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Speaker 1: It's the Will and Woody podcast.

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Speaker 2: This is in reference Borot's Big Day Out Get a guys. Sorry,

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Speaker 2: Sh'll probably say hello first. Yes, but this is in

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Speaker 2: reference to a bloke who told his boss he was

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Speaker 2: sick uh and then proceeded to go to the big

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Speaker 2: day out.

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Speaker 3: Wow.

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Speaker 2: He is a very nice as Borat in the Man

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Speaker 2: in the Borat Man keeny and then I won't tell

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Speaker 2: you what happens from there to be enjoyed. Hugh van

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Speaker 2: Kylenberg joins us on the podcast, which is very exciting.

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Speaker 2: Talks all about his brand new book. Always a pleasure

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Speaker 2: to have Hugh in here. One of the great men.

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Speaker 2: You're in the book. Will I'm make an appearance in

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Speaker 2: the book.

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Speaker 4: We've talked about this which has been great fun, great,

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Speaker 4: great chat you had with him on the Imperfect project

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Speaker 4: Project I was.

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Speaker 2: I was on the podcast.

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Speaker 5: Imperfect started as a sledge to warding the Imperfect. The

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Speaker 5: Imperfect podcast.

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Speaker 4: Yeah so Will Will has been on Yeah the podcasts.

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Speaker 4: Will is now in his incredibly high selling books. This

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Speaker 4: guy continues to come in here and masquerade as a friend,

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Speaker 4: and he doesn't invite me on his podcast. I'm not

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Speaker 4: in his book. I mean I just don't know what

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Speaker 4: I have to do. And then every time he knows

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Speaker 4: how to play me. Every time this comes up, because

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Speaker 4: obviously it comes up every time he comes in and

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Speaker 4: I'm not in any of his gear, and he always

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Speaker 4: just hits me with compliments. He's just like, oh, you're

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Speaker 4: such a beautiful guy, and I just love the way

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Speaker 4: you go back, and I'm just I just.

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Speaker 5: Like you get out of here.

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Speaker 2: He does well, he lets it up.

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Speaker 5: Is treating you like a mimboom a little bit human.

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Speaker 5: He's just complimenting your your gorgeous body. Yeah, he brought

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Speaker 5: up my body again, like I'm a piece of meat.

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Speaker 2: But we love you.

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Speaker 5: I love you, And he's right.

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Speaker 4: I'd be ship Has on his podcast if he invited me,

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Speaker 4: I'd say no, no, he would be good.

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Speaker 5: No, I would not would be no, I would not.

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Speaker 2: I am in the book which to mention?

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Speaker 5: Have you found it more narcissistic?

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Speaker 2: If you dogging? Now? What about I'm just about to

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Speaker 2: rip it out and burn the rest.

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Speaker 5: Like is it a big mention or is it a

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Speaker 5: little small little kid mentioned So.

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Speaker 2: I'm in chapter four, which is called Demons.

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Speaker 5: No, there it makes sense.

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Speaker 2: Here we go. Yeah, I'll read out. Around the time

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Speaker 2: of this breakthrough with Anita. Who cares about Anita? Let's

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Speaker 2: get onto the good stuff. I interviewed drive time radio

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Speaker 2: host Will McMath.

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Speaker 4: Full Yeah, oh that good from Will and Woody.

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Speaker 2: In there mate for an episode of a podcast I

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Speaker 2: co host called The Imperfect I was intrigued. Anyway it

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Speaker 2: goes on, he ends up talking to me for there's

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Speaker 2: a full page. Then pretty good stuff. He also mentions

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Speaker 2: Hamish Blake, So a couple of good radio hosts in

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Speaker 2: the book. There although chapter nine, which is chapter nine

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Speaker 2: which is called gear Sticking Hamish Blake first sentence, Hamish

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Speaker 2: Blake and Andy Lee are, in my opinion, Australia's greatest

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Speaker 2: ever comedy duo.

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Speaker 4: Both he's a wag to both of us. But no,

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Speaker 4: that's that's also very true. That's very very true.

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Speaker 5: Anyway this podcast.

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Speaker 2: And he's really a smoke and mirrors man, isn't he. Colinberg.

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Speaker 2: I mean he tells you one thing he can him

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Speaker 2: on for an hour? Yeah, I think we bet him.

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Speaker 5: I think we've pitched a big idea with him.

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Speaker 4: Nick, Yeah, we can can that, you can that We'll

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Speaker 4: get who else does what he does?

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Speaker 5: Tony Robbins cover Van Coberg. We're getting robins anyway. I

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Speaker 5: enjoyed the podcast. Everyone got.

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Speaker 2: One of our favorite people in the studio is you

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Speaker 2: Van Colenberg's in here.

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Speaker 6: We've said it before and we'll say it again.

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Speaker 1: Not all heroes were caves.

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Speaker 7: I know.

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Speaker 2: Our next case certainly lands in that category.

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Speaker 1: He's the founder of the Resilience Project.

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Speaker 6: A program that provides practical well being strategies to build resilience.

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Speaker 6: He's worked with the likes of Dusty Martin Cricket to

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Speaker 6: Steve Sweet and thousand schools and workplaces. He's also a

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Speaker 6: found time to write his second book, Let Go.

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Speaker 1: Maybe we should get him a cape.

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Speaker 2: Welcome to the show, our good friend, Jim Van Callenberg.

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Speaker 2: Welcome mate yourself.

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Speaker 8: I was about to clap myself here. Sorry, I was

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Speaker 8: just joining in because you guys are clapping.

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Speaker 5: But he is a wild start. All these fames going

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Speaker 5: to the end.

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Speaker 2: Love my head as well. Welcome to me. Sorry, as

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Speaker 2: much as you like, you should have brought yourself. Your

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Speaker 2: first book sold over two hundred thousand copies. Congratulations, there

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Speaker 2: was zillions project. I mean, I knew it was good

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Speaker 2: when my auntie MARGHI had a copy out in our

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Speaker 2: rat and I was like, gee, whiz killing it. I mean,

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Speaker 2: if you made it to our rat, you've made it everywhere.

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Speaker 2: So congratulations mate, And you got a brandy what it's

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Speaker 2: called let go available in all good bookstores, available for purchase.

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Speaker 2: And the great part about this is that I get

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Speaker 2: a mention in here.

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Speaker 8: You do, which is huge. You do, You're in it.

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Speaker 8: Thank you very for that. Really appreciate it. It's a

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Speaker 8: really important part as well. But thanks, it's really important.

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Speaker 4: And I haven't read the second half you I imagine my

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Speaker 4: mention is coming.

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Speaker 8: You're a bit of like it just a just assumed

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Speaker 8: when I talk about all these things that people could

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Speaker 8: imagine you as like you nowhere ego, you know you Yeah,

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Speaker 8: just good stuff.

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Speaker 5: Really, so you really had to read between the lines

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Speaker 5: to see my mention.

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Speaker 8: Yeah, they're really intelligent people will they'll they'll spout it.

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Speaker 5: Yeah, it's good to know. That's that's great.

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Speaker 8: I've been told the time covers very sexy and that's

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Speaker 8: a lot like you. I guess if that makes it

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Speaker 8: sound like there's a lot more. Yeah, anyway, I approach

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Speaker 8: the convement.

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Speaker 5: I appreciate the comment.

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Speaker 8: That's all.

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Speaker 4: What's this book about, because obviously the first book was

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Speaker 4: such a success.

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Speaker 8: Well, this is a terrible way to start this interview,

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Speaker 8: but I've done quite a few interviews about this book

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Speaker 8: and I still don't know how to really talk about

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Speaker 8: it in an interesting way, right marketing, just because the

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Speaker 8: first book it's like it's you know, it's a beautiful

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Speaker 8: thing to summarize. I went to India and I learned

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Speaker 8: these great things helped my sister, and there are three

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Speaker 8: great things. As people do. This book was different like

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Speaker 8: when I finished, When the first book was done, Penguin

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Speaker 8: Random House said what's next? And I said, oh, no,

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Speaker 8: that's it. I've got one book in me. That's I've

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Speaker 8: told you everything that I've got and they kept saying,

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Speaker 8: she's sure. I know, there's definitely not another book. And

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Speaker 8: then it wasn't until there was a pandemic and I

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Speaker 8: was like.

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Speaker 2: Jeez, I haven't got any money, Penguin.

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Speaker 5: I was just kidding. There is a second but of

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Speaker 5: course there is now about that advance.

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Speaker 8: So so in the second So in the second lockdown,

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Speaker 8: I remember I was there were some warning signs that

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Speaker 8: things weren't quite okay for me, Like I was getting

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Speaker 8: really angry at my kids. And I've never got angry

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Speaker 8: at anyone in my life. And I was getting angry

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Speaker 8: at the people I love most, anger at my wife Penny,

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Speaker 8: and I never ever get angry at Penny. And I

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Speaker 8: was like, what is going on? And I did this

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Speaker 8: radio interview and at the end of the interview, the

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Speaker 8: guy said. It was in Sydney. The guy said, and

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Speaker 8: I was deep into Melbourne's second lockdown last year, and

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Speaker 8: I'd had an hour and a half sleep because Elsie

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Speaker 8: just wasn't sleeping and I was sevent th in the morning,

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Speaker 8: and he said, and can I ask how are you?

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Speaker 8: Because I was giving advice on how to cope in

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Speaker 8: a challenging time. That was the whole segment, and I just,

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Speaker 8: I don't know where it came from, but I just

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Speaker 8: said I'm totally and unly broken and it just came out,

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Speaker 8: and I put my hands by my mouth. I was like, whoall,

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Speaker 8: what did I just say? Like i'd been to that,

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Speaker 8: I haven't even said it to myself yet, and I've

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Speaker 8: just said it to like thousands of people. It was amazing.

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Speaker 8: As soon as I said it, I just felt so

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Speaker 8: much better. Wow, Like I kind of really owned the

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Speaker 8: fact that, like my job the last ten years is

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Speaker 8: to run around Australia New Zealand to tell people how

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Speaker 8: to feel happy and how to cope in a challenging time.

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Speaker 8: And then I was not coping. And I ignored it

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Speaker 8: for a long time because I was like, no, that

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Speaker 8: can't happen, because otherwise people will think that I'm a

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Speaker 8: fraud or so I just sort of pretended that I

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Speaker 8: was totally fine. And then I admitted it on an

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Speaker 8: hour and a half sleep wow, to Dave Hughes, of

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Speaker 8: all people, and I said it and I was like,

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Speaker 8: oh my gosh, what just And I went inside the house.

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Speaker 8: It was really cold Melbourne morning, dark, miserable, and I

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Speaker 8: sat down. I felt so much better. And I'm sitting there, Eddie,

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Speaker 8: my weepis going. I need help, Like I need to

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Speaker 8: go and see it. I tell everyone to go and

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Speaker 8: see a psychologist. I've never done this. I'm going to

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Speaker 8: go and do it.

