1 00:00:00,600 --> 00:00:03,360 Speaker 1: It has been two years already, but Tony Hadley's going 2 00:00:03,400 --> 00:00:05,520 Speaker 1: to be back at the Asta Theater on Saturday, February 3 00:00:05,519 --> 00:00:09,039 Speaker 1: the first and Sunday, February the second. The Saturday show 4 00:00:09,080 --> 00:00:11,520 Speaker 1: has already sold out, but you can still get tickets 5 00:00:11,520 --> 00:00:14,080 Speaker 1: for the Sunday show. Tickets are available through ticket Tech 6 00:00:14,400 --> 00:00:15,680 Speaker 1: and Tony Hadley joins us. 7 00:00:15,680 --> 00:00:18,319 Speaker 2: Now, good morning, good morning to you, good evening to me, 8 00:00:19,160 --> 00:00:20,800 Speaker 2: to different the world. 9 00:00:21,280 --> 00:00:23,600 Speaker 3: I can't eve it's Nelly two years. 10 00:00:23,960 --> 00:00:26,759 Speaker 4: I know at the time just goes, you know. 11 00:00:26,800 --> 00:00:30,240 Speaker 2: It's a conversation that I'm having all the time with people, yes, 12 00:00:30,280 --> 00:00:31,640 Speaker 2: even young people. 13 00:00:31,320 --> 00:00:32,640 Speaker 4: Where is the time going? 14 00:00:32,680 --> 00:00:36,400 Speaker 2: We're living in this technological age and it's just making 15 00:00:36,440 --> 00:00:37,560 Speaker 2: everything too fast. 16 00:00:38,000 --> 00:00:41,240 Speaker 1: In my bed, Tony, I spent all day either saying 17 00:00:41,240 --> 00:00:42,320 Speaker 1: where is the time gone? 18 00:00:42,560 --> 00:00:44,000 Speaker 3: Or what did I come in here for? 19 00:00:45,159 --> 00:00:48,920 Speaker 2: Yeah, I know, I know exactly what you mean. 20 00:00:49,000 --> 00:00:50,720 Speaker 4: And there's so much going on. I mean, it's so 21 00:00:50,760 --> 00:00:51,880 Speaker 4: much going on in my life. 22 00:00:52,280 --> 00:00:55,080 Speaker 2: And we're so looking forward to coming back to the 23 00:00:55,080 --> 00:00:57,480 Speaker 2: Perth or we have a great time seeing my mate Danny, 24 00:00:57,520 --> 00:01:01,400 Speaker 2: O'Shea and Claire, Yeah, my friends over there. So yeah, 25 00:01:01,440 --> 00:01:04,320 Speaker 2: but it's it's going to be rocking, really rocking figures 26 00:01:04,319 --> 00:01:07,480 Speaker 2: went on sou I think the other morning and so brilliant. 27 00:01:07,520 --> 00:01:09,920 Speaker 4: Yeah, really cool, really fantastic. 28 00:01:09,440 --> 00:01:11,480 Speaker 5: So many fantasy mate, hang on, is this Tony Hedley 29 00:01:11,520 --> 00:01:14,399 Speaker 5: or is this Jim Morrison seeing the doors touch me? 30 00:01:14,440 --> 00:01:16,360 Speaker 5: With the opening track on the new swing album The 31 00:01:16,400 --> 00:01:18,560 Speaker 5: Mood I'm in thanking very much number one in the 32 00:01:18,600 --> 00:01:20,160 Speaker 5: Heritage charts. Congratulations. 33 00:01:20,480 --> 00:01:23,440 Speaker 2: Yeah, yeah, well it was an idea, as you came 34 00:01:23,480 --> 00:01:25,480 Speaker 2: from my manager who said, look, you know, it'd be 35 00:01:25,480 --> 00:01:28,640 Speaker 2: great to do, you know, a sort of fun doors track, 36 00:01:29,240 --> 00:01:32,000 Speaker 2: and we obviously had the big band and everything else, 37 00:01:32,360 --> 00:01:34,720 Speaker 2: and we did and I just thought it was such 38 00:01:34,720 --> 00:01:37,560 Speaker 2: a crazy, crazy track and we tried to make it 39 00:01:37,600 --> 00:01:40,560 Speaker 2: even more crazy. But but when we come over to 40 00:01:41,440 --> 00:01:44,280 Speaker 2: over to Perth, we'll be with the full electric band 41 00:01:44,319 --> 00:01:46,560 Speaker 2: and stuff. It will be rocking and rocking and a 42 00:01:46,720 --> 00:01:49,200 Speaker 2: rolling So but I think we're going to come over 43 00:01:49,320 --> 00:01:51,800 Speaker 2: again at some point and do a big band show 44 00:01:51,800 --> 00:01:53,320 Speaker 2: as well, which is fantastic too. 45 00:01:53,640 --> 00:01:54,960 Speaker 3: That would be fantastic. 