WEBVTT - Zach Heinzerling: On the Rafa you never knew

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<v Speaker 1>Hello, and welcome to the sitdown. I'm Viv Christie, managing

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<v Speaker 1>editor for Australian Tennis magazine.

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<v Speaker 2>And I'm Metrolope, a writer and editor for ozopen dot com.

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<v Speaker 2>And Viv, why are we sitting down this week with

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<v Speaker 2>Zach Heinzelin.

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<v Speaker 1>Well, Matt, Zach is the manner of the hour really

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<v Speaker 1>in the documentary space. He is the director of Raffa,

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<v Speaker 1>the documentary that was released on Netflix during Roland Garros.

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<v Speaker 1>And in this fascinating documentary, he takes us really behind

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<v Speaker 1>the scenes, showing us Raffa the person as well as

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<v Speaker 1>Raffa the player, which he talks to a lot of

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<v Speaker 1>people that we've never heard from before in Rafa's life,

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<v Speaker 1>his family, his team members, he's inner circle really and yeah,

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<v Speaker 1>it gives you a perspective that you probably have never

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<v Speaker 1>really appreciated on Raffa's career before.

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<v Speaker 2>Yeah, and that's including us. I mean we watched this obviously,

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<v Speaker 2>and we've both worked in the tennis space for a

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<v Speaker 2>long time, covered the majority of Raffa's career and I think, yeah,

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<v Speaker 2>that was something that struck us about this documentary about

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<v Speaker 2>how much we didn't know it was going on behind

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<v Speaker 2>the scenes, and we knew of the challenges, but we

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<v Speaker 2>didn't maybe know the extent of what they were. And yeah,

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<v Speaker 2>the various hurdles he had to overcome and what he

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<v Speaker 2>was playing through in a twenty plus year career. So

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<v Speaker 2>it was really fascinating to dig into that with Zach

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<v Speaker 2>and find out what made the cut and what was

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<v Speaker 2>left out in this incredible dot Ok. Zach Heinzelin, thank

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<v Speaker 2>you very much for joining us today on the sit

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<v Speaker 2>Down Podcasts. Great to have you.

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<v Speaker 3>Thanks for having me.

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<v Speaker 2>Where in the world do we find you now? We

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<v Speaker 2>were talking off camera, but for our viewers some context

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<v Speaker 2>is always good. Where are we at the moment?

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<v Speaker 3>Right now, I'm in Martha's Vineyard where I'm here for

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<v Speaker 3>a few weeks with my family on the holiday.

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<v Speaker 2>Very fantastic. That's a lovely part of the world from

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<v Speaker 2>what we hear. And the reason you're joining us today

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<v Speaker 2>is because you are the director of The Raffa Dooco,

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<v Speaker 2>which came out on Netflix just under six weeks ago.

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<v Speaker 2>I think now we've both watched it, but we really

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<v Speaker 2>wanted to pick your brain about that, and first of all,

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<v Speaker 2>we wondered, like, what's the reception being or the feedback

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<v Speaker 2>being for you. Since it's been out in the world.

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<v Speaker 3>It's been good. I think, you know, it's hard to

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<v Speaker 3>know exactly, you know, Netflix doesn't share you know, a

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<v Speaker 3>lot of the numbers, but in general, they seem very happy.

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<v Speaker 3>I'm super proud of it. The response from you know,

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<v Speaker 3>the documentary community and peers has been very positive, and critics,

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<v Speaker 3>you know, seem to highlight the things that I was

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<v Speaker 3>you know, most focused on and proudest of. So those

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<v Speaker 3>are all, yeah, positive indicators. So yeah, I think everyone

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<v Speaker 3>feels really good about it.

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<v Speaker 2>That's fantastic that. I'm sure that must be a bit

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<v Speaker 2>of a nerve wracking experience, but it sounds like it's

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<v Speaker 2>been mostly positive in that in the weeks since it's

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<v Speaker 2>been on Netflix. We would love to know how the

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<v Speaker 2>documentary was seed like who approached to who had the

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<v Speaker 2>idea for it, how did it all kind of come together.

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<v Speaker 3>Yeah, So David Ellison, who runs sky Dance, he and

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<v Speaker 3>his dad owned the Indian Wells Tournament and Rafa would

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<v Speaker 3>go there every year and there became friendly and I

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<v Speaker 3>know David had asked Rafa many times in the past

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<v Speaker 3>and Raffa had always said no, you know, he's a

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<v Speaker 3>very private person. You know, he's never done a documentary,

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<v Speaker 3>his family's never been on camera. He's not really interested

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<v Speaker 3>in that you know kind of presentation of his life

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<v Speaker 3>and and sort of media spectacle that it entails. But

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<v Speaker 3>since it was his last it was going to be

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<v Speaker 3>probably his last season and David, he started trusted his

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<v Speaker 3>team and David in uh, deciding that it was going

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<v Speaker 3>to be you know, now or never, and kind of

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<v Speaker 3>went into it, you know, knowing that it probably would

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<v Speaker 3>be uncomfortable for him, seeing as he is quite private

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<v Speaker 3>and uncomfortable for you know, his close ones. But went

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<v Speaker 3>into it knowing, you know, knowing that and and really

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<v Speaker 3>you know, opened up in a way that that was

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<v Speaker 3>pretty surprising.

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<v Speaker 1>Definitely, Yeah, Zach, congratulations, It's it's just such a fabulous watch.

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<v Speaker 1>I honestly couldn't stop watching pot me up late at night.

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<v Speaker 1>But the narrative, you know, obviously focused on his last

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<v Speaker 1>year on tour, but I guess also what it takes

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<v Speaker 1>to become such a great of the tennis world. Was

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<v Speaker 1>that the angle that you had in mind when you set.

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<v Speaker 3>Out, We have an angle in mind. You know, I

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<v Speaker 3>didn't know that much about Rafa. You know, I I

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<v Speaker 3>think like a lot of American even tennis fans, you know,

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<v Speaker 3>he's always been sort of an enigma. You know, he

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<v Speaker 3>has not been this sort of household name. You know,

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<v Speaker 3>he doesn't you know, speak English that well. He's never

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<v Speaker 3>really been someone who's wanted to be a global celebrity.