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Speaker 2: That's a really wonderful story that also involves you running

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Speaker 2: naked through the streets of Adelaide and I'm going to

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Speaker 2: connect to them right up next. Well, that's right, what

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Speaker 2: are you looking confused? Wow? For those of us who

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Speaker 2: had read the book, and I've got to mention in it.

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Speaker 2: We know we're talking about it up next to the

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Speaker 2: money q Van Colin Burn is going to stick around

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Speaker 2: Don't Go Anywhere, get his new book. It's called let

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Speaker 2: Go from Anywhere. H Van kylen Berg from the Resilience

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Speaker 2: Project is in the studio. You'd also know I'm obviously

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Speaker 2: from the Imperfect podcast with Ryan Shelton and his brother Josh.

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Speaker 2: Of course, Hugh's first book at Braziliance Projects sold over

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Speaker 2: two hundred thousand copies. He's got a brand new book

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Speaker 2: called let Go Perfect Christmas gift, I'd say you have

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Speaker 2: done that, well, haven't you. A few things are just

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Speaker 2: lining up for this one.

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Speaker 8: A couple of times I thought the book would come

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Speaker 8: up for Christmas and Peng are like, it is coming

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Speaker 8: out before Christmas. Don't you worry about it. Sorry, we'll

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Speaker 8: take care of that.

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Speaker 2: So let go mate. It's more about your personal journey

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Speaker 2: and if you just join, we're to the point, which

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Speaker 2: I think is very interesting because I think this is

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Speaker 2: something that everybody, certainly people that I talked to about

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Speaker 2: getting help, is the journey of trying to find a psychologist.

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Speaker 8: Oh my gosh.

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Speaker 2: And I know from reading a bit of the book

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Speaker 2: that you said that you actually refused to sort of

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Speaker 2: go through the professional contacts and stuff, and you wanted

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Speaker 2: to go through the avenues which any Tom, Dick or

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Speaker 2: Harry would have to go through.

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Speaker 8: I've told so many people go and see a psychologist,

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Speaker 8: and they say it's not as easy as just it's not.

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Speaker 8: And I was like, you were just And then when

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Speaker 8: it came to finding well myself, I thought, no, I

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Speaker 8: need to try and do this the way other people

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Speaker 8: do it and to be really honest, and this is

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Speaker 8: not an overly encouraging thing for everyone to hear. But

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Speaker 8: I saw four and not one of them I really

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Speaker 8: clicked with. In the end, I called a friend who

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Speaker 8: is a psycho has got great contacts, and she said,

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Speaker 8: I've got someone amazing for you. And that's kind of

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Speaker 8: how it happened. Yeah, yeah, I mean the first one,

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Speaker 8: that's what I went to before she said hi, she

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Speaker 8: like put the F plus stoe in my face and

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Speaker 8: she said can you pay before the session? Coming down

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Speaker 8: the stairs after sure, okay, Like I should have gone,

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Speaker 8: thank you. I might just yeah, but I went through

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Speaker 8: the whole session. It was a disaster.

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Speaker 2: But anyway, and there's also a bit of the supply

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Speaker 2: and demand with psychologists is right off the scale at

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Speaker 2: the moment as well. Like psychologists are in their right

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Speaker 2: mind to say I'm sorry, I'm booked out for three

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Speaker 2: or four months.

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Speaker 8: A lot of them are saying, actually, don't, I'm not.

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Speaker 8: There's no there is actually no wait list. I can't

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Speaker 8: see you.

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Speaker 4: So yeah, it's like a dating profile, though when you're

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Speaker 4: choosing a psychology. I'm fascinated by this. Do you read

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Speaker 4: it like a dating profile on online?

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Speaker 8: Or you can do I did all types of things.

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Speaker 8: I saw a really good logo outside once I was like,

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Speaker 8: that's good branding. I'll go there, and how did that go?

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Speaker 2: Terrible?

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Speaker 5: Don't choose based on the logo?

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Speaker 2: Is the moral of the story is you can't. You

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Speaker 2: can't look. I can't think of a single person that's

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Speaker 2: got a great psych that hit it the first time.

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Speaker 5: It's the same.

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Speaker 2: It's like dating people exactly as you said. It takes

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Speaker 2: time to find them.

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Speaker 8: It was life change.

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Speaker 2: You get there, and then when you get there, it's awesome,

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Speaker 2: but you have to go through that process, and I

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Speaker 2: know it feels like a lot to get yourself in

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Speaker 2: the chair and try and try and try, but you

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Speaker 2: will get there and then the results are amazing. And

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Speaker 2: I know that, Hugh. One of the things that you

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Speaker 2: found people can read this and let go, which is

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Speaker 2: huge brand new book, is something about which I think

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Speaker 2: is really fascinating about you, because I certainly don't get that.

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Speaker 2: But you talk about the fact that there's a need

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Speaker 2: for you, and this is one of the reasons that

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Speaker 2: you felt that you weren't okay to be the person

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Speaker 2: who sort of like lights up a room.

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Speaker 8: Yeah, yeah, totally. So when my sister stopped eating age

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Speaker 8: fourteen with their anorexin Nevosa and I was seventeen, I

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Speaker 8: saw what it did to mom and dad devastated, my

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Speaker 8: little brother devastated, and I was as well. But I

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Speaker 8: remember thinking it's my job as the oldest sibling to

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Speaker 8: be really okay and not be more than okay, be

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Speaker 8: like really entertaining, really fun, make everyone happy no matter what.

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Speaker 8: So we'd sit down at the dinner table and before

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Speaker 8: Mum had an argument with my sister about food, I

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Speaker 8: was like, say something, really, tell a really wildly amusing

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Speaker 8: story now and the stuff I used to do to

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Speaker 8: try and black people laugh was ridiculous. Yeah, And I

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Speaker 8: remember telling my psychologist that and she was like, she said,

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Speaker 8: so do you, because I still feel like the pressure

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Speaker 8: to do that for my mum and dad. I'm forty one,

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Speaker 8: they're in the early seventies. My sister's better now, and

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Speaker 8: when I hang out with him, if I feel like

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Speaker 8: I haven't really brought so much joy to yeah, I'm

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Speaker 8: just like, I get in the car, I feel a

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Speaker 8: bit anxious, a bit flat. And then my sych said

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Speaker 8: to me, so do your parents have that expectation of you?

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Speaker 8: Do they expect your light up a room every single

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Speaker 8: time you see them? And I went, no, they actually don't.

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Speaker 8: That's my gosh, of course they don't. And I just

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Speaker 8: in that very moment, I was like, I've got let

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Speaker 8: go of that expectation. She kept saying to me, you

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Speaker 8: got to let go of that, You're let go of it.

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Speaker 8: Got a little let go of that. And I'm writing

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Speaker 8: this stuff for my journal. I'd go home at night

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Speaker 8: and then attach little stories from my life too, And

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Speaker 8: that was so embarrassing, the stories like what we might

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Speaker 8: talk about a second that I was hiding my journal

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Speaker 8: so my wife wouldn't even say it. I was like,

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Speaker 8: no one can ever see this. This is so embarrassing.

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Speaker 8: And then lockdown went on for so long. I've changed.

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Speaker 8: All these people are struggling. I was like, do you

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Speaker 8: know what? I think? These are really relatable my challenges.

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Speaker 8: I think I unfortunately for me, I think I need

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Speaker 8: to and fortunately for Penguin Random House, I think I

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Speaker 8: need to share these stories. And that's showed. So my

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Speaker 8: book is my book is pretty much my journal I

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Speaker 8: kept during my sight sessions.

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Speaker 5: And this has gone.

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Speaker 4: You've gone, this has gone from you weren't comfortable to

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Speaker 4: share it with your wife.

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Speaker 8: Yeah, to talk about three or four months of realizing

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Speaker 8: how much people every time I shared something I'd learned

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Speaker 8: with a friend over a coffee or zoom because it

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Speaker 8: was locked down, they would just go, oh my gosh,

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Speaker 8: that was huge. I need to hear that. Thank you

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Speaker 8: for sharing. I'm like, oh my gosh, this I think

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Speaker 8: everyone needs to hear it. Yeah.

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Speaker 4: So, how does this lead to you running nude through Adelaide?

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Speaker 5: That's what we're all wondering. I mean, that's what you

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Speaker 5: said before the song.

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Speaker 2: Yes, it absolutely does. I'm getting wildly rapped up by

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Speaker 2: the producers outside. So here's what I'm going to say it.

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Speaker 2: Can Hugh stick around over the song and tell us

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Speaker 2: the story on the other side, Is that all right

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Speaker 2: with you? Bad enough?

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Speaker 5: He's boring. We're losing listeners by the second.

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Speaker 2: We're going to go to fat stories. After five Vetti,

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Speaker 2: we've got Hugh van Kylenberg in this studio. He's got

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Speaker 2: a brand new book. It's called Let Go Perfect. Christmas gift,

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Speaker 2: I would suggest Hughes first book, The Resilience Projects, sold

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Speaker 2: over two hundred thousand copies congregulations. Mate, So brand new

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Speaker 2: book here, which is much more about you, which is

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Speaker 2: really cool, opening up about some of your experiences here

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Speaker 2: and if you're just joining us Hugh, you can get

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Speaker 2: this on the podcast. But Hugh's talking about the rigors

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Speaker 2: of finding a psych went through four to you found

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Speaker 2: the right one, which is massive. But now we're talking

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Speaker 2: about something which I think that a lot of people

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Speaker 2: can really really associate with, which is when you are

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Speaker 2: a when there's a lot of trauma going on in

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Speaker 2: your family. Naturally, the kid who's not going through a

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Speaker 2: trauma finds a gear and feels like they have to

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Speaker 2: lift every room.

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Speaker 8: That's what I wish i'd thought of that description in

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Speaker 8: the book I found a gear.

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Speaker 2: Yeah, yeah, it constantly and even when you don't have

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Speaker 2: that gear, and then it becomes exhausting to catch up

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Speaker 2: with your family. I can empathize with this. And then

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Speaker 2: it comes exhausting to catch up with your family because

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Speaker 2: you feel like you need to be the person to

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Speaker 2: have to bet everybody happy totally, and as a result,

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Speaker 2: your family's not catching you. You're catching your family totally,

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Speaker 2: and it's exhausting.

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Speaker 8: Yeah, it is. And that's what that was like that

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Speaker 8: became a central thing for a lot of my therapy.

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Speaker 8: Was like, yeah, I don't explain to us saying it's

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Speaker 8: not just my family, it's everywhere, everywhere in my life,

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Speaker 8: Like I've made a career out of it, like traveling

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Speaker 8: the country and trying to help people to feel happier.

