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Speaker 1: Will and Woodies Meaningful gift Off, make your money meaningful,

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Speaker 1: fis Christy with Maya my store, Take it on center,

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Speaker 1: Take it.

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Speaker 2: On center, alrighty wood So that all of these have

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Speaker 2: been a bit of fun, we've had a hurt with

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Speaker 2: all of these. Today's was special really a chance to

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Speaker 2: make someone's Christmas. Really, take a family who have been

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Speaker 2: through a whole lot and give them something which they

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Speaker 2: couldn't have got themselves. So again, all of this is

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Speaker 2: thanks to Maya. We decorated a house in Craigieburn in Melbourne.

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Speaker 2: Now the reason this house is special is because Joline

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Speaker 2: nominated her mum, Ruth, who was diagnosed with terminal cancer

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Speaker 2: and given no more than a year to live.

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Speaker 3: So most likely our last Christmas is this one.

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Speaker 2: Yeah, Joline said, this will probably be a last Christmas

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Speaker 2: and we'd love for you to deck out her home

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Speaker 2: and to give her some Christmas year. So look, the

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Speaker 2: Christmas decorations and the kit you can get at Maya

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Speaker 2: is immense. Oh yeah, we got everything. We polished up

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Speaker 2: the handle on the big front door. That place looked amazing.

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Speaker 2: And then the kicker was we found out that Joline

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Speaker 2: was a fan of a very famous singer here in Australia,

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Speaker 2: and we reached out to that singer and we got

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Speaker 2: her to come down and surprise her after she walked

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Speaker 2: into her living room with some carols. So I'm going

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Speaker 2: to play the audio here. It picks up where we're

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Speaker 2: all waiting in the living room, crouched down.

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Speaker 3: With the whole family.

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Speaker 4: You know, you go, Taylor, four daughters, Sharon, Taylor's there.

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Speaker 4: Everyone's like sweating around. It was even before she arrived.

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Speaker 4: You could feel a real warmth and love in the room.

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Speaker 2: Absolutely, everyone was so excited about the chance to surprise

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Speaker 2: this woman. So you're gonna hear a few voices. You're

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Speaker 2: gonna hear Ruth, You're gonna hear our surprise singer very

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Speaker 2: very shortly, and you're gonna hear also from Ruth's husband, Tao,

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Speaker 2: who they're obviously going through this really hectic process where yeah,

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Speaker 2: she's terminally ill and so this was a surprise to

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Speaker 2: all of them. Please enjoy what was a really really

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Speaker 2: beautiful moment and if you're ready for Christmas, some amazing,

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Speaker 2: amazing singing by a very special guest. Hi, Ruth, I'm

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Speaker 2: will from William Woody.

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Speaker 3: How are you going give us a hug.

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Speaker 2: Joline told us that this is potentially your last Christmas,

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Speaker 2: and so she wanted to make it a very very

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Speaker 2: special Christmas for you. All of this stuff is all

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Speaker 2: thanks to Maya. Joline talked to us a little bit

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Speaker 2: about Mum.

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Speaker 5: My Mum is probably the definition of superwoman. This is

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Speaker 5: her third time. She's bet in cancer twice, and the

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Speaker 5: whole time she's done it, all she's wanted to do

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Speaker 5: is make sure everyone around her is taken care of

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Speaker 5: and looked after. And this last time she was told

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Speaker 5: that she was terminal and had only months to live.

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Speaker 3: Yet still all she wants to do is bake.

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Speaker 5: For everyone and cook for everyone and come and help

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Speaker 5: me at my house and look after my kids.

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Speaker 3: And so we.

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Speaker 5: Just wanted to try and do something special for her.

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Speaker 2: I can't believe this.

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Speaker 3: Let me drive in and saw the car now driveway

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Speaker 3: her foot. This car is that before? No, Mum, tell

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Speaker 3: them what you were going to do. I thought it

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Speaker 3: was from the people down the road and she was

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Speaker 3: going to storm out there. You can't pass in my driveway.

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Speaker 6: That's not the That's not the only surprise, though, Ruth.

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Speaker 6: We have one extra surprise for you get out here. Sammy,

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Speaker 6: my godness, this.

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Speaker 2: Is Sammy Jay.

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Speaker 7: We want to sing you some cows.

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Speaker 2: Thank you christ Ruth, you got me going as well.

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Speaker 2: All right, Ruth, you know Sammy.

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Speaker 8: Yes, I've seen her and now I'm s met her.

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Speaker 3: It's wonderful my lounge.

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Speaker 2: Wow, all right, private concert? How you haven't said much? Hey?

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Speaker 2: You feeling?

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Speaker 8: Yes?

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Speaker 9: I really don't know what to say. This is overwhelming

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Speaker 9: and very excited. You know, I'm so grateful for you

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Speaker 9: people have lifted her because really today is special for her.

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Speaker 9: So thank you so much. And the bottom of my heart.

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Speaker 9: Oh man, this is too much.

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Speaker 3: All it's a lot.

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Speaker 2: Shall we h shall let the music, Let the music

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Speaker 2: do the talking. Okay, okay, well let's come and sit

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Speaker 2: down the couch and then we'll take it away.

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Speaker 10: And we hold for Christmas.

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Speaker 2: Chris, you can.

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Speaker 8: Count on me. Please hast no and me and prosis

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Speaker 8: by the tree tree Christmas even fine where like please.

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Speaker 6: I will.

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Speaker 8: If all if all leave, jek God, Now we're gonna.

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Speaker 11: See that was awful.

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Speaker 3: We don't want anything.

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Speaker 8: Wait, hid to get out of the house. Christmas.

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Speaker 2: You don't seen a mill the money Christmas? And if

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Speaker 2: you're just joining us.

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Speaker 7: That is the sound of Sammy Jade singing live in

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Speaker 7: a lounge room in Craigieburn this morning.

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Speaker 2: To Ruth, probably Ruth's last Christmas here with us, and

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Speaker 2: you can hear in the background her daughters and her

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Speaker 2: family dancing with us in their lound room. It was

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Speaker 2: one of the more emotional things I've ever been a

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Speaker 2: part of. It was a beautiful, beautiful thing to be

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Speaker 2: a part of.

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Speaker 4: Kind of makes you rethink, like seeing family at Christmas,

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Speaker 4: I reckon. I feel like you often go into that.

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Speaker 3: Christmas Day sometimes going oh, that's gonna be saying it.

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Speaker 3: There's a bit of a long day and I can't

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Speaker 3: really bother seeing that person.

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Speaker 4: And then as soon as you meet Ruth's family and

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Speaker 4: you see the love and care that they have for

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Speaker 4: their mum, and as soon as you put it through

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Speaker 4: the prism of her knowing that this is going to

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Speaker 4: be her last Christmas, it just reframes Christmas Day, right

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Speaker 4: and this period in the air.

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Speaker 2: That's exactly right, well said man. You can see it

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Speaker 2: a little bit later on Instagram TikTok William, what do

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Speaker 2: you You can hear? This is Ruth? After Sammy finished

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Speaker 2: singing this morning listen.

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Speaker 3: How was it, Ruth?

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Speaker 8: Amazing?

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Speaker 1: Thank you.

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Speaker 12: I never never had anything like this before.

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Speaker 8: My daughters are so ticky.

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Speaker 2: Thank you so much, everybody.

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Speaker 12: Thank you.

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Speaker 2: I really really appreciate it. It's a pleasure, mate, it's

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Speaker 2: a pleasure. I've been a part of a lot of

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Speaker 2: these things and I don't get any of his emotions.

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Speaker 2: That was really awesome. Thank you, Sammy. That was so

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Speaker 2: nice you came.

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Speaker 8: I loved it.

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Speaker 2: I'm glad you were able to come with your boyster thing.

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Speaker 3: It was beautiful. I just wish all the neighbors were

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Speaker 3: here to hear your.

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Speaker 2: Girls. Is there anything that you would like to say

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Speaker 2: to your mum?

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Speaker 12: Oh, just that we love her and we just wanted

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Speaker 12: to have a magical Christmas. We just want to make

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Speaker 12: sure that you know we love you.

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Speaker 3: We're pretty blessed.

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Speaker 12: Mum will do anything for anyone, like my sister said,

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Speaker 12: and but yeah, Mum just deserves the world.

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Speaker 3: Oh she's happy with this for it looks like a

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Speaker 3: straight out of Maya.

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Speaker 2: It is.

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Speaker 6: It is.

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Speaker 13: A round of rep pause for Ruth. Still getting me

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Speaker 13: now day Ah gee, I'll tell you what.

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Speaker 2: That was beautiful. That is the end of the meaning

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Speaker 2: meaningful give mission all thanks to Maya And yeah, I

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Speaker 2: don't know what the definition of meaningful is, but I

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Speaker 2: reckon if you're going to check that out with the

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Speaker 2: witting Instagram TikTok, you will see the meaning of meaningful.

