1 00:00:00,480 --> 00:00:04,320 Speaker 1: Christian O'Connor show podcast, Where do you guys stand on? 2 00:00:04,440 --> 00:00:07,920 Speaker 1: Sometimes a little white line to your other half, not 3 00:00:07,920 --> 00:00:12,320 Speaker 1: a really it's not really technically bad. It's a massaging 4 00:00:12,560 --> 00:00:13,119 Speaker 1: of the truth. 5 00:00:13,400 --> 00:00:16,400 Speaker 2: Sometimes they're necessary just to make it easier for everybody 6 00:00:16,480 --> 00:00:17,280 Speaker 2: to get there, to get. 7 00:00:17,120 --> 00:00:20,960 Speaker 1: Along, to get along because in a long distance, long 8 00:00:21,000 --> 00:00:27,440 Speaker 1: distance marriage to Fred, ihit some more sessions on the couch. 9 00:00:28,120 --> 00:00:33,040 Speaker 1: Scratch this wit, let's start again. Massage in the truth 10 00:00:34,240 --> 00:00:37,040 Speaker 1: in any long running that's a TV show, isn't it 11 00:00:37,200 --> 00:00:41,200 Speaker 1: a long running sitcom? That is our lives? It's necessary 12 00:00:41,280 --> 00:00:45,800 Speaker 1: to survive. Yesterday I told my wife that I needed 13 00:00:45,800 --> 00:00:48,760 Speaker 1: to go and watch a movie because I was interviewing 14 00:00:48,760 --> 00:00:52,040 Speaker 1: On the Stars producer Tom. You need to get me 15 00:00:52,040 --> 00:00:58,360 Speaker 1: an interview to cover up this massaging. She said, all right, 16 00:00:58,400 --> 00:01:00,760 Speaker 1: because you know when the kids need picking up, and 17 00:01:00,800 --> 00:01:02,960 Speaker 1: then said, I can do one of them. I can't 18 00:01:03,000 --> 00:01:07,280 Speaker 1: do both because pay for the house heavy as the 19 00:01:07,280 --> 00:01:10,319 Speaker 1: head that wears this crown. And I'm almost there before 20 00:01:10,319 --> 00:01:13,319 Speaker 1: the two week break, but they're still grinding me, you know, 21 00:01:13,400 --> 00:01:15,360 Speaker 1: and I've got to I need to go and see 22 00:01:15,360 --> 00:01:17,560 Speaker 1: this movie. The studio said, you're going to be doing 23 00:01:17,520 --> 00:01:20,320 Speaker 1: an interview this week. I went, it's penciled it at 24 00:01:20,319 --> 00:01:24,199 Speaker 1: the moment because it was something. I'm not into doing 25 00:01:24,200 --> 00:01:27,760 Speaker 1: it at all. I don't produce a Tonquin boocket today tomorrow. 26 00:01:27,800 --> 00:01:28,520 Speaker 1: It's one of those. 27 00:01:28,360 --> 00:01:30,040 Speaker 2: Interviews where they can call it anytime. 28 00:01:30,080 --> 00:01:32,080 Speaker 1: The studio says the interviews like that, I'm just gonna 29 00:01:32,080 --> 00:01:34,080 Speaker 1: be ready. I mean I might get the call selling 30 00:01:34,080 --> 00:01:35,880 Speaker 1: there's a knock at the door. Two we am, and 31 00:01:35,920 --> 00:01:38,040 Speaker 1: you're gonna go You ready? Went, yeah, sorry, So I 32 00:01:38,160 --> 00:01:41,520 Speaker 1: need to be ready to do this interview. It's not 33 00:01:41,600 --> 00:01:43,399 Speaker 1: a saying. Also, they have warmed me that this person 34 00:01:43,520 --> 00:01:48,120 Speaker 1: is really unpredictable. There's too much going on with this anyway. 35 00:01:48,160 --> 00:01:51,320 Speaker 1: I went see this movie yesterday and it was fantastic. 