1 00:00:00,160 --> 00:00:01,400 Speaker 1: It's podcast time. 2 00:00:04,640 --> 00:00:05,640 Speaker 2: Is that you starting? 3 00:00:05,720 --> 00:00:06,520 Speaker 3: That's me starting? 4 00:00:06,559 --> 00:00:09,000 Speaker 2: Okay. Lots of things on the show today. Fight for 5 00:00:09,039 --> 00:00:13,200 Speaker 2: Your Flashback. Yeah, the songs had to reference the fact 6 00:00:13,240 --> 00:00:16,479 Speaker 2: that Maximum's Hot one hundred was out today. I spent 7 00:00:16,520 --> 00:00:21,680 Speaker 2: the entire show watching Jonesy and Ryan Thawn over all 8 00:00:21,720 --> 00:00:25,239 Speaker 2: the women. What it was is, we're looking you go 9 00:00:25,360 --> 00:00:27,680 Speaker 2: four look at her? How did you beat her for 10 00:00:27,760 --> 00:00:28,600 Speaker 2: a look at this one? 11 00:00:28,960 --> 00:00:29,720 Speaker 3: There was none of that. 12 00:00:29,760 --> 00:00:30,560 Speaker 2: There was a lot of that. 13 00:00:30,600 --> 00:00:32,960 Speaker 3: There was none of that. Come on, but five for 14 00:00:33,000 --> 00:00:37,440 Speaker 3: your Flashback reflects what happened for you. 15 00:00:37,600 --> 00:00:40,040 Speaker 2: We had Gory Knocks on the show. He is playing 16 00:00:40,080 --> 00:00:44,239 Speaker 2: George Washington in Hamilton and this is what I love 17 00:00:44,280 --> 00:00:47,600 Speaker 2: about radio. You guys started talking about Cold Chisel. He said, 18 00:00:47,680 --> 00:00:50,760 Speaker 2: why don't I well, what doesn't he play a beautiful 19 00:00:50,760 --> 00:00:55,360 Speaker 2: Cold Chisel song? Forever now? And Henny did. It was gorgeous. 20 00:00:55,800 --> 00:00:58,440 Speaker 1: Also the week that was My Rise, Jimmy jabber. 21 00:01:01,520 --> 00:01:08,840 Speaker 4: Everybody about a miracle of recording. 22 00:01:09,000 --> 00:01:11,200 Speaker 3: We have so many requests for them to do it again. 23 00:01:11,319 --> 00:01:12,920 Speaker 5: Mistress Amanda and ms Keller. 24 00:01:13,600 --> 00:01:15,160 Speaker 3: Amanda doesn't work alone. 25 00:01:17,000 --> 00:01:19,679 Speaker 5: Friend is in a backroom making the tools of the train. 26 00:01:19,760 --> 00:01:22,560 Speaker 3: I've heard them describe him as a drunken idiot. 27 00:01:23,959 --> 00:01:27,920 Speaker 4: The legendary part Jonesy, Amanda the actress. 28 00:01:27,959 --> 00:01:29,760 Speaker 5: Congratulations man, we're the ready. 29 00:01:29,640 --> 00:01:32,760 Speaker 3: Right now, the jersey and Amanda, you're doing a great job. 30 00:01:33,280 --> 00:01:36,600 Speaker 3: It can be anyone but silkie giants. Now good time 31 00:01:36,640 --> 00:01:37,920 Speaker 3: to hear good radio. 32 00:01:38,200 --> 00:01:44,440 Speaker 6: Sorry but it's a tongue twist set and Amanda. 33 00:01:43,959 --> 00:01:46,199 Speaker 1: Shoot Timy, we're on there. 34 00:01:46,680 --> 00:01:48,440 Speaker 3: Happy Friday, Amanda, how are you today? 35 00:01:48,520 --> 00:01:48,600 Speaker 7: Now? 36 00:01:48,600 --> 00:01:49,160 Speaker 2: I'm very well. 37 00:01:49,160 --> 00:01:51,720 Speaker 3: How are you, Kandy Friday? It's a great day. I 38 00:01:51,760 --> 00:01:55,120 Speaker 3: went down to my local newsstand and it's here at 39 00:01:55,200 --> 00:02:02,560 Speaker 3: last Maxim's Hot one hundred and twenty twenty four of Australia. 40 00:02:03,440 --> 00:02:05,640 Speaker 2: Is this what's going to happen? Can I predict how 41 00:02:05,640 --> 00:02:07,320 Speaker 2: the day is going to go? Let me predict before 42 00:02:07,320 --> 00:02:10,120 Speaker 2: you go any further. I'm going to sit here and 43 00:02:10,160 --> 00:02:14,760 Speaker 2: watch you flick through there and say here's number fifty 44 00:02:14,800 --> 00:02:19,200 Speaker 2: eight four and Ronald say, let me see. And I've 45 00:02:19,240 --> 00:02:21,320 Speaker 2: just got to watch this all day. That's what happened 46 00:02:21,400 --> 00:02:23,240 Speaker 2: last year and the year before. 47 00:02:23,840 --> 00:02:26,960 Speaker 3: I would be like that good and bad news? Bad 48 00:02:27,000 --> 00:02:28,399 Speaker 3: news or the good news? What do you want? 49 00:02:28,960 --> 00:02:29,960 Speaker 2: Give me? The bad news? 50 00:02:30,000 --> 00:02:30,720 Speaker 1: Bad news is. 51 00:02:30,800 --> 00:02:34,200 Speaker 3: You're not on the cover. Nina Kennedy is on the cover. 52 00:02:35,160 --> 00:02:37,720 Speaker 3: She is an athlete, you know, and that's fair enough. 53 00:02:37,760 --> 00:02:41,960 Speaker 3: And she's probably a fourth of your age, so you know, 54 00:02:42,360 --> 00:02:42,760 Speaker 3: come on. 55 00:02:43,200 --> 00:02:43,880 Speaker 1: Saying, you know you. 56 00:02:46,360 --> 00:02:49,239 Speaker 2: On? Is this how it's starting? She's a quarter of 57 00:02:49,440 --> 00:02:53,359 Speaker 2: If she's a fourth of your age, what's. 58 00:02:53,120 --> 00:02:56,320 Speaker 3: The good news that you're in there? That's just a 59 00:02:56,360 --> 00:02:57,000 Speaker 3: scoochy sue. 60 00:02:57,040 --> 00:02:58,240 Speaker 2: This matters more to you than me. 61 00:02:58,320 --> 00:03:03,840 Speaker 4: You know that I'm very competitive. I'm a very Come 62 00:03:05,760 --> 00:03:08,440 Speaker 4: let me see who is Cody Buckley when she's at home? 63 00:03:09,320 --> 00:03:15,640 Speaker 2: Can I have a look? M hmm, She's to sit here. 64 00:03:15,639 --> 00:03:16,920 Speaker 2: I to sit here and you do it. I know 65 00:03:16,960 --> 00:03:19,080 Speaker 2: you want me to interrupt you. No, I'm not going 66 00:03:19,080 --> 00:03:20,880 Speaker 2: to I'm going to sit here and you just do 67 00:03:20,960 --> 00:03:22,320 Speaker 2: your thing. You do you Brendan? 68 00:03:22,400 --> 00:03:25,840 Speaker 3: What about Noel Marie? Have you had underpants on that. 69 00:03:31,160 --> 00:03:34,160 Speaker 2: I'm saying nothing, waiting for me to save you when 70 00:03:34,200 --> 00:03:34,480 Speaker 2: I'm not. 71 00:03:34,840 --> 00:03:37,600 Speaker 3: You don't have to say anything. Oh hang on, what's this? 72 00:03:38,960 --> 00:03:42,000 Speaker 3: That's just an ad for lubricants. That spot it's a 73 00:03:42,040 --> 00:03:43,080 Speaker 3: bi altrotune, you know. 74 00:03:43,600 --> 00:03:44,800 Speaker 1: Anyway, we'll mind that. 75 00:03:45,240 --> 00:03:46,839 Speaker 3: We'll get to them. 76 00:03:47,160 --> 00:03:48,720 Speaker 2: Altratune. Have I got my spirit tire? 77 00:03:48,840 --> 00:03:48,960 Speaker 8: Now? 78 00:03:49,000 --> 00:03:52,040 Speaker 3: Who is who? 79 00:03:52,080 --> 00:03:53,120 Speaker 1: Is Ford Fiesta. 80 00:03:54,400 --> 00:03:59,480 Speaker 3: Her name is Ford Fiesta. No hail damage and take 81 00:03:59,520 --> 00:04:03,840 Speaker 3: her for a dry well. You're in there, but you 82 00:04:03,880 --> 00:04:05,920 Speaker 3: know this will take. 83 00:04:06,960 --> 00:04:08,640 Speaker 2: This will take what sometimes. 84 00:04:08,520 --> 00:04:10,240 Speaker 3: Will take some investigations. 85 00:04:10,320 --> 00:04:13,560 Speaker 2: One, who's a quarter my fourth my age, it's your age. 86 00:04:13,680 --> 00:04:16,520 Speaker 3: Look I think at your age, your tender age, that 87 00:04:16,640 --> 00:04:19,120 Speaker 3: you're still putting bums on seats. You are in here. 88 00:04:19,400 --> 00:04:22,120 Speaker 3: There are women out there harumphing because they're not in there. 89 00:04:22,320 --> 00:04:23,280 Speaker 3: You are in there. 90 00:04:23,480 --> 00:04:25,279 Speaker 2: This is a big deal. This is a big deal. 91 00:04:25,800 --> 00:04:28,200 Speaker 2: You enjoying this day. You can flick through. If you're 92 00:04:28,200 --> 00:04:29,760 Speaker 2: at your You're going to get a paper cup. 93 00:04:30,960 --> 00:04:35,080 Speaker 3: One clubs, just so I don't get any smears on 94 00:04:35,120 --> 00:04:38,120 Speaker 3: the magazine because I'm going to take it back to 95 00:04:38,160 --> 00:04:41,640 Speaker 3: the news stare. I go and buy Maxim November twenty 96 00:04:41,680 --> 00:04:43,400 Speaker 3: twenty four, issue one sixty. I don't have it to 97 00:04:43,400 --> 00:04:45,120 Speaker 3: out and it might be our next week. I just 98 00:04:45,120 --> 00:04:49,640 Speaker 3: got scoop, so we'll go through that, okay. Also coming up, 99 00:04:49,720 --> 00:04:52,400 Speaker 3: we've got the star, one of the stars of Hamilton. 100 00:04:52,600 --> 00:04:54,479 Speaker 2: Very excited about this. I'm going to see Hamilton on 101 00:04:54,640 --> 00:04:58,160 Speaker 2: Sunday night. Goury Knocks is his name. He is. He 102 00:04:58,279 --> 00:05:01,359 Speaker 2: is playing George Washington. So I mean, we're asking a 103 00:05:01,360 --> 00:05:03,840 Speaker 2: lot of people who are nighttime performers to come on 104 00:05:03,880 --> 00:05:06,000 Speaker 2: breakfast radio. Is up for it? That'd be great. 105 00:05:06,120 --> 00:05:08,760 Speaker 3: Also, Instagram makes us return, and we can't do anything 106 00:05:08,839 --> 00:05:10,200 Speaker 3: until we do the Magnificent seven. 107 00:05:10,279 --> 00:05:13,200 Speaker 2: Question one which you were city is associated with the strip. 108 00:05:13,320 --> 00:05:15,200 Speaker 2: It's not to do with maxim nation. 109 00:05:15,480 --> 00:05:18,840 Speaker 3: We have for you the Magnificent seven. There are seven questions. 110 00:05:18,960 --> 00:05:20,440 Speaker 3: Can you go all the way and answer all seven 111 00:05:20,520 --> 00:05:22,560 Speaker 3: questions correctly? If you do that, Amanda will say. 112 00:05:22,400 --> 00:05:24,200 Speaker 2: Why don't you just tell me what number I am? 113 00:05:24,400 --> 00:05:26,120 Speaker 2: I am in the maximum? And this is can all 114 00:05:26,200 --> 00:05:27,520 Speaker 2: end right here right now. 115 00:05:27,520 --> 00:05:29,800 Speaker 3: The maximum Hot one hundred, Hottest one. 116 00:05:29,760 --> 00:05:31,839 Speaker 2: Hundred is give me the numbers them we can just 117 00:05:31,920 --> 00:05:32,159 Speaker 2: move on. 118 00:05:32,240 --> 00:05:36,520 Speaker 3: This is empowered women doing empowered things. And you're in there. 119 00:05:36,680 --> 00:05:37,719 Speaker 3: That's the good and bad. 120 00:05:37,600 --> 00:05:39,560 Speaker 2: News, the good and bad news. I'm in all. 121 00:05:39,600 --> 00:05:42,320 Speaker 3: The bad news is you're on the cover, which unfortunately, 122 00:05:42,480 --> 00:05:45,200 Speaker 3: because I think you're you'd be good on there. So 123 00:05:45,240 --> 00:05:48,880 Speaker 3: you've beat Ford Fiesta. But her name, now that's just 124 00:05:48,920 --> 00:05:49,560 Speaker 3: the headline. 125 00:05:50,080 --> 00:05:51,799 Speaker 2: So you said her name was Ford Fiesta. 126 00:05:52,120 --> 00:05:54,880 Speaker 3: No, it's a Eron Ford. Okay, So that's erin there, Okay, 127 00:05:54,960 --> 00:05:56,600 Speaker 3: on the beach in a cozy. But the problem is 128 00:05:56,600 --> 00:05:59,640 Speaker 3: because they've got the magazine. It's a it's a double 129 00:05:59,640 --> 00:06:01,000 Speaker 3: covered magazine, and. 130 00:06:01,080 --> 00:06:02,080 Speaker 2: I didn't make either company. 131 00:06:02,520 --> 00:06:04,320 Speaker 3: You've got to flip them around, do you know what 132 00:06:04,360 --> 00:06:06,080 Speaker 3: I mean? You've got to work from the top to 133 00:06:06,120 --> 00:06:10,719 Speaker 3: the bottom, et cetera. So you're just for arguments, say 134 00:06:11,680 --> 00:06:14,520 Speaker 3: Aaron Ford, she's ninety eight, so you beat her. It 135 00:06:14,600 --> 00:06:17,040 Speaker 3: came in one hundred. Michelle Bullock. 136 00:06:17,760 --> 00:06:20,120 Speaker 1: She oh, she's the RBA governors, so she came in 137 00:06:20,200 --> 00:06:20,640 Speaker 1: one hundred. 138 00:06:21,520 --> 00:06:24,520 Speaker 3: It's so random. Penny Wong's ninety seven? Is she good 139 00:06:24,560 --> 00:06:26,960 Speaker 3: news for you? You beat them? So you beat erin Ford, 140 00:06:27,320 --> 00:06:34,280 Speaker 3: So you beat Penny warm Michelle Bullock Aaron Ford, Oh, man, 141 00:06:34,360 --> 00:06:37,280 Speaker 3: you beat Ray Ray gunn Ray Hadley. 142 00:06:38,320 --> 00:06:40,400 Speaker 2: Well, look at that photo of her. She's sing a pretzel. 143 00:06:40,480 --> 00:06:42,560 Speaker 3: Yeah. I think Ford Fiesta's doing that pose as well, 144 00:06:43,839 --> 00:06:45,560 Speaker 3: like she's not wearing a cozy. Anyway, we'll get to 145 00:06:45,600 --> 00:06:48,960 Speaker 3: the bottom of this. We have the Magnificent seven Arelas 146 00:06:48,960 --> 00:06:49,880 Speaker 3: with us in Roselands. 147 00:06:49,920 --> 00:06:54,760 Speaker 9: Elearell remember age before beauty and why didn't they put 148 00:06:54,760 --> 00:06:56,640 Speaker 9: a net over that pre copp or whatever. 149 00:06:56,400 --> 00:06:57,279 Speaker 10: It was in the shop? 150 00:06:59,200 --> 00:07:01,600 Speaker 2: What was in the shop, you know, the one that 151 00:07:01,680 --> 00:07:05,680 Speaker 2: was in the shop for the cockatoo that was locked 152 00:07:05,720 --> 00:07:08,000 Speaker 2: in coals. Probably didn't want to frighten it. I think 153 00:07:08,000 --> 00:07:10,360 Speaker 2: they did have wildlife people there who were trying to 154 00:07:10,400 --> 00:07:14,120 Speaker 2: find a stress free way of catching it. Yeah, it 155 00:07:14,160 --> 00:07:15,160 Speaker 2: was in Coles for a month. 