1 00:00:00,920 --> 00:00:03,480 Speaker 1: The Jonesy demanded show as we know it started in 2 00:00:03,480 --> 00:00:07,680 Speaker 1: the aftermath of the two thousand and four tsunami in Pouquet. 3 00:00:07,520 --> 00:00:11,399 Speaker 2: Undersea earthquake sent enormous way. Since then, we've been here, 4 00:00:11,760 --> 00:00:15,000 Speaker 2: as you're constant, while the world changed social. 5 00:00:14,680 --> 00:00:19,960 Speaker 1: Media time, it changed three for brock or oil, weddinghiph. 6 00:00:20,440 --> 00:00:25,040 Speaker 3: Matter for Refect like a sentinel. 7 00:00:25,200 --> 00:00:28,160 Speaker 1: We have watched over the world since two thousand and five, 8 00:00:28,360 --> 00:00:29,080 Speaker 1: and thanks. 9 00:00:28,840 --> 00:00:31,880 Speaker 2: To a detailed set of diaries that Jonesy has kept. 10 00:00:31,600 --> 00:00:33,800 Speaker 1: Well they're kind of detailed, but we do have a 11 00:00:33,840 --> 00:00:38,600 Speaker 1: time travelers podcast of a highly successful radio show. Highly 12 00:00:38,680 --> 00:00:44,000 Speaker 1: successful a podcast of a moderately successful radio show. 13 00:00:44,080 --> 00:00:46,640 Speaker 2: All right, well let's begin, shall we Here. 14 00:00:46,479 --> 00:00:49,520 Speaker 3: We go it's two thousand server. 15 00:00:50,159 --> 00:00:52,560 Speaker 2: Well, this isn't the beginning of two thousand and seven. 16 00:00:52,600 --> 00:00:54,880 Speaker 3: No, it's almost the end of two thousand and seven. 17 00:00:54,920 --> 00:00:57,120 Speaker 2: Where do we find our heroes? So we're around sort 18 00:00:57,120 --> 00:01:00,120 Speaker 2: of the second half of the year. If you've just won, 19 00:01:00,200 --> 00:01:02,320 Speaker 2: does you know that we're going through Jonesy's work diary. 20 00:01:02,400 --> 00:01:03,480 Speaker 2: So what have you found? 21 00:01:03,520 --> 00:01:05,160 Speaker 3: Well, I've got some letters to start with. 22 00:01:05,400 --> 00:01:11,080 Speaker 1: Letters, letters, letters from people who enjoy our show. Amanda Jonesy, 23 00:01:11,200 --> 00:01:13,680 Speaker 1: This is from Peter. Guys, just a quick note to 24 00:01:13,760 --> 00:01:15,800 Speaker 1: let you know how much I enjoy your show. 25 00:01:15,959 --> 00:01:17,240 Speaker 2: Praise You've got praise. 26 00:01:17,360 --> 00:01:19,919 Speaker 1: At the ripe old age of forty nine, I've covered 27 00:01:19,959 --> 00:01:22,000 Speaker 1: most of the radio stations on the trip to work. 28 00:01:22,280 --> 00:01:24,880 Speaker 1: Some I've stayed with for a couple of years. Ather 29 00:01:24,959 --> 00:01:27,720 Speaker 1: I give up on after a few weeks, But at 30 00:01:27,760 --> 00:01:31,400 Speaker 1: last I found the new perfect mix. I tuned in 31 00:01:31,520 --> 00:01:34,800 Speaker 1: about two months ago and stayed. I simply didn't realize 32 00:01:34,920 --> 00:01:38,160 Speaker 1: how humorous you two are. Every day on the trip 33 00:01:38,160 --> 00:01:40,400 Speaker 1: to work, without fail, I get a solid dose of 34 00:01:40,440 --> 00:01:44,640 Speaker 1: the chuckles. But what I really like is the down 35 00:01:44,680 --> 00:01:48,160 Speaker 1: to earth approach that you take no pretentiousness at all. 36 00:01:48,280 --> 00:01:51,680 Speaker 3: Ten out of ten. Please keep it up, Peter of Klenbrook. 37 00:01:52,520 --> 00:01:53,320 Speaker 2: Peter still listen. 38 00:01:53,440 --> 00:01:54,960 Speaker 3: I wonder if Peter still listen, if. 39 00:01:54,840 --> 00:01:57,920 Speaker 2: We still give him a dose of the chuckle that. 40 00:01:58,000 --> 00:02:00,400 Speaker 1: Was back in two thousand and seven, because just a 41 00:02:00,440 --> 00:02:02,600 Speaker 1: new show. Really, back then we were just a slip 42 00:02:02,640 --> 00:02:03,160 Speaker 1: of a girl. 43 00:02:04,240 --> 00:02:05,640 Speaker 3: Got another one here? Praise is it? 44 00:02:05,720 --> 00:02:07,680 Speaker 2: Praise skimming free? 45 00:02:07,800 --> 00:02:09,560 Speaker 3: Read Hi Amanda. 46 00:02:09,600 --> 00:02:12,520 Speaker 1: First, I apologize for being notoriously late with this message, 47 00:02:12,520 --> 00:02:15,520 Speaker 1: but my life is such the lower priority tasks often 48 00:02:15,720 --> 00:02:19,600 Speaker 1: take some time for me to get around them. I wanted, 49 00:02:19,760 --> 00:02:22,880 Speaker 1: very belatedly, I admit to congratulate you on the wonderful 50 00:02:22,960 --> 00:02:24,320 Speaker 1: job that you did on Dancing with. 51 00:02:24,280 --> 00:02:25,480 Speaker 3: The Stars last year. 52 00:02:26,080 --> 00:02:28,800 Speaker 1: It's obviously something that is really hard work, and I 53 00:02:28,840 --> 00:02:30,400 Speaker 1: thought that you were just brilliant. 