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Speaker 8: And she said, okay, we want some part. You need

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Speaker 8: to be grateful for that. So if it wasn't for

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Speaker 8: that trauma, you wouldn't be doing what you're doing now,

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Speaker 8: which is a nice reminder. But then she was I

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Speaker 8: was trying. I was trying to explain to her how

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Speaker 8: much pressure I felt to make people feel okay, And

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Speaker 8: I thought of this story. Can I tell it now?

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Speaker 8: Is that the Yeah?

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Speaker 2: I reckon, we can probably an unfair chat but yeah, no.

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Speaker 8: Ready, So the book came out this morning, right, the

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Speaker 8: whole right, I'm like, I think this, Yeah, I can

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Speaker 8: tell the story this fune, Yeah, I tell the story.

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Speaker 8: I don't want of people know. Okay, And I woke

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Speaker 8: up this morning and the book's out, and I was like,

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Speaker 8: oh my god, people are reading that story. Was I thinking?

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Speaker 2: So, well, you had a bit of post publishing anxiety.

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Speaker 8: Yeah, all about this chapter and it's out, Like, all

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Speaker 8: about this chapter?

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Speaker 2: All right, so you can get this in the book

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Speaker 2: Let Go by Hugh Van Colmberg.

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Speaker 5: Good, please fin all of everything you revealed, this is

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Speaker 5: the one thing that you're getting most regret over.

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Speaker 8: Yeah. No, no, there's another one, but I'm not going

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Speaker 8: to talk about that on it. I can't talk about it.

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Speaker 8: There's just another thing that happened to me. Wow, which

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Speaker 8: has to do with my bottom, which which people could

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Speaker 8: read it.

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Speaker 2: Okay, that's in the books.

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Speaker 4: Okay, so let's reveal the one that you can talk about,

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Speaker 4: though not your bottom one.

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Speaker 2: The other great regret is obviously not incorporating Woody in

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Speaker 2: the book, which is obviously it was implied.

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Speaker 5: That's an oversight. Let's let's get to it.

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Speaker 8: I was going to use you as a body double

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Speaker 8: because it's a picture of me on the back, and

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Speaker 8: I thought it would have been great to have your

401
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Speaker 8: body and my head. So people go, geez, hu's ripped. Good.

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Speaker 4: You obviously love this photo if you use this photo

403
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Speaker 4: so many times.

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Speaker 5: Yes, I seen your talks, mate.

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Speaker 4: There are posters with this photo everywhere, like you get

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Speaker 4: a new photo.

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Speaker 8: No, just my hair looks a lot thicker than it

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Speaker 8: really is. That's all right, now the story. My psychologist said,

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Speaker 8: there any examples where you feel like you've just could

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Speaker 8: really show me how desperate are you want to make

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Speaker 8: people happy and the lengths you go to. And I

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Speaker 8: thought of them, but I didn't tell her because I

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Speaker 8: wanted her to like me still, and I was like,

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Speaker 8: we've just made each other. I can't tell you. This

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Speaker 8: foota trip two thousand and three, so I'm twenty three

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Speaker 8: years old, and it was my first ever footag trope.

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Speaker 8: And everyone went out the night before and no one

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Speaker 8: went to bed. I went to bed, and I remember

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Speaker 8: one of these I got two hours sleep. And one

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Speaker 8: of the senior players described that there's a responsible decision.

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Speaker 8: He gets water, mature decision to hours sleep. That's impressive.

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Speaker 8: Everyone was in the bar the next morning at the

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Speaker 8: hotel and that everyone was so flat, and I just

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Speaker 8: got anxious. I was like, everyone's down here. I've got

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Speaker 8: to do in my internal voices, going do something, do something, because.

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Speaker 2: You've got you've got to be the light in the room.

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Speaker 8: I couldn't handle the fact everyone was so flat. And

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Speaker 8: I see some of guys get everyone out in front

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Speaker 8: of the pub now, and he said, what are you doing?

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Speaker 8: I don't know, but I got to do so I

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Speaker 8: gotta lift here. I lift everyone. And so I was like,

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Speaker 8: what I'll do is I'll just run. I'll run past

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Speaker 8: like I'm running a marathon. Not incredibly funny, but it's

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Speaker 8: something I'll just jog past like and I'll wave to him.

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Speaker 8: And I got a couple of blocks away and I

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Speaker 8: could hear them at the front million round what was

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Speaker 8: he doing? And I thought, this isn't that funny. I'll

438
00:17:57,440 --> 00:17:59,000
Speaker 8: take my top off. Yeah, I take my top off.

439
00:17:59,000 --> 00:18:00,159
Speaker 8: That's what I'll do. And I was like, yeah, and

440
00:18:00,480 --> 00:18:02,040
Speaker 8: could be it'd be a lot funnier if I was

441
00:18:02,160 --> 00:18:04,439
Speaker 8: nude and So it's ten o'clock in the morning in

442
00:18:04,480 --> 00:18:07,919
Speaker 8: Adelaide in the CBD, and I took all my clothes off,

443
00:18:07,960 --> 00:18:09,679
Speaker 8: saved for my shoes and socks because I didn't want

444
00:18:09,680 --> 00:18:10,960
Speaker 8: to I didn't want to get blisters or something.

445
00:18:11,040 --> 00:18:11,640
Speaker 2: My feet.

446
00:18:13,119 --> 00:18:16,720
Speaker 8: Looks funny. And so I started jogging towards the pub

447
00:18:16,760 --> 00:18:18,080
Speaker 8: and I was like, I'll just be jogging like a

448
00:18:18,080 --> 00:18:19,880
Speaker 8: marathon and I'll just I won't even indulge him. I'll

449
00:18:19,880 --> 00:18:22,960
Speaker 8: just run past. It's pretty funny. And this middle aged

450
00:18:23,000 --> 00:18:25,080
Speaker 8: man in like rode past me and he gave me

451
00:18:25,080 --> 00:18:26,960
Speaker 8: the biggest spray of my life. And I can't repeat

452
00:18:26,960 --> 00:18:29,240
Speaker 8: what he said for him. He goes, you're a he

453
00:18:29,280 --> 00:18:33,720
Speaker 8: said you are, and I went, you are correct. I

454
00:18:33,760 --> 00:18:37,679
Speaker 8: can't argue, but that sledge him said to me, it

455
00:18:37,760 --> 00:18:39,720
Speaker 8: just did something to my brain that made me go.

456
00:18:40,200 --> 00:18:42,360
Speaker 8: It was like a starter's pistol. And I took off

457
00:18:42,359 --> 00:18:44,240
Speaker 8: after him because he was going past me, and I

458
00:18:44,280 --> 00:18:46,959
Speaker 8: just started. My arms are pumping, my knees are pumping.

459
00:18:47,119 --> 00:18:49,000
Speaker 8: I don't forgot about the guys, and I'm just chasing

460
00:18:49,000 --> 00:18:50,359
Speaker 8: his mat as fast as I can. And he's just

461
00:18:50,440 --> 00:18:52,480
Speaker 8: riding and he got pretty close to all the boys

462
00:18:52,520 --> 00:18:54,679
Speaker 8: were and everyone's cheering scess to me. He thought they

463
00:18:54,720 --> 00:18:56,840
Speaker 8: were cheering him, and he just like did his wave

464
00:18:56,880 --> 00:18:58,440
Speaker 8: and he's like, I'm pretty good. And then he caught

465
00:18:58,480 --> 00:19:00,240
Speaker 8: me in the court of his eye, like just aiming

466
00:19:00,280 --> 00:19:04,320
Speaker 8: on him, and I'm so close to him, and so

467
00:19:04,480 --> 00:19:06,240
Speaker 8: he just takes up and I'm going and by the

468
00:19:06,520 --> 00:19:08,520
Speaker 8: as we're going past them, we're both at full speed

469
00:19:08,560 --> 00:19:11,000
Speaker 8: off just like this man inker on his bike, like

470
00:19:11,080 --> 00:19:13,160
Speaker 8: peddling furiously out of the seat, like out of the truck.

471
00:19:13,280 --> 00:19:15,000
Speaker 8: And I'm like, I was a pumping on track for

472
00:19:15,080 --> 00:19:17,920
Speaker 8: trying to catch you. I got so close and he

473
00:19:18,240 --> 00:19:20,560
Speaker 8: got away. I don't know what I would have done

474
00:19:20,600 --> 00:19:24,159
Speaker 8: if I caught him, launched myself on him.

475
00:19:24,160 --> 00:19:24,480
Speaker 2: I don't know.

476
00:19:24,520 --> 00:19:26,520
Speaker 5: It's like a dog chasing the car got him.

477
00:19:27,640 --> 00:19:28,440
Speaker 2: So he gets away.

478
00:19:28,480 --> 00:19:31,520
Speaker 8: And then I've never till to this day, I've never

479
00:19:31,520 --> 00:19:33,240
Speaker 8: heard laughter like it like i've and I think it

480
00:19:33,320 --> 00:19:36,000
Speaker 8: must have looked pretty funny to see that same Anyway,

481
00:19:36,040 --> 00:19:39,479
Speaker 8: I'm two blocks away, and when and the laughter dies down,

482
00:19:39,480 --> 00:19:42,480
Speaker 8: everyone goes inside and I'm just standing completely in the

483
00:19:42,520 --> 00:19:44,160
Speaker 8: middle of the adelade' see. But then at ten o'clock

484
00:19:44,200 --> 00:19:46,680
Speaker 8: in the morning, people are getting their morning coffee and

485
00:19:46,760 --> 00:19:48,879
Speaker 8: I was like, oh, what am I doing it?

486
00:19:49,960 --> 00:19:50,520
Speaker 5: What is this?

487
00:19:50,600 --> 00:19:52,240
Speaker 8: And then I had to walk like there's a lot

488
00:19:52,240 --> 00:19:54,560
Speaker 8: of shame involved, like walking back I had to go.

489
00:19:54,600 --> 00:19:56,159
Speaker 8: It was like I was four blocks away from my

490
00:19:56,200 --> 00:19:58,399
Speaker 8: clothes and I was like yelling out to someone's like

491
00:19:58,400 --> 00:19:59,800
Speaker 8: can someone I need it?

492
00:20:00,040 --> 00:20:00,720
Speaker 3: No, you're right.

493
00:20:02,240 --> 00:20:03,920
Speaker 2: Still there not to want to cover there, mate, don't

494
00:20:03,960 --> 00:20:08,159
Speaker 2: worry about and I'm scurrying that.

495
00:20:08,359 --> 00:20:10,800
Speaker 8: I'm like running, hiding behind bins and hiding white poles

496
00:20:10,800 --> 00:20:13,119
Speaker 8: and it to me and I was like I remember

497
00:20:13,119 --> 00:20:16,160
Speaker 8: getting my clothes and going, how have you come to this?

