WEBVTT - We 💛 Petty Revenge

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<v Speaker 1>Flex and Frooms, Flex and Frooms.

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<v Speaker 2>This is the Flex and Frooms catch up podcast.

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<v Speaker 3>Sweety ways. The potty is here. Have a lovely weekend.

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<v Speaker 3>Here's the potty.

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<v Speaker 2>Hello love.

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<v Speaker 1>That's got to be people out driving the car, especially

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<v Speaker 1>people that have.

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<v Speaker 3>The yeah turn on.

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<v Speaker 1>No, the people that have the like plug into the

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<v Speaker 1>into the like lighting holder, and they've got to go

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<v Speaker 1>to nices, you know, ninety five point three to like

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<v Speaker 1>hook up their bluetooth.

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<v Speaker 2>What you know? Okay, do you know the one's talking about?

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<v Speaker 1>You put the jack into the lighter of the car

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<v Speaker 1>and then you've got a little radio transmission and you

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<v Speaker 1>get them You get your music through the radio transmission.

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<v Speaker 3>I don't lived that last.

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<v Speaker 1>Yeah, okay, this is redacted car brand. So someone wants

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<v Speaker 1>to know what we were doing this situation dearest free

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<v Speaker 1>Mindy and flex Mammy Army.

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<v Speaker 3>Amazing.

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<v Speaker 1>I've got a nod one, so buckle up. I went

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<v Speaker 1>on a date recently with a very handsome gentleman. He

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<v Speaker 1>had a lot of charisma. He worked in the alcohol industry.

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<v Speaker 1>Red Flag we can get into it later, Okay, ordered

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<v Speaker 1>us very fancy cocktails. We chatted, We chatted about music

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<v Speaker 1>and traveling. Spot for through me Bro's and we had

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<v Speaker 1>lots of the same interests that the chemistry was obvious,

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<v Speaker 1>a lot of pain to the table today. Over All,

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<v Speaker 1>the date went well, well enough that I wanted to

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<v Speaker 1>see him again. That's amazing. At the end of the day,

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<v Speaker 1>he insisted on walking me home because he weren't far

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<v Speaker 1>from my house. I didn't want him to, but he insisted,

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<v Speaker 1>and he didn't seem like a creep, so I just

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<v Speaker 1>went with it. When we got to my house, we

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<v Speaker 1>shared a passionate smooch oh, and I could tell as

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<v Speaker 1>he pulled away he was waiting for me to jesture

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<v Speaker 1>him upstairs. Ell, it's literally so scary, he gave me,

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<v Speaker 1>should we look inside?

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<v Speaker 2>Oh, my god, should be shame? Should we go look inside?

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<v Speaker 3>Oh?

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<v Speaker 2>Do you have no shame?

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<v Speaker 3>You have no archaeologists, you have.

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<v Speaker 2>No game sert.

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<v Speaker 1>Although I would have let him up, my room was

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<v Speaker 1>a mess and it simply was not gonna happen tonight.

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<v Speaker 1>As I wrapped up the night, he asked my Instagram.

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<v Speaker 1>I gave it him, a kissed again, and he left.

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<v Speaker 1>After he followed me on Insta. I obviously returned the

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<v Speaker 1>favor and followed him back the next day. I was

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<v Speaker 1>anticipating some sort of follow up, but my follow request

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<v Speaker 1>hadn't been accepted. Two days go past and I see

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<v Speaker 1>that my follower request has been declined and he's unfollowed

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<v Speaker 1>me brutal.

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<v Speaker 2>I am in shock.

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<v Speaker 1>Why ask for my insta if you don't want it?

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<v Speaker 1>Or did you look at my profile and decide I

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<v Speaker 1>wasn't cool enough?

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<v Speaker 2>Him?

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<v Speaker 3>Oh?

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<v Speaker 2>Was this person's profile on public or private?

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<v Speaker 3>We okay, how do we have?

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<v Speaker 2>We're going to know?

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<v Speaker 1>This whole situation has left me feeling pretty low, babe.

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<v Speaker 1>I hate how rejection often makes me reflect on myself

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<v Speaker 1>and what's wrong with me. But this situation truly fell

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<v Speaker 1>like slap in the face. We're gonna help you, SI,

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<v Speaker 1>We're gonna give you our advice on how to rebaar

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<v Speaker 1>repair your relationship with yourself because it isn't about this man.