46 00:01:54,960 --> 00:01:56,840 Speaker 1: It's not the first thing that comes to mind when 47 00:01:56,880 --> 00:01:58,960 Speaker 1: you think of swing and you think of you know, 48 00:01:59,040 --> 00:02:05,800 Speaker 1: mister bo Jangle. Anyway, Okay, so it is the full 49 00:02:05,840 --> 00:02:07,200 Speaker 1: electric band coming this time. 50 00:02:07,240 --> 00:02:10,520 Speaker 3: We'll hear all the hits, you know next year. 51 00:02:10,520 --> 00:02:14,480 Speaker 1: Amongst forty years since Live aid another thing where I 52 00:02:14,520 --> 00:02:18,480 Speaker 1: again say, where is the time? God? I was recently 53 00:02:18,800 --> 00:02:22,600 Speaker 1: told that you have never watched your performance back. 54 00:02:23,000 --> 00:02:29,040 Speaker 2: No, I've seen snippets of it. Okay, I absolutely avoid 55 00:02:29,080 --> 00:02:31,640 Speaker 2: it like the plague. So so now I've never actually 56 00:02:31,680 --> 00:02:33,160 Speaker 2: watched the full performance back. 57 00:02:33,440 --> 00:02:38,040 Speaker 1: No, can I assure you you look fabulous on vision? 58 00:02:39,240 --> 00:02:43,600 Speaker 4: Fabulous, fabulous darling, thank you. I know, I know. 59 00:02:43,680 --> 00:02:46,880 Speaker 2: There was one bit where I fanned round in my microphone. 60 00:02:46,919 --> 00:02:50,200 Speaker 2: I remember came flying out my hand. Oh, but it 61 00:02:50,280 --> 00:02:51,720 Speaker 2: was one of the most It's one of the most 62 00:02:51,760 --> 00:02:53,480 Speaker 2: brilliant days of my life, but also one of the 63 00:02:53,520 --> 00:02:57,720 Speaker 2: most nerve wracking days. But it was absolutely it was brilliant, 64 00:02:57,760 --> 00:03:01,200 Speaker 2: absolutely fantastic and just meeting all your heroes there. But 65 00:03:01,280 --> 00:03:04,320 Speaker 2: you say forty years since Live and it's actually in 66 00:03:04,400 --> 00:03:07,960 Speaker 2: twenty twenty five. I've been doing this for forty five years. 67 00:03:08,360 --> 00:03:10,280 Speaker 3: Yeah, I can believe that. 68 00:03:10,760 --> 00:03:12,600 Speaker 4: And I still think them about twenty eight. 69 00:03:13,080 --> 00:03:15,360 Speaker 5: Well, that's good. I made I follow you closely on 70 00:03:15,400 --> 00:03:17,280 Speaker 5: Instagram and I can see this. There's two things that 71 00:03:17,320 --> 00:03:18,840 Speaker 5: pop up a lot. One is your love for the 72 00:03:18,840 --> 00:03:21,760 Speaker 5: thh Band, your your Belove Attorney Headley Band, and also 73 00:03:21,960 --> 00:03:24,360 Speaker 5: whenever you post everyone goes come to our city, like 74 00:03:24,400 --> 00:03:26,160 Speaker 5: everyone in the world wants you to come to their city. 75 00:03:26,320 --> 00:03:27,360 Speaker 4: Yeah, it's nice. 76 00:03:27,400 --> 00:03:29,720 Speaker 2: I mean I like doing sort of silly little videos 77 00:03:29,760 --> 00:03:32,480 Speaker 2: and stuff like that, and yeah, just having a bit 78 00:03:32,520 --> 00:03:33,240 Speaker 2: of fun with things. 