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Speaker 2: Because that was beautiful. That was it had it all.

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Speaker 2: Big shout out to Sammy Jade, Like, you can meet

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Speaker 2: a lot of people in the entertainment industry and a

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Speaker 2: lot of people are not lovely. She used the definition

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Speaker 2: of genuine and just the effort to get there and

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Speaker 2: make that woman's day and really at a whole bunch

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Speaker 2: of sunshine to a very very dark time for that

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Speaker 2: woman in that family.

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Speaker 14: It was.

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Speaker 2: It was just a wonderful thing to be a part of.

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Speaker 2: And yeah, a big shout out to Ruth and to

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Speaker 2: Tower and to your girls. It was thank you for

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Speaker 2: letting us in your home.

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Speaker 4: And Taylor Shazzar, Dakota, Joeline. It's just one of the

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Speaker 4: one of the most beautiful families I've ever had.

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Speaker 3: Had the beauty of getting that.

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Speaker 2: It was awesome. It was awesome. Yeah, thanks guys, and yeah,

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Speaker 2: God bless you Ruth. We loved you. Mate us Bring

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Speaker 2: merry Christmas.

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Speaker 3: What's the deal with homework. What's the deal without playing peanuts?

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Speaker 3: What's the deal with lampshet?

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Speaker 11: The King of Comedy Jerry Seinfeld is coming to Australia

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Speaker 11: June twenty twenty four tickets Friday November seventeenth at ticket

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Speaker 11: Tech tough Craft.

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Speaker 2: Yeah, that's right. Well, it's got to double pass to

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Speaker 2: give away to the King of comedy, the king of relatable,

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Speaker 2: mundane comedy. I mean that that's what he's good at.

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Speaker 2: He's finding something very small, means nothing to you, and

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Speaker 2: then all of a sudden he makes a joke out

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Speaker 2: of it. And that's how you get a double past

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Speaker 2: to Jerry Seinfeld. You've got to do the same thing.

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Speaker 2: You got to finish that sentence, What the deal with?

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Speaker 2: We will just throw an animate object in there, and

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Speaker 2: you've got to try and make a joke out of it.

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Speaker 2: If you're beaten by the Seinfeld music, though, you will

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Speaker 2: be swept out of here. So fast. Mea meya. What's

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Speaker 2: the deal with skinny dipping?

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Speaker 10: Get me naked.

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Speaker 15: Oceans, culting seaweed in places they're not supposed to be.

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Speaker 2: Seaweed. Okay, so no, absolutely, no jokes there. You're going

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Speaker 2: to try and make a joke that's the key. But

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Speaker 2: that's obviously the hardest part about this. So we will

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Speaker 2: move it on if we think you know where near it.

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Speaker 2: Let's kick it off with Carli carl Hello, Carli, what's

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Speaker 2: the what's the deal with veiny forearms?

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Speaker 14: What is the deal with veiny forearms?

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Speaker 15: I feel like whoever has spainy forearms just want steroids.

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Speaker 4: Not much of a big comment, but it's not really

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Speaker 4: a joke, but just an accusation. Benny, Benny, what's the

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Speaker 4: deal with vampires always wearing suits?

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Speaker 16: What's the deal with vampire sus?

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Speaker 3: Sorry? Mate, a line, the line just dropped down.

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Speaker 4: Oliver, Oliver, what's to do with vampires always wearing suits?

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Speaker 1: Oh?

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Speaker 16: The vampires they're gonna they should be wearing a punchel.

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Speaker 2: We'll go to Emma here, Uh, Emma, Emma. What's the

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Speaker 2: deal when a woman wears tights and wears them as pants.

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Speaker 16: Because they're actually pants anyway.

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Speaker 9: Like.

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Speaker 3: Just getting defensive there. Obviously she's wearing tights right now

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Speaker 3: and you've just defended he will. I think the tickets

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Speaker 3: kind of all.

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Speaker 8: You're doing.

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Speaker 2: Maney, You're gonna go do the King Company. Jerry Seinfeld

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Speaker 2: is coming back to the twenty four tickets today. They

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Speaker 2: went out through ticket Tech. If you guys want to

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Speaker 2: go and get your own tickets that he's through ticket tech. Oliver, Yeah,

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Speaker 2: apparently you do a pretty good Seinfeld impression.

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Speaker 16: Oh I thought that was actually a lot. Actually, I

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Speaker 16: take it up as.

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Speaker 2: Okay, do you want to do you want to do it?

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Speaker 2: Do you want to do a bit of Seinfeld? Here

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Speaker 2: takes into the traffic?

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Speaker 14: Yeah? Oh me? Uh, what's the deal with the escalator run?

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Speaker 3: That's a legend called Joel calls this show and gives

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Speaker 3: us an amazing hypothetical like this.

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Speaker 14: My hypothetical is would you still have a few drinks?

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Speaker 14: You know, responsibly? It's every third. There was a ten

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Speaker 14: percent chair that you'd wet your pants.

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Speaker 2: He's got a new one.

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Speaker 3: It was a hypothetical.

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Speaker 1: It's a hypothetical.

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Speaker 3: Jolly, how are your mate?

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Speaker 14: I'm good? How are you doing?

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Speaker 3: Outstanding? Mate? I'm in a much better mood now that

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Speaker 3: you're on the show.

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Speaker 12: Mate.

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Speaker 14: That makes me. That makes me feel good, good good.

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Speaker 4: We're making each other feel good. It's a mutually beneficial relationship. Joel,

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Speaker 4: let's crack into the hypothetical.

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Speaker 2: Mate.

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Speaker 14: Okay, all right, so this right yeah, hear me out.

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Speaker 14: Yeah yeah yeah, would you okay ten million dollars, yeah yeah.

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Speaker 4: Yeah right, the money money, ten million dollars.

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Speaker 14: But for the rest of your life, there's a snail

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Speaker 14: following you. And if that snail catches you, yeah yeah you.

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Speaker 2: Dad. So so it's just as the premise of the movie.

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Speaker 2: It follows, but with a snail rather than a person.

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Speaker 14: Yeah yeah, something like that. Yeah, and like because let's

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Speaker 14: picture it, right. You go to work, yeah, yeah, you're

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Speaker 14: there for the day. Yeah, unless you live like ten

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Speaker 14: minutes away from like from work, then you're dead anyway.

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Speaker 14: So let's say you work at thirty minute drive, you

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Speaker 14: get to work, you're there for the day, you're safe. Yeah,

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Speaker 14: you drive home, you might be safe for the night.

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Speaker 14: But he could be hovering somewhere.

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Speaker 4: But he's so haw but does he does he always

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Speaker 4: try to get to work or can the snail sort

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Speaker 4: of like hide out at my house.

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Speaker 14: So he knows where you are, he knows who you are,

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Speaker 14: and he's just following you from place to place. He

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Speaker 14: doesn't he's not fine enough to stake you out.

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Speaker 2: But Joel, if I go like so he's just like

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Speaker 2: a he's like a tracker. So joel if I been Okay,

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Speaker 2: so let's say the snail's following me, I go right

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Speaker 2: sndes fowing me. Snails don't do AsSalt very well, certainly

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Speaker 2: not the ocean very well. I'm just going to move

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Speaker 2: to France.

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Speaker 14: No, you can't know. That's a that's a plot to this,

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Speaker 14: and you can't have it.

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Speaker 9: No.

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Speaker 3: No, he swims, swim, swim, swimming, snaw.

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Speaker 14: He doesn't mind salt. He doesn't mind salt.

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Speaker 3: Okay, it's a mutant snail that likes salt.

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Speaker 2: So why have we gone so? But he is obviously

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Speaker 2: moving into snail's pace. Obviously that's the bites place.

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Speaker 14: Yeah, but you're taken forever.

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Speaker 4: You'd live your entire life just on edge, right, I

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Speaker 4: think that's the idea. Sure, this snail is slow, but

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Speaker 4: as soon as you stop thinking about it.

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Speaker 3: It's going to pop up. And so as you touch

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Speaker 3: it for a split second and you're dead.

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Speaker 14: Exactly, He touches you, and he's constantly coming.

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Speaker 3: I want to talk about it more, but I do

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Speaker 3: want to hear what other people think as well.

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Speaker 2: Thirteen was the hypothetical, like what are we choosing here?

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Speaker 3: Hypothetically? Is would you take ten million dollars.

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Speaker 4: Yeah, and you've got a snail following you for the

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Speaker 4: rest of your life and if it touches you, you're dead.

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Speaker 3: Or do you not take ten million dollars?

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Speaker 6: What do you?

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Speaker 2: What are you doing?

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Speaker 14: And you work and you work the rest of your life?

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Speaker 4: Hang on, why do you why do you have I've

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Speaker 4: got oh? Yeah, right, if you don't have the ten

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Speaker 4: million dollars, you're working for the rest of your life, you.