54 00:02:30,600 --> 00:02:32,880 Speaker 2: It's nice how Dad that let it be low priority 55 00:02:32,919 --> 00:02:35,679 Speaker 2: for her without wishing for him to be rude or insulting. 56 00:02:35,720 --> 00:02:37,320 Speaker 2: Here we go, Here we go. 57 00:02:38,040 --> 00:02:40,880 Speaker 1: I thought that your effort was even more impressive when 58 00:02:40,960 --> 00:02:42,960 Speaker 1: you take it to a cat that almost all the 59 00:02:43,000 --> 00:02:46,400 Speaker 1: other stars were either younger and or fitter and or 60 00:02:46,800 --> 00:02:51,119 Speaker 1: had more of a sports slash athletic background than you did. 61 00:02:52,760 --> 00:02:54,919 Speaker 3: Best witch is Deborah Chatwin. 62 00:02:55,120 --> 00:02:57,560 Speaker 2: That's why you've kept that, because you think it's amusing 63 00:02:57,560 --> 00:02:58,960 Speaker 2: that it was a pat pat stat. 64 00:02:59,040 --> 00:03:00,200 Speaker 3: It's a bit of a pat pat stay. 65 00:03:00,560 --> 00:03:02,800 Speaker 2: Where you say something nice, nice and then shive. 66 00:03:02,680 --> 00:03:04,000 Speaker 3: Yes, so you can never go. 67 00:03:04,960 --> 00:03:08,200 Speaker 1: The stabs should never outweigh the pat so certainly, pat 68 00:03:08,240 --> 00:03:12,120 Speaker 1: stab pat Pat Pat stab stab pat pat. 69 00:03:12,400 --> 00:03:16,200 Speaker 2: It's like the juice sandwich, nice piece of bread, something 70 00:03:16,240 --> 00:03:18,400 Speaker 2: on savory and another nice piece of bread. 71 00:03:18,480 --> 00:03:20,960 Speaker 3: The more bread you make, the less shit you gotta eat. 72 00:03:21,120 --> 00:03:21,720 Speaker 3: Am I right? 73 00:03:22,520 --> 00:03:25,000 Speaker 2: You've probably got that on a T shirt someways next 74 00:03:25,040 --> 00:03:30,960 Speaker 2: to my love's T shirt sandwich. What is it praise 75 00:03:31,080 --> 00:03:31,280 Speaker 2: or not? 76 00:03:32,600 --> 00:03:33,320 Speaker 3: This is curious. 77 00:03:33,400 --> 00:03:36,680 Speaker 1: Hi Brandon, my name is Ray. My wife was watching 78 00:03:36,680 --> 00:03:38,800 Speaker 1: you on carry Anne's show the other day and was 79 00:03:38,840 --> 00:03:44,480 Speaker 1: impressed with the improvement to your eyebags. Why you applying 80 00:03:44,600 --> 00:03:51,920 Speaker 1: rector cream to the area. Well, then I'm in dispatch 81 00:03:52,000 --> 00:03:54,160 Speaker 1: to the chemist to grab the magic potion. Do you 82 00:03:54,200 --> 00:03:57,200 Speaker 1: know how embarrassing it is to wander into a chemist 83 00:03:57,280 --> 00:03:59,960 Speaker 1: asking for this product and being presented with so many 84 00:04:00,080 --> 00:04:04,760 Speaker 1: bum cream The price range from seven dollars to thirty 85 00:04:04,800 --> 00:04:07,960 Speaker 1: five dollars, the latter being an analgesic. 86 00:04:08,480 --> 00:04:09,760 Speaker 2: Could you analgesic? 87 00:04:10,280 --> 00:04:11,760 Speaker 3: It is to it? It's an analgesic? 88 00:04:12,280 --> 00:04:12,840 Speaker 2: Analgesic? 89 00:04:12,880 --> 00:04:14,520 Speaker 3: Yeah, I nobody's spelt that way. 90 00:04:14,720 --> 00:04:16,919 Speaker 1: Could you possibly sublime me with the name of the 91 00:04:16,920 --> 00:04:20,039 Speaker 1: product you use? This could be This could make my 92 00:04:20,120 --> 00:04:22,680 Speaker 1: life much easier. So tell me what you were doing 93 00:04:23,160 --> 00:04:28,080 Speaker 1: on carry Anshow I put some rector cream because they 94 00:04:28,080 --> 00:04:31,400 Speaker 1: said you put rectanol on your face and there was 95 00:04:31,440 --> 00:04:32,359 Speaker 1: a much I think. 96 00:04:32,160 --> 00:04:32,640 Speaker 3: At the time. 97 00:04:32,880 --> 00:04:34,040 Speaker 2: Was it a hemorrhoid cream? 98 00:04:34,320 --> 00:04:34,599 Speaker 3: Yeah? 99 00:04:34,640 --> 00:04:36,599 Speaker 1: So the goop that you buy the shops that cost 100 00:04:36,680 --> 00:04:38,040 Speaker 1: you thousands of dollars. 