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<v Speaker 3>So I think as a result, and in the US,

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<v Speaker 3>you know, tennis is you know, it's a it's a

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<v Speaker 3>big sport, but you know, it's not among you know,

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<v Speaker 3>it's not like football or basketball, baseball. So I think

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<v Speaker 3>his popularity in the United States was you know, not

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<v Speaker 3>as big as you might think. And for me, you know,

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<v Speaker 3>I didn't really know much about him. I didn't know

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<v Speaker 3>you know, everyone says though he's you know, he gives

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<v Speaker 3>one hundred percent, he goes after every ball. You've heard

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<v Speaker 3>about the sort of warrior mentality, and his uncle Tony

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<v Speaker 3>and this kind of you know, disciplinarian, very intense. He's

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<v Speaker 3>always just seems very intense and serious about everything and

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<v Speaker 3>and guarded. So there wasn't necessilly an angle in mind.

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<v Speaker 3>I think my my first thought was, you know, well,

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<v Speaker 3>what what is there? What more is there? And I

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<v Speaker 3>quickly found that you get a lot more from watching

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<v Speaker 3>Rafa in his day to day and with his family

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<v Speaker 3>and team than you would in any interview. You know

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<v Speaker 3>that he might give because he shows you know himself

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<v Speaker 3>through his actions, I think, and his actions are usually

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<v Speaker 3>louder than words. It's it's sort of how you know,

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<v Speaker 3>how he respects the game, how he plays, how he

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<v Speaker 3>treats others. You know, his it's kind of way of

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<v Speaker 3>being I think is very unique for a celebrity athlete

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<v Speaker 3>of his caliber. And I sort of knew that if

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<v Speaker 3>I could, you know, be around him in moments of

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<v Speaker 3>you know, an intense emotional turmoil, which would be inevitable

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<v Speaker 3>because of this being his last season and him having

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<v Speaker 3>to decide when to retire, you know that that could

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<v Speaker 3>be a way, in a way inside, a way to

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<v Speaker 3>see you know, a deeper, truer version of himself. So

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<v Speaker 3>as far as the story, we really didn't know. You know,

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<v Speaker 3>we thought it would be his last season. We were

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<v Speaker 3>expecting it to be some you know, or we hoped

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<v Speaker 3>it would be some heroic you know, walk off home run. Well,

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<v Speaker 3>I guess that's not a good analogy in Australia, you know,

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<v Speaker 3>that sort of heroic where he you know wins ex

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<v Speaker 3>Tournament wins is fifteenth Rolngeros and and retires. But soon

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<v Speaker 3>after we started shooting, he was injured in Australia and

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<v Speaker 3>dropped out of the Australian Open. And from there we

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<v Speaker 3>really didn't know what the story was going to be

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<v Speaker 3>or if, you know, if he was going to continue

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<v Speaker 3>with the documentary or with the season. There were a

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<v Speaker 3>lot of unknowns at that point. But then you know,

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<v Speaker 3>things shifted and the story actually became much more about

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<v Speaker 3>why can't he stop playing? Not so much when is

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<v Speaker 3>he going to play intel or when will he you know, decide,

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<v Speaker 3>But he kept, you know, continuing on and soldiering on,

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<v Speaker 3>even though it seemed like even amongst his team there

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<v Speaker 3>was a lot of doubts whether his body, you know,

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<v Speaker 3>could sustain another season. And that became the question why

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<v Speaker 3>what is it about him that makes him incapable of

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<v Speaker 3>stopping at the end of a career, because that is

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<v Speaker 3>actually all of the same, you know, reasons why you know,

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<v Speaker 3>he was the great player that he was. So that

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<v Speaker 3>became the way that we sort of blended the present

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<v Speaker 3>and the past through that question up, well, what makes

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<v Speaker 3>him keep going? You know, why can't he stop.

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<v Speaker 1>Yeah, it was. It was so compelling. That's kind of

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<v Speaker 1>that that narrative of why didn't he stop?

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<v Speaker 2>Yeah? I found Yeah, and also that I think you

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<v Speaker 2>also said about going back into his past. We was.

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<v Speaker 2>I think one of the big takeaways from this documentary

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<v Speaker 2>is how much file footage you had access to and

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<v Speaker 2>vision of him of when he was a little kidd

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<v Speaker 2>with his family. Did you guys know in the team

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<v Speaker 2>that you would have access to this incredible archive or

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<v Speaker 2>did that kind of go oh, we do have this,

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<v Speaker 2>So that actually gives us another storytelling in.

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<v Speaker 3>Yeah, I credit the archival producer Knnie Honeycut. It's you know,

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<v Speaker 3>really diving into the Spanish television broadcast archive. Rafa himself

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<v Speaker 3>didn't really have any archive, you know, his family there

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<v Speaker 3>there were a few home videos that we found, but

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<v Speaker 3>they were not meticulous about, you know, documenting his career

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<v Speaker 3>by any means. I think the fact that he was

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<v Speaker 3>gifted at a young age and played in tournaments you know,

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<v Speaker 3>and was in the sort of the Spanish Championships, et cetera.

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<v Speaker 3>You know, from age eight on, there was more footage

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<v Speaker 3>of him young than you know other players. Rafa you know,

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<v Speaker 3>is kind of known for how quickly he became, you

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<v Speaker 3>know how he was on the tour at age sixteen

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<v Speaker 3>and playing guys much much older. So a lot of

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<v Speaker 3>footage existed, but you know, it's it takes a lot

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<v Speaker 3>of time to go throw that footage and sort of

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<v Speaker 3>find the moments that feel you know, one of the

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<v Speaker 3>moments I love most from the archive is he's asked

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<v Speaker 3>at I think he's like eight years old, he's just

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<v Speaker 3>won this championship, and he's asked, you know, how do

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<v Speaker 3>you feel you've just won, you know, this championship and

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<v Speaker 3>a young Raphis says, well, you know, just because you

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<v Speaker 3>won this championship doesn't mean you're going to be good.