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<v Speaker 1>I just always say bo dodged?

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<v Speaker 2>Do you? That feels like a.

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<v Speaker 3>New one from me. I've never heard that quote, that

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<v Speaker 3>sequence of words. I don't think it's come out. I

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<v Speaker 3>couldn't even recognize she.

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<v Speaker 2>Said you should have given me that one FLEXI come

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<v Speaker 2>on now, reading me?

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<v Speaker 3>We have collectively, I don't think we've ever said.

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<v Speaker 2>That play the types we can play.

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<v Speaker 4>We don't have any reference from that on the archives man,

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<v Speaker 4>that's got a sting, But it's hurtful because it affirms

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<v Speaker 4>what she was avoiding, which was, well, I can imagine

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<v Speaker 4>it's one of these things where like there's obvious chemistry here, right,

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<v Speaker 4>so like, let's build on that chemistry.

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<v Speaker 3>I can imagine she'd be here being like, I'm being

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<v Speaker 3>really genuine, I'm showing up and giving you all personality.

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<v Speaker 3>I'm assuming you're doing the same. Come to find out,

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<v Speaker 3>it was just transactional. Like you were just trying to hit,

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<v Speaker 3>and when you didn't get what you wanted, you didn't

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<v Speaker 3>even have the decency to like uncouple. You hit the

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<v Speaker 3>unfollow like it's the most transactional of dynamics. And that's

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<v Speaker 3>the thing. That thing that gets me is that like

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<v Speaker 3>there are people that out there that this is their game, right,

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<v Speaker 3>they don't have to pretend wine and dine. They'll say

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<v Speaker 3>straight up, this is what I'm interested in. I don't

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<v Speaker 3>want to date. I just want something more intimate, more physical.

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<v Speaker 3>And you can clock on and be like, okay, cool,

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<v Speaker 3>I know.

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<v Speaker 2>What this is.

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<v Speaker 3>But then people use the tools of romance and traditional

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<v Speaker 3>dating to just get the sex. That's when you're like,

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<v Speaker 3>come on, you have other avenues for this, You have

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<v Speaker 3>other avenues. You could have done this differently.

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<v Speaker 2>Hey yeah, yeah, yeay, yay. That hits differently for some,

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<v Speaker 2>doesn't it.

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<v Speaker 3>Yeah, alas a lot to reflect on. Don't feel bad,

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<v Speaker 3>but you know, it's a tough pill to swallow when

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<v Speaker 3>you realize this is just the way the world is.

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<v Speaker 3>You just do the things you can, experience nice moments,

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<v Speaker 3>and you can still not get what you want.

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<v Speaker 1>It's so sad and sometimes you realize what I wanted,

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<v Speaker 1>I'm so glad I didn't get. That's a key learning

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<v Speaker 1>you want to elaborate or all I say is when

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<v Speaker 1>you come out of the de lulu and some things

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<v Speaker 1>become clear. It's a win loose situation because you realize

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<v Speaker 1>just how de lulu you could become, which is a

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<v Speaker 1>bit scary. But you also dodge a bullet, which is priceless.

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<v Speaker 1>Bullet dodged, as we say, bullet dodged nowadays on the Internet,

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<v Speaker 1>I feel like stories about being petty get a lot

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<v Speaker 1>of airtime. My bestie Louis Hanson, that's like Lewis Hanson

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<v Speaker 1>on Instagram did a whole segment called Petti Tea. We

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<v Speaker 1>would ask people for the pettiest things they ever did

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<v Speaker 1>and then reshare them absolutely brilliant stuff. I hope he

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<v Speaker 1>brings the segment back in Q four. In Q four,

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<v Speaker 1>we have found a woman on TikTok who talks about

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<v Speaker 1>how she got revender of a guy. Unfortunately, she's deleted

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<v Speaker 1>the TikTok, so I just have to explain it, but

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<v Speaker 1>it's worth it. So a girl and her friends went

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<v Speaker 1>to a comedy night and they accidentally spilt a drink

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<v Speaker 1>on a guy that they knew. The guy turns around

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<v Speaker 1>and calls the girl, who accidently speses helt it a

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<v Speaker 1>number of derogatory terms, including crapping on the way she looked,

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<v Speaker 1>and a lot of other things that I think are

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<v Speaker 1>very unacceptable. So what the friend did to stick up

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<v Speaker 1>for her friend? I always love it when her friend

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<v Speaker 1>comes in is she begun sending him spoilers to all

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<v Speaker 1>of his favorite shows on burner accounts. So she knew

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<v Speaker 1>that this guy loved Game of Thrones. Every week she'd

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<v Speaker 1>go to Reddit find a spoiler from America who send it.

