WEBVTT - #102: Top 5 Doorbells

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<v Speaker 1>People do some weird shit.

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<v Speaker 2>Would you like to try vape?

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<v Speaker 1>Why would you take up something that is going to

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<v Speaker 1>be addictive and expensive?

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<v Speaker 2>I think the people.

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<v Speaker 1>I'll tell you what. Yeah, because you're young and stupid,

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<v Speaker 1>some things make more sense than others.

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<v Speaker 2>You mentioned that your goal was to be healthy, and

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<v Speaker 2>I just don't know. How can you figure that's going

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<v Speaker 2>to happen when you're ordering a chocolate moose?

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<v Speaker 3>No, you know.

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<v Speaker 4>I had it in the car on the way home,

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<v Speaker 4>and I didn't have a spood, so I was like

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<v Speaker 4>an hour a dillo trying to get ants out of

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<v Speaker 4>a whole.

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<v Speaker 1>Bless yourself for the rude shocks of young adulthood.

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<v Speaker 4>Clean finger.

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<v Speaker 1>It is an awful sensation. Given't been thinking about the

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<v Speaker 1>right person. Goodness, may this is just I'm still to

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<v Speaker 1>play a couple of mitches.

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<v Speaker 3>Hi, it's Jenna. Please don't forget to include my name

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<v Speaker 3>in the opener this season.

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<v Speaker 4>Sorry now he is Mitch Julie and Mitchell Cobs. Hello, Runny,

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<v Speaker 4>Mitchel Coves. Welcome to the show.

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<v Speaker 2>Ye back for another week, for.

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<v Speaker 4>Another week, for a musty show. Everybody welcome.

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<v Speaker 2>I got some Mufty music for us, so much like

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<v Speaker 2>Mufty Day at school when you get to dress up

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<v Speaker 2>and you know, be a little bit silly. Is that

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<v Speaker 2>what we're doing this week? We're a bit more relaxed.

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<v Speaker 4>You've done nothing for the show. You haven't planned a thing.

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<v Speaker 4>You haven't you don't know what's going to happen.

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<v Speaker 2>Yeah, I'm going in blind or blind as you would

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<v Speaker 2>go and a prize.

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<v Speaker 4>Kiper Gener is here and she's helped me prepare the

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<v Speaker 4>show today.

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<v Speaker 3>Yes, I'm here.

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<v Speaker 2>Yeah. So if you missed it last week, I said

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<v Speaker 2>that because I've got my Melbourne comedy gig that I

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<v Speaker 2>need to focus on. I just want to kick back

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<v Speaker 2>and not stress about the podcast. So you guys have

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<v Speaker 2>taken charge.

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<v Speaker 4>What are you going to plan for.

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<v Speaker 2>The episode today?

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<v Speaker 3>Oh?

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<v Speaker 4>I think we just run in and I think we

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<v Speaker 4>do it. I think we keep it a surprise.

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<v Speaker 2>Well, I don't keep it a surprise from you. When

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<v Speaker 2>I plan stuff, I say, Okay, we're doing talk bactings,

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<v Speaker 2>we're doing Jenne's Now.

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<v Speaker 4>I wanted to be Okay, why don't you get out

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<v Speaker 4>of the studio and Jenna and I will tell everyone

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<v Speaker 4>what is coming up and hop on out.

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<v Speaker 2>So you really want me to go in bliand yes,

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<v Speaker 2>I want you to.

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<v Speaker 4>Go into the show blind. I've here, I've got a

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<v Speaker 4>spider for you. Ready to track up a Mac and

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<v Speaker 4>putting this bvanilla ice cream?

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<v Speaker 3>A spider.

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<v Speaker 4>It's a musty day, right, a spider.

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<v Speaker 2>Well, I don't have a gold coin donation, so get fucked.

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<v Speaker 2>But anyway, I'll lead, I'll be back.

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<v Speaker 4>Get out of the studio and Jenner and I will

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<v Speaker 4>tell you what we come on the show. Get out

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<v Speaker 4>the door closed or something?

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<v Speaker 3>Yeah, yeah, it's close.

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<v Speaker 4>It's just us was really looking through the window.

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<v Speaker 2>It's always work.

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<v Speaker 4>That horror film Notting Hill. What's the horror film? Pretty scary?

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<v Speaker 4>If who has met the Hills have eyes that it

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<v Speaker 4>looks like he's watching all right, it's musty day, so general,

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<v Speaker 4>I have planned the show off the back of last

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<v Speaker 4>week's infamous doorbell chat. I want to know thirteen six five?

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<v Speaker 4>What does your doorbell sound like? He was a call.

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<v Speaker 4>We're taking live calls on the show.

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<v Speaker 3>Mature will be so thrilled Jo because he loves live call.

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<v Speaker 4>Loves live call. So we're taking live calls. Do you

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<v Speaker 4>want to what your doorbell is? That's later in the show.

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<v Speaker 4>We've got international doorbells as well, very excited. We've got

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<v Speaker 4>a wide range of bells. And also we're going to

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<v Speaker 4>be doing later in the show, hence the play school music,

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<v Speaker 4>show and tell. So I've been learning a new instrument

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<v Speaker 4>and I haven't told you, Mitchell. I've an ounced on

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<v Speaker 4>the Instagram will live, but I'll be playing it and

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<v Speaker 4>debuting it later in the show. And you have something

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<v Speaker 4>to show and tell.

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<v Speaker 3>I sure do, and something I wear so I'd like

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<v Speaker 3>to share it.

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<v Speaker 4>Oh is it the leather? No not, I saw that

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<v Speaker 4>on your desk.

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<v Speaker 3>I thought, yeah, no, that's something else.

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<v Speaker 4>Bringing back in Mitchell. You can come here, but you're

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<v Speaker 4>celebrating Musty Day.

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<v Speaker 2>You must have a lot planned. That took you a

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<v Speaker 2>while to get through.

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<v Speaker 4>No, sorry, no, we just we do have a lot plan.

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<v Speaker 4>We had sponsorships. You had to throw to the sponsors.

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<v Speaker 4>We sponsors. Now, welcome back to the studio.

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<v Speaker 2>Thanks.

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<v Speaker 4>We've got all the hooking and teasing out of the way.

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<v Speaker 4>We're celebrating because it is musty Days.

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<v Speaker 2>I don't know. I don't like to dance on Q

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<v Speaker 2>like that on command if the mood strike, because I'll

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<v Speaker 2>get up and dance.

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<v Speaker 4>Late organic dancer. Yeah. We also didn't say the reason

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<v Speaker 4>is it just you coming up? Were getting a listener

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<v Speaker 4>on the show, But that happens every week.

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<v Speaker 2>So that's no shore that to me whatsoever.

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<v Speaker 4>Also, something we've noticed, something we hate or appreciate. We're

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<v Speaker 4>ready to go with two I gems. Is it just me?

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<v Speaker 4>It's how we start the show the same every week

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<v Speaker 4>on the basis this back backbone of is it just me?

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<v Speaker 4>I saw someone on our secret Facebook group and Drew

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<v Speaker 4>and idiots go, oh, thanks for reading out my intagen.

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<v Speaker 4>It's been years, guys.

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<v Speaker 2>I know I'd never thought it was that hard to understand.

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<v Speaker 4>But oh well, I don't know where the tea comes from.

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<v Speaker 2>I just figure we know what they're talking about, so

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<v Speaker 2>no need to call them out. It's like those people

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<v Speaker 2>that say you can't call them rat tests because the

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<v Speaker 2>tea in rat sands for tests. You're saying rabbit emergine

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<v Speaker 2>test tests. You can't call them mat You know what

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<v Speaker 2>we mean, bitch.

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<v Speaker 4>Machine, it must be redundant. Then shut up, uncle Greg. Yep,

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<v Speaker 4>So the only thing you've prepared this week, is it correct?

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<v Speaker 4>Would you like me to go first or would you

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<v Speaker 4>like to go for I'll go for Because you were

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<v Speaker 4>on break, you were relax.

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<v Speaker 2>There's a lot of you going first recently, That's all

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<v Speaker 2>I've noticed.

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<v Speaker 4>Yeah. Well, and he'll say the same thing, Well, would

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<v Speaker 4>you like to go first?

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<v Speaker 2>Now? I don't know. You go because you think yours

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<v Speaker 2>the better they.

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<v Speaker 4>Go, it's better. But I mean, Jennet, you don't know

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<v Speaker 4>this to you. Why don't you vote who should go first?

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<v Speaker 3>Now?

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<v Speaker 4>Just go?

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<v Speaker 2>It's fine, I think Mitch cher then No, I don't

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<v Speaker 2>want you working, Jenna. I have to do it anyway.

