1 00:00:00,040 --> 00:00:02,599 Speaker 1: What's on the podcast today, Big Meaty Show. 2 00:00:02,920 --> 00:00:06,080 Speaker 2: We talked to Mel Shilling from Maths. Mats is about 3 00:00:06,080 --> 00:00:08,920 Speaker 2: to kick off again. What can they do you after year? 4 00:00:09,000 --> 00:00:11,120 Speaker 2: To make it more crazy? I mean once you clean 5 00:00:11,240 --> 00:00:13,600 Speaker 2: a toilet with a toothbrush, which is a country song. 6 00:00:13,880 --> 00:00:14,920 Speaker 2: Where do you go from there? 7 00:00:15,000 --> 00:00:16,560 Speaker 1: Where do you go? Where do you go? 8 00:00:16,760 --> 00:00:19,120 Speaker 2: Do you go to space? To involve animals? To involve fruit? 9 00:00:19,200 --> 00:00:22,040 Speaker 1: What do you do animals and fruit? There's a show Core. 10 00:00:22,880 --> 00:00:24,320 Speaker 2: Thank you for appreciating my partner. 11 00:00:24,400 --> 00:00:27,159 Speaker 1: I think you'd be great at it. You're ready to 12 00:00:27,200 --> 00:00:28,040 Speaker 1: come back to TV? 13 00:00:28,840 --> 00:00:29,160 Speaker 3: Sure? 14 00:00:30,080 --> 00:00:32,240 Speaker 4: Also five for your flashback, our first one for twenty 15 00:00:32,280 --> 00:00:32,800 Speaker 4: twenty five. 16 00:00:32,920 --> 00:00:36,360 Speaker 2: Yes, and Tom new boy Tom to put together the 17 00:00:36,360 --> 00:00:39,199 Speaker 2: Gibber Jabber. He's got to collate all the weirdness from 18 00:00:39,200 --> 00:00:41,120 Speaker 2: the week into one small chunk. 19 00:00:41,400 --> 00:00:42,839 Speaker 1: Enjoy the podcast. 20 00:00:51,800 --> 00:00:53,000 Speaker 5: About the miracle of recording. 21 00:00:53,200 --> 00:00:55,400 Speaker 1: We have so many requests for them to do it again. 22 00:00:55,520 --> 00:00:57,120 Speaker 1: Mistress Amanda's miss Killer. 23 00:00:57,760 --> 00:01:00,680 Speaker 6: Amanda doesn't work alone. 24 00:01:01,160 --> 00:01:03,880 Speaker 2: Friend making the tools of the train. 25 00:01:03,960 --> 00:01:06,720 Speaker 7: I've heard them describe him as a drunken idiot. 26 00:01:07,319 --> 00:01:11,400 Speaker 8: I've a legendary part of Jersey and Amanda the actress. 27 00:01:11,680 --> 00:01:13,960 Speaker 2: We congratulations, We're ready. 28 00:01:13,840 --> 00:01:16,960 Speaker 1: Right, now Jersey and Amanda, you're doing a great job. 29 00:01:17,480 --> 00:01:19,840 Speaker 2: It could be anyone but your silky giant. 30 00:01:21,480 --> 00:01:22,120 Speaker 9: Good radio. 31 00:01:22,360 --> 00:01:27,560 Speaker 8: Sorry but it's a toge tongue twist set and Amanda 32 00:01:28,160 --> 00:01:28,839 Speaker 8: shoot time. 33 00:01:29,600 --> 00:01:34,600 Speaker 4: We're on the air fry first week back. 34 00:01:34,800 --> 00:01:37,240 Speaker 2: And then we decided that Monday is a holiday. 35 00:01:37,440 --> 00:01:39,080 Speaker 1: Yeah, how good is that? Monday? 36 00:01:39,200 --> 00:01:42,120 Speaker 4: Australia long weekend? And he plans what's happening in the 37 00:01:42,200 --> 00:01:42,759 Speaker 4: month's world? 38 00:01:43,120 --> 00:01:45,960 Speaker 2: Oh, not much. Actually we're having a team a team. 39 00:01:46,200 --> 00:01:47,280 Speaker 1: Oh that's right, I can't go. 40 00:01:47,480 --> 00:01:48,200 Speaker 2: It's you going. 41 00:01:48,400 --> 00:01:50,360 Speaker 4: Well, I'm going to Australia. I'm going to do an 42 00:01:50,360 --> 00:01:51,720 Speaker 4: Australia Day thing at Cronla. 43 00:01:51,760 --> 00:01:53,120 Speaker 2: I know you're going to spend a few days with 44 00:01:53,240 --> 00:01:54,840 Speaker 2: us and then go and do your duties. 45 00:01:54,880 --> 00:01:55,840 Speaker 1: I'm going to do my duties. 46 00:01:56,320 --> 00:01:59,920 Speaker 4: My cauz Bro Dylan Wright will be performing there. That's 47 00:02:00,000 --> 00:02:01,440 Speaker 4: only fitting that i'm there as well. 48 00:02:01,440 --> 00:02:03,920 Speaker 2: And and will you recognize him because remember how you 49 00:02:04,440 --> 00:02:07,040 Speaker 2: used to bang on when he was so close to 50 00:02:07,080 --> 00:02:08,400 Speaker 2: winning the Voice? I think he was runner up? 51 00:02:08,440 --> 00:02:10,720 Speaker 1: Wasn't he the voice? It was the other one? 52 00:02:10,840 --> 00:02:11,560 Speaker 2: What is the other one? 53 00:02:11,760 --> 00:02:14,000 Speaker 1: The one that Carle's on? What's that go straight? 54 00:02:14,040 --> 00:02:14,200 Speaker 2: Then? 55 00:02:14,639 --> 00:02:15,240 Speaker 1: Yes, that's right. 56 00:02:15,440 --> 00:02:17,400 Speaker 2: And every week you were saying, oh, he's still in 57 00:02:17,520 --> 00:02:19,960 Speaker 2: he's incredible. You didn't watch a moment of it, and 58 00:02:19,960 --> 00:02:21,920 Speaker 2: you wouldn't recognized him in a police lineup. 59 00:02:22,520 --> 00:02:24,800 Speaker 1: I do. He's got a beard, and he's a lovely 60 00:02:24,880 --> 00:02:29,000 Speaker 1: young man and we are like blood brothers. So I'll 61 00:02:29,040 --> 00:02:32,200 Speaker 1: be happy to support him down there. It's going to 62 00:02:32,240 --> 00:02:32,720 Speaker 1: be great. 63 00:02:33,120 --> 00:02:36,200 Speaker 4: But today's tinged with sadness as well, because it's jim 64 00:02:36,360 --> 00:02:37,960 Speaker 4: Y Rise last day. 65 00:02:38,040 --> 00:02:39,400 Speaker 1: He's come and look at him, Well, what are you 66 00:02:39,400 --> 00:02:39,880 Speaker 1: wearing today? 67 00:02:39,880 --> 00:02:42,000 Speaker 2: You don't have the suit on. You've got a Hawaiian shirt. 68 00:02:42,080 --> 00:02:44,840 Speaker 10: I've got a Hawaiian shirt because I am going to 69 00:02:45,480 --> 00:02:49,120 Speaker 10: Hawaii later today. So the training with Tom is done 70 00:02:49,440 --> 00:02:51,960 Speaker 10: and then I'm off to Honolulu on a holiday. 71 00:02:52,080 --> 00:02:54,840 Speaker 5: I got this email from what do you got a holiday? 72 00:02:54,960 --> 00:02:56,160 Speaker 2: It's like a retreat. 73 00:02:56,520 --> 00:03:00,840 Speaker 5: It's one of those with retreat yea with work? Yeah, yeah, 74 00:03:00,880 --> 00:03:02,519 Speaker 5: this is great. I'm living the life now. 75 00:03:02,720 --> 00:03:04,040 Speaker 2: So what's your corporate retreat? 76 00:03:04,080 --> 00:03:04,200 Speaker 11: Well? 77 00:03:04,200 --> 00:03:05,680 Speaker 5: I got this email? Do you want me to read it? 78 00:03:05,760 --> 00:03:06,000 Speaker 2: Yeah? 79 00:03:06,000 --> 00:03:08,200 Speaker 10: Okay, So it says this begot this last night, Dear 80 00:03:08,280 --> 00:03:11,760 Speaker 10: Jen y Ryan. As per my last email, management is 81 00:03:11,880 --> 00:03:15,960 Speaker 10: very pleased with your performance in training new recruit Thomas, 82 00:03:16,240 --> 00:03:18,320 Speaker 10: and we believe you are the essence of what development 83 00:03:18,360 --> 00:03:20,320 Speaker 10: and foundations training is all about. 84 00:03:20,520 --> 00:03:24,519 Speaker 5: Daft, It's no, it's not daft. Today this is important 85 00:03:25,040 --> 00:03:25,639 Speaker 5: I continue. 86 00:03:25,800 --> 00:03:29,400 Speaker 10: You move the needle and work methodically in a granular fashion, 87 00:03:30,160 --> 00:03:32,920 Speaker 10: ultimately exhibiting the kind of blue sky thinking we are 88 00:03:32,919 --> 00:03:35,840 Speaker 10: seeking to leverage as part of our broader scope for 89 00:03:35,880 --> 00:03:43,920 Speaker 10: the Metropolitan Operating Resource Optimization Network. What the Metropolitan Operating 90 00:03:43,960 --> 00:03:45,880 Speaker 10: Resource Optimization Network? 91 00:03:45,880 --> 00:03:47,720 Speaker 2: Okay, I'm not following any of this. 92 00:03:47,760 --> 00:03:50,440 Speaker 10: Okay, and so we would like to run this up 93 00:03:50,480 --> 00:03:54,320 Speaker 10: the flagpole and all expenses paid invitation to our quarterly 94 00:03:54,360 --> 00:03:58,360 Speaker 10: conference in Honolulu flying business class. 95 00:03:59,120 --> 00:04:00,320 Speaker 5: Yeah, business us. 96 00:04:00,640 --> 00:04:03,800 Speaker 10: We believe this will foster a sphere of synergy that 97 00:04:03,920 --> 00:04:05,640 Speaker 10: will be able to circle back to when we touch 98 00:04:05,680 --> 00:04:08,600 Speaker 10: base again in Sydney. Please he attached your official invite 99 00:04:08,600 --> 00:04:15,000 Speaker 10: to our annual Wellness and Networking conference. Sign management. No, 100 00:04:15,080 --> 00:04:17,359 Speaker 10: it's not whang, it's important business. 101 00:04:18,200 --> 00:04:19,040 Speaker 5: You take me serious. 102 00:04:19,080 --> 00:04:23,640 Speaker 2: Wellness and networking context is an acronym conference conference? 103 00:04:25,320 --> 00:04:26,360 Speaker 1: Well that's unfortunately. 104 00:04:26,600 --> 00:04:30,800 Speaker 4: Yeah, though you know it's sort of a quarter of 105 00:04:30,880 --> 00:04:33,080 Speaker 4: the year's a quarter of the just started. 106 00:04:33,240 --> 00:04:33,719 Speaker 1: Well, I don't know. 107 00:04:34,000 --> 00:04:36,600 Speaker 10: I think management, we work differently to you guys. Right, 108 00:04:36,600 --> 00:04:38,600 Speaker 10: we're at a different level, different plane. 109 00:04:38,720 --> 00:04:41,400 Speaker 1: Wow, okay, you're going to stick around for the remainder 110 00:04:41,440 --> 00:04:42,640 Speaker 1: of the day, is it? 111 00:04:43,120 --> 00:04:43,280 Speaker 12: Well? 112 00:04:43,400 --> 00:04:45,240 Speaker 5: I think I have to be here till nine. 113 00:04:45,880 --> 00:04:46,680 Speaker 2: And then go. 114 00:04:46,800 --> 00:04:50,320 Speaker 1: Sorry to be a burden. Well, Tom, welcome aboard. 115 00:04:50,400 --> 00:04:52,640 Speaker 4: We're looking forward to you being part of because he's 116 00:04:52,640 --> 00:04:54,040 Speaker 4: got to do gyrise. 117 00:04:55,160 --> 00:04:56,320 Speaker 1: What are we going to call it? We're gonna come 118 00:04:56,360 --> 00:04:57,200 Speaker 1: up with some sort of name. 119 00:04:57,400 --> 00:05:02,479 Speaker 2: Have about something snazzy like Tom's jibbijab that's brillant speaking, 120 00:05:02,880 --> 00:05:03,719 Speaker 2: very snazzy. 121 00:05:04,440 --> 00:05:07,560 Speaker 4: Five for your Flashbag makes its return today. Instagram is 122 00:05:07,600 --> 00:05:09,479 Speaker 4: back as well, and we can't do anything until we 123 00:05:09,520 --> 00:05:10,520 Speaker 4: do the Magnificent seven. 124 00:05:10,560 --> 00:05:13,359 Speaker 2: This question one, what's the main ingredient in a glass 125 00:05:13,360 --> 00:05:13,880 Speaker 2: of water? 126 00:05:14,560 --> 00:05:18,919 Speaker 4: Generation we have the Magnificent seven. There are seven questions. 127 00:05:18,960 --> 00:05:20,279 Speaker 4: Can you go all the way and answer all seven 128 00:05:20,360 --> 00:05:22,719 Speaker 4: questions correctly? If you do that, Amanda will say, I'll 129 00:05:22,720 --> 00:05:23,280 Speaker 4: tell you what. 130 00:05:23,400 --> 00:05:26,120 Speaker 2: Everyone's a winner today. Every call that makes it to 131 00:05:26,160 --> 00:05:30,880 Speaker 2: we gets a gold lunch. On Captain Cook Cruises are 132 00:05:31,560 --> 00:05:34,720 Speaker 2: discover the World's most Beautiful Harbor. On board Captain Cook Cruises. 133 00:05:34,760 --> 00:05:37,799 Speaker 4: I was watching it was sailing around before in the harbor, 134 00:05:38,200 --> 00:05:39,680 Speaker 4: and you know, it just gave me pause to thought. 135 00:05:39,920 --> 00:05:42,640 Speaker 1: You know, the Endeavor didn't actually. 136 00:05:42,279 --> 00:05:45,800 Speaker 4: Come into Port Jackson and only went to Botany, but 137 00:05:46,000 --> 00:05:47,279 Speaker 4: just to see it around now. 138 00:05:47,120 --> 00:05:49,159 Speaker 1: Going under the harbor. I finally made it in, finally 139 00:05:49,200 --> 00:05:49,520 Speaker 1: got there. 140 00:05:49,560 --> 00:05:51,800 Speaker 4: But imagine being a time travel and that ship came along, 141 00:05:51,839 --> 00:05:52,800 Speaker 4: Hey look at this, you. 142 00:05:52,760 --> 00:05:54,880 Speaker 2: Know, or being a time travel from then and having 143 00:05:54,880 --> 00:05:57,360 Speaker 2: a glimpse of how Sidney looks now. Yeah, amazing. 144 00:05:57,440 --> 00:05:59,160 Speaker 1: What's going to be in like another two hundred and 145 00:05:59,160 --> 00:05:59,720 Speaker 1: fifty years? 146 00:06:00,640 --> 00:06:02,920 Speaker 2: Intriguing? I can't predict it. 147 00:06:03,520 --> 00:06:05,239 Speaker 1: Maybe Richard of Camden can. 148 00:06:05,480 --> 00:06:08,960 Speaker 7: Richard, good morning, Evander and Jonesy. 149 00:06:09,360 --> 00:06:10,600 Speaker 1: We are very well. 150 00:06:10,680 --> 00:06:13,120 Speaker 2: You are off for a gold lunch on Captain Cook Cruises. 151 00:06:13,120 --> 00:06:16,760 Speaker 2: Well done, hi, ages. Here's question number one. What's the 152 00:06:16,880 --> 00:06:19,200 Speaker 2: and it's a hard one. Get ready, Richard? What's the 153 00:06:19,240 --> 00:06:23,040 Speaker 2: main ingredient of water? What's the main ingredient in a 154 00:06:23,480 --> 00:06:24,160 Speaker 2: glass of water? 155 00:06:24,279 --> 00:06:24,599 Speaker 1: Sorry? 156 00:06:24,800 --> 00:06:26,039 Speaker 2: What is your answer, young man? 157 00:06:26,279 --> 00:06:27,159 Speaker 1: Or water? 158 00:06:27,360 --> 00:06:29,320 Speaker 2: I also have accepted glass? 159 00:06:31,080 --> 00:06:31,760 Speaker 1: Richard? 160 00:06:32,200 --> 00:06:35,040 Speaker 4: What color is a ripe banana? 161 00:06:36,720 --> 00:06:38,240 Speaker 5: A ripe banana yellow? 162 00:06:38,360 --> 00:06:40,360 Speaker 2: Yes, it's a trick question, as you are we wasting 163 00:06:40,440 --> 00:06:42,680 Speaker 2: Rich's time? Well maybe well let's get with let's get 164 00:06:42,720 --> 00:06:49,880 Speaker 2: him with monster mash. Let's check off this, Richard. I'm 165 00:06:49,920 --> 00:06:52,400 Speaker 2: sure you've answered about a banana and a glass of water, 166 00:06:52,440 --> 00:06:54,760 Speaker 2: but we have mashed two songs up. What are they? 167 00:07:04,760 --> 00:07:14,880 Speaker 13: CHRISTI? 