156 00:07:15,320 --> 00:07:18,080 Speaker 3: The internet was wild wood reports that a copp was 157 00:07:18,120 --> 00:07:18,680 Speaker 3: going to go in. 158 00:07:18,640 --> 00:07:20,440 Speaker 2: And shoot, which is what upset people. 159 00:07:20,600 --> 00:07:22,400 Speaker 3: Yeah, well that wasn't going to happen. 160 00:07:22,680 --> 00:07:25,920 Speaker 1: How would have you caught it, Norell? Sorry again, how 161 00:07:25,920 --> 00:07:27,600 Speaker 1: would have you caught it? 162 00:07:27,680 --> 00:07:30,920 Speaker 2: With the net over it? Have you know someone called 163 00:07:30,920 --> 00:07:32,040 Speaker 2: an Nette? Could you've gone in? 164 00:07:32,400 --> 00:07:32,480 Speaker 11: So? 165 00:07:33,680 --> 00:07:35,680 Speaker 2: I know I'm being lower, I. 166 00:07:35,640 --> 00:07:36,400 Speaker 8: Know, I know, I know. 167 00:07:36,480 --> 00:07:38,760 Speaker 10: And that guy that you just played what's his name from? 168 00:07:38,760 --> 00:07:41,000 Speaker 10: Eris no wonder he's lost his voice. Can you hear 169 00:07:41,080 --> 00:07:43,000 Speaker 10: the way he's losing his voice singing? 170 00:07:43,760 --> 00:07:46,240 Speaker 1: They recorded that back in the eight Yah, who's losing it? 171 00:07:46,280 --> 00:07:46,400 Speaker 12: Then? 172 00:07:46,440 --> 00:07:49,520 Speaker 2: Imagine what it's like now, Noel, He's question number one 173 00:07:49,520 --> 00:07:52,080 Speaker 2: for you. Which US city is associated with the strip? 174 00:07:55,280 --> 00:07:58,040 Speaker 1: What happens in Vegas stays there? True or false? 175 00:07:58,040 --> 00:08:03,000 Speaker 3: In the original Greece musical screen, Sandy was not an Australian. 176 00:08:03,080 --> 00:08:04,119 Speaker 3: She was someone else. 177 00:08:08,320 --> 00:08:11,280 Speaker 2: Oh American. Well, this is true or false? His original 178 00:08:11,320 --> 00:08:17,320 Speaker 2: Greece musical Street Sandy was not Australian. It's true. When 179 00:08:17,360 --> 00:08:19,760 Speaker 2: she was cast Oliving Newton, John agreed to allow a 180 00:08:19,800 --> 00:08:23,040 Speaker 2: pay rate to have them rewrite the script so Sandy 181 00:08:23,040 --> 00:08:24,720 Speaker 2: could be Australian. So she wouldn't have to do the 182 00:08:24,720 --> 00:08:27,600 Speaker 2: American accent. She probably thought. She probably thought, you know, 183 00:08:27,840 --> 00:08:29,800 Speaker 2: it's not my strong suit doing accents. 184 00:08:30,000 --> 00:08:34,079 Speaker 3: It's hard. Yeah. We spoke to Rose Burn about doing 185 00:08:34,120 --> 00:08:36,439 Speaker 3: the American accent, and the voice coach gets them to 186 00:08:36,520 --> 00:08:40,120 Speaker 3: say ragged round, the ragged rocks, the ragged Rascal ran. 187 00:08:40,480 --> 00:08:42,120 Speaker 3: That's apparently how you get the American gun. 188 00:08:42,160 --> 00:08:48,680 Speaker 2: Let's play monster mash Let's kick off this now. He 189 00:08:48,760 --> 00:08:50,920 Speaker 2: and NoREL are two songs that have been mashed together. 190 00:08:50,960 --> 00:09:05,040 Speaker 2: What are they? 191 00:09:06,480 --> 00:09:07,200 Speaker 3: What do you think, Noel? 192 00:09:07,280 --> 00:09:07,839 Speaker 2: You think, Noel? 193 00:09:09,120 --> 00:09:10,280 Speaker 10: The other one is a bit weird. 194 00:09:10,920 --> 00:09:12,480 Speaker 2: To tell us what you think? Will tell us what 195 00:09:12,520 --> 00:09:13,120 Speaker 2: you think they are. 196 00:09:14,200 --> 00:09:15,679 Speaker 10: We'll stay in the love of one of them. 197 00:09:15,679 --> 00:09:19,360 Speaker 2: That's right again, hear them both together again? 198 00:09:19,440 --> 00:09:19,920 Speaker 13: He would. 199 00:09:30,520 --> 00:09:33,199 Speaker 2: I don't like it good? What's the other song on Noreel? 200 00:09:34,200 --> 00:09:35,839 Speaker 10: I don't recognize the words of it? 201 00:09:36,000 --> 00:09:36,560 Speaker 6: What a bummer? 202 00:09:36,800 --> 00:09:37,480 Speaker 10: That would have been. 203 00:09:39,080 --> 00:09:43,400 Speaker 2: Chem I'm sorry, well, Norell, Sorry Noll. 204 00:09:43,480 --> 00:09:44,480 Speaker 3: There's always next time. 205 00:09:45,720 --> 00:09:48,720 Speaker 1: Shi podcast. We are into the MAGA seven am. 206 00:09:48,760 --> 00:09:50,280 Speaker 3: We're also just peruising. 207 00:09:49,840 --> 00:09:50,800 Speaker 1: Maximums Hop one hundred. 208 00:09:50,880 --> 00:09:53,560 Speaker 3: Let's just get through the magazine and this that I 209 00:09:53,559 --> 00:09:53,920 Speaker 3: can see. 210 00:09:53,960 --> 00:09:55,320 Speaker 2: I'm still on the other side of the desk and 211 00:09:55,360 --> 00:09:56,720 Speaker 2: i can see something going on there. 212 00:09:56,840 --> 00:09:59,640 Speaker 3: You beat Professor Georgia long that's not here in the 213 00:09:59,720 --> 00:10:04,839 Speaker 3: last No, that's she's Coustra. That's Heather. I'm glad you 214 00:10:04,880 --> 00:10:12,480 Speaker 3: pointed arout at eighty seven. Goodness, Heather McCartney. What's heatherd Well? 215 00:10:12,520 --> 00:10:15,280 Speaker 3: She had a she went viral for that cheeky nude 216 00:10:15,320 --> 00:10:18,640 Speaker 3: moment at the twenty fourteen AFL Grand Final Classic. Heather, 217 00:10:18,720 --> 00:10:21,040 Speaker 3: they say, do you remember that? No, I was just 218 00:10:21,080 --> 00:10:25,400 Speaker 3: reading you beat Professor Georgina long Ao. I was at 219 00:10:25,800 --> 00:10:26,360 Speaker 3: a function. 220 00:10:26,559 --> 00:10:29,000 Speaker 1: She was with fellow Australian the Richard Scolia. 221 00:10:29,880 --> 00:10:31,200 Speaker 2: Extraordinary. 222 00:10:31,240 --> 00:10:36,760 Speaker 3: These guys are making huge inroads, incredible into Yes. Anyway, 223 00:10:37,080 --> 00:10:39,120 Speaker 3: as I was sitting there, I thought, gez, good audience 224 00:10:39,240 --> 00:10:42,120 Speaker 3: if you had a medical infection, because these two doctors 225 00:10:42,320 --> 00:10:46,640 Speaker 3: at that moment, someone killed over at their seat at 226 00:10:46,640 --> 00:10:47,679 Speaker 3: the lunch and. 227 00:10:47,640 --> 00:10:48,680 Speaker 2: Were they able to help them. 228 00:10:48,800 --> 00:10:51,840 Speaker 3: They got up and Peter Overton said, oh, we've got 229 00:10:51,880 --> 00:10:54,079 Speaker 3: a problem here, and they went straight out and attended 230 00:10:54,120 --> 00:10:56,400 Speaker 3: to the man and cured him. 231 00:10:56,280 --> 00:10:58,760 Speaker 1: It was wow, came back that's big. 232 00:10:58,960 --> 00:10:59,120 Speaker 13: Yeah. 233 00:10:59,280 --> 00:11:00,560 Speaker 3: I thought that's impressive. 234 00:11:00,679 --> 00:11:02,200 Speaker 2: And she's next to that woman in the Cozi. 235 00:11:02,559 --> 00:11:05,160 Speaker 3: Yep, that's what you're talking about, Maxim. It doesn't matter 236 00:11:05,160 --> 00:11:06,960 Speaker 3: what you wear in this in Maxim and that's what 237 00:11:07,000 --> 00:11:07,200 Speaker 3: I like. 238 00:11:07,400 --> 00:11:09,000 Speaker 2: What am I wearing? Am I in? You said? I'm 239 00:11:09,000 --> 00:11:10,079 Speaker 2: in there? 240 00:11:10,720 --> 00:11:12,400 Speaker 3: Yeah, we'll get to that. We got too much to do. 241 00:11:12,600 --> 00:11:13,640 Speaker 3: We are the Magnificent seven. 242 00:11:13,640 --> 00:11:18,560 Speaker 2: Adrian's in Ingleburn, Hi, Adrian, good rank. You were halfway 243 00:11:18,559 --> 00:11:20,600 Speaker 2: through Monster mash Let's kick off this. 244 00:11:23,800 --> 00:11:24,559 Speaker 3: We know one of. 245 00:11:24,480 --> 00:11:26,719 Speaker 2: These songs is Staying Alive by the Bee GI's what's 246 00:11:26,760 --> 00:11:40,160 Speaker 2: the other one? I kind of like it? Do you 247 00:11:40,240 --> 00:11:41,040 Speaker 2: know what the other song is? 248 00:11:41,080 --> 00:11:45,680 Speaker 7: Adrian heir. 249 00:11:46,679 --> 00:11:50,600 Speaker 2: Is all about Girl by Gwen Stephanio. 250 00:11:52,559 --> 00:11:55,199 Speaker 3: Nail A question four here? 251 00:11:55,440 --> 00:11:58,880 Speaker 2: What was the first this is practical multiple choice? What's 252 00:11:58,880 --> 00:12:01,520 Speaker 2: the first practical roads side breath testing device called? Was 253 00:12:01,559 --> 00:12:05,320 Speaker 2: it a the drunken meter? Be the sobriety Sampler, see 254 00:12:05,400 --> 00:12:13,040 Speaker 2: the Pista Probe. No, no, it's not the sobriety sampler. 255 00:12:13,520 --> 00:12:15,040 Speaker 1: Jackie's a ingelebird. 256 00:12:14,720 --> 00:12:18,679 Speaker 2: Halo Jackie, good morning, how are we very well? The 257 00:12:18,760 --> 00:12:22,400 Speaker 2: first practical roadside breath testing device? Was it the drunken 258 00:12:22,480 --> 00:12:23,760 Speaker 2: meter or the pista probe? 259 00:12:25,120 --> 00:12:25,839 Speaker 14: The drunken meter? 260 00:12:27,200 --> 00:12:30,920 Speaker 3: Sabrage is a technique for opening a champagne bottle with 261 00:12:31,000 --> 00:12:31,240 Speaker 3: a what. 262 00:12:33,720 --> 00:12:36,880 Speaker 2: Nice more details required? 263 00:12:36,880 --> 00:12:38,599 Speaker 1: You get Jackie back from the dead on that what 264 00:12:38,720 --> 00:12:46,360 Speaker 1: with more details? Julie's in spring Fire. 265 00:12:46,200 --> 00:12:49,280 Speaker 2: Follow Julie, good morning, how are you very well? 266 00:12:49,320 --> 00:12:49,360 Speaker 13: So? 267 00:12:49,480 --> 00:12:52,000 Speaker 2: Sabrage is a technique where you open a champagne bottle 268 00:12:52,080 --> 00:12:52,520 Speaker 2: with a what. 269 00:12:57,480 --> 00:12:59,360 Speaker 3: I don't understand. How do they not get all glass 270 00:12:59,440 --> 00:12:59,719 Speaker 3: in there? 271 00:13:00,080 --> 00:13:02,040 Speaker 1: The skill of it, that is the us. 272 00:13:02,080 --> 00:13:03,440 Speaker 2: It just open her, that's the skill. 273 00:13:03,520 --> 00:13:08,240 Speaker 3: Stops showing off. Now stops showing off the now discontinued 274 00:13:08,360 --> 00:13:12,760 Speaker 3: soft drink lift was what flavor Julie stopped making lyft. 275 00:13:15,679 --> 00:13:16,199 Speaker 14: Lemonade? 276 00:13:16,360 --> 00:13:19,600 Speaker 2: It was lemon I didn't know that, got that wrong? 277 00:13:20,040 --> 00:13:22,640 Speaker 3: No, we said what flavor it was that lemonade? 278 00:13:23,160 --> 00:13:23,559 Speaker 1: Lemonade? 279 00:13:23,559 --> 00:13:24,320 Speaker 3: Is lemonade? Lemon? 280 00:13:24,920 --> 00:13:27,960 Speaker 1: Come on, no, I'm not coming on anything. That's that's reality, right, 281 00:13:28,760 --> 00:13:29,800 Speaker 1: she was, It's. 282 00:13:29,679 --> 00:13:30,559 Speaker 2: A lemon flavor? 283 00:13:30,720 --> 00:13:32,680 Speaker 5: Already did the correct Yeah, it's. 284 00:13:32,520 --> 00:13:36,120 Speaker 2: A lemon flavor, Julie. Question seven for you, Julie. Samantha 285 00:13:36,240 --> 00:13:38,720 Speaker 2: Armitage is confirmed to be the host of which reality 286 00:13:38,800 --> 00:13:43,480 Speaker 2: show Farmer Wants a No, She's left Channel seven and 287 00:13:43,559 --> 00:13:46,000 Speaker 2: Farmer wants a Wife's got to Channel nine to host 288 00:13:46,040 --> 00:13:46,640 Speaker 2: a different show. 289 00:13:48,000 --> 00:13:48,599 Speaker 6: Do you know what it is? 290 00:13:48,720 --> 00:14:01,120 Speaker 2: Tie? Big Show American? What version Golden Butchel Golden Bachelor? 291 00:14:01,720 --> 00:14:03,079 Speaker 2: Don't have a shower scene. 292 00:14:05,160 --> 00:14:09,680 Speaker 3: Or a chocolate buff Congratulations Tie, You've won the jam 293 00:14:09,800 --> 00:14:12,000 Speaker 3: Back one hundred and fifty dollars price line voucher thanks 294 00:14:12,040 --> 00:14:16,280 Speaker 3: to Quality Health Australia's own vitamins and Supplements one hundred 295 00:14:16,280 --> 00:14:19,160 Speaker 3: and fifty dollars to spend a Thunder restaurant, experienced modern 296 00:14:19,360 --> 00:14:22,280 Speaker 3: Korean cuisine like no other and Jonesy demanded character too. 297 00:14:22,360 --> 00:14:24,840 Speaker 3: Is Hitta coloring and some solar pencils. Anything you'd like to. 298 00:14:24,840 --> 00:14:28,600 Speaker 7: Add, Tie, have a great day and weekend. 299 00:14:28,680 --> 00:14:29,920 Speaker 3: Go Thank you, Tye. 300 00:14:31,400 --> 00:14:34,720 Speaker 2: Stalk on our shows. The Agree Knocks from Hamilton. 301 00:14:34,800 --> 00:14:35,360 Speaker 1: Yeah, one place. 302 00:14:35,400 --> 00:14:36,640 Speaker 2: George Washington is going to be in. 303 00:14:37,680 --> 00:14:40,960 Speaker 3: Also, frash Back five for your flashback, and we'll get 304 00:14:41,000 --> 00:14:44,440 Speaker 3: to the bottom of where Amanda appears in Maxim's one hundred. 305 00:14:44,160 --> 00:14:46,640 Speaker 5: Bottoms, Jonesy and Amanda. 