36 00:01:51,400 --> 00:01:54,160 Speaker 2: What is it? Can you speak about it? 37 00:01:54,200 --> 00:01:58,520 Speaker 1: The embargoed Oh god, yeah, sorry, it is until that 38 00:01:58,600 --> 00:02:01,520 Speaker 1: big interview an hour. This person, you know, we do 39 00:02:01,640 --> 00:02:06,000 Speaker 1: stand by your band? Where's those songs you're secretly embarrassed 40 00:02:06,000 --> 00:02:08,680 Speaker 1: to admit you like? I went to see a movie 41 00:02:09,040 --> 00:02:15,840 Speaker 1: that's part of an ongoing franchise, Fast nine Faster that 42 00:02:15,960 --> 00:02:19,359 Speaker 1: is a ten out of ten. The first Mussy movie 43 00:02:19,480 --> 00:02:22,400 Speaker 1: of twenty twenty one. I call it f nine. Originally 44 00:02:22,440 --> 00:02:25,560 Speaker 1: they were called before they knew just how what they've 45 00:02:25,560 --> 00:02:27,880 Speaker 1: got Fast and the Furious, and then when they realized 46 00:02:27,880 --> 00:02:29,160 Speaker 1: how much heat there was on the fans, and like, 47 00:02:29,200 --> 00:02:31,400 Speaker 1: you know what's getting the way of this the this 48 00:02:31,480 --> 00:02:33,960 Speaker 1: is called it fast and furious. That is becoming a 49 00:02:34,000 --> 00:02:36,280 Speaker 1: problem with the average kind of brain power, the people 50 00:02:36,280 --> 00:02:38,480 Speaker 1: that go and see these movies. I've seen all of them, 51 00:02:38,560 --> 00:02:40,640 Speaker 1: and I'm telling you now, F nine as I'm going 52 00:02:40,680 --> 00:02:42,200 Speaker 1: to call it, because like the F nine on a keyboard, 53 00:02:42,200 --> 00:02:45,200 Speaker 1: it's functional, it's brilliant. He's there every day. Is a 54 00:02:45,240 --> 00:02:49,760 Speaker 1: ten out of ten, solid, mindless fun. I loved it. 55 00:02:49,880 --> 00:02:51,120 Speaker 1: Tell you more about it yet, Well, I've got a 56 00:02:51,120 --> 00:02:52,320 Speaker 1: lot more to soundary. It's not like I can go 57 00:02:52,360 --> 00:02:54,600 Speaker 1: in the plot do one of Patsy's thing when she 58 00:02:54,600 --> 00:02:57,680 Speaker 1: breaks it down. Now, the director, Justin Lynn, we know 59 00:02:57,800 --> 00:03:03,639 Speaker 1: him from episode nine of Gray's Anatomy. 60 00:03:02,320 --> 00:03:05,919 Speaker 2: Mister Diesel. A brilliant job, Just a brilliant job. 61 00:03:06,040 --> 00:03:07,920 Speaker 1: What is there to those movies? All they do is 62 00:03:07,919 --> 00:03:10,840 Speaker 1: getting cars in the street. Have you seen any of them? 63 00:03:11,000 --> 00:03:11,160 Speaker 2: No? 64 00:03:11,240 --> 00:03:13,120 Speaker 1: I have not. So you're going to judge something you've 65 00:03:13,160 --> 00:03:14,639 Speaker 1: not seen. That's a sign of ignorance. 66 00:03:14,680 --> 00:03:17,400 Speaker 2: You only need to see one to really start at. 67 00:03:18,200 --> 00:03:20,520 Speaker 1: Go in, start at five, start at five. For me, 68 00:03:20,680 --> 00:03:22,880 Speaker 1: that franchise Peach at five is told off a bit. 69 00:03:22,880 --> 00:03:25,440 Speaker 1: I'd go five nine only the only thing I revived. 70 00:03:25,960 --> 00:03:28,399 Speaker 1: When do you write this down? Jack? Five nine. I'm 71 00:03:28,400 --> 00:03:30,239 Speaker 1: off for two weeks from tomorrow, and you're gonna know 72 00:03:30,280 --> 00:03:31,320 Speaker 1: what was it? Was it? Nine five? 73 00:03:32,000 --> 00:03:32,680 Speaker 2: He's on holiday? 