168 00:07:17,600 --> 00:07:18,000 Speaker 1: Yikes? 169 00:07:18,040 --> 00:07:19,640 Speaker 2: Do you know what the two songs are, Richard? Or 170 00:07:19,640 --> 00:07:21,760 Speaker 2: even just one of them? Throw someone else at bone? 171 00:07:23,920 --> 00:07:26,160 Speaker 9: I recognized both of them, but I couldn't tell you 172 00:07:26,200 --> 00:07:27,360 Speaker 9: what they call. 173 00:07:27,960 --> 00:07:36,000 Speaker 1: Didn't tell us anything, Richard. Podcast, we're into the Magnificent seven. 174 00:07:36,800 --> 00:07:39,080 Speaker 2: We're playing monster mash at question number three. 175 00:07:40,280 --> 00:07:41,080 Speaker 1: Let's kick off this. 176 00:07:45,120 --> 00:07:49,120 Speaker 2: Julie's in the ponds. Hello, Julie, good morning, welcome back. 177 00:07:49,480 --> 00:07:53,120 Speaker 1: Thank you, you're off the man's smirking. Sorry you're off 178 00:07:53,120 --> 00:07:53,440 Speaker 1: to there. 179 00:07:53,480 --> 00:07:55,560 Speaker 2: You're off to a gold lunch on Captain Cook Cruises. 180 00:07:56,400 --> 00:08:00,360 Speaker 1: Wow, Because I was just toying with the new personsitioner. 181 00:08:00,400 --> 00:08:02,480 Speaker 4: As we say in the business, gold one oh one, 182 00:08:02,800 --> 00:08:03,760 Speaker 4: and I forgot the point. 183 00:08:03,800 --> 00:08:05,560 Speaker 1: I went gold one on one seven. 184 00:08:05,440 --> 00:08:06,160 Speaker 2: Left the point off. 185 00:08:06,160 --> 00:08:07,640 Speaker 1: What do you like? You like gold one on one 186 00:08:07,760 --> 00:08:09,560 Speaker 1: seven or gold one on one point seven? 187 00:08:09,600 --> 00:08:11,720 Speaker 2: What do you think, Julie? 188 00:08:12,360 --> 00:08:14,040 Speaker 9: I think it is one one point seven. 189 00:08:14,200 --> 00:08:14,920 Speaker 1: You're like the one on one. 190 00:08:14,920 --> 00:08:17,480 Speaker 4: By god, I'm gonna put that down Julie recommends one 191 00:08:17,520 --> 00:08:18,600 Speaker 4: oh one point seven. 192 00:08:18,720 --> 00:08:21,600 Speaker 2: Julie, let's see how you go with monster mash two songs, 193 00:08:21,800 --> 00:08:24,800 Speaker 2: the two great songs have been pushed together to sound dreadful. 194 00:08:24,800 --> 00:08:40,560 Speaker 12: What are they that'll do us? 195 00:08:40,559 --> 00:08:42,679 Speaker 2: Because it's hideous? What are the songs? 196 00:08:43,920 --> 00:08:44,280 Speaker 10: Okay? 197 00:08:44,320 --> 00:08:52,000 Speaker 2: So I waste this wonderwall yeps? Wonderful one yep, I 198 00:08:52,000 --> 00:08:54,520 Speaker 2: think the other one? You spin me right around. You 199 00:08:54,600 --> 00:08:58,960 Speaker 2: know that's it dead or alive. Thank goodness that's behind 200 00:08:59,000 --> 00:09:00,040 Speaker 2: us and we can move on. 201 00:09:00,160 --> 00:09:01,439 Speaker 1: DJ Tom's in the house. 202 00:09:01,840 --> 00:09:03,080 Speaker 2: Yeah. 203 00:09:03,280 --> 00:09:04,480 Speaker 1: What was play though? 204 00:09:04,679 --> 00:09:09,440 Speaker 4: Originally used for Julie was an a glue the shoe 205 00:09:09,480 --> 00:09:12,280 Speaker 4: polish or see wall cleaner. 206 00:09:14,120 --> 00:09:15,120 Speaker 7: It was a wall cleaner. 207 00:09:15,679 --> 00:09:18,040 Speaker 2: It was you said that with a degree of the 208 00:09:18,480 --> 00:09:20,480 Speaker 2: well it says he was first I've heard that before. 209 00:09:20,960 --> 00:09:23,800 Speaker 2: It's first sold in the nineteen thirties. Is a wallpaper cleaner, 210 00:09:23,960 --> 00:09:28,520 Speaker 2: right sort from the walls? Before the kids started play 211 00:09:28,559 --> 00:09:30,280 Speaker 2: with as a toy, what sort? 212 00:09:30,600 --> 00:09:34,360 Speaker 14: No, come down from the chimney and play with your 213 00:09:34,360 --> 00:09:34,880 Speaker 14: play though. 214 00:09:35,000 --> 00:09:38,320 Speaker 2: Remember little puppet was a glove puppet. That was That 215 00:09:38,480 --> 00:09:40,680 Speaker 2: was our version of c g I when we were younger. 216 00:09:40,920 --> 00:09:42,080 Speaker 2: Someone's hand in a glove. 217 00:09:44,280 --> 00:09:46,120 Speaker 1: Well, there's a lambsy and sooty. 218 00:09:46,240 --> 00:09:46,880 Speaker 2: Yeah, and that was it. 219 00:09:47,520 --> 00:09:50,040 Speaker 1: What fruit to raisins come from? 220 00:09:50,280 --> 00:09:54,079 Speaker 2: Julie Great from a great Let's get to true a 221 00:09:54,120 --> 00:09:58,120 Speaker 2: false question. Six Movie theaters used to have no set showtimes. 222 00:09:58,160 --> 00:10:03,400 Speaker 2: You could just walk in it anytime during the first really, I imagine, 223 00:10:03,360 --> 00:10:06,520 Speaker 2: let's be true. How weird is that I have trouble 224 00:10:06,520 --> 00:10:08,080 Speaker 2: following a film if I see it from the beginning, 225 00:10:08,600 --> 00:10:10,360 Speaker 2: if I walked out halfway through, I'm saying, and I 226 00:10:10,400 --> 00:10:13,000 Speaker 2: call out early, who's that? And annoy everybody? 227 00:10:14,640 --> 00:10:16,480 Speaker 1: So they used to run on a loop. 228 00:10:16,559 --> 00:10:18,760 Speaker 2: Yeah, a continuous loop, so you could just enter at 229 00:10:18,800 --> 00:10:21,160 Speaker 2: any time, stay as long as you wanted. And apparently 230 00:10:21,160 --> 00:10:23,880 Speaker 2: Alfred Hitchcock, he was the one who famously pushed for 231 00:10:23,920 --> 00:10:27,480 Speaker 2: structured showtimes, with Psycho insisting that no one be admitted 232 00:10:27,520 --> 00:10:30,199 Speaker 2: after the movie started, otherwise you'd come in halfway. You know, 233 00:10:30,240 --> 00:10:32,640 Speaker 2: it's sort a strange. 234 00:10:31,800 --> 00:10:36,440 Speaker 4: As a dead grandmother dressed up now the sun dressed up. 235 00:10:36,440 --> 00:10:40,360 Speaker 2: I'll spoiler alert, the dead grandmother dressed up even after 236 00:10:40,400 --> 00:10:41,600 Speaker 2: all these years you've stuffed up. 237 00:10:41,640 --> 00:10:43,840 Speaker 4: So he was dressed up as his dead mom is 238 00:10:43,840 --> 00:10:46,000 Speaker 4: he's dead, but she was propped up dead weekend and 239 00:10:46,040 --> 00:10:47,200 Speaker 4: Bernie style up the top? 240 00:10:47,600 --> 00:10:49,560 Speaker 1: Is that right, Julie? Feel free to weigh in on this. 241 00:10:51,440 --> 00:10:55,480 Speaker 2: The famous shower scene. 242 00:10:54,360 --> 00:10:58,079 Speaker 1: They used chocolate topping for the for the blood did they? 243 00:10:59,400 --> 00:11:03,000 Speaker 4: Expect the Unknown is the new biopic based on which 244 00:11:03,160 --> 00:11:04,280 Speaker 4: artist's life. 245 00:11:05,720 --> 00:11:10,360 Speaker 2: Expecting I can hear you to be typing and that's okay. 246 00:11:11,600 --> 00:11:13,560 Speaker 1: Can you book me an aisle seat please? 247 00:11:18,200 --> 00:11:20,640 Speaker 2: Sorry, Julie, We're going to Malcolm in Glenmore Park who's 248 00:11:20,679 --> 00:11:27,040 Speaker 2: also getting a gold lunch on Captain Cook Cruisers. Hi'm Malcolm, Hello, Hello, 249 00:11:27,800 --> 00:11:30,360 Speaker 2: good morning, good morning. Expect the Unknown. It's a new 250 00:11:30,400 --> 00:11:33,679 Speaker 2: bio biopic or biopic I've heard it described. Not biopic 251 00:11:33,679 --> 00:11:37,280 Speaker 2: which sounds something medical. Biopic based on the life of 252 00:11:37,320 --> 00:11:42,480 Speaker 2: which artist. Bob Dylan, with Timothy Charlomage playing Bob Dylan. 253 00:11:42,600 --> 00:11:45,480 Speaker 1: And he's going to talk like Bob. 254 00:11:45,440 --> 00:11:49,000 Speaker 2: Anyone can see. Yeah, it doesn't matter how badly you sing, 255 00:11:49,040 --> 00:11:49,840 Speaker 2: you'll sound like Bob. 256 00:11:49,960 --> 00:11:53,040 Speaker 1: He came out first though. That's the thing. If you're 257 00:11:53,040 --> 00:11:54,400 Speaker 1: going to do that stuff, you've got to come out 258 00:11:54,440 --> 00:11:55,079 Speaker 1: first and. 259 00:11:55,080 --> 00:11:56,839 Speaker 2: Write the songs. He wrote incredible songs. 260 00:11:56,840 --> 00:12:00,960 Speaker 1: What about Bob cat gold Thwaite, what about him? But 261 00:12:01,040 --> 00:12:04,800 Speaker 1: he should release an album songs. Sure, maybe not, He's dreadful. 262 00:12:05,000 --> 00:12:07,680 Speaker 1: Congratulations you won the Jay Page. All coming away, Malcolm to. 263 00:12:07,640 --> 00:12:09,760 Speaker 4: Turn and fifty dollars to spread A rock Solt restaurant, 264 00:12:10,040 --> 00:12:13,560 Speaker 4: a modern dining experience of signature cocktails right in the shire. 265 00:12:13,920 --> 00:12:15,720 Speaker 1: He te Sydney Cruise for two. 266 00:12:16,280 --> 00:12:19,480 Speaker 4: I discover the world's most beautiful harbor aboard Captain Cook Cruises. 267 00:12:19,480 --> 00:12:21,520 Speaker 1: You'll be on it so often they'll think you work there. 268 00:12:21,559 --> 00:12:23,199 Speaker 2: Now, I don't think you are Captain Cook. 269 00:12:23,320 --> 00:12:25,000 Speaker 1: Jones and Amanic characters. She was for the color and 270 00:12:25,080 --> 00:12:26,040 Speaker 1: some stalar pencils. 271 00:12:26,200 --> 00:12:30,040 Speaker 4: Malcolm, anything you'd like to add, What a great way 272 00:12:30,080 --> 00:12:30,760 Speaker 4: to start for I? 273 00:12:31,000 --> 00:12:32,440 Speaker 2: Well there is, Malcolm, Thank you. 274 00:12:32,880 --> 00:12:35,319 Speaker 1: Carry on, Malcolm fades off in the distance. 275 00:12:36,640 --> 00:12:39,959 Speaker 15: Jonesy and Amanda podcast. 276 00:12:42,720 --> 00:12:45,120 Speaker 2: Brundon and Evanda and you're on the same show. 277 00:12:46,040 --> 00:12:48,480 Speaker 1: Let's start wearing lipstick so perfect. 278 00:12:49,080 --> 00:12:51,199 Speaker 2: Hello there, I'm going to flick through the German act. 279 00:12:51,240 --> 00:12:54,599 Speaker 2: I've been book of musical facts on this day. In 280 00:12:54,679 --> 00:12:57,440 Speaker 2: nineteen ninety two, Nirvana released their single Come As You 281 00:12:57,480 --> 00:13:02,160 Speaker 2: Are Wow. Also in nineteen ninety two, Nirvana famously sabotaged 282 00:13:02,200 --> 00:13:06,000 Speaker 2: their own sellout show in Buenos Aires with the band 283 00:13:06,200 --> 00:13:08,679 Speaker 2: Well they're ahead of their times, ahead of it. So 284 00:13:08,720 --> 00:13:13,079 Speaker 2: they had an all female slash queer slash trans band 285 00:13:13,160 --> 00:13:17,720 Speaker 2: called Calamity Jane open for them. The crowd was not impressed. 286 00:13:17,720 --> 00:13:20,640 Speaker 2: This is in nineteen ninety two. They pelted the girls 287 00:13:20,720 --> 00:13:24,400 Speaker 2: with objects like coins and rocks, forcing them off stage, 288 00:13:24,440 --> 00:13:28,679 Speaker 2: which infuriated Kurt. So when Kurt came on, rather than 289 00:13:29,360 --> 00:13:32,080 Speaker 2: refusing to play, Kurt and the band took to the 290 00:13:32,120 --> 00:13:44,400 Speaker 2: stage and performed like this. I don't mind it, that's 291 00:13:44,440 --> 00:13:47,640 Speaker 2: all right, he said. He generally just had fun pissing 292 00:13:47,720 --> 00:13:49,839 Speaker 2: the crowd off for more than an hour. But if you 293 00:13:49,880 --> 00:13:51,720 Speaker 2: want to hear what the song really sounds like, you 294 00:13:51,760 --> 00:13:52,520 Speaker 2: have to listen to this. 295 00:13:52,640 --> 00:13:55,880 Speaker 4: Get it on, jam, Let's get on down to the Jonesy. 296 00:13:55,960 --> 00:14:00,880 Speaker 4: The matter of the pubcast the thumbs up emoji? Does 297 00:14:00,920 --> 00:14:02,200 Speaker 4: it pass the pub if. 298 00:14:02,080 --> 00:14:04,920 Speaker 2: You're of a certain age, for example, if you're our age, 299 00:14:05,280 --> 00:14:08,080 Speaker 2: even if you're a millennial, you'll go who complains about 300 00:14:08,080 --> 00:14:11,520 Speaker 2: the thumbs up? But younger people apparently hate the thumbs 301 00:14:11,559 --> 00:14:16,520 Speaker 2: up emoji. They find it dismissive, passive, aggressive, downright rude. 302 00:14:16,840 --> 00:14:20,880 Speaker 2: So the older generations use it to say yet heard 303 00:14:20,920 --> 00:14:26,600 Speaker 2: it understood? Great The younger generation sees this as conversation over. 304 00:14:28,280 --> 00:14:31,400 Speaker 2: I've decided this conversation has stopped, and they see that 305 00:14:31,440 --> 00:14:35,120 Speaker 2: as being very rude. People are saying here, it's fine 306 00:14:35,120 --> 00:14:36,800 Speaker 2: to react to a comment with a thumb, but not 307 00:14:36,840 --> 00:14:38,280 Speaker 2: to end a message with a thumb. 308 00:14:39,080 --> 00:14:41,880 Speaker 4: You know my daughter, I write her a text and 309 00:14:41,920 --> 00:14:43,720 Speaker 4: she said, you can't put full stops in there. 310 00:14:44,320 --> 00:14:46,720 Speaker 1: Well, apparently a punctuation is offensive. 311 00:14:47,960 --> 00:14:50,160 Speaker 2: It took me ages just to work out the thumb 312 00:14:50,200 --> 00:14:52,600 Speaker 2: because I realized that, oh, it feels open ended. I 313 00:14:52,640 --> 00:14:54,680 Speaker 2: just want to say, yes, I've acknowledged that I've got this, 314 00:14:54,800 --> 00:14:57,560 Speaker 2: but that's not how that thumb is used and perceived 315 00:14:57,920 --> 00:14:58,720 Speaker 2: by other people. 316 00:14:59,040 --> 00:15:01,720 Speaker 1: Use a Miley wacky face a bit. 317 00:15:01,640 --> 00:15:06,440 Speaker 2: Well, apparently that one's but it says with the thumb. 318 00:15:06,840 --> 00:15:09,160 Speaker 2: When you use this emoji at the end of a message, 319 00:15:09,200 --> 00:15:12,480 Speaker 2: it's blunt. It indicates the conversations over. That's why people 320 00:15:12,480 --> 00:15:16,360 Speaker 2: think it's passive aggressive. I'll come on, I know, come on, 321 00:15:16,840 --> 00:15:19,040 Speaker 2: I know, I say the beef. 322 00:15:19,080 --> 00:15:19,760 Speaker 1: Do you have beef for that? 323 00:15:19,840 --> 00:15:21,240 Speaker 2: Well I don't because I'm an old day. 324 00:15:21,360 --> 00:15:23,600 Speaker 1: Although you did last night give me a thumbs up. 325 00:15:23,720 --> 00:15:24,080 Speaker 2: Did I? 326 00:15:24,160 --> 00:15:24,360 Speaker 1: Yeah? 327 00:15:24,360 --> 00:15:26,560 Speaker 2: I was just you know, said hi, Hawaii. I'm conversation 328 00:15:26,600 --> 00:15:29,280 Speaker 2: over I do it in real life. Stop talking and 329 00:15:29,680 --> 00:15:32,960 Speaker 2: stop talking. How do you feel if you come across 330 00:15:33,000 --> 00:15:36,400 Speaker 2: this the thumbs up emoji? Does it pass the pub test? 331 00:15:36,560 --> 00:15:38,920 Speaker 1: These are the things that we have to deal with, Jones? 