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Speaker 14: Might still work. I'd probably still choose to work. Actually,

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Speaker 14: I'd be on the run all the time. I've got

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Speaker 14: ten million. I'd be flying place to place, I'd be

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Speaker 14: living or not. All right, No, you can't be walking

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Speaker 14: around and it has much so if he touches you.

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Speaker 2: Okay, so and you can't be like elevated, so he's

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Speaker 2: you know, because if you're off the ground, then he's

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Speaker 2: going to we haven't touched here.

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Speaker 14: Now he can still client like you can still climb.

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Speaker 14: I've seen him.

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Speaker 3: Yeah, they can.

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Speaker 2: And I think you've seen a lot of things, mate.

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Speaker 3: I think what Joel's point is as well, is like

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Speaker 3: you can get on a plane and you're safe in

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Speaker 3: the plane, but then eventually you land and you're going

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Speaker 3: to spend your entire life on the move, not knowing

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Speaker 3: where this snail is.

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Speaker 2: We haven't asked Joel what he's doing yet.

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Speaker 3: Oh yeah, Joel, what are you doing?

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Speaker 2: You're taking the cash or is the snail too ominous

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Speaker 2: for you?

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Speaker 14: I know what I'd do?

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Speaker 3: Yeah, what do you?

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Speaker 4: Is it good?

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Speaker 14: What I do is I would be living like two

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Speaker 14: hours away from from work. Yeah, and I'd still got

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Speaker 14: to work, you know, purpose and whatnot.

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Speaker 2: Yeah, because you've got the cash, but you need to

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Speaker 2: keep the brain chicking.

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Speaker 14: Keep it blease my mind.

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Speaker 3: Yeah, of course.

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Speaker 14: And I drive a really fast car like a Toyota

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Speaker 14: Camry or a Highest or something.

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Speaker 2: Yeah.

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00:18:06,359 --> 00:18:10,040
Speaker 14: Sure, and I shoot to work two hours and I

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Speaker 14: know that would take him like he's like a long time,

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Speaker 14: and I'd shoot that straight off to work.

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Speaker 2: And so you just keep him in there and just

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Speaker 2: keep him in the middle of the road because he's

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Speaker 2: going he's going to your work, and then he's going

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Speaker 2: to turn around and go back again, and he's going

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Speaker 2: to go to your work. But he's never going to

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Speaker 2: get very far.

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Speaker 3: I think as soon as you have seen you never know, right,

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Speaker 3: you have a sick day the.

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Speaker 2: Weekend, you know, you don't know how long it's going

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Speaker 2: to take him to get you know, from because maybe

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Speaker 2: he's only like maybe he's only like going back and forth,

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Speaker 2: like three hundred meters from out the front of your house.

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Speaker 3: Exactly.

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Speaker 14: No, but that's the thing, like you can't buy You

352
00:18:36,760 --> 00:18:40,760
Speaker 14: can't hang out of your house for the weekend, like, yeah.

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Speaker 2: It's worth a parent you'd be a slip and he's

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Speaker 2: on he saw us. Now you'd be like, Jesus, is

355
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Speaker 2: that the girl? The one is that the guy?

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Speaker 3: Let's go to Rose. Here, Rose, what do you reckon?

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Speaker 3: Would you? Would you take the deal? Ten million dollars

358
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Speaker 3: and a killer snail follows you for the rest of

359
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Speaker 3: your life?

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Speaker 10: Okay, So what I'm.

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Speaker 15: Going to do is I'm going to get some of

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Speaker 15: the money and I'm going to build a snail proof

363
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Speaker 15: sort this snail. So when I do that, then the

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00:19:07,240 --> 00:19:09,159
Speaker 15: snail can't get to me, and I get still more

365
00:19:09,200 --> 00:19:10,800
Speaker 15: to the money, but you still can't get to me.

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Speaker 2: So you build like a little safe, like a little

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Speaker 2: like a fortress, like a castle.

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Speaker 8: Almost.

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Speaker 2: Magneto when he's played by Ian McKellen in The X Men,

370
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Speaker 2: they put him in like a metal proof box where

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Speaker 2: you can't use his powers.

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Speaker 3: It's a great way to live though with what for

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Speaker 3: the snale?

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Speaker 14: No will you asking me what I think about this? Yeah?

375
00:19:31,160 --> 00:19:33,800
Speaker 14: I think have fun convincing the entire world that your

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Speaker 14: snail print fort is legitimate. You're just going to be

377
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Speaker 14: saying You're going to be saying, as that person with

378
00:19:38,680 --> 00:19:40,960
Speaker 14: a snail print fort, that's so true.

379
00:19:42,080 --> 00:19:44,680
Speaker 2: For forever you'll be considered an absolute nut.

380
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Speaker 3: Jobs help, no friends, right, you're the.

381
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Speaker 2: Snoil proof thought lady, because you explain kind of a

382
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Speaker 2: job you can't have.

383
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Speaker 3: Imagine explaining to your family and I live here because

384
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Speaker 3: there's a killer snail after me. Oh my god, that's

385
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Speaker 3: what we lost the blocks.

386
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Speaker 2: As soon as you got that, soon as you got rich,

387
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Speaker 2: she got weird.

388
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Speaker 3: Let's go to Kate.

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Speaker 4: She's got very paranoid Kate. What would you do ten

390
00:20:06,119 --> 00:20:08,080
Speaker 4: million dollars for a killer snail to follow you for

391
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Speaker 4: the rest of your life?

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Speaker 15: No way you can keep your money. I'm just lying

393
00:20:12,200 --> 00:20:14,800
Speaker 15: a bed, sleeping calmly, not worrying about that.

394
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Speaker 2: It is would What if the price was up? What

395
00:20:18,680 --> 00:20:22,120
Speaker 2: if the was one hundred million? Kate? What if man's

396
00:20:22,119 --> 00:20:22,720
Speaker 2: got their price?

397
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Speaker 1: Life is too short?

398
00:20:24,600 --> 00:20:27,200
Speaker 2: Yeah, to be worrying about a snail.

399
00:20:27,320 --> 00:20:30,040
Speaker 15: Living feeling sick about it, about a killer snail.

400
00:20:30,240 --> 00:20:35,480
Speaker 2: Yeah, well, said Kate, I'm too short to be worrying

401
00:20:35,480 --> 00:20:36,280
Speaker 2: about a killer snail.

402
00:20:36,320 --> 00:20:37,320
Speaker 3: It's a really good point.

403
00:20:37,440 --> 00:20:39,280
Speaker 2: Yeah, it's a really good point's go to And and

404
00:20:39,400 --> 00:20:41,800
Speaker 2: you're the final one for Joe's hypothetical today. You know

405
00:20:41,880 --> 00:20:43,919
Speaker 2: the deal ten million dollars? Would you take it if

406
00:20:43,960 --> 00:20:46,439
Speaker 2: it meant that you were followed always by a snail,

407
00:20:46,800 --> 00:20:49,440
Speaker 2: which if it touched you, killed you. What do you think?

408
00:20:50,480 --> 00:20:50,840
Speaker 14: All right?

409
00:20:50,920 --> 00:20:51,400
Speaker 2: Hear me out?

410
00:20:51,800 --> 00:20:55,439
Speaker 16: Take the money. Hire a bodyguard to tell you when

411
00:20:55,480 --> 00:20:56,679
Speaker 16: the snail gets too closed.

412
00:20:57,240 --> 00:20:59,479
Speaker 14: Life is too short, yes, but live on the edge.

413
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Speaker 3: It's like a lookout watch.

414
00:21:02,600 --> 00:21:06,840
Speaker 4: Hey, joeld question for you, mate, So if Anne employs

415
00:21:06,880 --> 00:21:09,639
Speaker 4: a guard, if the snail touches the guard, does the

416
00:21:09,720 --> 00:21:12,680
Speaker 4: guard die because you know in some way they're connected.

417
00:21:13,960 --> 00:21:15,680
Speaker 14: I think it would have to Yeah, I think it

418
00:21:15,680 --> 00:21:17,040
Speaker 14: would have to to be too much of a plot

419
00:21:17,080 --> 00:21:18,440
Speaker 14: twist if he if he didn't die?

420
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Speaker 2: Right?

421
00:21:19,160 --> 00:21:21,720
Speaker 3: And then, because Ann, how could you possibly trust someone

422
00:21:21,800 --> 00:21:23,440
Speaker 3: to stay awake twenty four to seven? You know, and

423
00:21:23,560 --> 00:21:25,119
Speaker 3: keep an eye for this out keep in mind this

424
00:21:25,280 --> 00:21:26,480
Speaker 3: is your entire life.

425
00:21:27,800 --> 00:21:29,520
Speaker 16: I would pay him a lot of money.

426
00:21:29,600 --> 00:21:32,480
Speaker 2: Everybody's got a price, He's got a price. I agree,

427
00:21:32,560 --> 00:21:32,919
Speaker 2: And you.

428
00:21:33,000 --> 00:21:36,159
Speaker 14: You're offering him because he's in the same situation as

429
00:21:36,200 --> 00:21:38,439
Speaker 14: you are, you giving him ten million.