74 00:03:33,760 --> 00:03:36,560 Speaker 1: Text him five nine, Start at five, then go straight 75 00:03:36,600 --> 00:03:36,920 Speaker 1: to nine. 76 00:03:36,920 --> 00:03:38,840 Speaker 2: Okay, this is the only scene I remember from Faster 77 00:03:38,840 --> 00:03:42,840 Speaker 2: than Furious, maybe one or two. They drive past high 78 00:03:42,840 --> 00:03:46,119 Speaker 2: speed and the police officer officers got the speed gun 79 00:03:46,160 --> 00:03:48,760 Speaker 2: on him, and then he looks at the number, shows 80 00:03:48,800 --> 00:03:50,960 Speaker 2: the other police officer and they both look at each 81 00:03:51,000 --> 00:03:54,480 Speaker 2: other and go, we'll never catch him, s F two. 82 00:03:56,240 --> 00:04:00,120 Speaker 2: That's it's just driving fast all of. 83 00:04:00,120 --> 00:04:03,960 Speaker 1: Course, of course that's there. But that's maybe only ninety 84 00:04:04,000 --> 00:04:07,000 Speaker 1: eight percent. The other two percent is some of the 85 00:04:07,000 --> 00:04:10,440 Speaker 1: most beautiful dialogue you're seeing on screen for the time. 86 00:04:11,000 --> 00:04:13,520 Speaker 1: Who's like Brando, You're like, what did he mumble? Most 87 00:04:13,520 --> 00:04:15,120 Speaker 1: of those movies, You're like, I don't even know what 88 00:04:15,120 --> 00:04:17,359 Speaker 1: he said? Then is he happy? Because he's like this? 89 00:04:20,520 --> 00:04:22,960 Speaker 1: But that's part of the atmospherics. Ozark's like that sometimes 90 00:04:22,960 --> 00:04:25,479 Speaker 1: don't understand everything that's but with Vin Diesel. And also 91 00:04:25,560 --> 00:04:27,640 Speaker 1: I want to lead actor who's got a lot of 92 00:04:27,680 --> 00:04:30,559 Speaker 1: neck fat like you've seen him from a hide like Deu' 93 00:04:30,880 --> 00:04:33,000 Speaker 1: got a chain round, a lot of neck fat there 94 00:04:33,160 --> 00:04:35,680 Speaker 1: and a guy who barely enunciates any words. 95 00:04:35,920 --> 00:04:36,720 Speaker 2: Go go to the car. 96 00:04:37,200 --> 00:04:39,520 Speaker 1: Car there's another carting car. 97 00:04:40,080 --> 00:04:42,320 Speaker 2: I heard the fact. Tell me if this is true 98 00:04:42,400 --> 00:04:45,400 Speaker 2: that the Vin Diesel and the Rock have written into 99 00:04:45,400 --> 00:04:47,839 Speaker 2: their contract to pay each other, they well, they can't 100 00:04:47,880 --> 00:04:54,960 Speaker 2: lose a fight. They can't lose an on screen fight. 101 00:04:56,560 --> 00:04:57,200 Speaker 2: What do you mean. 102 00:04:58,920 --> 00:05:01,960 Speaker 1: So this scene as you mister Diesel to don't even 103 00:05:02,040 --> 00:05:04,800 Speaker 1: set lose, get out of there. No, who's winning? Not him? 104 00:05:04,920 --> 00:05:06,159 Speaker 1: So Dwayne the Rock Johnson. 105 00:05:06,279 --> 00:05:08,400 Speaker 2: If Vin Diesel throws the Rock through a wall, the 106 00:05:08,480 --> 00:05:10,480 Speaker 2: Rock's going to be able to throw Vin Diesel through 107 00:05:10,520 --> 00:05:12,360 Speaker 2: a wall. 108 00:05:12,760 --> 00:05:13,960 Speaker 1: Cars are driven through walls. 109 00:05:14,120 --> 00:05:17,640 Speaker 2: Apparently Vin Diesel's sister is on set to count the 110 00:05:17,720 --> 00:05:21,880 Speaker 2: number of punches thrown their equal amounts. 111 00:05:22,240 --> 00:05:24,400 Speaker 1: What an answer though, What an actor. This is why 112 00:05:24,400 --> 00:05:27,560 Speaker 1: I'm looking forward to interviewing mister Vin Diesel today, Smash 113 00:05:27,600 --> 00:05:31,680 Speaker 1: tomorrow or never. The Christian O'Connell Show Podcast