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<v Speaker 3>You still have to you know, keep training, and and

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<v Speaker 3>for an eight year old to say that, you know,

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<v Speaker 3>you knew that there was something in his mind that

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<v Speaker 3>was saying the voice of his uncle, which we sort

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<v Speaker 3>of later discovered. But but something about that response, you know,

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<v Speaker 3>almost felt like premeditated or or you know, that it

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<v Speaker 3>was coming from somewhere else, and that kind of mentality,

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<v Speaker 3>you know, he had to sort of never you know,

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<v Speaker 3>sort of you know, revel in your accomplishments and but

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<v Speaker 3>always be looking for what's next, how do I how

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<v Speaker 3>do I get better? You know, never being overconfident, you know,

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<v Speaker 3>really is part and partial with with his style of

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<v Speaker 3>play and and and you know his spirit. His career

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<v Speaker 3>of course.

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<v Speaker 1>You know, it spanned over twenty years, more records than

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<v Speaker 1>we can probably even count or remember. How how did

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<v Speaker 1>you decide what to leave out?

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<v Speaker 3>Yeah, that's a good question there. It's funny because Rapa

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<v Speaker 3>wanted a fifth episode after seeing the four episodes. He

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<v Speaker 3>was like, well, you know, there are all these other

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<v Speaker 3>matches that you know are important to my career. And

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<v Speaker 3>you know, yeah, he played over twenty years. There's there's

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<v Speaker 3>countless great matches, you know. I My feeling was that

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<v Speaker 3>there almost was too much tennis in the in the project,

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<v Speaker 3>you know, and we really wanted this to be a

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<v Speaker 3>global audience and and not necessarily only tennis fans, you know,

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<v Speaker 3>so it became much more about the person. And you know,

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<v Speaker 3>there are the iconic matches, you know, his first, his

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<v Speaker 3>first Grand Slam, the Wimbledon's against Roger feder the Australian

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<v Speaker 3>Open against Djokovic, but then later in his career there

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<v Speaker 3>are certain you know, like the twenty twenty two Australian

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<v Speaker 3>Open match was you know, one of the greatest comebacks

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<v Speaker 3>of his career and a hugely important match to sort

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<v Speaker 3>of understand at age, you know, I think he was

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<v Speaker 3>maybe thirty five, thirty six, you know that he still

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<v Speaker 3>had at playing against Medevedev, who was much younger, when

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<v Speaker 3>the question of his longevity had always been top of mind.

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<v Speaker 3>With Rafa, you know, I think with Novak we maybe

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<v Speaker 3>expected his career to be a bit longer. I think everyone,

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<v Speaker 3>Rafa included, thought that his career would end, you know,

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<v Speaker 3>much earlier, as is true of most you know, tennis

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<v Speaker 3>players you know, usually retire in their early thirties. Anyway,

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<v Speaker 3>there were matches that, you know, for whatever reason, mostly

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<v Speaker 3>because of the structure that we chose, of the episodes

0:14:20.040 --> 0:14:24.080
<v Speaker 3>you know, just didn't didn't make the cut. But you know,

0:14:24.160 --> 0:14:29.200
<v Speaker 3>for me, I prefer living in fewer matches longer and

0:14:29.880 --> 0:14:34.520
<v Speaker 3>understanding what's at stake, what's really going on in this match,

0:14:34.600 --> 0:14:37.200
<v Speaker 3>How do we use the match to analyze the you know,

0:14:37.520 --> 0:14:41.200
<v Speaker 3>the sort of mental strategy of what's the difference between Novak,

0:14:41.240 --> 0:14:45.120
<v Speaker 3>who's super confident in Rafa who almost uses this this

0:14:45.280 --> 0:14:49.080
<v Speaker 3>kind of humility or lack of confidence as a motivation,

0:14:49.480 --> 0:14:52.360
<v Speaker 3>you know, and then with better or how do we

0:14:52.400 --> 0:14:57.320
<v Speaker 3>see his game on grass and see how we can

0:14:57.400 --> 0:15:02.760
<v Speaker 3>analyze Rafa's differences and gain a better understanding of him

0:15:02.760 --> 0:15:05.560
<v Speaker 3>more so that you know, when you won twenty two

0:15:05.600 --> 0:15:08.360
<v Speaker 3>Grand Slams, there's gonna be a lot of you know,

0:15:08.520 --> 0:15:13.520
<v Speaker 3>trophy raises. But it's just I'm less interested, you know,

0:15:14.040 --> 0:15:17.640
<v Speaker 3>I think another filmmaker probably would have made something different.

0:15:17.960 --> 0:15:23.640
<v Speaker 3>You know, I read it's funny when you talked about

0:15:23.640 --> 0:15:26.560
<v Speaker 3>how it's kind of nerve nerve or I'm not sure

0:15:26.600 --> 0:15:28.760
<v Speaker 3>how you used it, but when you release it.

0:15:30.160 --> 0:15:33.760
<v Speaker 2>Yeah, you'll ye. How you respond to the reception.

0:15:34.440 --> 0:15:39.320
<v Speaker 3>Yeah, exactly. And I tend to sort of focus on

0:15:39.640 --> 0:15:44.280
<v Speaker 3>any negative reaction more than a positive one. And the

0:15:44.320 --> 0:15:47.640
<v Speaker 3>positive ones are nice. But then I like to see

0:15:47.640 --> 0:15:52.920
<v Speaker 3>what people are saying, maybe maybe criticisms. And I found

0:15:54.000 --> 0:15:57.200
<v Speaker 3>if there was one, it was that, you know, that

0:15:57.480 --> 0:16:02.920
<v Speaker 3>there was so much about his struggles with his body,

0:16:04.360 --> 0:16:09.120
<v Speaker 3>you know, and at times was hard to watch because

0:16:09.160 --> 0:16:12.200
<v Speaker 3>of it, and for someone who did win so much,

0:16:13.160 --> 0:16:17.880
<v Speaker 3>you know, expecting more of a sort of celebratory feel,

0:16:17.920 --> 0:16:22.840
<v Speaker 3>and you know, I think again, you know, I think

0:16:22.840 --> 0:16:27.520
<v Speaker 3>it's just my interests were more in that struggle, more