332 00:15:42,000 --> 00:15:43,840 Speaker 1: You know, Double a Chattery started this year. 333 00:15:43,880 --> 00:15:46,560 Speaker 4: This is the podcast that you do with your friend 334 00:15:46,760 --> 00:15:47,680 Speaker 4: Anita McGregor. 335 00:15:47,840 --> 00:15:49,479 Speaker 1: She is a forensic psychologist. 336 00:15:49,560 --> 00:15:51,840 Speaker 2: Yes, and this is we're into our second year of it, 337 00:15:51,880 --> 00:15:54,200 Speaker 2: but the first one for the year has dropped and 338 00:15:54,600 --> 00:15:56,560 Speaker 2: we're looking, amongst other things, just a sum up of 339 00:15:56,640 --> 00:15:58,760 Speaker 2: you know, what's happened over Christmas and what we got 340 00:15:58,840 --> 00:16:01,040 Speaker 2: up to. But one of the things we're looking at 341 00:16:01,160 --> 00:16:04,440 Speaker 2: is sort of over consumption. Listen to these stats. There's 342 00:16:04,560 --> 00:16:08,520 Speaker 2: enough clothing on the planet to dress the next six generations. Wow, 343 00:16:08,800 --> 00:16:11,680 Speaker 2: if everyone lived like the average American, we would need 344 00:16:11,800 --> 00:16:16,000 Speaker 2: five earths to sustain our lifestyle. What about this one. 345 00:16:16,000 --> 00:16:19,720 Speaker 2: The average car is parked ninety five percent of the time. Wow, 346 00:16:19,760 --> 00:16:23,400 Speaker 2: that's in America, and consumers buy five times more clothing 347 00:16:23,440 --> 00:16:24,440 Speaker 2: than they did in the eighties. 348 00:16:24,800 --> 00:16:27,400 Speaker 1: I blame Target and came out this is it's. 349 00:16:27,520 --> 00:16:29,960 Speaker 2: So cheap, but it's landfill, landfill, landfall, and a lot 350 00:16:30,000 --> 00:16:32,680 Speaker 2: of people are starting to make more mindful choices about 351 00:16:32,680 --> 00:16:33,160 Speaker 2: this stuff. 352 00:16:33,200 --> 00:16:36,240 Speaker 4: I blame my wife with the pillows. I blame all 353 00:16:36,280 --> 00:16:38,760 Speaker 4: women actually, and they're pillows. Why do you need so 354 00:16:38,800 --> 00:16:39,440 Speaker 4: many pillows? 355 00:16:39,560 --> 00:16:41,240 Speaker 2: Keep the pillow, get rid of the husband. That's what 356 00:16:41,280 --> 00:16:43,640 Speaker 2: I've always thought, right. But one of the big things 357 00:16:43,680 --> 00:16:47,600 Speaker 2: too have I follow these sites, these TikTokers who decorate 358 00:16:47,640 --> 00:16:50,160 Speaker 2: the inside of their fridges, Like one will be called Frigeiton, 359 00:16:50,400 --> 00:16:52,560 Speaker 2: and they decorate the inside of their fridge to look 360 00:16:52,640 --> 00:16:55,200 Speaker 2: like Bridgeton. Or there'll be one that's a Halloween theme 361 00:16:55,280 --> 00:16:59,880 Speaker 2: or a beetlejuice theme. So they're decorating the it's crazy 362 00:17:00,120 --> 00:17:02,720 Speaker 2: inside of their fridges. But along with this, there's all 363 00:17:02,760 --> 00:17:06,959 Speaker 2: these TikTokers who buy these compartments and with their clicking nails. 364 00:17:06,960 --> 00:17:08,760 Speaker 2: It's all about that. What's that when you like the 365 00:17:08,800 --> 00:17:13,439 Speaker 2: sound of the AMSR or something? I made that up? WTF. 366 00:17:13,720 --> 00:17:16,840 Speaker 2: They buy containers and they put click click click, eight 367 00:17:17,280 --> 00:17:19,840 Speaker 2: butters in there. They'll put six yogurts, click click click. 368 00:17:20,040 --> 00:17:23,520 Speaker 2: They'll put ten things of cherry tomatoes. You decant the 369 00:17:23,520 --> 00:17:26,080 Speaker 2: tomatoes into another thing, click click click. And I saw 370 00:17:26,119 --> 00:17:30,760 Speaker 2: this woman say that over consumption has been rebranded as 371 00:17:31,000 --> 00:17:34,640 Speaker 2: organization and as being cute. So it's like, get your 372 00:17:34,680 --> 00:17:38,120 Speaker 2: fridge organized, get your life organized, by big tubs of 373 00:17:38,600 --> 00:17:43,560 Speaker 2: washing powdered pods and decant them into another big container 374 00:17:43,760 --> 00:17:46,160 Speaker 2: because it looks better. Keep it fill to the brim 375 00:17:46,200 --> 00:17:49,880 Speaker 2: at all times. So who's using this much stuff? No one? 376 00:17:50,160 --> 00:17:52,600 Speaker 2: So it's all over consumption, not just the stuff you're 377 00:17:52,640 --> 00:17:54,760 Speaker 2: buying to make the inside of your fridge look click 378 00:17:54,760 --> 00:17:57,040 Speaker 2: click click click click. But the stuff you're putting in there, 379 00:17:57,080 --> 00:17:58,680 Speaker 2: you're going to end up throwing most of it out. 380 00:17:58,720 --> 00:18:00,879 Speaker 1: I like to decorate my fridge with two years. 381 00:18:00,840 --> 00:18:05,320 Speaker 2: New, and funnily enough, none of it's wasted. You're wasted, 382 00:18:05,520 --> 00:18:06,480 Speaker 2: but it's not wasted. 383 00:18:07,320 --> 00:18:14,159 Speaker 8: Jam legendary Burt Jersey, command of the ACTRESSS. 384 00:18:15,080 --> 00:18:17,600 Speaker 1: Wow, I didn't think Alex Cullen would lose his job. 385 00:18:17,800 --> 00:18:20,960 Speaker 2: I've just been gobspect to that. But you know, there's 386 00:18:20,960 --> 00:18:22,560 Speaker 2: such a thing as cash for common In case you 387 00:18:22,600 --> 00:18:25,920 Speaker 2: didn't hear the news story there, Alex Cullen from Channel nine. 388 00:18:26,400 --> 00:18:28,040 Speaker 2: I don't watch a lot of the block. So who's 389 00:18:28,040 --> 00:18:28,720 Speaker 2: the is this the guy? 390 00:18:29,240 --> 00:18:31,040 Speaker 1: Number Blog? Today Show? 391 00:18:31,160 --> 00:18:33,080 Speaker 2: The Today Show? Who's the guy you put the money up. 392 00:18:34,400 --> 00:18:36,760 Speaker 1: You know the Lambeau guy, McLaren man. 393 00:18:36,680 --> 00:18:39,000 Speaker 2: Who buys all the houses in the block. Yeah, right, 394 00:18:39,480 --> 00:18:43,080 Speaker 2: And he said if you called him mister Lamborghini or. 395 00:18:43,040 --> 00:18:45,520 Speaker 1: Something, Lamber McLaren man. No, he doesn't want to be 396 00:18:45,560 --> 00:18:47,439 Speaker 1: mister Lambo. He wants to be McLaren Anyway. 397 00:18:47,480 --> 00:18:49,199 Speaker 2: He put a thing out saying, first person in the 398 00:18:49,200 --> 00:18:52,639 Speaker 2: media to call me that gets fifty grand. Fifty grand. 399 00:18:52,960 --> 00:18:55,520 Speaker 2: Alex Cullen called him that on air and got the 400 00:18:55,560 --> 00:18:57,719 Speaker 2: money and has now been removed from the network. 401 00:18:57,760 --> 00:19:01,040 Speaker 4: I thought, because there's one thing that was me, I 402 00:19:01,040 --> 00:19:02,840 Speaker 4: would have said it, but I wouldn't have taken the money. 403 00:19:02,920 --> 00:19:04,880 Speaker 1: I guess that's the next thing. That's the next step. 404 00:19:05,160 --> 00:19:08,199 Speaker 2: There is cash for comment. We are not allowed to 405 00:19:08,240 --> 00:19:11,560 Speaker 2: take money for mentions like that. 406 00:19:11,760 --> 00:19:13,760 Speaker 4: Not off the books that Alan Jones and John Law 407 00:19:13,800 --> 00:19:15,879 Speaker 4: has got in big trouble for this. 408 00:19:16,080 --> 00:19:17,040 Speaker 1: Years and years ago. 409 00:19:17,480 --> 00:19:20,840 Speaker 4: Optors, the banks, a whole bunch of companies paid money 410 00:19:20,840 --> 00:19:22,600 Speaker 4: to these broadcasts. 411 00:19:21,920 --> 00:19:23,320 Speaker 2: To do their daily editorial. 412 00:19:23,400 --> 00:19:25,919 Speaker 4: Yeah, and this is like talk back radio is supposed 413 00:19:25,960 --> 00:19:28,840 Speaker 4: to be a fond of information and it's a journal. 414 00:19:29,040 --> 00:19:32,760 Speaker 4: There is a journalist integrity to it. John Laws at 415 00:19:32,760 --> 00:19:34,680 Speaker 4: the time said I'm not a journalist. I'm a DJ, 416 00:19:35,119 --> 00:19:37,560 Speaker 4: and that's what I'm not a journalist either. Anything I 417 00:19:37,600 --> 00:19:39,800 Speaker 4: say like Joe Rogan is not. 418 00:19:39,760 --> 00:19:43,160 Speaker 2: A journal change. The rules have changed. We're not allowed 419 00:19:43,160 --> 00:19:43,640 Speaker 2: to take money. 420 00:19:43,760 --> 00:19:48,600 Speaker 1: I couldn't but nor would I. But also legally endorsements. 421 00:19:48,000 --> 00:19:50,359 Speaker 2: Though sure legal, but that's within a block of ads, 422 00:19:50,720 --> 00:19:53,320 Speaker 2: and legally it's one thing. Ethically, it's quite different to 423 00:19:53,320 --> 00:19:55,400 Speaker 2: have Alex who is part of their news team. 424 00:19:55,880 --> 00:19:58,160 Speaker 1: Yeah, but he said it in a joking way. 425 00:19:57,880 --> 00:20:02,840 Speaker 2: But money, yeah, and I have come down hard on him. 426 00:20:03,080 --> 00:20:04,040 Speaker 2: Obviously he's lost his job. 427 00:20:04,119 --> 00:20:04,880 Speaker 1: He's a nice fella. 428 00:20:04,920 --> 00:20:07,119 Speaker 2: I like him, but it was a stupid thing to do. 429 00:20:08,240 --> 00:20:09,080 Speaker 1: I guess I better get on. 430 00:20:12,880 --> 00:20:15,000 Speaker 2: And might be happy for some and your soul. 431 00:20:15,080 --> 00:20:22,760 Speaker 14: Basically underpants podcast. 432 00:20:22,640 --> 00:20:31,000 Speaker 7: When God, I wanted to get right now, no windows your. 433 00:20:30,920 --> 00:20:37,520 Speaker 4: Head and yell down to the jonesy de matter for 434 00:20:37,560 --> 00:20:39,560 Speaker 4: the pub test the thumbs up emoji? 435 00:20:39,640 --> 00:20:40,960 Speaker 1: Does it pass the pub test? 436 00:20:41,000 --> 00:20:44,639 Speaker 2: Who knew that the thumbs up emoji was controversial? People 437 00:20:44,760 --> 00:20:47,199 Speaker 2: of the older generations and I'm including millennials in this 438 00:20:47,560 --> 00:20:49,720 Speaker 2: use it to say yep, got your message, or to 439 00:20:49,760 --> 00:20:54,240 Speaker 2: say conversation over. But because of that, it's like I 440 00:20:54,240 --> 00:20:55,879 Speaker 2: thought it was a polite thing to say, yep, to 441 00:20:56,359 --> 00:21:00,359 Speaker 2: round out a conversation. Apparently the younger generation feel that 442 00:21:00,359 --> 00:21:03,000 Speaker 2: that is passive aggressive because it says I'm wrapping up 443 00:21:03,040 --> 00:21:03,720 Speaker 2: this conversation. 444 00:21:03,880 --> 00:21:04,800 Speaker 1: Now, it's these. 445 00:21:04,680 --> 00:21:06,840 Speaker 4: Days you're raised an eyebrow at them and they're all right, 446 00:21:06,920 --> 00:21:07,920 Speaker 4: and they're all down at HR. 447 00:21:08,080 --> 00:21:10,000 Speaker 2: Well, they do not want the thumbs up a moment and. 448 00:21:09,960 --> 00:21:12,200 Speaker 4: Mel shilling just before she's coming on the show a 449 00:21:12,240 --> 00:21:14,439 Speaker 4: little bit later on, and our people were talking to 450 00:21:14,520 --> 00:21:17,280 Speaker 4: her people and Mel sent back her thumbs up. 451 00:21:17,520 --> 00:21:19,199 Speaker 1: And she's a marritive first sight expert. 452 00:21:19,280 --> 00:21:22,360 Speaker 2: Yeah, well, interesting, isn't it? Because everyone who's a producing 453 00:21:22,440 --> 00:21:26,000 Speaker 2: team okay with the thumbs up except for one she hates. 454 00:21:26,040 --> 00:21:30,720 Speaker 2: Which one Joe She hates it. Jojob hates the thumbs up. 455 00:21:30,720 --> 00:21:33,240 Speaker 2: Why because she'll send someone a really long, involved message 456 00:21:33,240 --> 00:21:34,920 Speaker 2: and they give her thumbs up. She goes, come on, 457 00:21:35,040 --> 00:21:35,680 Speaker 2: give me more. 458 00:21:35,720 --> 00:21:37,199 Speaker 1: I'm going to send her a big snowflake. 459 00:21:38,320 --> 00:21:40,720 Speaker 2: Does the thumbs up emoji past the pub test? What 460 00:21:40,760 --> 00:21:43,199 Speaker 2: do you think I think it does? Yes, it's a 461 00:21:43,200 --> 00:21:45,640 Speaker 2: real good way to let somebody know that you've read 462 00:21:45,640 --> 00:21:47,440 Speaker 2: their message and you're thinking of that. 463 00:21:47,520 --> 00:21:49,440 Speaker 16: Though, if you don't have you know a big sentence 464 00:21:49,520 --> 00:21:51,320 Speaker 16: to say, you can just thumbs it up. 465 00:21:51,440 --> 00:21:54,639 Speaker 2: It certainly does. It's quickly, easy on the phone, and 466 00:21:54,840 --> 00:21:58,240 Speaker 2: even more than that, it now annoys my daughter. So 467 00:21:58,600 --> 00:22:01,359 Speaker 2: I love that, Yes it does. I love the fact 468 00:22:01,359 --> 00:22:04,040 Speaker 2: when I don't feel like talking for too long and 469 00:22:04,080 --> 00:22:06,080 Speaker 2: I just wanted to end, so as they do an 470 00:22:06,080 --> 00:22:08,680 Speaker 2: opening in question, I give your thumbs up. That means yes, 471 00:22:08,800 --> 00:22:11,480 Speaker 2: thank you, John, and I'm. 472 00:22:12,760 --> 00:22:26,000 Speaker 1: Okay. I say, there you go. 473 00:22:26,560 --> 00:22:28,440 Speaker 2: I think that's someone who's so old that have never 474 00:22:28,440 --> 00:22:29,879 Speaker 2: seen a thumbs up emosi before. 475 00:22:30,440 --> 00:22:32,600 Speaker 1: What would you rather be called champ or get a 476 00:22:32,680 --> 00:22:33,200 Speaker 1: thumbs up? 477 00:22:33,640 --> 00:22:35,119 Speaker 2: Either of those? I'm happy with either of that. 478 00:22:35,280 --> 00:22:36,640 Speaker 1: What you like to be called chat? 479 00:22:36,720 --> 00:22:36,920 Speaker 14: No? 480 00:22:37,320 --> 00:22:41,040 Speaker 2: I mean someone's forgotten your name? Je nsis Well, it's happening. 