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<v Speaker 2>In the dms.

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<v Speaker 3>He's sending seasoned tos.

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<v Speaker 2>He's like, oh my god, please stop.

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<v Speaker 1>He couldn't find anyone to make it stop because there

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<v Speaker 1>was always a burner account. I always find a way, email, message,

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<v Speaker 1>call to give in.

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<v Speaker 2>The spoilers.

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<v Speaker 1>Got me thinking, this is a pretty incredible way to

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<v Speaker 1>get revenge. Would you ever be compelled, Mickey to get

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<v Speaker 1>revenge on someone? What are your thoughts on petty revenge.

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<v Speaker 5>I've contemplated it, I've never done it. Why the logistics,

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<v Speaker 5>just the situation. When my friend was going through a breakup,

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<v Speaker 5>we did like think about popping all his tires because

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<v Speaker 5>we knew where he parked his car. And then I

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<v Speaker 5>just was like, oh, let's spit spitting on that bad comer.

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<v Speaker 2>I'm so illegal.

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<v Speaker 3>Okay, I said revenge.

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<v Speaker 2>He didn't do it, so I did do it, but

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<v Speaker 2>I thought about it.

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<v Speaker 1>You really don't strike me as someone who's ever wanted

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<v Speaker 1>to get revenge.

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<v Speaker 3>And I think it might be an overcorrection from my

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<v Speaker 3>emotionally detached days. Let's say you're in a little bit

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<v Speaker 3>of conflict with someone, I feel like the bulk of

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<v Speaker 3>your energy should go towards the resolution. If you can't resolve,

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<v Speaker 3>then bounce, like save yourself with the extra energy, and

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<v Speaker 3>I don't mean suppress the emotions, but I feel like it's

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<v Speaker 3>watching somebody a knack to revenge. I'm like, I don't

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<v Speaker 3>really think this is helping you like you think it's

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<v Speaker 3>helping you, because everybody comes down from bitterness.

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<v Speaker 2>We really do.

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<v Speaker 3>Like you come down off the high being bitter and angry,

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<v Speaker 3>and the shame always follows. Even when it's all your fault,

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<v Speaker 3>the shame comes. So imagine you had the additional the

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<v Speaker 3>default shame that's going to be there, and then the

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<v Speaker 3>added shame of the ongoing narrative of this thing that

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<v Speaker 3>you did. So let's say you put I don't know

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<v Speaker 3>glue in their shampoo, and now you're seeing Micky laughing,

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<v Speaker 3>and now you see they're posting updates being like, oh

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<v Speaker 3>my god, I've got traction alopecia. My hair's falling out.

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<v Speaker 3>I have no idea why. And then they end up

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<v Speaker 3>becoming a content creator talking about early on set traction

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<v Speaker 3>alopecia that comes out of nowhere. And now they're suing

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<v Speaker 3>the shampoo brand and there's a class action lawsuit happening.

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<v Speaker 3>They're probably gonna lose because it didn't It wasn't the

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<v Speaker 3>shampoo's fault because they tested it and there was glue

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<v Speaker 3>in it. And now the cops are like, oh no,

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<v Speaker 3>this is like a potential homicide case, so we need

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<v Speaker 3>to do some investigations. And now your fingerprints are on

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<v Speaker 3>the bottle of it, and now you have to be like,

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<v Speaker 3>oh no, those are old fingerprints. But then that person's like, no,

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<v Speaker 3>I literally bought this shampoo like last week. There's a

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<v Speaker 3>new fingerprint. And then they might say, oh, well it's

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<v Speaker 3>someone in the supermarket. They did it to you. So

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<v Speaker 3>they get the seat to keep me footage and like

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<v Speaker 3>there was no one. And then what happens is the

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<v Speaker 3>person who was stocking the shelves that day ends up

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<v Speaker 3>doing twenty to life because people are of the impression

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<v Speaker 3>that they were spiking all the shampoo bottles. That's what

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<v Speaker 3>revenge is.