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<v Speaker 4>Jenna's cracking a spider. Get the vanilla, I screamp, take

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<v Speaker 4>the tab, just put it in. You gotta Yeah, is

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<v Speaker 4>it hard?

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<v Speaker 2>Is it?

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<v Speaker 3>It's really chosen?

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<v Speaker 4>Yeah? I love a spider. Have you had that, Mitch?

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<v Speaker 2>Yeah? You can't. You can't let them melt for too long?

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<v Speaker 2>Can you? Siders? Go rank?

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<v Speaker 4>They get a film on top of them? Yeah, a

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<v Speaker 4>little spidy web.

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<v Speaker 2>Yeah, also start to curdle.

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<v Speaker 4>I've made chocolate crackles. Later, I had to go and

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<v Speaker 4>get what do they call corn flakes from the grocery

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<v Speaker 4>store and COFA remember kofa?

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<v Speaker 2>Yeah, Well Mum gave me forty cents for a zombie

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<v Speaker 2>two today. I can't wait.

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<v Speaker 4>Really, I've got a brain licker from Carroen at the canteen.

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<v Speaker 2>Oh my god, I said brain licker the other day

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<v Speaker 2>and no one knew what I was talking about. I'm

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<v Speaker 2>so glad you're here telling me this brain Makers Ransom

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<v Speaker 2>show the other show. No, it wasn't on my podcast.

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<v Speaker 4>You said it out into the world.

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<v Speaker 2>Yeah, with internal content, as in a conversation with friends. Yes,

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<v Speaker 2>you know brain lickers. I used to get them all

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<v Speaker 2>the time at the canteen of my brother's footy games

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<v Speaker 2>because there was nothing else for me to enjoy it.

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<v Speaker 2>A footy game is there.

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<v Speaker 4>Did you ever get No, did you ever get like

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<v Speaker 4>a sore tongue from the brain licker?

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<v Speaker 2>Yes? Of course for the internationals. A brain licker is

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<v Speaker 2>not unlike a roll on deodorant, but instead of deodorant,

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<v Speaker 2>you just licking the little ball thing and it's just

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<v Speaker 2>sour shit. It's revolted.

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<v Speaker 4>Really, it literally is a Mitcham deodorant role filled with

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<v Speaker 4>sour juice. It's awful. Zombie cheos were good. I liked

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<v Speaker 4>anything by Wonka like I love the Wonka readily crish.

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<v Speaker 4>Oh oh yeah, nerds rope, No, it's right. I was

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<v Speaker 4>one of those weird kids. That was sit there and

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<v Speaker 4>like pick off the nerds and then have the raw

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<v Speaker 4>red rod.

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<v Speaker 3>No, you have it together.

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<v Speaker 2>Ironically, the least impressive thing from Wonka was their Wanka bars,

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<v Speaker 2>which is what they're famous for.

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<v Speaker 4>And they didn't even do the fucking gold ticket, just

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<v Speaker 4>put one in every bar.

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<v Speaker 2>Guys, no one cares for fun.

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<v Speaker 3>But when they did some promotions with the Golden ticket.

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<v Speaker 4>You want to trip to Disneyland, No, you want a.

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<v Speaker 3>Trip to queens Land.

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<v Speaker 2>To go to the chocolate factory like where they make it,

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<v Speaker 2>which is not as fun as Willy Wonka's factory.

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<v Speaker 4>Now I've been to the Cadbury factory. Let me tell

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<v Speaker 4>you it's disgusting. First, ault's in Hobart, the travel destination

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<v Speaker 4>of Australia, not for the internationals. It's in the little

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<v Speaker 4>ars end of Australia, Hobart.

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<v Speaker 2>I actually really want to go to Hobart, just saying

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<v Speaker 2>beautiful mountainous regions that was back in my water polo days.

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<v Speaker 4>And the cadur factory is disgusting. It's great, it looks

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<v Speaker 4>like like it's not beautiful.

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<v Speaker 2>That doesn't sound impressive. I'm sure like everything like if

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<v Speaker 2>people come into this studio. They'd probably think it's the

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<v Speaker 2>way less glamorous. Then you'd think, yeah, very true the studio.

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<v Speaker 2>Yeah no, nothing's nothing's good in life. That's everything is

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<v Speaker 2>a let down.

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<v Speaker 4>All right, let's start the show. My a gym to

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<v Speaker 4>kick us off?

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<v Speaker 2>Yeap, go forst.

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<v Speaker 1>Is it just me.

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<v Speaker 4>Is first in best dress stupid.

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<v Speaker 2>As a concept or what it actually means?

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<v Speaker 4>Well? Both, it makes no sense.

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<v Speaker 2>What does that actually mean? Exactly?

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<v Speaker 4>First in best stressed? Maybe if you're the first there

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<v Speaker 4>and the person of the party goes, yeah, oh best stress.

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<v Speaker 4>But you're the first person, so you've only got places

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<v Speaker 4>to fall from.

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<v Speaker 2>Yeah, do you reckon? People have ever actually been turned

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<v Speaker 2>away because they're like, in hindsight that that outfits foul

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<v Speaker 2>that person that came half an hour later, ten out

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<v Speaker 2>of ten.

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<v Speaker 4>Hey, Nancy, I know we all voted collectively that you

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<v Speaker 4>were best stressed when you were first in. Now that

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<v Speaker 4>Margaret's here, she's best stressed, but no longer first in.

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<v Speaker 2>It doesn't make it.

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<v Speaker 4>It's stupid.

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<v Speaker 2>What scenario do people actually say? First in best stress

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<v Speaker 2>is usually like everyone at the radio station, there's three

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<v Speaker 2>pies in the reception, First in best stress?

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<v Speaker 4>Exactly what I think, or my mumble text of family

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<v Speaker 4>group chat. All right, brunch it ours Friday making bacon

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<v Speaker 4>and egg rolls. First in best dressed?

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<v Speaker 2>Is there a comma? Jenny? Can you google first in

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<v Speaker 2>best dress?

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<v Speaker 4>Please?

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<v Speaker 3>Yeah?

0:09:05.640 --> 0:09:07.280
<v Speaker 4>It's just makes no sense.

0:09:07.640 --> 0:09:10.480
<v Speaker 2>Is there a comma first in best dressed? Or is

0:09:10.520 --> 0:09:12.480
<v Speaker 2>it you're the first that is also best dressed?

0:09:12.520 --> 0:09:13.839
<v Speaker 4>Oh so it's got to be the first in that

0:09:13.960 --> 0:09:14.760
<v Speaker 4>is also best stressed.

0:09:15.160 --> 0:09:17.480
<v Speaker 3>Well, that's what I'm asking there's a comma first Oh.

0:09:17.480 --> 0:09:19.880
<v Speaker 2>Well, I've been getting wrong this whole time. I thought

0:09:19.920 --> 0:09:21.720
<v Speaker 2>it was abut to show up first and be hot.

0:09:21.760 --> 0:09:23.200
<v Speaker 4>So what does it mean that means first in?

0:09:23.520 --> 0:09:23.760
<v Speaker 3>Yep?

0:09:23.920 --> 0:09:25.079
<v Speaker 4>Makes you the best dressed?

0:09:25.160 --> 0:09:27.400
<v Speaker 2>Yeah, it sounds like the earlier you get to the

0:09:27.440 --> 0:09:29.960
<v Speaker 2>clothes store, you'll have the pick of the bunch, the

0:09:29.960 --> 0:09:32.920
<v Speaker 2>best clothes there. So if you're the first in, therefore

0:09:32.960 --> 0:09:33.880
<v Speaker 2>you'll be best dressed.

0:09:33.880 --> 0:09:36.960
<v Speaker 3>Did you know it's an Australian expression expression.

0:09:36.600 --> 0:09:38.680
<v Speaker 2>That doesn't surprise me because it makes no sense.

0:09:38.720 --> 0:09:39.439
<v Speaker 4>What's the mystery.

0:09:40.200 --> 0:09:43.040
<v Speaker 3>It's just similar to phrases like first in, first served

0:09:43.120 --> 0:09:44.400
<v Speaker 3>or first come, first served.

0:09:44.480 --> 0:09:47.160
<v Speaker 4>First We've got first in first serve. Sorry. It makes

0:09:47.160 --> 0:09:49.160
<v Speaker 4>so much sense because if if they're first, you're in

0:09:49.200 --> 0:09:51.880
<v Speaker 4>the front of the line. First in best dressed means nothing.

0:09:52.840 --> 0:09:55.000
<v Speaker 2>So is that what it means? It's just if you

0:09:55.080 --> 0:09:58.760
<v Speaker 2>get there first, you're served first. Ye, Well there you go.

