1 00:00:00,600 --> 00:00:04,520 Speaker 1: Read the flick with Ben Oshe. Good morning man, Good 2 00:00:04,559 --> 00:00:09,000 Speaker 1: morning guys. Welcome. Been looking forward to hearing all about Furiosa. 3 00:00:09,280 --> 00:00:13,600 Speaker 2: Oh yeah, we've been waiting for the backstory. Who should 4 00:00:13,600 --> 00:00:14,480 Speaker 2: we get that out of the way first? 5 00:00:14,560 --> 00:00:17,360 Speaker 1: Yeah? Please, you can give me a review of this story. 6 00:00:17,720 --> 00:00:18,080 Speaker 1: So yeah. 7 00:00:18,120 --> 00:00:20,360 Speaker 2: So a couple of weeks ago, very fortunate to go 8 00:00:20,440 --> 00:00:23,880 Speaker 2: to Sydney for the Australian premiere of Furiosa, a Mad 9 00:00:23,960 --> 00:00:27,720 Speaker 2: Max Saga, the prequel to Mad Max Fury Road. I 10 00:00:27,800 --> 00:00:30,840 Speaker 2: got to speak to George Miller, the director who's been 11 00:00:30,840 --> 00:00:34,400 Speaker 2: there from the starts forty five year journey, yeah, since 12 00:00:34,840 --> 00:00:37,480 Speaker 2: nineteen seventy nine when the first Mad Max movie came out. 13 00:00:37,880 --> 00:00:41,080 Speaker 2: I got to speak to Anya Taylor Joy, who plays Furiosa, 14 00:00:41,120 --> 00:00:43,960 Speaker 2: the character made famous by Charlie Staron in Fury Road. 15 00:00:44,680 --> 00:00:47,239 Speaker 2: And got to talk to Chris Hemsworth. So interviewed them 16 00:00:47,240 --> 00:00:50,680 Speaker 2: all fantastic and then have gone back to my hotel, 17 00:00:50,880 --> 00:00:53,080 Speaker 2: did a bit of work and thought, oh a bit bored. 18 00:00:53,200 --> 00:00:55,639 Speaker 2: Go down to the hotel gym off. I go, I'm 19 00:00:55,640 --> 00:00:57,160 Speaker 2: the only one in there doing a bit of a workout. 20 00:00:57,440 --> 00:01:03,440 Speaker 2: Next minute a Ben, look up, guess is noworth George Miller. 21 00:01:03,560 --> 00:01:07,440 Speaker 2: It wasn't you imagine, it wasn't George Miller. It was 22 00:01:07,480 --> 00:01:09,160 Speaker 2: it was Chris Hemser. So we then we chewed the 23 00:01:09,160 --> 00:01:11,640 Speaker 2: fat about we both grew up in the Northern Territory. 24 00:01:11,720 --> 00:01:14,200 Speaker 2: We talked about mad Max, talked about some other stuff, 25 00:01:15,120 --> 00:01:17,720 Speaker 2: and then worked out side by side. It was the toughest, 26 00:01:17,800 --> 00:01:21,160 Speaker 2: toughest on the toughest workout I've ever had in my life. 27 00:01:21,560 --> 00:01:28,480 Speaker 2: Off ye, keeping up, I think more than showing. And 28 00:01:28,480 --> 00:01:30,400 Speaker 2: then I sort of you know, waves, see you later, mate, 29 00:01:30,400 --> 00:01:32,759 Speaker 2: And then I was dragging myself around the corner. 30 00:01:33,120 --> 00:01:34,400 Speaker 1: I had to go back to my hotel room. 31 00:01:34,400 --> 00:01:37,559 Speaker 2: I had a forty five minute hot bar, just hoping 32 00:01:37,600 --> 00:01:41,679 Speaker 2: that my muscles would reattach themselves to my body. Man, 33 00:01:41,720 --> 00:01:44,800 Speaker 2: it was. It was tough, but he is such a 34 00:01:44,840 --> 00:01:48,000 Speaker 2: lovely guy, and he told me that he had so 35 00:01:48,200 --> 00:01:52,280 Speaker 2: much more fun playing Dementis the villain in Furiosa, than 36 00:01:52,320 --> 00:01:55,040 Speaker 2: he does being a superhero. And you look a bit 37 00:01:55,120 --> 00:01:58,680 Speaker 2: comical you watch this movie. Dementus is hilarious. He's so 38 00:01:58,760 --> 00:02:02,480 Speaker 2: good and this is the best performance of Chris Hamsler's career. 