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<v Speaker 2>So what you're saying is, I don't know.

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<v Speaker 3>I always say I critical think for fun. I don't

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<v Speaker 3>really think it's practical critical thinking, Like I think that

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<v Speaker 3>it's just in this beautiful conceptual bubble where you can

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<v Speaker 3>just think around in circles. But realistically, you have to

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<v Speaker 3>do what makes you happy. And if slashing a tie

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<v Speaker 3>in the moment made you happy, then I'm sure you

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<v Speaker 3>have enough of that positivity to write out the consequences.

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<v Speaker 3>People don't do that enough. Just do what makes you

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<v Speaker 3>feel good in this moment. I support you nonetheless, not legally,

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<v Speaker 3>never legally, from my heart, not on record, from like

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<v Speaker 3>the crust of my heart, definitely not inside.

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<v Speaker 1>You're listening to flex and rooms on.

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<v Speaker 3>Kit anybody actually went to UNI College tertiary education. I

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<v Speaker 3>feel as though even if you learnt heaps of stuff,

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<v Speaker 3>you can definitely recognize gaps in your understanding of the

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<v Speaker 3>w world and people around you. And who knows if

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<v Speaker 3>UNI was ever meant to fill those gaps, if you

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<v Speaker 3>were meant to apply yourself and take initiative and do

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<v Speaker 3>your own research. But I saw this video from z

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<v Speaker 3>Marna that taps into what we should have learned at

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<v Speaker 3>UNI and didn't love it.

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<v Speaker 1>In every class, it's very important to have an enemy,

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<v Speaker 1>a joker, and a crush, and sometimes they can be.

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<v Speaker 2>One and the same.

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<v Speaker 1>Like the enemy can be a joker if you're really lucky,

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<v Speaker 1>the enemy can be the crush.

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<v Speaker 2>Oh that's actually kind of a perfect situation.

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<v Speaker 3>What I say. This really clicked for me because I

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<v Speaker 3>feel like a lot of us don't anticipate a life

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<v Speaker 3>where we have any actual enemies or a life where

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<v Speaker 3>we can go to the source of someone for a

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<v Speaker 3>bit of humor. It's this over emphasis on a crush.

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<v Speaker 3>But imagine it's like you were taught from like your

0:10:46.480 --> 0:10:49.400
<v Speaker 3>youngest days. They're going to be three types of people

0:10:50.280 --> 0:10:53.120
<v Speaker 3>people are attracted to, yep. People who make you laugh,

0:10:53.600 --> 0:10:56.800
<v Speaker 3>people who make you hate yourself or hate them. I

0:10:56.840 --> 0:10:59.240
<v Speaker 3>don't think. I think if we were truly prepared for that,

0:11:00.080 --> 0:11:03.000
<v Speaker 3>life would make a bit more sense because I personally,

0:11:03.000 --> 0:11:06.600
<v Speaker 3>for me, where my resilience fails is when people that

0:11:06.679 --> 0:11:10.319
<v Speaker 3>I thought were like fine or had great personalities are

0:11:10.400 --> 0:11:15.480
<v Speaker 3>actually deplorable people. Oh like people I fundamentally cannot stand.

0:11:16.160 --> 0:11:18.080
<v Speaker 2>And how do you get to that? Like, how do

0:11:18.120 --> 0:11:18.960
<v Speaker 2>you realize that.