498
00:20:16,359 --> 00:20:19,520
Speaker 8: Like what is wrong with you? And I spent the

499
00:20:19,520 --> 00:20:21,920
Speaker 8: next hour just like I didn't go back to the pub.

500
00:20:21,960 --> 00:20:23,960
Speaker 8: So I was sitting there going why do I feel

501
00:20:24,000 --> 00:20:26,560
Speaker 8: the need to run nude? Yeah, throughout a later to mate,

502
00:20:26,680 --> 00:20:27,560
Speaker 8: just to make other people.

503
00:20:27,640 --> 00:20:30,600
Speaker 2: I'm sure there are so many people listening right now

504
00:20:30,680 --> 00:20:33,119
Speaker 2: that can totally empathize.

505
00:20:35,440 --> 00:20:37,440
Speaker 5: Give us.

506
00:20:38,240 --> 00:20:40,119
Speaker 2: They can empathize with the idea of it need to

507
00:20:40,119 --> 00:20:41,920
Speaker 2: put on a show for other people in order to

508
00:20:41,960 --> 00:20:44,440
Speaker 2: feel included, in order to make them feel better. It's

509
00:20:44,520 --> 00:20:48,080
Speaker 2: all in this book Resilience Project, Let Go Here. Van

510
00:20:48,119 --> 00:20:50,800
Speaker 2: Calemberg stripped back mate, Thank you so much for joining

511
00:20:50,880 --> 00:20:56,320
Speaker 2: us literally to celebrate. He's going to streak through Melbourne.

512
00:20:56,840 --> 00:20:58,119
Speaker 8: Mate, thank you so much for joining us.

513
00:20:58,280 --> 00:20:59,159
Speaker 2: It's always a pleasure.

514
00:20:59,280 --> 00:21:01,720
Speaker 8: I love you both, so thanks, thank you, Thanks so much, Matte.

515
00:21:01,840 --> 00:21:03,680
Speaker 1: It's the wimen Woody Podcast.

516
00:21:04,119 --> 00:21:06,760
Speaker 2: We are doing the Pain in the Business Awards Award

517
00:21:06,800 --> 00:21:09,600
Speaker 2: and the RCUs People in Your Business for twenty twenty one.

518
00:21:10,640 --> 00:21:16,159
Speaker 9: Who from the radio in your Car? It's the first

519
00:21:16,480 --> 00:21:22,960
Speaker 9: annual Pain in the Business The Lord with your Where's

520
00:21:23,000 --> 00:21:26,560
Speaker 9: It hops? Will all Woody?

521
00:21:27,080 --> 00:21:30,600
Speaker 2: Yeah, very good. So today the Pain in the Business

522
00:21:30,600 --> 00:21:32,560
Speaker 2: Award woods is going to be going to the worst

523
00:21:32,600 --> 00:21:36,040
Speaker 2: case of accidentally sent Obviously most people were in lockdown

524
00:21:36,359 --> 00:21:39,800
Speaker 2: during twenty twenty one, so hopefully this opens up to everybody.

525
00:21:39,840 --> 00:21:42,320
Speaker 2: We've got Louise, Who's called Louise? Who did you accidentally

526
00:21:42,359 --> 00:21:44,600
Speaker 2: send something to? In your visitors?

527
00:21:45,359 --> 00:21:49,000
Speaker 3: Hi, guys, So we had a few IT issues a

528
00:21:49,040 --> 00:21:52,560
Speaker 3: few months ago with COVID and things like that, and

529
00:21:52,800 --> 00:21:55,440
Speaker 3: I did something awful. I was sending my work colleague

530
00:21:55,480 --> 00:21:57,240
Speaker 3: a text, so she was at the top of my

531
00:21:57,359 --> 00:21:59,639
Speaker 3: list of texts and he was the next.

532
00:21:59,840 --> 00:22:00,520
Speaker 10: Like figure.

533
00:22:02,480 --> 00:22:04,639
Speaker 4: Just dropped out at a shocking moment there. Sorry, Louise

534
00:22:04,760 --> 00:22:06,720
Speaker 4: just dropped out there. So you're saying that your friend

535
00:22:06,760 --> 00:22:09,040
Speaker 4: was at the top of your list if people to text.

536
00:22:11,000 --> 00:22:13,560
Speaker 5: M trying to sorry Louise.

537
00:22:13,600 --> 00:22:17,840
Speaker 2: Other critical moment. Jeez, you really joining that WORL, didn't you? Nicole?

538
00:22:18,080 --> 00:22:21,720
Speaker 2: On thirteen one and six five, we're talking worst person

539
00:22:21,800 --> 00:22:24,200
Speaker 2: you accidentally send something to in twenty twenty one talk

540
00:22:24,240 --> 00:22:24,560
Speaker 2: to us.

541
00:22:25,680 --> 00:22:26,840
Speaker 3: I send it to my boss.

542
00:22:27,320 --> 00:22:28,480
Speaker 1: He wanted a phone number.

543
00:22:28,520 --> 00:22:31,199
Speaker 3: I screenshot my phone send it off to him with

544
00:22:31,359 --> 00:22:32,480
Speaker 3: his name as Wanka.

545
00:22:33,119 --> 00:22:36,080
Speaker 2: Oh.

546
00:22:37,000 --> 00:22:38,960
Speaker 10: The worst thing about it is when I went to

547
00:22:39,000 --> 00:22:41,360
Speaker 10: work the next day to apologize to him, I'll put

548
00:22:41,359 --> 00:22:43,280
Speaker 10: myself and he goes on it and noticed it.

549
00:22:43,960 --> 00:22:49,760
Speaker 4: Oh no, no, Cole, who idiot?

550
00:22:50,040 --> 00:22:55,560
Speaker 2: I was a phenomenal great nomination, great nominations. Yeah, the

551
00:22:55,760 --> 00:22:59,639
Speaker 2: bosses name as Waker. Oh Lois is back after if

552
00:22:59,640 --> 00:23:03,879
Speaker 2: you can is Sshoes wants a crack at That's all right,

553
00:23:03,920 --> 00:23:06,360
Speaker 2: that's right, you're back for the Pain in the Business Awards.

554
00:23:06,359 --> 00:23:09,639
Speaker 2: You You've got the worst case of accidentally sent stocking.

555
00:23:10,040 --> 00:23:11,720
Speaker 3: So my work colleague was at the top of the

556
00:23:11,760 --> 00:23:16,000
Speaker 3: list of my texts that I was undern and I

557
00:23:16,160 --> 00:23:19,320
Speaker 3: sent her a text saying, this guy is an fing douche.

558
00:23:19,359 --> 00:23:21,760
Speaker 3: We need a new it guy with an eye roll emoji,

559
00:23:22,200 --> 00:23:27,160
Speaker 3: and I accidentally sent it to him. Oh, he doesn't

560
00:23:27,200 --> 00:23:28,080
Speaker 3: talked to me anymore.

561
00:23:28,280 --> 00:23:30,760
Speaker 2: No, fair enough, And then I'm probably on his seat

562
00:23:30,800 --> 00:23:32,800
Speaker 2: with him. Yeah, I'm probably on his team. Then that's

563
00:23:32,840 --> 00:23:33,720
Speaker 2: probably fair enough.

564
00:23:33,960 --> 00:23:36,400
Speaker 5: Let's go to Benny. Now, Benny is text.

565
00:23:36,240 --> 00:23:37,080
Speaker 2: Get it unfairly?

566
00:23:37,160 --> 00:23:40,320
Speaker 5: Can I say, tex texts in all offices?

567
00:23:40,400 --> 00:23:40,640
Speaker 7: Yeah?

568
00:23:40,640 --> 00:23:44,440
Speaker 2: I then misunderstood, misunderstood, and then just trying their ass off.

569
00:23:44,440 --> 00:23:46,680
Speaker 2: And you need someone to blame. Let's go to Ben

570
00:23:47,040 --> 00:23:49,040
Speaker 2: on thirty one and sixty five. Ben, Welcome to the

571
00:23:49,040 --> 00:23:52,000
Speaker 2: twenty twenty one Paint in the Business Awards Worst Action,

572
00:23:52,920 --> 00:23:55,399
Speaker 2: Very well made, Worst accidental Send in your Business.

573
00:23:56,280 --> 00:23:59,120
Speaker 10: This are going back about five years ago. I called

574
00:23:59,200 --> 00:24:01,639
Speaker 10: him six four work and sent a message to my

575
00:24:01,680 --> 00:24:04,320
Speaker 10: boss to his name is Stephen. I meant to send

576
00:24:04,359 --> 00:24:06,359
Speaker 10: it to my girlfriend name is Stephanie, and I sent

577
00:24:06,440 --> 00:24:08,800
Speaker 10: her a photo of me a big day out in

578
00:24:08,840 --> 00:24:14,680
Speaker 10: a four at onesie. Yep, I meant to send that

579
00:24:14,720 --> 00:24:17,360
Speaker 10: to my girlfriend Stephanie, who said, I meant to say

580
00:24:17,480 --> 00:24:19,240
Speaker 10: you're missing out, and I send it to my boss

581
00:24:19,480 --> 00:24:22,000
Speaker 10: and yeah, Tom for calling and sick and obviously not

582
00:24:22,040 --> 00:24:22,520
Speaker 10: being sick.

583
00:24:23,440 --> 00:24:24,800
Speaker 2: Oh you were meant to be sick.

584
00:24:25,240 --> 00:24:27,000
Speaker 10: Yeah, I called him sick for work and said, yeah,

585
00:24:27,000 --> 00:24:28,320
Speaker 10: I need to day off and crooked the dog.

586
00:24:28,520 --> 00:24:34,760
Speaker 2: And then the next assage of you and a at Onesie.

587
00:24:33,560 --> 00:24:35,840
Speaker 10: Fluoy Green bour at One's here, big day out.

588
00:24:35,680 --> 00:24:39,919
Speaker 5: And wow, a very nice You are still crooked.

589
00:24:45,040 --> 00:24:47,240
Speaker 2: Because I still think Nichole is going to win though,

590
00:24:47,240 --> 00:24:50,560
Speaker 2: after that screenshot of the boss's name is Wanker and

591
00:24:50,560 --> 00:25:00,520
Speaker 2: sending him that congratulations n Cale. Hellay Domino's vouching cold,

592
00:25:00,560 --> 00:25:04,040
Speaker 2: give your pizza extra cheesy love with Domino's geez toasty

593
00:25:04,160 --> 00:25:07,200
Speaker 2: that is for you. Make congratulations in the twenty twenty

594
00:25:07,240 --> 00:25:10,600
Speaker 2: one Office Pain in the Business Awards. We're back tomorrow

595
00:25:10,640 --> 00:25:11,040
Speaker 2: with them.