306 00:14:47,400 --> 00:14:54,920 Speaker 1: Podcast Time for what It's time to get back to work. 307 00:14:56,520 --> 00:14:57,240 Speaker 7: Alight, I'm going to. 308 00:14:57,200 --> 00:14:59,680 Speaker 2: Pick through the German acap be Bok of musical fact 309 00:15:00,760 --> 00:15:03,320 Speaker 2: on this day. In nineteen ninety seven, the Spice Skills 310 00:15:03,320 --> 00:15:05,120 Speaker 2: shot to the top of the UK Singles chart with 311 00:15:05,160 --> 00:15:08,840 Speaker 2: their single Spice Up Your Life. The single was from 312 00:15:08,840 --> 00:15:11,840 Speaker 2: their second album, Spice World, and it set a new record, 313 00:15:12,200 --> 00:15:15,200 Speaker 2: making them the only act to have five Wow, the 314 00:15:15,360 --> 00:15:18,320 Speaker 2: only act to have their first five singles reach number one. 315 00:15:19,200 --> 00:15:22,200 Speaker 2: They have five singles. The first five went number one, 316 00:15:22,200 --> 00:15:25,640 Speaker 2: so they must have had more than that. Since its released, 317 00:15:25,720 --> 00:15:27,880 Speaker 2: New Miss artists have taken the song on sort of, 318 00:15:27,920 --> 00:15:30,400 Speaker 2: creating some interesting covers. How about this one? This is 319 00:15:30,440 --> 00:15:33,400 Speaker 2: from the American punk rock group zebra Head two thousand 320 00:15:33,440 --> 00:15:34,400 Speaker 2: and nine of them. 321 00:15:34,800 --> 00:15:39,280 Speaker 3: Suck on zebra Head? 322 00:15:43,720 --> 00:15:45,800 Speaker 2: What about this one? This is the rock band Patent 323 00:15:45,920 --> 00:15:52,880 Speaker 2: Pending performing this in twenty seventeen. They sound more punk 324 00:15:52,920 --> 00:16:00,440 Speaker 2: than zebra Head. Yeah, it is a good songs. Let's 325 00:16:00,440 --> 00:16:01,840 Speaker 2: hear it in its original. 326 00:16:01,520 --> 00:16:03,480 Speaker 3: Glory, get it out there in its original glory. 327 00:16:03,560 --> 00:16:03,960 Speaker 2: Here it is. 328 00:16:04,520 --> 00:16:06,320 Speaker 3: Let's get to the bottom of where Amanda comes in 329 00:16:06,440 --> 00:16:08,920 Speaker 3: Maxim's Hot one hundred as well. 330 00:16:10,200 --> 00:16:11,480 Speaker 2: Just tell me the number and we can end it. 331 00:16:12,880 --> 00:16:15,640 Speaker 1: This is more fun WSFM. 332 00:16:15,680 --> 00:16:19,120 Speaker 3: Hello there, it's jonesy Amanda. Where does our girl Amanda 333 00:16:19,240 --> 00:16:20,920 Speaker 3: feature in Maxim's hop one hundred? 334 00:16:21,040 --> 00:16:21,960 Speaker 2: Just tell me, just tell me. 335 00:16:21,960 --> 00:16:22,920 Speaker 1: And then it's eighty four. 336 00:16:22,960 --> 00:16:24,800 Speaker 3: There's Liz Kirkness. You beat her. 337 00:16:25,160 --> 00:16:28,680 Speaker 2: You've spent that entire song. I love Oasis and I'm 338 00:16:28,720 --> 00:16:31,960 Speaker 2: singing along yours googling. These women are looking at there. 339 00:16:32,640 --> 00:16:35,360 Speaker 3: We're just doing research. Is that Liz getting ready for work? 340 00:16:35,400 --> 00:16:35,520 Speaker 11: There? 341 00:16:35,520 --> 00:16:35,880 Speaker 3: Do you think? 342 00:16:36,760 --> 00:16:38,480 Speaker 2: I don't think she'd be wearing that to work? 343 00:16:38,520 --> 00:16:41,640 Speaker 3: Where does Liz work out? I wonder off to the 344 00:16:41,760 --> 00:16:44,720 Speaker 3: un or something like that. She's just walking through the corn. 345 00:16:45,200 --> 00:16:46,400 Speaker 2: She's walking through the corn. 346 00:16:46,640 --> 00:16:48,280 Speaker 3: He's walking through a corn for wheat. 347 00:16:48,760 --> 00:16:49,760 Speaker 1: She has no clothes on. 348 00:16:51,320 --> 00:16:54,080 Speaker 2: In the wheat and the wat in infection. 349 00:16:56,960 --> 00:16:58,600 Speaker 3: Anyway, we'll get we'll get to the bottom. 350 00:17:00,320 --> 00:17:03,080 Speaker 2: This is going to be a long morning. I think 351 00:17:03,120 --> 00:17:04,320 Speaker 2: she's got to the bottom of There. 352 00:17:04,280 --> 00:17:09,200 Speaker 3: Is someone at the door, Hello, Darlan, I'll owe you 353 00:17:09,520 --> 00:17:13,040 Speaker 3: Gav Gavin mclinty of Mclinty's Lenses. I'm here to get 354 00:17:13,040 --> 00:17:17,280 Speaker 3: a few snaps of the hottest one hundred contender. That's right, Darlan, 355 00:17:17,440 --> 00:17:18,800 Speaker 3: go on, work the lens. 356 00:17:19,280 --> 00:17:20,840 Speaker 2: Sorry, I'm not working anything. 357 00:17:21,080 --> 00:17:23,159 Speaker 3: Ooh, a bit of rage, you love it. 358 00:17:24,480 --> 00:17:27,480 Speaker 2: Why would you be here taking pictures for this magazine, 359 00:17:27,560 --> 00:17:29,520 Speaker 2: this Hottest one hundred, if I'm even in it when 360 00:17:29,680 --> 00:17:35,600 Speaker 2: it's already been determined, the magazine is already printed. Ooh, 361 00:17:36,320 --> 00:17:40,000 Speaker 2: she's a right fire crackers and this is ludicrous. 362 00:17:40,080 --> 00:17:41,800 Speaker 3: Don't be such a stickul them manic. It's fun. 363 00:17:41,960 --> 00:17:42,240 Speaker 5: Woo. 364 00:17:42,640 --> 00:17:45,480 Speaker 3: He's right, Darlan. Now just pop open a few of 365 00:17:45,520 --> 00:17:46,159 Speaker 3: those buttons. 366 00:17:46,200 --> 00:17:47,520 Speaker 2: I will not be doing any of that. 367 00:17:47,800 --> 00:17:49,120 Speaker 3: Ooh, feisty. 368 00:17:49,600 --> 00:17:53,240 Speaker 1: Okay, take this note for management, doodles. 369 00:17:55,480 --> 00:17:56,800 Speaker 2: He had no credentials. 370 00:17:57,119 --> 00:17:57,960 Speaker 3: You in your credentials. 371 00:17:58,000 --> 00:18:00,600 Speaker 2: He didn't even have a camera. Yeah, he's making those 372 00:18:00,640 --> 00:18:01,600 Speaker 2: noises with his mouth. 373 00:18:02,320 --> 00:18:02,720 Speaker 3: Management. 374 00:18:03,119 --> 00:18:09,359 Speaker 15: Today, we celebrate Amanda's inclusion in Maxim's Hot one face 375 00:18:09,440 --> 00:18:13,320 Speaker 15: back songs that celebrate Amanda's inclusion Maxim's Hot one hundred. 376 00:18:13,359 --> 00:18:16,399 Speaker 2: Do you think management is pouring through that magazine like 377 00:18:16,480 --> 00:18:16,760 Speaker 2: you are? 378 00:18:17,920 --> 00:18:22,399 Speaker 3: It's research? Okay, there's nothing pervy about this at all. 379 00:18:22,440 --> 00:18:23,240 Speaker 3: It's just research. 380 00:18:23,280 --> 00:18:25,600 Speaker 2: I've missed the topic. What do we have songs about? 381 00:18:25,600 --> 00:18:28,720 Speaker 3: What songs that celebrate Amanda's inclusion in Maxim's hop one hundred. 382 00:18:29,200 --> 00:18:32,240 Speaker 1: Okay, yes, yes, I've got one. 383 00:18:32,880 --> 00:18:34,600 Speaker 2: One has instantly come to mind for me. 384 00:18:34,720 --> 00:18:36,439 Speaker 3: I'm looking forward to seeing what you put up. 385 00:18:37,720 --> 00:18:39,480 Speaker 2: Tell me let me see, let me see. 386 00:18:41,359 --> 00:18:51,199 Speaker 5: Nations and Amanda's. 387 00:18:52,320 --> 00:18:55,000 Speaker 3: Hot, Hot Hot. Ten questions sixty seconds on the clock. 388 00:18:55,040 --> 00:18:56,480 Speaker 3: You can pass if you don't know an answer. Will 389 00:18:56,480 --> 00:18:58,439 Speaker 3: come back to that question of time permits you get 390 00:18:58,480 --> 00:19:00,520 Speaker 3: all the questions right. One thing thousand dollars. 391 00:19:00,560 --> 00:19:02,399 Speaker 2: You can make it two thousand dollars by answering a 392 00:19:02,440 --> 00:19:04,760 Speaker 2: bonus question, but it is double or nothing. 393 00:19:05,040 --> 00:19:06,840 Speaker 1: Margaret's in golden Hello, Margaret. 394 00:19:08,600 --> 00:19:10,399 Speaker 2: Hi, Margaret. Let's see what we can do. Get some 395 00:19:10,480 --> 00:19:12,600 Speaker 2: money for you on a Friday would be great. We've 396 00:19:12,680 --> 00:19:14,399 Speaker 2: got ten questions in front of us. Here, We've got 397 00:19:14,440 --> 00:19:15,199 Speaker 2: sixty seconds. 398 00:19:15,600 --> 00:19:15,719 Speaker 3: Now. 399 00:19:15,800 --> 00:19:17,639 Speaker 2: If you're not sure, say passed. You have time to 400 00:19:17,680 --> 00:19:20,520 Speaker 2: come back. Okay, yeah, all right, Margaret, here we go. 401 00:19:20,600 --> 00:19:23,040 Speaker 2: Because he comes to question number one, how many toes 402 00:19:23,080 --> 00:19:24,280 Speaker 2: are on the average human foot. 403 00:19:27,480 --> 00:19:30,040 Speaker 1: It's foot food, Margaret, not feet. 404 00:19:31,240 --> 00:19:31,639 Speaker 3: Damn it. 405 00:19:31,920 --> 00:19:36,840 Speaker 2: You comes some kind of hobby person. But I tested 406 00:19:36,920 --> 00:19:39,000 Speaker 2: Jonesy before he said exactly, I said, and I. 407 00:19:39,040 --> 00:19:42,280 Speaker 1: Said, that's a mean question. Question that is a mean question, 408 00:19:42,680 --> 00:19:46,399 Speaker 1: So just don't like me. Sorry, there's no stuff. 409 00:19:46,480 --> 00:19:48,320 Speaker 2: Sorry, Margaret, you get one hundred bucks to be getting 410 00:19:48,359 --> 00:19:48,520 Speaker 2: on with. 411 00:19:48,720 --> 00:19:51,960 Speaker 3: So I'm not a backyard cricket and your mum's it's 412 00:19:52,000 --> 00:19:52,680 Speaker 3: not a mean question. 413 00:19:52,760 --> 00:19:56,040 Speaker 2: It just involves listening because you assume you're asking something else. 414 00:19:56,240 --> 00:19:58,120 Speaker 1: But that is a you know, that's a I don't 415 00:19:58,119 --> 00:19:58,600 Speaker 1: think it's mean. 416 00:19:58,680 --> 00:19:59,600 Speaker 2: I think it's a good one. 417 00:20:00,200 --> 00:20:00,960 Speaker 1: To discuss though. 418 00:20:01,000 --> 00:20:03,159 Speaker 3: Sorry Margaret, it's probably a good thing because we've got 419 00:20:03,200 --> 00:20:04,480 Speaker 3: too much on this show today. 420 00:20:04,520 --> 00:20:07,600 Speaker 2: Well for your flashback, I've got a great song. The 421 00:20:07,600 --> 00:20:10,240 Speaker 2: difference is exactly how I feel when I watch you 422 00:20:10,840 --> 00:20:14,400 Speaker 2: flick through Maximum and go cool. There's you beat them. 423 00:20:15,520 --> 00:20:18,239 Speaker 3: Today we are celebrating a man's inclusion in Maxim's Hot 424 00:20:18,280 --> 00:20:20,360 Speaker 3: one hundred. I don't even know if you've you've done 425 00:20:20,440 --> 00:20:21,800 Speaker 3: better or worse than last year. 426 00:20:21,840 --> 00:20:24,280 Speaker 2: We'll have to I just have to watch you pour 427 00:20:24,440 --> 00:20:26,720 Speaker 2: over the magazine, or or. 428 00:20:26,720 --> 00:20:31,119 Speaker 1: That Casey Wunstra, she's coming. 429 00:20:31,359 --> 00:20:38,000 Speaker 3: You've beaten case there's Casey Wostra. You've beaten Jennifer Hawkins. 430 00:20:40,320 --> 00:20:42,240 Speaker 2: You like to say, Brent, look at your face of 431 00:20:42,359 --> 00:20:44,919 Speaker 2: outrage and disbelief. 432 00:20:44,440 --> 00:20:45,080 Speaker 3: Nothing at all. 433 00:20:45,160 --> 00:20:50,159 Speaker 2: We'll get this is exclusive. Well, it's as cruciating to 434 00:20:50,520 --> 00:20:51,360 Speaker 2: beat work day. 435 00:20:51,720 --> 00:20:53,760 Speaker 3: And there's a good chance you're gonna hear this song 436 00:20:53,880 --> 00:20:54,600 Speaker 3: twice today. 437 00:20:55,040 --> 00:20:56,520 Speaker 2: Here it is this first run. 438 00:20:57,359 --> 00:20:58,520 Speaker 5: Sama said. 439 00:21:04,960 --> 00:21:08,960 Speaker 3: Fight for your flashback two songs into one song. Lease 440 00:21:09,040 --> 00:21:12,639 Speaker 3: Today we celebrate Amanda's inclusion in Maxim's Hot one hundred. 441 00:21:12,800 --> 00:21:15,960 Speaker 3: Today's five f your flashback songs that celebrate Amanda's inclusion 442 00:21:16,200 --> 00:21:20,720 Speaker 3: in Maxim's Hot one hundred. You're beating many, many impressive women. 443 00:21:20,840 --> 00:21:23,240 Speaker 3: Here the anger sends, sorry you beat her? 444 00:21:23,359 --> 00:21:23,639 Speaker 2: Really? 445 00:21:23,960 --> 00:21:26,480 Speaker 3: Yeah, this is exclusion miss you beat her? 446 00:21:27,640 --> 00:21:29,399 Speaker 2: Misso you beat Ricky Lee? 447 00:21:29,560 --> 00:21:29,879 Speaker 1: Cool to. 448 00:21:31,720 --> 00:21:32,520 Speaker 3: Yeah, look at you go. 449 00:21:32,760 --> 00:21:34,159 Speaker 2: I'm going to sit here and watch you flick through 450 00:21:34,200 --> 00:21:34,879 Speaker 2: that magazine. 451 00:21:35,400 --> 00:21:39,560 Speaker 1: This lady Kajita Cortes, is she when she? 452 00:21:40,200 --> 00:21:41,960 Speaker 2: Oh wow, yeah, let's have a look. 453 00:21:42,760 --> 00:21:42,960 Speaker 3: Yeah. 454 00:21:43,840 --> 00:21:46,280 Speaker 1: Oh so you beat her? 455 00:21:48,200 --> 00:21:51,080 Speaker 2: That's one of us will dream of her tonight, and 456 00:21:51,200 --> 00:21:52,000 Speaker 2: it probably won't be me. 457 00:21:52,240 --> 00:21:55,600 Speaker 3: This isn't about anything. This is just about you being successful. Okay, 458 00:21:55,840 --> 00:21:56,720 Speaker 3: that's all the song? 459 00:21:56,800 --> 00:21:57,600 Speaker 2: Have you got? Brenda? 460 00:21:57,760 --> 00:21:59,240 Speaker 1: Well, you know what I'm going to do with Maxim? 461 00:21:59,320 --> 00:22:01,960 Speaker 1: Because I love this magazine. It's a beautiful magazine. 462 00:22:02,240 --> 00:22:04,760 Speaker 3: I go out and buy five copies for my Mama, 463 00:22:05,160 --> 00:22:08,440 Speaker 3: I'm talking about the rolling cover of the Rolling Stone, 464 00:22:08,520 --> 00:22:12,639 Speaker 3: doctor hook the crutch and wow, golden fingers and with 465 00:22:12,840 --> 00:22:16,040 Speaker 3: the where We've got on and store The. 466 00:22:16,080 --> 00:22:17,520 Speaker 5: Seaman picked Jigant. 467 00:22:17,640 --> 00:22:18,240 Speaker 16: The cover. 468 00:22:20,240 --> 00:22:25,840 Speaker 3: Copies from my mama, se Ma, smile under cover of 469 00:22:26,000 --> 00:22:27,320 Speaker 3: the roll and start. 