0:09:59.360 --> 0:10:00.560
<v Speaker 2>Why can't they say that?

0:10:00.880 --> 0:10:01.120
<v Speaker 4>Yeah?

0:10:01.160 --> 0:10:01.480
<v Speaker 1>I know?

0:10:01.800 --> 0:10:03.720
<v Speaker 2>Are they just say racing now? Yeah?

0:10:04.559 --> 0:10:04.760
<v Speaker 5>Now?

0:10:05.160 --> 0:10:07.319
<v Speaker 4>Why are they bringing what you're wearing into it? The

0:10:07.400 --> 0:10:09.120
<v Speaker 4>rules of mufty day? It brings other people down? Maybe

0:10:10.480 --> 0:10:12.360
<v Speaker 4>what's just saying you said just before we started recording

0:10:12.360 --> 0:10:13.360
<v Speaker 4>and it we couldn't work it out.

0:10:13.679 --> 0:10:14.720
<v Speaker 2>Hey, you said.

0:10:14.480 --> 0:10:16.520
<v Speaker 4>Something before the show started and trying to work Oh.

0:10:16.480 --> 0:10:18.360
<v Speaker 2>I said ebbs and flows, but I didn't know which

0:10:18.360 --> 0:10:19.800
<v Speaker 2>one was the witch. I was like, oh, you know,

0:10:19.880 --> 0:10:22.360
<v Speaker 2>my enthusiasm seems to ebb and flow, and right now

0:10:22.360 --> 0:10:25.439
<v Speaker 2>I'm in a wait which one's which?

0:10:25.520 --> 0:10:25.920
<v Speaker 4>Yeah?

0:10:25.960 --> 0:10:26.880
<v Speaker 2>What the fuck is an EBB?

0:10:26.960 --> 0:10:28.240
<v Speaker 4>Can you google eb Yeah?

0:10:28.320 --> 0:10:31.960
<v Speaker 3>Because I just perceive flow as being flowy.

0:10:31.679 --> 0:10:34.800
<v Speaker 4>Like floe, but also the floods at the moment, flows

0:10:34.800 --> 0:10:38.560
<v Speaker 4>can be treacherous, flow could be bad.

0:10:38.760 --> 0:10:42.160
<v Speaker 2>You know what I love? I just love a mixed metaphor,

0:10:42.360 --> 0:10:44.840
<v Speaker 2>like saying shit wrong on purpose, you you know, put

0:10:44.840 --> 0:10:48.800
<v Speaker 2>two different metaphors together, like listen, it's not rocket surgery. Yeah,

0:10:48.920 --> 0:10:51.360
<v Speaker 2>you know, or oh god, that really through with Spanner

0:10:51.400 --> 0:10:52.160
<v Speaker 2>amongst the pigeons.

0:10:52.200 --> 0:10:54.040
<v Speaker 4>Yeah, jeseu it takes two December.

0:10:55.760 --> 0:10:57.000
<v Speaker 2>The nope, shit in the woods.

0:11:00.280 --> 0:11:00.400
<v Speaker 5>Right.

0:11:00.559 --> 0:11:03.600
<v Speaker 3>So EBB and flow means a decline and increase. So

0:11:03.720 --> 0:11:06.280
<v Speaker 3>EBB is decline, flow is increase.

0:11:06.640 --> 0:11:08.120
<v Speaker 4>No point crying over spilt water?

0:11:08.200 --> 0:11:12.520
<v Speaker 2>Jenner Well said, what's the one that you're mixing it with?

0:11:13.120 --> 0:11:14.360
<v Speaker 4>No point crying over spilt milk?

0:11:14.640 --> 0:11:15.040
<v Speaker 2>And what?

0:11:15.679 --> 0:11:17.760
<v Speaker 4>Oh? Oh you're right.

0:11:18.080 --> 0:11:19.400
<v Speaker 2>Yeah, you have to mix two to get.

0:11:19.280 --> 0:11:21.040
<v Speaker 4>Water off a duck's back. Yeah.

0:11:21.160 --> 0:11:22.319
<v Speaker 2>I don't think he understands.

0:11:22.360 --> 0:11:26.000
<v Speaker 4>I die, but it's very hard. Also another stupid saying, sorry,

0:11:26.640 --> 0:11:30.160
<v Speaker 4>money can't buy happiness. I'm sorry, but I think it

0:11:30.240 --> 0:11:33.880
<v Speaker 4>can even not ultimate happiness, not ninety nine percent.

0:11:33.720 --> 0:11:37.160
<v Speaker 2>Of your life see fulfilling happiness. No, but it's like

0:11:37.240 --> 0:11:39.720
<v Speaker 2>it'll make your life a bit more comfy. I suppose.

0:11:39.840 --> 0:11:42.319
<v Speaker 4>Oh the happiest I Amazon May fourteenth on pay day.

0:11:42.880 --> 0:11:45.080
<v Speaker 2>Oh my god, I forgot that that was the thing.

0:11:45.679 --> 0:11:48.640
<v Speaker 2>Monthly pays the worst. But now I get paid based

0:11:48.640 --> 0:11:51.280
<v Speaker 2>on when I can be asked invoicing. I don't get

0:11:51.280 --> 0:11:54.240
<v Speaker 2>paid for months sometimes is I don't get around to it.

0:11:54.520 --> 0:11:55.480
<v Speaker 4>You get paid a million dollars.

0:11:55.520 --> 0:11:57.400
<v Speaker 2>But I'm also not the sharpest cookie in the jar.

0:11:59.360 --> 0:12:03.920
<v Speaker 2>But what's that combined with sharpestool and the shed Stupid sayings?

0:12:04.000 --> 0:12:06.280
<v Speaker 4>They were made for when people only had twelve words

0:12:06.320 --> 0:12:08.640
<v Speaker 4>to pick from, when we're all reading Shakespeare's you know,

0:12:08.679 --> 0:12:11.680
<v Speaker 4>but now we have many words olden days people. But

0:12:11.720 --> 0:12:14.000
<v Speaker 4>I love a good saying, even if it doesn't make sense.

0:12:15.520 --> 0:12:17.240
<v Speaker 2>Yeah right, I don't know what the conclusion is here,

0:12:17.240 --> 0:12:19.000
<v Speaker 2>because I thought you said you hated sayings. Isn't that

0:12:19.000 --> 0:12:19.720
<v Speaker 2>what this ygym was?

0:12:19.800 --> 0:12:21.480
<v Speaker 4>I hate that saying, but I love other sayings.

0:12:21.480 --> 0:12:24.800
<v Speaker 2>I don't like my cup weeks so far, I'm so confused.

0:12:24.880 --> 0:12:26.800
<v Speaker 4>All right, you're ready for your Rijim, yep, let's jump in?

0:12:28.640 --> 0:12:29.800
<v Speaker 1>Is it just me?

0:12:35.160 --> 0:12:36.720
<v Speaker 2>Have you never seen a pig's dick?

0:12:39.640 --> 0:12:44.040
<v Speaker 4>Hayden doesn't listen to this episode? But no, I haven't.

0:12:44.080 --> 0:12:44.800
<v Speaker 4>I don't think I have.

0:12:45.000 --> 0:12:47.800
<v Speaker 2>Oh well, apparently they're they're quite the site. They're not

0:12:47.920 --> 0:12:51.160
<v Speaker 2>like your usual Schlang really yeah. I found this out

0:12:51.160 --> 0:12:53.080
<v Speaker 2>from our mate Kate lang book. She was doing the

0:12:53.080 --> 0:12:55.040
<v Speaker 2>three pm pick up the other day her radio show,

0:12:55.080 --> 0:12:56.240
<v Speaker 2>and this is what happened.

0:12:56.760 --> 0:12:58.920
<v Speaker 6>They've had signs in their pockets since they were twelve

0:12:59.040 --> 0:13:03.520
<v Speaker 6>pumping out all are of actual filth, turning their beautiful

0:13:03.600 --> 0:13:08.280
<v Speaker 6>pure minds twisted like a pig's penis, and you think that.

0:13:07.000 --> 0:13:10.080
<v Speaker 2>They haven't watched. I was going tail. I thought it'd

0:13:10.120 --> 0:13:11.080
<v Speaker 2>say tail.

0:13:11.440 --> 0:13:16.000
<v Speaker 6>Do not google pigs, don't do it.

0:13:16.840 --> 0:13:18.640
<v Speaker 2>I mean, when she says don't do it, obviously we're

0:13:18.640 --> 0:13:21.760
<v Speaker 2>gonna do it, aren't we. I feel so curious. Ever

0:13:21.800 --> 0:13:23.560
<v Speaker 2>since I heard that, I'm like, what do they look like?