596
00:25:11,359 --> 00:25:13,040
Speaker 1: It's the Will and Woody podcast.

597
00:25:14,160 --> 00:25:16,920
Speaker 2: Right now, the one and only Sam Fisher joins us

598
00:25:17,000 --> 00:25:18,120
Speaker 2: Live for Money.

599
00:25:18,080 --> 00:25:22,800
Speaker 11: Yet, my guys, what's here?

600
00:25:23,119 --> 00:25:25,880
Speaker 4: Yes, as always, thank you, thank you for being here

601
00:25:25,880 --> 00:25:26,879
Speaker 4: because we bloody love you.

602
00:25:26,960 --> 00:25:27,160
Speaker 5: Sam.

603
00:25:27,200 --> 00:25:29,920
Speaker 4: We're about to play a new song, Hopeless Romantic, which

604
00:25:29,960 --> 00:25:33,040
Speaker 4: we are bloody pumped about. But before we play that, Sammie,

605
00:25:33,240 --> 00:25:36,200
Speaker 4: last time you were on this show, you really opened

606
00:25:36,280 --> 00:25:37,720
Speaker 4: up to us just about how.

607
00:25:37,480 --> 00:25:42,080
Speaker 5: Difficult it was when you first moved to.

608
00:25:42,280 --> 00:25:45,280
Speaker 4: La and now I'm reading more details here because I

609
00:25:45,359 --> 00:25:47,399
Speaker 4: was so interested by the story that I did a

610
00:25:47,400 --> 00:25:50,280
Speaker 4: bit of research and I found out that you were

611
00:25:50,280 --> 00:25:54,520
Speaker 4: going to bars and nightclubs to try and meet contacts

612
00:25:54,600 --> 00:25:57,919
Speaker 4: in the music industry, and then when you met people

613
00:25:57,960 --> 00:26:00,800
Speaker 4: who are in the music industry, would book a lunch

614
00:26:00,920 --> 00:26:01,480
Speaker 4: meeting with.

615
00:26:01,440 --> 00:26:02,880
Speaker 5: Them the next day.

616
00:26:03,600 --> 00:26:06,600
Speaker 4: And here's the kicker, that was the only meal you

617
00:26:06,640 --> 00:26:09,760
Speaker 4: were eating. Was that lunch meeting you had with music

618
00:26:09,800 --> 00:26:10,880
Speaker 4: industry contacts.

619
00:26:11,200 --> 00:26:14,720
Speaker 11: Yeah, that is absolutely a thing I did. It just

620
00:26:14,840 --> 00:26:18,480
Speaker 11: kind of had no I had no money, and being

621
00:26:18,880 --> 00:26:21,720
Speaker 11: you know, not being American, living in America, I just

622
00:26:21,720 --> 00:26:26,760
Speaker 11: couldn't work. I can't, you can't work. So yeah, yeah,

623
00:26:26,840 --> 00:26:29,080
Speaker 11: that's I did that for like a year.

624
00:26:29,119 --> 00:26:31,280
Speaker 2: A bit of a stroke of genius, can I say

625
00:26:31,400 --> 00:26:33,760
Speaker 2: as well? And obviously when you get to the restaurant,

626
00:26:33,800 --> 00:26:37,240
Speaker 2: you're ordering all the trimmings like you are. I'd love

627
00:26:37,320 --> 00:26:39,359
Speaker 2: to see some of the orders that you made for

628
00:26:39,480 --> 00:26:42,640
Speaker 2: lunch on those days, knowing that it was the only

629
00:26:42,720 --> 00:26:44,800
Speaker 2: meal that you'd have for twenty four hours.

630
00:26:46,400 --> 00:26:49,240
Speaker 11: Well, listen, like they were trying to impress me as well,

631
00:26:49,280 --> 00:26:52,160
Speaker 11: because I myself seemed like I was a bigger deal

632
00:26:52,200 --> 00:26:54,720
Speaker 11: than I was. So I've got the company our X.

633
00:26:54,920 --> 00:26:57,280
Speaker 11: Let's put this down. I said, well, let me get

634
00:26:57,320 --> 00:26:59,560
Speaker 11: two apps, three entrees, four.

635
00:26:59,400 --> 00:27:05,800
Speaker 2: Deserve and then leave and they just be like Jesus aware.

636
00:27:09,400 --> 00:27:12,840
Speaker 2: Now let's talk about your netune, which we're very excited

637
00:27:12,840 --> 00:27:16,280
Speaker 2: aby we're gonna be playing Hopeless Romantic, which I've heard

638
00:27:16,440 --> 00:27:19,000
Speaker 2: is all about being in love with a friend.

639
00:27:19,280 --> 00:27:19,960
Speaker 5: Is that right?

640
00:27:20,880 --> 00:27:21,040
Speaker 3: No?

641
00:27:21,400 --> 00:27:24,560
Speaker 2: Okay, so listen, what if you have you doubled back

642
00:27:24,560 --> 00:27:26,879
Speaker 2: on this? Am I about to get the Sam fish

643
00:27:26,920 --> 00:27:29,119
Speaker 2: and take Sam Fisher out for lunch? Treatment here you're

644
00:27:29,160 --> 00:27:31,719
Speaker 2: about to You're about to without the tap aware on

645
00:27:31,720 --> 00:27:34,720
Speaker 2: my question? What is it? So here's the thing.

646
00:27:34,840 --> 00:27:38,080
Speaker 11: And I hope that like everyone who's who ever interviews

647
00:27:38,119 --> 00:27:41,040
Speaker 11: me about this song listens to this. Okay, But sometimes

648
00:27:41,040 --> 00:27:44,000
Speaker 11: when you're promoting a song, yes, you have to appeal

649
00:27:44,080 --> 00:27:45,360
Speaker 11: to every audience you can.

650
00:27:45,480 --> 00:27:46,520
Speaker 5: Sure of course, of course.

651
00:27:46,600 --> 00:27:50,119
Speaker 11: And if I were to talk about exactly what Hobstomatic

652
00:27:50,359 --> 00:27:51,480
Speaker 11: was written about.

653
00:27:51,320 --> 00:27:53,879
Speaker 2: Yes, am I not reach some people?

654
00:27:54,080 --> 00:27:56,439
Speaker 11: So there is a video I made on TikTok that

655
00:27:56,600 --> 00:27:58,640
Speaker 11: was like, this is a song about being in love

656
00:27:58,680 --> 00:28:01,320
Speaker 11: with your friend? I am very happily married.

657
00:28:01,760 --> 00:28:04,080
Speaker 2: Yes, not my reality. The song is.

658
00:28:04,080 --> 00:28:06,359
Speaker 11: More about the way that I view life and I

659
00:28:06,400 --> 00:28:10,080
Speaker 11: have like visions of fringe and then reality doesn't really

660
00:28:10,119 --> 00:28:11,840
Speaker 11: live up to what I see in my head. Yeah,

661
00:28:11,880 --> 00:28:14,199
Speaker 11: and then also like comparing your own life to others,

662
00:28:14,280 --> 00:28:17,679
Speaker 11: and just through the pandemic, everyone was online, so I

663
00:28:17,800 --> 00:28:20,880
Speaker 11: was like romanticizing my own life and then wasn't living

664
00:28:20,960 --> 00:28:23,040
Speaker 11: up to it. And that's hopeless romantic there.

665
00:28:23,359 --> 00:28:25,480
Speaker 5: Oh yes, if.

666
00:28:25,280 --> 00:28:26,919
Speaker 11: Someone wants to apply it to being in love with

667
00:28:26,920 --> 00:28:29,879
Speaker 11: the best friend and you go perfect.

668
00:28:29,480 --> 00:28:32,520
Speaker 2: Exactly, nice mane, great cover and I know I can

669
00:28:32,560 --> 00:28:35,280
Speaker 2: see your wife in the background there, just laser eyeing

670
00:28:35,320 --> 00:28:36,920
Speaker 2: you for a few meters away.

671
00:28:37,920 --> 00:28:40,000
Speaker 5: Good answer, Sam, Good answer.

672
00:28:39,840 --> 00:28:43,680
Speaker 2: Answer Sam, next interview, you were doing that all day,

673
00:28:43,680 --> 00:28:46,360
Speaker 2: Maybe you'll be doing that all day. All right, let's

674
00:28:46,360 --> 00:28:50,680
Speaker 2: play it right now, Sam Fisher, this is hopeless romanticulous

675
00:28:50,800 --> 00:28:52,360
Speaker 2: to Will and Woody And on the other side, Sam

676
00:28:52,360 --> 00:28:55,160
Speaker 2: Fish is going to be taking on the Cassio Karaoke challenge.

677
00:28:55,160 --> 00:28:59,000
Speaker 2: He's got one song, his own song to write a song,

678
00:29:00,560 --> 00:29:02,160
Speaker 2: and then on the other side, he's going to be

679
00:29:02,200 --> 00:29:04,440
Speaker 2: performing it right up next with us here on Will

680
00:29:04,480 --> 00:29:06,520
Speaker 2: and Woody. Sam, we thought some inspiration for this would

681
00:29:06,560 --> 00:29:08,520
Speaker 2: be Missing Home, obviously you're over in the UK now,

682
00:29:08,520 --> 00:29:09,880
Speaker 2: have been a long time since you've been home, So

683
00:29:10,360 --> 00:29:13,280
Speaker 2: a song about that. We've got three minutes. We tend

684
00:29:13,280 --> 00:29:16,240
Speaker 2: to lob up a few ideas in these three minutes.

685
00:29:17,200 --> 00:29:19,200
Speaker 2: Speaking of Sam Fisher, we've got him in the studio

686
00:29:19,280 --> 00:29:22,680
Speaker 2: right now. Plead you to have your hairmades great to

687
00:29:22,680 --> 00:29:25,080
Speaker 2: be playing new music from you. You just keep sliding

688
00:29:25,080 --> 00:29:27,000
Speaker 2: these bangers, Yeah, don't you.

689
00:29:27,160 --> 00:29:30,000
Speaker 11: I mean, I mean listen. As long as you keep

690
00:29:30,040 --> 00:29:31,680
Speaker 11: accepting my dms will be good.

691
00:29:34,480 --> 00:29:38,400
Speaker 2: Now. Sam is very boldly coming on the show. Today's

692
00:29:38,440 --> 00:29:41,640
Speaker 2: following in the footsteps of Pete Murray, Amy Shark, g Philipps,

693
00:29:41,680 --> 00:29:46,840
Speaker 2: some big names to take on the Cassio Carryoki, Choeffi's

694
00:29:46,880 --> 00:29:49,320
Speaker 2: pets up, Happy's the Hungry, He's find them in the freezer,

695
00:29:49,360 --> 00:29:50,320
Speaker 2: roll of the supermarket.

