1 00:00:01,880 --> 00:00:06,880 Speaker 1: Lisa and Russell's Your story in a Song, Today's Story 2 00:00:06,880 --> 00:00:10,559 Speaker 1: in a Song. We're joined by Christy import Kennedy. 3 00:00:10,560 --> 00:00:12,560 Speaker 2: Hello, Christy, morning, Christy. 4 00:00:12,440 --> 00:00:15,760 Speaker 1: I love hell yea good thank you for telling us 5 00:00:15,920 --> 00:00:18,960 Speaker 1: your story in your song. First of all, let's start 6 00:00:19,000 --> 00:00:20,880 Speaker 1: with you, Christie's Dog. 7 00:00:22,079 --> 00:00:24,360 Speaker 2: I wanted to say, I'm a little offended by a 8 00:00:24,440 --> 00:00:26,479 Speaker 2: part of this story that you're about to explain. 9 00:00:26,560 --> 00:00:29,360 Speaker 1: But anyway, yep, So what is the song? 10 00:00:29,480 --> 00:00:32,960 Speaker 2: First of all, Starship were built this city? 11 00:00:33,200 --> 00:00:36,519 Speaker 1: Okay? And what is Christy the story? 12 00:00:38,200 --> 00:00:40,879 Speaker 2: The story is that when I was twelve, I was 13 00:00:40,960 --> 00:00:44,440 Speaker 2: moving to Perth and I thought I would never ever 14 00:00:44,560 --> 00:00:47,479 Speaker 2: hear it again because I didn't think there was radio 15 00:00:47,560 --> 00:00:48,040 Speaker 2: in Perth. 16 00:00:50,680 --> 00:00:52,440 Speaker 1: Okay, to be fair, we didn't have Chattel ten yet, 17 00:00:52,479 --> 00:00:58,320 Speaker 1: but we did have chat. No, we didn't radio, but 18 00:00:58,400 --> 00:01:00,400 Speaker 1: we had progressed past the steam end in your know. 19 00:01:02,560 --> 00:01:04,640 Speaker 2: But I used to stay up and I used to 20 00:01:04,680 --> 00:01:08,680 Speaker 2: ring the radio stations. I would request my songs and 21 00:01:08,760 --> 00:01:11,600 Speaker 2: so I could record them on my tape and pack 22 00:01:11,640 --> 00:01:17,399 Speaker 2: it up so I could play them when I finally 23 00:01:17,480 --> 00:01:18,200 Speaker 2: moved to Turf. 24 00:01:18,400 --> 00:01:21,560 Speaker 1: All right, well that's you know, the recording your mixtape. 25 00:01:21,720 --> 00:01:23,319 Speaker 1: We understand that where we've done that. 26 00:01:23,400 --> 00:01:24,959 Speaker 2: Where were you were recording it from? Where? 27 00:01:24,959 --> 00:01:25,959 Speaker 1: Where did you come from? 28 00:01:27,000 --> 00:01:29,560 Speaker 2: I can't come Sydney. But I was like twelve and 29 00:01:29,640 --> 00:01:33,440 Speaker 2: I had no idea what Perth was offering us. You know, 30 00:01:35,280 --> 00:01:38,880 Speaker 2: it certainly was, certainly was and you just played girls 31 00:01:38,880 --> 00:01:40,360 Speaker 2: Just want to have Fun. And that was one of 32 00:01:40,400 --> 00:01:42,600 Speaker 2: the other songs that I recorded as well. 33 00:01:43,440 --> 00:01:45,840 Speaker 1: Were you recording it in the big smoke off two 34 00:01:45,959 --> 00:01:47,720 Speaker 1: s M or something like that. 35 00:01:47,720 --> 00:01:51,840 Speaker 2: Yes, And you know, I was going through my brain 36 00:01:51,920 --> 00:01:58,280 Speaker 2: this second. What was that radio station? And it was then. Yeah, 37 00:01:58,360 --> 00:01:59,120 Speaker 2: I'm very busy. 38 00:02:00,920 --> 00:02:03,200 Speaker 1: I used to work with Barry Bissell in Melbourne and 39 00:02:03,240 --> 00:02:05,320 Speaker 1: he is the. 40 00:02:05,080 --> 00:02:08,160 Speaker 2: Man that's just a name that I remember, you know, 41 00:02:08,240 --> 00:02:09,799 Speaker 2: because I listened to him so I could. 42 00:02:09,680 --> 00:02:11,560 Speaker 1: Record it all and he did all because he did 43 00:02:11,600 --> 00:02:17,679 Speaker 1: all those Top forty the Australian Top Take forty Australia. Yeah, 44 00:02:17,720 --> 00:02:21,560 Speaker 1: well do you do? Does it? Does it take you 45 00:02:21,639 --> 00:02:23,440 Speaker 1: back to that moment every time you hear it? 46 00:02:24,200 --> 00:02:26,800 Speaker 2: Oh? It does it? Just it just so reminds me 47 00:02:26,880 --> 00:02:28,800 Speaker 2: of like, oh my god, I've got this time limit 48 00:02:28,840 --> 00:02:30,760 Speaker 2: that I've got to get all these songs on on 49 00:02:30,840 --> 00:02:31,280 Speaker 2: a tape. 50 00:02:31,440 --> 00:02:38,240 Speaker 1: Yeah, and then hope it didn't unspooled. So when you 51 00:02:38,280 --> 00:02:41,560 Speaker 1: got here, I suppose you would have been listening to 52 00:02:41,600 --> 00:02:46,079 Speaker 1: it on maybe six PM or. 53 00:02:46,960 --> 00:02:49,360 Speaker 2: Yeah, no, I can't remember that. I just remember the 54 00:02:49,680 --> 00:02:51,680 Speaker 2: you know, the trauma of not being able to hear 55 00:02:51,720 --> 00:02:52,360 Speaker 2: my songs again. 56 00:02:53,200 --> 00:02:57,280 Speaker 1: Well, luckily, so you got here, we had songs, we 57 00:02:57,360 --> 00:02:58,880 Speaker 1: had radio stations in town.