101 00:04:38,560 --> 00:04:39,960 Speaker 3: A lot of people say it's just. 102 00:04:39,920 --> 00:04:43,960 Speaker 1: An anti inflammatory, which what rector cream is. 103 00:04:44,400 --> 00:04:46,200 Speaker 2: And you only put on rector cream if you've got 104 00:04:46,240 --> 00:04:48,160 Speaker 2: like hemorrhoids or swelling. 105 00:04:48,400 --> 00:04:49,800 Speaker 3: Yeah, I don't think you put it off for fun. 106 00:04:49,920 --> 00:04:52,520 Speaker 2: No, Well, what it's a hemorrhoid, isn't it? 107 00:04:52,760 --> 00:04:52,960 Speaker 3: Yeah? 108 00:04:53,000 --> 00:04:57,839 Speaker 1: What a hemorrhoid is a it's a vein? That help 109 00:04:57,839 --> 00:04:59,120 Speaker 1: me out here. What does the hemorrhoid do? 110 00:04:59,320 --> 00:05:01,839 Speaker 2: Well, it's a sw of a vein, I think, trust me, the. 111 00:05:01,920 --> 00:05:07,720 Speaker 3: Millennial, he's Norman here to defend himself. 112 00:05:07,400 --> 00:05:10,960 Speaker 2: And so by putting it under your eyebags shrink the swelling. 113 00:05:11,200 --> 00:05:12,520 Speaker 3: Yes, yes, apparently so. 114 00:05:12,760 --> 00:05:14,840 Speaker 2: And how long did you use it for? Just obviously 115 00:05:14,839 --> 00:05:15,800 Speaker 2: you have stopped. 116 00:05:15,560 --> 00:05:17,320 Speaker 1: Just one day on the show. But I also I've 117 00:05:17,360 --> 00:05:20,040 Speaker 1: got one eyebag that's more prominent the other. So I 118 00:05:20,120 --> 00:05:22,560 Speaker 1: was sort of milking it. 119 00:05:22,520 --> 00:05:24,440 Speaker 2: About oh were you going before and after? 120 00:05:24,560 --> 00:05:24,720 Speaker 3: Yeah? 121 00:05:24,800 --> 00:05:27,120 Speaker 2: Yeah, yeah, oh were you trying to get an add out? 122 00:05:27,240 --> 00:05:29,200 Speaker 1: And Kerry and actually believed it. So I think Caak 123 00:05:29,279 --> 00:05:31,440 Speaker 1: went down to a local chemist square Has. 124 00:05:31,320 --> 00:05:34,120 Speaker 2: And asked for some Rectinold you put her through that 125 00:05:34,200 --> 00:05:35,080 Speaker 2: for no reason. 126 00:05:35,520 --> 00:05:37,120 Speaker 3: It's all grist for the meal isn't it. 127 00:05:39,480 --> 00:05:42,039 Speaker 2: Well, that's enough of the emails. Speaking of bottoms, I'm 128 00:05:42,080 --> 00:05:44,120 Speaker 2: looking at your fold its. There's a lot of drawings 129 00:05:44,120 --> 00:05:44,520 Speaker 2: of bum. 130 00:05:44,600 --> 00:05:47,440 Speaker 3: Well that is you, that's your bum. Do you know 131 00:05:48,080 --> 00:05:51,039 Speaker 3: how do you know an artist's impression? You know? 132 00:05:51,120 --> 00:05:55,719 Speaker 1: I can remember this quite well that day, Thursday, July twelve. 133 00:05:56,040 --> 00:05:59,320 Speaker 2: It's a drawing of a bum. And what's what? What's 134 00:05:59,320 --> 00:06:00,720 Speaker 2: all the curly bit on the end of the not. 135 00:06:00,720 --> 00:06:02,479 Speaker 3: Sniffing, sniffing the bum? 136 00:06:03,040 --> 00:06:05,440 Speaker 1: And that's supposed to be pooh because you've sniffed so 137 00:06:05,560 --> 00:06:06,400 Speaker 1: hard on the bump. 138 00:06:06,640 --> 00:06:08,839 Speaker 2: Oh am I claiming that you're doing that? 139 00:06:09,440 --> 00:06:11,440 Speaker 1: I'm not, No, I think I was saying that you're 140 00:06:11,480 --> 00:06:13,080 Speaker 1: a bit of a bum sniffer. So maybe that's my 141 00:06:13,279 --> 00:06:15,919 Speaker 1: that's my drawing of the profile, I think, And I 142 00:06:15,920 --> 00:06:18,560 Speaker 1: think that's my nose drawing. And then you've written thorough 143 00:06:18,600 --> 00:06:22,479 Speaker 1: on the bum because I've written I've drawn the bum. 144 00:06:22,680 --> 00:06:25,720 Speaker 2: Okay, So was this renegotiation time? Is that why the 145 00:06:25,760 --> 00:06:27,040 Speaker 2: nose is so close to the bump? 146 00:06:27,320 --> 00:06:31,360 Speaker 1: It was because every Thursday we had the first boss here, 147 00:06:31,480 --> 00:06:33,640 Speaker 1: the one that gave me my start here, and he 148 00:06:33,720 --> 00:06:35,160 Speaker 1: was a great guy, Graham Edwards. 149 00:06:35,400 --> 00:06:36,520 Speaker 3: Fantastic guy. 150 00:06:37,520 --> 00:06:40,159 Speaker 2: Very very nice fella, and he employed me too. 151 00:06:40,320 --> 00:06:43,360 Speaker 1: He gave you, well, I got you here like without me, 152 00:06:43,800 --> 00:06:44,680 Speaker 1: you wouldn't be here. 153 00:06:44,839 --> 00:06:48,039 Speaker 2: Come on, and I am as lovely as he was. 154 00:06:50,000 --> 00:06:50,599 Speaker 3: What do you say? 155 00:06:50,960 --> 00:06:52,880 Speaker 2: Oh nothing, I just have to say the word. I'll 156 00:06:52,920 --> 00:06:54,360 Speaker 2: go in there and say to go the drawings Jones. 