39 00:02:03,160 --> 00:02:08,640 Speaker 2: He gives Dementus like some insecurities. This bravado there's a 40 00:02:08,639 --> 00:02:12,160 Speaker 2: bit of nuance there. He's funny but also evil, like, 41 00:02:12,440 --> 00:02:14,720 Speaker 2: he's believable as a funny guy and believable as a 42 00:02:14,720 --> 00:02:16,239 Speaker 2: pretty dastardly guy as well. 43 00:02:16,480 --> 00:02:19,360 Speaker 1: Really good, really really good, very good. And so to 44 00:02:19,400 --> 00:02:21,400 Speaker 1: get you up to speed, by the way, this story 45 00:02:21,440 --> 00:02:22,399 Speaker 1: got five bicep. 46 00:02:25,080 --> 00:02:27,200 Speaker 2: For five more than I had attached to my arms 47 00:02:27,240 --> 00:02:29,320 Speaker 2: at the end of it. And so this film is 48 00:02:29,360 --> 00:02:32,000 Speaker 2: a prequel to Fury Road, which came out in twenty fifteen, 49 00:02:32,600 --> 00:02:36,240 Speaker 2: and is also probably one of the most challenging things 50 00:02:36,240 --> 00:02:39,119 Speaker 2: that audiences will find with Furio. So so Fury Road 51 00:02:39,440 --> 00:02:40,240 Speaker 2: was incredible. 52 00:02:40,240 --> 00:02:42,560 Speaker 1: Why do they make these things in order? Yeah, well, 53 00:02:42,600 --> 00:02:43,440 Speaker 1: I think the problem. 54 00:02:43,480 --> 00:02:46,960 Speaker 2: The problem was it took a while to make this 55 00:02:47,000 --> 00:02:51,040 Speaker 2: other movie, and George Miller, the director, realized Charlie's thereon 56 00:02:51,160 --> 00:02:55,239 Speaker 2: is getting a bit older, and so I know, I know, 57 00:02:55,440 --> 00:03:00,280 Speaker 2: and as time has going from past so physical nine 58 00:03:00,320 --> 00:03:04,120 Speaker 2: Jeorge Miller and so, and he looked at the aging 59 00:03:04,200 --> 00:03:08,400 Speaker 2: technology and just just he didn't like it. And he thought, well, 60 00:03:08,440 --> 00:03:11,440 Speaker 2: maybe maybe we'll rethink this and we'll do a prequel. 61 00:03:11,600 --> 00:03:15,120 Speaker 2: And because you don't really learn much about Furiosa in 62 00:03:15,360 --> 00:03:19,960 Speaker 2: Fury Road, you know that she you know fights for good. 63 00:03:20,520 --> 00:03:23,000 Speaker 2: You don't know much about her backstory. You know she's 64 00:03:23,000 --> 00:03:27,720 Speaker 2: missing an arm, and the good news is you find 65 00:03:27,720 --> 00:03:29,760 Speaker 2: out how she loses that arm in this movie and 66 00:03:29,800 --> 00:03:35,440 Speaker 2: it's pretty thanks the wa and so so that movie 67 00:03:35,480 --> 00:03:37,640 Speaker 2: was such a hit. It was huge at the box office. 68 00:03:37,680 --> 00:03:39,800 Speaker 2: And also like for me, it's one of the top 69 00:03:39,840 --> 00:03:43,080 Speaker 2: five action movies I've ever seen. It is a phenomenally 70 00:03:43,120 --> 00:03:46,040 Speaker 2: good movie. It was shot in the Namibian desert instead 71 00:03:46,080 --> 00:03:48,680 Speaker 2: of the mad Max Heartland of Broken Heel in New 72 00:03:48,720 --> 00:03:51,400 Speaker 2: South Wales because of because of rainfall, Like there was 73 00:03:51,440 --> 00:03:53,920 Speaker 2: a wildflower bloom when they were trying to make it, 74 00:03:54,400 --> 00:03:57,360 Speaker 2: and George Miller walked out of his hotel a minute. 75 00:03:58,120 --> 00:03:59,960 Speaker 2: In a minute, this is supposed to be a world 76 00:04:00,120 --> 00:04:02,360 Speaker 2: there's no water and there's a dystopian. We can't have 77 00:04:02,360 --> 00:04:05,240 Speaker 2: these pretty wild flowers. So I went to Namibian desert. 