470 00:22:28,720 --> 00:22:31,240 Speaker 2: Well, I've gone with a song that references how I 471 00:22:31,480 --> 00:22:35,399 Speaker 2: feel when I watch you pour over that magazine all morning. 472 00:22:36,640 --> 00:22:45,640 Speaker 2: See if you can guess what it is, Oh, some heart, 473 00:22:45,880 --> 00:22:46,840 Speaker 2: Turn the page. 474 00:22:46,960 --> 00:22:48,080 Speaker 5: It's the dormer. 475 00:22:49,520 --> 00:22:52,800 Speaker 3: You can know when to the engines, the consolant said, 476 00:22:52,840 --> 00:22:55,480 Speaker 3: the other day, the feeling is getting old. 477 00:22:57,160 --> 00:22:59,480 Speaker 2: I see no evidence is that you think this is help? 478 00:22:59,520 --> 00:23:03,440 Speaker 2: You as doing my best. I'm getting into maxims this couple. 479 00:23:04,720 --> 00:23:05,360 Speaker 1: This is what I think. 480 00:23:05,480 --> 00:23:07,159 Speaker 2: Turn the page, Brendan, turn the page. 481 00:23:07,600 --> 00:23:08,719 Speaker 3: I am turning the pages. 482 00:23:09,760 --> 00:23:11,120 Speaker 1: My hands are working over time. 483 00:23:11,880 --> 00:23:15,240 Speaker 2: Okay, don't fade my song down right? 484 00:23:15,600 --> 00:23:15,840 Speaker 13: Good? 485 00:23:17,160 --> 00:23:22,680 Speaker 2: Get to this too long? This, Brendan, I think you 486 00:23:22,800 --> 00:23:27,280 Speaker 2: missed the friend page. You're handling the briefs just like 487 00:23:27,520 --> 00:23:28,320 Speaker 2: those are our songs. 488 00:23:28,400 --> 00:23:29,840 Speaker 1: Casey Buns, what would you. 489 00:23:32,560 --> 00:23:34,200 Speaker 2: What would you like to hear today? Give us a 490 00:23:35,040 --> 00:23:37,760 Speaker 2: thirteen WSFM. We can go to our Instagram story at 491 00:23:37,840 --> 00:23:38,920 Speaker 2: Jonesy and Amanda. 492 00:23:39,040 --> 00:23:44,560 Speaker 3: We're going to help podcast five for your flashback. Today, 493 00:23:44,640 --> 00:23:47,960 Speaker 3: we are celebrating Amanda's inclusion in Maxim's Hot one hundred. 494 00:23:48,040 --> 00:23:51,679 Speaker 3: Songs that celebrate Amanda's inclusion in Maxim's Hot one hundred. 495 00:23:52,080 --> 00:23:53,400 Speaker 3: Look at the people you are beat? 496 00:23:54,600 --> 00:23:55,919 Speaker 2: Can you just get to where I am? 497 00:23:56,320 --> 00:23:56,560 Speaker 10: Ruger? 498 00:23:56,600 --> 00:23:59,720 Speaker 3: You beat on your Kruger, You beat Jennifer Hawkins. 499 00:24:00,520 --> 00:24:03,119 Speaker 2: So outright it is Jack Yo like she's everywhere at 500 00:24:03,119 --> 00:24:03,520 Speaker 2: the moment. 501 00:24:03,600 --> 00:24:05,119 Speaker 1: Look at this, you beat Jack Yo. 502 00:24:05,920 --> 00:24:07,000 Speaker 3: I better hide this from her. 503 00:24:07,200 --> 00:24:09,280 Speaker 1: I saw her in the kitchen before she came in 504 00:24:09,359 --> 00:24:11,639 Speaker 1: at forty six, Kylie Minague. 505 00:24:11,480 --> 00:24:13,240 Speaker 2: What number was I last you? Let's just see where 506 00:24:13,240 --> 00:24:13,800 Speaker 2: I was last year. 507 00:24:14,800 --> 00:24:17,520 Speaker 3: I don't look back. I only look forward. I'm not 508 00:24:17,560 --> 00:24:24,600 Speaker 3: looking forward to this. Who's Valeria Soviet? Who's that? Let's 509 00:24:24,640 --> 00:24:27,200 Speaker 3: see no, because they will give away. No, you don't 510 00:24:27,200 --> 00:24:32,960 Speaker 3: need to say that anyway. We are right. Just keep 511 00:24:33,000 --> 00:24:35,920 Speaker 3: a professional, you know. 512 00:24:36,080 --> 00:24:39,400 Speaker 2: Look at you giggling like a schoolboy. This is excruciating. 513 00:24:39,480 --> 00:24:40,359 Speaker 2: Let's just get our songs. 514 00:24:40,720 --> 00:24:44,359 Speaker 3: Well, I've got you on the cover of the Rolling Stone, 515 00:24:44,359 --> 00:24:45,879 Speaker 3: although you're not on the cover of Maxim. 516 00:24:47,160 --> 00:24:54,399 Speaker 1: J mcc that's some Olvia well, Jesus right. 517 00:24:54,280 --> 00:24:57,080 Speaker 5: The roll and Star. 518 00:24:57,359 --> 00:24:59,840 Speaker 2: I've gone with the song that says everything I feel 519 00:25:00,320 --> 00:25:05,080 Speaker 2: when I watch you slip through the magazine. Turn the page. 520 00:25:06,480 --> 00:25:10,800 Speaker 3: Again. Management will worry that we're getting too old. I 521 00:25:10,920 --> 00:25:16,160 Speaker 3: can't see the stage. I think you've miss to the line. 522 00:25:16,840 --> 00:25:25,760 Speaker 1: Heard Star again, br turn the pge but I'll end 523 00:25:25,800 --> 00:25:26,680 Speaker 1: back up on Bunstra. 524 00:25:29,320 --> 00:25:30,879 Speaker 2: They charges, police charges. 525 00:25:33,000 --> 00:25:37,159 Speaker 3: What is she doing there right? Covering herself in so 526 00:25:41,440 --> 00:25:46,400 Speaker 3: Amanda is in Hello Amanda, Good morning Jonesy and Amanda. 527 00:25:48,280 --> 00:25:49,200 Speaker 2: You're it today, Jones. 528 00:25:49,280 --> 00:25:51,560 Speaker 10: You've got a love a bit of Doctor Hawk every day. 529 00:25:51,600 --> 00:25:54,639 Speaker 3: I guess you're having it. You're having a doctor it's 530 00:25:54,680 --> 00:25:57,360 Speaker 3: not too old, no even. 531 00:25:57,200 --> 00:25:59,440 Speaker 12: And you're you're in love with a beautiful woman sharing 532 00:25:59,480 --> 00:25:59,920 Speaker 12: the night chick. 533 00:26:02,040 --> 00:26:03,760 Speaker 2: We're not going to the back cattle of doctor Hooker, 534 00:26:03,760 --> 00:26:07,320 Speaker 2: all right, Thank you, Amanda. Jennifer's in Blacktown, fightly flashback, Jennifer. 535 00:26:08,680 --> 00:26:15,240 Speaker 12: Good morning, Jonesy and Amanda. Congratulations, Amanda, thank you, thank you. 536 00:26:15,359 --> 00:26:19,640 Speaker 12: It's much as I do. I do enjoy Doctor Hawk, 537 00:26:19,760 --> 00:26:23,199 Speaker 12: but look you can't go past through great John Indy. 538 00:26:23,359 --> 00:26:26,920 Speaker 2: I agree, thank you, Jennifer. Christina's in Penis Sight your flashback. 539 00:26:27,000 --> 00:26:31,240 Speaker 2: Christina Hi, it was a fifty to fifty. 540 00:26:32,040 --> 00:26:34,520 Speaker 10: It was really hard and it's usually you Amanda, but 541 00:26:35,800 --> 00:26:39,360 Speaker 10: but but I had to go with Jonesy should say, 542 00:26:39,440 --> 00:26:42,920 Speaker 10: because because it reminded me of this this wild weekend 543 00:26:43,000 --> 00:26:47,359 Speaker 10: I had when in my younger days, when I'm pretty 544 00:26:47,400 --> 00:26:50,040 Speaker 10: sure James would have had pretty similar. 545 00:26:49,800 --> 00:26:50,480 Speaker 1: World of days. 546 00:26:50,760 --> 00:26:54,520 Speaker 10: Knowing ye, but there were twenty years that went down with. 547 00:26:56,240 --> 00:26:56,840 Speaker 12: It was to day. 548 00:26:57,080 --> 00:26:57,320 Speaker 3: It was. 549 00:26:57,480 --> 00:26:59,080 Speaker 10: It was in the days when we used to have 550 00:26:59,640 --> 00:27:02,920 Speaker 10: because players and you took your music with you everywhere, 551 00:27:03,800 --> 00:27:05,600 Speaker 10: just a couple of years ago sort of thing, you know, 552 00:27:06,359 --> 00:27:11,240 Speaker 10: and and then being all a bit wild. 553 00:27:11,359 --> 00:27:11,439 Speaker 3: But. 554 00:27:13,680 --> 00:27:14,000 Speaker 1: Get the. 555 00:27:15,720 --> 00:27:19,399 Speaker 10: It's it was doctor Hook because we took the player 556 00:27:19,480 --> 00:27:22,720 Speaker 10: with us and we forgot the music and all we 557 00:27:22,880 --> 00:27:26,720 Speaker 10: had for the whole weekend was Doctor Hook and zz Top. 558 00:27:27,240 --> 00:27:31,000 Speaker 2: Jonesy wants to know what the wild bit was not killing. 559 00:27:35,480 --> 00:27:38,840 Speaker 2: Hasn't anyone ever gone wild? To turn the page Doctor 560 00:27:38,920 --> 00:27:40,200 Speaker 2: Hook and Top? 561 00:27:40,240 --> 00:27:40,920 Speaker 1: What a hair face? 562 00:27:41,000 --> 00:27:41,240 Speaker 10: That is? 563 00:27:41,680 --> 00:27:47,520 Speaker 3: Was a hair fat Thanks Christina, disappointing story. I was 564 00:27:47,600 --> 00:27:54,080 Speaker 3: open for some sakes, you know, not that. 565 00:27:56,480 --> 00:27:57,320 Speaker 2: You should have been there. 566 00:27:57,359 --> 00:28:02,200 Speaker 5: Then Jonesy and A Man Podcast. 567 00:28:10,680 --> 00:28:15,119 Speaker 3: Fight for your flashback. Two songs enter. One song leaves today, 568 00:28:15,240 --> 00:28:19,159 Speaker 3: we celebrate Amanda's inclusion in Maxim's Hot one hundred. Today's 569 00:28:19,160 --> 00:28:22,399 Speaker 3: five f your flashback songs that celebrate Amanda's inclusion in 570 00:28:22,520 --> 00:28:23,320 Speaker 3: Maxim's Hot. 571 00:28:23,200 --> 00:28:24,320 Speaker 2: One Dred Have you gone with? 572 00:28:24,600 --> 00:28:29,800 Speaker 1: I've gone with the cover of the Rolling Stone Doctors, JOm. 573 00:28:31,560 --> 00:28:33,199 Speaker 1: This song is more novelty than ever. 574 00:28:35,560 --> 00:28:38,120 Speaker 2: I am gone with the songs that I think about 575 00:28:39,440 --> 00:28:43,200 Speaker 2: when I watch you flick through that magazine. It's John English, 576 00:28:43,360 --> 00:28:46,880 Speaker 2: turn your age. Even John's telling you turn the page, 577 00:28:47,000 --> 00:28:48,040 Speaker 2: stop googling. 578 00:28:48,120 --> 00:28:51,200 Speaker 1: And you know I am I'm proud of you. 579 00:28:51,280 --> 00:28:52,280 Speaker 3: I am so proud of you. 580 00:28:53,160 --> 00:28:54,680 Speaker 1: Alexa Towers see you. 581 00:28:56,000 --> 00:28:59,400 Speaker 3: She is Maximum's fitness guru. You beat her. Look at 582 00:28:59,480 --> 00:29:02,560 Speaker 3: her ab ominal muscles, right and we see let me 583 00:29:02,640 --> 00:29:06,520 Speaker 3: see that cracking that on which one? That one there? 584 00:29:06,560 --> 00:29:13,520 Speaker 3: Forty nine? Hey Shami again, come on, she wouldn't eat 585 00:29:13,600 --> 00:29:15,360 Speaker 3: much bread. I'm just saying, as. 586 00:29:15,280 --> 00:29:23,960 Speaker 9: Opposed to me, Scott, Scott is excruciating to do this 587 00:29:24,200 --> 00:29:26,280 Speaker 9: every year, and it is excruciating. 588 00:29:26,560 --> 00:29:32,440 Speaker 2: Scott's Scott, Good morning, guys, love your thank you, Love Scott, 589 00:29:32,520 --> 00:29:34,040 Speaker 2: fight for your flashback. 590 00:29:34,440 --> 00:29:38,440 Speaker 12: For sure voters for a man you can turn my pay. 591 00:29:38,040 --> 00:29:40,960 Speaker 2: Scott, Thank you, Scott, doesn't mind that I like the cards. 592 00:29:41,760 --> 00:29:43,880 Speaker 3: You never said that. Paul's out for its point. 593 00:29:45,440 --> 00:29:48,520 Speaker 2: Well, fight for a flash Hey, guys, Scott is getting 594 00:29:48,520 --> 00:29:49,120 Speaker 2: a bit creepy. 595 00:29:49,200 --> 00:29:52,640 Speaker 12: There, no jos you best song? 596 00:29:53,480 --> 00:29:54,080 Speaker 1: Thank you, Paul. 597 00:29:54,080 --> 00:29:55,720 Speaker 3: All right, Paul, thanks like Tonto. 598 00:29:55,840 --> 00:29:59,840 Speaker 2: But yes, Brad, Brad's in Hunter's Hill, Fight for your flashback. Brad. 599 00:30:00,520 --> 00:30:02,840 Speaker 7: Oh, guys, probably two of the crapper song you've had on. 600 00:30:03,040 --> 00:30:05,680 Speaker 7: But on top of the coin, tap tap my ten 601 00:30:05,800 --> 00:30:08,440 Speaker 7: toed foot and Amanda. 602 00:30:08,160 --> 00:30:11,080 Speaker 2: You thank you, Brad, appreciate it. 603 00:30:11,440 --> 00:30:14,040 Speaker 3: Charlene is in Roseman. You know the point of this is, 604 00:30:14,600 --> 00:30:17,600 Speaker 3: it's the theme, it's the song. I know, but I 605 00:30:17,680 --> 00:30:19,880 Speaker 3: think my song is more of the vibe. 606 00:30:20,440 --> 00:30:22,920 Speaker 2: Well, mine is saying, I'm sick of watching you ogling, 607 00:30:23,040 --> 00:30:23,680 Speaker 2: turn the page. 608 00:30:24,120 --> 00:30:24,880 Speaker 3: I'm doing research. 609 00:30:25,000 --> 00:30:26,480 Speaker 2: Charlene's fight for your flashback. 610 00:30:27,080 --> 00:30:30,160 Speaker 10: I'm voting for cover of the Rolling Stone. Can't be 611 00:30:30,360 --> 00:30:33,960 Speaker 10: anything but doctor Hawk. I love them. 612 00:30:34,360 --> 00:30:37,640 Speaker 2: Thank you, Charlene. Kathleen is in Campsey. Kathleen, it's over 613 00:30:37,720 --> 00:30:40,880 Speaker 2: to you to announce who is winning flashback. 614 00:30:42,480 --> 00:30:45,480 Speaker 10: Ah, James, you sound like a shul easy old Roger. 615 00:30:45,760 --> 00:30:46,600 Speaker 10: It's you, Amanda. 616 00:30:47,160 --> 00:30:47,600 Speaker 5: You won. 617 00:30:48,680 --> 00:30:49,720 Speaker 12: We have time to play it. 618 00:30:50,360 --> 00:30:51,160 Speaker 1: We got time to play it. 619 00:30:51,280 --> 00:30:54,600 Speaker 2: Yes, we of course we have here it goes. Turn 620 00:30:54,680 --> 00:31:02,040 Speaker 2: the page, Brendan, turn the page, Shoon English, Flash. 621 00:31:01,800 --> 00:31:06,040 Speaker 3: Bank, WSFM, Hello, there as Jonesy Demanda. That is a banger. 622 00:31:06,120 --> 00:31:09,800 Speaker 3: What a story covered later in life by Metallica. Bob 623 00:31:09,880 --> 00:31:11,040 Speaker 3: Seger originally wrote that. 624 00:31:11,320 --> 00:31:12,720 Speaker 2: Did Metallica do a verseion? 