79 00:03:33,280 --> 00:03:35,480 Speaker 4: But you know, I've got another swing album. 80 00:03:35,200 --> 00:03:37,040 Speaker 2: To make, call Big Band Album, which is going to 81 00:03:37,080 --> 00:03:40,200 Speaker 2: be ready for next to next year. And also the 82 00:03:40,240 --> 00:03:43,160 Speaker 2: contemporary album which I've got to I've nearly finished, so 83 00:03:43,200 --> 00:03:44,640 Speaker 2: there's another new new to. 84 00:03:44,600 --> 00:03:45,320 Speaker 4: Come out as well. 85 00:03:45,440 --> 00:03:46,840 Speaker 2: I mean a lot of people these days are not 86 00:03:46,920 --> 00:03:50,320 Speaker 2: making albums, but I still feel it's important to write. 87 00:03:50,360 --> 00:03:52,480 Speaker 2: And I've been in the studio today with Phil Williams, 88 00:03:52,520 --> 00:03:55,800 Speaker 2: our bass player, just working stuff, and I just think 89 00:03:55,840 --> 00:03:58,680 Speaker 2: it's still important to no matter what your history is, 90 00:03:58,920 --> 00:04:01,320 Speaker 2: you know, with Gold and True and Barricades and everything else. 91 00:04:01,560 --> 00:04:03,280 Speaker 4: It's nice to run new stuff too. 92 00:04:04,240 --> 00:04:07,240 Speaker 2: Yes, but I might add to that sorry too, And 93 00:04:07,680 --> 00:04:10,240 Speaker 2: I might add to that is there be everyone thinking, oh, 94 00:04:10,280 --> 00:04:12,080 Speaker 2: but he's going to do his whole new album. 95 00:04:13,840 --> 00:04:14,800 Speaker 4: Trust me, we do. 96 00:04:15,040 --> 00:04:17,479 Speaker 2: I'm a great believer in giving people what they want 97 00:04:17,480 --> 00:04:19,920 Speaker 2: to do. All the hits and more and then throwing 98 00:04:19,960 --> 00:04:22,160 Speaker 2: a couple of new tunes and hope that people like them. 99 00:04:22,200 --> 00:04:25,720 Speaker 1: Really Yeah, well, I expect if you didn't do kind 100 00:04:25,720 --> 00:04:28,520 Speaker 1: of long story short there would be tears. 101 00:04:28,120 --> 00:04:32,440 Speaker 3: From me yet what storm out? But I would be 102 00:04:32,600 --> 00:04:33,680 Speaker 3: very very sad. 103 00:04:34,160 --> 00:04:37,359 Speaker 2: Well would I think that that's probably the opening song? Actually, 104 00:04:39,080 --> 00:04:41,320 Speaker 2: because in Australia you were one. I mean when we 105 00:04:41,400 --> 00:04:44,599 Speaker 2: first started back in eighty I mean we had a 106 00:04:44,760 --> 00:04:47,200 Speaker 2: top five in the UK with to cut on Story Short, 107 00:04:48,000 --> 00:04:50,359 Speaker 2: but Australia was one of the few countries to. 108 00:04:50,440 --> 00:04:52,960 Speaker 4: Actually like us at that point. Then a lot of 109 00:04:53,000 --> 00:04:56,880 Speaker 4: other countries. It wasn't really until true when that went, 110 00:04:57,240 --> 00:04:59,400 Speaker 4: you know, to like number one into anyone countries around 111 00:04:59,400 --> 00:05:00,440 Speaker 4: the world, that the. 112 00:05:00,400 --> 00:05:03,240 Speaker 2: Whole thing just exploded. But up until that point we 113 00:05:03,240 --> 00:05:05,640 Speaker 2: were sort of yeah, you know, we were selective. 114 00:05:06,080 --> 00:05:08,400 Speaker 5: Yeah, well you had Molly Meldn playing the videos on 115 00:05:08,440 --> 00:05:10,360 Speaker 5: countdown and yeah, the love was spreading man. 116 00:05:11,120 --> 00:05:13,280 Speaker 4: Yeah, good old Molly brilliant. 