430
00:21:39,920 --> 00:21:40,200
Speaker 2: I know.

431
00:21:40,359 --> 00:21:42,560
Speaker 16: So with that initiate with a million, obviously, that's a

432
00:21:42,640 --> 00:21:44,680
Speaker 16: lot of money you could invest that create some sort

433
00:21:44,720 --> 00:21:46,440
Speaker 16: of consistent income.

434
00:21:48,520 --> 00:21:48,720
Speaker 2: Off.

435
00:21:48,920 --> 00:21:49,120
Speaker 10: Yeah.

436
00:21:49,320 --> 00:21:51,560
Speaker 2: Yeah, get into the shares and then you get the

437
00:21:52,480 --> 00:21:55,520
Speaker 2: dividends from the shares to pay the bodyguard. He's constantly

438
00:21:55,560 --> 00:21:58,240
Speaker 2: watching after this now and I reckon, you've clocked it, Joel,

439
00:21:58,280 --> 00:21:58,840
Speaker 2: What do you think?

440
00:22:00,600 --> 00:22:03,520
Speaker 14: Yeah, no, I think no. I think that's definitely a

441
00:22:03,560 --> 00:22:04,240
Speaker 14: bit of a plot to it.

442
00:22:06,119 --> 00:22:09,920
Speaker 2: The thing the other thing, Yes, I think it's thing.

443
00:22:09,960 --> 00:22:12,239
Speaker 14: I'd probably become a pilot as well. Maybe I think

444
00:22:12,280 --> 00:22:13,000
Speaker 14: you'd be pretty safe.

445
00:22:13,119 --> 00:22:14,520
Speaker 3: But you've got to land at some point, you know

446
00:22:14,560 --> 00:22:14,879
Speaker 3: what I mean.

447
00:22:14,960 --> 00:22:18,280
Speaker 2: You just can't just stay in the air. An astronaut.

448
00:22:18,400 --> 00:22:20,960
Speaker 2: Maybe an astronaut, maybe you could be, But then, how

449
00:22:21,000 --> 00:22:22,239
Speaker 2: do you know the snail is not going to get

450
00:22:22,280 --> 00:22:23,680
Speaker 2: to get in the rocket? How do you know he's

451
00:22:23,680 --> 00:22:25,560
Speaker 2: not going to come out there? Because he's trying, he's

452
00:22:25,560 --> 00:22:26,440
Speaker 2: doing everything.

453
00:22:26,160 --> 00:22:30,679
Speaker 4: You can and thinking about it, rightnailn't he.

454
00:22:34,960 --> 00:22:40,480
Speaker 10: Taking all every second self serve checkouts, my fancy artificial

455
00:22:40,640 --> 00:22:43,800
Speaker 10: intelligence and taking all the radio.

456
00:22:47,520 --> 00:22:50,760
Speaker 3: Yes, the laziest idea ever. It is Willam Boody here.

457
00:22:51,080 --> 00:22:53,040
Speaker 3: But we are not coming up with the next segment

458
00:22:53,119 --> 00:22:56,520
Speaker 3: on the radio show. We are leaving that to chat GPT,

459
00:22:56,680 --> 00:23:01,760
Speaker 3: which is effectively artificial intelligence. We throw a story at

460
00:23:01,960 --> 00:23:04,119
Speaker 3: chat GPT, you sort of type it into the computer

461
00:23:04,240 --> 00:23:06,000
Speaker 3: there or a button push Tommy.

462
00:23:07,359 --> 00:23:09,399
Speaker 2: To pretend you know where the internet is. But what

463
00:23:09,560 --> 00:23:11,320
Speaker 2: Enginet are you running on your Mac? By the way,

464
00:23:11,840 --> 00:23:14,320
Speaker 2: you're a Safari boy, aren't you. I'm a Chrome You're

465
00:23:14,320 --> 00:23:14,920
Speaker 2: a Grome boy.

466
00:23:18,960 --> 00:23:19,360
Speaker 3: Anyway.

467
00:23:19,520 --> 00:23:22,440
Speaker 4: A story I really liked this week was the fact

468
00:23:22,480 --> 00:23:25,600
Speaker 4: that a plane that was heading to Belgium from New

469
00:23:25,720 --> 00:23:30,800
Speaker 4: York was forced to return to JFK Airport after a

470
00:23:31,040 --> 00:23:32,840
Speaker 4: horse on board got loose.

471
00:23:33,280 --> 00:23:34,560
Speaker 3: What genuine story?

472
00:23:34,600 --> 00:23:35,760
Speaker 2: I had a horse on a plane.

473
00:23:35,880 --> 00:23:38,000
Speaker 3: Horse on a plane and it got los. Here's the

474
00:23:38,080 --> 00:23:39,879
Speaker 3: captain informing the people on the plane.

475
00:23:40,200 --> 00:23:41,920
Speaker 10: We did return back to New York.

476
00:23:42,119 --> 00:23:45,000
Speaker 16: We cannot get the horse back to cure.

477
00:23:47,240 --> 00:23:50,120
Speaker 3: He is terrifying horse on the lod?

478
00:23:50,200 --> 00:23:51,520
Speaker 2: Was it in the whole? Yeah?

479
00:23:52,680 --> 00:23:56,280
Speaker 3: Seed in like three c Sorry, that was a stupid question.

480
00:23:56,400 --> 00:23:57,440
Speaker 3: That was a stupid QUI.

481
00:23:59,040 --> 00:24:05,119
Speaker 2: The stewardess state serving the lunch idiot will anyway anyway.

482
00:24:05,160 --> 00:24:09,000
Speaker 4: So we're throwing that story into chat GPT Tommy, and

483
00:24:09,119 --> 00:24:09,639
Speaker 4: it's got some.

484
00:24:11,359 --> 00:24:13,320
Speaker 3: It's got some ideas for us to pursue.

485
00:24:13,880 --> 00:24:17,080
Speaker 2: There wild today. The first one very simple, what was

486
00:24:17,119 --> 00:24:17,560
Speaker 2: on the loose?

487
00:24:18,960 --> 00:24:19,520
Speaker 3: Don't mind it?

488
00:24:19,600 --> 00:24:21,879
Speaker 2: I mean there was a lion on the loose in

489
00:24:21,960 --> 00:24:24,040
Speaker 2: Italy actually earlier this week.

490
00:24:24,400 --> 00:24:26,879
Speaker 3: Could be some good stories there. What was on the loose?

491
00:24:27,160 --> 00:24:27,640
Speaker 3: Can you beat?

492
00:24:27,760 --> 00:24:29,800
Speaker 2: Horse was on the loose?

493
00:24:29,920 --> 00:24:30,760
Speaker 3: Is there anything else?

494
00:24:31,440 --> 00:24:33,440
Speaker 11: It's been creative on this second one, it said the

495
00:24:33,560 --> 00:24:36,600
Speaker 11: pilot's voice would have been horse after telling everyone about

496
00:24:36,600 --> 00:24:39,240
Speaker 11: the horse, and then the horse was also horsing around

497
00:24:39,359 --> 00:24:41,760
Speaker 11: on the plane. So it's come up with what's your

498
00:24:41,760 --> 00:24:42,680
Speaker 11: best horse pun?

499
00:24:43,440 --> 00:24:46,480
Speaker 2: Oh no, that's dead to me. That that was dead

500
00:24:46,520 --> 00:24:49,240
Speaker 2: to me half way out your mouth. That was awful.

501
00:24:49,359 --> 00:24:53,920
Speaker 3: Chat GPT's had a miss there. That's all right. This

502
00:24:54,040 --> 00:24:55,160
Speaker 3: one says great.

503
00:24:55,080 --> 00:24:57,040
Speaker 2: Crazy chat GPT's offended.

504
00:24:57,119 --> 00:25:03,760
Speaker 3: Is craziest denouncement you've ever heard. Oh yeah, you're on

505
00:25:03,840 --> 00:25:04,280
Speaker 3: the plane.

506
00:25:04,280 --> 00:25:08,080
Speaker 2: Wow, Wow, I don't mind that, So like you're hanging

507
00:25:08,119 --> 00:25:11,879
Speaker 2: out something. Actually, I've got a good story about that

508
00:25:12,560 --> 00:25:15,359
Speaker 2: craziest announcement you've ever heard? Actually, well, do you want.

509
00:25:15,200 --> 00:25:17,119
Speaker 3: To save that story until I actually I want you

510
00:25:17,359 --> 00:25:18,239
Speaker 3: should we go with that one?

511
00:25:18,320 --> 00:25:21,479
Speaker 2: So you're in a public place. What's the wildest thing

512
00:25:21,560 --> 00:25:22,680
Speaker 2: that you heard over the PA?

513
00:25:23,320 --> 00:25:25,359
Speaker 3: Yeah? Could be good?

514
00:25:25,440 --> 00:25:25,840
Speaker 14: Do you hear?