157 00:06:54,360 --> 00:06:55,560 Speaker 2: He's done, and you're out. 158 00:06:56,279 --> 00:06:58,520 Speaker 3: Well retrospectively, and besides, that's your. 159 00:06:58,400 --> 00:07:02,800 Speaker 2: Drawing harassment, that's your bum. So anyway, anyway. 160 00:07:02,480 --> 00:07:04,280 Speaker 3: Any Graham as lovely as he was. 161 00:07:04,600 --> 00:07:07,960 Speaker 1: The last radio station he managed with some little tiny 162 00:07:09,360 --> 00:07:09,960 Speaker 1: station in. 163 00:07:10,000 --> 00:07:11,040 Speaker 3: Hut In, New Zealand. 164 00:07:11,480 --> 00:07:13,880 Speaker 1: U brought lower Hunt I no audience of about thirty 165 00:07:13,960 --> 00:07:16,560 Speaker 1: thousand sheep and that was about it. So when a 166 00:07:16,600 --> 00:07:20,320 Speaker 1: bit of backstory about our network when Clear Channel the Americans, 167 00:07:21,120 --> 00:07:23,240 Speaker 1: do you know much about the Maize boys, the Americans 168 00:07:23,240 --> 00:07:24,360 Speaker 1: that own Clear Channel? No? 169 00:07:24,680 --> 00:07:27,480 Speaker 3: Sorry, I'm your sorry, Well you can your now because 170 00:07:27,480 --> 00:07:28,480 Speaker 3: they don't own this anymore. 171 00:07:28,640 --> 00:07:33,720 Speaker 1: These guys are Texas billionaires and their whole thing is about. 172 00:07:33,760 --> 00:07:36,040 Speaker 2: About a boss was into monster trucks. 173 00:07:36,120 --> 00:07:37,440 Speaker 3: Yeah, Bob, Bob Coran. 174 00:07:37,920 --> 00:07:40,520 Speaker 1: He was into monster trucks because the Americans would come 175 00:07:40,560 --> 00:07:43,360 Speaker 1: out here and they had no idea about Australia. They 176 00:07:43,400 --> 00:07:47,920 Speaker 1: actually thought that New Zealand was bigger than Australia, so 177 00:07:47,960 --> 00:07:50,920 Speaker 1: they put all the Maize boys and the like be there. 178 00:07:50,960 --> 00:07:52,160 Speaker 3: So they bought our network. 179 00:07:52,160 --> 00:07:55,080 Speaker 1: It was almost like you buy a car and someone's 180 00:07:55,160 --> 00:07:58,320 Speaker 1: left you know, a jack or like an eski in 181 00:07:58,360 --> 00:08:00,240 Speaker 1: the back, and you go, oh, that's nice of ended 182 00:08:00,280 --> 00:08:00,800 Speaker 1: up with an esque. 183 00:08:00,760 --> 00:08:01,600 Speaker 3: You don't know what I'm going to do. 184 00:08:01,600 --> 00:08:02,400 Speaker 2: We the spare bit. 185 00:08:02,480 --> 00:08:03,280 Speaker 3: We were the spare bit. 186 00:08:03,920 --> 00:08:08,160 Speaker 1: So the Americans they never quite understood how we went 187 00:08:08,680 --> 00:08:11,520 Speaker 1: in as far as radio fitted in. 188 00:08:11,800 --> 00:08:13,760 Speaker 3: They thought that they would come in America. 189 00:08:13,440 --> 00:08:16,880 Speaker 1: Clear Channel they have like one radio station will have 190 00:08:17,040 --> 00:08:20,760 Speaker 1: nine stations coming out of the building. Thanks to John 191 00:08:20,800 --> 00:08:24,200 Speaker 1: Howard and his cross media ownership lawyers. When the Americans, 192 00:08:24,240 --> 00:08:26,400 Speaker 1: when the Clear Channel bought this network, I think. 193 00:08:26,360 --> 00:08:29,000 Speaker 3: Was about two thousand and two thousand and one. 194 00:08:28,720 --> 00:08:30,520 Speaker 1: They thought that they would be able to put nine 195 00:08:30,640 --> 00:08:33,120 Speaker 1: radio stations out of this building. And you can see 196 00:08:33,160 --> 00:08:34,560 Speaker 1: that when you used to go to the front of 197 00:08:34,559 --> 00:08:39,040 Speaker 1: the building, you'd see ws mix the edge and there 198 00:08:39,080 --> 00:08:42,119 Speaker 1: was all these other empty tiles where other businesses. 199 00:08:42,160 --> 00:08:44,600 Speaker 2: So John Howard said, you cannot have that many stations. 200 00:08:44,640 --> 00:08:46,880 Speaker 2: You can only have in one area. Well, we can 201 00:08:46,960 --> 00:08:47,520 Speaker 2: only have two. 202 00:08:47,559 --> 00:08:49,440 Speaker 1: You can only own a market one market, you can 203 00:08:49,480 --> 00:08:52,360 Speaker 1: only own two stations, and that's it. So we've got 204 00:08:52,400 --> 00:08:56,400 Speaker 1: the edge here as well, which because that's considered a 205 00:08:56,440 --> 00:09:01,040 Speaker 1: provincial station, like a regional station in Katum, it. 206 00:09:01,120 --> 00:09:02,720 Speaker 3: Somehow slips under the radar. 