0:16:27.600 --> 0:16:31.360
<v Speaker 3>in the messiness, more in what makes you know this

0:16:31.480 --> 0:16:37.480
<v Speaker 3>guy human? You know, I think you know, we all

0:16:37.520 --> 0:16:40.400
<v Speaker 3>know he was a great tennis player. We all you know,

0:16:40.640 --> 0:16:46.240
<v Speaker 3>we could endlessly talk about probably like or breakdown matches

0:16:46.320 --> 0:16:53.160
<v Speaker 3>more strategically and show highlights. But for me, the idea

0:16:54.360 --> 0:16:58.520
<v Speaker 3>that at such a young age he had this foot

0:16:59.080 --> 0:17:05.439
<v Speaker 3>disease was sort of the key you know, reveal of

0:17:05.520 --> 0:17:09.040
<v Speaker 3>information for the whole series and for me, as someone

0:17:09.040 --> 0:17:11.480
<v Speaker 3>who didn't really know that that existed, that the fact

0:17:11.520 --> 0:17:20.480
<v Speaker 3>that he played on you know, a malformed, deteriorating left

0:17:20.480 --> 0:17:24.359
<v Speaker 3>foot for his entire career was the thing for me

0:17:24.480 --> 0:17:29.159
<v Speaker 3>that was most revelatory and sort of set the course

0:17:29.200 --> 0:17:31.480
<v Speaker 3>of his career as this one that could end at

0:17:31.520 --> 0:17:37.399
<v Speaker 3>any moment. And that's a mentality I think that you know,

0:17:37.520 --> 0:17:41.359
<v Speaker 3>he played with in every match, and so you can't

0:17:41.720 --> 0:17:50.040
<v Speaker 3>separate you know, sort of Rafa's body from Rafa's tennis. Yeah,

0:17:50.400 --> 0:17:53.760
<v Speaker 3>and that's sort of a long, a long answer to

0:17:53.800 --> 0:17:57.240
<v Speaker 3>your question about matches, but it's more the answer is

0:17:57.240 --> 0:18:01.119
<v Speaker 3>more what I'm interested in, you know, as a filmmaker.

0:18:01.840 --> 0:18:06.400
<v Speaker 1>Yeah, definitely showed that more human side, you know, Yeah,

0:18:06.680 --> 0:18:09.320
<v Speaker 1>had watched Raffa for so many years and didn't even

0:18:09.440 --> 0:18:12.439
<v Speaker 1>know that. I guess the seriousness of that, that injury.

0:18:12.440 --> 0:18:14.800
<v Speaker 2>And I was the same.

0:18:16.280 --> 0:18:19.879
<v Speaker 1>You were alongside Raffa in some of his most difficult moments,

0:18:19.920 --> 0:18:22.840
<v Speaker 1>as you mentioned earlier, the injury in Melbourne when he

0:18:22.960 --> 0:18:25.160
<v Speaker 1>learned that he couldn't fly the a historian open what.

0:18:24.920 --> 0:18:25.720
<v Speaker 2>What was that like?

0:18:26.280 --> 0:18:32.359
<v Speaker 3>Yeah, I mean that injury specifically. I mean it happened

0:18:32.400 --> 0:18:37.280
<v Speaker 3>in Brisbane, but then he sort of went to Melbourne

0:18:37.760 --> 0:18:41.280
<v Speaker 3>and went to the doctor there and the doctor delivered

0:18:41.320 --> 0:18:44.919
<v Speaker 3>the news that it was a tear, and a severe

0:18:45.040 --> 0:18:46.919
<v Speaker 3>enough tear, you know where he wasn't going to be

0:18:46.920 --> 0:18:51.280
<v Speaker 3>able to play. And you know, that was like six

0:18:51.440 --> 0:18:54.720
<v Speaker 3>or seven days into shooting. So at this point, you know,

0:18:54.760 --> 0:18:58.080
<v Speaker 3>I had not developed much of a relationship. Of course,

0:18:58.200 --> 0:19:00.520
<v Speaker 3>you know, we knew each other, but he he was

0:19:01.320 --> 0:19:04.040
<v Speaker 3>from day one. He was in practice mode. You know,

0:19:04.040 --> 0:19:06.560
<v Speaker 3>he was very much you know, this was his comeback

0:19:06.600 --> 0:19:10.080
<v Speaker 3>in the season, and I was there and following him.

0:19:10.160 --> 0:19:13.239
<v Speaker 3>So in that moment in the car, I was, I

0:19:13.359 --> 0:19:16.320
<v Speaker 3>was filming. I was, you know, because I do some

0:19:16.359 --> 0:19:19.280
<v Speaker 3>of the filming myself. When it you know, when the

0:19:20.280 --> 0:19:24.359
<v Speaker 3>space is small and requires kind of a small footprint,

0:19:25.560 --> 0:19:31.080
<v Speaker 3>and you know, I just remember feeling, you know, in

0:19:31.200 --> 0:19:38.199
<v Speaker 3>those moments you form a connection, you know, because you

0:19:38.359 --> 0:19:44.320
<v Speaker 3>witness someone going through something, and when that person sort

0:19:44.359 --> 0:19:47.159
<v Speaker 3>of understands that you witness that you and you've seen

0:19:47.320 --> 0:19:51.920
<v Speaker 3>another layer of them, there's kind of you know, a

0:19:51.960 --> 0:19:56.879
<v Speaker 3>bond that's formed, you know, not necessarily because of anything

0:19:57.119 --> 0:20:00.200
<v Speaker 3>that you did, other than you know sort of of

0:20:02.119 --> 0:20:04.520
<v Speaker 3>you know, be there and capture it in in a

0:20:04.760 --> 0:20:12.199
<v Speaker 3>in a way that is as inobtrusive and as you know,

0:20:12.320 --> 0:20:16.560
<v Speaker 3>sort of sensitive as you can be. You know, I

0:20:16.560 --> 0:20:19.760
<v Speaker 3>always felt like I never wanted to ask anything of Rafa,

0:20:19.840 --> 0:20:23.960
<v Speaker 3>and so we we didn't do interviews while he you know,

0:20:24.119 --> 0:20:26.879
<v Speaker 3>was during the season. We waited until after the season.