515
00:25:28,359 --> 00:25:30,399
Speaker 4: If you've got a story, then other people will thirteen

516
00:25:30,440 --> 00:25:31,240
Speaker 4: one oh sixty five?

517
00:25:31,400 --> 00:25:33,120
Speaker 3: Is is this topic going to work?

518
00:25:33,960 --> 00:25:38,120
Speaker 4: What's the wildest thing you've heard over an announcement over

519
00:25:38,160 --> 00:25:39,000
Speaker 4: a loud speaker?

520
00:25:39,160 --> 00:25:42,080
Speaker 2: Yeah? Yeah, yeah, So there's an announcement that that's been

521
00:25:42,200 --> 00:25:47,160
Speaker 2: made and just the changer and the most bizarre given

522
00:25:47,240 --> 00:25:50,120
Speaker 2: the setting, the better we think return back to New York.

523
00:25:50,359 --> 00:25:52,560
Speaker 11: We cannot get the horse back.

524
00:25:52,640 --> 00:25:58,960
Speaker 3: Secure with the horse, and I mean news for everyone.

525
00:25:58,960 --> 00:26:00,640
Speaker 3: Obviously at that point there was a horse on board.

526
00:26:01,320 --> 00:26:04,040
Speaker 2: You know, do you think I feel like it's an animal? Sorry, No,

527
00:26:04,280 --> 00:26:06,399
Speaker 2: I don't think news to everyone. I think it's an

528
00:26:06,400 --> 00:26:10,040
Speaker 2: animal specific plane. I don't think I don't think it's

529
00:26:10,080 --> 00:26:12,280
Speaker 2: just a seven four seven doing a routine flight from

530
00:26:12,440 --> 00:26:19,960
Speaker 2: laid to New York. Anyway, I'm sure there'd be like

531
00:26:20,000 --> 00:26:26,640
Speaker 2: a service you would transfer horses. Your mind always never

532
00:26:26,680 --> 00:26:27,280
Speaker 2: surprises me.

533
00:26:27,840 --> 00:26:30,560
Speaker 3: But basically chat JPT heard the story and was like,

534
00:26:30,640 --> 00:26:32,920
Speaker 3: why don't you do what's the craziest thing you've heard

535
00:26:33,119 --> 00:26:34,359
Speaker 3: over an announcement?

536
00:26:34,440 --> 00:26:36,480
Speaker 2: Oh? Yes, because because I had a story about this.

537
00:26:36,560 --> 00:26:38,399
Speaker 2: I was I was at a music festival once and

538
00:26:39,200 --> 00:26:41,280
Speaker 2: we're in the middle of the bush and a friend

539
00:26:41,320 --> 00:26:43,879
Speaker 2: of mine locked himself out of his car. He's a

540
00:26:43,920 --> 00:26:47,199
Speaker 2: country boy. Couldn't find the couldn't find the keys anyway.

541
00:26:47,320 --> 00:26:50,080
Speaker 2: We decided, after a bit of trying, like a bugger out,

542
00:26:50,119 --> 00:26:51,720
Speaker 2: we don't. We just don't care anymore. It's too hard

543
00:26:51,760 --> 00:26:53,560
Speaker 2: to get back into the car. It's tomorrow's problem. We're

544
00:26:53,560 --> 00:26:54,320
Speaker 2: at a music festival.

545
00:26:54,680 --> 00:26:55,040
Speaker 3: Anyway.

546
00:26:55,080 --> 00:26:57,320
Speaker 2: We carry on in this We're in this door, so

547
00:26:57,480 --> 00:27:00,200
Speaker 2: the music's going off. Three hours later, we actually we

548
00:27:00,320 --> 00:27:01,920
Speaker 2: forgot about it. And then in the middle of the

549
00:27:02,040 --> 00:27:05,920
Speaker 2: set it's heaving, this heaving budge party. This book gets

550
00:27:05,960 --> 00:27:07,879
Speaker 2: on the microphone. Everyone's like, oh, hell is this guy?

551
00:27:07,880 --> 00:27:10,720
Speaker 2: And this goes, okady, this is Darryl here from the

552
00:27:10,920 --> 00:27:14,639
Speaker 2: rac V. I'm just ferg I'm here to let you

553
00:27:14,720 --> 00:27:18,359
Speaker 2: into your car, interrupted the whole festival bar.

554
00:27:19,000 --> 00:27:19,720
Speaker 6: It was really.

555
00:27:25,600 --> 00:27:28,040
Speaker 3: This was at a football game a few years ago.

556
00:27:28,960 --> 00:27:31,000
Speaker 16: Yeah, hey, guys, love the show.

557
00:27:31,960 --> 00:27:35,320
Speaker 10: Yeah, I was at the I think it was Carl, Yeah, Carltonsos.

558
00:27:35,320 --> 00:27:37,919
Speaker 5: The Sydney game at Optosober would have been about nineteen

559
00:27:38,000 --> 00:27:40,600
Speaker 5: ninety six, and they actually stopped the game to announce

560
00:27:40,680 --> 00:27:41,720
Speaker 5: Princess Diano died.

561
00:27:42,280 --> 00:27:44,080
Speaker 8: Oh did they?

562
00:27:44,280 --> 00:27:45,280
Speaker 3: They stopped the game.

563
00:27:45,320 --> 00:27:47,400
Speaker 14: They stopped the game. It was like the second quarter

564
00:27:47,560 --> 00:27:49,960
Speaker 14: or something and they just it.

565
00:27:50,080 --> 00:27:52,480
Speaker 3: Just paused, hell on hell So how long was the game?

566
00:27:52,760 --> 00:27:54,960
Speaker 10: Oh, just for twenty seconds or something, just to announce

567
00:27:55,000 --> 00:27:56,320
Speaker 10: it and then the game just went on.

568
00:27:56,560 --> 00:27:58,480
Speaker 2: That was there was that level of news, wasn't it.

569
00:27:58,600 --> 00:28:03,360
Speaker 2: It really was it of thing that was like, yeah,

570
00:28:03,400 --> 00:28:07,120
Speaker 2: I been like sixteen Wow, Wow, thanks to call Anne.

571
00:28:07,240 --> 00:28:08,040
Speaker 3: He's got to marry here.

572
00:28:08,160 --> 00:28:08,360
Speaker 6: Mary.

573
00:28:08,440 --> 00:28:09,600
Speaker 3: What announcement did you hear?

574
00:28:10,720 --> 00:28:13,800
Speaker 10: Hi willing Wood. So the announcement that I heard was,

575
00:28:13,880 --> 00:28:15,600
Speaker 10: I don't know if you remember. Back in the days

576
00:28:15,920 --> 00:28:20,880
Speaker 10: at Australis Wonderland, there was a ride called the Space Probe,

577
00:28:20,960 --> 00:28:24,200
Speaker 10: which is exactly like the Drop of Terror at Queensland.

578
00:28:24,359 --> 00:28:26,560
Speaker 10: All right, so you're up the top and it's supposed

579
00:28:26,600 --> 00:28:29,080
Speaker 10: to be on the loop and it counts three, so

580
00:28:29,119 --> 00:28:32,400
Speaker 10: it goes three two one and it's supposed to drop you. Yeah,

581
00:28:32,880 --> 00:28:36,240
Speaker 10: but then the announcement got on and they said, oh, sorry, spokes,

582
00:28:36,320 --> 00:28:38,840
Speaker 10: but the ride stuck and we don't know.

583
00:28:38,880 --> 00:28:41,280
Speaker 3: How long you're going to be stuck up and how

584
00:28:41,360 --> 00:28:44,440
Speaker 3: long we're stuck up there for mary two hours?

585
00:28:45,760 --> 00:28:51,040
Speaker 2: Shocking. Oh that that is the stuff of nightmares, totally.

586
00:28:51,120 --> 00:28:53,320
Speaker 2: On any one of those rides that you go on,

587
00:28:53,520 --> 00:28:55,719
Speaker 2: you feel like you're dicing with the devil, and then

588
00:28:55,800 --> 00:28:57,880
Speaker 2: to hear that there's anything wrong with them is the

589
00:28:58,080 --> 00:28:59,040
Speaker 2: worst feeling in the world.

590
00:28:59,080 --> 00:29:01,000
Speaker 3: And you could never relax that whole too hour because

591
00:29:01,000 --> 00:29:04,160
Speaker 3: I could drop it any second. Yeah, yeah, I's got

592
00:29:04,200 --> 00:29:06,200
Speaker 3: a dev like the snail.

593
00:29:08,320 --> 00:29:14,080
Speaker 4: Is Joel's hypothetical revoors Debrah, what announcement did you hear?

594
00:29:15,720 --> 00:29:18,240
Speaker 16: Hi, williem Moody. First, I want to say, this is

595
00:29:18,280 --> 00:29:20,760
Speaker 16: the first time I've ever called into anything like this,

596
00:29:20,960 --> 00:29:22,240
Speaker 16: but I feel like it's appropriate.