481 00:22:41,119 --> 00:22:44,040 Speaker 2: Monday night, seven point thirty, the new season of Married 482 00:22:44,080 --> 00:22:48,160 Speaker 2: at First Sight kicks off. One of our favorite experts 483 00:22:48,200 --> 00:22:50,240 Speaker 2: is Mel Shilling, and she joins us. Now, Hello Mel, 484 00:22:50,280 --> 00:22:54,199 Speaker 2: all the way from London. Hid morning, guys, great to 485 00:22:54,200 --> 00:22:56,879 Speaker 2: be with you. It looks so cuddly and snugly. What 486 00:22:56,960 --> 00:22:57,640 Speaker 2: have you got on? 487 00:22:57,840 --> 00:22:59,160 Speaker 17: Oh I'm cozy. 488 00:22:59,240 --> 00:23:00,280 Speaker 2: This is my eat. 489 00:23:00,359 --> 00:23:02,840 Speaker 11: My daughter Maddie and I have matching woodies and these 490 00:23:02,840 --> 00:23:04,879 Speaker 11: are actually glow in the dark stars. 491 00:23:05,200 --> 00:23:07,760 Speaker 1: So we're already for bed, so you can't be lost 492 00:23:07,800 --> 00:23:08,360 Speaker 1: in the night. 493 00:23:09,400 --> 00:23:10,840 Speaker 17: No, I'll never be lost. 494 00:23:11,440 --> 00:23:14,600 Speaker 4: You look fantastic. And we've all been well aware of 495 00:23:14,640 --> 00:23:16,320 Speaker 4: your health journey. How are you going? 496 00:23:16,720 --> 00:23:20,040 Speaker 17: Yeah, thanks for asking. I'm doing really well. Thank you 497 00:23:20,080 --> 00:23:22,440 Speaker 17: that the cancers in remission. That I'm feeling strong. 498 00:23:22,560 --> 00:23:26,639 Speaker 11: It's about six months post chemo now, so I'm starting 499 00:23:26,640 --> 00:23:27,120 Speaker 11: to feel like. 500 00:23:27,119 --> 00:23:28,520 Speaker 17: Me again, which is great. 501 00:23:28,680 --> 00:23:32,920 Speaker 2: That's great, long, luxuriant hair that didn't take long to 502 00:23:33,200 --> 00:23:33,840 Speaker 2: happen again. 503 00:23:35,040 --> 00:23:36,560 Speaker 17: It's called extensions. 504 00:23:36,640 --> 00:23:40,159 Speaker 2: Man, looks great. That looks great. 505 00:23:40,560 --> 00:23:40,919 Speaker 17: Thanks. 506 00:23:41,000 --> 00:23:43,280 Speaker 2: So the new season, you make it? The new season's 507 00:23:43,320 --> 00:23:47,320 Speaker 2: about to kick off. Every year it gets more and 508 00:23:47,400 --> 00:23:50,480 Speaker 2: more extreme. There's a new twist or something. Where are 509 00:23:50,520 --> 00:23:52,960 Speaker 2: we going to go into AI sex robots? Where we 510 00:23:53,000 --> 00:23:54,560 Speaker 2: go to where are you leading us this time? 511 00:23:55,520 --> 00:23:57,480 Speaker 17: There's an idea? Is that your IP? 512 00:23:57,880 --> 00:23:58,040 Speaker 6: Yes? 513 00:23:58,080 --> 00:24:00,639 Speaker 2: Actually yes, copyright me. I'm just so my own name 514 00:24:00,680 --> 00:24:01,479 Speaker 2: on it stamp. 515 00:24:03,240 --> 00:24:06,880 Speaker 11: There actually is something quite new this year that we've 516 00:24:07,000 --> 00:24:11,120 Speaker 11: never done before. We've thrown in I guess you'd call 517 00:24:11,160 --> 00:24:14,880 Speaker 11: it a spanner toward the end of the experiment, where when. 518 00:24:14,680 --> 00:24:17,040 Speaker 17: We really get to the you know, the last. 519 00:24:16,800 --> 00:24:19,320 Speaker 11: Sort of group of couples who are really serious about 520 00:24:19,320 --> 00:24:20,240 Speaker 11: each other, and. 521 00:24:20,720 --> 00:24:22,440 Speaker 17: We throw this challenge to them. 522 00:24:22,600 --> 00:24:27,200 Speaker 11: That is another step closer, we think to emulating real 523 00:24:27,240 --> 00:24:31,880 Speaker 11: life where we actually dangle some temptation in front of them, 524 00:24:32,080 --> 00:24:34,920 Speaker 11: which you know, as we know it happens in real life. 525 00:24:34,920 --> 00:24:37,760 Speaker 11: You meet other couples, you know there are times perhaps 526 00:24:37,800 --> 00:24:40,960 Speaker 11: when someone else is there and maybe you know, I 527 00:24:41,119 --> 00:24:43,840 Speaker 11: start to wander. So we put them to the test, 528 00:24:44,200 --> 00:24:47,919 Speaker 11: and you'll find us presenting. 529 00:24:49,160 --> 00:24:51,919 Speaker 17: Other people to our couples. 530 00:24:51,760 --> 00:24:55,600 Speaker 11: And really throwing the question is the grass greener on 531 00:24:55,600 --> 00:24:58,000 Speaker 11: the other side, And you're going to see in some 532 00:24:58,080 --> 00:25:02,000 Speaker 11: couples both of them decide to go and explore follow 533 00:25:02,080 --> 00:25:02,920 Speaker 11: their curiosity. 534 00:25:03,200 --> 00:25:05,920 Speaker 18: In other couples they both say no. And then in 535 00:25:06,000 --> 00:25:09,080 Speaker 18: other couples, one partner says yes and the other says no. 536 00:25:09,359 --> 00:25:12,359 Speaker 2: So you can imagine relationships. 537 00:25:12,200 --> 00:25:14,080 Speaker 1: It's quite extreme when you look at it. 538 00:25:14,080 --> 00:25:16,800 Speaker 4: And I've been watching the show since it started, but 539 00:25:16,880 --> 00:25:19,880 Speaker 4: you know, things like the honesty box and ranking how 540 00:25:20,000 --> 00:25:23,359 Speaker 4: the other how the other participants look on a scale, 541 00:25:23,840 --> 00:25:25,639 Speaker 4: and I would just I was sort of that with 542 00:25:25,680 --> 00:25:27,960 Speaker 4: my bunch of friends, and I should imagine if we 543 00:25:28,040 --> 00:25:30,640 Speaker 4: sat down and had to rank how good looking we 544 00:25:30,640 --> 00:25:32,040 Speaker 4: were to all our friends? 545 00:25:32,320 --> 00:25:35,639 Speaker 1: How bad would that be? You know, even just mentioning that. 546 00:25:35,680 --> 00:25:39,800 Speaker 2: Even mentioning it makes it scratch everyone's eyes out. It's 547 00:25:39,880 --> 00:25:45,000 Speaker 2: tough friendship. I guess what you're doing doing a twenty 548 00:25:45,080 --> 00:25:48,480 Speaker 2: year relationship trunk hat into a couple of months. 549 00:25:49,119 --> 00:25:49,520 Speaker 17: That's it. 550 00:25:49,880 --> 00:25:52,639 Speaker 11: That's it, and all of the pressure that comes with, 551 00:25:52,880 --> 00:25:55,800 Speaker 11: you know, that long term relationship condensed down as well, 552 00:25:55,880 --> 00:25:57,840 Speaker 11: so it's incredibly intense for a couple. 553 00:25:58,119 --> 00:26:03,399 Speaker 2: You also play this same expert position for the English version. 554 00:26:03,880 --> 00:26:07,520 Speaker 2: How different are we culturally from the English? Or is 555 00:26:07,560 --> 00:26:08,879 Speaker 2: it all the stuff is the same? 556 00:26:10,480 --> 00:26:10,760 Speaker 15: Do you know? 557 00:26:10,960 --> 00:26:12,840 Speaker 11: I think when I came over here, I've done four 558 00:26:12,880 --> 00:26:15,440 Speaker 11: seasons here in the UK now, and I think initially 559 00:26:15,440 --> 00:26:18,280 Speaker 11: I came over with a lot of preconceived ideas, really, 560 00:26:18,400 --> 00:26:21,360 Speaker 11: I guess, just playing into those stereotypes of the British, 561 00:26:21,400 --> 00:26:24,680 Speaker 11: you know, the stiff upper lip, and I did expect. 562 00:26:24,280 --> 00:26:27,000 Speaker 17: Them to be a lot more reserved and to have. 563 00:26:27,000 --> 00:26:29,320 Speaker 11: To work a lot harder to get their stories out. 564 00:26:29,359 --> 00:26:31,480 Speaker 11: And I guess it was that way a little bit initially. 565 00:26:31,520 --> 00:26:34,040 Speaker 11: But I really think now if you were to play 566 00:26:34,119 --> 00:26:36,920 Speaker 11: the two shows side by side and heard the sound off. 567 00:26:37,240 --> 00:26:38,800 Speaker 17: You probably couldn't tell the difference. 568 00:26:39,200 --> 00:26:42,280 Speaker 11: They're just as open as the AUSSI although the Brits 569 00:26:42,320 --> 00:26:43,199 Speaker 11: think the Aussies are a. 570 00:26:43,200 --> 00:26:45,200 Speaker 2: Lot looser than they're often haven't say. 571 00:26:45,080 --> 00:26:48,480 Speaker 11: To me, oh, the Aussie one, it's so loose, And 572 00:26:48,680 --> 00:26:51,280 Speaker 11: I guess compared with the Brits we are we're probably 573 00:26:51,320 --> 00:26:53,359 Speaker 11: a bit less filtered, a little bit more open. 574 00:26:53,480 --> 00:26:57,440 Speaker 17: But they're still very much prepared, you know. 575 00:26:57,440 --> 00:27:00,040 Speaker 11: To open up and be vulnerable and throw themselves in 576 00:27:00,080 --> 00:27:00,800 Speaker 11: to the experiment. 577 00:27:00,920 --> 00:27:02,840 Speaker 4: There's been a lot of chat about this Bonnie Blue 578 00:27:02,880 --> 00:27:05,520 Speaker 4: and this conquest of having a thousand guys and stuff 579 00:27:05,920 --> 00:27:07,679 Speaker 4: is married at first sight part of this. 580 00:27:08,200 --> 00:27:10,879 Speaker 1: You know this, I don't sound like a big preacher 581 00:27:11,040 --> 00:27:12,119 Speaker 1: breakdown of morality. 582 00:27:14,760 --> 00:27:15,840 Speaker 17: I really hope not. 583 00:27:16,480 --> 00:27:18,680 Speaker 11: I certainly don't see it that way, and I don't 584 00:27:18,680 --> 00:27:20,720 Speaker 11: think our audience sees it that way either. 585 00:27:20,960 --> 00:27:23,440 Speaker 17: I think our audience, whilst. 586 00:27:23,119 --> 00:27:25,880 Speaker 11: They're there for the confrontation and they love the drama, 587 00:27:26,560 --> 00:27:30,199 Speaker 11: they really do get. I believe that underneath all of 588 00:27:30,240 --> 00:27:33,560 Speaker 11: this is the quest for love, and that, you know, 589 00:27:33,880 --> 00:27:37,399 Speaker 11: the heart and soul of this show or this experiment, 590 00:27:37,520 --> 00:27:41,080 Speaker 11: really is if you put two people together without them 591 00:27:41,080 --> 00:27:44,840 Speaker 11: ever having that can a relationship work, you know, So 592 00:27:44,960 --> 00:27:47,920 Speaker 11: that's really, you know, the underlying premise. I don't think 593 00:27:47,960 --> 00:27:51,600 Speaker 11: it's about salaciousness or you know, exploitation. 594 00:27:52,160 --> 00:27:54,119 Speaker 17: I really don't. I don't think the show would have 595 00:27:54,200 --> 00:27:54,800 Speaker 17: lasted this. 596 00:27:54,760 --> 00:27:57,200 Speaker 11: Long, and I certainly wouldn't have been involved in fifteen 597 00:27:57,240 --> 00:27:59,919 Speaker 11: seasons across two countries if I thought that it was. 598 00:28:00,840 --> 00:28:03,240 Speaker 11: I think, you know, I think I think we're talking 599 00:28:03,240 --> 00:28:05,000 Speaker 11: about two very different things there. 600 00:28:05,200 --> 00:28:08,360 Speaker 2: And you've lasted this long without getting a neck tattoos congratulation, 601 00:28:09,400 --> 00:28:10,520 Speaker 2: and I haven't heard you. 602 00:28:10,680 --> 00:28:13,280 Speaker 4: I haven't heard you say one hundred percent. I haven't 603 00:28:13,320 --> 00:28:17,040 Speaker 4: heard you say one hundred percent. They love one hundred percent. 604 00:28:17,720 --> 00:28:22,040 Speaker 18: I love it, and they say one hundred and twenty. 605 00:28:21,440 --> 00:28:27,320 Speaker 4: What about this lady two thousand percent? Well, it's been 606 00:28:27,359 --> 00:28:29,000 Speaker 4: going on for a long time. You look at Adam 607 00:28:29,000 --> 00:28:30,080 Speaker 4: and Eve. That's how it started. 608 00:28:30,119 --> 00:28:31,280 Speaker 2: You've got to get the percentage. 609 00:28:31,080 --> 00:28:34,960 Speaker 1: Maybe God was the first. God was the first expert, 610 00:28:35,400 --> 00:28:36,840 Speaker 1: and he said. 611 00:28:36,760 --> 00:28:38,360 Speaker 2: There you go, you to the fourth one. 612 00:28:38,600 --> 00:28:39,800 Speaker 1: Just don't eat the fruit. 613 00:28:40,040 --> 00:28:41,920 Speaker 2: Maybe that's what you do. You ten people with fruit 614 00:28:41,960 --> 00:28:42,720 Speaker 2: and see how you go. 615 00:28:43,960 --> 00:28:44,160 Speaker 1: Mel. 616 00:28:44,200 --> 00:28:45,240 Speaker 17: It's great season. 617 00:28:45,360 --> 00:28:46,920 Speaker 1: It's great to see that you're on the mend and 618 00:28:46,960 --> 00:28:48,640 Speaker 1: you look fantastic. Thank you for joining us. 619 00:28:48,800 --> 00:28:50,680 Speaker 4: The new season of Married at First Sight kicks off 620 00:28:50,720 --> 00:28:52,960 Speaker 4: on Monday at seven thirty on Channel nine. 621 00:28:53,200 --> 00:28:54,360 Speaker 1: Mel Schilling, thank you. 622 00:28:55,600 --> 00:28:57,920 Speaker 2: Thanks guys, nice to see you. Take care. 623 00:28:58,400 --> 00:29:13,600 Speaker 15: Jonesy and Amanda podcast names. 624 00:29:11,280 --> 00:29:12,320 Speaker 1: Business is Usual. 625 00:29:12,560 --> 00:29:15,160 Speaker 2: You know how people in Queensland love the big things. 626 00:29:15,160 --> 00:29:17,120 Speaker 2: They've got the big banana. It's new South Wales, the 627 00:29:17,120 --> 00:29:19,360 Speaker 2: big banana and cos it actually head Norse. You see 628 00:29:19,360 --> 00:29:21,680 Speaker 2: the big stuff, the big pineapple, the big clam. 629 00:29:22,120 --> 00:29:23,360 Speaker 1: Where's the big clam? 630 00:29:23,480 --> 00:29:23,840 Speaker 17: Is there a. 631 00:29:23,840 --> 00:29:29,320 Speaker 2: Big a big trout. There's a whole lot of big 632 00:29:29,360 --> 00:29:32,920 Speaker 2: stuff all around Australia. What about this? Sadly, this is 633 00:29:33,080 --> 00:29:39,280 Speaker 2: real in Queensland. They've seen the rare giant wood moth. 634 00:29:39,600 --> 00:29:41,840 Speaker 2: It's in someone's backyard. I'm going to show you picture, Brendan. 