0:20:26.960 --> 0:20:29.320
<v Speaker 3>During the season we were merely there to sort of

0:20:29.359 --> 0:20:33.000
<v Speaker 3>shadow him and watch, you know. We we didn't want

0:20:33.080 --> 0:20:36.760
<v Speaker 3>to stop his routine. We didn't want to interrupt in

0:20:36.800 --> 0:20:40.640
<v Speaker 3>any way, which was difficult because if you missed something,

0:20:40.840 --> 0:20:43.520
<v Speaker 3>you know, there was no like redo, there there was

0:20:43.560 --> 0:20:46.520
<v Speaker 3>no like let's get that from another, you know. It

0:20:46.560 --> 0:20:50.040
<v Speaker 3>was it was like on the fly, you know, go go,

0:20:50.040 --> 0:20:57.560
<v Speaker 3>go go, And you know, Rafa I think understood that

0:20:59.240 --> 0:21:03.199
<v Speaker 3>if you know, if this was going to be a

0:21:03.320 --> 0:21:07.760
<v Speaker 3>real version of him that those moments, you know, needed

0:21:07.840 --> 0:21:11.800
<v Speaker 3>to be seen and you needed to understand what it

0:21:11.920 --> 0:21:18.040
<v Speaker 3>is like to get that news and uh, you know

0:21:18.160 --> 0:21:24.560
<v Speaker 3>understand kind of the heartbreak and the sacrifice because it

0:21:24.560 --> 0:21:27.920
<v Speaker 3>it makes the you know, the winds that much more impressive.

0:21:27.960 --> 0:21:32.040
<v Speaker 3>It makes the and it helps you understand. Yeah, like

0:21:32.560 --> 0:21:34.639
<v Speaker 3>you know, what does it take and what is it like?

0:21:34.800 --> 0:21:37.880
<v Speaker 3>And and why is it hard? And and all these

0:21:37.920 --> 0:21:41.000
<v Speaker 3>things that we talk about and sports there is all

0:21:41.040 --> 0:21:44.480
<v Speaker 3>this sort of like motivational you know, go one hundred

0:21:44.520 --> 0:21:47.240
<v Speaker 3>percent or you have to you know, go that, but

0:21:47.240 --> 0:21:49.200
<v Speaker 3>but what does that actually mean? You know, what is

0:21:49.240 --> 0:21:51.960
<v Speaker 3>one hundred percent for one person versus another? Or like

0:21:52.720 --> 0:21:57.000
<v Speaker 3>you know what. So it's those kinds of of of

0:21:57.320 --> 0:22:01.359
<v Speaker 3>you know, messier parts that I think a lot of

0:22:01.400 --> 0:22:05.440
<v Speaker 3>athletes don't want you to see because they do chip

0:22:05.480 --> 0:22:09.159
<v Speaker 3>away at the armor of the kind of you know

0:22:09.280 --> 0:22:14.280
<v Speaker 3>the warrior who you know sort of you know, slays

0:22:15.440 --> 0:22:21.040
<v Speaker 3>the dragon. I think when you see Rafa kind of

0:22:21.080 --> 0:22:24.840
<v Speaker 3>tearing up, you know there's a vulnera but there's a

0:22:24.920 --> 0:22:29.280
<v Speaker 3>there's a sensitivity there that exists. You know that that's

0:22:29.320 --> 0:22:32.920
<v Speaker 3>for some athletes, you know, they don't necessarily want to

0:22:32.960 --> 0:22:36.199
<v Speaker 3>reveal that side of themselves. But that's honestly what I

0:22:36.320 --> 0:22:39.199
<v Speaker 3>like love most about Rafa is that he just feels,

0:22:40.080 --> 0:22:45.080
<v Speaker 3>you know, more human to me than and I've done

0:22:45.320 --> 0:22:50.040
<v Speaker 3>profiles and other athletes and and you know, and in

0:22:50.160 --> 0:22:54.879
<v Speaker 3>celebrities in general, and I feel like Rafa because of

0:22:54.880 --> 0:22:57.080
<v Speaker 3>where he's from, because of his family, because of the

0:22:58.320 --> 0:23:03.760
<v Speaker 3>kind of like ethos, you know, and upbringing that he had,

0:23:04.000 --> 0:23:07.439
<v Speaker 3>he's just very himself. He's very real, and he's and

0:23:07.480 --> 0:23:13.000
<v Speaker 3>he's very down to earth, and he experiences emotions, you know,

0:23:13.200 --> 0:23:16.040
<v Speaker 3>in a similar way. I think that to a lot

0:23:16.080 --> 0:23:20.240
<v Speaker 3>of us, and and the fact that he was willing

0:23:20.280 --> 0:23:24.480
<v Speaker 3>to show that was was very brave in and of itself. Yeah.

0:23:24.880 --> 0:23:28.800
<v Speaker 2>Absolutely, we would also love to know. Yeah, because you

0:23:28.960 --> 0:23:31.520
<v Speaker 2>kind of refer to previous projects you've done, there's been

0:23:31.680 --> 0:23:34.840
<v Speaker 2>some sporting projects you've worked on. I think there was

0:23:34.880 --> 0:23:37.720
<v Speaker 2>the HBO series twenty four to seven earlier in your career,

0:23:37.720 --> 0:23:41.280
<v Speaker 2>which had a sporting focus following teams and athletes getting

0:23:41.280 --> 0:23:44.440
<v Speaker 2>prepared for sporting events. But a lot of your other

0:23:44.640 --> 0:23:47.199
<v Speaker 2>work has been not in the sporting space, and certainly

0:23:47.200 --> 0:23:51.400
<v Speaker 2>not in tennis. Has it kind of shifted your attitude

0:23:51.440 --> 0:23:53.080
<v Speaker 2>to like, are you more of a tennis fan now?

0:23:53.160 --> 0:23:55.480
<v Speaker 2>Are these? Are there kind of other tennis projects you'd

0:23:55.480 --> 0:23:58.160
<v Speaker 2>like to explore or was this kind of a one

0:23:58.160 --> 0:23:58.480
<v Speaker 2>off for you?