597
00:29:23,000 --> 00:29:27,880
Speaker 2: Awesome, Well, welcome, welcome to the air waves. Anything you'd

598
00:29:27,960 --> 00:29:31,760
Speaker 2: like to say before you get into your story, No, right,

599
00:29:31,840 --> 00:29:32,520
Speaker 2: crack on, all right.

600
00:29:33,600 --> 00:29:36,239
Speaker 16: So this is back in September two thousand and one.

601
00:29:36,280 --> 00:29:38,560
Speaker 16: I was moving to New York City for my job,

602
00:29:39,400 --> 00:29:42,200
Speaker 16: and on nine to eleven, early in the morning, we

603
00:29:42,280 --> 00:29:48,920
Speaker 16: were flying into la on the seven and the pilot

604
00:29:49,280 --> 00:29:52,800
Speaker 16: came over the you know, the public speaker and said,

605
00:29:53,200 --> 00:29:55,280
Speaker 16: you may have noticed we've been circling for a while.

606
00:29:55,800 --> 00:29:57,720
Speaker 16: I need to fill you in on what's going on.

607
00:29:58,600 --> 00:30:01,800
Speaker 16: There's been a major terrorist event and every airport in

608
00:30:01,880 --> 00:30:04,880
Speaker 16: the country has been closed. Most of the air trafficts

609
00:30:04,960 --> 00:30:07,920
Speaker 16: being diverted to Canada. But we don't have enough fuel.

610
00:30:08,320 --> 00:30:10,200
Speaker 16: Are we going to do an emergency landing on the

611
00:30:10,280 --> 00:30:12,640
Speaker 16: tarmac and the FBI is going to escort you out? Anyway?

612
00:30:13,160 --> 00:30:17,400
Speaker 16: I mean, seriously, you you sit there dumbfounded thinking what

613
00:30:18,920 --> 00:30:23,160
Speaker 16: But that's a true story that happened. Wow, to live

614
00:30:23,160 --> 00:30:24,760
Speaker 16: in the US eight years and it was great and

615
00:30:25,040 --> 00:30:28,080
Speaker 16: so stuff, But it was a rather the country.

616
00:30:28,640 --> 00:30:30,840
Speaker 4: Oh my god, what was what was the people on

617
00:30:30,880 --> 00:30:32,800
Speaker 4: the plane light like obviously here there's been a terrorist

618
00:30:32,840 --> 00:30:34,640
Speaker 4: tate obviously worried about family and stuff like.

619
00:30:34,800 --> 00:30:36,680
Speaker 3: Was it just silence or well?

620
00:30:37,200 --> 00:30:39,120
Speaker 16: The only funny thing I can say about that is that,

621
00:30:39,400 --> 00:30:41,840
Speaker 16: you know, I was struggling to work something in business

622
00:30:41,880 --> 00:30:44,680
Speaker 16: class and I don't usually speak to people while I

623
00:30:44,720 --> 00:30:52,040
Speaker 16: sit next to on a PLANEBIA, but I turned around

624
00:30:52,080 --> 00:30:53,680
Speaker 16: and looked at this guy, and he turned around looked

625
00:30:53,680 --> 00:30:55,440
Speaker 16: at me, and we hadn't spoken the whole fight, and

626
00:30:55,600 --> 00:30:58,600
Speaker 16: I just said, is this for real? And he just said,

627
00:30:59,680 --> 00:31:01,560
Speaker 16: in the history of flying, I've never heard of them

628
00:31:01,600 --> 00:31:03,920
Speaker 16: shutting every airport in the country. It's got to be real.

629
00:31:04,760 --> 00:31:06,880
Speaker 3: I was so sure that story was leading towards want

630
00:31:06,920 --> 00:31:14,880
Speaker 3: to join the my High club, Like right right, Willard

631
00:31:14,880 --> 00:31:17,800
Speaker 3: Woodies fine alone.

632
00:31:17,480 --> 00:31:19,160
Speaker 2: We've got final armed, We've got fine a line that

633
00:31:19,640 --> 00:31:19,920
Speaker 2: we've got.

634
00:31:19,960 --> 00:31:23,000
Speaker 4: Of course, I'm thirteen one oh sixty five, and convince

635
00:31:23,120 --> 00:31:27,360
Speaker 4: us you are in the car with someone else, will

636
00:31:27,400 --> 00:31:30,200
Speaker 4: And I then decide is someone else actually there or

637
00:31:30,240 --> 00:31:34,200
Speaker 4: are you just putting on a voice Only the absolute.

638
00:31:33,560 --> 00:31:35,560
Speaker 3: Best can get past us. Will you have to be

639
00:31:35,680 --> 00:31:38,720
Speaker 3: the cream, the cream of the crop. I've got to James.

640
00:31:38,720 --> 00:31:41,560
Speaker 3: Here is James the cream? James, who are you in

641
00:31:41,640 --> 00:31:46,760
Speaker 3: the car with? Mate? You're with Lisa. Who's Who's Lisa

642
00:31:46,880 --> 00:31:47,600
Speaker 3: to you? James?

643
00:31:48,120 --> 00:31:50,200
Speaker 14: It's just a friend, you know, just go for a drive.

644
00:31:50,480 --> 00:31:51,480
Speaker 3: Are you sure you as friends?

645
00:31:51,520 --> 00:31:53,240
Speaker 4: Like you're wanting maybe a little bit more or you're

646
00:31:53,320 --> 00:31:54,600
Speaker 4: very happy to keep that platonic?

647
00:31:55,320 --> 00:31:59,680
Speaker 14: Ah, not really just keep a friend, yeah, Chuck.

648
00:31:59,640 --> 00:32:04,800
Speaker 4: Lisa on the phone, Hello, Hello Lisa, So Lisa for you?

649
00:32:05,040 --> 00:32:06,840
Speaker 4: Is it just platonic with you? And James, or is

650
00:32:06,880 --> 00:32:08,920
Speaker 4: there maybe a little bit of a sparkle in the eye.

651
00:32:10,240 --> 00:32:17,880
Speaker 3: Much you've lost it, Jimmy James. You just couldn't hold

652
00:32:18,000 --> 00:32:26,360
Speaker 3: the hind pitch there, big guy, Lienne.

653
00:32:27,160 --> 00:32:27,920
Speaker 10: Hi, how are you?

654
00:32:29,000 --> 00:32:30,040
Speaker 3: God? Who are you in the car with?

655
00:32:30,880 --> 00:32:32,040
Speaker 15: I'm in with my daughter.

656
00:32:32,560 --> 00:32:36,000
Speaker 2: Okay, what's your what's your daughter's name, Lavinia Lavinya?

657
00:32:36,080 --> 00:32:36,600
Speaker 3: How old is she?

658
00:32:37,800 --> 00:32:38,440
Speaker 16: She's eleven?

659
00:32:39,000 --> 00:32:42,240
Speaker 3: Eleven? Okay, let's let's have a chat to Levina.

660
00:32:41,960 --> 00:32:43,960
Speaker 14: Please, Okay, I'll pop her on.

661
00:32:46,160 --> 00:32:49,120
Speaker 3: Hi, Hi, Leavina. You've been to school today?

662
00:32:50,240 --> 00:32:50,440
Speaker 16: Yeah?

663
00:32:51,440 --> 00:32:51,640
Speaker 1: Yeah?

664
00:32:51,800 --> 00:32:52,440
Speaker 3: What are you in?

665
00:32:52,560 --> 00:32:52,880
Speaker 14: What year?

666
00:32:52,880 --> 00:32:53,160
Speaker 10: Are you in?

667
00:32:54,160 --> 00:32:54,400
Speaker 15: Five?

668
00:32:54,720 --> 00:32:54,840
Speaker 6: Oh?

669
00:32:55,000 --> 00:32:55,240
Speaker 2: Nice?

670
00:32:55,320 --> 00:32:56,280
Speaker 3: Okay? Who's your teacher?

671
00:32:56,320 --> 00:33:04,040
Speaker 2: Who's your teacher in your five? Levinya? Who's your teacher

672
00:33:04,520 --> 00:33:05,200
Speaker 2: in year four?

673
00:33:05,480 --> 00:33:05,920
Speaker 16: Teachers?

674
00:33:05,960 --> 00:33:06,640
Speaker 10: Miss Bowman?

675
00:33:07,840 --> 00:33:10,920
Speaker 2: Yeah right. I don't know. I don't know if the

676
00:33:10,960 --> 00:33:14,280
Speaker 2: phone line dropped out there or if that because Levina

677
00:33:14,480 --> 00:33:15,120
Speaker 2: favorite movie?

678
00:33:16,400 --> 00:33:18,560
Speaker 16: My favorite movie is probably Mean Girls.

679
00:33:18,800 --> 00:33:23,120
Speaker 2: Favorite pop favorite, favorite pop star, favorite pop star, Levinya,

680
00:33:24,680 --> 00:33:26,920
Speaker 2: maybe Taylor Swift. It's easy though.