625 00:31:13,120 --> 00:31:15,240 Speaker 3: Do a rockin version of that? You could have selected that? 626 00:31:15,680 --> 00:31:18,920 Speaker 3: You could have selected Bob Siegers, I think, come on. 627 00:31:19,200 --> 00:31:22,640 Speaker 2: We love John English. Come on, he won So you 628 00:31:22,880 --> 00:31:24,680 Speaker 2: like it and beat out. 629 00:31:26,240 --> 00:31:30,040 Speaker 3: Doc Tok's cover of The Rolling Stone. As we head 630 00:31:30,080 --> 00:31:33,840 Speaker 3: towards where a man actually came in Maximum's Hot one hundred. 631 00:31:35,640 --> 00:31:39,040 Speaker 3: You beat Sky Wheatley, You beat Kate Miller, Heide Key, 632 00:31:39,640 --> 00:31:43,360 Speaker 3: these all impressive women. You beat Tones and I, You 633 00:31:43,480 --> 00:31:48,320 Speaker 3: beat Kitty Flannagan, you beat Celia. These are people. These 634 00:31:48,400 --> 00:31:52,160 Speaker 3: are who you're sharing the rarefied air with. We'll get 635 00:31:52,200 --> 00:31:54,360 Speaker 3: to the bottom of that next. In the meantime, let's 636 00:31:54,360 --> 00:31:56,040 Speaker 3: get on down to the Jonsy Man Arms for the 637 00:31:56,080 --> 00:31:59,200 Speaker 3: hub test at according to wait joint bank accounts, do 638 00:31:59,280 --> 00:32:00,080 Speaker 3: they pass the pub. 639 00:32:00,160 --> 00:32:01,960 Speaker 2: Just saw Someone wrote this the other day saying it's 640 00:32:02,000 --> 00:32:04,640 Speaker 2: crazy watching people debate whether they'll split bills fifty to 641 00:32:04,680 --> 00:32:08,000 Speaker 2: fifty when they're married, or split proportional to income. What 642 00:32:08,120 --> 00:32:11,080 Speaker 2: happened to two becoming one? A married couples pulling salaries? 643 00:32:11,360 --> 00:32:13,840 Speaker 2: Does this still happen? And it's interesting looking at the 644 00:32:13,920 --> 00:32:17,440 Speaker 2: stats because, according to two surveys by Australian banks, the 645 00:32:17,560 --> 00:32:20,040 Speaker 2: number of couples with a joint bank account is declining. 646 00:32:20,760 --> 00:32:23,680 Speaker 2: Older couples do. Seventy six percent of married or to 647 00:32:23,760 --> 00:32:27,400 Speaker 2: facto couples aged fifty five to seventy four have her 648 00:32:27,440 --> 00:32:30,520 Speaker 2: joint bank account, but only fifty four percent of eighteen 649 00:32:30,560 --> 00:32:32,800 Speaker 2: to twenty four year old married or de facto couples 650 00:32:33,360 --> 00:32:34,680 Speaker 2: have combined their finances. 651 00:32:34,920 --> 00:32:36,360 Speaker 3: What about you and Harley? What happens? 652 00:32:36,440 --> 00:32:38,640 Speaker 2: Yeah, completely combined. I think I don't know if he's 653 00:32:38,640 --> 00:32:42,280 Speaker 2: got some account off to the side, but yeah, it's 654 00:32:42,320 --> 00:32:45,600 Speaker 2: always from the moment we got married was fifty to fifty. 655 00:32:45,720 --> 00:32:48,760 Speaker 3: Yeah, we have diden question it. Helen does all the finances. 656 00:32:49,040 --> 00:32:51,360 Speaker 3: She jokes, I hope she jake. She says, I've got 657 00:32:51,400 --> 00:32:53,320 Speaker 3: an f you account as well. I said, what is that? 658 00:32:53,480 --> 00:32:54,520 Speaker 3: What code is that for? 659 00:32:55,240 --> 00:32:55,920 Speaker 1: So she's got that. 660 00:32:56,160 --> 00:32:59,120 Speaker 3: But yeah, we've always just had the same account since 661 00:32:59,200 --> 00:33:01,640 Speaker 3: we're we're little paupers and we had no money. 662 00:33:01,720 --> 00:33:03,600 Speaker 2: Yeah. Well, someone here is saying, my wife and I 663 00:33:03,760 --> 00:33:07,520 Speaker 2: have separate checking accounts. Since we're married. Household bills are 664 00:33:07,560 --> 00:33:11,040 Speaker 2: paid equally, but we have our own checking accounts, so 665 00:33:11,040 --> 00:33:13,040 Speaker 2: we're free to spend that money on whatever we want. Therefore, 666 00:33:13,080 --> 00:33:14,240 Speaker 2: we never fight about money. 667 00:33:14,360 --> 00:33:17,480 Speaker 3: It a mate and the relationship is over now, and 668 00:33:17,560 --> 00:33:20,440 Speaker 3: possibly this is why. But his girlfriend would pay him rent. 669 00:33:20,800 --> 00:33:22,480 Speaker 3: But that would have been together for years and years 670 00:33:22,520 --> 00:33:22,840 Speaker 3: and years. 671 00:33:22,960 --> 00:33:26,480 Speaker 2: So when Harley had a previous girlfriend and she would 672 00:33:26,520 --> 00:33:29,480 Speaker 2: buy him a jumper or something, and then she'd write 673 00:33:29,560 --> 00:33:31,080 Speaker 2: on a list of expenses at the end of the 674 00:33:31,120 --> 00:33:33,000 Speaker 2: month what she'd spent, he had to pay for it. 675 00:33:33,760 --> 00:33:35,320 Speaker 2: Or she'd buy milk and things and he had to 676 00:33:35,400 --> 00:33:38,720 Speaker 2: go halves in the grocery. She came from a family 677 00:33:38,760 --> 00:33:40,240 Speaker 2: with a lot of money, and I think she was 678 00:33:40,320 --> 00:33:41,960 Speaker 2: just coached and don't get ripped off. 679 00:33:43,800 --> 00:33:45,600 Speaker 3: It's interesting joint bank accounts to that. 680 00:33:46,200 --> 00:33:48,120 Speaker 2: Are they still passing the pub dest in the old days? 681 00:33:48,120 --> 00:33:50,520 Speaker 2: I think people can bind accounts. Are they still doing it? 682 00:33:50,720 --> 00:33:53,160 Speaker 2: Joint bank accounts? As Jonesie says, do they pass the 683 00:33:53,200 --> 00:33:54,160 Speaker 2: pub We'll have that for you. 684 00:33:54,200 --> 00:33:56,520 Speaker 3: At eight o'clock but not before we reveal where Amanda 685 00:33:56,600 --> 00:33:59,600 Speaker 3: finally came in Maxim's Hot one hundred. Did she do 686 00:33:59,720 --> 00:34:02,040 Speaker 3: better than last year or has she fallen? 687 00:34:03,400 --> 00:34:03,760 Speaker 2: Thank you? 688 00:34:04,240 --> 00:34:09,960 Speaker 3: It's coming out next podcast Love this time of year 689 00:34:10,320 --> 00:34:13,160 Speaker 3: springers in the air, A young man's thoughts turned to 690 00:34:13,200 --> 00:34:16,960 Speaker 3: fancy Maxim's magazine hits the newsstancing. You know, people say 691 00:34:17,040 --> 00:34:19,800 Speaker 3: the glossy magazine is dead. I say no, because this 692 00:34:20,040 --> 00:34:20,400 Speaker 3: watch you. 693 00:34:20,600 --> 00:34:22,640 Speaker 2: You've got black all over your fingers from looking through. 694 00:34:22,800 --> 00:34:25,960 Speaker 3: Look at my fingers are totally clean. My fingerprints might 695 00:34:26,000 --> 00:34:28,279 Speaker 3: be all over the magazine because I've been researching it. 696 00:34:28,640 --> 00:34:32,080 Speaker 3: Maxim's Hot one hundred Australia. It's not about hey, you 697 00:34:32,200 --> 00:34:34,040 Speaker 3: look at a bikini. No, no, no, no no, It's 698 00:34:34,080 --> 00:34:37,560 Speaker 3: about the achievements, about what you as an individual. 699 00:34:37,920 --> 00:34:41,120 Speaker 2: A woman who looked a lot of bikinis though, oh. 700 00:34:41,360 --> 00:34:44,120 Speaker 3: Yeah, well yeah they're in there, but I look past, 701 00:34:44,280 --> 00:34:46,520 Speaker 3: I look beyond the bikini. I look at the woman 702 00:34:46,600 --> 00:34:54,600 Speaker 3: inside the bikini. That sounds haha. Anyway, you want to 703 00:34:54,640 --> 00:34:57,319 Speaker 3: know where you came. You beat out Jennifer Hawkins, Miranda Kurr. 704 00:34:57,320 --> 00:35:01,600 Speaker 3: You beat Miranda Kerr. Don't put you in We could 705 00:35:01,680 --> 00:35:08,200 Speaker 3: get this back. So just end it, please you beat Valeriassova, 706 00:35:08,680 --> 00:35:11,520 Speaker 3: Russian born ossie beauty. Valeria has been part of the 707 00:35:11,640 --> 00:35:13,560 Speaker 3: Maximustralian family for youngs. 708 00:35:13,760 --> 00:35:16,520 Speaker 2: Look at her, that's what is she? 709 00:35:16,640 --> 00:35:20,040 Speaker 3: The one on the left, Yes, yeah, yeah, but there 710 00:35:20,080 --> 00:35:22,080 Speaker 3: she is there on the scrines on the screen. It 711 00:35:22,080 --> 00:35:25,080 Speaker 3: looks like she's wearing Plucker Ducks costume there, but she's 712 00:35:25,120 --> 00:35:29,279 Speaker 3: taken it off. Ah, there you go, she's taken it off, 713 00:35:29,560 --> 00:35:33,399 Speaker 3: taken off Plucker's costume. So okay, good and bad news. 714 00:35:33,600 --> 00:35:35,200 Speaker 2: Okay, start with the bad news. 715 00:35:35,800 --> 00:35:36,680 Speaker 3: You've dropped a spot. 716 00:35:36,960 --> 00:35:38,200 Speaker 2: Have I from last year? 717 00:35:38,360 --> 00:35:41,120 Speaker 3: You were thirty seven last year you are now thirty eight. 718 00:35:41,440 --> 00:35:47,360 Speaker 3: That's so sandwiched between Valeria and the blonde Brisbane. 719 00:35:47,040 --> 00:35:50,360 Speaker 1: Beauty Zoe Creed, who is the new Miss Universe Australia. 720 00:35:50,400 --> 00:35:52,879 Speaker 1: So that's why she is Miss Universe is very. 721 00:35:52,840 --> 00:35:54,359 Speaker 3: Happy there you are a number thirty eight. 722 00:35:54,480 --> 00:35:56,480 Speaker 2: What photos they used? Which Bikinia am I in? 723 00:35:57,600 --> 00:35:57,719 Speaker 17: Oh? 724 00:35:57,800 --> 00:36:00,320 Speaker 3: They've used me as the dolly, the dolly from the 725 00:36:00,400 --> 00:36:05,240 Speaker 3: Heads and the most shapeless ad and a moomoo dolly 726 00:36:05,320 --> 00:36:06,640 Speaker 3: in a moomoo That's brilliant. 727 00:36:06,800 --> 00:36:07,400 Speaker 12: I love that. 728 00:36:07,680 --> 00:36:11,160 Speaker 3: The better half of WSFM show Jonesy. Demanda legend Ak 729 00:36:11,520 --> 00:36:15,400 Speaker 3: has captivated breakfast audiences for nearly two decades with her 730 00:36:15,560 --> 00:36:18,279 Speaker 3: hilarious wit while she keeps the laughs coming on her 731 00:36:18,360 --> 00:36:21,640 Speaker 3: Double a Chattery podcast Buddy Aneda mcgre It's nice she'll 732 00:36:21,719 --> 00:36:23,720 Speaker 3: soon reunite with doctor Chris Brett. 733 00:36:23,960 --> 00:36:27,160 Speaker 1: Can we mention any other people once in a lifetime? 734 00:36:27,160 --> 00:36:29,680 Speaker 3: Blah blah blah, all this and she still managed to 735 00:36:29,719 --> 00:36:33,040 Speaker 3: carry the load for Jonesy all these years. You're a 736 00:36:33,160 --> 00:36:35,040 Speaker 3: real life action figure, missus Keller. 737 00:36:35,239 --> 00:36:38,080 Speaker 2: Oh that's lovely, Thank you, Maxim, And I'm glad you 738 00:36:38,200 --> 00:36:39,440 Speaker 2: used the photo of me as a dolly. 739 00:36:39,520 --> 00:36:42,040 Speaker 3: That is perfect carry the load for Jonesy. 740 00:36:43,280 --> 00:36:45,520 Speaker 2: You know they just say it as they see someone's 741 00:36:45,560 --> 00:36:48,440 Speaker 2: going to do the research. Well, thank you, Maxim. I 742 00:36:48,520 --> 00:36:49,080 Speaker 2: appreciate it. 743 00:36:49,480 --> 00:36:51,680 Speaker 1: It's three to eight now, that now underpressed. 744 00:36:51,760 --> 00:36:53,719 Speaker 2: That can be put to bed now. It's all over 745 00:36:53,920 --> 00:36:56,000 Speaker 2: now now, so you've got no reason to flick through 746 00:36:56,040 --> 00:36:57,000 Speaker 2: it again for the next hour. 747 00:36:57,080 --> 00:36:59,080 Speaker 3: I won't be able to watch the best and worst 748 00:36:59,160 --> 00:37:02,359 Speaker 3: of red faces that lucker. 749 00:37:02,400 --> 00:37:03,880 Speaker 2: You'll think what's underneath the costume? 750 00:37:04,440 --> 00:37:05,120 Speaker 1: Pure thoughts? 751 00:37:05,840 --> 00:37:09,000 Speaker 2: Can you afford the bill Jasis? 752 00:37:09,719 --> 00:37:13,440 Speaker 7: When God I wanted to get on right now. 753 00:37:15,600 --> 00:37:18,040 Speaker 15: Go to your windows, stick your. 754 00:37:17,960 --> 00:37:18,960 Speaker 7: Head on a yell. 755 00:37:24,200 --> 00:37:26,839 Speaker 3: The pub test today. Joint bank accounts do they pass 756 00:37:26,920 --> 00:37:28,480 Speaker 3: the pub test? This was from a tweet. 757 00:37:29,000 --> 00:37:31,759 Speaker 2: Yeah, it's crazy watching people debate whether they'll split bills 758 00:37:31,800 --> 00:37:34,560 Speaker 2: fifty to fifty when they're married or split proportional to income. 759 00:37:34,800 --> 00:37:36,840 Speaker 2: Don't people share accounts anymore? I've been looking at the 760 00:37:37,480 --> 00:37:41,399 Speaker 2: of their stats. According to two surveys by Australian banks, 761 00:37:41,400 --> 00:37:44,600 Speaker 2: the number of couples that joint bank accounts is declining 762 00:37:45,200 --> 00:37:48,520 Speaker 2: and depending on your age, as you get younger, less 763 00:37:48,640 --> 00:37:51,000 Speaker 2: people have joint bank accounts, even if they're married and 764 00:37:51,080 --> 00:37:54,319 Speaker 2: inter facto relationships. So we're asking you the question, joint 765 00:37:54,360 --> 00:37:56,000 Speaker 2: bank accounts, do they pass the pub test? 766 00:37:56,600 --> 00:37:59,600 Speaker 12: Yestagh, I do all the finances and we never fired 767 00:37:59,600 --> 00:38:02,480 Speaker 12: about but we do have our own lital. 