0:24:00.080 --> 0:24:03.720
<v Speaker 3>Don't know. I I did work in sports early in

0:24:03.760 --> 0:24:09.040
<v Speaker 3>my career, in sports documentaries, not necessarily because I was

0:24:09.080 --> 0:24:11.879
<v Speaker 3>a fan of sports, just because it was the place

0:24:11.920 --> 0:24:15.000
<v Speaker 3>that I found a job and in entrance into the

0:24:15.040 --> 0:24:22.600
<v Speaker 3>documentary world. You know, I I do like tennis. My

0:24:22.720 --> 0:24:24.760
<v Speaker 3>dad was a good tennis player, so I grew up

0:24:24.800 --> 0:24:29.400
<v Speaker 3>playing tennis as a kid. You know. Obviously that helped

0:24:29.440 --> 0:24:32.000
<v Speaker 3>me in some ways just to sort of like understand,

0:24:32.160 --> 0:24:35.560
<v Speaker 3>you know, the game, and and came in with a

0:24:35.720 --> 0:24:39.560
<v Speaker 3>curiosity and excitement about the project. But you know, and

0:24:39.880 --> 0:24:43.320
<v Speaker 3>I think it is a it's a beautiful game to watch.

0:24:43.359 --> 0:24:46.600
<v Speaker 3>I think it's a great game to profile somebody because

0:24:46.640 --> 0:24:49.119
<v Speaker 3>it's an individual sport and and you know, you know,

0:24:49.160 --> 0:24:51.520
<v Speaker 3>all of these other sports, you know, whether we profile

0:24:51.960 --> 0:24:55.320
<v Speaker 3>a soccer player or a basketball player, you know so much,

0:24:55.359 --> 0:24:58.879
<v Speaker 3>so much of their accomplishments are always depending on you know,

0:24:58.920 --> 0:25:02.359
<v Speaker 3>their teammates, Like how how how great would have Michael

0:25:02.400 --> 0:25:06.080
<v Speaker 3>Jordan been without Scottie Pippen? You know, we will never

0:25:06.240 --> 0:25:10.280
<v Speaker 3>know you. You certainly know how good Rafa uh you

0:25:10.320 --> 0:25:15.439
<v Speaker 3>know was And the fact that it's you know, you

0:25:15.720 --> 0:25:20.040
<v Speaker 3>out there against somebody else in this arena, all eyes

0:25:20.080 --> 0:25:24.400
<v Speaker 3>on you. Everything is exposed, every weakness that you potentially

0:25:24.400 --> 0:25:26.800
<v Speaker 3>have is exposed. You know, it makes for a very

0:25:26.880 --> 0:25:31.600
<v Speaker 3>dramatic kind of uh you know battle, you know, almost

0:25:31.680 --> 0:25:37.199
<v Speaker 3>like boxing a spectacle. And I think that that is,

0:25:38.200 --> 0:25:41.360
<v Speaker 3>you know, from a filmmaker's perspective. You know, it allows

0:25:41.400 --> 0:25:45.080
<v Speaker 3>you to kind of be you know, bigger with with

0:25:45.359 --> 0:25:48.200
<v Speaker 3>the way that you present it. I mean the Federal

0:25:48.280 --> 0:25:50.800
<v Speaker 3>match specifically, you know, like the music is really big.

0:25:50.880 --> 0:25:54.840
<v Speaker 3>There's just that there's this epicness to the way that

0:25:54.880 --> 0:25:57.760
<v Speaker 3>it's presented. And you know, I can't think of a

0:25:57.800 --> 0:26:00.440
<v Speaker 3>lot of other sporting events like that where had the

0:26:01.040 --> 0:26:03.720
<v Speaker 3>lead up, you have the rivalry, the one versus one.

0:26:03.800 --> 0:26:06.600
<v Speaker 3>The personalities are so different, you know, I don't know

0:26:06.800 --> 0:26:10.160
<v Speaker 3>of ones in history that really matched that kind of

0:26:10.720 --> 0:26:14.119
<v Speaker 3>you know, dichotomy of character. Maybe you know Muhammad Ali

0:26:14.200 --> 0:26:18.440
<v Speaker 3>and Joe Frazier or something like that. But so tennis

0:26:18.880 --> 0:26:23.480
<v Speaker 3>is is nice, I think from a sort of profiling

0:26:23.520 --> 0:26:28.600
<v Speaker 3>and individual perspective, and I think it's it's a beautiful game,

0:26:28.880 --> 0:26:33.640
<v Speaker 3>you know, to film esthetically, you know, I think there's

0:26:33.680 --> 0:26:39.320
<v Speaker 3>a there's a you know, an elegance and artistry in

0:26:39.480 --> 0:26:45.119
<v Speaker 3>Rafa's game, you know, the sliding on clay. I just

0:26:45.200 --> 0:26:47.800
<v Speaker 3>remember there's one line where he says, like, you know,

0:26:47.840 --> 0:26:51.880
<v Speaker 3>if I needed a slide you know, ten meters, I did,

0:26:52.200 --> 0:26:54.760
<v Speaker 3>and you see him to slide across the screen and

0:26:55.119 --> 0:26:58.960
<v Speaker 3>it's it's, you know, I find it to be a

0:26:59.000 --> 0:27:02.640
<v Speaker 3>really beautiful sport. So I would love to do more

0:27:03.160 --> 0:27:09.520
<v Speaker 3>tennis projects. You know, I I don't have anything you

0:27:09.520 --> 0:27:12.360
<v Speaker 3>know immediately that I'm doing tennis related, but I do

0:27:12.440 --> 0:27:14.159
<v Speaker 3>love it as a as a sport.

0:27:14.320 --> 0:27:18.520
<v Speaker 1>For for filming, it was it was wonderful to hear

0:27:18.760 --> 0:27:21.840
<v Speaker 1>of hear from some of those rivals that you just

0:27:21.920 --> 0:27:26.359
<v Speaker 1>talked about, you know, Novak Djokovic, Roger Federer, Andie Roddick

0:27:26.400 --> 0:27:29.080
<v Speaker 1>and John McEnroe also featured. What was it like to

0:27:29.119 --> 0:27:31.639
<v Speaker 1>spend time with those former players.