78 00:04:05,520 --> 00:04:07,800 Speaker 2: Most of it was made with practical effects the film. 79 00:04:07,920 --> 00:04:11,040 Speaker 2: That film was set over three days, and it's so bonkers. 80 00:04:11,080 --> 00:04:14,520 Speaker 2: It's just one action sequence after the next, and so 81 00:04:14,680 --> 00:04:18,760 Speaker 2: compared to that kind of breakneck pace, Furiosa might initially 82 00:04:18,800 --> 00:04:21,440 Speaker 2: feel a bit slow to people like, especially if they've 83 00:04:21,520 --> 00:04:23,159 Speaker 2: just watched Fury Road. You come to this new film 84 00:04:23,200 --> 00:04:26,000 Speaker 2: and you go, okay, takes place over a fifteen year period, 85 00:04:26,320 --> 00:04:28,320 Speaker 2: and you might go, oh, geez, so the pace of it, 86 00:04:28,360 --> 00:04:30,240 Speaker 2: I'm just I'm not sure about it, but you've got 87 00:04:30,240 --> 00:04:32,960 Speaker 2: to stick with it because it just picks up pace. 88 00:04:33,000 --> 00:04:34,960 Speaker 2: And the whole point is to get a pile on 89 00:04:35,000 --> 00:04:39,240 Speaker 2: the trauma of this character, Furiosa, played by first by 90 00:04:39,760 --> 00:04:42,800 Speaker 2: Alia Brown the young kid, and then by Anya Taylor 91 00:04:42,880 --> 00:04:45,239 Speaker 2: Joy when she's an adult, and just like one bad 92 00:04:45,320 --> 00:04:47,800 Speaker 2: thing happens to her after another, and most of them 93 00:04:47,800 --> 00:04:51,240 Speaker 2: are done by Chris Hemsworth's character Dementis, who's a warlord 94 00:04:51,320 --> 00:04:55,320 Speaker 2: who's in charge of a horde of bikers and he 95 00:04:55,360 --> 00:04:58,920 Speaker 2: read at one point he rides a chariot of like choppers, 96 00:04:58,960 --> 00:05:02,599 Speaker 2: like chopper motorbike. He's standing in a chariot with rains. 97 00:05:02,640 --> 00:05:04,920 Speaker 2: I don't know how it works, and in none other 98 00:05:05,000 --> 00:05:07,760 Speaker 2: saying he's in this six wheeler monster truck and the 99 00:05:07,800 --> 00:05:12,599 Speaker 2: cab ism The vehicles are just insane. And the film 100 00:05:12,600 --> 00:05:15,320 Speaker 2: sort of follows like Furiosa's journey as she sort of 101 00:05:15,360 --> 00:05:16,720 Speaker 2: deals with all this trauma and. 102 00:05:16,640 --> 00:05:19,200 Speaker 1: Then of course she wants vengeance, and. 103 00:05:19,120 --> 00:05:21,400 Speaker 2: Then that's what it's all about she wants vengeance on dementis, 104 00:05:21,440 --> 00:05:23,279 Speaker 2: and it doesn't matter how many years go past. It 105 00:05:23,440 --> 00:05:26,200 Speaker 2: just that sort of desire for revenge just burns hotter 106 00:05:26,200 --> 00:05:28,560 Speaker 2: and hotter and hotter, and then you know, we get 107 00:05:28,560 --> 00:05:31,680 Speaker 2: to see what happens as the film unfoults. It's I 108 00:05:31,720 --> 00:05:34,839 Speaker 2: think the film is brilliant, but it's not perfect. It's 109 00:05:34,839 --> 00:05:38,200 Speaker 2: got Tom Burke, the English actor who does a pretty 110 00:05:38,200 --> 00:05:40,599 Speaker 2: good Aussie accent, because of course mad Max is Australian. 111 00:05:40,720 --> 00:05:41,440 Speaker 1: Said in Australia. 112 00:05:42,360 --> 00:05:45,920 Speaker 2: He plays a sort of a mentor of a young furiosa. 113 00:05:46,000 --> 00:05:50,000 Speaker 2: But that relationship is so ambiguous it doesn't feel very authentic. 