635 00:29:43,000 --> 00:29:47,360 Speaker 2: That's a no. It's the size of a bat. It 636 00:29:47,480 --> 00:29:51,560 Speaker 2: is a moth. It weighs thirty grams. That's like like 637 00:29:51,600 --> 00:29:54,640 Speaker 2: a double a battery. But that's no. That doesn't feel 638 00:29:54,680 --> 00:29:56,800 Speaker 2: sound particular, but think about it. It's a moth. It's 639 00:29:56,840 --> 00:29:59,800 Speaker 2: just dust. There's nothing to a moth. So a moth 640 00:29:59,840 --> 00:30:02,720 Speaker 2: that's heavy and it's wingspan is almost a foot long. 641 00:30:02,760 --> 00:30:06,320 Speaker 2: It's almost a ruler. Sorry, it's almost a ruler. Wow, 642 00:30:06,400 --> 00:30:09,000 Speaker 2: nine inches wingspan from Oh no, you're holding your hands 643 00:30:09,040 --> 00:30:11,560 Speaker 2: up as if you're measuring a giant fish. But that's 644 00:30:11,560 --> 00:30:13,160 Speaker 2: big for a moth. It's a moth. 645 00:30:13,680 --> 00:30:14,600 Speaker 1: Do that. That's good. 646 00:30:14,880 --> 00:30:18,520 Speaker 2: That's a moth. This thing, the giant wood moth, is 647 00:30:18,560 --> 00:30:23,120 Speaker 2: a giant heavy moth. It's the world's heaviest moth. And 648 00:30:24,760 --> 00:30:28,280 Speaker 2: it's very rare. This is it's a life cycle. The 649 00:30:28,320 --> 00:30:31,840 Speaker 2: giant wood moth's life cycle is complex includes several stages. 650 00:30:32,080 --> 00:30:35,840 Speaker 2: The female lays twenty thousand eggs in crevices in the 651 00:30:35,880 --> 00:30:39,600 Speaker 2: trees of Eucalyptus trees. The lava, which is also known 652 00:30:39,600 --> 00:30:42,360 Speaker 2: as richili grubs bore into the tree and they can 653 00:30:42,400 --> 00:30:45,080 Speaker 2: spend up to a year inside and when they're released 654 00:30:45,560 --> 00:30:47,920 Speaker 2: they can only live for a few days. So that 655 00:30:47,960 --> 00:30:50,080 Speaker 2: this sighting of look at the size of that thing 656 00:30:50,120 --> 00:30:52,960 Speaker 2: that's to a child's hand. That is friggin' massive. 657 00:30:54,680 --> 00:30:57,120 Speaker 4: You think more as a motorcyclist, I've had moths fly 658 00:30:57,240 --> 00:30:57,920 Speaker 4: into my face. 659 00:30:58,080 --> 00:30:59,200 Speaker 2: This haven't you had a helmet? 660 00:30:59,280 --> 00:31:01,400 Speaker 1: Yeah? But they are. And if you were in the 661 00:31:01,440 --> 00:31:06,480 Speaker 1: ipenfight and it gets a light mothsme. 662 00:31:07,680 --> 00:31:10,960 Speaker 4: Yak moss that sounds like a death metal band. 663 00:31:11,640 --> 00:31:13,920 Speaker 2: This moth could eat an entire jumper in one go. 664 00:31:14,560 --> 00:31:16,280 Speaker 2: But you think who could be scared of a moth? 665 00:31:16,400 --> 00:31:19,960 Speaker 2: In the nineteen sixties, the Japanese this is where they're 666 00:31:19,960 --> 00:31:22,760 Speaker 2: making a whole lot of films like Godzilla about creatures 667 00:31:22,760 --> 00:31:25,160 Speaker 2: that have been taken over by radiation. There was a 668 00:31:25,200 --> 00:31:29,640 Speaker 2: giant moth called that would terrorize the cities of Japan. 669 00:31:29,680 --> 00:31:30,680 Speaker 2: A mostra. 670 00:31:33,000 --> 00:31:36,760 Speaker 6: Mathra more devastating than any man made weapon, or mathra 671 00:31:37,000 --> 00:31:42,840 Speaker 6: who defies workplanes, tracks, ocean ladders, meshes, dams and fridges, 672 00:31:43,640 --> 00:31:48,200 Speaker 6: math creating hurricane, enveloped in a shell that. 673 00:31:48,160 --> 00:31:49,720 Speaker 1: No human force can penetrate. 674 00:31:49,880 --> 00:31:57,280 Speaker 6: Time, indestructible, all powerful, indescribable. What kind of creature is this? 675 00:31:57,400 --> 00:31:59,240 Speaker 1: God monster? Mora mathra? 676 00:32:02,920 --> 00:32:06,440 Speaker 2: Last thing coming out of your wallet? 677 00:32:09,920 --> 00:32:16,560 Speaker 1: You know that is a lot mathra thesis. 678 00:32:16,800 --> 00:32:19,880 Speaker 4: So much happened while we were on holidays, and the 679 00:32:19,920 --> 00:32:21,840 Speaker 4: thing that's said it pop up in my feed all 680 00:32:21,880 --> 00:32:22,120 Speaker 4: the time. 681 00:32:22,160 --> 00:32:24,280 Speaker 1: I didn't look at much media while I was on holidays. 682 00:32:24,440 --> 00:32:29,120 Speaker 4: But this Bonnie Blue Lady, there's Australia's most sexually active woman. 683 00:32:29,800 --> 00:32:34,080 Speaker 4: But she's not Bonnie blue and all two female empowerment, 684 00:32:34,120 --> 00:32:34,560 Speaker 4: I suppose. 685 00:32:34,600 --> 00:32:38,040 Speaker 2: But see this is where the line really blurs. This 686 00:32:38,120 --> 00:32:41,320 Speaker 2: story makes me feel like I'm going to vomit. This 687 00:32:41,360 --> 00:32:43,640 Speaker 2: is a woman who once has slept with a thousand 688 00:32:43,720 --> 00:32:46,120 Speaker 2: men in a day, in a day for OnlyFans, and 689 00:32:46,160 --> 00:32:48,280 Speaker 2: we're supposed to try and be okay with this, as 690 00:32:48,320 --> 00:32:50,160 Speaker 2: as you say, women can do what they want to do. 691 00:32:50,160 --> 00:32:52,640 Speaker 2: Blah blah blah, all of this. On one hand, we 692 00:32:52,800 --> 00:32:56,240 Speaker 2: have this incredible woman in France who has taken those 693 00:32:56,280 --> 00:33:01,040 Speaker 2: men to court for raping her. She was drugged, she 694 00:33:01,200 --> 00:33:03,680 Speaker 2: was And here we have a whole lot of men 695 00:33:03,800 --> 00:33:07,840 Speaker 2: lining up to help this woman break a record for OnlyFans. 696 00:33:08,120 --> 00:33:11,560 Speaker 2: Then the same thing wearing balaclava's, some of them lining 697 00:33:11,640 --> 00:33:13,880 Speaker 2: up to have sex with a woman. The imagery of 698 00:33:13,920 --> 00:33:16,160 Speaker 2: it makes me sick. And if there was men, it 699 00:33:16,200 --> 00:33:19,479 Speaker 2: was girl, young girls lining up to have a sexual 700 00:33:19,520 --> 00:33:22,360 Speaker 2: experience with a guy. Come and let me fondle you. 701 00:33:22,640 --> 00:33:24,640 Speaker 2: We would not tolerate it, but we're supposed to be 702 00:33:24,720 --> 00:33:25,400 Speaker 2: okay with this. 703 00:33:25,680 --> 00:33:28,320 Speaker 1: There there was an article a young fellow had written. 704 00:33:28,480 --> 00:33:30,440 Speaker 4: He was a security guard, he was in the queue, 705 00:33:30,720 --> 00:33:32,120 Speaker 4: and it got to a point where he's standing there 706 00:33:32,160 --> 00:33:34,600 Speaker 4: in his boxer shorts in a room with a bunch 707 00:33:34,640 --> 00:33:37,239 Speaker 4: of guys with balaclava's, and he said, well, what am 708 00:33:37,280 --> 00:33:37,920 Speaker 4: I doing here? 709 00:33:38,240 --> 00:33:39,360 Speaker 1: Where's what? 710 00:33:39,720 --> 00:33:42,960 Speaker 4: Where's my moral compass gone? So he had the wherewithal 711 00:33:43,040 --> 00:33:44,280 Speaker 4: to turn around and leave. 712 00:33:45,080 --> 00:33:46,520 Speaker 1: I don't get it. I just don't get it. 713 00:33:46,560 --> 00:33:48,960 Speaker 2: But I don't understand anyone's tolerance for it. I don't 714 00:33:49,000 --> 00:33:49,640 Speaker 2: understand the. 715 00:33:49,560 --> 00:33:51,560 Speaker 4: Way people sort of casually talk about it now as 716 00:33:51,600 --> 00:33:53,560 Speaker 4: we are casually talking about but then you look at 717 00:33:53,560 --> 00:33:58,000 Speaker 4: the mechanics of it. Bonnie Blue herself said this a wheelchair. 718 00:33:58,360 --> 00:33:59,400 Speaker 17: I am fine. 719 00:34:00,080 --> 00:34:02,320 Speaker 11: I have had heavy day in the bedroom, which is 720 00:34:02,360 --> 00:34:04,280 Speaker 11: exactly what I've had after. 721 00:34:05,000 --> 00:34:10,839 Speaker 2: Yeah, it just it's s we're talking before Joe, our 722 00:34:10,880 --> 00:34:14,719 Speaker 2: executive producer, Hello Joe, what are the logistics? It just 723 00:34:14,800 --> 00:34:18,680 Speaker 2: I mean, I'm loath to hear, but how do people 724 00:34:18,840 --> 00:34:19,920 Speaker 2: do it? What happens? 725 00:34:20,400 --> 00:34:23,480 Speaker 3: So, from my understanding, so she broke this record in 726 00:34:23,560 --> 00:34:25,960 Speaker 3: twelve hours, one thy fifty seven men she was going 727 00:34:26,000 --> 00:34:26,920 Speaker 3: for twenty four, broke. 728 00:34:26,760 --> 00:34:27,360 Speaker 2: It in twelve. 729 00:34:27,920 --> 00:34:31,680 Speaker 3: It was like they had the lineup of men wearing balaclavers. 730 00:34:31,880 --> 00:34:34,279 Speaker 3: I think it started from so from what how she 731 00:34:34,320 --> 00:34:36,839 Speaker 3: explained it, It started with she had twenty guys in the room, 732 00:34:37,160 --> 00:34:39,279 Speaker 3: so I'd be like one bang in our, next one 733 00:34:39,280 --> 00:34:42,040 Speaker 3: bang in out till twenty. And then it got to 734 00:34:42,520 --> 00:34:45,040 Speaker 3: later in the day where they had more time to spare, 735 00:34:45,120 --> 00:34:45,799 Speaker 3: so she was like, oh. 736 00:34:45,680 --> 00:34:47,680 Speaker 2: I'll only have what are your hobbies, let's cuddle. 737 00:34:47,960 --> 00:34:49,680 Speaker 3: Yeah, so then it was like, okay, we'll only have 738 00:34:49,760 --> 00:34:51,239 Speaker 3: five in the room. So it was the same thing 739 00:34:51,280 --> 00:34:53,680 Speaker 3: like slip in, slip out, next one slip and slip out. 740 00:34:53,960 --> 00:34:56,600 Speaker 2: And they're also strangely home more erotic about other men 741 00:34:56,640 --> 00:34:59,080 Speaker 2: watching each other do this. I don't understand that either. 742 00:34:59,239 --> 00:35:01,359 Speaker 3: Well, then it got really intimate because then she had 743 00:35:01,360 --> 00:35:04,080 Speaker 3: even more time left over, so she just had two 744 00:35:04,120 --> 00:35:06,120 Speaker 3: people in the room, the guy doing her and then 745 00:35:06,160 --> 00:35:09,279 Speaker 3: the guy watching, and then he'd go have his turn 746 00:35:09,640 --> 00:35:10,560 Speaker 3: out next morning. 747 00:35:10,600 --> 00:35:13,239 Speaker 2: And not just this is the people. If she's a 748 00:35:13,239 --> 00:35:18,360 Speaker 2: successful OnlyFans performer, all the people who are watching this, 749 00:35:18,360 --> 00:35:21,279 Speaker 2: this is also weird. So the number of people if 750 00:35:21,320 --> 00:35:23,560 Speaker 2: she's making money from this, who are watching this happen. 751 00:35:24,000 --> 00:35:25,160 Speaker 2: It's all fast. 752 00:35:26,120 --> 00:35:26,840 Speaker 1: There was the story. 753 00:35:26,840 --> 00:35:29,200 Speaker 4: Did you hear the story about the mom that caught 754 00:35:29,239 --> 00:35:32,520 Speaker 4: her son there and she pulled him out. 755 00:35:31,320 --> 00:35:33,320 Speaker 2: Of the queue of the queue. 756 00:35:35,000 --> 00:35:36,560 Speaker 1: Otherways, I get the police to come for you. 757 00:35:36,640 --> 00:35:40,879 Speaker 2: Put on good honor. I do it too. 758 00:35:41,120 --> 00:35:45,360 Speaker 1: You know she sounds like. 759 00:35:51,760 --> 00:35:51,920 Speaker 15: That. 760 00:35:53,200 --> 00:35:54,200 Speaker 2: What a world we live? 761 00:35:54,360 --> 00:35:54,400 Speaker 19: This? 762 00:35:54,800 --> 00:35:57,239 Speaker 1: These are the Times. 763 00:35:58,719 --> 00:36:03,839 Speaker 15: Podcast Jonesy and Amanda in the Morning on WSFM now 764 00:36:04,000 --> 00:36:05,440 Speaker 15: Gold one on one point seven. 765 00:36:05,600 --> 00:36:08,520 Speaker 4: Instagram is coming up five thousand dollars if you get 766 00:36:08,560 --> 00:36:11,480 Speaker 4: it all right. Today, new boy Tom is settling in 767 00:36:11,560 --> 00:36:14,720 Speaker 4: quite well, GEMI RII is leaving us today. 768 00:36:14,920 --> 00:36:16,000 Speaker 1: He's off. Where are you going? 769 00:36:16,080 --> 00:36:17,760 Speaker 5: And so my training is done? 770 00:36:17,800 --> 00:36:21,520 Speaker 10: Tom is yours and I'm going to Hawaii for a 771 00:36:21,560 --> 00:36:23,880 Speaker 10: wellness and networking conference. 772 00:36:24,239 --> 00:36:26,880 Speaker 2: Wang wellness and networking conference. Wank? 773 00:36:27,960 --> 00:36:31,480 Speaker 5: No, it's not wank, can you guys just it's an acronym. 774 00:36:31,680 --> 00:36:32,759 Speaker 1: It's okay. 775 00:36:33,080 --> 00:36:35,160 Speaker 2: He's got your little Hawaiian shirt, You've got a little hat. 776 00:36:35,600 --> 00:36:36,480 Speaker 2: You look ridiculous. 777 00:36:36,520 --> 00:36:39,879 Speaker 1: And he's flying business. I know, I know what the hell? 778 00:36:40,000 --> 00:36:42,560 Speaker 10: This is the corporate sphere that I'm living in now, 779 00:36:43,160 --> 00:36:43,960 Speaker 10: I'm a big deal. 780 00:36:44,200 --> 00:36:44,720 Speaker 1: You are. 781 00:36:46,840 --> 00:36:47,640 Speaker 2: Hit podcast. 782 00:36:47,840 --> 00:36:53,040 Speaker 4: I look at someone at the door, Hello, Hello, who 783 00:36:53,040 --> 00:36:53,800 Speaker 4: are you Hello? 784 00:36:53,920 --> 00:37:00,959 Speaker 1: I'm Tom's mom my, new boy Tom. That's taking hello missus? Yes, 785 00:37:01,000 --> 00:37:03,840 Speaker 1: we know you're Tom's mum. What's your name? Missus? 786 00:37:03,880 --> 00:37:05,720 Speaker 2: Tom? I like to keep things formal. 787 00:37:06,480 --> 00:37:07,919 Speaker 1: So your surname is Tom. 788 00:37:08,040 --> 00:37:08,279 Speaker 2: Yes. 789 00:37:08,600 --> 00:37:11,120 Speaker 1: So your son's name is Tom, yes, correct, And his 790 00:37:11,239 --> 00:37:13,919 Speaker 1: surname is Tom Yes, so it's Tom Tom. 791 00:37:13,960 --> 00:37:14,560 Speaker 2: What of it? 792 00:37:15,600 --> 00:37:16,279 Speaker 1: Why are you here? 793 00:37:16,560 --> 00:37:20,879 Speaker 14: Well, Tom, I bought in Tom's lunch, hego, Dear, if 794 00:37:20,880 --> 00:37:24,200 Speaker 14: I got your dunkaroose, if I got your fresh and 795 00:37:24,280 --> 00:37:27,279 Speaker 14: for your crunch and sip, I've built and chopped up 796 00:37:27,320 --> 00:37:28,240 Speaker 14: a little apple. 797 00:37:28,760 --> 00:37:30,600 Speaker 9: Oh thanks, Mom. Did you get my smokes and whiskey 798 00:37:30,640 --> 00:37:31,120 Speaker 9: as well? 799 00:37:31,160 --> 00:37:31,799 Speaker 2: Of course I. 800 00:37:31,840 --> 00:37:32,440 Speaker 17: Did, Dear. 801 00:37:32,760 --> 00:37:35,480 Speaker 14: Now take this notice from management a little Tommy. I'll 802 00:37:35,520 --> 00:37:37,600 Speaker 14: pick you up a bit later on for your sleep, Okay, 803 00:37:37,640 --> 00:37:42,040 Speaker 14: Bobbo SNOOKEMS light one up for me, Tom. 804 00:37:42,120 --> 00:37:49,640 Speaker 2: She seems nice, Okay, she's all right, ringing endorsement for. 805 00:37:49,760 --> 00:37:51,919 Speaker 1: Me management rights. 