WEBVTT - MINI: Fast 9

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<v Speaker 1>Christian O'Connor show podcast, Where do you guys stand on?

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<v Speaker 1>Sometimes a little white line to your other half, not

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<v Speaker 1>a really it's not really technically bad. It's a massaging

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<v Speaker 1>of the truth.

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<v Speaker 2>Sometimes they're necessary just to make it easier for everybody

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<v Speaker 2>to get there, to get.

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<v Speaker 1>Along, to get along because in a long distance, long

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<v Speaker 1>distance marriage to Fred, ihit some more sessions on the couch.

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<v Speaker 1>Scratch this wit, let's start again. Massage in the truth

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<v Speaker 1>in any long running that's a TV show, isn't it

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<v Speaker 1>a long running sitcom? That is our lives? It's necessary

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<v Speaker 1>to survive. Yesterday I told my wife that I needed

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<v Speaker 1>to go and watch a movie because I was interviewing

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<v Speaker 1>On the Stars producer Tom. You need to get me

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<v Speaker 1>an interview to cover up this massaging. She said, all right,

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<v Speaker 1>because you know when the kids need picking up, and

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<v Speaker 1>then said, I can do one of them. I can't

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<v Speaker 1>do both because pay for the house heavy as the

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<v Speaker 1>head that wears this crown. And I'm almost there before

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<v Speaker 1>the two week break, but they're still grinding me, you know,

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<v Speaker 1>and I've got to I need to go and see

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<v Speaker 1>this movie. The studio said, you're going to be doing

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<v Speaker 1>an interview this week. I went, it's penciled it at

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<v Speaker 1>the moment because it was something. I'm not into doing

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<v Speaker 1>it at all. I don't produce a Tonquin boocket today tomorrow.

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<v Speaker 1>It's one of those.

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<v Speaker 2>Interviews where they can call it anytime.

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<v Speaker 1>The studio says the interviews like that, I'm just gonna

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<v Speaker 1>be ready. I mean I might get the call selling

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<v Speaker 1>there's a knock at the door. Two we am, and

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<v Speaker 1>you're gonna go You ready? Went, yeah, sorry, So I

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<v Speaker 1>need to be ready to do this interview. It's not

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<v Speaker 1>a saying. Also, they have warmed me that this person

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<v Speaker 1>is really unpredictable. There's too much going on with this anyway.

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<v Speaker 1>I went see this movie yesterday and it was fantastic.

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<v Speaker 2>What is it? Can you speak about it?

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<v Speaker 1>The embargoed Oh god, yeah, sorry, it is until that

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<v Speaker 1>big interview an hour. This person, you know, we do

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<v Speaker 1>stand by your band? Where's those songs you're secretly embarrassed

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<v Speaker 1>to admit you like? I went to see a movie

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<v Speaker 1>that's part of an ongoing franchise, Fast nine Faster that

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<v Speaker 1>is a ten out of ten. The first Mussy movie

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<v Speaker 1>of twenty twenty one. I call it f nine. Originally

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<v Speaker 1>they were called before they knew just how what they've

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<v Speaker 1>got Fast and the Furious, and then when they realized

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<v Speaker 1>how much heat there was on the fans, and like,

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<v Speaker 1>you know what's getting the way of this the this

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<v Speaker 1>is called it fast and furious. That is becoming a

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<v Speaker 1>problem with the average kind of brain power, the people

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<v Speaker 1>that go and see these movies. I've seen all of them,

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<v Speaker 1>and I'm telling you now, F nine as I'm going

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<v Speaker 1>to call it, because like the F nine on a keyboard,

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<v Speaker 1>it's functional, it's brilliant. He's there every day. Is a

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<v Speaker 1>ten out of ten, solid, mindless fun. I loved it.

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<v Speaker 1>Tell you more about it yet, Well, I've got a

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<v Speaker 1>lot more to soundary. It's not like I can go

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<v Speaker 1>in the plot do one of Patsy's thing when she

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<v Speaker 1>breaks it down. Now, the director, Justin Lynn, we know

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<v Speaker 1>him from episode nine of Gray's Anatomy.

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<v Speaker 2>Mister Diesel. A brilliant job, Just a brilliant job.

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<v Speaker 1>What is there to those movies? All they do is

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<v Speaker 1>getting cars in the street. Have you seen any of them?

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<v Speaker 2>No?

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<v Speaker 1>I have not. So you're going to judge something you've

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<v Speaker 1>not seen. That's a sign of ignorance.

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<v Speaker 2>You only need to see one to really start at.

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<v Speaker 1>Go in, start at five, start at five. For me,

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<v Speaker 1>that franchise Peach at five is told off a bit.

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<v Speaker 1>I'd go five nine only the only thing I revived.

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<v Speaker 1>When do you write this down? Jack? Five nine. I'm

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<v Speaker 1>off for two weeks from tomorrow, and you're gonna know

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<v Speaker 1>what was it? Was it? Nine five?

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<v Speaker 2>He's on holiday?

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<v Speaker 1>Text him five nine, Start at five, then go straight

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<v Speaker 1>to nine.

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<v Speaker 2>Okay, this is the only scene I remember from Faster

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<v Speaker 2>than Furious, maybe one or two. They drive past high

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<v Speaker 2>speed and the police officer officers got the speed gun

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<v Speaker 2>on him, and then he looks at the number, shows

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<v Speaker 2>the other police officer and they both look at each

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<v Speaker 2>other and go, we'll never catch him, s F two.

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<v Speaker 2>That's it's just driving fast all of.

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<v Speaker 1>Course, of course that's there. But that's maybe only ninety

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<v Speaker 1>eight percent. The other two percent is some of the

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<v Speaker 1>most beautiful dialogue you're seeing on screen for the time.

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<v Speaker 1>Who's like Brando, You're like, what did he mumble? Most

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<v Speaker 1>of those movies, You're like, I don't even know what

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<v Speaker 1>he said? Then is he happy? Because he's like this?

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<v Speaker 1>But that's part of the atmospherics. Ozark's like that sometimes

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<v Speaker 1>don't understand everything that's but with Vin Diesel. And also

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<v Speaker 1>I want to lead actor who's got a lot of

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<v Speaker 1>neck fat like you've seen him from a hide like Deu'

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<v Speaker 1>got a chain round, a lot of neck fat there

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<v Speaker 1>and a guy who barely enunciates any words.

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<v Speaker 2>Go go to the car.

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<v Speaker 1>Car there's another carting car.

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<v Speaker 2>I heard the fact. Tell me if this is true

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<v Speaker 2>that the Vin Diesel and the Rock have written into

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<v Speaker 2>their contract to pay each other, they well, they can't

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<v Speaker 2>lose a fight. They can't lose an on screen fight.

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<v Speaker 2>What do you mean.

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<v Speaker 1>So this scene as you mister Diesel to don't even

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<v Speaker 1>set lose, get out of there. No, who's winning? Not him?

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<v Speaker 1>So Dwayne the Rock Johnson.

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<v Speaker 2>If Vin Diesel throws the Rock through a wall, the

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<v Speaker 2>Rock's going to be able to throw Vin Diesel through

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<v Speaker 2>a wall.

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<v Speaker 1>Cars are driven through walls.

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<v Speaker 2>Apparently Vin Diesel's sister is on set to count the

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<v Speaker 2>number of punches thrown their equal amounts.

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<v Speaker 1>What an answer though, What an actor. This is why

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<v Speaker 1>I'm looking forward to interviewing mister Vin Diesel today, Smash

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<v Speaker 1>tomorrow or never. The Christian O'Connell Show Podcast