0:13:23.600 --> 0:13:25.559
<v Speaker 2>Apparently they're twisted according to her, I.

0:13:25.480 --> 0:13:29.120
<v Speaker 4>Couldn't type pigs dick quicker if I tried pigs dick.

0:13:29.520 --> 0:13:32.080
<v Speaker 2>Maybe not those words pig penis.

0:13:31.800 --> 0:13:35.520
<v Speaker 4>Pig appendage, pig willy. All right, here you go.

0:13:36.000 --> 0:13:40.800
<v Speaker 2>Oh my god, No, oh, it looks like.

0:13:40.760 --> 0:13:42.280
<v Speaker 4>A smuggle bendable pencil.

0:13:44.240 --> 0:13:46.600
<v Speaker 2>It does. Actually, it looks like back.

0:13:46.400 --> 0:13:50.120
<v Speaker 4>To Canteen food, those trolley pink sticks with the white

0:13:50.200 --> 0:13:50.959
<v Speaker 4>cream in the middle.

0:13:51.320 --> 0:13:53.400
<v Speaker 2>Oh it does. That makes me feel sick and like

0:13:53.440 --> 0:13:54.600
<v Speaker 2>a little yogurt stick.

0:13:56.440 --> 0:13:59.800
<v Speaker 4>Oh no, my god, that's revolting.

0:14:00.240 --> 0:14:04.000
<v Speaker 2>Oh what's happened there? That's not wow. I really did

0:14:04.040 --> 0:14:07.480
<v Speaker 2>not know that. That thought pigs were packing downstairs. Like God,

0:14:07.520 --> 0:14:09.240
<v Speaker 2>I wouldn't have pictured that. It just doesn't match them

0:14:09.240 --> 0:14:11.080
<v Speaker 2>at all, doesn't it not the slightest no, like at

0:14:11.120 --> 0:14:13.440
<v Speaker 2>least kind of you know when well, I can't believe

0:14:13.440 --> 0:14:15.920
<v Speaker 2>we're talking about this now. I was gonna say, you know,

0:14:15.920 --> 0:14:18.920
<v Speaker 2>when horses cracker fad, you're like, noh, yeah, that makes sense.

0:14:18.960 --> 0:14:21.960
<v Speaker 2>That checks out. That looks it doesn't. It doesn't work.

0:14:22.000 --> 0:14:22.600
<v Speaker 2>The pig dick.

0:14:22.960 --> 0:14:24.520
<v Speaker 4>I've tried to open a bottle of wine with a

0:14:24.520 --> 0:14:26.720
<v Speaker 4>corkscrew and it's very hard. So imagine trying to fuck

0:14:26.760 --> 0:14:28.960
<v Speaker 4>your pig lady with your pig dick. You'd have to

0:14:29.000 --> 0:14:31.760
<v Speaker 4>sort of twist, and it does.

0:14:31.640 --> 0:14:33.760
<v Speaker 2>Look like a corkscrew. There you go, look at these

0:14:33.800 --> 0:14:35.360
<v Speaker 2>like a really red corkscrew.

0:14:35.480 --> 0:14:38.520
<v Speaker 4>Oh. The Week has written an article the twelve weirdest

0:14:38.520 --> 0:14:42.080
<v Speaker 4>animal penises on Earth, and number one is the pig dick.

0:14:42.600 --> 0:14:43.560
<v Speaker 2>Yeah, I no, that makes sense.

0:14:43.960 --> 0:14:46.920
<v Speaker 4>Tally get closely followed by a dolphin. They have a

0:14:46.960 --> 0:14:49.480
<v Speaker 4>retractable penis, you kidnap.

0:14:49.680 --> 0:14:53.000
<v Speaker 2>That'd be handy, the retractable one. You know, drag queens

0:14:53.080 --> 0:14:56.240
<v Speaker 2>wouldn't have to tuck. Yes, it's like suck it back in.

0:14:56.320 --> 0:14:58.320
<v Speaker 4>Oh. So, Hayden's in the mood and I'm not. I'd

0:14:58.360 --> 0:15:00.920
<v Speaker 4>love to have a retractable penis. Just go so not home.

0:15:01.280 --> 0:15:01.800
<v Speaker 2>It's duck.

0:15:02.000 --> 0:15:03.440
<v Speaker 4>It's out of service.

0:15:03.520 --> 0:15:07.560
<v Speaker 2>I pretend you're a your maccath frozen coke machine. Sorry, babe,

0:15:07.600 --> 0:15:09.080
<v Speaker 2>it's on d FROs.

0:15:10.360 --> 0:15:10.680
<v Speaker 3>To borrow.

0:15:11.880 --> 0:15:17.400
<v Speaker 1>Is it just me? That's enough of these two. Now

0:15:17.520 --> 0:15:19.800
<v Speaker 1>let's hear and is it just you?

0:15:20.440 --> 0:15:22.880
<v Speaker 4>Okay, we're continuing on with the Mufty Show. We haven't

0:15:22.920 --> 0:15:27.440
<v Speaker 4>fund everybody have a Mufty day? Yeah?

0:15:27.640 --> 0:15:29.040
<v Speaker 2>Or do you want me to validate you?

0:15:29.120 --> 0:15:32.760
<v Speaker 4>Yeah? Come on, you have to do a thing. Kick back, relaxed.

0:15:32.840 --> 0:15:35.520
<v Speaker 2>Yeah, that's why I'm forgetting to talk. I'm too relaxed.

0:15:37.360 --> 0:15:40.120
<v Speaker 4>This is the Mufti Show. Mitchell Coombs has his comedy shows,

0:15:40.160 --> 0:15:41.720
<v Speaker 4>of course, so all he has to do is turn

0:15:41.800 --> 0:15:43.800
<v Speaker 4>up be the talent for the day. General and General

0:15:43.800 --> 0:15:46.080
<v Speaker 4>will edit this podcast too, so if there's any obscenities

0:15:46.200 --> 0:15:47.720
<v Speaker 4>or any things that get through that slip through the

0:15:47.760 --> 0:15:50.040
<v Speaker 4>cracks that are really on the nose, you got Jenitor

0:15:50.080 --> 0:15:53.360
<v Speaker 4>blame of prison. Also, we're doing an isasu just you

0:15:53.400 --> 0:15:55.400
<v Speaker 4>of course today. Rachel sends this in. If you want

0:15:55.400 --> 0:15:57.360
<v Speaker 4>to get in touch a couple of Mitches on Instagram,

0:15:57.440 --> 0:15:58.880
<v Speaker 4>send us a voice message. You can type it or

0:15:58.920 --> 0:16:01.200
<v Speaker 4>send us you number. Get you on the show your

0:16:01.280 --> 0:16:03.280
<v Speaker 4>chance to have your very own? Is it just me?

0:16:03.960 --> 0:16:06.080
<v Speaker 2>I hope that they're as profound as ours were today?

0:16:06.160 --> 0:16:09.960
<v Speaker 4>Oh god, yeah, all right, Rachel, go for it.

0:16:10.000 --> 0:16:10.680
<v Speaker 3>Is it just me?

0:16:11.520 --> 0:16:14.720
<v Speaker 7>Or are people who relate to things constantly? I think

0:16:14.760 --> 0:16:18.640
<v Speaker 7>it's a cute personality trait, when in reality it's just

0:16:18.720 --> 0:16:22.280
<v Speaker 7>selfishness and they think that their time is more important

0:16:22.360 --> 0:16:22.960
<v Speaker 7>than others.

0:16:26.320 --> 0:16:29.480
<v Speaker 2>I mean, I don't have as much rage towards the

0:16:29.480 --> 0:16:31.840
<v Speaker 2>topic as she does. I'm not gonna say it's selfishness,

0:16:31.840 --> 0:16:35.560
<v Speaker 2>but yeah, I don't. I don't know. People like that

0:16:35.640 --> 0:16:38.560
<v Speaker 2>just won't change. I don't think I agree. They just won't,

0:16:38.720 --> 0:16:40.920
<v Speaker 2>and so there's no point in getting all frustrated about it.

0:16:40.960 --> 0:16:42.480
<v Speaker 2>But then I also do feel weird that I have

0:16:42.520 --> 0:16:45.440
<v Speaker 2>to like work around them, Like there's so many people

0:16:45.480 --> 0:16:48.120
<v Speaker 2>in my life that it's like, okay, so we want

0:16:48.120 --> 0:16:49.800
<v Speaker 2>to be there at three, so let's tell them it's

0:16:49.800 --> 0:16:51.560
<v Speaker 2>at two so that they rock up on time. Like

0:16:51.560 --> 0:16:52.840
<v Speaker 2>there's so many people like that.