768 00:38:02,320 --> 00:38:05,959 Speaker 14: Bank accounts to in the old days probably perfect because 769 00:38:05,960 --> 00:38:10,040 Speaker 14: we're at secret more affordable marriage stayed longer. I think 770 00:38:10,200 --> 00:38:13,400 Speaker 14: nowadays separate accounts to good. I'll follow that real myself, 771 00:38:13,560 --> 00:38:16,560 Speaker 14: So we split the bills h our money separately so 772 00:38:16,719 --> 00:38:19,759 Speaker 14: that our children will benefit correctly from ourselves, rather than 773 00:38:19,800 --> 00:38:21,200 Speaker 14: sort of split it up all out of the place. 774 00:38:21,480 --> 00:38:23,000 Speaker 7: Definitely doesn't pass a pub test. 775 00:38:23,080 --> 00:38:25,160 Speaker 18: It's bad enough that the Catholic Church and the government 776 00:38:25,239 --> 00:38:26,879 Speaker 18: forced me to sign a piece of paper to tell 777 00:38:26,920 --> 00:38:28,600 Speaker 18: me that I love someone. I hate to drop a 778 00:38:28,640 --> 00:38:30,480 Speaker 18: little secret, but all the men that have joint bank 779 00:38:30,520 --> 00:38:34,319 Speaker 18: accounts also have a sly bank account definitely doesn't pass 780 00:38:34,360 --> 00:38:34,839 Speaker 18: a pub test. 781 00:38:34,880 --> 00:38:37,600 Speaker 7: So I don't lose my anonymity when I get married 782 00:38:37,640 --> 00:38:38,920 Speaker 7: to someone. Now it doesn't. 783 00:38:38,960 --> 00:38:41,960 Speaker 2: I've been in a relationship for twenty seven years engaged, 784 00:38:42,680 --> 00:38:46,880 Speaker 2: and no, he spends so much money and I'm a budgeter. 785 00:38:47,239 --> 00:38:48,880 Speaker 15: No way in the world for me. 786 00:38:49,320 --> 00:38:52,040 Speaker 10: But other people can have their opinions what they want 787 00:38:52,080 --> 00:38:52,200 Speaker 10: to do. 788 00:38:53,400 --> 00:38:55,800 Speaker 14: I've we had separate accounts, and it's just sort of 789 00:38:55,880 --> 00:38:58,480 Speaker 14: gets it that way, you know, it's sort of up equal. 790 00:38:58,239 --> 00:38:59,160 Speaker 15: Before we play for you. 791 00:38:59,280 --> 00:39:02,200 Speaker 12: And there I saw the rule money with her money 792 00:39:02,200 --> 00:39:03,279 Speaker 12: and my money is our money. 793 00:39:03,840 --> 00:39:06,000 Speaker 1: There you go, I've just got my dollar mine account. 794 00:39:06,200 --> 00:39:07,919 Speaker 2: Well, this was I guess in the old days, where 795 00:39:08,000 --> 00:39:10,600 Speaker 2: the man would dish out the pin money for the lady, 796 00:39:10,640 --> 00:39:12,239 Speaker 2: and now the people are earning their own money. 797 00:39:12,600 --> 00:39:13,720 Speaker 3: I saw something pretty. 798 00:39:13,880 --> 00:39:14,800 Speaker 2: I saw something pretty. 799 00:39:15,480 --> 00:39:16,640 Speaker 3: Thank you for all your calls. 800 00:39:17,280 --> 00:39:25,080 Speaker 2: Jon the Man Sam podcast. Well, it's possibly one of 801 00:39:25,120 --> 00:39:28,440 Speaker 2: the biggest musicals in the world. Hamilton has taken the 802 00:39:28,520 --> 00:39:31,520 Speaker 2: world by storm, selling out night after night London, New 803 00:39:31,600 --> 00:39:34,120 Speaker 2: York and now of course in Sydney, cleaning up a 804 00:39:34,200 --> 00:39:36,560 Speaker 2: ward after a Water along the Way. Starring in the 805 00:39:36,600 --> 00:39:39,800 Speaker 2: Australian run is the super talented Guri Knocks in the 806 00:39:39,960 --> 00:39:43,560 Speaker 2: role of George Washington, one of the big lead roles. Huri, Hello, 807 00:39:45,000 --> 00:39:47,080 Speaker 2: how did you get this role? Did you know of 808 00:39:47,160 --> 00:39:50,440 Speaker 2: the did you know of the musical? How did the 809 00:39:50,480 --> 00:39:51,440 Speaker 2: process happen for you? 810 00:39:52,120 --> 00:39:52,160 Speaker 17: So? 811 00:39:52,640 --> 00:39:55,480 Speaker 2: I had tried out for the year, even it was 812 00:39:56,239 --> 00:39:57,280 Speaker 2: for the previous income. 813 00:39:57,440 --> 00:39:58,000 Speaker 3: Yeah, yeah, the. 814 00:39:58,040 --> 00:40:01,120 Speaker 16: Bo so like just before they went on tour around 815 00:40:01,160 --> 00:40:04,040 Speaker 16: the world and I missed that one. I guess they 816 00:40:04,080 --> 00:40:05,800 Speaker 16: had their eye on me. Yeah, they just they just 817 00:40:05,920 --> 00:40:08,359 Speaker 16: kept me on their mind and come back around again 818 00:40:08,400 --> 00:40:09,920 Speaker 16: and try it for it. But they gave me a 819 00:40:09,960 --> 00:40:12,719 Speaker 16: bigger role because I tried up for Madison Mulligan, which 820 00:40:12,800 --> 00:40:15,920 Speaker 16: is one of the sons of lib and I expected 821 00:40:16,000 --> 00:40:18,040 Speaker 16: to be called back for that one. When I come 822 00:40:18,120 --> 00:40:21,040 Speaker 16: back to try again and they called me for George Washington, 823 00:40:21,200 --> 00:40:23,279 Speaker 16: was okay, he's got the big numb I've heard of him. 824 00:40:24,120 --> 00:40:26,799 Speaker 3: He's got big numbers. Did you know a lot about 825 00:40:26,840 --> 00:40:29,240 Speaker 3: George Washington, Not really. 826 00:40:29,280 --> 00:40:31,280 Speaker 16: I knew he was the first one. Yeah, I started 827 00:40:31,320 --> 00:40:34,200 Speaker 16: reading his book. He was an interesting fellaw, yeah, he 828 00:40:34,360 --> 00:40:35,200 Speaker 16: was an interesting guy. 829 00:40:35,280 --> 00:40:37,680 Speaker 3: I got to admit, all I know about Georgie Washington's 830 00:40:37,680 --> 00:40:39,520 Speaker 3: pupping down a tree that's the cherry tree. 831 00:40:39,560 --> 00:40:41,440 Speaker 2: And then he also had wooden teeth, is all. And 832 00:40:41,520 --> 00:40:44,080 Speaker 2: I don't even know is that true? Yeah, I wouldn't 833 00:40:44,120 --> 00:40:46,800 Speaker 2: know it. You can use that anytime you like. 834 00:40:48,120 --> 00:40:50,440 Speaker 3: Don't encourage your place. This is just a man as 835 00:40:50,520 --> 00:40:51,080 Speaker 3: pun humor. 836 00:40:51,239 --> 00:40:55,000 Speaker 2: But this is also your first role in a musical, 837 00:40:55,040 --> 00:40:57,680 Speaker 2: which takes so much, this one in particular, all the 838 00:40:57,800 --> 00:41:01,160 Speaker 2: stamina that it takes. Is it what you thought it 839 00:41:01,200 --> 00:41:01,520 Speaker 2: would be? 840 00:41:02,040 --> 00:41:06,520 Speaker 16: It's it's yeah, and it's everything I expected and more. Honestly, 841 00:41:06,760 --> 00:41:10,280 Speaker 16: I've never been feel I feel really kind of content, 842 00:41:10,440 --> 00:41:13,640 Speaker 16: you know, because you work hard enough, sing the big songs, 843 00:41:13,800 --> 00:41:17,040 Speaker 16: and everyone's so cool. Everyone's so cool in the cinema, 844 00:41:17,120 --> 00:41:20,000 Speaker 16: and then go outside there's some fans waiting around, and 845 00:41:20,160 --> 00:41:21,719 Speaker 16: I mean, I'm just a small town country boy. 846 00:41:21,800 --> 00:41:25,600 Speaker 3: So this is big for me. When you look at 847 00:41:25,640 --> 00:41:29,160 Speaker 3: it at first, nations person playing George Washington, Well, so 848 00:41:29,280 --> 00:41:31,319 Speaker 3: you think that's a big deal, that's all right. 849 00:41:33,239 --> 00:41:36,480 Speaker 2: You also come from a very musical family. Your grandfather, 850 00:41:36,680 --> 00:41:39,480 Speaker 2: Roger Knox, was known as Australia's Black Elvis, the Curer, 851 00:41:39,560 --> 00:41:42,640 Speaker 2: King of Country. Your grandmother or Andrew, she was also 852 00:41:43,080 --> 00:41:44,000 Speaker 2: a country performer. 853 00:41:44,200 --> 00:41:44,399 Speaker 5: Yeah. 854 00:41:44,680 --> 00:41:48,239 Speaker 16: Yeah, she was first average woman on television. My grandfather 855 00:41:48,800 --> 00:41:51,120 Speaker 16: traveled the world. My nan she did all this stuff. 856 00:41:51,160 --> 00:41:57,520 Speaker 16: But all that entertaining and the stuff that requires, you know, 857 00:41:57,640 --> 00:42:00,319 Speaker 16: what is required for musicals. I'd say that comes from Nana. 858 00:42:00,960 --> 00:42:02,800 Speaker 16: None was the one where this type of side of 859 00:42:02,960 --> 00:42:09,200 Speaker 16: things came from the stagecraft in terms of musical and theatrics. 860 00:42:09,480 --> 00:42:12,239 Speaker 3: That's that's from None side. From my mom's side, I 861 00:42:12,280 --> 00:42:15,040 Speaker 3: should say, from your point of view playing your character, 862 00:42:15,120 --> 00:42:17,920 Speaker 3: there's a lot of dialogue. You've got a lot of dialogue, 863 00:42:17,920 --> 00:42:20,000 Speaker 3: and like you know, in the whole all of Hamilton. 864 00:42:20,080 --> 00:42:21,960 Speaker 3: I was when I saw it when it came out. 865 00:42:22,000 --> 00:42:25,200 Speaker 3: He just I think it was mid pandemic and had 866 00:42:25,239 --> 00:42:28,360 Speaker 3: a largely American cast first time around. Yeah, but I 867 00:42:28,480 --> 00:42:30,160 Speaker 3: just couldn't get over the dialogue. How the hell do 868 00:42:30,239 --> 00:42:33,040 Speaker 3: you remember all that great effort? 869 00:42:34,760 --> 00:42:39,320 Speaker 16: Great effort, and I mean also being a musician, like 870 00:42:39,440 --> 00:42:41,600 Speaker 16: you've got so many songs in your mind anyway. 871 00:42:41,680 --> 00:42:44,000 Speaker 3: So it's a skill that you develop over time as well. Yeah, 872 00:42:44,040 --> 00:42:45,800 Speaker 3: because I look at Barnsy. I was watching cultures or 873 00:42:45,840 --> 00:42:48,640 Speaker 3: perform and I've been watching cultures for a thousand years 874 00:42:49,239 --> 00:42:52,320 Speaker 3: and they just get better and better. But I was 875 00:42:53,080 --> 00:42:56,840 Speaker 3: watching Barnsey just performing. How does he remember all these songs? 876 00:42:56,880 --> 00:42:56,920 Speaker 7: Like? 877 00:42:57,040 --> 00:42:58,440 Speaker 1: How does how does he do it? 878 00:42:58,560 --> 00:42:59,360 Speaker 3: I have no idea. 879 00:43:00,360 --> 00:43:02,560 Speaker 16: I've always said I wish I was in that era. 880 00:43:02,960 --> 00:43:06,439 Speaker 16: I wish I could have watched them perform at their pick. 881 00:43:06,480 --> 00:43:07,560 Speaker 16: They would have been the best. 882 00:43:08,400 --> 00:43:10,040 Speaker 2: Yeah, so you're a Chisel fan. 883 00:43:10,360 --> 00:43:13,320 Speaker 3: Only only new fan. Yeah. We didn't grow up listening 884 00:43:13,360 --> 00:43:13,960 Speaker 3: to them at home. 885 00:43:14,160 --> 00:43:14,560 Speaker 1: Well, you know. 886 00:43:14,719 --> 00:43:17,399 Speaker 3: And for me, I got into Colaches in nineteen ninety 887 00:43:17,800 --> 00:43:21,360 Speaker 3: when I started in commercial radio because and by that stage, 888 00:43:21,400 --> 00:43:25,000 Speaker 3: Coaches have been broken up for about six years, and 889 00:43:25,520 --> 00:43:27,880 Speaker 3: but commercial radio loved them all of a sudden, they 890 00:43:27,880 --> 00:43:30,120 Speaker 3: went crazy and started just playing them a lot. So 891 00:43:30,239 --> 00:43:32,799 Speaker 3: I really missed the boat on Cold Chizzle. And then 892 00:43:32,880 --> 00:43:34,520 Speaker 3: I got into them because I was playing them every 893 00:43:34,600 --> 00:43:38,360 Speaker 3: half hour on the radio. So the songs like Forever 894 00:43:38,480 --> 00:43:41,560 Speaker 3: Now or Flame Trees, they all they all got a 895 00:43:41,640 --> 00:43:44,520 Speaker 3: new they got a new audience from people like me. 896 00:43:44,640 --> 00:43:47,479 Speaker 3: And then again with yourself and people. 897 00:43:47,719 --> 00:43:50,200 Speaker 2: I took it up later because I love the poetry. 898 00:43:50,440 --> 00:43:52,520 Speaker 2: The Don Walker lyrics are just so beautiful. 899 00:43:52,800 --> 00:43:55,960 Speaker 3: But you know forever now that that particular song just 900 00:43:56,360 --> 00:43:58,000 Speaker 3: the more I listened to it, And that was originally 901 00:43:58,040 --> 00:44:00,399 Speaker 3: written by Steve Press which the drama of the who 902 00:44:00,640 --> 00:44:04,040 Speaker 3: passed away in twenty eleven, but he was that song, 903 00:44:04,160 --> 00:44:06,560 Speaker 3: you know, just you know, taking a seat at the bar, 904 00:44:06,719 --> 00:44:08,480 Speaker 3: you don't talk to you know, the lyrics of that 905 00:44:08,600 --> 00:44:12,400 Speaker 3: they just become It's It's just it's so simple. 906 00:44:12,440 --> 00:44:16,080 Speaker 16: It's two separate verses of a of a couple and 907 00:44:17,160 --> 00:44:19,760 Speaker 16: simply written, but the imagery is just striking. 908 00:44:19,960 --> 00:44:23,239 Speaker 1: Yeah, you know, yeah, I regoon you play it? Where's 909 00:44:23,239 --> 00:44:24,680 Speaker 1: you play forever now? Once you get it on? 910 00:44:24,840 --> 00:44:27,160 Speaker 3: Whece you get it on? I mean I could, well 911 00:44:27,280 --> 00:44:28,640 Speaker 3: you could play it, I reckon, I could have a 912 00:44:28,680 --> 00:44:29,200 Speaker 3: little hit. 913 00:44:29,920 --> 00:44:32,800 Speaker 2: I'd love that. I'd love that. Well, he's going to 914 00:44:32,840 --> 00:44:34,239 Speaker 2: play it, but I'm going to be in charge of 915 00:44:34,239 --> 00:44:34,839 Speaker 2: the radio station. 916 00:44:36,040 --> 00:44:37,840 Speaker 1: Well, okay, we need what do you need for this? 917 00:44:38,480 --> 00:44:39,200 Speaker 3: Couple of guitars? 918 00:44:39,600 --> 00:44:42,600 Speaker 1: Two guitars. Well, you've got an drage all in the green. 