681
00:33:26,960 --> 00:33:30,080
Speaker 3: She's going for an old movie, Taylor Swift. Everyone knows

682
00:33:30,560 --> 00:33:33,200
Speaker 3: what does slay mean? Lavina?

683
00:33:33,320 --> 00:33:37,200
Speaker 15: To slay, it means that you're out pit is really good?

684
00:33:37,320 --> 00:33:38,560
Speaker 16: Or you look very nice.

685
00:33:39,040 --> 00:33:39,800
Speaker 8: That was a good answer.

686
00:33:40,960 --> 00:33:43,880
Speaker 3: If I send you the emoji of a coffin, what

687
00:33:44,000 --> 00:33:44,720
Speaker 3: does that mean.

688
00:33:46,520 --> 00:33:48,240
Speaker 9: That you're basically.

689
00:33:49,560 --> 00:33:52,600
Speaker 15: Oh, no one, I don't know.

690
00:33:53,200 --> 00:33:53,720
Speaker 3: I've got.

691
00:33:55,200 --> 00:33:58,200
Speaker 4: I've got analyse the twenty three year old producer anals

692
00:33:58,320 --> 00:33:59,080
Speaker 4: she knows.

693
00:33:59,280 --> 00:34:00,920
Speaker 2: Anlyss of years older than her.

694
00:34:01,320 --> 00:34:02,560
Speaker 3: I didn't think she's eleven.

695
00:34:02,800 --> 00:34:06,960
Speaker 2: Yeah, maybe, like there's a bigger age get between she's real?

696
00:34:07,000 --> 00:34:08,200
Speaker 2: Do you think I think she's real?

697
00:34:08,400 --> 00:34:10,120
Speaker 3: Okay? With we think laviny is real?

698
00:34:12,200 --> 00:34:12,520
Speaker 6: She is?

699
00:34:12,960 --> 00:34:13,160
Speaker 12: Yeah?

700
00:34:13,800 --> 00:34:17,239
Speaker 2: Well nice, Wow, guys, you can have one hundred bucks

701
00:34:17,239 --> 00:34:19,200
Speaker 2: to spend at Red Rooster, Leanne and Lavinya.

702
00:34:19,280 --> 00:34:21,120
Speaker 3: That's for you. Let's got a Ryan now, Ryan, who

703
00:34:21,160 --> 00:34:21,920
Speaker 3: are you in the cow with?

704
00:34:22,880 --> 00:34:24,719
Speaker 14: I made just with Josh?

705
00:34:25,400 --> 00:34:26,240
Speaker 3: Who's Josh.

706
00:34:27,680 --> 00:34:28,200
Speaker 14: Off to the pub?

707
00:34:28,360 --> 00:34:36,959
Speaker 3: Okay, check josh on? Yeah, are just just slightly deeper, Ryan,

708
00:34:37,040 --> 00:34:38,440
Speaker 3: I think that's that's that's.

709
00:34:39,239 --> 00:34:45,399
Speaker 2: The older definitely. Okay, you don't want to go back

710
00:34:45,440 --> 00:34:46,000
Speaker 2: and check.

711
00:34:48,160 --> 00:34:48,759
Speaker 3: Check, we can check.

712
00:34:48,800 --> 00:34:49,480
Speaker 2: I'd love to check.

713
00:34:49,520 --> 00:34:51,120
Speaker 3: Ryan, be honest with me. It's just you, isn't it.

714
00:34:52,000 --> 00:34:52,239
Speaker 14: Yeah?

715
00:34:53,600 --> 00:34:57,520
Speaker 3: Slightly, the sline is a bit deeper. Let's go to Kathy. Kathy,

716
00:34:57,600 --> 00:34:58,440
Speaker 3: who are you in the car with?

717
00:34:59,120 --> 00:35:03,160
Speaker 10: I'm in the cow with Catalina, my work mate, Catalina.

718
00:35:04,120 --> 00:35:07,520
Speaker 2: Yeah, love she is she she foreign with a name

719
00:35:07,600 --> 00:35:11,640
Speaker 2: like Catalina from Ireland. That's just from Ireland. Is she

720
00:35:12,800 --> 00:35:15,640
Speaker 2: chack on Island or from Ireland the country?

721
00:35:16,400 --> 00:35:17,480
Speaker 14: From Ireland, the country?

722
00:35:20,160 --> 00:35:23,880
Speaker 3: Chuck her on, chuck on Catalina one Helena.

723
00:35:25,680 --> 00:35:27,760
Speaker 8: Hi, guys, I'm from Ireland.

724
00:35:28,200 --> 00:35:29,759
Speaker 10: That means Catalina.

725
00:35:31,719 --> 00:35:32,280
Speaker 9: From Island.

726
00:35:33,280 --> 00:35:35,080
Speaker 2: Good on your cat You can have one hundred bucks.

727
00:35:35,120 --> 00:35:42,680
Speaker 2: Has been at Red Rooster as well. This time of year,

728
00:35:43,239 --> 00:35:47,640
Speaker 2: radio stations all of us throwing out our besky. The

729
00:35:47,760 --> 00:35:50,320
Speaker 2: prizes are unbelievable.

730
00:35:51,000 --> 00:35:54,000
Speaker 3: A thousand bucks every day. Still no, I'm talking.

731
00:35:53,840 --> 00:35:56,560
Speaker 2: Bigger prize than that. There are cars to be one.

732
00:35:56,640 --> 00:35:59,680
Speaker 2: If you're looking around, people are giving away amazing things

733
00:35:59,719 --> 00:36:00,600
Speaker 2: on meercial Radio.

734
00:36:00,840 --> 00:36:04,200
Speaker 3: Don't flick around, though, because we've got One'm getting there.

735
00:36:04,880 --> 00:36:08,000
Speaker 2: I think this could be. I mean, for me, this

736
00:36:08,120 --> 00:36:10,960
Speaker 2: is up there with the best prize that we've ever

737
00:36:11,040 --> 00:36:13,440
Speaker 2: given away. I think.

738
00:36:14,840 --> 00:36:19,120
Speaker 3: Every year in December, the biggest stars come together and

739
00:36:19,520 --> 00:36:26,040
Speaker 3: put on our iHeartRadio jingle ball. This isn't just any

740
00:36:26,160 --> 00:36:30,400
Speaker 3: jingle ball, will This is Olivia Rodrigo, This is.

741
00:36:32,680 --> 00:36:33,880
Speaker 2: This is flow Rider.

742
00:36:35,800 --> 00:36:38,920
Speaker 3: Oh god, I love that song. It never gets on that,

743
00:36:39,560 --> 00:36:42,640
Speaker 3: damn it. You've got your Nile Horror and so who's

744
00:36:42,640 --> 00:36:49,400
Speaker 3: going to be there? And we're doing We're doing your flights,

745
00:36:49,400 --> 00:36:51,319
Speaker 3: we're doing your spending money, We're doing your ACoM We're

746
00:36:51,360 --> 00:36:53,120
Speaker 3: doing your dinner at No Boo.

747
00:36:53,880 --> 00:36:58,520
Speaker 2: So covered well, you you better hookie jog in the

748
00:36:58,560 --> 00:36:59,239
Speaker 2: bathrooms at.

749
00:36:59,239 --> 00:37:02,239
Speaker 3: No Boo in the Melbourne one, in the Melbourne One.

750
00:37:03,640 --> 00:37:06,520
Speaker 2: Anyway, this's in Los Angeles. This is in Los Angeles

751
00:37:07,440 --> 00:37:09,240
Speaker 2: to all things. Do you know the airlines find NonStop

752
00:37:09,280 --> 00:37:11,520
Speaker 2: from Sydney, Melbourne, Brisbane to the USA with connections to

753
00:37:11,560 --> 00:37:14,920
Speaker 2: more than two hundred and seventy destinations across the Americas.

754
00:37:15,360 --> 00:37:17,439
Speaker 2: That's the trip, I mean, that's the price. It really

755
00:37:17,560 --> 00:37:19,000
Speaker 2: is going to be the best party you've ever been to,

756
00:37:19,160 --> 00:37:21,759
Speaker 2: with the best names in the biers on top of

757
00:37:21,800 --> 00:37:24,120
Speaker 2: all those ones that would just mention there, Miguel Sabrina,

758
00:37:24,160 --> 00:37:29,720
Speaker 2: Carbetter Ajr. It's an unbelievable lineup and it's your flights return, obviously,

759
00:37:30,000 --> 00:37:33,600
Speaker 2: your accommodation. You're spending money. We're putting you out at Nobu,

760
00:37:33,680 --> 00:37:36,040
Speaker 2: which you know Analisa Junior producer and alysis telling me

761
00:37:36,080 --> 00:37:38,600
Speaker 2: before Kim Kardashian dines there. I mean, this is and

762
00:37:39,040 --> 00:37:42,160
Speaker 2: this is really all the frills, and there are so

763
00:37:42,360 --> 00:37:43,880
Speaker 2: many people who want this. There are people who have

764
00:37:43,920 --> 00:37:46,719
Speaker 2: been winning their way across the workdays for this in

765
00:37:47,000 --> 00:37:49,040
Speaker 2: every city that we broadcast in.