696
00:29:50,440 --> 00:29:56,880
Speaker 6: Cassiel carry yokey, Cassiel, carry yoke, Cassiel, carry yoke.

697
00:29:57,680 --> 00:29:59,640
Speaker 2: All right, let the deal. Guys, got to write a

698
00:29:59,720 --> 00:30:03,320
Speaker 2: song in a song. So we've had three minutes or

699
00:30:03,360 --> 00:30:06,040
Speaker 2: three and a half minutes during Samsung Hopeless Romantic to

700
00:30:06,080 --> 00:30:11,640
Speaker 2: write this song parody Woods, which is all about missing Australia. Obviously,

701
00:30:11,720 --> 00:30:13,800
Speaker 2: Sam moved to La. We found out that he just

702
00:30:13,920 --> 00:30:18,600
Speaker 2: rinsed a whole bunch of record companies AMX's on Pounderbergers,

703
00:30:18,680 --> 00:30:22,040
Speaker 2: free meals, buffets, and then he.

704
00:30:22,080 --> 00:30:23,920
Speaker 11: Didn't actually want anything from them, but the.

705
00:30:23,880 --> 00:30:28,000
Speaker 2: Prefeits snaffled it away in toppware. Anyway, if you don't

706
00:30:28,000 --> 00:30:29,480
Speaker 2: know what I'm talking about, get the chat on the

707
00:30:29,480 --> 00:30:33,040
Speaker 2: podcast Willing but Sam, the big question is are you

708
00:30:33,080 --> 00:30:34,400
Speaker 2: ready to go? How are you feeling about this? How

709
00:30:34,400 --> 00:30:35,480
Speaker 2: are you feeling about lyrics?

710
00:30:35,760 --> 00:30:38,960
Speaker 11: It is seven forty five in the morning, My nerves

711
00:30:39,040 --> 00:30:45,239
Speaker 11: are racked, my stomach is empty out my label, but

712
00:30:46,680 --> 00:30:47,680
Speaker 11: I think I'm ready to go.

713
00:30:47,920 --> 00:30:48,880
Speaker 5: Oh, I got Well the good news.

714
00:30:48,920 --> 00:30:50,719
Speaker 4: We're doing a parody of one of your songs, so

715
00:30:50,720 --> 00:30:52,560
Speaker 4: you should know the music pretty well to the song

716
00:30:52,560 --> 00:30:55,880
Speaker 4: you did with Demi Levado what other people say? Yeah, which,

717
00:30:55,920 --> 00:30:58,120
Speaker 4: by the way, Little Flexi has been viewed sixteen point

718
00:30:58,160 --> 00:30:59,640
Speaker 4: two million times on YouTube.

719
00:30:59,720 --> 00:31:01,280
Speaker 5: Wait, you're a popular man.

720
00:31:01,400 --> 00:31:01,920
Speaker 2: Aggressive.

721
00:31:02,880 --> 00:31:04,560
Speaker 5: That is aggressive. That is aggressive.

722
00:31:05,480 --> 00:31:10,080
Speaker 4: But so it's your song that you're paradising, So good luck, Matt.

723
00:31:10,960 --> 00:31:14,080
Speaker 2: All right, here we go to the QUSA.

724
00:31:14,480 --> 00:31:18,880
Speaker 12: The sing is true. Living in the home, are right away?

725
00:31:19,400 --> 00:31:23,600
Speaker 12: M blue? But I miss Sydney even the dumb curfew.

726
00:31:23,840 --> 00:31:28,040
Speaker 12: I needed summer days in a bag yard blue. A

727
00:31:28,040 --> 00:31:32,640
Speaker 12: Southern Cross had swinging a cree good beat America's grape,

728
00:31:32,640 --> 00:31:33,640
Speaker 12: but ketchup on food.

729
00:31:33,680 --> 00:31:34,360
Speaker 2: I don't want that.

730
00:31:35,440 --> 00:31:40,240
Speaker 12: A Southern Cross sat swinging a cree good bet America's grape,

731
00:31:40,240 --> 00:31:43,640
Speaker 12: but ketchup on food, I don't want that. Yeah. I

732
00:31:43,840 --> 00:31:49,360
Speaker 12: used to watch the Food every Sunday, someone explaining American sports,

733
00:31:49,440 --> 00:31:52,960
Speaker 12: and now they play I miss out Ben the crew

734
00:31:53,160 --> 00:31:58,120
Speaker 12: from Samba Bay with Get America. I want the Ussy Way,

735
00:31:58,720 --> 00:32:03,680
Speaker 12: Spinny Christmas see watch love actually preturning the light the

736
00:32:04,000 --> 00:32:08,720
Speaker 12: present from our jay out keet oh snow were every

737
00:32:08,800 --> 00:32:13,240
Speaker 12: freaking day because Bernabee on sand Yeah it's the usy way.

738
00:32:13,560 --> 00:32:24,560
Speaker 7: Yeah yeah, yeah, yeah yeah yeah.

739
00:32:25,080 --> 00:32:28,320
Speaker 12: Surpass the sunscreen and come and say good day.

740
00:32:28,760 --> 00:32:32,080
Speaker 9: Yeah, go.

741
00:32:33,880 --> 00:32:41,440
Speaker 2: On the fly, Sam shot Gee. That is Cassio karaoke.

742
00:32:41,600 --> 00:32:44,040
Speaker 2: Well thanks to Papua Seppi's pizza. Happy is the hungry

743
00:32:44,080 --> 00:32:46,000
Speaker 2: to find them in the freezer of the supermarket.

744
00:32:46,120 --> 00:32:51,520
Speaker 1: Cassie, you carry yoke. Cassie, you carry yoke. Cassie, you

745
00:32:51,760 --> 00:32:52,560
Speaker 1: carry yoke.

746
00:32:53,280 --> 00:32:53,680
Speaker 5: Sam.

747
00:32:53,800 --> 00:32:56,720
Speaker 2: That was amazing, mate, Thank you so much for joining us.

748
00:32:57,080 --> 00:33:00,920
Speaker 11: Cheers, guys, that was a lot of anxiety for seven

749
00:33:01,000 --> 00:33:03,640
Speaker 11: forty five in the morning, but as as much fun

750
00:33:03,680 --> 00:33:05,720
Speaker 11: as I could possibly have, So thank you.

751
00:33:05,840 --> 00:33:08,280
Speaker 2: No, w is it all mate? It's always great to

752
00:33:08,280 --> 00:33:10,160
Speaker 2: have you on the show mate. You are a gem.

753
00:33:10,200 --> 00:33:11,800
Speaker 2: Were really hot. Are you going to be coming home

754
00:33:11,840 --> 00:33:13,480
Speaker 2: any time? Send to two or some of this gear?

755
00:33:14,480 --> 00:33:15,080
Speaker 5: Yeah?

756
00:33:15,120 --> 00:33:18,000
Speaker 11: Absolutely, I'm trying to. I'm trying to be back anytime.

757
00:33:18,120 --> 00:33:19,560
Speaker 11: Look twenty two.

758
00:33:19,960 --> 00:33:20,320
Speaker 2: Okay.

759
00:33:20,400 --> 00:33:22,520
Speaker 11: Anything that I need to do in Australia that I

760
00:33:22,560 --> 00:33:24,160
Speaker 11: can be in Australia for, I will be there.

761
00:33:24,160 --> 00:33:26,000
Speaker 2: Oh right, man, we'd love to have you in the

762
00:33:26,040 --> 00:33:27,960
Speaker 2: studio next time. It's been it's been too long.

763
00:33:28,000 --> 00:33:31,120
Speaker 4: So Will's got a birthday actually coming up, so there's

764
00:33:31,160 --> 00:33:33,360
Speaker 4: a reason to come back to Australia birthday.

765
00:33:33,560 --> 00:33:35,200
Speaker 2: I don't know. If I don't know, if i'd have him,

766
00:33:35,240 --> 00:33:38,040
Speaker 2: i'd be worried about the food getting stolen off.

767
00:33:38,640 --> 00:33:42,960
Speaker 11: Okay, all right, I'll say that when we're done with it.

768
00:33:45,200 --> 00:33:46,760
Speaker 1: It's the Will and Woody podcast.

769
00:33:46,920 --> 00:33:49,640
Speaker 9: So I've lost the plot the four blonde four alarm

770
00:33:49,720 --> 00:33:50,600
Speaker 9: holiday emergency.

771
00:33:50,640 --> 00:33:52,800
Speaker 5: Here Will and wood what's that cooking down?

772
00:33:53,280 --> 00:33:55,680
Speaker 2: Lost the plot?

773
00:33:58,000 --> 00:33:58,640
Speaker 5: My god?

774
00:33:59,320 --> 00:34:02,040
Speaker 2: Now we are obviously doing a Christmas edition of Lost

775
00:34:02,040 --> 00:34:04,800
Speaker 2: the plots. I explained a movie plot really badly. Would

776
00:34:04,880 --> 00:34:06,080
Speaker 2: you have to try and guess what the film is

777
00:34:06,120 --> 00:34:09,960
Speaker 2: based only on the description of the plot. Yes, Now,

778
00:34:10,600 --> 00:34:13,399
Speaker 2: these are Christmas movies. Right now, I realize there are

779
00:34:13,480 --> 00:34:18,399
Speaker 2: only a handful of serviceable Christmas movies. Okay, so I'm

780
00:34:18,400 --> 00:34:21,000
Speaker 2: putting a warning out there before we begin this. These

781
00:34:21,080 --> 00:34:21,960
Speaker 2: will be hard.

782
00:34:22,719 --> 00:34:24,960
Speaker 5: Ah right, yeah, that makes sense.

783
00:34:25,360 --> 00:34:27,160
Speaker 2: It's coming with a scattergun approach, which is what you

784
00:34:27,239 --> 00:34:29,799
Speaker 2: often do. And you just name a hundred films. So

785
00:34:29,800 --> 00:34:33,360
Speaker 2: I'm going to limit you to one guess per movie.

786
00:34:33,840 --> 00:34:37,279
Speaker 2: I'll meet you at two, I'll reject you, and you

787
00:34:37,400 --> 00:34:39,719
Speaker 2: could take you back to one. This isn't a negotiation.

788
00:34:39,800 --> 00:34:40,560
Speaker 2: I run the segment.

789
00:34:41,000 --> 00:34:44,480
Speaker 5: So what we're gonna do, Dictator Will?

790
00:34:44,560 --> 00:34:47,879
Speaker 2: Well, it's my Boddy segment. It's not a fun show.

791
00:34:48,480 --> 00:34:50,759
Speaker 2: The despot that his Will should have known that by now.