0:16:53.080 --> 0:16:54.720
<v Speaker 4>There are also so many other things to worry about

0:16:54.760 --> 0:16:56.800
<v Speaker 4>than someone being late, like enjoy your own party or

0:16:56.880 --> 0:16:58.440
<v Speaker 4>enjoy your own If it's a one on one lunch,

0:16:58.480 --> 0:17:00.480
<v Speaker 4>then I get it. But if if you're from a

0:17:00.560 --> 0:17:04.480
<v Speaker 4>party on and someone's like, like, you don't realize until

0:17:04.480 --> 0:17:05.840
<v Speaker 4>you have a party. Hey didn't I throw a party

0:17:05.920 --> 0:17:08.600
<v Speaker 4>last week? Oh, a couple weeks ago, and but it

0:17:08.640 --> 0:17:10.280
<v Speaker 4>was for seven and then about eight o'clock we only

0:17:10.280 --> 0:17:12.960
<v Speaker 4>had a quarter of the people there, and we spiraled like,

0:17:13.080 --> 0:17:14.679
<v Speaker 4>not what if people don't come? What if no one

0:17:14.680 --> 0:17:16.720
<v Speaker 4>turns up? That throws you off if you're the.

0:17:16.680 --> 0:17:20.800
<v Speaker 2>Host, listen, I know you don't party often, but that's

0:17:21.200 --> 0:17:23.399
<v Speaker 2>I think that's a different Sorry, no one shows up

0:17:23.400 --> 0:17:25.439
<v Speaker 2>to a party on time. I mean some people do,

0:17:25.520 --> 0:17:28.320
<v Speaker 2>but it's not expected, like most people get there at

0:17:28.359 --> 0:17:31.320
<v Speaker 2>their own fucking leisure at a party. But yeah, it's

0:17:31.440 --> 0:17:34.920
<v Speaker 2>it depends on the scenario. Like sometimes if people are

0:17:34.920 --> 0:17:36.960
<v Speaker 2>always late and you're like you're waiting on them, Like

0:17:37.040 --> 0:17:39.719
<v Speaker 2>let's just say, oh, everyone come over to watch reports

0:17:39.760 --> 0:17:41.840
<v Speaker 2>Drag Race and you're waiting on that one bitch before

0:17:41.840 --> 0:17:44.400
<v Speaker 2>you start the episode. I always message my friends and say,

0:17:44.400 --> 0:17:46.000
<v Speaker 2>I don't even like the show that much. I'm running late.

0:17:46.040 --> 0:17:46.720
<v Speaker 2>Just watch it without me.

0:17:46.840 --> 0:17:49.119
<v Speaker 4>Yeah, now that's a good eight person.

0:17:49.320 --> 0:17:52.159
<v Speaker 2>I think it's also important not to let your energy

0:17:52.200 --> 0:17:54.520
<v Speaker 2>affect people if you are late, Like if people show

0:17:54.600 --> 0:17:57.919
<v Speaker 2>up late and they're like, sorry, I'm so frazzled, I'm

0:17:57.960 --> 0:18:00.000
<v Speaker 2>so stressed. Then it just kind of throws everyone else off.

0:18:00.040 --> 0:18:01.800
<v Speaker 2>So if you're late, just throw up and be like,

0:18:02.040 --> 0:18:04.080
<v Speaker 2>oh my god, I'm so sorry, I'm so sorry I'm late,

0:18:04.119 --> 0:18:07.240
<v Speaker 2>and then just soldier on, you know, act like nothing happened.

0:18:07.000 --> 0:18:08.560
<v Speaker 4>Don't make a point of it, don't drag on the

0:18:08.560 --> 0:18:10.840
<v Speaker 4>whole night, drag them mood down.

0:18:10.960 --> 0:18:13.439
<v Speaker 2>Have you ever heard that weird piece of business advice

0:18:13.440 --> 0:18:16.520
<v Speaker 2>where it's like, instead of saying sorry, I'm late, you

0:18:16.600 --> 0:18:18.840
<v Speaker 2>say thank you for waiting, because then that takes the

0:18:18.880 --> 0:18:20.959
<v Speaker 2>power back. You're not like admitting a fault. And I'm like,

0:18:21.600 --> 0:18:23.919
<v Speaker 2>that's so stupid. I would feel like a dick if

0:18:23.960 --> 0:18:26.880
<v Speaker 2>I showed up and said thanks for waiting everyone. That's

0:18:26.920 --> 0:18:30.560
<v Speaker 2>so that's like treating everyone like that, your servants, thanks

0:18:30.560 --> 0:18:33.480
<v Speaker 2>for waiting, Like we weren't waiting, we were just on time.

0:18:33.680 --> 0:18:35.800
<v Speaker 4>Yeah, also we had to.

0:18:35.960 --> 0:18:38.840
<v Speaker 2>Like I have thought about it in some scenarios where

0:18:38.840 --> 0:18:40.720
<v Speaker 2>I'm late, I'm like, I'm going to give this a whirl.

0:18:40.920 --> 0:18:43.120
<v Speaker 2>I'm going to say thanks for waiting, because apparently that's

0:18:43.200 --> 0:18:46.240
<v Speaker 2>you know, good business advice. And every time I try

0:18:46.280 --> 0:18:47.879
<v Speaker 2>and say it. I'm like, it's it feels wrong. I

0:18:47.880 --> 0:18:49.639
<v Speaker 2>can't say this. I'm just gonna be like, so I'm late.

0:18:50.080 --> 0:18:52.040
<v Speaker 4>You also clearly business advice if you late to a

0:18:52.040 --> 0:18:54.199
<v Speaker 4>business meeting and you're talking about stocks, but if you're

0:18:54.240 --> 0:18:56.919
<v Speaker 4>late to someone's christening, you're not gonna go. Thanks for waiting,

0:18:57.720 --> 0:19:02.280
<v Speaker 4>not baptizing baby. Resume and imagine showing up to a

0:19:02.320 --> 0:19:03.080
<v Speaker 4>one on one lunch.

0:19:03.200 --> 0:19:06.280
<v Speaker 2>Thanks for waiting, babe. No, you don't need to power

0:19:06.280 --> 0:19:08.680
<v Speaker 2>play with your friends. That's shit advice. I'm pretty sure

0:19:08.720 --> 0:19:11.239
<v Speaker 2>that was an American TikToker. You can imagine that.

0:19:11.359 --> 0:19:12.159
<v Speaker 4>Yeah, yeah, dumb.

0:19:12.520 --> 0:19:14.520
<v Speaker 2>Do you find that, Jenna, you'll back me up here.

0:19:14.520 --> 0:19:17.680
<v Speaker 2>Sometimes Americans in the workplace come across ruder, not saying

0:19:17.680 --> 0:19:20.320
<v Speaker 2>they are, they come across the ruder. We had a

0:19:20.320 --> 0:19:21.919
<v Speaker 2>bitch like that at our old workplace that was like,

0:19:22.200 --> 0:19:23.560
<v Speaker 2>thanks for a waiting team.

0:19:24.040 --> 0:19:27.080
<v Speaker 3>Yeah yeah, I always thought she was better than everyone else,

0:19:27.520 --> 0:19:31.080
<v Speaker 3>even though she wasn't even qualified, even though she was

0:19:31.280 --> 0:19:31.880
<v Speaker 3>quite shit.

0:19:32.280 --> 0:19:35.199
<v Speaker 2>And there's just something about referring to people as my

0:19:35.359 --> 0:19:37.400
<v Speaker 2>team that I find so condescending.

0:19:37.560 --> 0:19:40.560
<v Speaker 4>Americans are very quick to jump into confrontation. They do

0:19:40.640 --> 0:19:43.800
<v Speaker 4>not mind. They're very happy to jump right into an argument.

0:19:44.400 --> 0:19:45.879
<v Speaker 2>Yeah, I don't, I don't. I don't mind that.

0:19:46.080 --> 0:19:47.600
<v Speaker 4>No, maybe you're half American.

0:19:48.240 --> 0:19:52.360
<v Speaker 3>You show had the confrontations between Mitchell and this other.

0:19:52.480 --> 0:19:54.040
<v Speaker 2>Oh yeah, I was the only one that would go

0:19:54.119 --> 0:19:56.760
<v Speaker 2>that bitch. Yeah, I'd pull her up on her shit.

0:19:57.480 --> 0:19:59.680
<v Speaker 2>H She asked me to make a Steve her when

0:19:59.760 --> 0:20:03.399
<v Speaker 2>mean on the anniversary of his debt about him dying.

0:20:03.840 --> 0:20:05.600
<v Speaker 3>Yeah, yeah, because she thought it was funny.

0:20:05.600 --> 0:20:06.160
<v Speaker 4>What was the mean?