0:27:31.920 --> 0:27:34.200
<v Speaker 3>Yeah, it was interesting. You know, all of them are

0:27:34.320 --> 0:27:39.600
<v Speaker 3>very very different. You know, I think all of them

0:27:39.600 --> 0:27:43.439
<v Speaker 3>have great respect for Rafa. You know, it's it was

0:27:44.800 --> 0:27:48.280
<v Speaker 3>in some in some ways easy to you know, have

0:27:48.400 --> 0:27:52.359
<v Speaker 3>the get those people to talk because they all respected

0:27:52.440 --> 0:27:55.439
<v Speaker 3>Rafa so much and were very happy too to be

0:27:55.520 --> 0:28:00.919
<v Speaker 3>a part of the documentary. Yeah. I mean, I I think,

0:28:02.000 --> 0:28:07.760
<v Speaker 3>you know, Novak has so many interesting insights and really

0:28:08.040 --> 0:28:12.400
<v Speaker 3>kind of is a good storyteller and and and uh

0:28:13.000 --> 0:28:17.199
<v Speaker 3>and you know, an intellectual sort of like willing to

0:28:17.320 --> 0:28:21.800
<v Speaker 3>really dive into things, and and you know, Roger was

0:28:21.800 --> 0:28:25.679
<v Speaker 3>was really good at just explaining what it was like

0:28:25.800 --> 0:28:29.120
<v Speaker 3>at the at the time. I think you know how

0:28:29.200 --> 0:28:35.000
<v Speaker 3>impressive Rafa was when he first started. And you know,

0:28:36.280 --> 0:28:40.960
<v Speaker 3>I think that the focus for me was always Rafa's

0:28:40.960 --> 0:28:44.760
<v Speaker 3>inner circle. I think that some of those other players,

0:28:46.200 --> 0:28:49.400
<v Speaker 3>even like the journalists to some extent, they don't really

0:28:49.560 --> 0:28:53.360
<v Speaker 3>know Rafa. You know that they know the tennis player,

0:28:54.960 --> 0:28:57.760
<v Speaker 3>and they know the matches, and they know, you know,

0:28:58.000 --> 0:29:03.080
<v Speaker 3>the intensity that he brought, but you know, the inside

0:29:03.120 --> 0:29:08.760
<v Speaker 3>about who he really is all kick his family. So Yeah,

0:29:08.800 --> 0:29:13.200
<v Speaker 3>while I think those interviews were important, you know, to

0:29:13.600 --> 0:29:19.560
<v Speaker 3>sort of retell those historical matches that really define his career,

0:29:20.200 --> 0:29:23.560
<v Speaker 3>you know, I think that the more important characters and

0:29:23.600 --> 0:29:25.640
<v Speaker 3>the ones that I certainly wanted to focus on, were,

0:29:26.120 --> 0:29:27.400
<v Speaker 3>you know, his team and family.

0:29:28.120 --> 0:29:30.719
<v Speaker 1>Yeah, I think that was what was most you know,

0:29:30.920 --> 0:29:33.520
<v Speaker 1>beautiful for us as journalists as well. We'd never heard

0:29:33.520 --> 0:29:34.920
<v Speaker 1>from so many of those people.

0:29:35.640 --> 0:29:38.040
<v Speaker 2>Yes, that was Yeah, that was the first time i'd

0:29:38.080 --> 0:29:39.640
<v Speaker 2>heard a lot of them talk. I think Peve and

0:29:39.680 --> 0:29:42.400
<v Speaker 2>I were both chatting before this interview about just how

0:29:42.480 --> 0:29:44.400
<v Speaker 2>much we learned. Even though we've been in that space

0:29:44.440 --> 0:29:47.000
<v Speaker 2>ourselves for years as tennis people, we learned so much

0:29:47.200 --> 0:29:49.880
<v Speaker 2>and heard from new voices. It was that was such

0:29:49.880 --> 0:29:54.440
<v Speaker 2>a defining feature of it. You've been so generous with

0:29:54.520 --> 0:29:55.320
<v Speaker 2>your time today, Zach.

0:29:55.360 --> 0:29:55.680
<v Speaker 3>Thank you.

0:29:55.720 --> 0:29:58.760
<v Speaker 2>We've loved this. We wanted to know. As you said,

0:29:58.920 --> 0:30:01.040
<v Speaker 2>you don't have any tennis projects on the horizon at

0:30:01.040 --> 0:30:03.160
<v Speaker 2>the moment, So what is next for you? What's your

0:30:03.480 --> 0:30:05.120
<v Speaker 2>what's your next project? Where are you off to and

0:30:05.600 --> 0:30:07.760
<v Speaker 2>what will the next a little while look like for you.

0:30:10.200 --> 0:30:13.000
<v Speaker 3>I'm working on something, but I can't talk about it.

0:30:13.880 --> 0:30:18.640
<v Speaker 3>I'm sorry. Yeah, we'll look out for it, you know,

0:30:18.800 --> 0:30:20.680
<v Speaker 3>like all of these things that they take a while.

0:30:20.720 --> 0:30:24.120
<v Speaker 3>I imagine it will be probably two years before this

0:30:24.240 --> 0:30:27.360
<v Speaker 3>comes out, you know. The Rafa one was about two years.