0:11:18.880 --> 0:11:22.200
<v Speaker 3>You just get to know people? I think, for the

0:11:22.240 --> 0:11:26.080
<v Speaker 3>most part, like most people, in my opinion, are fine

0:11:26.120 --> 0:11:27.920
<v Speaker 3>on a surface level. I think a lot of us

0:11:28.400 --> 0:11:30.640
<v Speaker 3>are self alwa enough to know that we don't want

0:11:30.679 --> 0:11:32.280
<v Speaker 3>to be considered annoying or we don't want to be

0:11:32.320 --> 0:11:35.000
<v Speaker 3>on the outside of anything, So we develop the social

0:11:35.000 --> 0:11:37.600
<v Speaker 3>skills that will ensure that we have connections, we have friends,

0:11:37.600 --> 0:11:39.319
<v Speaker 3>and we have people we can talk to people, we

0:11:39.360 --> 0:11:42.280
<v Speaker 3>can lean on, but I think what we don't spend

0:11:42.280 --> 0:11:44.640
<v Speaker 3>a lot of time on is digging deeper. I remember

0:11:44.640 --> 0:11:46.880
<v Speaker 3>my mum gave me this advice because my mum's very

0:11:46.880 --> 0:11:49.520
<v Speaker 3>big on hygiene, and she was like, please, don't be

0:11:49.559 --> 0:11:52.120
<v Speaker 3>one of those people that spends all their time trying

0:11:52.160 --> 0:11:55.199
<v Speaker 3>to make sure that they look good on the outside,

0:11:55.200 --> 0:11:57.280
<v Speaker 3>but then don't do any of the basics of your

0:11:57.360 --> 0:12:00.960
<v Speaker 3>hygiene to make sure you actually present that way. I

0:12:01.040 --> 0:12:03.600
<v Speaker 3>just remember being in like high school locker rooms and

0:12:03.640 --> 0:12:07.280
<v Speaker 3>everybody just finishing gym and spraying impulse, having not worn

0:12:07.360 --> 0:12:08.280
<v Speaker 3>diodor in beforehand.

0:12:08.320 --> 0:12:08.840
<v Speaker 2>Disgusting.

0:12:08.920 --> 0:12:10.320
<v Speaker 3>You can't mask it, babe.

0:12:10.760 --> 0:12:12.360
<v Speaker 2>Or people who.

0:12:12.240 --> 0:12:14.560
<v Speaker 3>Refuse to take off their makeup before they go to

0:12:14.600 --> 0:12:20.600
<v Speaker 3>bed and ruin their sheets, have stains everywhere, but then

0:12:20.640 --> 0:12:22.440
<v Speaker 3>don't care about washing it because like you know how

0:12:22.600 --> 0:12:25.079
<v Speaker 3>this is, or like I just like those little things.

0:12:25.240 --> 0:12:28.280
<v Speaker 3>I'm like, yes, you can only mask the outside for

0:12:28.320 --> 0:12:31.120
<v Speaker 3>so long before you have to dig deep and be

0:12:31.400 --> 0:12:33.160
<v Speaker 3>accountable for what gets revealed.

0:12:33.520 --> 0:12:34.560
<v Speaker 2>And that's gonna hit differently.

0:12:34.600 --> 0:12:36.920
<v Speaker 3>I always forget that. I'm like, yes, if you want

0:12:37.240 --> 0:12:39.760
<v Speaker 3>to know people deeper, you have to, or if you

0:12:39.800 --> 0:12:41.960
<v Speaker 3>want the beauty of getting to know someone deeply. You

0:12:42.000 --> 0:12:45.080
<v Speaker 3>have to make room for not liking what you find,

0:12:45.600 --> 0:12:46.920
<v Speaker 3>and I always forget that.

0:12:47.400 --> 0:12:50.280
<v Speaker 2>I never want to know that. I know it's awful.

0:12:50.960 --> 0:12:53.000
<v Speaker 2>The horrors are endless, would you not agree?

0:12:54.360 --> 0:12:57.319
<v Speaker 3>I take it back now, the horrors are limited. I

0:12:57.360 --> 0:13:00.000
<v Speaker 3>think the horrors are finite. The love is endless.

0:13:00.600 --> 0:13:03.680
<v Speaker 1>That's all right, that's all right, ladies and gentlemen.

0:13:03.720 --> 0:13:07.400
<v Speaker 2>It's that time of week again. Play the tape, Mickey.

0:13:06.760 --> 0:13:09.800
<v Speaker 5>Do Do Do Do Do Do Do Do Do Mickey's

0:13:09.880 --> 0:13:10.920
<v Speaker 5>music quiz.

0:13:11.679 --> 0:13:13.400
<v Speaker 3>Thank you beautiful.