117 00:05:13,400 --> 00:05:16,760 Speaker 1: Not only shaped my music taste but also my wardrobe 118 00:05:16,800 --> 00:05:20,520 Speaker 1: for my entire teenage years, Tony, So thanks for that. 119 00:05:21,720 --> 00:05:24,120 Speaker 4: I think I wore a couple of Molly's blouses as 120 00:05:24,120 --> 00:05:30,000 Speaker 4: well with a shirt. 121 00:05:32,160 --> 00:05:36,640 Speaker 1: How flattering was it? To have Gold become. I mean 122 00:05:36,640 --> 00:05:39,080 Speaker 1: it's a while now since the London Olympics, but it was. 123 00:05:39,160 --> 00:05:43,239 Speaker 1: It was the unofficial theme of the of the whole Olympics. 124 00:05:43,520 --> 00:05:45,400 Speaker 4: Yeah, it was. We are you really proud? 125 00:05:45,440 --> 00:05:49,320 Speaker 2: I mean whenever you know, it's amazed, amazed actually that 126 00:05:49,720 --> 00:05:53,360 Speaker 2: radio and everybody still respond to all those songs and 127 00:05:53,520 --> 00:05:55,440 Speaker 2: you know, Gold, as you said, was the Olympic song. 128 00:05:55,760 --> 00:05:57,760 Speaker 2: So it's a really proud sort of moment, you know. 129 00:05:58,080 --> 00:06:01,000 Speaker 2: Walking around London for instance, I mean there's no end 130 00:06:01,040 --> 00:06:01,640 Speaker 2: of black. 131 00:06:01,440 --> 00:06:05,840 Speaker 4: Cab drivers all right, tonw's it going? You? 132 00:06:06,040 --> 00:06:08,360 Speaker 2: You know what black cab drivers are like in London 133 00:06:08,839 --> 00:06:13,480 Speaker 2: and it's lovely. It's just nice people saying, oh mate, 134 00:06:13,520 --> 00:06:15,240 Speaker 2: you know you still got it. You can still sing 135 00:06:15,320 --> 00:06:17,920 Speaker 2: good and everything and the band are great and you know, 136 00:06:18,279 --> 00:06:20,520 Speaker 2: after doing it after all these years, I still get 137 00:06:20,520 --> 00:06:23,520 Speaker 2: a kick out of people, you know, coming along and saying, wow, 138 00:06:23,560 --> 00:06:26,599 Speaker 2: what a brilliant show and so long may that continue. 139 00:06:26,640 --> 00:06:28,400 Speaker 2: My voice is I haven't had to drop any of 140 00:06:28,400 --> 00:06:33,000 Speaker 2: the keys back to probably can thing high and there. 141 00:06:32,920 --> 00:06:34,279 Speaker 4: Than I could even when I was younger. 142 00:06:34,400 --> 00:06:34,880 Speaker 3: Wow. 143 00:06:35,360 --> 00:06:38,560 Speaker 2: Really I'm really lucky. But but then I'm doing it 144 00:06:38,600 --> 00:06:41,080 Speaker 2: all the time. I don't stop kicking. I'm always kicking. 145 00:06:41,680 --> 00:06:43,280 Speaker 5: And do you have any little special things You've got 146 00:06:43,279 --> 00:06:44,600 Speaker 5: a bit of honey going on or you're going to 147 00:06:45,040 --> 00:06:46,560 Speaker 5: or are you just lucky with that voice? 148 00:06:46,600 --> 00:06:48,640 Speaker 2: Well, a couple of beers and a glass of wine, 149 00:06:50,520 --> 00:06:52,080 Speaker 2: maybe a little nifty of jack. 150 00:06:54,960 --> 00:06:56,400 Speaker 5: You're going to be a company or something, having your 151 00:06:56,400 --> 00:06:57,760 Speaker 5: time some of your own? 152 00:06:58,160 --> 00:07:01,200 Speaker 4: Well, no, I mean all purely medicinal. 153 00:07:03,480 --> 00:07:07,640 Speaker 1: Well, I know that you recorded the album Parade, which 154 00:07:07,680 --> 00:07:11,080 Speaker 1: turns forty this year at in Munich in Germany. 