207 00:09:03,360 --> 00:09:05,800 Speaker 1: So what they were hoping to do was put eight 208 00:09:05,880 --> 00:09:08,480 Speaker 1: radio stations in this one building, and that never happened. 209 00:09:08,520 --> 00:09:10,320 Speaker 1: And then the Americans that went, oh, well, you know, 210 00:09:10,600 --> 00:09:14,160 Speaker 1: we've they kind of lost interest, like you lose interest 211 00:09:14,160 --> 00:09:15,800 Speaker 1: in the eski that's in the back of your car. 212 00:09:16,160 --> 00:09:17,760 Speaker 2: Was the interested in this story? Where are you going? 213 00:09:18,120 --> 00:09:20,400 Speaker 1: Well, I'm just saying. So Graham the boss, he was 214 00:09:20,480 --> 00:09:22,560 Speaker 1: running the New Zealand and they said I'll just send 215 00:09:22,640 --> 00:09:25,120 Speaker 1: him out here and he'll take over. And he was 216 00:09:25,120 --> 00:09:28,640 Speaker 1: a great He had ideas about New Zealand radio, but 217 00:09:28,760 --> 00:09:32,199 Speaker 1: no idea about Australian radio. So when I came over here, 218 00:09:32,240 --> 00:09:34,120 Speaker 1: and I don't want to be disrespectful to him, because 219 00:09:34,120 --> 00:09:36,280 Speaker 1: he was great. He gave me my start here and 220 00:09:36,320 --> 00:09:39,640 Speaker 1: he was always very supportive. But every Thursday he wanted 221 00:09:39,640 --> 00:09:41,680 Speaker 1: to have a meeting, so we'd all sit around and 222 00:09:41,679 --> 00:09:44,440 Speaker 1: have a jocks meeting, and in your jocks. 223 00:09:44,840 --> 00:09:46,760 Speaker 2: You know the meetings weren't about work. 224 00:09:46,800 --> 00:09:49,160 Speaker 1: Well, no, Graham came out here like he was on 225 00:09:49,160 --> 00:09:51,600 Speaker 1: a holiday. He'd come out here, he'd finished work at 226 00:09:51,640 --> 00:09:54,520 Speaker 1: about twelve. You have a little man bag, it's sharp 227 00:09:54,520 --> 00:09:56,600 Speaker 1: at ten, and then he'd finished at twelve, and then 228 00:09:56,600 --> 00:09:58,200 Speaker 1: he'd go one off to go and check out the zoo, 229 00:09:58,240 --> 00:09:59,320 Speaker 1: and I go, good May. 230 00:09:59,240 --> 00:10:01,160 Speaker 2: Long down to Darling Harbor in a wine shirt. 231 00:10:01,200 --> 00:10:03,760 Speaker 1: And also here when I first came here, they had 232 00:10:03,800 --> 00:10:05,199 Speaker 1: no backup production stuff. 233 00:10:05,240 --> 00:10:05,880 Speaker 3: There was no one. 234 00:10:05,920 --> 00:10:07,560 Speaker 1: They didn't have a producer. They had a girl that 235 00:10:07,640 --> 00:10:09,600 Speaker 1: answered the phones, but that was about it. 236 00:10:09,640 --> 00:10:12,680 Speaker 2: Too much scaffolding. People don't need to know about this. 237 00:10:12,720 --> 00:10:14,559 Speaker 3: Would love all this stuff, but take. 238 00:10:14,400 --> 00:10:17,480 Speaker 2: Me so the meetings therefore, so why have we drawn 239 00:10:17,520 --> 00:10:18,360 Speaker 2: bums in your doice? 240 00:10:18,440 --> 00:10:21,920 Speaker 1: What would happen was on a Thursday. At Thursdays still 241 00:10:22,120 --> 00:10:24,040 Speaker 1: is a busy day here for me because there's a 242 00:10:24,080 --> 00:10:25,840 Speaker 1: lot of production work I do for the end of 243 00:10:25,840 --> 00:10:30,080 Speaker 1: the week. So what would happen was Graham was insistent 244 00:10:30,160 --> 00:10:32,960 Speaker 1: that I appear at these meetings because in my contract 245 00:10:33,160 --> 00:10:34,880 Speaker 1: it says I've got to go to these meetings. 246 00:10:35,600 --> 00:10:37,400 Speaker 3: So I was sitting there and it. 247 00:10:37,360 --> 00:10:39,600 Speaker 1: Would be one of the guys, so let's all start 248 00:10:39,640 --> 00:10:42,000 Speaker 1: the meeting by what are we doing this weekend? And 249 00:10:42,040 --> 00:10:43,800 Speaker 1: I'd always say, well, I'm going to be spending time 250 00:10:43,800 --> 00:10:45,840 Speaker 1: with my family and I'm going to have a great time. 251 00:10:45,960 --> 00:10:47,040 Speaker 3: Okay, that's me done. 252 00:10:47,120 --> 00:10:49,240 Speaker 1: And I because he said, all I want to hear 253 00:10:49,480 --> 00:10:50,880 Speaker 1: is what you're doing on the weekend, and then you 254 00:10:50,920 --> 00:10:51,400 Speaker 1: can leave the. 255 00:10:51,400 --> 00:10:56,040 Speaker 2: Meeting, because he wanted that sort of kumbai, a stationality 256 00:10:56,080 --> 00:10:57,840 Speaker 2: where we all are great mates. 