919 00:44:42,480 --> 00:44:45,880 Speaker 3: Room and the real comfortable Let's let's bring them out. Okay, Well, 920 00:44:45,960 --> 00:44:48,120 Speaker 3: let's we'll take a break, we'll get some ads on 921 00:44:48,760 --> 00:44:51,000 Speaker 3: and then we'll set up and you'll play forever now. 922 00:44:51,480 --> 00:44:52,800 Speaker 2: Yeah, well I'd love that. 923 00:44:53,040 --> 00:44:57,839 Speaker 1: Okay, let's still agree it's spontaneous. What's happening. I will 924 00:44:57,880 --> 00:44:58,719 Speaker 1: do that next. 925 00:45:01,000 --> 00:45:03,759 Speaker 5: Jonesy and Amanda in the morning one oh one point 926 00:45:03,840 --> 00:45:05,320 Speaker 5: seven WSFM. 927 00:45:06,000 --> 00:45:08,760 Speaker 3: You know what I love about radio, the instantaneous nature 928 00:45:08,920 --> 00:45:12,360 Speaker 3: of radio. We've just got Goury Knox in. He's playing 929 00:45:12,400 --> 00:45:15,640 Speaker 3: George Washington in Hamilton, which is playing in Sydney, and 930 00:45:15,719 --> 00:45:17,759 Speaker 3: we're just talking about the Cold Chisel and how great 931 00:45:17,800 --> 00:45:20,359 Speaker 3: we love Cold Chisel in particularly the song Forever Now. 932 00:45:20,680 --> 00:45:24,040 Speaker 1: Then Gury said I could play that song and yeah. 933 00:45:24,000 --> 00:45:27,200 Speaker 2: And so we've got Cookie in here, High Cookie. He's 934 00:45:27,200 --> 00:45:27,680 Speaker 2: got a guitar. 935 00:45:27,800 --> 00:45:28,000 Speaker 18: Cook. 936 00:45:28,000 --> 00:45:30,000 Speaker 3: He's part of the entourage in case he has to 937 00:45:30,200 --> 00:45:34,680 Speaker 3: break into a spontaneous version of Forever Now. As we 938 00:45:34,760 --> 00:45:36,239 Speaker 3: say in the business, Amanda, what do we say in 939 00:45:36,280 --> 00:45:36,640 Speaker 3: the business. 940 00:45:36,719 --> 00:45:39,160 Speaker 2: I'm not sure what do we say? I promise delivered 941 00:45:39,160 --> 00:45:40,320 Speaker 2: as a promise something. 942 00:45:40,120 --> 00:45:42,200 Speaker 3: Around that promise made is a promise to I was 943 00:45:42,239 --> 00:45:44,440 Speaker 3: close enough. Okay. The boys have just been doing a 944 00:45:44,440 --> 00:45:46,440 Speaker 3: little bit of tune up during the ad break, I 945 00:45:46,640 --> 00:45:49,880 Speaker 3: give you right now, Gury and Cookie forever. 946 00:45:49,760 --> 00:46:09,000 Speaker 19: Now taking a seat at the park. She don't talk 947 00:46:09,160 --> 00:46:16,160 Speaker 19: to me anyone. I ain't even some from Afar. But 948 00:46:16,360 --> 00:46:24,760 Speaker 19: she don't know ety one. She thinks of her past time. 949 00:46:26,120 --> 00:46:29,800 Speaker 19: There's no one she leaves behind you. You could change 950 00:46:30,080 --> 00:46:30,720 Speaker 19: your mind. 951 00:46:34,440 --> 00:46:42,720 Speaker 6: Stad It's gonna be forever, Stid, It's gonna be forever, Stid, 952 00:46:42,840 --> 00:46:51,759 Speaker 6: It's gonna be forever now, oh laughs, Loliness, rap it, 953 00:46:52,040 --> 00:46:53,960 Speaker 6: I've been some tender nest. 954 00:46:55,120 --> 00:46:58,680 Speaker 2: Send it after some emptiness. 955 00:46:59,480 --> 00:47:05,360 Speaker 3: With all, oh mountain love. It's on you and me. 956 00:47:06,800 --> 00:47:12,160 Speaker 6: There'll been nothing we need to see. Only one thinking, 957 00:47:12,440 --> 00:47:34,440 Speaker 6: said Geoffrey's old mountain love. Thinking his way down the stairs, 958 00:47:34,840 --> 00:47:40,800 Speaker 6: he can't help but looking back, he thinks of the 959 00:47:41,000 --> 00:47:45,320 Speaker 6: things that they shared. There'll be no more turning back. 960 00:47:48,640 --> 00:47:53,080 Speaker 6: He thinks of the days a man The word was 961 00:47:53,200 --> 00:48:00,920 Speaker 6: that he said love. He just can't forget. This is 962 00:48:01,000 --> 00:48:05,520 Speaker 6: the way it's gonna be forever. This the way it's 963 00:48:05,600 --> 00:48:11,640 Speaker 6: gonna be forever. Tell me if we always be foreven now? 964 00:48:14,320 --> 00:48:18,120 Speaker 6: Who laughs, Loliness, wrap it. 965 00:48:18,360 --> 00:48:24,120 Speaker 8: Up with some tenderness, setting it up with some happy ness, 966 00:48:25,760 --> 00:48:31,560 Speaker 8: with all my love, it's only cuny. 967 00:48:33,040 --> 00:48:38,360 Speaker 6: There'll been nothing we need to see. Only one thinking, 968 00:48:38,640 --> 00:48:47,839 Speaker 6: said Geoffrey. It's all my love, only one thinking, said Jefrey. 969 00:48:49,200 --> 00:48:50,840 Speaker 3: It's all man love. 970 00:48:52,760 --> 00:49:30,120 Speaker 1: Up there, all right. That just happened forever now. 971 00:49:31,200 --> 00:49:34,080 Speaker 2: Crowd outside the studio here, whoa. 972 00:49:36,680 --> 00:49:38,920 Speaker 1: I've never seen anyone up on this floor before in 973 00:49:39,080 --> 00:49:39,600 Speaker 1: my life. 974 00:49:39,640 --> 00:49:40,880 Speaker 2: I look at them all, who've come? 975 00:49:41,800 --> 00:49:43,800 Speaker 1: It has to be Cookie, you know. 976 00:49:44,040 --> 00:49:46,560 Speaker 2: I've heard that so many times and I've never really 977 00:49:46,760 --> 00:49:49,920 Speaker 2: listened to the lyrics. That was so beautiful there it is. Oh, 978 00:49:50,080 --> 00:49:51,000 Speaker 2: that was gorgeous. 979 00:49:51,120 --> 00:49:53,960 Speaker 1: Thank you for doing that is when you make no indeed. 980 00:49:53,840 --> 00:49:58,440 Speaker 2: That's right. I look forward to seeing you on Sunday 981 00:49:58,640 --> 00:50:00,840 Speaker 2: night in Hamilton. Thank you, thank you so much. That 982 00:50:00,960 --> 00:50:01,880 Speaker 2: was absolutely beautiful. 983 00:50:01,880 --> 00:50:02,960 Speaker 3: Make sure you tell me where you see. 984 00:50:05,440 --> 00:50:05,960 Speaker 1: You've just got to. 985 00:50:06,000 --> 00:50:10,080 Speaker 3: Focus on Participati have for tickets to see Hamilton. Head 986 00:50:10,120 --> 00:50:13,160 Speaker 3: to Hamilton Musical dot com. A you Greenkox, thank you 987 00:50:13,200 --> 00:50:15,359 Speaker 3: for joining us. Cookie, thank you for coming in as well. 988 00:50:16,280 --> 00:50:19,040 Speaker 5: Jonesy and Amanda podcast. 989 00:50:21,880 --> 00:50:24,000 Speaker 3: Today's going to be a great beautiful. 990 00:50:26,080 --> 00:50:31,799 Speaker 1: For you to say, it is an extraordinary day. 991 00:50:31,920 --> 00:50:35,239 Speaker 3: Amanda came in at number thirty eight in Maxim's Hot 992 00:50:35,280 --> 00:50:38,400 Speaker 3: one hundred. You're down from thirty seven last year. But 993 00:50:38,920 --> 00:50:42,080 Speaker 3: you've been beaten by a Miss Universe Australia contestant. 994 00:50:42,120 --> 00:50:42,680 Speaker 2: No I beat her. 995 00:50:42,760 --> 00:50:45,920 Speaker 1: You said she bested you, but really she at the 996 00:50:46,040 --> 00:50:46,640 Speaker 1: end of the day. 997 00:50:46,680 --> 00:50:48,200 Speaker 2: I'm going to have a scrag fight with her in 998 00:50:48,239 --> 00:50:51,040 Speaker 2: the toilets, I think, really at the end of the day, 999 00:50:51,640 --> 00:50:52,800 Speaker 2: in the end of the platatude do it. 1000 00:50:53,520 --> 00:50:56,400 Speaker 1: At the end of the day, you have made us 1001 00:50:56,600 --> 00:51:00,680 Speaker 1: all proud. You made this old builder very proud. Put 1002 00:51:00,719 --> 00:51:01,479 Speaker 1: on you friend. 1003 00:51:01,640 --> 00:51:03,480 Speaker 2: We say, there's that, there's that, And we have a 1004 00:51:03,560 --> 00:51:06,200 Speaker 2: very exciting announcement about what's going to be happening on Monday. 1005 00:51:07,440 --> 00:51:10,160 Speaker 2: Every single person who makes it to air on Monday 1006 00:51:10,360 --> 00:51:13,759 Speaker 2: is going to get five hundred dollars cash thanks to 1007 00:51:13,840 --> 00:51:15,440 Speaker 2: Channel ten's Dessert Masters. 1008 00:51:15,560 --> 00:51:18,120 Speaker 1: Everyone's a winner, Everyone's. 1009 00:51:17,719 --> 00:51:19,960 Speaker 2: A winter on Monday, five hundred bucks cash to every 1010 00:51:20,080 --> 00:51:21,200 Speaker 2: caller that makes it to air. 1011 00:51:21,960 --> 00:51:23,160 Speaker 1: You know what are we doing? 1012 00:51:23,719 --> 00:51:25,399 Speaker 3: Come on, They've got. 1013 00:51:25,320 --> 00:51:28,160 Speaker 2: Some interesting stuff on that show. The Vegemite dessert is here. 1014 00:51:28,160 --> 00:51:30,719 Speaker 2: Who's going to take this Ossie icon to the next level? 1015 00:51:30,760 --> 00:51:33,319 Speaker 2: Dessert Masters seven thirty Monday on ten and ten. 1016 00:51:33,960 --> 00:51:36,200 Speaker 1: I can't believe it's not cake when you cut into it. 1017 00:51:36,880 --> 00:51:37,400 Speaker 3: You know what I mean. 1018 00:51:37,520 --> 00:51:39,000 Speaker 2: Look, I believe it's not vegemite. 1019 00:51:39,719 --> 00:51:42,719 Speaker 3: You know, it looks like anyway they've added vegemi to 1020 00:51:43,600 --> 00:51:45,920 Speaker 3: the dessert. Looks like vegemite. 1021 00:51:46,000 --> 00:51:49,320 Speaker 1: Oh you know those things where you came in like 1022 00:51:49,400 --> 00:51:50,120 Speaker 1: at Chihuahua and. 1023 00:51:50,120 --> 00:51:51,879 Speaker 2: People cut into their own arm cake. 1024 00:51:51,960 --> 00:51:53,640 Speaker 1: I mean, oh bugger, I'm actually cut into my own 1025 00:51:53,719 --> 00:51:54,400 Speaker 1: arm because it's. 1026 00:51:54,280 --> 00:51:56,760 Speaker 2: Not cake and I didn't make any Look, don't be confused. 1027 00:51:56,840 --> 00:51:59,279 Speaker 2: Five hundred dollars cash to every caller on Monday thanks 1028 00:51:59,320 --> 00:52:01,040 Speaker 2: a Dessert Master Jones. 1029 00:52:02,719 --> 00:52:03,160 Speaker 3: Podcast. 1030 00:52:11,200 --> 00:52:13,720 Speaker 2: In about five weeks time, we'll be giving away twenty 1031 00:52:14,080 --> 00:52:16,920 Speaker 2: thousand dollars for our favorite goolie of the year. This 1032 00:52:17,040 --> 00:52:19,359 Speaker 2: is thanks to hear Informs machinery House. Your one stop 1033 00:52:19,400 --> 00:52:21,600 Speaker 2: machinery shop is a machinery house dot com. 1034 00:52:21,640 --> 00:52:22,960 Speaker 1: Do au what have we got today? 1035 00:52:23,719 --> 00:52:26,200 Speaker 11: So it turns out, Brandon Jonesy Jones, the thing that 1036 00:52:26,320 --> 00:52:29,840 Speaker 11: gets my gulies is you. I have a long commute 1037 00:52:29,880 --> 00:52:32,280 Speaker 11: to work, so my routine is to have a lovely 1038 00:52:32,400 --> 00:52:35,160 Speaker 11: relaxing shower, throw on the work gear, and switch on 1039 00:52:35,360 --> 00:52:38,960 Speaker 11: WSFM to drive to work. Earlier this year, while I 1040 00:52:39,080 --> 00:52:42,239 Speaker 11: was listening to the show, you introduced the concept of 1041 00:52:42,719 --> 00:52:47,000 Speaker 11: waffle stompers. You know what I'm talking about, completely ruined 1042 00:52:47,120 --> 00:52:50,759 Speaker 11: my shower routine. What gets my goalies, Brandon is you? 1043 00:52:51,280 --> 00:52:52,719 Speaker 1: You know that's not even me, that's you. 1044 00:52:53,320 --> 00:52:55,960 Speaker 2: I confess that was me, But you now have to 1045 00:52:56,040 --> 00:52:57,160 Speaker 2: explain what a waffle stomping. 1046 00:52:57,160 --> 00:53:00,399 Speaker 3: Now I'm not explaining, you have will be wondering what's 1047 00:53:00,440 --> 00:53:01,040 Speaker 3: Google's for it? 1048 00:53:01,520 --> 00:53:04,120 Speaker 2: Don't google it, don't google it, It's where nowhere? 1049 00:53:04,280 --> 00:53:08,319 Speaker 3: Stop Stop, it's gone to your head since you got 1050 00:53:08,360 --> 00:53:09,920 Speaker 3: to Maxim's top one hundred. 1051 00:53:11,400 --> 00:53:13,800 Speaker 2: Make you don't have pictured me waffle stopping even. 1052 00:53:13,680 --> 00:53:17,240 Speaker 3: Though you've dropped and your standard even though you've dropped me, Randon, 1053 00:53:17,480 --> 00:53:17,840 Speaker 3: thank you? 1054 00:53:18,080 --> 00:53:18,799 Speaker 1: What else we've got? 1055 00:53:19,760 --> 00:53:23,200 Speaker 17: Hi, Jonesy and Amanda. What gets my ghoulie is when 1056 00:53:23,280 --> 00:53:27,560 Speaker 17: it uber Eats drops off your delivery and instead of 1057 00:53:27,600 --> 00:53:29,719 Speaker 17: bringing it to the front door, they either put it 1058 00:53:29,840 --> 00:53:33,400 Speaker 17: on your garbage bin, put it behind your vehicle in 1059 00:53:33,480 --> 00:53:38,080 Speaker 17: the driveway, or like they did with Owls, they stuck 1060 00:53:38,160 --> 00:53:40,359 Speaker 17: it on a tree stump in the middle of our 1061 00:53:40,480 --> 00:53:44,000 Speaker 17: front yard and took a photo proudly saying they delivered 1062 00:53:44,040 --> 00:53:44,560 Speaker 17: it early. 1063 00:53:45,840 --> 00:53:49,040 Speaker 3: Come on, I do like it though, when usman delivers 1064 00:53:49,080 --> 00:53:49,960 Speaker 3: the goodsman. 1065 00:53:49,680 --> 00:53:54,960 Speaker 2: That happened once on about It usman with the Gouzman. 1066 00:53:57,360 --> 00:53:59,960 Speaker 2: Well that gets my goolies. It'll be back again on Monday. 