about music, yeap, And I'm trying to

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Speaker 6: think what I can do.

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Speaker 3: I could start playing Sorrento Moon for her?

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Speaker 1: Was that what you just played for me before? Yeah? Yeah,

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Speaker 1: I had to give that a miss. You could talk

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Speaker 1: about going to Sorrento.

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Speaker 3: Well, there's a bit of conjecture as to whether it's

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Speaker 3: about the Australian Sorrento or the Italian Sorrento, the original Sorrento.

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Speaker 1: Oh, that's probably good, just chat between.

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Speaker 4: I don't think I'll bring it up with her. I

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Speaker 4: think you would have had that question a lot.

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Speaker 1: Yeah, right, well, what are you what are you you

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Speaker 1: go to ask her? I'm planning on listening, doing a

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Speaker 1: lot of listening.

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Speaker 3: Oh, okay, Like that time that we interviewed Mark Ronson

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Speaker 3: mac Ronson, don't bring it up. I spoke to him

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Speaker 3: fifteen minutes and then I asked you if you had

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Speaker 3: a question. You asked him about his socks.

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Speaker 1: Oh, I couldn't believe me. Why didn't I don't know.

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Speaker 2: I guess I got deep, I got and they were

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Speaker 2: having a great chat, and I just kind of sit back,

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Speaker 2: like a fly on the wall or like you know

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Speaker 2: that scene where Homer just like sinks into the hedges.

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Speaker 1: Yeah, this is perfect.

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Speaker 2: I was a bit worried about the chet because I

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Speaker 2: don't really have a musical muscle to flex, and but

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Speaker 2: Will and him are going and I was like, he's

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Speaker 2: a very cool guy, very cool guy, Mark, like very

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Speaker 2: very very and this is fresh off uptown funk. We're

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Speaker 2: playing this four times an hour like this is this?

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Speaker 2: It couldn't be a hotter song, so he couldn't be

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Speaker 2: hotter anyway. Yeah, why still to this day? Why are

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Speaker 2: you threw to me? It was the perfect It was

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Speaker 2: the perfect interview. And then you looked at me and

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Speaker 2: I couldn't have been giving you more signal of like I.

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Speaker 1: Don't have anything, don't throw to me? Don't you if

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Speaker 1: Will throws to you? In this Tina Arena question interview?

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Speaker 1: What will your question be to Tina Arena? Why is it?

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Speaker 1: You got one question?

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Speaker 4: What is it?

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Speaker 1: I'd ask? I'd ask her? Have have you looked into

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Speaker 1: ice machines since we last spoke?

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Speaker 4: Like it?

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Speaker 2: That's that's all I've got, because then I can I

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Speaker 2: can talk with authority on ice machines really of an

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Speaker 2: industrial nature?

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Speaker 1: Really? What's the brand again? Avanti Avanni avari? Maybe figure

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Speaker 1: out just maybe get the basics out of it.

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Speaker 4: How many cubes of ice? Does it?

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Speaker 1: Do devanti?

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Speaker 6: How many?

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Speaker 1: How many forty five to sixty kilos of ice a day?

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Speaker 3: You make forty five to sixty kilos of ice a

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Speaker 3: day and forty.

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Speaker 2: Killers of ice waiting for me when I get home.

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Speaker 2: Why put it in a body of water? And then

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Speaker 2: I get into that icy tub?

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Speaker 1: Right, brilliant And then so yeah, you're thinking of yourself.

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Speaker 4: I think she just wants ice in her drink. She

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Speaker 4: doesn't want to put it in a type anyway.

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Speaker 1: I'll told her about cold plunging. That's my second question,

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Speaker 1: all right, ever, cold plunged?

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Speaker 3: All right, well, we'll leave that for Wednesday afternoon when

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Speaker 3: Tina Rena comes in here.

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Speaker 1: But I think we've got the set up. I love

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Speaker 1: the setup. Yes, French meda wine. Yes, that's awesome.

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Speaker 4: I mean the thing, the big question.

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Speaker 3: Of man, I don't know we're going to go because

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Speaker 3: we've you know, we've got the clock on us here

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Speaker 3: these days, we've gone too long. But the question for

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Speaker 3: me is, yeah, yeah, at the end of the interview,

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Speaker 3: do it do I try and organize a catch.

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Speaker 4: Up during the chat? No?

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Speaker 1: No, no, no, no, yeah, I wouldn't think, So we'll

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Speaker 1: say that for later. The hard thing and we'll cover

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Speaker 1: this in the podcast.

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Speaker 2: I think post chat there's gonna be a lot of

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Speaker 2: conversation around how you reopen the chain, but I think

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Speaker 2: an on the.

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Speaker 1: Spot, Oh, i'm nice, that was unintentional of it, thank you. Yeah,

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Speaker 1: and you've got to reopen the chain, but that's a

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Speaker 1: compensation for latter