792
00:34:51,200 --> 00:34:52,040
Speaker 2: All right, here we go.

793
00:34:52,640 --> 00:34:53,320
Speaker 5: First movie.

794
00:34:55,160 --> 00:34:57,960
Speaker 4: So I get one guess, yet one guess?

795
00:34:58,239 --> 00:35:01,120
Speaker 2: Like only like five Christmas movies that are service If

796
00:35:01,120 --> 00:35:02,640
Speaker 2: I give you two guesses, you're going to be a

797
00:35:02,640 --> 00:35:04,680
Speaker 2: shot at getting it. You get one guess, okay, one

798
00:35:04,960 --> 00:35:05,520
Speaker 2: play the game?

799
00:35:05,880 --> 00:35:06,319
Speaker 5: All right?

800
00:35:06,400 --> 00:35:07,880
Speaker 2: All right? Thirty one and sixty five if you think

801
00:35:07,880 --> 00:35:09,160
Speaker 2: you're not what the movie is, you can call it any

802
00:35:09,160 --> 00:35:10,480
Speaker 2: stage you can beat. What do you need to tell

803
00:35:10,480 --> 00:35:13,960
Speaker 2: them to suck it? Which must be pretty satisfying. Here

804
00:35:14,000 --> 00:35:18,400
Speaker 2: we go, First question, ye, first, first plot, I should say,

805
00:35:19,520 --> 00:35:23,400
Speaker 2: man nearly drowns with Portuguese tart.

806
00:35:26,040 --> 00:35:31,200
Speaker 4: Man nearly drowns with Portuguese.

807
00:35:31,280 --> 00:35:33,319
Speaker 2: It's a Christmas film. I'll let you think about it.

808
00:35:33,360 --> 00:35:35,879
Speaker 2: Thirty one or sixty five is the movie if you'd

809
00:35:35,920 --> 00:35:39,239
Speaker 2: liked Oh God is half the book?

810
00:35:40,560 --> 00:35:45,000
Speaker 1: Just just leave them, leave the import Oh God.

811
00:35:45,120 --> 00:35:48,840
Speaker 2: Che yes, it is the scene where he jumps in

812
00:35:48,840 --> 00:35:51,359
Speaker 2: the lake with the Portuguese woman, who I did call

813
00:35:51,360 --> 00:35:53,520
Speaker 2: it tart there for now I needed a red herring.

814
00:35:53,520 --> 00:35:56,400
Speaker 2: All right, they're meant to be difficult. Portuguese Tart is

815
00:35:56,440 --> 00:36:00,279
Speaker 2: of course a snack, yes, and she's a scrumptious woman,

816
00:36:00,400 --> 00:36:03,799
Speaker 2: akin to a kid to the touch. Now anyway, now,

817
00:36:03,840 --> 00:36:05,879
Speaker 2: I buddy warned the producers about this. I said, there's

818
00:36:05,880 --> 00:36:07,920
Speaker 2: only a handful of Christmas movies. He's going to be

819
00:36:08,000 --> 00:36:09,440
Speaker 2: able to get them. And I made them as hard

820
00:36:09,440 --> 00:36:10,279
Speaker 2: as I possibly can.

821
00:36:10,760 --> 00:36:12,920
Speaker 4: And look where we are, Look where we are, ok,

822
00:36:13,080 --> 00:36:14,400
Speaker 4: and give you the one, give me the one. I'm

823
00:36:14,400 --> 00:36:17,000
Speaker 4: feeling good about this Christmas edition.

824
00:36:18,040 --> 00:36:26,560
Speaker 2: Come on, okay, Next one, Puberty forces eccentric man into

825
00:36:26,680 --> 00:36:31,880
Speaker 2: life of crime. Okay, it's a Christmas film. Third end

826
00:36:31,920 --> 00:36:33,120
Speaker 2: one has six five. You think you know what the

827
00:36:33,160 --> 00:36:34,680
Speaker 2: movie is, just play the Buddy song so I can't

828
00:36:34,680 --> 00:36:35,920
Speaker 2: go it is lost the.

829
00:36:35,880 --> 00:36:40,320
Speaker 5: Plots, saying, yes there is WOODI.

830
00:36:41,960 --> 00:36:44,400
Speaker 2: Lost the plots.

831
00:36:44,640 --> 00:36:46,560
Speaker 5: Very Christmas animal.

832
00:36:47,120 --> 00:36:50,480
Speaker 2: Alrighty so Woods. These are all Christmas movies. Obviously we're

833
00:36:50,480 --> 00:36:56,080
Speaker 2: getting gave the season to be jolly. However, as previously discussed,

834
00:36:56,080 --> 00:36:59,399
Speaker 2: there are only a handful of serviceable Christmas films. As

835
00:36:59,440 --> 00:37:03,600
Speaker 2: a result, I have made these very tricky yep. But

836
00:37:03,760 --> 00:37:08,000
Speaker 2: still that has proven not tricky enough for you. You nailed

837
00:37:08,040 --> 00:37:11,040
Speaker 2: the first one, nearly Drowns with Portuguese tart, which was

838
00:37:11,080 --> 00:37:13,480
Speaker 2: of course love. Actually that was my favorite one. That's gone.

839
00:37:13,840 --> 00:37:17,839
Speaker 2: You're only allowed one guess per yep, Plot synopsis yep,

840
00:37:17,880 --> 00:37:19,120
Speaker 2: Otherwise you get a bit greedy.

841
00:37:20,400 --> 00:37:23,480
Speaker 4: I'm usually a scatter gun guy and you've taken that

842
00:37:23,520 --> 00:37:24,040
Speaker 4: away from me.

843
00:37:24,120 --> 00:37:24,960
Speaker 5: But what's the new one?

844
00:37:26,520 --> 00:37:30,160
Speaker 2: Puberty forces eccentric man into life of crime.

845
00:37:30,280 --> 00:37:31,120
Speaker 5: Now there's two options.

846
00:37:31,160 --> 00:37:33,600
Speaker 2: It's a Christmas it's a Christmas movie. We don't care.

847
00:37:34,040 --> 00:37:36,000
Speaker 2: I'm going to go to Alana. You're allowed one guess.

848
00:37:36,640 --> 00:37:41,080
Speaker 2: Keep to that, Alana. What's the movie on th Bad

849
00:37:41,120 --> 00:37:42,839
Speaker 2: Santa is incorrect? Now?

850
00:37:44,520 --> 00:37:46,840
Speaker 4: Did you think Billy Bob Thornton went through puberty in

851
00:37:46,840 --> 00:37:47,360
Speaker 4: that film?

852
00:37:47,440 --> 00:37:47,960
Speaker 2: And then.

853
00:37:49,880 --> 00:37:52,080
Speaker 3: I just remember the kids and then I remember Billy

854
00:37:52,080 --> 00:37:53,240
Speaker 3: Bob being a bad Sanna?

855
00:37:53,560 --> 00:37:53,759
Speaker 2: Yeah?

856
00:37:54,360 --> 00:37:58,120
Speaker 5: Not fair enough. Yeah, you've done that. It's got a Cassandra.

857
00:37:58,280 --> 00:37:59,440
Speaker 2: Do you want to have your guess?

858
00:37:59,600 --> 00:38:00,520
Speaker 5: Well, yeah, I'd love to.

859
00:38:01,360 --> 00:38:04,440
Speaker 2: You're a guess Okay, no, I will hold.

860
00:38:05,280 --> 00:38:09,280
Speaker 4: Oh, let's go to Cassandra because they're letting the guesses

861
00:38:09,320 --> 00:38:10,080
Speaker 4: out for Cassandra.

862
00:38:10,120 --> 00:38:10,839
Speaker 5: What do you think it is?

863
00:38:12,040 --> 00:38:12,920
Speaker 10: I'm alone?

864
00:38:13,719 --> 00:38:15,719
Speaker 5: Couldn't be. Everyone's incorrect, damn it.

865
00:38:15,800 --> 00:38:17,640
Speaker 4: Okay, you haven't wiped out any of my because I

866
00:38:17,640 --> 00:38:18,440
Speaker 4: think it's between two.

867
00:38:18,960 --> 00:38:22,400
Speaker 2: Yeah you've said that, mate, Okay again, nobody cares?

868
00:38:22,440 --> 00:38:23,040
Speaker 5: Okay, Okay.

869
00:38:23,080 --> 00:38:25,480
Speaker 2: Can I have been told that Renee has it right? Well?

870
00:38:25,480 --> 00:38:26,760
Speaker 5: Can I have a guess before Renee?

871
00:38:26,800 --> 00:38:28,680
Speaker 4: Because I genuinely don't know if I'm not one hundred

872
00:38:28,680 --> 00:38:31,800
Speaker 4: percent sure, but I'm pretty sure it's the Tim Allen

873
00:38:31,880 --> 00:38:33,840
Speaker 4: classic Santa Claus.

874
00:38:35,440 --> 00:38:41,200
Speaker 2: That's incorrect, Yes, but he goes through silence silence. No

875
00:38:41,239 --> 00:38:44,520
Speaker 2: one cares why you had any incorrect guess? Renee, who's

876
00:38:44,560 --> 00:38:46,640
Speaker 2: given us a called Renee? What is your guess for

877
00:38:47,239 --> 00:38:50,719
Speaker 2: the Christmas film? Which is puberty forces eccentric man into

878
00:38:50,800 --> 00:38:57,200
Speaker 2: life of crime, sucker wood it is. It's the gre jup.

879
00:39:03,160 --> 00:39:05,560
Speaker 2: I remember at the start of the movie. He that's

880
00:39:05,560 --> 00:39:07,279
Speaker 2: the scene that we just played there he goes to

881
00:39:07,280 --> 00:39:10,800
Speaker 2: go and shave his face. Oh good one, that's puberty.

882
00:39:10,920 --> 00:39:14,040
Speaker 2: It's a hack job. He then hates Christmas and begins

883
00:39:14,120 --> 00:39:16,359
Speaker 2: a life of crime. Well, she's that is a win

884
00:39:16,440 --> 00:39:18,640
Speaker 2: for the good guys, Renee. If I can get Renee

885
00:39:18,719 --> 00:39:20,440
Speaker 2: back for a second, now I know that produces are

886
00:39:20,480 --> 00:39:20,919
Speaker 2: king together.

887
00:39:21,080 --> 00:39:22,280
Speaker 5: She's got She hung up to celebrate.

888
00:39:22,360 --> 00:39:24,880
Speaker 2: I was just gonna say, great, she delivered a beautiful

889
00:39:24,880 --> 00:39:26,880
Speaker 2: sucket that was right into the heart. You got it incorrect.

890
00:39:26,920 --> 00:39:27,759
Speaker 2: She came in with the suck.