155 00:07:11,120 --> 00:07:12,640 Speaker 3: Did you immerse. 156 00:07:12,320 --> 00:07:16,440 Speaker 1: Yourself in the German everything? Well, while you were there 157 00:07:16,560 --> 00:07:18,320 Speaker 1: a bit of a bit of bratwurst and beer. 158 00:07:18,160 --> 00:07:20,520 Speaker 2: There, Well, yeah, I mean I do like a bit 159 00:07:20,560 --> 00:07:25,640 Speaker 2: of brat first. Yeah, Munich, I have to say, was fantastic. 160 00:07:26,040 --> 00:07:28,560 Speaker 2: And also at the time Freddie, Freddie Mercury and the 161 00:07:28,560 --> 00:07:32,000 Speaker 2: boys were recording there at the same time, and so 162 00:07:32,080 --> 00:07:34,000 Speaker 2: you know, I remember Freddie one day phonding me out 163 00:07:34,040 --> 00:07:35,840 Speaker 2: and say, Kenny Darling, if you want to come down 164 00:07:35,880 --> 00:07:38,240 Speaker 2: the studios. So with my mate, my best mate, Pete 165 00:07:38,280 --> 00:07:40,040 Speaker 2: Hilly is still my best mate. He's been out with 166 00:07:40,200 --> 00:07:42,600 Speaker 2: Robert Plant at the moment, and so he went down. 167 00:07:42,600 --> 00:07:45,320 Speaker 2: There's me, Fred and Roger Taylor and me and my 168 00:07:45,360 --> 00:07:47,720 Speaker 2: best mate Pete all having a Chinese and a glass 169 00:07:47,720 --> 00:07:53,000 Speaker 2: of wine. Doesn't get much better than that. 170 00:07:53,600 --> 00:07:54,400 Speaker 4: We had a good. 171 00:07:54,240 --> 00:07:57,640 Speaker 2: Time in Munich and it's a really funky, funky town. 172 00:07:57,680 --> 00:08:00,080 Speaker 2: There were two great clubs, Sugar Shack, which was a 173 00:08:00,200 --> 00:08:02,480 Speaker 2: rock club with all the rock chicks, and then you 174 00:08:02,480 --> 00:08:04,600 Speaker 2: had the Peints, which was the kind of that was 175 00:08:04,640 --> 00:08:08,080 Speaker 2: a bit posher, but it was a good time. 176 00:08:08,240 --> 00:08:10,440 Speaker 4: I must have been. I did enjoy. It was great fun. 177 00:08:11,120 --> 00:08:13,000 Speaker 5: One of the most surreal radio days I had was 178 00:08:13,000 --> 00:08:14,640 Speaker 5: sitting in a studio with you about six or seven 179 00:08:14,720 --> 00:08:17,800 Speaker 5: years ago in Perth and with the spand Out Boys 180 00:08:17,800 --> 00:08:20,600 Speaker 5: at that Stays twenty seventeen and we had a chat 181 00:08:20,640 --> 00:08:22,600 Speaker 5: about your knees. Now, I know you had an accident 182 00:08:22,640 --> 00:08:23,720 Speaker 5: last year, but you're all good now. 183 00:08:24,360 --> 00:08:24,560 Speaker 4: Yeah. 184 00:08:25,400 --> 00:08:28,520 Speaker 2: I've had three major ops on my knee, my leg, 185 00:08:28,640 --> 00:08:32,280 Speaker 2: my knees. Yeah, I've been really unlucky. I had of 186 00:08:32,280 --> 00:08:35,800 Speaker 2: bone infection which came back after fifty one years, so 187 00:08:36,440 --> 00:08:40,280 Speaker 2: massive operation recovering from that. Slipped on a wet floors, 188 00:08:40,320 --> 00:08:44,800 Speaker 2: smashed my legs, another big operation, and then I got 189 00:08:44,800 --> 00:08:47,040 Speaker 2: another infection and to another bigger operation. 