806 00:37:51,960 --> 00:37:55,360 Speaker 4: Congratulations on your golden anniversary of twenty years. 807 00:37:55,680 --> 00:37:57,760 Speaker 1: Quite frankly, we didn't think you'd make it in brackets. 808 00:37:57,880 --> 00:37:59,160 Speaker 1: I don't know why they've put that in there. 809 00:37:59,200 --> 00:37:59,799 Speaker 2: I didn't either. 810 00:38:00,280 --> 00:38:03,359 Speaker 4: Today's five for your flashback songs from the year you 811 00:38:03,480 --> 00:38:04,680 Speaker 4: started as a duo. 812 00:38:05,000 --> 00:38:06,160 Speaker 1: Play well the manager. 813 00:38:06,120 --> 00:38:10,680 Speaker 2: Year twenty twenty, not twenty nineteen fifty. 814 00:38:11,000 --> 00:38:14,400 Speaker 4: We started as a duo in two thousand and five. Unofficially, 815 00:38:14,440 --> 00:38:17,359 Speaker 4: we started as a duo in nineteen ninety nine when 816 00:38:17,360 --> 00:38:20,080 Speaker 4: your boyfriend Andrew Denton went sick and we were working. 817 00:38:21,040 --> 00:38:24,759 Speaker 1: He went, he went fully sick. He went sick, and. 818 00:38:24,680 --> 00:38:27,680 Speaker 4: They got the biggest gun in the business me to 819 00:38:27,719 --> 00:38:28,719 Speaker 4: come in and fill in with you. 820 00:38:28,880 --> 00:38:30,920 Speaker 2: Yeah, but you were just filling in. We weren't working 821 00:38:30,960 --> 00:38:31,759 Speaker 2: together as a team. 822 00:38:31,800 --> 00:38:33,840 Speaker 1: And that's where the seed was planned. 823 00:38:34,960 --> 00:38:38,360 Speaker 2: And what year am I looking for from the two songs? 824 00:38:38,360 --> 00:38:38,600 Speaker 1: Five? 825 00:38:38,640 --> 00:38:41,360 Speaker 4: I I was just making whimsy, was wearing a bustle. 826 00:38:43,120 --> 00:38:44,399 Speaker 1: Actually two thousand and five. 827 00:38:45,400 --> 00:38:47,000 Speaker 2: I'm going to look through the list of songs from 828 00:38:47,000 --> 00:38:48,600 Speaker 2: two thousand and five GM. 829 00:38:50,719 --> 00:38:53,279 Speaker 17: Right now, Free East. 830 00:38:56,239 --> 00:38:57,440 Speaker 2: And Amanda's. 831 00:38:58,719 --> 00:39:02,000 Speaker 4: Here's the Delio question. Sixty seconds on the clock. You 832 00:39:02,000 --> 00:39:04,000 Speaker 4: can pass if you don't know an answer. We'll come 833 00:39:04,000 --> 00:39:06,120 Speaker 4: back to that question if time permits. You get on 834 00:39:06,239 --> 00:39:08,320 Speaker 4: questions right, one thousand dollars. 835 00:39:08,320 --> 00:39:11,759 Speaker 2: Normally, what we say here is if you answer a 836 00:39:11,800 --> 00:39:15,080 Speaker 2: bonus question, you can get two thousand dollars. You do 837 00:39:15,280 --> 00:39:19,560 Speaker 2: your money, but it's double or nothing. But today, to 838 00:39:19,600 --> 00:39:23,880 Speaker 2: celebrate our first week back, it's five grand Friday, so 839 00:39:23,920 --> 00:39:25,920 Speaker 2: you can win a thousand. If you win a thousand dollars, 840 00:39:26,320 --> 00:39:27,879 Speaker 2: I have a big decision to make. You can leave 841 00:39:27,920 --> 00:39:30,880 Speaker 2: with one thousand and with our blessing, or you can 842 00:39:30,960 --> 00:39:35,280 Speaker 2: choose to answer a bonus question and get five thousand dollars. 843 00:39:35,320 --> 00:39:38,720 Speaker 1: It's the coronilla, is it? If the coronilla comes in today? 844 00:39:39,880 --> 00:39:41,840 Speaker 2: Well, let's not confuse people. Five grand. 845 00:39:41,920 --> 00:39:45,759 Speaker 1: There you get Louise's in Miranda. Hello, Louise, good. 846 00:39:45,640 --> 00:39:49,040 Speaker 2: Morning, exciting times. And also everyone who gets on our 847 00:39:49,040 --> 00:39:56,320 Speaker 2: show today gets a gold lunch on Captain Cook Cruises. Oh, Amaze, maze, 848 00:39:56,480 --> 00:39:58,880 Speaker 2: we have an exciting task ahead of us here, Louise, 849 00:39:58,960 --> 00:40:03,120 Speaker 2: Let's see if we can get you maybe five thousand dollars. 850 00:40:03,320 --> 00:40:05,440 Speaker 2: We've got ten seconds that we've got ten seconds. We've 851 00:40:05,480 --> 00:40:07,680 Speaker 2: made it hard today. We've got ten questions. We've got 852 00:40:07,680 --> 00:40:10,120 Speaker 2: sixty seconds. If you're not sure, say passed. We usually 853 00:40:10,120 --> 00:40:13,960 Speaker 2: have time to come back. Are you ready to begin, Louise? Oh, 854 00:40:14,960 --> 00:40:18,240 Speaker 2: this is exciting. You're playing for five thousand dollars. Possibly, 855 00:40:18,280 --> 00:40:21,040 Speaker 2: here we go. Question number one? What season are we 856 00:40:21,080 --> 00:40:22,560 Speaker 2: currently in? 857 00:40:22,760 --> 00:40:23,080 Speaker 15: Comer? 858 00:40:23,280 --> 00:40:26,440 Speaker 2: Question two? In which city is the Australian Tennis Open held? 859 00:40:27,360 --> 00:40:31,440 Speaker 2: Which city? Melbourne? Question three? What color is an amethyst? 860 00:40:32,080 --> 00:40:37,440 Speaker 2: An amethyst, green, emerald or emerald? 861 00:40:37,680 --> 00:40:37,839 Speaker 15: Oh? 862 00:40:37,880 --> 00:40:43,040 Speaker 2: An amethyst is purple. It's my birthstone, Louise. What was 863 00:40:43,120 --> 00:40:51,000 Speaker 2: my son said? Ah, Louise, take him on the gold 864 00:40:51,080 --> 00:40:52,359 Speaker 2: lunch on the Captain. 865 00:40:52,000 --> 00:40:54,439 Speaker 1: Cook pots and rage him the whole time. 866 00:40:54,560 --> 00:41:00,839 Speaker 2: Don't, don't, don't. Oh, thank you for playing Louise. Oh no, 867 00:41:01,120 --> 00:41:02,440 Speaker 2: we love leaving families. 868 00:41:03,280 --> 00:41:04,680 Speaker 1: Pranilla to come in today. 869 00:41:04,760 --> 00:41:07,000 Speaker 4: Well, it didn't happen that you'll be making that same 870 00:41:07,040 --> 00:41:08,560 Speaker 4: noise when you lose and fight. 871 00:41:08,480 --> 00:41:09,200 Speaker 1: For your flashback? 872 00:41:09,280 --> 00:41:10,239 Speaker 2: What noise? Will that be? 873 00:41:10,320 --> 00:41:11,880 Speaker 1: That same one that Louise make? Can you do that 874 00:41:11,920 --> 00:41:13,120 Speaker 1: noise again, Louise. 875 00:41:15,920 --> 00:41:17,600 Speaker 2: No, she's about to do again. 876 00:41:18,200 --> 00:41:21,919 Speaker 4: No, no, no, I've got my son to yell at 877 00:41:21,960 --> 00:41:23,800 Speaker 4: for costing me five thousand. 878 00:41:23,440 --> 00:41:26,760 Speaker 1: Dollars anyway, Five for your Flashback is coming up. Songs 879 00:41:27,080 --> 00:41:29,719 Speaker 1: that from the year we started as a duo. 880 00:41:29,560 --> 00:41:32,040 Speaker 2: Officially, which is two thousand and five. 881 00:41:32,080 --> 00:41:34,200 Speaker 1: Un Officially we started in nineteen ninety nine. 882 00:41:34,200 --> 00:41:36,160 Speaker 2: Not as a duo you were filling in. It's not 883 00:41:36,200 --> 00:41:39,360 Speaker 2: the same two thousand and five songs from two thousand 884 00:41:39,400 --> 00:41:41,680 Speaker 2: and five. I've got a Ripper Jones. 885 00:41:43,320 --> 00:41:54,040 Speaker 1: Podcast, Fight for Your Flashback. Two songs end at one 886 00:41:54,080 --> 00:41:55,600 Speaker 1: song Lease management right this morning. 887 00:41:55,680 --> 00:41:59,800 Speaker 4: Congratulations on your golden anniversary of twenty years quite frankly, 888 00:42:00,000 --> 00:42:00,520 Speaker 4: I didn't. 889 00:42:00,320 --> 00:42:01,560 Speaker 2: Think you'd make it nervous? 890 00:42:01,600 --> 00:42:03,520 Speaker 1: Did I think she add that in there? 891 00:42:03,560 --> 00:42:06,560 Speaker 4: Today's five few flashback songs from the year you started 892 00:42:06,560 --> 00:42:08,920 Speaker 4: as a duo play well the management. 893 00:42:08,960 --> 00:42:12,600 Speaker 2: So songs from two thousand and five. One leapt off 894 00:42:12,640 --> 00:42:15,360 Speaker 2: the page at me. It's a song that is just 895 00:42:15,719 --> 00:42:21,759 Speaker 2: so emotional, so enigmatic, so pumpy. I just think it's 896 00:42:21,800 --> 00:42:23,719 Speaker 2: a great song to play on a Friday. You know 897 00:42:23,840 --> 00:42:26,799 Speaker 2: this song, it's by the fabulous Kelly Clarkson. Since You've 898 00:42:26,840 --> 00:42:32,120 Speaker 2: been Gone, here's a thing started up, frums. 899 00:42:33,160 --> 00:42:43,400 Speaker 20: It was cool, a break karaoke song, so hard, A 900 00:42:43,600 --> 00:42:45,800 Speaker 20: big ballsy breakup. 901 00:42:45,360 --> 00:42:46,600 Speaker 2: Song for a Friday. 902 00:42:47,080 --> 00:42:48,040 Speaker 1: Is it a breakup song? 903 00:42:48,200 --> 00:42:49,480 Speaker 2: Yeah? 904 00:42:49,560 --> 00:42:51,520 Speaker 1: This so she's happy, he's got. 905 00:42:54,080 --> 00:42:56,880 Speaker 2: She's saying that since you've been gone? How great? I 906 00:42:56,880 --> 00:42:59,000 Speaker 2: mean if someone saying that too, you think how romantic? 907 00:42:59,040 --> 00:42:59,840 Speaker 2: You've missed the point. 908 00:43:00,000 --> 00:43:04,040 Speaker 4: I thought that is a great it's supportance of things 909 00:43:04,040 --> 00:43:04,399 Speaker 4: to come. 910 00:43:04,600 --> 00:43:07,200 Speaker 1: What do you mean when you're doing the Amanda Amanda Show. 911 00:43:08,719 --> 00:43:09,319 Speaker 2: I already do. 912 00:43:09,520 --> 00:43:14,880 Speaker 4: Starting hot with a Panda and the Panda. 913 00:43:15,360 --> 00:43:17,120 Speaker 1: You know that's that is a great song. 914 00:43:17,560 --> 00:43:19,920 Speaker 4: I think about two thousand and five, I think about 915 00:43:20,120 --> 00:43:22,359 Speaker 4: these are the times that you could have a show 916 00:43:22,400 --> 00:43:26,000 Speaker 4: where you put overweight people on TV, yelled at them 917 00:43:26,200 --> 00:43:27,880 Speaker 4: and call them the biggest Loser? 918 00:43:28,360 --> 00:43:28,919 Speaker 2: What song? 919 00:43:29,040 --> 00:43:31,160 Speaker 1: You can't do that anymore? I'm gonna give you a share 920 00:43:31,200 --> 00:43:33,880 Speaker 1: a No, she. 921 00:43:34,239 --> 00:43:44,040 Speaker 2: Like you the hardway. It's a good song. Two Fista, 922 00:43:45,040 --> 00:43:50,040 Speaker 2: two big songs today, two big bats. Do you think 923 00:43:50,120 --> 00:43:52,200 Speaker 2: is that how you break up with someone you're fat? 924 00:43:52,280 --> 00:43:57,600 Speaker 2: What does you said before the Biggest Loser? What would 925 00:43:57,680 --> 00:44:03,200 Speaker 2: you like to hear? Give us a call Sham Podcast. 926 00:44:02,760 --> 00:44:05,799 Speaker 4: Five for your flashback and today songs from the year 927 00:44:06,120 --> 00:44:07,080 Speaker 4: you started as a. 928 00:44:07,160 --> 00:44:10,080 Speaker 2: Duo two thousand and five. I've gone with this fantastic 929 00:44:10,120 --> 00:44:15,320 Speaker 2: song by Kelly Clarkson Gallo. This song was offered to 930 00:44:15,360 --> 00:44:16,200 Speaker 2: both Kink. 931 00:44:15,960 --> 00:44:19,440 Speaker 1: And Hillary Dump Really I could see Pink peak It's. 932 00:44:19,320 --> 00:44:21,439 Speaker 2: All over it and before they both turned it down 933 00:44:22,080 --> 00:44:24,360 Speaker 2: as became a giant banger for Kelly. 934 00:44:24,600 --> 00:44:26,000 Speaker 1: I don't know why. 935 00:44:26,680 --> 00:44:27,640 Speaker 2: It's a great song. 936 00:44:27,760 --> 00:44:28,840 Speaker 1: Two thousand and five. 937 00:44:29,440 --> 00:44:34,160 Speaker 4: Nolesy, fresh from coming second in Australian Idol two thousand 938 00:44:34,160 --> 00:44:34,520 Speaker 4: and three. 939 00:44:35,320 --> 00:44:41,239 Speaker 2: Pink turned this one down to you see Pink Wood 940 00:44:41,239 --> 00:44:42,359 Speaker 2: sound good singers too. 941 00:44:45,280 --> 00:44:48,480 Speaker 1: No one can sing that but Nolesy. That's Nolesy. 942 00:44:48,600 --> 00:44:51,200 Speaker 2: Well, everyone who makes it to wear today gets a 943 00:44:51,400 --> 00:44:54,239 Speaker 2: gold lunch on Captain Cook Cruise. As we're kicking off 944 00:44:54,239 --> 00:44:58,279 Speaker 2: with Nathan and Barrel. Hello Nathan, good morning, how are 945 00:44:58,320 --> 00:45:01,040 Speaker 2: we very well? Nathan five flashback? What would you like 946 00:45:01,080 --> 00:45:05,319 Speaker 2: to hear today? I'm sorry, Jane, but Amanda all the way? 947 00:45:05,520 --> 00:45:07,760 Speaker 2: Absolutely love that song by Kelly Clarkson. 948 00:45:07,800 --> 00:45:09,000 Speaker 17: It's got so much energy. 949 00:45:09,080 --> 00:45:11,000 Speaker 2: Absolutely love it, love it. Thank you, Nathan. 950 00:45:11,080 --> 00:45:12,360 Speaker 1: And Nolsey has no energies. 951 00:45:12,680 --> 00:45:16,160 Speaker 2: Let's not do him my favorite. 952 00:45:16,239 --> 00:45:16,960 Speaker 1: He works out. 953 00:45:18,360 --> 00:45:21,120 Speaker 2: He makes you feel like mister Puniverse. I don't know. 954 00:45:21,200 --> 00:45:23,640 Speaker 1: I think I held against no idea. Well, I don't 955 00:45:23,640 --> 00:45:24,400 Speaker 1: get on the weights of it. 956 00:45:25,000 --> 00:45:27,080 Speaker 2: Every time he comes in, the two of you are 957 00:45:27,200 --> 00:45:30,560 Speaker 2: like two male des locking antlers? 958 00:45:31,920 --> 00:45:32,359 Speaker 1: Is he living? 959 00:45:32,520 --> 00:45:32,719 Speaker 5: Hello? 960 00:45:32,800 --> 00:45:34,000 Speaker 2: Ryannon in flight for your flashback. 961 00:45:34,360 --> 00:45:36,080 Speaker 9: It's been right for twenty years as well. 962 00:45:36,239 --> 00:45:41,240 Speaker 2: Thank you. So as far as both of you guys, 963 00:45:41,400 --> 00:45:45,480 Speaker 2: I think I'm gonna have to go because Nolesy' is awesome. 964 00:45:47,320 --> 00:45:48,239 Speaker 8: Yeah, definitely. 965 00:45:48,800 --> 00:45:52,920 Speaker 17: So He's basically one of our Ossie icons of more 966 00:45:52,960 --> 00:45:53,600 Speaker 17: recent times. 