891
00:39:27,920 --> 00:39:28,719
Speaker 5: I was very happy.

892
00:39:28,560 --> 00:39:33,440
Speaker 4: That we carry on. Yes, we'd love to. I'm one

893
00:39:33,440 --> 00:39:34,719
Speaker 4: from two. I'm still feeling good.

894
00:39:35,920 --> 00:39:38,520
Speaker 2: It's lost the plot Christmas edition. You only allowed one

895
00:39:38,520 --> 00:39:41,279
Speaker 2: guess because Christmas movies. Yeah, then Christmas. There's only like

896
00:39:41,320 --> 00:39:43,680
Speaker 2: five Christmas movies I can do. I've made these very hard,

897
00:39:43,760 --> 00:39:45,879
Speaker 2: so this this round is not for the faint of heart.

898
00:39:46,400 --> 00:39:56,640
Speaker 2: Me okay, Man falls hard after Wild Christmas Party. Man

899
00:39:56,680 --> 00:39:59,120
Speaker 2: falls hard after Wild Christmas Pardy is a Christmas movie.

900
00:40:00,000 --> 00:40:04,799
Speaker 2: You're on the allowed one. Guess would you die hard? Oh? No,

901
00:40:04,840 --> 00:40:05,919
Speaker 2: it is? It is die hard.

902
00:40:09,000 --> 00:40:10,960
Speaker 3: John McLean has come to see.

903
00:40:15,520 --> 00:40:17,000
Speaker 2: He's got to see her.

904
00:40:17,239 --> 00:40:19,560
Speaker 4: They're about to be left and real.

905
00:40:21,840 --> 00:40:25,480
Speaker 5: Good. It doesn't feel good, Yes it does. Do we

906
00:40:25,520 --> 00:40:26,080
Speaker 5: have any more?

907
00:40:26,239 --> 00:40:29,520
Speaker 2: Damn yes, we've got too, Yes, damn it. That was

908
00:40:29,560 --> 00:40:31,719
Speaker 2: a really cryptic one as well. Man falls hard. It

909
00:40:31,760 --> 00:40:33,399
Speaker 2: was meant to be falls out like he falls in love,

910
00:40:33,440 --> 00:40:35,879
Speaker 2: classic Christopher. But yes he does. Actually, Alan Rickman falls

911
00:40:35,880 --> 00:40:38,440
Speaker 2: off the top of the building playing a German terrorist

912
00:40:39,560 --> 00:40:39,960
Speaker 2: in the end.

913
00:40:39,960 --> 00:40:43,640
Speaker 5: There but great villain by Rickman grade. Do you think

914
00:40:44,560 --> 00:40:45,279
Speaker 5: that's a bit of a thrower.

915
00:40:45,640 --> 00:40:47,000
Speaker 2: I've got to keep moving in, We've got to keep

916
00:40:47,160 --> 00:40:48,680
Speaker 2: We don't care if it's throwing mate, You've got it.

917
00:40:49,280 --> 00:40:50,319
Speaker 2: Here we go, two to go.

918
00:40:50,560 --> 00:40:55,560
Speaker 5: Yeah, come on, all right? Yeah.

919
00:40:55,680 --> 00:41:00,840
Speaker 2: Christmas Movies, Lost the Politician, Pizza Revenge for woman to

920
00:41:00,920 --> 00:41:03,480
Speaker 2: sell heirlooms. We're going to go to a song thirty

921
00:41:03,560 --> 00:41:05,000
Speaker 2: one six five. If you think you know what the

922
00:41:05,040 --> 00:41:08,040
Speaker 2: movie is, give us a call. Pizza Revenge forces women

923
00:41:08,120 --> 00:41:11,160
Speaker 2: to sell heirlooms. It is the Christmas edition of Lost

924
00:41:11,160 --> 00:41:14,680
Speaker 2: the Plot by Buddy. I hope your dad.

925
00:41:14,920 --> 00:41:23,839
Speaker 7: I need my family disappear Lost the Plots, all right,

926
00:41:23,920 --> 00:41:26,759
Speaker 7: so tensions tensions are very high here.

927
00:41:27,520 --> 00:41:29,560
Speaker 2: Now we don't normally score Lost the Plot, but it

928
00:41:29,600 --> 00:41:31,200
Speaker 2: is down to a two to one. You are in

929
00:41:31,239 --> 00:41:34,319
Speaker 2: the lead, Thank you, and you've played well. You're only

930
00:41:34,360 --> 00:41:36,360
Speaker 2: allowed one guess for the Christmas edition of Lost the

931
00:41:36,400 --> 00:41:38,399
Speaker 2: Plot because there's only a handful of Christmas movies. These

932
00:41:38,440 --> 00:41:41,040
Speaker 2: are very hard plots, by the way, so if you're

933
00:41:41,040 --> 00:41:44,640
Speaker 2: a movie novice may as well changed stations. The bosses

934
00:41:44,640 --> 00:41:45,879
Speaker 2: will tell me not to say that, but I don't

935
00:41:45,920 --> 00:41:47,879
Speaker 2: want you calling up with your pox. All right, here

936
00:41:47,920 --> 00:41:53,000
Speaker 2: we go. So what we're up to. The plot is

937
00:41:54,160 --> 00:41:57,560
Speaker 2: Pizza revenge forces women to sell airlooms. Keep in mind

938
00:41:57,600 --> 00:41:58,840
Speaker 2: you're only allowed one guess.

939
00:42:00,560 --> 00:42:03,880
Speaker 5: Pizza revenge just seems very obscure. I've got a guess,

940
00:42:03,880 --> 00:42:06,960
Speaker 5: but let's go to Cassandra. Cassandra, what do you think

941
00:42:07,000 --> 00:42:07,239
Speaker 5: it is?

942
00:42:08,160 --> 00:42:08,399
Speaker 1: Oh?

943
00:42:08,560 --> 00:42:09,480
Speaker 3: Now, I'm not sure.

944
00:42:09,840 --> 00:42:11,440
Speaker 10: Is it the office Christmas Party?

945
00:42:12,120 --> 00:42:22,680
Speaker 5: The office Christmas party? Who sells their heirlooms?

946
00:42:22,760 --> 00:42:27,200
Speaker 2: I warned you people. I warned you people. Now I'm

947
00:42:27,200 --> 00:42:27,960
Speaker 2: going to go to Jamie.

948
00:42:27,960 --> 00:42:29,839
Speaker 5: You are going to go to Jamie. Well, I don't

949
00:42:29,840 --> 00:42:30,400
Speaker 5: get a guess.

950
00:42:30,840 --> 00:42:32,480
Speaker 4: Well, we don't know if Jamie's got it right, I know,

951
00:42:32,719 --> 00:42:34,080
Speaker 4: but I feel like you don't go to too before

952
00:42:34,120 --> 00:42:34,719
Speaker 4: I get a crack.

953
00:42:35,320 --> 00:42:36,640
Speaker 2: Well, I think you have a crack in the middle

954
00:42:36,719 --> 00:42:40,040
Speaker 2: last time. That's I mean, yeah, Jamie, would you like

955
00:42:40,040 --> 00:42:41,000
Speaker 2: to have a crack or Joe, what are.

956
00:42:40,920 --> 00:42:41,560
Speaker 5: You to have a crack?

957
00:42:42,880 --> 00:42:43,839
Speaker 3: What do you can have a crack?

958
00:42:43,880 --> 00:42:44,960
Speaker 1: Because I don't think you got it?

959
00:42:45,320 --> 00:42:47,880
Speaker 2: Oh wow, Okay, here we go.

960
00:42:49,239 --> 00:42:50,920
Speaker 5: I like it, Jamie. I like the sport of this.

961
00:42:51,600 --> 00:42:53,640
Speaker 4: Now, to be fair, I'm actually not confident here. But

962
00:42:53,680 --> 00:42:55,440
Speaker 4: I know that pizza is in an early scene in

963
00:42:55,480 --> 00:42:58,319
Speaker 4: this film. And then I hope that the mother in

964
00:42:58,400 --> 00:43:01,439
Speaker 4: this film sells cells some jewelry to try and get

965
00:43:01,480 --> 00:43:02,200
Speaker 4: back to her son.

966
00:43:02,280 --> 00:43:03,240
Speaker 5: Is it home alone?

967
00:43:03,600 --> 00:43:17,840
Speaker 2: It is damn it? Jamie. You what are you thinking?

968
00:43:17,920 --> 00:43:20,200
Speaker 2: I gave you the chance to close around.

969
00:43:20,160 --> 00:43:22,120
Speaker 5: And you have it.

970
00:43:22,400 --> 00:43:25,960
Speaker 2: Oh my god, Jamie, I hope you get no presents

971
00:43:26,000 --> 00:43:30,040
Speaker 2: for Christmas. You've absolutely torched me. I don't believe it.

972
00:43:30,880 --> 00:43:33,600
Speaker 2: Oh God, Yes, I tried to make it as a scrip.

973
00:43:33,719 --> 00:43:37,040
Speaker 2: They're any hard movie to give an obscure plot. For

974
00:43:37,160 --> 00:43:41,400
Speaker 2: Home Alone had to avoid all references to kids, bandits, holidays.

975
00:43:40,719 --> 00:43:43,680
Speaker 5: Everything does she sell? What does she sell?

976
00:43:43,760 --> 00:43:45,800
Speaker 2: So there's two parts to this. So the pizza revenge

977
00:43:45,800 --> 00:43:48,200
Speaker 2: at the very start, he doesn't get his brother eats

978
00:43:48,200 --> 00:43:51,320
Speaker 2: his cheese pizza any what plain cheese?

979
00:43:52,080 --> 00:43:52,879
Speaker 11: Oh yeah we did.

980
00:43:53,360 --> 00:43:55,759
Speaker 9: If you want to, somebody's gonna have to barf it

981
00:43:55,840 --> 00:43:57,440
Speaker 9: all up because it was gone.

982
00:43:57,640 --> 00:43:59,840
Speaker 2: I remember punching him and then he gets banished to

983
00:43:59,840 --> 00:44:02,719
Speaker 2: the and that's why they leave him, which forces his

984
00:44:02,960 --> 00:44:04,719
Speaker 2: mum member. She gets to the airport and she doesn't

985
00:44:04,719 --> 00:44:07,560
Speaker 2: have any money, so she takes off her bracelets in

986
00:44:07,719 --> 00:44:09,759
Speaker 2: order to pay for the flight to get back to

987
00:44:09,840 --> 00:44:11,080
Speaker 2: Chicago to see him.

988
00:44:11,160 --> 00:44:12,799
Speaker 5: That was somewhere in my head. That was somewhere in

989
00:44:12,840 --> 00:44:15,920
Speaker 5: my head. An extraordinary man. That was phenomenal