0:13:13.760 --> 0:13:15.640
<v Speaker 2>I was checking an actual thing. What are you doing to?

0:13:16.240 --> 0:13:21.360
<v Speaker 3>Budget? Allocation had increased out. He didn't like my that's

0:13:21.400 --> 0:13:24.040
<v Speaker 3>for royalties. You can't be doing that for free.

0:13:24.240 --> 0:13:25.720
<v Speaker 2>All right, Mickey, what have we got today?

0:13:25.800 --> 0:13:29.079
<v Speaker 5>Okay, so today's theme is sad girl love songs.

0:13:30.480 --> 0:13:32.880
<v Speaker 2>It's neither of our really remits, but I'll give it

0:13:32.920 --> 0:13:33.120
<v Speaker 2>a go.

0:13:33.880 --> 0:13:36.800
<v Speaker 5>Well, last week was way too I wanted to bring

0:13:36.840 --> 0:13:42.400
<v Speaker 5>it back, all right, let's go, Mickey. Song number one.

0:13:42.080 --> 0:13:45.839
<v Speaker 2>Me Lina del Ray, Young and beautiful, cracked.

0:13:47.480 --> 0:13:48.040
<v Speaker 3>Reminds you of.

0:13:49.760 --> 0:13:51.840
<v Speaker 2>Bond, James Bond.

0:13:52.559 --> 0:13:53.320
<v Speaker 3>Yeah, I don't know why?

0:13:53.480 --> 0:13:53.600
<v Speaker 5>Uh?

0:13:54.320 --> 0:13:57.280
<v Speaker 2>I love that song? Yeah? Beautiful.

0:13:57.280 --> 0:13:58.560
<v Speaker 5>Song number two.

0:14:01.559 --> 0:14:04.880
<v Speaker 3>Rihanna and what's it called Love on the brain?

0:14:08.360 --> 0:14:08.800
<v Speaker 2>Brighton?

0:14:08.960 --> 0:14:11.600
<v Speaker 3>Number three? Why is this more stressful than the other ones?

0:14:14.320 --> 0:14:15.240
<v Speaker 2>This is my crying song?

0:14:17.600 --> 0:14:21.320
<v Speaker 3>Oh oh, it's not Noah Cyrus?

0:14:21.440 --> 0:14:22.160
<v Speaker 5>Is it?

0:14:22.400 --> 0:14:25.520
<v Speaker 3>Yes? Can you named the song? Is it July correct?

0:14:25.600 --> 0:14:27.200
<v Speaker 2>Two points to flex, one point for me?

0:14:27.520 --> 0:14:29.920
<v Speaker 5>Number four Come.

0:14:29.840 --> 0:14:36.880
<v Speaker 3>One Driver's License by Lvia, Oh my god, Flex, what

0:14:36.920 --> 0:14:40.880
<v Speaker 3>have you been doing already? She can't come back from one.

0:14:41.520 --> 0:14:43.280
<v Speaker 3>Let her try, but we'll try try.

0:14:47.200 --> 0:14:50.240
<v Speaker 2>Wow. Flex is the sad girl song. It's okay?

0:14:50.400 --> 0:14:51.280
<v Speaker 3>Number five.

0:14:53.280 --> 0:14:55.280
<v Speaker 2>Alicia Keys fallen.

0:14:56.560 --> 0:15:01.600
<v Speaker 3>Wrong songwright artist Alicia Keys. If it ain't you four

0:15:01.680 --> 0:15:02.400
<v Speaker 3>to flex?

0:15:04.160 --> 0:15:10.560
<v Speaker 1>You ate depressed, you didn't gobble enough, okay, sad okay,

0:15:10.680 --> 0:15:13.440
<v Speaker 1>dried up okay, crying in your bedroom alone?

0:15:14.240 --> 0:15:15.600
<v Speaker 3>Okay, it's no more classic?

0:15:15.720 --> 0:15:16.040
<v Speaker 2>Okay.

0:15:16.240 --> 0:15:19.560
<v Speaker 3>Let me every single the thing comparing this week to

0:15:19.680 --> 0:15:24.120
<v Speaker 3>last week. All of those were deep cuts Bowie, I

0:15:24.240 --> 0:15:24.960
<v Speaker 3>like people were.