0:30:27.400 --> 0:30:29.280
<v Speaker 3>It was about a year of filming and a year

0:30:29.280 --> 0:30:33.800
<v Speaker 3>of editing. Documentaries take a long time, you know. I'm

0:30:34.440 --> 0:30:38.040
<v Speaker 3>enjoying a little bit of a little bit of downtime

0:30:38.120 --> 0:30:43.720
<v Speaker 3>now before you know, I get going on this other project,

0:30:43.880 --> 0:30:49.360
<v Speaker 3>you know, the making of a documentary series. It's four

0:30:49.400 --> 0:30:55.560
<v Speaker 3>hours about you know, someone you know as as noteworthy

0:30:55.680 --> 0:31:01.280
<v Speaker 3>and famous and important as as Rafa. You know, it's

0:31:01.320 --> 0:31:04.640
<v Speaker 3>it's hard. There's a lot of reviews and a lot

0:31:04.680 --> 0:31:09.000
<v Speaker 3>of people you know, a lot of notes and and

0:31:10.000 --> 0:31:13.120
<v Speaker 3>you know, and you're sort of constantly trying to make

0:31:13.200 --> 0:31:17.440
<v Speaker 3>things better and improve upon the project. So it was

0:31:17.480 --> 0:31:22.640
<v Speaker 3>a beast of a project for sure. So I'm taking

0:31:22.680 --> 0:31:27.000
<v Speaker 3>a little bit of time off before jumping into the

0:31:27.040 --> 0:31:27.480
<v Speaker 3>next one.

0:31:28.320 --> 0:31:31.160
<v Speaker 2>Yeah, completely fair. Oh we did hear though that you

0:31:31.200 --> 0:31:32.000
<v Speaker 2>were off to Wimbledon.

0:31:32.120 --> 0:31:35.920
<v Speaker 3>Is that true? I am. I'm going to Wimbledon for

0:31:35.960 --> 0:31:41.000
<v Speaker 3>a day, so I'll be at the quarterfinals on Tuesday,

0:31:42.640 --> 0:31:50.720
<v Speaker 3>which I've never been. Uh so I'm excited. Yeah, it's yeah,

0:31:50.720 --> 0:31:54.560
<v Speaker 3>it's the only major I haven't been to. Actually I

0:31:54.600 --> 0:31:57.800
<v Speaker 3>went to I went to the Australian Open with Rafa,

0:31:57.840 --> 0:32:01.760
<v Speaker 3>but he didn't play, so I actually didn't get to

0:32:01.800 --> 0:32:03.400
<v Speaker 3>watch it match there, so it doesn't can.

0:32:03.840 --> 0:32:09.360
<v Speaker 1>Well, you'll have to come back. Love to back, Zach.

0:32:09.520 --> 0:32:12.240
<v Speaker 1>Thank you so much for your time today. It's been. Yeah,

0:32:12.280 --> 0:32:15.560
<v Speaker 1>it's been wonderful to learn more about refer and yeah,

0:32:15.600 --> 0:32:16.400
<v Speaker 1>your great work.

0:32:16.960 --> 0:32:21.080
<v Speaker 3>Absolutely, Yeah, thank you for all the questions and for

0:32:21.200 --> 0:32:26.880
<v Speaker 3>supporting the project, and yeah, this was fun.

0:32:27.000 --> 0:32:31.920
<v Speaker 2>Thank you, Exome and congratulations. Yeah. For anyone that doesn't know,

0:32:32.120 --> 0:32:34.960
<v Speaker 2>I guess do we put a spoiler alert in? It's

0:32:35.000 --> 0:32:37.959
<v Speaker 2>been out there for long enough, but people listening and

0:32:38.000 --> 0:32:40.560
<v Speaker 2>watching can go and find it on Netflix. Has been

0:32:40.600 --> 0:32:44.080
<v Speaker 2>out was it since May twenty six or May twenty nine?

0:32:43.680 --> 0:32:47.240
<v Speaker 2>Between May twenty ninth, Yes, so go and watch it.

0:32:47.720 --> 0:32:50.840
<v Speaker 2>Four episodes yet we loved it and we're sure everyone

0:32:50.880 --> 0:32:54.440
<v Speaker 2>else will too. Well, Viv, that was fantastic to be

0:32:54.520 --> 0:32:56.719
<v Speaker 2>joined by Zach. Great to hear that he's having some

0:32:57.000 --> 0:32:59.360
<v Speaker 2>much deserve time off after what was a huge project,

0:32:59.400 --> 0:33:01.000
<v Speaker 2>and that he got to go to Wimbledon for the

0:33:01.000 --> 0:33:03.560
<v Speaker 2>first time, which is really cool. But yeah, wasn't it

0:33:03.600 --> 0:33:06.080
<v Speaker 2>fascinating to hear that so early in the process of

0:33:06.120 --> 0:33:08.480
<v Speaker 2>making this documentary Raffa got injured and pulled out of

0:33:08.560 --> 0:33:10.840
<v Speaker 2>the AO, and Zach kind of didn't even know what

0:33:10.880 --> 0:33:13.880
<v Speaker 2>would happen. Would would Raffa want to keep doing the documentary?

0:33:14.000 --> 0:33:15.760
<v Speaker 2>What direction would it take from here? I just thought,

0:33:15.920 --> 0:33:18.480
<v Speaker 2>what an amazing challenge to overcome so quickly in the filming.

0:33:18.720 --> 0:33:21.160
<v Speaker 1>Yeah, and I guess as somebody who has worked in

0:33:21.200 --> 0:33:24.080
<v Speaker 1>the creative space and has to edit a lot of things.

0:33:24.880 --> 0:33:28.560
<v Speaker 1>Just kind of fascinating to hear how the narrative unfolded

0:33:28.640 --> 0:33:32.200
<v Speaker 1>as the story progressed. Really and yeah, as it turned

0:33:32.240 --> 0:33:34.200
<v Speaker 1>out he had so much to work with. The RAFFA

0:33:34.280 --> 0:33:35.320
<v Speaker 1>wanted another episode.

0:33:35.400 --> 0:33:38.160
<v Speaker 2>Yeah it was. That was fantastic too. Well, we'll be

0:33:38.200 --> 0:33:40.600
<v Speaker 2>back again next week with another episode of the sit Down.

0:33:40.800 --> 0:33:43.200
<v Speaker 2>Please remember to subscribe so you never missed an episode

0:33:43.240 --> 0:33:45.200
<v Speaker 2>when it lands in your feed, and if you could

0:33:45.280 --> 0:33:47.520
<v Speaker 2>leave us a rating or a review, we'd love that too.

0:33:47.840 --> 0:33:49.680
<v Speaker 2>See you next week, Viv, See you then, Matt,