0:20:06.240 --> 0:20:08.440
<v Speaker 2>And I was I can't remember, this is years ago.

0:20:08.520 --> 0:20:10.720
<v Speaker 2>And I was like, and she tried to play that

0:20:11.040 --> 0:20:13.600
<v Speaker 2>well i'm your manager card and I was like, well,

0:20:13.640 --> 0:20:17.119
<v Speaker 2>I'm telling you that Australians won't find that funny, and

0:20:17.200 --> 0:20:19.680
<v Speaker 2>I'm telling you it's not a good idea, so I'm

0:20:19.680 --> 0:20:20.280
<v Speaker 2>not doing it.

0:20:20.359 --> 0:20:20.920
<v Speaker 1>Oh my god.

0:20:21.280 --> 0:20:22.720
<v Speaker 2>And she was like, okay, well you need to find

0:20:22.720 --> 0:20:24.280
<v Speaker 2>me in alternatate BA C O B. I was like,

0:20:24.320 --> 0:20:28.200
<v Speaker 2>you don't have to abbreviate in real fucking in real life.

0:20:29.200 --> 0:20:31.840
<v Speaker 4>She said out loud, yeah.

0:20:31.760 --> 0:20:35.639
<v Speaker 2>Yeah, yeah, or maybe she said end of play. She

0:20:35.720 --> 0:20:36.040
<v Speaker 2>loved that.

0:20:36.080 --> 0:20:39.080
<v Speaker 4>Didn't you wish you could play soccer?

0:20:39.160 --> 0:20:40.760
<v Speaker 2>But yeah, I was the only one that would stand

0:20:40.840 --> 0:20:42.200
<v Speaker 2>up to her. I wasn't rude about it. I was

0:20:42.240 --> 0:20:45.119
<v Speaker 2>just like assertive, assertive.

0:20:44.600 --> 0:20:48.000
<v Speaker 4>Yeah, you are very assertive. Yeah, you're teaching us to

0:20:48.040 --> 0:20:48.199
<v Speaker 4>be a.

0:20:48.200 --> 0:20:51.439
<v Speaker 2>Superhereas Jenna would be like, all right, I will, and

0:20:51.440 --> 0:20:53.120
<v Speaker 2>then as soon as she left the room, I.

0:20:53.040 --> 0:20:59.320
<v Speaker 3>Can't stand that bitch when they said that she was leaving,

0:20:59.520 --> 0:21:00.960
<v Speaker 3>I started laughing.

0:21:02.160 --> 0:21:02.240
<v Speaker 2>Her.

0:21:02.280 --> 0:21:02.920
<v Speaker 4>That much.

0:21:04.200 --> 0:21:07.760
<v Speaker 2>For Jenna, though, because me and this cow in our

0:21:07.800 --> 0:21:11.160
<v Speaker 2>office clearly didn't get along and so we didn't bother

0:21:11.440 --> 0:21:14.439
<v Speaker 2>to pretend that we did. Whereas this chick that we

0:21:14.480 --> 0:21:16.879
<v Speaker 2>all hated kept inviting Jenna to like the movies and

0:21:16.920 --> 0:21:19.320
<v Speaker 2>shit out of work, and Jenna's like, fuck me, I.

0:21:19.240 --> 0:21:21.359
<v Speaker 3>Had to go to a Thanksgiving dinner.

0:21:22.680 --> 0:21:25.199
<v Speaker 2>And that's what that was My reaction evil laughed, being like,

0:21:25.200 --> 0:21:26.840
<v Speaker 2>sucked in, Jenna, that's what you get for me and nice.

0:21:26.840 --> 0:21:28.800
<v Speaker 4>You've got to be real, Jenny. I gotta be honest, soul.

0:21:28.800 --> 0:21:30.080
<v Speaker 4>We be invited to your enemies dinners.

0:21:31.200 --> 0:21:31.840
<v Speaker 2>Thanksgiffy.

0:21:31.840 --> 0:21:35.000
<v Speaker 4>And you would have kept complimenting her too. It's lovely turkey.

0:21:35.280 --> 0:21:38.520
<v Speaker 2>Also, I did make an effort with that buckhead. I

0:21:38.560 --> 0:21:41.280
<v Speaker 2>remember being like this person. I was like, oh, let

0:21:41.320 --> 0:21:43.399
<v Speaker 2>me take you to lunch. We should catch up one

0:21:43.400 --> 0:21:44.880
<v Speaker 2>on one. We haven't done that since you've been here.

0:21:45.240 --> 0:21:47.480
<v Speaker 2>And then she emailed me from her desk, which was

0:21:47.520 --> 0:21:51.200
<v Speaker 2>two meters from me, being like, I packed lunch today.

0:21:51.240 --> 0:21:53.920
<v Speaker 2>Can we reschedule? I was like, why if I keep

0:21:53.960 --> 0:21:57.119
<v Speaker 2>emailing me, we're fucking spitting distance from each other. I

0:21:57.160 --> 0:21:58.159
<v Speaker 2>was like, can I forget about it?

0:21:58.160 --> 0:22:01.840
<v Speaker 4>Fuck your lunch and I hate it, simply hate it. Now, Mitchell,

0:22:02.280 --> 0:22:04.320
<v Speaker 4>it's time to move on. As you know, it's my

0:22:04.359 --> 0:22:07.080
<v Speaker 4>cup week here on the show. Yep, you've already had

0:22:07.119 --> 0:22:08.720
<v Speaker 4>two spiders, which I think is excessive.

0:22:09.080 --> 0:22:11.640
<v Speaker 2>You guys are running the show. I'm not planning a thing.

0:22:11.960 --> 0:22:13.600
<v Speaker 4>She's doing a thing. He's got his comedy shows to

0:22:13.640 --> 0:22:16.240
<v Speaker 4>plan for, which is absolutely if it's fine where he

0:22:16.320 --> 0:22:18.600
<v Speaker 4>were doing the heavy lifting. Jenna and I have organized

0:22:18.600 --> 0:22:21.080
<v Speaker 4>the show, so we thought we'd bring in a segment

0:22:21.160 --> 0:22:23.359
<v Speaker 4>when you have no control over it that you've already

0:22:23.480 --> 0:22:24.600
<v Speaker 4>turned down and said no to.

0:22:25.160 --> 0:22:27.679
<v Speaker 2>Thirty one sixty five? What's your Doorbell? Found like, oh

0:22:27.760 --> 0:22:30.040
<v Speaker 2>my god, that'd be fun. What's your doorbell? And you

0:22:30.200 --> 0:22:32.280
<v Speaker 2>run to your front door and you just tell us

0:22:32.320 --> 0:22:33.320
<v Speaker 2>what your doorbell is.

0:22:34.280 --> 0:22:35.479
<v Speaker 4>I'd actually quite like that.

0:22:36.119 --> 0:22:38.440
<v Speaker 2>Well, you can keep that shit for your radio show. No,

0:22:38.760 --> 0:22:41.920
<v Speaker 2>I saved it for the next episode.

0:22:43.119 --> 0:22:45.440
<v Speaker 4>Five show us your doorbell. We're doing it?

0:22:45.480 --> 0:22:46.280
<v Speaker 2>Did you actually?

0:22:47.040 --> 0:22:47.200
<v Speaker 3>Oh?

0:22:47.280 --> 0:22:49.080
<v Speaker 2>Is that what you were posting in our Facebook group

0:22:49.080 --> 0:22:51.080
<v Speaker 2>about you said if anyone's going to be home?

0:22:51.280 --> 0:22:56.959
<v Speaker 4>Yep, what's at home? Doorbells all different kinds. Ooh we

0:22:57.080 --> 0:23:00.119
<v Speaker 4>like that doorbell day, Yeah, you got this doorbell. I've

0:23:00.119 --> 0:23:03.040
<v Speaker 4>got a classic doorbell. So we want to know thirteen

0:23:03.080 --> 0:23:05.920
<v Speaker 4>one oh six five call us? What does your doorbell sound?

0:23:06.000 --> 0:23:07.920
<v Speaker 2>You do realize that this isn't live. You can't get

0:23:08.080 --> 0:23:09.520
<v Speaker 2>giving the number out makes no different.

0:23:09.560 --> 0:23:12.280
<v Speaker 4>But it sounds real, isn't that. I've got some doorbell

0:23:12.359 --> 0:23:16.320
<v Speaker 4>music playing. There's our doorbell music, right, Okay, it's very

0:23:16.359 --> 0:23:19.240
<v Speaker 4>on brand. And what I've got, Mitch, is five doorbell.

0:23:20.040 --> 0:23:23.240
<v Speaker 4>Five door bell. Let me tell you. I'll spoil you today.