766
00:37:49,160 --> 00:37:52,320
Speaker 4: And if you're listening right now, you are really gonna

767
00:37:52,400 --> 00:37:55,280
Speaker 4: hope that your mobile phone is about to start ringing

768
00:37:55,880 --> 00:37:56,960
Speaker 4: in two seconds time.

769
00:38:00,160 --> 00:38:10,560
Speaker 3: M Hello, Hey is this Rebecca speaking? Yess Hey, Rebecca,

770
00:38:10,600 --> 00:38:12,680
Speaker 3: I'm just doing There is Will's here as well. This

771
00:38:12,800 --> 00:38:14,319
Speaker 3: is Woody from Will and Woody. Hey game.

772
00:38:15,239 --> 00:38:16,239
Speaker 14: Oh my god, I'm so good.

773
00:38:18,200 --> 00:38:20,040
Speaker 3: We're just calling a whole bunch of people who are

774
00:38:20,080 --> 00:38:22,920
Speaker 3: in the drawer for this for the jingle Ball give away.

775
00:38:23,680 --> 00:38:24,799
Speaker 14: Yeah I answered that one.

776
00:38:25,480 --> 00:38:29,120
Speaker 3: Oh yeah, cool, cool, cool cool cool, Just sort of

777
00:38:29,120 --> 00:38:32,000
Speaker 3: doing a due diligency. You're who are you most looking

778
00:38:32,040 --> 00:38:33,839
Speaker 3: forward to seeing? Like if you were to win, who

779
00:38:33,880 --> 00:38:40,000
Speaker 3: would you be? Mostly really good and and and so

780
00:38:40,080 --> 00:38:41,359
Speaker 3: how much of these tickets.

781
00:38:41,080 --> 00:38:41,400
Speaker 8: Mean to you?

782
00:38:42,640 --> 00:38:43,800
Speaker 5: It would mean everything to me.

783
00:38:43,840 --> 00:38:45,680
Speaker 10: I've never seen whole life. It would just be the

784
00:38:45,719 --> 00:38:46,759
Speaker 10: most amazing thing ever.

785
00:38:47,480 --> 00:38:50,440
Speaker 2: You We just we've kind of got to check dates

786
00:38:50,480 --> 00:38:55,040
Speaker 2: as well, so you're available to go, like you could

787
00:38:55,040 --> 00:38:58,600
Speaker 2: pick available all right, And if you were to make

788
00:38:58,680 --> 00:39:01,240
Speaker 2: the sound of a seal, have you got a seal

789
00:39:01,280 --> 00:39:01,600
Speaker 2: in there?

790
00:39:03,800 --> 00:39:04,000
Speaker 7: Where?

791
00:39:05,280 --> 00:39:09,919
Speaker 3: Well? Sorry, what what happened? We'll give you a second chance,

792
00:39:10,200 --> 00:39:16,200
Speaker 3: because where it's probably a strangle worst seal I have.

793
00:39:16,840 --> 00:39:19,279
Speaker 3: Hang on, that's a seat.

794
00:39:20,120 --> 00:39:21,840
Speaker 14: Yeah, that's what I'm not thinking straight.

795
00:39:21,960 --> 00:39:23,520
Speaker 2: That's okay, that's all right. You can give it another

796
00:39:23,560 --> 00:39:26,800
Speaker 2: crack if you'd like to. Maybe, Yeah, the seal, do

797
00:39:26,880 --> 00:39:28,440
Speaker 2: the seal and the cat if you like you and

798
00:39:28,480 --> 00:39:29,040
Speaker 2: throw them together.

799
00:39:33,920 --> 00:39:36,919
Speaker 3: Well, for me, that's just sealed the deal.

800
00:39:37,040 --> 00:39:38,120
Speaker 9: You going to lie?

801
00:39:47,800 --> 00:39:48,400
Speaker 2: Who are you there with?

802
00:39:48,520 --> 00:39:48,719
Speaker 8: Big?

803
00:39:49,960 --> 00:39:50,520
Speaker 14: My friends?

804
00:39:59,360 --> 00:40:01,839
Speaker 8: Like god, a damn sampime.

805
00:40:02,800 --> 00:40:10,600
Speaker 2: On real light? You're off, big, Yeah, you're going, Oh

806
00:40:10,680 --> 00:40:12,200
Speaker 2: my god, thank you so much.

807
00:40:12,560 --> 00:40:13,240
Speaker 14: How you feel?

808
00:40:14,239 --> 00:40:14,399
Speaker 1: Oh?

809
00:40:14,560 --> 00:40:15,279
Speaker 3: I feel.

810
00:40:17,280 --> 00:40:17,320
Speaker 5: So?

811
00:40:17,440 --> 00:40:21,120
Speaker 2: It was nervous, nervous, horey nervous.

812
00:40:21,160 --> 00:40:21,520
Speaker 3: You've done it.

813
00:40:22,480 --> 00:40:23,400
Speaker 15: I'm excited now.

814
00:40:25,520 --> 00:40:31,960
Speaker 2: It doesn't sound like it at all. Mate, take some time,

815
00:40:32,280 --> 00:40:41,359
Speaker 2: maybe sit down, have a glass of wine. Okay, oh big, Big,

816
00:40:42,040 --> 00:40:44,920
Speaker 2: it's all it's good stuff. Then it's great stuff.

817
00:40:45,400 --> 00:40:47,440
Speaker 3: Do you like feel like Japanese? You having dinner at

818
00:40:47,480 --> 00:40:48,120
Speaker 3: No Boo as well?

819
00:40:48,880 --> 00:40:49,080
Speaker 13: I know.

820
00:40:49,200 --> 00:40:50,080
Speaker 16: I'm so excited.

821
00:40:50,239 --> 00:40:51,760
Speaker 14: The whole trip is going to be amazing.

822
00:40:51,960 --> 00:40:54,080
Speaker 2: It's like it really is the most amazing. You're the

823
00:40:54,120 --> 00:40:56,360
Speaker 2: most deserving me to be honestly, you have have just

824
00:40:56,480 --> 00:40:59,680
Speaker 2: a wonderful time. Uh and and all of our best wishes.

825
00:40:59,719 --> 00:41:01,960
Speaker 4: Okay, can you guys come with me?

826
00:41:03,080 --> 00:41:03,279
Speaker 14: Yeah?

827
00:41:06,000 --> 00:41:06,640
Speaker 15: You guys.

828
00:41:10,600 --> 00:41:11,319
Speaker 8: Love to be there.

829
00:41:12,239 --> 00:41:13,279
Speaker 2: You would love to be there.

830
00:41:13,960 --> 00:41:15,560
Speaker 3: I think I can come.

831
00:41:16,080 --> 00:41:16,560
Speaker 14: We'll talk.

832
00:41:16,600 --> 00:41:17,000
Speaker 3: We'll talk.

833
00:41:17,040 --> 00:41:19,200
Speaker 2: Man, get a plus one? Did she get to take

834
00:41:19,200 --> 00:41:22,560
Speaker 2: someone with her? I've asked, Poops has got no idea?

835
00:41:22,600 --> 00:41:23,240
Speaker 2: Do you know anything?

836
00:41:23,320 --> 00:41:23,840
Speaker 13: Food pants?

837
00:41:23,960 --> 00:41:24,480
Speaker 1: No, you don't.

838
00:41:25,040 --> 00:41:26,800
Speaker 3: Do you know more about it? But do you do

839
00:41:26,880 --> 00:41:27,600
Speaker 3: you get a plus one?

840
00:41:27,800 --> 00:41:28,040
Speaker 14: Or is it?

841
00:41:28,200 --> 00:41:28,600
Speaker 6: Is it just you?

842
00:41:29,320 --> 00:41:29,520
Speaker 1: Yeah?

843
00:41:29,560 --> 00:41:30,560
Speaker 10: I get to bring your friend?

844
00:41:30,920 --> 00:41:31,120
Speaker 3: Yeah?

845
00:41:32,760 --> 00:41:33,160
Speaker 8: Nice?

846
00:41:38,200 --> 00:41:40,160
Speaker 2: Is it when you come back? There's a job opening

847
00:41:40,200 --> 00:41:43,279
Speaker 2: here for rep of this show. I'll let you more

848
00:41:43,320 --> 00:41:45,680
Speaker 2: across what goes on a kiss than he is. Enjoy

849
00:41:46,480 --> 00:41:49,239
Speaker 2: have a great time. You're out. Jingle bye. I've got

850
00:41:49,360 --> 00:41:52,520
Speaker 2: twenty twenty three tall thanks to you, United Airlines