190 00:08:47,280 --> 00:08:49,360 Speaker 4: But I'm okay. Now and I've still got my leg. 191 00:08:51,679 --> 00:08:54,439 Speaker 1: That's why you still have your voice completely intact, because 192 00:08:54,480 --> 00:08:57,480 Speaker 1: something has to go somewhere, so you know, it all 193 00:08:57,559 --> 00:09:01,880 Speaker 1: evens out. You got the knees instead. Why have we 194 00:09:01,960 --> 00:09:04,160 Speaker 1: never seen more of you on the theater stage? You 195 00:09:04,240 --> 00:09:07,360 Speaker 1: were Billy Flynn in Chicago on the West End in 196 00:09:07,400 --> 00:09:10,520 Speaker 1: two thousand and seven. Why has there not been more 197 00:09:10,600 --> 00:09:13,760 Speaker 1: Tony Hadley up in lights on the stage there? 198 00:09:14,400 --> 00:09:16,600 Speaker 4: I did it. It was something I did. 199 00:09:16,600 --> 00:09:20,160 Speaker 2: I had a swing album at the time actually coming out, 200 00:09:20,200 --> 00:09:22,280 Speaker 2: and I thought it would be a great opportunity. 201 00:09:23,080 --> 00:09:24,719 Speaker 4: I must admit I absolutely loved it. 202 00:09:24,720 --> 00:09:26,400 Speaker 2: It was really good fun three and a half of 203 00:09:26,440 --> 00:09:28,400 Speaker 2: the West End, and then I got asked to do 204 00:09:28,880 --> 00:09:31,680 Speaker 2: tours of the UK other music halls, and I thought 205 00:09:31,679 --> 00:09:33,600 Speaker 2: it wasself. You know, I don't want to get down 206 00:09:33,640 --> 00:09:36,160 Speaker 2: that road. I loved doing it. It was a fantastic 207 00:09:36,200 --> 00:09:38,760 Speaker 2: thing to do. The first night, I have to say, 208 00:09:38,880 --> 00:09:42,079 Speaker 2: was the most scariest. 209 00:09:40,240 --> 00:09:45,000 Speaker 4: I can't many times I looked at the scripts before. 210 00:09:45,040 --> 00:09:49,760 Speaker 2: I was absolutely terrifying. 211 00:09:49,800 --> 00:09:51,360 Speaker 4: But I did it. I proved I could do it. 212 00:09:51,400 --> 00:09:52,920 Speaker 4: I got really good reviews. 213 00:09:53,160 --> 00:09:57,360 Speaker 2: Yeah, but my really lies with my band and touring 214 00:09:57,440 --> 00:09:59,400 Speaker 2: and yeah, that's what I love more than anything. 215 00:10:00,160 --> 00:10:01,760 Speaker 1: So you need your time free to be able to 216 00:10:01,840 --> 00:10:03,920 Speaker 1: do that because these things are a big commitment. 217 00:10:04,080 --> 00:10:08,040 Speaker 2: Yeah shows, Yeah, they want you to tour for a year. 218 00:10:11,760 --> 00:10:13,520 Speaker 2: I mean, but it's it's that the thing is and 219 00:10:13,559 --> 00:10:16,080 Speaker 2: nothing against it. But it was amazing to do three us. 220 00:10:16,559 --> 00:10:20,040 Speaker 2: But it's the same show every single night with my band. 221 00:10:20,240 --> 00:10:22,319 Speaker 2: They should we do this queen song tonight? Oh do 222 00:10:22,320 --> 00:10:23,920 Speaker 2: you want to do that old Span song? Or should 223 00:10:23,920 --> 00:10:26,680 Speaker 2: we do this new song? And every venue is different 224 00:10:26,720 --> 00:10:29,360 Speaker 2: and I don't know, it's just and I'm not scripted, 225 00:10:29,440 --> 00:10:30,880 Speaker 2: so I can say and do what I want. 226 00:10:30,960 --> 00:10:31,800 Speaker 4: And I kind of like that. 227 00:10:32,320 --> 00:10:34,520 Speaker 5: Have fun and made of the back catalog they're a 228 00:10:34,520 --> 00:10:37,080 Speaker 5: great spander back catalog and your solo stuff. Is there 229 00:10:37,080 --> 00:10:39,600 Speaker 5: a favorite baby that you love singing? Is the one 230 00:10:39,600 --> 00:10:41,160 Speaker 5: that's a preference for you? 231 00:10:41,280 --> 00:10:42,800 Speaker 2: Yeah, I mean it's it's always through the but I 232 00:10:42,840 --> 00:10:45,160 Speaker 2: mean you mentioned Cutlong Story, Short Love. It was the 233 00:10:45,200 --> 00:10:47,199 Speaker 2: first one that got us off the launch pad. But 234 00:10:47,280 --> 00:10:49,839 Speaker 2: I have to say Through the Barricades for me is 235 00:10:50,200 --> 00:10:52,559 Speaker 2: the most that's the best thing we ever did. 236 00:10:52,880 --> 00:10:56,400 Speaker 4: Love True Love, Gold, through the Barricades definitely. 