0:23:23.280 --> 0:23:24.800
<v Speaker 4>We have an international doorbell.

0:23:25.040 --> 0:23:28.160
<v Speaker 2>Really so this is is it an in gym top

0:23:28.200 --> 0:23:28.840
<v Speaker 2>five in a way?

0:23:29.040 --> 0:23:29.480
<v Speaker 4>Technically?

0:23:29.560 --> 0:23:29.760
<v Speaker 2>Yes.

0:23:30.080 --> 0:23:32.800
<v Speaker 4>I will get you to critique each five doorbells.

0:23:32.840 --> 0:23:33.600
<v Speaker 2>Have you heard them already?

0:23:33.680 --> 0:23:34.320
<v Speaker 4>I've never heard them?

0:23:34.359 --> 0:23:36.080
<v Speaker 2>No, okay no, and it's up to me.

0:23:36.160 --> 0:23:37.880
<v Speaker 4>It's up to you to select who has the best

0:23:37.920 --> 0:23:41.879
<v Speaker 4>doorbell in the world. Yeah, right, this is going global, Ladies,

0:23:41.880 --> 0:23:45.840
<v Speaker 4>and gentlemen. So Mitchell take notes. We are continuing I

0:23:45.840 --> 0:23:48.160
<v Speaker 4>guess that my kitchen real scene by getting you to judge.

0:23:48.760 --> 0:23:51.159
<v Speaker 4>Shall we go to the first doorbell. Let's start with

0:23:51.520 --> 0:23:56.120
<v Speaker 4>Lisa on A thirteen six five. Hello, Lisa, Hello.

0:23:56.040 --> 0:23:57.560
<v Speaker 5>My MITCHI MoU how are you?

0:23:57.640 --> 0:23:59.879
<v Speaker 2>Oh my god? Is this the Litha from Adelaide?

0:24:00.080 --> 0:24:03.200
<v Speaker 5>Oh my god, Darling, this is me. Hello, my Chu chu,

0:24:03.480 --> 0:24:06.960
<v Speaker 5>my Mitch and mine. Madam JN Hello, Hello.

0:24:07.240 --> 0:24:09.359
<v Speaker 2>It's Madam Jay. Last time, Madam j.

0:24:10.040 --> 0:24:12.080
<v Speaker 5>I know what I have to be kind though, because

0:24:12.119 --> 0:24:15.120
<v Speaker 5>she's Jenner and she's beautiful and she's wonderful. She's amazing

0:24:15.680 --> 0:24:18.320
<v Speaker 5>than you. Now that's all right, my love.

0:24:18.400 --> 0:24:21.439
<v Speaker 4>Lisa, your first cab off the rank. Can you please

0:24:22.160 --> 0:24:23.440
<v Speaker 4>show us your doorbell?

0:24:25.240 --> 0:24:27.920
<v Speaker 5>Are you ready for this? Adeladian? Are you ready?

0:24:28.119 --> 0:24:28.359
<v Speaker 2>Lady?

0:24:28.359 --> 0:24:30.719
<v Speaker 4>And good Mitch. That's he's picking up notes of Adeladia, right,

0:24:30.760 --> 0:24:37.480
<v Speaker 4>go for it. Yeah.

0:24:37.480 --> 0:24:39.119
<v Speaker 2>That sounds like the sort of thing that goes off

0:24:39.160 --> 0:24:40.920
<v Speaker 2>when you walk into a door.

0:24:41.040 --> 0:24:47.080
<v Speaker 4>It does. Yeah, one more time, Lisa, one more time? Yeah,

0:24:47.119 --> 0:24:48.000
<v Speaker 4>it rings twice?

0:24:48.119 --> 0:24:48.800
<v Speaker 3>Quite like it?

0:24:48.920 --> 0:24:51.920
<v Speaker 2>Yeah? Right? Okay, short and sharp, that's classic. Well, how

0:24:51.920 --> 0:24:53.720
<v Speaker 2>do you feel about your door bell? Lisa? Is that

0:24:53.760 --> 0:24:55.080
<v Speaker 2>fucking annoying. It sounds loud.

0:24:55.800 --> 0:24:59.880
<v Speaker 5>Listen, No, it's still going off. It fucking keeps going

0:25:00.000 --> 0:25:03.480
<v Speaker 5>because you go there and turn it off. Oh yeah,

0:25:03.480 --> 0:25:04.840
<v Speaker 5>it's one of those, and it's one of those of

0:25:04.920 --> 0:25:07.760
<v Speaker 5>the screen so you can see the poor bastard standing

0:25:07.760 --> 0:25:10.720
<v Speaker 5>at the doorway come an answer, and you think, yeah, no,

0:25:10.840 --> 0:25:12.639
<v Speaker 5>I'm not answering the door, so you just turn it off.

0:25:12.720 --> 0:25:18.000
<v Speaker 4>Walk away point.

0:25:18.320 --> 0:25:20.720
<v Speaker 5>What do I Because I didn't answer the doors, I

0:25:20.760 --> 0:25:22.399
<v Speaker 5>need to answer the door to Ouber Eats Bakes.

0:25:23.480 --> 0:25:25.080
<v Speaker 4>I'm on this show. All right, thank you, Lisa. Let's

0:25:25.080 --> 0:25:28.120
<v Speaker 4>move on. Doorbell on number two, we have Steph. Hello, Steph?

0:25:28.520 --> 0:25:30.359
<v Speaker 2>Hello, where are you from? Darlin?

0:25:31.080 --> 0:25:31.439
<v Speaker 1>Paddy?

0:25:32.760 --> 0:25:33.520
<v Speaker 2>We're going local.

0:25:33.600 --> 0:25:36.600
<v Speaker 4>Have you ever been to the cad Refactory?

0:25:37.359 --> 0:25:37.560
<v Speaker 7>Yes?

0:25:37.600 --> 0:25:38.920
<v Speaker 2>What's the school excursions there?

0:25:38.920 --> 0:25:39.320
<v Speaker 3>As a kid?

0:25:39.400 --> 0:25:40.600
<v Speaker 4>It's disgusting, isn't it.

0:25:41.200 --> 0:25:41.960
<v Speaker 7>It's actually rank.

0:25:42.119 --> 0:25:43.800
<v Speaker 2>Yeah, we were talking about this earlier.

0:25:44.160 --> 0:25:47.320
<v Speaker 4>I said, doorfall. All right, Steph, everyone say it with me?

0:25:47.880 --> 0:25:57.639
<v Speaker 4>Play there, doll oh go again, Steph.

0:25:58.240 --> 0:26:04.760
<v Speaker 8>Okay, it's haunting.

0:26:06.359 --> 0:26:08.640
<v Speaker 4>I actually really like I'm going to say, I don't

0:26:08.680 --> 0:26:09.440
<v Speaker 4>like you.

0:26:09.440 --> 0:26:10.760
<v Speaker 2>You don't like that one? Yeah, it's a bit it's

0:26:10.760 --> 0:26:13.399
<v Speaker 2>a bit pitchy. Bub Yeah, it's not great.

0:26:13.440 --> 0:26:16.320
<v Speaker 5>It was this house bluns an old lady before us,

0:26:16.359 --> 0:26:17.120
<v Speaker 5>so I think it was her.

0:26:17.560 --> 0:26:18.240
<v Speaker 4>Definitely.

0:26:18.840 --> 0:26:24.879
<v Speaker 2>Yeah, she's got.

0:26:21.880 --> 0:26:25.480
<v Speaker 4>All right, Steph Mitch is writing, No, they hope hopefully

0:26:25.600 --> 0:26:31.080
<v Speaker 4>you win. We love you. Let's move on. We've got Joey. Hello, Joey,

0:26:31.520 --> 0:26:32.720
<v Speaker 4>Mitch and Jennery here as well.

0:26:33.480 --> 0:26:34.200
<v Speaker 2>Where are you from?

0:26:34.440 --> 0:26:35.040
<v Speaker 4>Where are you from?

0:26:35.119 --> 0:26:35.280
<v Speaker 2>Now?

0:26:36.160 --> 0:26:38.200
<v Speaker 1>I'm from where.

0:26:39.960 --> 0:26:42.600
<v Speaker 2>I thought he said, Thorpies. I was like, what Philip

0:26:42.680 --> 0:26:44.760
<v Speaker 2>the Night with Thorpe? Okay, the Philippines. There we go.

0:26:45.280 --> 0:26:46.560
<v Speaker 5>I'm in Double at the moment.

0:26:46.960 --> 0:26:48.120
<v Speaker 4>Oh, Jenna's hometown.