967 00:45:53,600 --> 00:45:54,879 Speaker 1: So I'll have to go with him for sure. 968 00:45:54,880 --> 00:45:56,400 Speaker 2: All votes for the soul patch. 969 00:45:57,080 --> 00:46:01,320 Speaker 1: He doesn't have the soul patch. I do the flavor Saver. 970 00:46:02,520 --> 00:46:05,279 Speaker 2: Maggie's in Emu Heights. Hello, Maggie, Fight for your Flashback? 971 00:46:06,000 --> 00:46:06,719 Speaker 15: Hey, good mind. 972 00:46:06,760 --> 00:46:10,960 Speaker 2: Congratulations guy, Thanks you, Maggie. I'm sorry Jones. 973 00:46:11,160 --> 00:46:12,880 Speaker 1: It's a man who is Kelly Coxon. 974 00:46:13,000 --> 00:46:16,319 Speaker 2: We've all been there, Isn't it interesting? Jones didn't even 975 00:46:16,360 --> 00:46:17,560 Speaker 2: know that that was a breakup song. 976 00:46:17,600 --> 00:46:20,040 Speaker 1: How it's like she was lamenting that he was gone. 977 00:46:20,080 --> 00:46:21,680 Speaker 1: Since you been gone, I've been deprayed. 978 00:46:21,760 --> 00:46:24,000 Speaker 2: No, have you heard the words? Since you've been gone? 979 00:46:24,040 --> 00:46:25,120 Speaker 2: My life has started again. 980 00:46:25,200 --> 00:46:25,960 Speaker 5: It's been gone. 981 00:46:26,080 --> 00:46:28,759 Speaker 1: I can't live my life. That's what I've heard. 982 00:46:28,760 --> 00:46:30,440 Speaker 2: Maybe we should just play mine so you can hear 983 00:46:30,480 --> 00:46:31,759 Speaker 2: the words. 984 00:46:31,840 --> 00:46:46,600 Speaker 15: Jonesy and Amanda podcast, Fight for Your Flashback. 985 00:46:46,160 --> 00:46:49,319 Speaker 4: Two songs entil one song leaves for twenty twenty five 986 00:46:49,400 --> 00:46:52,680 Speaker 4: management right this morning. Congratulations on your golden anniversary of 987 00:46:52,719 --> 00:46:53,399 Speaker 4: twenty years. 988 00:46:53,520 --> 00:46:54,399 Speaker 2: Amazing, isn't quite? 989 00:46:54,400 --> 00:46:56,600 Speaker 1: Frankly, you'd make it. I don't know why they put that. 990 00:46:56,640 --> 00:46:57,799 Speaker 2: I put my name on that list. 991 00:46:57,800 --> 00:47:00,640 Speaker 4: Today's five few flashback songs from the ye you started 992 00:47:00,640 --> 00:47:03,120 Speaker 4: as a duo. We're going back to two thousand and five. 993 00:47:03,480 --> 00:47:05,520 Speaker 4: How did we sound back in two thousand and five? 994 00:47:06,200 --> 00:47:09,839 Speaker 4: What Matia were we doing back in two thousand and five, 995 00:47:10,080 --> 00:47:13,000 Speaker 4: new boy Tom who's joined us on the show this 996 00:47:13,040 --> 00:47:14,919 Speaker 4: week and has done an excellent job. 997 00:47:15,000 --> 00:47:18,719 Speaker 1: You really have, Tom. You found some stuff from two thousand. 998 00:47:18,440 --> 00:47:19,560 Speaker 2: I want to hear it. 999 00:47:19,600 --> 00:47:21,600 Speaker 1: Well, let's hear us from two thousand and five. It's 1000 00:47:21,640 --> 00:47:23,640 Speaker 1: like being in jail. Do you wanta a prison break show? 1001 00:47:24,320 --> 00:47:27,000 Speaker 1: And every little bit of hope has taken away from himself. 1002 00:47:27,239 --> 00:47:29,600 Speaker 1: If you say it is like being on prison breaks, 1003 00:47:29,719 --> 00:47:30,120 Speaker 1: it is. 1004 00:47:30,280 --> 00:47:34,560 Speaker 10: It is less your voice. 1005 00:47:34,560 --> 00:47:38,520 Speaker 2: You sound like an little jockey. We're writing on the weekends. 1006 00:47:38,800 --> 00:47:41,080 Speaker 4: That's what twenty years a booze and on can do 1007 00:47:41,200 --> 00:47:44,959 Speaker 4: for you. Twenty years ago that was me. What about 1008 00:47:44,960 --> 00:47:49,160 Speaker 4: Amanda a library in Holland. Amanda is lending out people 1009 00:47:49,239 --> 00:47:52,520 Speaker 4: as well as books, and a new initiative aimed at 1010 00:47:52,600 --> 00:47:53,759 Speaker 4: challenging stereotypes. 1011 00:47:53,800 --> 00:47:55,919 Speaker 1: People can borrow gay people. 1012 00:47:55,840 --> 00:47:58,640 Speaker 4: Gypsies and Muslims for an hour and talk to them 1013 00:47:58,680 --> 00:47:59,560 Speaker 4: about their lives. 1014 00:48:00,160 --> 00:48:03,439 Speaker 2: Probably hire a gay person to redecorate my lounge room. 1015 00:48:03,840 --> 00:48:06,640 Speaker 1: I don't know if you can use them. Can you 1016 00:48:06,719 --> 00:48:07,399 Speaker 1: make me a key? 1017 00:48:08,440 --> 00:48:10,160 Speaker 2: I can't get over you always a little one. Our 1018 00:48:10,200 --> 00:48:11,320 Speaker 2: content that is terrible. 1019 00:48:11,360 --> 00:48:12,560 Speaker 1: See, we don't do that anymore. 1020 00:48:12,600 --> 00:48:16,320 Speaker 2: Your voice like a like and helium. 1021 00:48:16,360 --> 00:48:17,520 Speaker 1: I think that's been pitched up. 1022 00:48:18,200 --> 00:48:20,480 Speaker 4: That's when we were working in a helium mine in 1023 00:48:20,600 --> 00:48:21,200 Speaker 4: North Ryde. 1024 00:48:21,960 --> 00:48:23,520 Speaker 2: All right, so we had to pick songs from two 1025 00:48:23,560 --> 00:48:26,120 Speaker 2: thousand and five. I have gone with this Kelly Clarkson 1026 00:48:26,360 --> 00:48:37,280 Speaker 2: banger since you've been gone. 1027 00:48:38,120 --> 00:48:42,239 Speaker 21: It is good, but does it have the might of 1028 00:48:42,320 --> 00:48:51,640 Speaker 21: this fully operational battle station Shannon nol and lift does it? 1029 00:48:55,640 --> 00:48:55,759 Speaker 12: Well? 1030 00:48:55,800 --> 00:48:57,480 Speaker 2: Let's see what you want to hear today. Every call 1031 00:48:57,520 --> 00:48:58,879 Speaker 2: that makes it to where it gets a gold lunch 1032 00:48:58,880 --> 00:49:02,160 Speaker 2: on Captain called cruise. Hello is in Guildford and give 1033 00:49:02,239 --> 00:49:04,560 Speaker 2: us your fight for your flashback choice today? 1034 00:49:05,400 --> 00:49:08,840 Speaker 11: Oh great to have you both back, Amanda. 1035 00:49:08,920 --> 00:49:11,800 Speaker 2: Your song is is great, but I'm voting for Jones. 1036 00:49:11,880 --> 00:49:14,200 Speaker 2: I want him to win this year, so I'm voting 1037 00:49:14,239 --> 00:49:17,520 Speaker 2: for him, little ruddy underdog with high voice. 1038 00:49:18,800 --> 00:49:19,920 Speaker 1: I think it was pitched up. 1039 00:49:20,520 --> 00:49:22,200 Speaker 2: They don't they pitch your voice or not mine? 1040 00:49:22,239 --> 00:49:23,440 Speaker 1: Now yours is just as pitched. 1041 00:49:24,800 --> 00:49:28,560 Speaker 2: Vicky'll get the text in. So we asked, if they've 1042 00:49:28,560 --> 00:49:31,200 Speaker 2: pitched your voice up, Hello, Vicky, fight for your flashback? 1043 00:49:31,200 --> 00:49:34,120 Speaker 2: What would you like to hear? Hello, great show guys, 1044 00:49:34,280 --> 00:49:38,960 Speaker 2: Thank you Jones. It's not your day then it's all 1045 00:49:39,000 --> 00:49:40,720 Speaker 2: the way, Thank. 1046 00:49:40,600 --> 00:49:42,960 Speaker 1: You, lost the vis that was our last call. We've 1047 00:49:42,960 --> 00:49:44,160 Speaker 1: got more to go, Jamies. 1048 00:49:44,680 --> 00:49:49,839 Speaker 2: Fight for your flashback, Jamie. Yeay morning guys, je yeay 1049 00:49:49,840 --> 00:49:53,960 Speaker 2: morning guys. Hi Jamie, what would you like to hear Amana? 1050 00:49:54,120 --> 00:49:57,560 Speaker 16: You finally picked a good song, but you you picked 1051 00:49:57,880 --> 00:49:58,279 Speaker 16: your mate. 1052 00:49:59,480 --> 00:50:03,640 Speaker 2: I got a I will insult, an insult and then ans. 1053 00:50:03,360 --> 00:50:07,080 Speaker 1: That could be naalsy, I reckon. That's almost nlesy. Thank you, Jamie, 1054 00:50:07,160 --> 00:50:07,520 Speaker 1: it is. 1055 00:50:08,480 --> 00:50:13,880 Speaker 2: It's Ken Jamie from calling in Ken. Kevin. Kevin's with us, 1056 00:50:13,960 --> 00:50:17,319 Speaker 2: Kevin's in Wesley. Fight for your flashback, Kevin, good morning, Well, 1057 00:50:17,400 --> 00:50:20,120 Speaker 2: congratulations twenty years anniversary as a duo. 1058 00:50:20,280 --> 00:50:23,520 Speaker 1: You know what to say the twenty years in Sydney history. 1059 00:50:23,520 --> 00:50:27,799 Speaker 4: In ws formerly ws NOW Gold, no radio show has 1060 00:50:27,840 --> 00:50:29,160 Speaker 4: ever lasted twenty years. 1061 00:50:29,280 --> 00:50:31,480 Speaker 2: Twenty is in radio that's like a hundred million years 1062 00:50:31,480 --> 00:50:32,400 Speaker 2: in other professions. 1063 00:50:32,480 --> 00:50:35,160 Speaker 4: Ye so, actually credit whereas due Carl and Jackie, Oh, 1064 00:50:35,360 --> 00:50:37,440 Speaker 4: they started the same year and breakfast in two thousand 1065 00:50:37,440 --> 00:50:37,680 Speaker 4: and five. 1066 00:50:37,680 --> 00:50:39,720 Speaker 2: This week we've been at the same station all this time. 1067 00:50:40,000 --> 00:50:43,239 Speaker 2: We get attached to the stationery exactly. Kevin, what would 1068 00:50:43,239 --> 00:50:46,120 Speaker 2: you like to hear a man banger? Since you've been 1069 00:50:46,160 --> 00:50:49,800 Speaker 2: gone by Kelly Clark Kevin, Thank you love the beat 1070 00:50:49,960 --> 00:50:51,759 Speaker 2: makes you want to get up and Dan a feel 1071 00:50:51,800 --> 00:50:52,279 Speaker 2: good song. 1072 00:50:52,480 --> 00:50:53,279 Speaker 5: Thank you so much. 1073 00:50:55,600 --> 00:50:58,000 Speaker 2: The light he is. I wish he was our last call. 1074 00:50:58,120 --> 00:50:59,160 Speaker 1: Natalie's in Camden. 1075 00:50:59,320 --> 00:51:02,400 Speaker 2: Natalie is our last call. Natalie, you are announcing today's 1076 00:51:02,400 --> 00:51:07,080 Speaker 2: fight for your flashback winner. Good morning, guys, congratulations on 1077 00:51:07,160 --> 00:51:07,920 Speaker 2: twenty years. 1078 00:51:07,920 --> 00:51:11,680 Speaker 11: I love you, have always loved you, But this morning 1079 00:51:12,880 --> 00:51:14,040 Speaker 11: we got to lift him up. 1080 00:51:14,719 --> 00:51:18,560 Speaker 2: It's got to be shutting. No Nolsy see nolesey one 1081 00:51:18,600 --> 00:51:20,560 Speaker 2: not you, Just so you can differentiate. 1082 00:51:20,680 --> 00:51:24,480 Speaker 1: Nolsey is my boy. We are brothers. Like Dylan right 1083 00:51:24,640 --> 00:51:27,120 Speaker 1: is my couz And he won a straight idle. Maybe 1084 00:51:27,120 --> 00:51:29,440 Speaker 1: it's me the talent. You know that. 1085 00:51:29,560 --> 00:51:33,680 Speaker 2: Knowlesy is twin he cap second and I did Dylan? 1086 00:51:34,520 --> 00:51:35,080 Speaker 2: Dylan won? 1087 00:51:35,400 --> 00:51:37,640 Speaker 4: Did he he wanted? I see you don't know. You're 1088 00:51:37,640 --> 00:51:40,600 Speaker 4: not true blood. It doesn't matter. Flex up. Let's put 1089 00:51:40,719 --> 00:51:41,560 Speaker 4: Knowles ex up. 1090 00:51:41,600 --> 00:51:43,600 Speaker 2: Everyone, Flex up, Plex up. 1091 00:51:43,960 --> 00:51:48,480 Speaker 4: Jem jam nail on one point seven, Lift man, thanks 1092 00:51:48,520 --> 00:51:48,959 Speaker 4: my brother. 1093 00:51:49,560 --> 00:51:51,399 Speaker 2: When that song came out in two thousand and five, 1094 00:51:51,440 --> 00:51:53,160 Speaker 2: you took it quite literally. You've got to lift you 1095 00:51:53,200 --> 00:51:56,440 Speaker 2: lifted your voice. I can hardly recognize it in jail do. 1096 00:51:56,440 --> 00:51:59,239 Speaker 4: You watch the prison Break show and every little bit 1097 00:51:59,239 --> 00:52:00,960 Speaker 4: of hope is check away from yourself. 1098 00:52:01,200 --> 00:52:03,359 Speaker 1: If you say it is like being on prison race, 1099 00:52:04,239 --> 00:52:04,760 Speaker 1: it is. 1100 00:52:09,320 --> 00:52:10,160 Speaker 2: Amy the sellers. 1101 00:52:10,280 --> 00:52:12,560 Speaker 1: It's pitched up. That's what happened. My voice wasn't who's 1102 00:52:12,600 --> 00:52:13,359 Speaker 1: going to pitch it up? 1103 00:52:13,360 --> 00:52:15,000 Speaker 2: Why don't they pitch up your voice and not mine? 1104 00:52:15,000 --> 00:52:16,080 Speaker 2: Who's going to bother picture? 1105 00:52:16,120 --> 00:52:18,200 Speaker 4: I was more anxious back then, and I hadn't paid 1106 00:52:18,200 --> 00:52:19,160 Speaker 4: off my house back then. 1107 00:52:19,480 --> 00:52:21,319 Speaker 2: A lot of a lot of everyone knows that when 1108 00:52:21,320 --> 00:52:24,000 Speaker 2: you part of your house, your voice drops, your interest. 1109 00:52:23,760 --> 00:52:28,000 Speaker 4: Everything gets lower. Anyway, Just congratulations Jonesy, well. 1110 00:52:27,800 --> 00:52:30,520 Speaker 2: Done, first one of the year. This is not important, don't. 1111 00:52:30,239 --> 00:52:40,760 Speaker 4: It's very important. It's a quarter to nine. 1112 00:52:41,520 --> 00:52:43,920 Speaker 2: Our favorite blie of the year will get twenty thousand 1113 00:52:43,920 --> 00:52:46,640 Speaker 2: dollars thanks to misseell stocks and gravies. The best tasting 1114 00:52:46,719 --> 00:52:49,759 Speaker 2: stocks are Australian made and owned. Ask for masel It's 1115 00:52:49,840 --> 00:52:51,000 Speaker 2: qualities that you can taste. 1116 00:52:51,160 --> 00:52:54,360 Speaker 4: Go to the gold app on the iHeartRadio. Go to 1117 00:52:54,400 --> 00:52:55,879 Speaker 4: Gold one one seven, simple ast. 1118 00:52:55,920 --> 00:52:57,399 Speaker 1: What have we got my. 1119 00:52:57,480 --> 00:53:00,680 Speaker 19: Girlie is people who think they can just park across 1120 00:53:00,719 --> 00:53:04,120 Speaker 19: my driveway at will and blocking me in so I 1121 00:53:04,160 --> 00:53:07,880 Speaker 19: can't get out to an important appointment. This guy in 1122 00:53:07,960 --> 00:53:11,680 Speaker 19: his damn blue careers has been parked across my driveway 1123 00:53:11,719 --> 00:53:13,560 Speaker 19: for the best part of an hour. Oh no, now 1124 00:53:13,600 --> 00:53:16,560 Speaker 19: he just blisoly, walks along, gets in his car and 1125 00:53:16,640 --> 00:53:17,239 Speaker 19: drives away. 1126 00:53:19,480 --> 00:53:21,920 Speaker 1: And did you know that you can't park over your 1127 00:53:21,920 --> 00:53:25,440 Speaker 1: own driveway? So you're where you live, you can get fined. 