257 00:10:58,280 --> 00:11:01,679 Speaker 1: And if you hide productions staff to do the job 258 00:11:01,720 --> 00:11:03,120 Speaker 1: that I was going to be doing there, I would 259 00:11:03,160 --> 00:11:04,840 Speaker 1: have kumbayed all the way. 260 00:11:04,960 --> 00:11:07,280 Speaker 3: I would have broken out the ukulele. But no, I 261 00:11:07,280 --> 00:11:08,040 Speaker 3: had to do it almos self. 262 00:11:08,120 --> 00:11:10,400 Speaker 2: And so when I started, we still had those meetings, 263 00:11:10,480 --> 00:11:12,320 Speaker 2: and you and I would stand there and try and 264 00:11:12,360 --> 00:11:14,280 Speaker 2: make each other laugh. We try and shock each other 265 00:11:14,320 --> 00:11:15,480 Speaker 2: by drawing terrible things. 266 00:11:15,559 --> 00:11:17,959 Speaker 1: So I would say, so I've drawn that picture of 267 00:11:17,960 --> 00:11:20,040 Speaker 1: the bum so you could hang around and sniff pot 268 00:11:20,080 --> 00:11:22,080 Speaker 1: pot while I do work. Because the other thing was 269 00:11:22,200 --> 00:11:24,400 Speaker 1: the Americans thought that we'd be able to voicetrack every 270 00:11:24,440 --> 00:11:25,160 Speaker 1: part of our radio. 271 00:11:25,160 --> 00:11:26,360 Speaker 2: Sure knows what that means. 272 00:11:26,280 --> 00:11:28,400 Speaker 3: Boytrake means when you pre record all the story, yes, 273 00:11:28,400 --> 00:11:29,880 Speaker 3: which we don't. We've done it right now. 274 00:11:30,120 --> 00:11:31,800 Speaker 2: Yeah, but our radio show is live. 275 00:11:32,440 --> 00:11:35,079 Speaker 3: But we only have one studio here. That's the other thing. 276 00:11:35,160 --> 00:11:37,719 Speaker 1: Every other radio station I've worked in there's more than 277 00:11:37,720 --> 00:11:40,959 Speaker 1: one studio, so studio time is fineite. So you can't 278 00:11:41,120 --> 00:11:43,839 Speaker 1: just stand around a lot of studios am empty while 279 00:11:43,880 --> 00:11:44,760 Speaker 1: we're all sitting were. 280 00:11:44,679 --> 00:11:47,040 Speaker 2: So you want to go home before midnight, So we 281 00:11:47,080 --> 00:11:48,560 Speaker 2: would just draw so bums. 282 00:11:48,640 --> 00:11:51,720 Speaker 1: That was me saying to you, you hang around and 283 00:11:51,760 --> 00:11:53,199 Speaker 1: sniff some clackerup. 284 00:11:54,040 --> 00:11:57,760 Speaker 3: I'll go and do some work there other time. 285 00:11:58,200 --> 00:12:00,400 Speaker 2: Other times we've drawn bums as well, because probably was 286 00:12:00,520 --> 00:12:02,880 Speaker 2: negotiation time and I'm accused you of running down to 287 00:12:02,960 --> 00:12:04,280 Speaker 2: management licking hard. 288 00:12:04,600 --> 00:12:08,200 Speaker 1: So away from the bum licking. What about this August eight, 289 00:12:09,200 --> 00:12:10,640 Speaker 1: Keller a lucky chuck? 290 00:12:11,040 --> 00:12:12,160 Speaker 2: Is this a newspaper? 291 00:12:12,280 --> 00:12:14,120 Speaker 1: This is being back when I used to write about 292 00:12:14,160 --> 00:12:18,320 Speaker 1: us in the newspaper move over Freddie Fidler wsfmbrecky host 293 00:12:18,320 --> 00:12:22,480 Speaker 1: Amanda Keller is taking charge of the Sydney Roosters, naming 294 00:12:22,520 --> 00:12:25,520 Speaker 1: herself NROL team's lucky chick. 295 00:12:27,720 --> 00:12:28,559 Speaker 2: I never did that. 296 00:12:28,840 --> 00:12:31,560 Speaker 1: The team haven't lost a game since Keller took on 297 00:12:31,640 --> 00:12:35,400 Speaker 1: the role of team consultant deem consultant. But after their 298 00:12:35,440 --> 00:12:37,920 Speaker 1: drawer at the weekend, the radio gal was in a flap. 299 00:12:38,920 --> 00:12:42,280 Speaker 1: Dressed in full trainer's uniform, Keller headed to the training 300 00:12:42,320 --> 00:12:45,720 Speaker 1: session this week to pump up the pressure for her sake. 301 00:12:46,080 --> 00:12:48,319 Speaker 1: He is hoping they don't lose to the West Tigers 302 00:12:48,360 --> 00:12:48,880 Speaker 1: tomorrow night. 