1067 00:54:00,280 --> 00:54:01,400 Speaker 3: Out with a bat, him with the good. If you 1068 00:54:01,440 --> 00:54:04,000 Speaker 3: dipped in contact us via the iHeartRadio app. The week 1069 00:54:04,280 --> 00:54:06,319 Speaker 3: was jim Why Rise, Jimmy Jabber is coming up next, 1070 00:54:07,120 --> 00:54:12,880 Speaker 3: Amanda gem Notion Podcast WSFM. Hello, there's Jenesy Demanda. You 1071 00:54:12,920 --> 00:54:15,759 Speaker 3: know Jimmy Rye has been working harder than me researching 1072 00:54:15,920 --> 00:54:18,400 Speaker 3: Maxim's Hot one hundred to find out where you fared? 1073 00:54:18,560 --> 00:54:21,279 Speaker 2: Can you put it aside? Now you've already worked out 1074 00:54:21,280 --> 00:54:22,360 Speaker 2: where I rated. 1075 00:54:22,480 --> 00:54:26,319 Speaker 3: Now stop you've dropped a little bit, but you were 1076 00:54:26,360 --> 00:54:29,440 Speaker 3: beaten by a miss universe, so that's fair enough. 1077 00:54:29,880 --> 00:54:30,520 Speaker 2: Stop looking. 1078 00:54:30,680 --> 00:54:34,320 Speaker 3: And you've been sandwiched for a woman that seems to 1079 00:54:34,400 --> 00:54:36,760 Speaker 3: me on the internet. Where's the pluck a duck costume 1080 00:54:36,960 --> 00:54:41,160 Speaker 3: in a spare time? But there you are and number 1081 00:54:41,239 --> 00:54:44,239 Speaker 3: thirty eight and he's come up with this, jen White 1082 00:54:44,400 --> 00:54:45,680 Speaker 3: Rise Jimmy Jabber. 1083 00:54:48,680 --> 00:54:50,280 Speaker 2: Oh but I just made a Milo. 1084 00:54:51,520 --> 00:54:55,080 Speaker 13: The tribal drama was beating four tales of the guinea pig. 1085 00:54:55,680 --> 00:54:58,759 Speaker 13: Amanda started the ball rolling with her own story with 1086 00:54:58,960 --> 00:55:01,120 Speaker 13: the small rodent guinea pigs they're. 1087 00:55:00,960 --> 00:55:03,520 Speaker 2: Good pets, I guess, but they're ugly and they don't 1088 00:55:03,719 --> 00:55:06,080 Speaker 2: smell unless unless you're a guinea pig fan, and then 1089 00:55:06,120 --> 00:55:08,040 Speaker 2: you will disagree with all the things we're saying here. 1090 00:55:08,200 --> 00:55:11,040 Speaker 2: But mine once I kept it in like an old 1091 00:55:11,160 --> 00:55:13,560 Speaker 2: laundry basket, and I once picked it up and it 1092 00:55:13,640 --> 00:55:15,319 Speaker 2: dropped out of my arms and land on his back. 1093 00:55:15,360 --> 00:55:18,359 Speaker 2: And Mom said, well, if you can't walk, he will 1094 00:55:18,400 --> 00:55:19,480 Speaker 2: have to be destroyed. 1095 00:55:20,000 --> 00:55:22,320 Speaker 3: Oh great, So there's a lot of trauma. 1096 00:55:22,520 --> 00:55:23,200 Speaker 2: Luckily he got up. 1097 00:55:23,239 --> 00:55:24,000 Speaker 1: Went hola. 1098 00:55:26,000 --> 00:55:28,680 Speaker 13: News this week about a dude who had a brilliant 1099 00:55:28,719 --> 00:55:34,680 Speaker 13: idea of smuggling drugs into jail. He would insert them 1100 00:55:34,960 --> 00:55:39,319 Speaker 13: into his person, then get himself arrested, and then get 1101 00:55:39,400 --> 00:55:41,000 Speaker 13: himself thrown into jail. 1102 00:55:41,360 --> 00:55:45,160 Speaker 3: Brilliant a drug mule got himself arrested so he could 1103 00:55:45,200 --> 00:55:49,520 Speaker 3: go into prison so he could give the contraband to 1104 00:55:49,719 --> 00:55:52,520 Speaker 3: the kingpin that was in jail. What a weird story. 1105 00:55:52,800 --> 00:55:55,040 Speaker 2: This is like the old lady that swallowed the spider, 1106 00:55:55,120 --> 00:55:57,319 Speaker 2: that swallowed to fly, that swallowed the blah blah blah 1107 00:55:57,320 --> 00:55:57,759 Speaker 2: blah blah. 1108 00:55:58,080 --> 00:55:58,879 Speaker 3: Perhaps she'll die. 1109 00:55:59,080 --> 00:56:01,359 Speaker 2: Who knew she had you bee sticks in there as well? 1110 00:56:03,000 --> 00:56:04,239 Speaker 3: How does it all come out as it like a 1111 00:56:04,320 --> 00:56:05,360 Speaker 3: magician's streaker do. 1112 00:56:08,480 --> 00:56:09,160 Speaker 17: And of fun. 1113 00:56:10,600 --> 00:56:12,240 Speaker 2: The royal visit has finished. 1114 00:56:12,480 --> 00:56:15,200 Speaker 13: That's not to stop Jonesy banging on about what he 1115 00:56:15,239 --> 00:56:17,160 Speaker 13: would do if he was king. 1116 00:56:17,520 --> 00:56:19,600 Speaker 3: If you were a royal, you come out one of 1117 00:56:19,640 --> 00:56:21,799 Speaker 3: the colonies and you've got to do stuff, what would 1118 00:56:21,840 --> 00:56:24,320 Speaker 3: you make make a bee line for I love the 1119 00:56:24,400 --> 00:56:26,320 Speaker 3: idea of opening stuff in a little curtain and you 1120 00:56:26,440 --> 00:56:28,399 Speaker 3: pull that and then or the small talk. 1121 00:56:28,480 --> 00:56:30,279 Speaker 2: I don't think you'd be very good at the small talk. 1122 00:56:30,600 --> 00:56:32,960 Speaker 3: I don't do small talk. I do big talk. So 1123 00:56:33,840 --> 00:56:37,040 Speaker 3: if someone said to me, so, let's whole place, so 1124 00:56:37,160 --> 00:56:39,480 Speaker 3: you're living your thorpe, you come in shrieking at me. 1125 00:56:39,600 --> 00:56:42,000 Speaker 2: Yeah. If I say you've stolen. 1126 00:56:41,640 --> 00:56:43,400 Speaker 1: A lot of I'd say, you know what, You've got 1127 00:56:43,480 --> 00:56:44,240 Speaker 1: me banged rights? 1128 00:56:44,239 --> 00:56:46,080 Speaker 3: You're right, yep, and I'm sorry about that. 1129 00:56:46,239 --> 00:56:49,120 Speaker 2: What if someone said to you, I think you stink 1130 00:56:49,320 --> 00:56:52,000 Speaker 2: and you I like your first wife better. 1131 00:56:51,920 --> 00:56:55,960 Speaker 1: I'd say fair enough, But you know said, why are 1132 00:56:55,960 --> 00:56:56,760 Speaker 1: you going bald? 1133 00:57:00,600 --> 00:57:04,040 Speaker 2: Certain people don't. But if people say terrible things. 1134 00:57:03,920 --> 00:57:04,759 Speaker 1: That just you. 1135 00:57:06,719 --> 00:57:09,400 Speaker 13: Donald Trump is putting everything on the line to win 1136 00:57:09,520 --> 00:57:13,440 Speaker 13: this election, even golfing old fella Arnold Palmer's old fella 1137 00:57:13,640 --> 00:57:14,280 Speaker 13: on the line. 1138 00:57:14,440 --> 00:57:18,600 Speaker 2: Donald Trump has decided apropos of nothing to make these 1139 00:57:18,720 --> 00:57:21,560 Speaker 2: comments about the famous golfer Arnold Palmer. 1140 00:57:22,000 --> 00:57:26,000 Speaker 1: His man was strong and tough. He took showers with 1141 00:57:26,160 --> 00:57:27,240 Speaker 1: the other pros and they. 1142 00:57:27,280 --> 00:57:29,200 Speaker 18: Came out of there and they said, oh my god, 1143 00:57:32,160 --> 00:57:33,440 Speaker 18: that's unbelievable. 1144 00:57:34,680 --> 00:57:35,520 Speaker 1: I had to say it. 1145 00:57:35,760 --> 00:57:35,880 Speaker 3: Well. 1146 00:57:36,000 --> 00:57:38,760 Speaker 2: Arnold Palmer's daughter has come out and said, my father 1147 00:57:38,880 --> 00:57:41,640 Speaker 2: had no time for Donald Trump. Arnold Palmer's passed awayne 1148 00:57:42,040 --> 00:57:43,960 Speaker 2: would he be happy with his accolades? Who knows? His 1149 00:57:44,120 --> 00:57:46,000 Speaker 2: daughter has said though, that he was appalled by Trump's 1150 00:57:46,040 --> 00:57:49,400 Speaker 2: lack of civility and his lack of character. Interestingly, Trump 1151 00:57:49,520 --> 00:57:53,040 Speaker 2: made these comments at the Arnold Palmer Regional Airport, which 1152 00:57:53,120 --> 00:57:54,480 Speaker 2: now has an extra long runway. 1153 00:57:54,520 --> 00:57:59,920 Speaker 13: Apparently everyone is getting on board with Fisk starring Kitty Flatting. 1154 00:58:00,520 --> 00:58:03,680 Speaker 13: Not everyone, though, Is this call approved to Kitty when. 1155 00:58:03,640 --> 00:58:04,560 Speaker 3: She came on the show. 1156 00:58:05,040 --> 00:58:07,200 Speaker 1: Not everyone is on board with Kitty Flanning. 1157 00:58:07,240 --> 00:58:08,160 Speaker 3: And I'm afraid though. 1158 00:58:08,080 --> 00:58:09,080 Speaker 2: Well, but who plays Fisk? 1159 00:58:09,880 --> 00:58:12,200 Speaker 7: Kimmy No, not Kimmy Madison. 1160 00:58:13,240 --> 00:58:14,080 Speaker 2: She's your Minison. 1161 00:58:14,200 --> 00:58:15,680 Speaker 1: Whoever Kimmy Madison might be. 1162 00:58:16,000 --> 00:58:16,640 Speaker 3: Do you know of her? 1163 00:58:17,920 --> 00:58:20,040 Speaker 7: She's wonderful, She's an Oscar winning actress. 1164 00:58:20,160 --> 00:58:20,680 Speaker 12: I love her. 1165 00:58:20,800 --> 00:58:22,520 Speaker 3: Jimmy Madison I've. 1166 00:58:22,440 --> 00:58:25,000 Speaker 7: Never heard of, but I'll take it. 1167 00:58:25,080 --> 00:58:26,920 Speaker 2: That's what I'm going to check into Hotel THATB Now, 1168 00:58:27,320 --> 00:58:29,280 Speaker 2: that's gonna be my Alia, Kimmy Madison. 1169 00:58:30,960 --> 00:58:34,040 Speaker 13: And the wounds still run deep for Jonesy and his 1170 00:58:34,240 --> 00:58:37,800 Speaker 13: rejection for the job as paper boy whatever that means. 1171 00:58:38,000 --> 00:58:40,960 Speaker 5: Tribal drop be for tails was the paper. 1172 00:58:41,120 --> 00:58:42,600 Speaker 1: Used to like when they sass the whistle. 1173 00:58:44,000 --> 00:58:48,800 Speaker 3: Oh and there was some the guy, the kid that 1174 00:58:48,920 --> 00:58:51,960 Speaker 3: he gave the job to, he'd just be really stingy with. 1175 00:58:52,000 --> 00:58:56,760 Speaker 2: The whistle, like well maybe by Saturday morning, Sunday you'll 1176 00:58:56,800 --> 00:58:59,000 Speaker 2: be the like a mister whippy whistle. 1177 00:58:58,720 --> 00:59:01,000 Speaker 3: Guy marching bear one man marching. 1178 00:59:01,080 --> 00:59:07,040 Speaker 2: Then pay attention to me. If you've ever seen Jonesy 1179 00:59:07,600 --> 00:59:10,560 Speaker 2: on a host and event, you'll know exactly how that 1180 00:59:10,600 --> 00:59:13,320 Speaker 2: would have gone. Writing a uicycle down the street saying 1181 00:59:13,360 --> 00:59:14,400 Speaker 2: look at me, look at me? 1182 00:59:15,640 --> 00:59:18,840 Speaker 3: Is that it? This has been Jen y Ry's jibber Jabba. 1183 00:59:21,120 --> 00:59:24,240 Speaker 2: Favorite caller email of Facebook. Friend wins a double past 1184 00:59:24,360 --> 00:59:26,920 Speaker 2: to see Cyndi Lauper. She brings her girls just want 1185 00:59:26,920 --> 00:59:29,960 Speaker 2: to have fun. Farewell tour to Sydney April eight next 1186 00:59:30,080 --> 00:59:32,120 Speaker 2: year on ticket trons now ticket. 1187 00:59:31,920 --> 00:59:33,880 Speaker 1: Tech you have a Jonesy demand of tetail and keyring. 1188 00:59:33,960 --> 00:59:35,720 Speaker 1: Today we played fight for your Flashback. 1189 00:59:35,760 --> 00:59:38,840 Speaker 3: The theme was Amanda's inclusion in Maxim's Hot one hundred 1190 00:59:39,200 --> 00:59:43,240 Speaker 3: number thirty eight this year out of one hundred of 1191 00:59:43,320 --> 00:59:45,160 Speaker 3: the best women in this country. 1192 00:59:46,000 --> 00:59:49,720 Speaker 2: I went with this song right turned the page. I 1193 00:59:49,840 --> 00:59:52,000 Speaker 2: just got to give her watching Jonesy ogle every one 1194 00:59:52,040 --> 00:59:52,680 Speaker 2: and time come on. 1195 00:59:54,240 --> 00:59:56,480 Speaker 1: And that's why the cover of the Rolling Stone was 1196 00:59:56,560 --> 00:59:57,200 Speaker 1: your song. 1197 00:59:57,400 --> 01:00:02,240 Speaker 2: Was from Hunder's Hill. Was very honest about what song 1198 01:00:02,400 --> 01:00:03,160 Speaker 2: spoke to him. 1199 01:00:03,840 --> 01:00:04,760 Speaker 1: Probably the crap of. 1200 01:00:04,800 --> 01:00:05,400 Speaker 10: Song you've had on. 1201 01:00:05,600 --> 01:00:08,560 Speaker 7: But on top of the point, tap my ten toe 1202 01:00:08,680 --> 01:00:12,560 Speaker 7: foot and Amanda you thank you. 1203 01:00:12,680 --> 01:00:13,640 Speaker 2: Brad appreciate it. 1204 01:00:14,200 --> 01:00:16,760 Speaker 3: You know five few flashback. It's not about the quality 1205 01:00:16,800 --> 01:00:19,320 Speaker 3: of the song, it's about filling the brief I did, 1206 01:00:19,680 --> 01:00:22,040 Speaker 3: just like Mouse Bunstra filled her briefs. 1207 01:00:22,080 --> 01:00:22,640 Speaker 2: That's for sure. 1208 01:00:22,720 --> 01:00:24,840 Speaker 5: Bright au t that's enough. 1209 01:00:24,960 --> 01:00:27,120 Speaker 2: We will at some point between now and six o'clock 1210 01:00:27,160 --> 01:00:29,680 Speaker 2: be repeating Royalbison's You've Got It. If you give us 1211 01:00:29,720 --> 01:00:32,160 Speaker 2: a call thirteen ws FM, you'll get one thousand dollars 1212 01:00:32,200 --> 01:00:33,280 Speaker 2: if you're the first call us through. 1213 01:00:33,600 --> 01:00:36,120 Speaker 3: That's what it's about on Monday. Everyone's a winner by 1214 01:00:36,160 --> 01:00:38,200 Speaker 3: the way, so best you listen to us. We'll be 1215 01:00:38,280 --> 01:00:40,920 Speaker 3: back from six to night though with jam Nation. Good 1216 01:00:41,000 --> 01:00:43,439 Speaker 3: day to you. Well, thank god that's over. 1217 01:00:43,600 --> 01:00:47,120 Speaker 18: Good bite, good bite, wipe. 1218 01:00:48,480 --> 01:00:52,160 Speaker 5: You catch Jonesy and Amanda's podcast on the iHeartRadio app 1219 01:00:52,280 --> 01:00:53,960 Speaker 5: por wherever you get your podcasts. 1220 01:00:59,200 --> 01:00:59,800 Speaker 1: Good bye. 1221 01:01:06,000 --> 01:01:08,680 Speaker 5: Catch up on what you've missed on the free iHeartRadio 1222 01:01:08,840 --> 01:01:10,400 Speaker 5: app m