1128 00:53:25,640 --> 00:53:26,680 Speaker 1: I think that's ridiculous. 1129 00:53:26,719 --> 00:53:29,200 Speaker 2: Yeah, but someone wants parked me in? And what are 1130 00:53:29,200 --> 00:53:34,000 Speaker 2: the chances? We had a friend of ours from overseas 1131 00:53:34,000 --> 00:53:36,520 Speaker 2: staying who has connected to the local police to he's 1132 00:53:36,560 --> 00:53:40,399 Speaker 2: at the local police superintendent and he'd only recently left, 1133 00:53:40,400 --> 00:53:42,160 Speaker 2: so he was able to phone the local police officer 1134 00:53:42,200 --> 00:53:45,200 Speaker 2: and said, come and get this guy. So he got 1135 00:53:45,280 --> 00:53:48,920 Speaker 2: him for facing the wrong way and blocking a driveway. 1136 00:53:49,400 --> 00:53:51,400 Speaker 2: He was in his dad's car and was spending the 1137 00:53:51,480 --> 00:53:53,319 Speaker 2: night with someone up the road. And even when the 1138 00:53:53,360 --> 00:53:56,160 Speaker 2: police phoned him, he still waited an hour to come 1139 00:53:56,200 --> 00:54:00,520 Speaker 2: and get his car. So I did an uber drives 1140 00:54:00,560 --> 00:54:03,080 Speaker 2: you crazy, doesn't it? So what are the chances there 1141 00:54:03,120 --> 00:54:04,600 Speaker 2: was a police officer staying in the house. 1142 00:54:05,840 --> 00:54:08,359 Speaker 1: What are the chances? What else have we got? 1143 00:54:09,120 --> 00:54:10,120 Speaker 2: Got the grand kids? 1144 00:54:10,120 --> 00:54:13,240 Speaker 16: Some makers stopped at the beach to call the rubbish 1145 00:54:13,360 --> 00:54:17,879 Speaker 16: out but left behind one drink. An hour later, come 1146 00:54:17,920 --> 00:54:21,520 Speaker 16: back to the car, that drink swarming with an Oh 1147 00:54:22,600 --> 00:54:25,920 Speaker 16: how do they get in? And now when I'm driving 1148 00:54:25,920 --> 00:54:28,759 Speaker 16: down the street, I feel like there's little buggers everywhere. 1149 00:54:28,880 --> 00:54:31,239 Speaker 16: Oh why did they get out as quick as they 1150 00:54:31,280 --> 00:54:31,840 Speaker 16: got in? 1151 00:54:32,280 --> 00:54:37,600 Speaker 4: Yeah, carry the car away, you'd be pickinged Buscuit Gennation 1152 00:54:38,320 --> 00:54:39,520 Speaker 4: gold on a one point seven. 1153 00:54:39,560 --> 00:54:41,000 Speaker 1: Hello there, it's Jonesy Demanda. 1154 00:54:41,160 --> 00:54:43,399 Speaker 4: You know, Tom the new boy has been working harder 1155 00:54:43,440 --> 00:54:46,080 Speaker 4: than Jim y Ray getting prepared for his executive junket. 1156 00:54:46,280 --> 00:54:49,120 Speaker 10: It's not a junker in Hawaii, not a junkit. It's 1157 00:54:49,120 --> 00:54:51,680 Speaker 10: a wellness and networking conference. 1158 00:54:51,880 --> 00:54:52,440 Speaker 2: That's wank. 1159 00:54:53,440 --> 00:54:54,560 Speaker 5: It's not a wank. 1160 00:54:54,800 --> 00:54:59,440 Speaker 1: No, it's an acronym. Anyways, come up with this, Toms. 1161 00:55:00,000 --> 00:55:05,440 Speaker 9: I was hoping for a more dynamic title for this. 1162 00:55:07,239 --> 00:55:10,200 Speaker 9: Jen y Rye has made me feel so welcome since 1163 00:55:10,200 --> 00:55:12,640 Speaker 9: he decided to leave and climb the corporate ladder. 1164 00:55:12,760 --> 00:55:16,640 Speaker 10: Yes, I am now heading up the development end foundations 1165 00:55:16,760 --> 00:55:18,080 Speaker 10: training DAFT. 1166 00:55:18,520 --> 00:55:20,640 Speaker 1: Yeah, Okay, it's an acronym. 1167 00:55:20,719 --> 00:55:21,719 Speaker 5: This is a serious thing. 1168 00:55:22,080 --> 00:55:24,480 Speaker 2: A right suit. You're like one of the kids from Rugrats. 1169 00:55:24,440 --> 00:55:25,120 Speaker 2: We're in a suit. 1170 00:55:25,400 --> 00:55:27,480 Speaker 10: Well, they contacted me. 1171 00:55:27,560 --> 00:55:29,239 Speaker 5: They said, look, we don't want to let you go. 1172 00:55:29,400 --> 00:55:30,319 Speaker 5: Do you want to do this? 1173 00:55:30,600 --> 00:55:34,680 Speaker 10: You know? I had to decide was the juice worth squeeze, 1174 00:55:34,719 --> 00:55:37,399 Speaker 10: and I decided it was worth the squeeze. So I'm 1175 00:55:37,400 --> 00:55:38,320 Speaker 10: here all week training. 1176 00:55:38,320 --> 00:55:38,759 Speaker 5: What's you name? 1177 00:55:41,120 --> 00:55:43,919 Speaker 9: It seems all those jam branded water bottles you ordered 1178 00:55:44,000 --> 00:55:46,360 Speaker 9: last year have a problem. They don't work. I know 1179 00:55:46,480 --> 00:55:47,879 Speaker 9: a water bottle that doesn't work. 1180 00:55:47,880 --> 00:55:48,560 Speaker 2: How's that we. 1181 00:55:48,520 --> 00:55:51,440 Speaker 1: Don't give away rubbish? No, we don't this year for 1182 00:55:51,480 --> 00:55:55,520 Speaker 1: those water bottles last year. Jonesy know that the dread 1183 00:55:55,520 --> 00:55:56,080 Speaker 1: for straw. 1184 00:55:56,200 --> 00:56:00,520 Speaker 2: I mean we suck, but not well enough to smoke 1185 00:56:00,560 --> 00:56:03,160 Speaker 2: a bong all day. 1186 00:56:03,360 --> 00:56:05,520 Speaker 9: I was this old when I learned that bears don't 1187 00:56:05,600 --> 00:56:08,359 Speaker 9: use tombians. Also, I was this old when I learned 1188 00:56:08,360 --> 00:56:09,560 Speaker 9: what a tombian actually is. 1189 00:56:09,760 --> 00:56:14,440 Speaker 2: I thought bears slipped through their entire hibernation. Apparently animals 1190 00:56:14,480 --> 00:56:16,959 Speaker 2: don't sleep the whole time when they hibernate. They wake 1191 00:56:17,040 --> 00:56:20,240 Speaker 2: up periodically to eat, to drink, and to use the bathroom. 1192 00:56:20,280 --> 00:56:21,640 Speaker 1: Pain. But what about the tombian? 1193 00:56:21,760 --> 00:56:24,439 Speaker 2: This is I know, this is what I'd thought. When 1194 00:56:24,440 --> 00:56:28,640 Speaker 2: the bears hibernate, they created tombian, which is a combination 1195 00:56:28,760 --> 00:56:31,000 Speaker 2: of sticks and dirt that they put up their bottom 1196 00:56:31,040 --> 00:56:32,719 Speaker 2: so that insects and things don't go in. 1197 00:56:32,960 --> 00:56:33,680 Speaker 1: Is it a paste? 1198 00:56:33,800 --> 00:56:37,040 Speaker 2: I saw a master chef from the Mystery Box. I pressed, 1199 00:56:38,080 --> 00:56:39,320 Speaker 2: it's disgustingly good. 1200 00:56:39,520 --> 00:56:41,600 Speaker 9: Robbie Williams came on and he had some sort of 1201 00:56:41,640 --> 00:56:43,480 Speaker 9: love affair with Jonesy and his chin. 1202 00:56:43,760 --> 00:56:44,600 Speaker 1: How are your mate? 1203 00:56:44,680 --> 00:56:47,239 Speaker 7: I'm really really good, Jonesy, lovely to see you. I 1204 00:56:47,320 --> 00:56:51,799 Speaker 7: was just at my tearing your chin and it is 1205 00:56:52,120 --> 00:56:55,919 Speaker 7: you could you could trim ear hair with that? 1206 00:56:56,120 --> 00:56:56,480 Speaker 2: With that? 1207 00:56:56,760 --> 00:56:58,959 Speaker 7: Just it's it's click glass? 1208 00:56:59,520 --> 00:57:01,640 Speaker 1: How is that just DNA? 1209 00:57:02,760 --> 00:57:03,520 Speaker 2: His mother's got it. 1210 00:57:04,640 --> 00:57:07,120 Speaker 9: Then he got real about the struggles he faces as 1211 00:57:07,120 --> 00:57:07,680 Speaker 9: a performer. 1212 00:57:07,760 --> 00:57:10,520 Speaker 7: I had this outer body experience New Year's Eve when 1213 00:57:10,520 --> 00:57:13,839 Speaker 7: I was on ABC doing thirty five minutes on the television. 1214 00:57:14,000 --> 00:57:14,680 Speaker 16: I was ill. 1215 00:57:15,040 --> 00:57:16,520 Speaker 1: I was jet lagged. 1216 00:57:16,440 --> 00:57:18,960 Speaker 7: Getting on stage and having to hold it together while 1217 00:57:19,000 --> 00:57:21,600 Speaker 7: the inside of your brain is just going I just 1218 00:57:21,640 --> 00:57:24,320 Speaker 7: want to cry ah. And then all of a sudden, 1219 00:57:24,400 --> 00:57:27,240 Speaker 7: I'm now thinking, oh, but my left nostril is streaming 1220 00:57:27,280 --> 00:57:29,440 Speaker 7: with the cold. And then I was thinking to everybody 1221 00:57:29,440 --> 00:57:31,880 Speaker 7: on Twitter is going to say, Robbie Williams is insane 1222 00:57:31,920 --> 00:57:33,200 Speaker 7: because he's on cocaine. 1223 00:57:33,360 --> 00:57:35,760 Speaker 1: While I'm singing rock DJ making. 1224 00:57:35,520 --> 00:57:39,720 Speaker 7: Up all of these titles for newspaper articles. Boggle eyed 1225 00:57:39,920 --> 00:57:43,560 Speaker 7: Robbie Williams makes fans worried for his safety, and then 1226 00:57:43,600 --> 00:57:45,360 Speaker 7: I was like, oh, I feel crazy. 1227 00:57:45,440 --> 00:57:48,000 Speaker 9: The tribal drum was beating for when have you met 1228 00:57:48,040 --> 00:57:50,760 Speaker 9: your hero and cocked it up? Jonesy reckons, It's never 1229 00:57:50,800 --> 00:57:51,400 Speaker 9: happened to him. 1230 00:57:51,480 --> 00:57:53,200 Speaker 2: You know, I've been with you for Some of them 1231 00:57:53,360 --> 00:57:55,840 Speaker 2: were like, what though, Well, remember when Jennifer Hawkins had 1232 00:57:55,880 --> 00:57:58,800 Speaker 2: just become his universe. She came into the radio station 1233 00:57:58,880 --> 00:58:00,800 Speaker 2: and she had this top on the was all it 1234 00:58:00,840 --> 00:58:02,680 Speaker 2: was just it wasn't low cut, but it was a 1235 00:58:02,720 --> 00:58:05,560 Speaker 2: really nice top and you must have been perving at her. 1236 00:58:06,480 --> 00:58:08,880 Speaker 2: She tried to cover up and you said, you said, 1237 00:58:08,880 --> 00:58:11,920 Speaker 2: that's a nice top. She this is what happens. Let 1238 00:58:11,960 --> 00:58:15,000 Speaker 2: me to You said that's a nice top top, and 1239 00:58:15,040 --> 00:58:16,920 Speaker 2: you must have said it in such a way that 1240 00:58:17,000 --> 00:58:19,320 Speaker 2: she tried to cover up with her cardigan and you said, 1241 00:58:19,640 --> 00:58:24,760 Speaker 2: don't cover up. This was the most horrendous thingunds dress too. 1242 00:58:24,960 --> 00:58:27,760 Speaker 2: That's just a few years ago. When she was being 1243 00:58:27,800 --> 00:58:30,120 Speaker 2: interviewed on the Red half of the Loadies. You walked 1244 00:58:30,160 --> 00:58:31,320 Speaker 2: up behind her and caught out. 1245 00:58:31,600 --> 00:58:34,880 Speaker 4: You're interviewing my wife, said to jeweles line as a jack, 1246 00:58:35,040 --> 00:58:36,240 Speaker 4: leave my excuse me? 1247 00:58:36,280 --> 00:58:37,760 Speaker 1: Will you stop bothering my wife? 1248 00:58:37,800 --> 00:58:42,640 Speaker 3: And this is what he says to you, creepy. 1249 00:58:42,840 --> 00:58:44,320 Speaker 1: That's the problem in the media. You' not even playing 1250 00:58:44,360 --> 00:58:45,040 Speaker 1: the full version. 1251 00:58:45,080 --> 00:58:47,320 Speaker 2: The full version here it is. 1252 00:58:46,880 --> 00:58:51,480 Speaker 3: Your pert creep perv and creep. 1253 00:58:53,000 --> 00:58:56,280 Speaker 1: I think I've been vindicated. Don't feel too bad, mate. 1254 00:58:56,320 --> 00:58:59,280 Speaker 9: Amanda had her own thing with big nosed krooner Barry 1255 00:58:59,280 --> 00:59:00,200 Speaker 9: manor of them. 1256 00:59:00,200 --> 00:59:04,080 Speaker 2: When I met Barry Manelotte past Win in front of you, yeah, 1257 00:59:04,160 --> 00:59:07,280 Speaker 2: oh yes, and it made me feel like I was 1258 00:59:07,280 --> 00:59:07,800 Speaker 2: married to him. 1259 00:59:07,840 --> 00:59:10,160 Speaker 4: He was that comfortable with Usually when it's a competition, 1260 00:59:10,280 --> 00:59:16,040 Speaker 4: you go first, took the rules. 1261 00:59:16,240 --> 00:59:17,800 Speaker 2: I can't understand the rules. 1262 00:59:17,800 --> 00:59:19,880 Speaker 1: And there it is Tom's jibba jabber. 1263 00:59:22,280 --> 00:59:25,080 Speaker 2: And that's all for our first week, have red full 1264 00:59:25,480 --> 00:59:28,680 Speaker 2: well our favorite caller email of Facebook, my lawyers. When 1265 00:59:28,800 --> 00:59:31,600 Speaker 2: tickets for you and three friends to Titanic the Musical 1266 00:59:31,800 --> 00:59:33,800 Speaker 2: playing at the Grand Electric in Sorry Hills. This is 1267 00:59:33,800 --> 00:59:35,200 Speaker 2: the funniest night you will ever have. 1268 00:59:35,600 --> 00:59:35,880 Speaker 1: Love it. 1269 00:59:35,880 --> 00:59:38,360 Speaker 4: We had our first five few flashback for twenty twenty five, 1270 00:59:38,440 --> 00:59:42,080 Speaker 4: twenty years of us doing this and I went with 1271 00:59:42,280 --> 00:59:45,680 Speaker 4: a banger Nolsey Lift, which went on to win. 1272 00:59:46,320 --> 00:59:46,480 Speaker 10: Yeah. 1273 00:59:46,680 --> 00:59:49,960 Speaker 2: I went with Kelly Clarkson since You've been Gone, also 1274 00:59:50,040 --> 00:59:50,600 Speaker 2: a bangal. 1275 00:59:51,880 --> 00:59:52,760 Speaker 1: I'm not sure why. 1276 00:59:52,640 --> 00:59:55,240 Speaker 2: We're giving Man of the Match to Jamie from Schofield's 1277 00:59:55,520 --> 00:59:57,320 Speaker 2: You kind of kept us on edge for a little while. 1278 00:59:57,680 --> 01:00:00,800 Speaker 1: I mean, you've only Di's a good song, but it's 1279 01:00:00,840 --> 01:00:02,439 Speaker 1: you you, you picked you mate. 1280 01:00:03,520 --> 01:00:08,840 Speaker 2: I think that's I got double insult Friday YouTube well 1281 01:00:08,920 --> 01:00:10,480 Speaker 2: ugly for us. Next with a non stop at nine. 1282 01:00:10,520 --> 01:00:12,360 Speaker 2: We are back for jam Nation at six o'clock. We'll 1283 01:00:12,400 --> 01:00:12,800 Speaker 2: see you then. 1284 01:00:12,880 --> 01:00:15,919 Speaker 1: Good did you well? Thank God that's over. 1285 01:00:16,040 --> 01:00:21,040 Speaker 7: Good bite, good bite, wipe the two from. 1286 01:00:20,960 --> 01:00:23,520 Speaker 15: You're Right You Catch Jonesy and Amanda's podcast on the 1287 01:00:23,560 --> 01:00:38,560 Speaker 15: iHeartRadio app or wherever you get your podcasts. Catch up 1288 01:00:38,560 --> 01:00:41,160 Speaker 15: on what you've missed on the free iHeartRadio app.