303 00:12:49,080 --> 00:12:51,080 Speaker 2: Remember we went down there. I think I had to 304 00:12:51,080 --> 00:12:53,280 Speaker 2: wear the rugby shorts and I had cowboy boots on. 305 00:12:53,400 --> 00:12:55,240 Speaker 3: You did too, and you were yelling at Freddie Fidler. 306 00:12:55,960 --> 00:12:57,600 Speaker 2: You Now, I must have said on air that I 307 00:12:57,640 --> 00:12:59,880 Speaker 2: was a consultant. Imagine writing the paper that I'm not 308 00:13:00,360 --> 00:13:03,240 Speaker 2: myself as a team consultant. Now, get in the barbs, 309 00:13:03,320 --> 00:13:05,800 Speaker 2: Get in the ice barbs. That's hilarious. 310 00:13:06,440 --> 00:13:08,280 Speaker 3: Oh, that is gold. That is gold. 311 00:13:08,480 --> 00:13:11,760 Speaker 1: Also in October, Ah, have a look at that picture. 312 00:13:12,840 --> 00:13:17,559 Speaker 1: That's you, me and the Lake polaroid Doc Neeson at 313 00:13:17,679 --> 00:13:22,280 Speaker 1: a October event. This was a precursor to Doc Taber, 314 00:13:22,440 --> 00:13:25,480 Speaker 1: which would come the following year and which gave us 315 00:13:25,600 --> 00:13:28,880 Speaker 1: Doc Nesson gave us the backyard jam. That's for our 316 00:13:28,920 --> 00:13:32,000 Speaker 1: next time's podcast. But look at this, there's you. I 317 00:13:32,000 --> 00:13:33,000 Speaker 1: think Doc was a bit keen. 318 00:13:33,040 --> 00:13:34,920 Speaker 2: Doc's got his hand on my hips and he's standing 319 00:13:34,920 --> 00:13:35,400 Speaker 2: behind me. 320 00:13:35,480 --> 00:13:38,800 Speaker 3: It's like he's yeah, I look at my face. I'm like, oh, 321 00:13:38,880 --> 00:13:40,800 Speaker 3: I came hete We. 322 00:13:40,720 --> 00:13:42,720 Speaker 2: Gave you twenty bucks and said go and see a movie. 323 00:13:42,800 --> 00:13:43,920 Speaker 3: Come on mate. 324 00:13:44,240 --> 00:13:46,080 Speaker 1: Remember Doc would always come in here and he'd always 325 00:13:46,080 --> 00:13:47,880 Speaker 1: say hey, Jonesy and then he'd see you and go 326 00:13:48,080 --> 00:13:49,440 Speaker 1: whoa Doc? 327 00:13:49,520 --> 00:13:54,040 Speaker 2: And I had a thing? Did you no a mind thing? 328 00:13:54,400 --> 00:13:56,440 Speaker 3: Right? Okay? Anything you want to divulge in. 329 00:13:56,440 --> 00:13:58,560 Speaker 2: The podcast, It's just a mind thing that was all 330 00:13:59,240 --> 00:14:01,559 Speaker 2: moving forward and he's clipping there. What's that one? 331 00:14:01,720 --> 00:14:03,760 Speaker 3: Kosh? He made Todd's mum cry, why. 332 00:14:03,679 --> 00:14:04,679 Speaker 2: Have you kept that clipping? 333 00:14:05,440 --> 00:14:06,000 Speaker 3: Let me read it. 334 00:14:06,080 --> 00:14:08,880 Speaker 1: He's upset plenty of people as the nasty judge, but 335 00:14:08,920 --> 00:14:10,960 Speaker 1: the dancing shoe was on the other foot. When Todd 336 00:14:11,040 --> 00:14:16,440 Speaker 1: McKenny was attacked by David Kashi Kosh on Sunrise last week. 337 00:14:17,040 --> 00:14:19,720 Speaker 1: The Dancing with the Stars bad guy revealed on Jeronsy 338 00:14:19,800 --> 00:14:23,960 Speaker 1: Normande's Breakfast show yesterday his mum burst into tears when 339 00:14:24,000 --> 00:14:29,800 Speaker 1: Koshi went hard on Todd McKenny. Todd's mom mom burst 340 00:14:29,840 --> 00:14:33,480 Speaker 1: into tears, Yeah, because he would have said that, you know, 341 00:14:33,640 --> 00:14:35,320 Speaker 1: he's a scally wag, that Todd. 342 00:14:35,480 --> 00:14:37,200 Speaker 2: Do you think this might have been around when Samantha 343 00:14:37,240 --> 00:14:38,080 Speaker 2: Ramitage was on it. 344 00:14:38,240 --> 00:14:41,240 Speaker 3: No, it was around the time he gave Nicky Webster one. 345 00:14:41,400 --> 00:14:43,720 Speaker 2: Yeah, and he said, I'll give you one. Anyone said, 346 00:14:43,760 --> 00:14:45,120 Speaker 2: that's outrageous. 347 00:14:45,640 --> 00:14:50,480 Speaker 1: Well, that'd be a first. He made my mum cry 348 00:14:50,880 --> 00:14:53,840 Speaker 1: the one time. Boy friend Oz said, when you hear 349 00:14:53,880 --> 00:14:56,800 Speaker 1: your mum cry, it makes you turn to jelly. She 350 00:14:56,880 --> 00:14:59,680 Speaker 1: was watching Sunrise and all her friends were calling. 351 00:14:59,400 --> 00:15:01,320 Speaker 3: Her because they watched the show. 352 00:15:02,240 --> 00:15:05,440 Speaker 1: Doubt Nicki Webster feels much sympathy for him, so. 353 00:15:05,480 --> 00:15:07,440 Speaker 3: There would have been a bit of to do about that, 354 00:15:07,520 --> 00:15:08,280 Speaker 3: I would imagine. 