237 00:10:56,240 --> 00:10:57,760 Speaker 5: Wow an anthem. 238 00:10:57,920 --> 00:11:00,600 Speaker 1: We have one more question that we like to us 239 00:11:00,760 --> 00:11:03,760 Speaker 1: every morning, Tony. Do you remember the first time you 240 00:11:03,840 --> 00:11:05,040 Speaker 1: heard yourself on the radio? 241 00:11:05,559 --> 00:11:07,600 Speaker 4: I do, yeah, I actually, yeah, I do. Well. 242 00:11:07,679 --> 00:11:09,440 Speaker 2: No, not the first time on the radio, but the 243 00:11:09,440 --> 00:11:13,120 Speaker 2: first time I walked into a bar load of my 244 00:11:13,160 --> 00:11:15,360 Speaker 2: mates and we were down in South London, in Battersea 245 00:11:15,559 --> 00:11:17,880 Speaker 2: and we were going to Someone said, oh, there's a 246 00:11:17,880 --> 00:11:19,720 Speaker 2: bit of a party going in the pub and I 247 00:11:19,840 --> 00:11:23,320 Speaker 2: walked in looking like a new Romo and the Cutlong 248 00:11:23,400 --> 00:11:26,199 Speaker 2: Story Short was playing on the Someone put it on 249 00:11:26,240 --> 00:11:29,120 Speaker 2: the jukebox or whatever, and my mates were looking at me, go, 250 00:11:29,320 --> 00:11:31,760 Speaker 2: that's your song. That's No one knew who I was though, 251 00:11:31,760 --> 00:11:33,720 Speaker 2: because we hadn't been on Top of the pops. Yeah, 252 00:11:33,720 --> 00:11:35,959 Speaker 2: so that was a really good feeling to think that, 253 00:11:36,120 --> 00:11:38,480 Speaker 2: you know, people you know were playing your stuff. 254 00:11:38,520 --> 00:11:42,400 Speaker 1: So yeah, yeah, the only time you got to watch 255 00:11:42,440 --> 00:11:46,240 Speaker 1: other people's reaction to it without them, you know, without 256 00:11:46,280 --> 00:11:48,040 Speaker 1: them knowing who you were fawning. 257 00:11:48,280 --> 00:11:51,320 Speaker 2: Yeah, they didn't have they didn't have a clue. I 258 00:11:51,360 --> 00:11:53,400 Speaker 2: was just being my mate, Yeah, one of one of 259 00:11:53,440 --> 00:11:55,240 Speaker 2: the guys. I might have looked like Robin Hood, but 260 00:12:00,040 --> 00:12:01,600 Speaker 2: there's nothing wrong with a pair of tights. 261 00:12:03,400 --> 00:12:04,840 Speaker 5: Well, you're going to be here You're going to be 262 00:12:04,840 --> 00:12:06,480 Speaker 5: here in Perth in February, but you've got to bring 263 00:12:06,520 --> 00:12:06,839 Speaker 5: you bay this. 264 00:12:06,960 --> 00:12:08,760 Speaker 4: It's going to be blood. As you know. 265 00:12:10,640 --> 00:12:13,079 Speaker 3: It was hard working and here magic in Perth. 266 00:12:14,720 --> 00:12:16,520 Speaker 4: Fantastic to see you. It's going to be great. 267 00:12:16,679 --> 00:12:18,520 Speaker 3: Tony Hadley, thank you for joining us. 268 00:12:18,520 --> 00:12:19,520 Speaker 5: Thanks always a pleasure. 269 00:12:19,600 --> 00:12:21,400 Speaker 4: Thank you very much. Lovely to talk to you and 270 00:12:21,440 --> 00:12:21,920 Speaker 4: take care