0:15:24.800 --> 0:15:27.840
<v Speaker 2>Not I was so fand of you?

0:15:28.640 --> 0:15:28.920
<v Speaker 1>Is it?

0:15:29.320 --> 0:15:32.800
<v Speaker 3>All of these have been in circulation in every major

0:15:32.920 --> 0:15:35.080
<v Speaker 3>everything for the last ten years.

0:15:35.240 --> 0:15:37.800
<v Speaker 1>Twenty okay, guys, just as a little bonus round.

0:15:38.360 --> 0:15:39.480
<v Speaker 2>I want you two together.

0:15:39.720 --> 0:15:48.600
<v Speaker 5>I didn't realize it's try yeah now. Sween Symphony by

0:15:48.680 --> 0:15:49.040
<v Speaker 5>the verb.

0:15:49.600 --> 0:15:51.360
<v Speaker 3>Yeah, I wouldn't have gotten the artist.

0:15:51.640 --> 0:15:54.560
<v Speaker 5>It's actually they had a major copyright battle and I

0:15:54.640 --> 0:15:55.400
<v Speaker 5>studied in a UNI.

0:15:55.920 --> 0:15:57.720
<v Speaker 3>What was it or is it?

0:15:57.720 --> 0:15:59.960
<v Speaker 5>You can't be one of the Rolling Stones had a

0:16:00.040 --> 0:16:02.200
<v Speaker 5>sample in it, very very small and when after all

0:16:02.240 --> 0:16:03.560
<v Speaker 5>their money and now they don't make a cent from

0:16:03.560 --> 0:16:04.120
<v Speaker 5>that song.

0:16:04.600 --> 0:16:06.360
<v Speaker 3>Shut up fun facts.

0:16:06.480 --> 0:16:21.480
<v Speaker 2>That's far out all right. It's from the scene in

0:16:21.760 --> 0:16:22.040
<v Speaker 2>O C.

0:16:25.680 --> 0:16:30.920
<v Speaker 3>The scene the closing credits. This is why you get

0:16:30.960 --> 0:16:36.640
<v Speaker 3>nostalgical scene from the two thousand and three.

0:16:36.720 --> 0:16:41.720
<v Speaker 2>There was will the scene in the OC. It's news

0:16:41.760 --> 0:16:43.760
<v Speaker 2>Eve and Ryan and mossa kiss.

0:16:51.440 --> 0:16:55.960
<v Speaker 3>This feels like Laguna Beach season finale, the season two.

0:16:58.000 --> 0:16:59.640
<v Speaker 2>It's the funeral by band Horses.

0:17:00.880 --> 0:17:01.240
<v Speaker 3>All right.

0:17:01.560 --> 0:17:03.720
<v Speaker 1>If you don't get this, Mickey, I'm a bit worried.

0:17:09.119 --> 0:17:13.480
<v Speaker 2>Okay, no one he's suffered from.

0:17:12.320 --> 0:17:17.000
<v Speaker 3>I love how for me? Literally circumnavigated the music quiz

0:17:17.000 --> 0:17:21.800
<v Speaker 3>so she could win, just thinking like not flex can't win. Yeah,

0:17:21.800 --> 0:17:23.480
<v Speaker 3>so I'm going to bring you my deepest cuts and.

0:17:23.400 --> 0:17:26.359
<v Speaker 1>I'm gonna make it really I was actually going for

0:17:26.400 --> 0:17:28.040
<v Speaker 1>the least deep cuts.

0:17:28.720 --> 0:17:31.679
<v Speaker 3>No, sorry, miss competitive. It's okay to lose.

0:17:32.640 --> 0:17:33.720
<v Speaker 2>I'll make it hard next week.

0:17:33.800 --> 0:17:37.680
<v Speaker 3>If you're going to act like this, bring me.

0:17:37.680 --> 0:17:38.520
<v Speaker 2>Some country music.

0:17:38.880 --> 0:17:41.439
<v Speaker 3>That was great, Mickey, thank you, thank you, No worries.

0:17:42.080 --> 0:17:44.679
<v Speaker 3>You've been listening to The Flex and Froom's daily podcast.

0:17:44.920 --> 0:17:48.560
<v Speaker 5>For more, Tune Indicater on DAB or stream it on iHeartRadio.