355 00:15:08,320 --> 00:15:10,560 Speaker 2: And you know how the year wrapped up, Kevin Rodd 356 00:15:10,600 --> 00:15:12,640 Speaker 2: became PM. But it's not as important as me saying 357 00:15:12,640 --> 00:15:14,080 Speaker 2: I was a consultant for the Roosters. 358 00:15:14,520 --> 00:15:17,720 Speaker 3: I think that's important. But also we started the year 359 00:15:17,720 --> 00:15:19,080 Speaker 3: with bum and. 360 00:15:18,960 --> 00:15:20,480 Speaker 2: Then that's one of my drawings. 361 00:15:20,560 --> 00:15:21,880 Speaker 3: Let's talk about this story here. 362 00:15:22,000 --> 00:15:24,360 Speaker 1: Well's that So there's a picture of a bum and 363 00:15:24,400 --> 00:15:27,880 Speaker 1: apparently your adaptation. 364 00:15:27,360 --> 00:15:30,040 Speaker 2: I've written that that's Paul Stanley's bottom, Paul, And then 365 00:15:30,040 --> 00:15:32,760 Speaker 2: there's drawing of you with your tongue poking towards it. 366 00:15:33,240 --> 00:15:34,640 Speaker 2: Is this because we had him in here and I 367 00:15:34,640 --> 00:15:36,160 Speaker 2: thought you were crawling no, okay. 368 00:15:36,360 --> 00:15:39,560 Speaker 1: So this was another one of Graham's crazy Thursday kumbay 369 00:15:39,640 --> 00:15:42,600 Speaker 1: our meetings. So we're about to go into this meeting 370 00:15:43,160 --> 00:15:45,640 Speaker 1: and Paul Stanley comes in for an interview, but he 371 00:15:45,720 --> 00:15:48,360 Speaker 1: was supposed to be having an interview with Ronnie Sparks. 372 00:15:48,760 --> 00:15:51,120 Speaker 1: Ronnie Sparks wasn't even here. Ronnie used to go up 373 00:15:51,400 --> 00:15:54,240 Speaker 1: and put the station into auto roll and go up 374 00:15:54,240 --> 00:15:56,920 Speaker 1: and have a coffee at Gloria Jeans because he didn't 375 00:15:56,960 --> 00:15:59,000 Speaker 1: like the meetings exactly like I didn't like them either. 376 00:15:59,360 --> 00:16:04,320 Speaker 1: So Stanley from Kiss is wandering around our building and 377 00:16:04,760 --> 00:16:06,640 Speaker 1: I'm on the phone talking to someone and I said, 378 00:16:06,640 --> 00:16:08,520 Speaker 1: excuse me, I've got to go because Paul Stanley is 379 00:16:08,560 --> 00:16:10,040 Speaker 1: just standing here and he's looking a bit lost. 380 00:16:10,520 --> 00:16:11,520 Speaker 3: So I talked to Paul. 381 00:16:11,640 --> 00:16:14,200 Speaker 1: We ended up doing an interview with him because no 382 00:16:14,200 --> 00:16:16,040 Speaker 1: one else is going to do the interview, remember we are, 383 00:16:16,040 --> 00:16:17,920 Speaker 1: And then you were saying I just wanted to kiss 384 00:16:17,960 --> 00:16:20,120 Speaker 1: his bom and then in the meeting you drew that 385 00:16:20,160 --> 00:16:21,560 Speaker 1: to make me laugh, which she did. 386 00:16:21,720 --> 00:16:25,000 Speaker 2: Also. Remember we had these WSFM jackets here and we 387 00:16:25,040 --> 00:16:26,720 Speaker 2: thought we'd get a photo with a minute, so we 388 00:16:26,760 --> 00:16:28,360 Speaker 2: handed it to him and he just signed it. 389 00:16:28,400 --> 00:16:31,640 Speaker 1: Because Ronnie Sparks had come back with his Gloria jeans 390 00:16:32,040 --> 00:16:37,200 Speaker 1: and yeah, next minute, Paul Stanley is signing the WSFM jacket. 391 00:16:37,280 --> 00:16:39,520 Speaker 2: Yeah, and we're going, oh, well, thank you. It's almost 392 00:16:39,520 --> 00:16:40,680 Speaker 2: like he's devalued them a. 393 00:16:40,600 --> 00:16:44,800 Speaker 1: Little, Paul you that we're to take it straight down 394 00:16:44,840 --> 00:16:45,840 Speaker 1: to the dry cleanness. 395 00:16:46,280 --> 00:16:47,520 Speaker 2: Can you get TEXTU off? 396 00:16:48,680 --> 00:16:52,640 Speaker 1: God gave rock and roll to here, but not the 397 00:16:52,720 --> 00:16:54,000 Speaker 1: right text, not the. 398 00:16:54,000 --> 00:16:56,360 Speaker 3: Right to ride all over our station merchandise. 399 00:16:56,880 --> 00:16:58,240 Speaker 2: Well, I've enjoyed this ride. 400 00:16:58,440 --> 00:17:01,640 Speaker 3: This has been great. Join us next time when we 401 00:17:01,680 --> 00:17:03,320 Speaker 3: do two thousand and eight. 402 00:17:03,320 --> 00:17:07,600 Speaker 2: The Future Man Goodbye. For more Jonesy and Avanda podcast, 403 00:17:07,760 --> 00:17:10,280 Speaker 2: download the free iHeartRadio app