114 00:05:50,040 --> 00:05:52,400 Speaker 2: You can't work out if it's a romance, if it's 115 00:05:52,440 --> 00:05:55,960 Speaker 2: a mentor situation. And so there are some stuff that 116 00:05:55,960 --> 00:05:57,520 Speaker 2: happens towards the end of the film that it kind 117 00:05:57,560 --> 00:05:59,520 Speaker 2: of doesn't have as much power as it could because 118 00:05:59,720 --> 00:06:04,080 Speaker 2: the Bird character is not perfect. Okay, also because it's 119 00:06:04,120 --> 00:06:06,040 Speaker 2: you know, a bit slower than Fury Road, that is 120 00:06:06,080 --> 00:06:08,839 Speaker 2: probably something else that audiences might find a little bit challenging. 121 00:06:09,400 --> 00:06:12,880 Speaker 2: It doesn't mumble like, oh my gosh, what a mumbler 122 00:06:12,960 --> 00:06:15,520 Speaker 2: that guy is. And then right at the end, of 123 00:06:15,520 --> 00:06:17,520 Speaker 2: the film, they decide to have like a like a 124 00:06:17,560 --> 00:06:20,920 Speaker 2: literal recap of Fury Road, like actual footage from Fury Road, 125 00:06:21,320 --> 00:06:23,880 Speaker 2: like for a little like three minute recap, which, to 126 00:06:23,920 --> 00:06:26,560 Speaker 2: be honest with you, is a bit weird and it 127 00:06:26,560 --> 00:06:28,800 Speaker 2: feels like it takes some of the impact away from 128 00:06:28,800 --> 00:06:33,080 Speaker 2: the conclusion. So that aside, like this is a spectacular 129 00:06:33,120 --> 00:06:36,919 Speaker 2: movie visually, it's a you know, another George Miller masterpiece. 130 00:06:37,360 --> 00:06:40,119 Speaker 2: Some of these some of these scenes which were shot 131 00:06:40,200 --> 00:06:42,040 Speaker 2: in Broken Hill, they didn't get any rain, there were 132 00:06:42,040 --> 00:06:45,680 Speaker 2: no wildflowers, and around Silverton and the town of Hay 133 00:06:46,120 --> 00:06:50,720 Speaker 2: just amazing. The cast is all really really good and 134 00:06:50,960 --> 00:06:53,520 Speaker 2: if you get into Mad Max, you will love this film. 135 00:06:53,560 --> 00:06:55,280 Speaker 2: And I think it's a film that Australians should be 136 00:06:55,320 --> 00:06:57,600 Speaker 2: proud of. The most expensive movie ever made down Under 137 00:06:58,320 --> 00:07:00,320 Speaker 2: and it's it's going to be huge around the world, 138 00:07:00,360 --> 00:07:02,320 Speaker 2: and it's so ozzy and I think that's awesome. 139 00:07:02,360 --> 00:07:05,040 Speaker 1: Okay, And you interviewed Anya. I heard a bit aloof 140 00:07:05,080 --> 00:07:07,159 Speaker 1: for he. She it's just just a different kind of character. 141 00:07:07,440 --> 00:07:09,800 Speaker 2: She's a different kind of person. She sort of floats 142 00:07:09,880 --> 00:07:16,360 Speaker 2: through the world. She's sort of this ephemeral character. But 143 00:07:16,440 --> 00:07:18,679 Speaker 2: she was lovely to talk to. And she is brilliant 144 00:07:18,720 --> 00:07:22,920 Speaker 2: in this movie. Gosh, she's never really done this type 145 00:07:22,920 --> 00:07:26,120 Speaker 2: of action blockbuster before, but she's fantastic. 146 00:07:26,400 --> 00:07:26,800 Speaker 1: So good. 147 00:07:27,000 --> 00:07:29,680 Speaker 2: All right, well, how many I can still play chess 148 00:07:29,720 --> 00:07:34,680 Speaker 2: with one arms? 149 00:07:36,200 --> 00:07:40,360 Speaker 1: I like what I'm going to give it for very good. 150 00:07:41,640 --> 00:07:45,480 Speaker 1: They look like they're having way too much front Maker Samsworth, 151 00:07:45,560 --> 00:07:47,960 Speaker 1: Oh my gosh, he's having so much funny. He's brilliant. 152 00:07:48,560 --> 00:07:51,960 Speaker 1: You mean my mate, Chris, mate Chris, and you get 153 00:07:52,000 --> 00:07:54,600 Speaker 1: to talk to George. What a trio? Well done, fantastic 154 00:07:55,640 --> 00:07:55,960 Speaker 1: you guys