0:26:49.359 --> 0:26:51.879
<v Speaker 2>You're in Dubble. You're dunk and they'd have six fucking

0:26:51.920 --> 0:26:54.560
<v Speaker 2>doorbells out there? Which area?

0:26:56.240 --> 0:26:56.720
<v Speaker 1>The south?

0:26:57.720 --> 0:26:58.000
<v Speaker 2>South?

0:26:58.560 --> 0:26:58.800
<v Speaker 5>All right?

0:26:58.840 --> 0:27:00.520
<v Speaker 2>I want to hear this Dubbo door Yeah, all right,

0:27:00.600 --> 0:27:03.800
<v Speaker 2>hit us go Joey, when you're ready, what's play that?

0:27:03.920 --> 0:27:05.200
<v Speaker 4>I'm really gonna get that catchphrase down.

0:27:05.240 --> 0:27:06.919
<v Speaker 2>Yeah, you told him to say it together, but then

0:27:06.960 --> 0:27:07.919
<v Speaker 2>you didn't tell us what.

0:27:07.840 --> 0:27:09.320
<v Speaker 4>To play the doorbell?

0:27:09.359 --> 0:27:12.280
<v Speaker 2>Ready to play the door bell?

0:27:16.880 --> 0:27:23.480
<v Speaker 4>Oh that one sounds like, oh fuck, we Dubble doesn't

0:27:23.520 --> 0:27:24.320
<v Speaker 4>make around with our.

0:27:24.240 --> 0:27:27.560
<v Speaker 2>Doorbell to Really that one sounds like a toy cash

0:27:27.600 --> 0:27:28.240
<v Speaker 2>red dis stuff.

0:27:28.440 --> 0:27:31.800
<v Speaker 4>Yeah, bring matel vibes Joey one more time.

0:27:31.840 --> 0:27:38.200
<v Speaker 3>Please, I can't believe you have the same doorbell as.

0:27:38.080 --> 0:27:38.399
<v Speaker 2>Well, you know not.

0:27:38.480 --> 0:27:41.600
<v Speaker 4>That sounds like you're in a service station. All right, Joey,

0:27:41.640 --> 0:27:44.720
<v Speaker 4>Mitch is taking notes, so let me hope you win. Okay,

0:27:44.960 --> 0:27:49.120
<v Speaker 4>good luck, joe Thanks, thanks, Joey, they win anything, no God,

0:27:49.240 --> 0:27:53.320
<v Speaker 4>no gratitude talking to us. All right, this is very

0:27:53.359 --> 0:27:57.320
<v Speaker 4>exciting in an iGEM world first, actually in a global

0:27:57.320 --> 0:28:00.879
<v Speaker 4>world first, never been done before. We are crossing live

0:28:01.200 --> 0:28:05.000
<v Speaker 4>to Minnesota in the United States of America. Hello, Jessica,

0:28:05.080 --> 0:28:05.520
<v Speaker 4>Oh my.

0:28:05.440 --> 0:28:09.120
<v Speaker 5>God, Hey guys, listen, Jessica, here's my doorbell.

0:28:09.600 --> 0:28:17.720
<v Speaker 2>Oh okay, let's hear it. It was What the fuck

0:28:17.800 --> 0:28:19.720
<v Speaker 2>did you? That sounds like you're being electrocute.

0:28:19.760 --> 0:28:25.359
<v Speaker 4>It sounds like you're in the purge, Jesus. Sounds like

0:28:25.359 --> 0:28:27.160
<v Speaker 4>a cut in the gym's mowing.

0:28:27.440 --> 0:28:28.400
<v Speaker 2>Yeah, that's painful.

0:28:28.480 --> 0:28:29.200
<v Speaker 4>Do you did that?

0:28:29.280 --> 0:28:30.960
<v Speaker 2>Give you the eck? When that goes off?

0:28:32.440 --> 0:28:33.600
<v Speaker 5>They scared of sometimes.

0:28:33.800 --> 0:28:34.320
<v Speaker 1>You know what it.

0:28:34.240 --> 0:28:36.520
<v Speaker 4>Sounds like, Jessica. It sounds like I'm in my NaN's

0:28:36.520 --> 0:28:40.480
<v Speaker 4>backroom playing operation as a six year old sleep and

0:28:40.520 --> 0:28:43.080
<v Speaker 4>drop the kidney. That is scary.

0:28:43.120 --> 0:28:46.520
<v Speaker 2>Wow. Okay, well, thanks for that. I'm sorry to hear

0:28:46.560 --> 0:28:47.280
<v Speaker 2>about your doorbell.

0:28:49.720 --> 0:28:52.400
<v Speaker 4>Hey, thank you for listening from Minnesota to where about?

0:28:53.200 --> 0:28:54.960
<v Speaker 4>That's so exciting you. How long have you been listening?

0:28:55.560 --> 0:28:58.120
<v Speaker 5>Well, I've just like found you guys, maybe like a

0:28:58.160 --> 0:28:58.600
<v Speaker 5>month ago.

0:28:58.760 --> 0:29:01.800
<v Speaker 2>So it looks the old ones, and then I started

0:29:02.160 --> 0:29:05.720
<v Speaker 2>listening to the newer ones and the older ones. So yeah,

0:29:05.800 --> 0:29:08.440
<v Speaker 2>well clearly it's downhill because now we're ranking.

0:29:11.240 --> 0:29:14.000
<v Speaker 4>All right. Thank you very much, Jessica. We love you,

0:29:14.360 --> 0:29:16.840
<v Speaker 4>love you. Thanks for listening, guys, Thank you, thank you

0:29:16.840 --> 0:29:21.200
<v Speaker 4>for taking part final Orbell Mitchell, Your palette is adjusted

0:29:21.240 --> 0:29:26.240
<v Speaker 4>and ready for Sky. Hello, Sky, Welcome to the show, Hingo,

0:29:26.680 --> 0:29:28.680
<v Speaker 4>tell you good. Where are you from? Sky?

0:29:29.760 --> 0:29:30.360
<v Speaker 5>Melbourne?

0:29:31.800 --> 0:29:34.800
<v Speaker 4>Real very well rounded selection of bells?

0:29:34.960 --> 0:29:36.800
<v Speaker 2>Are you going to be at my comedy gig which

0:29:37.000 --> 0:29:38.880
<v Speaker 2>at the time recording has not happened yet.

0:29:41.440 --> 0:29:42.880
<v Speaker 5>Sure let's say yes.

0:29:45.320 --> 0:29:47.360
<v Speaker 2>I'm sensing that you don't mean that and I will

0:29:47.400 --> 0:29:47.960
<v Speaker 2>never meet you.

0:29:49.680 --> 0:29:51.800
<v Speaker 4>Oh, Sky, you should just lied. You wouldn't have known.

0:29:52.800 --> 0:29:56.160
<v Speaker 4>All right, Sky, you're the last door bell, doorbell number five.

0:29:56.640 --> 0:29:58.959
<v Speaker 4>Take us out and play us your doorbell?

0:30:00.520 --> 0:30:04.200
<v Speaker 5>Ready?

0:30:06.200 --> 0:30:09.360
<v Speaker 4>Wait, do that again? Go again?

0:30:09.480 --> 0:30:10.320
<v Speaker 2>I think she was shot.

0:30:12.760 --> 0:30:18.000
<v Speaker 4>Go against Sky? Are you knocking on a door, Sky.

0:30:17.960 --> 0:30:19.280
<v Speaker 3>Are you clapping or something?

0:30:21.320 --> 0:30:23.440
<v Speaker 5>Matt rich enough for a doorbell?

0:30:23.960 --> 0:30:26.239
<v Speaker 4>She's not rich enough for a door she's knocking. Well,

0:30:26.280 --> 0:30:29.880
<v Speaker 4>you're you're disqualified out of the competition. That's not how

0:30:29.920 --> 0:30:30.360
<v Speaker 4>it works.

0:30:30.360 --> 0:30:36.160
<v Speaker 2>Sky g d well Sky comes in at number five. Naturally, sorry, Sky,

0:30:36.360 --> 0:30:37.080
<v Speaker 2>thanks a lot.

0:30:37.200 --> 0:30:40.880
<v Speaker 4>Do you believe that? So we're done. That's it, Mitchell. Wow,

0:30:41.080 --> 0:30:44.640
<v Speaker 4>doorbells have been delivered, which brings us to this moment

0:30:44.680 --> 0:30:45.000
<v Speaker 4>in time.

0:30:46.200 --> 0:30:47.920
<v Speaker 1>The top five division.

0:30:47.600 --> 0:30:48.400
<v Speaker 4>Top five on the fly.

0:30:49.000 --> 0:30:51.360
<v Speaker 2>Okay, so it's the top five door bells based on

0:30:51.400 --> 0:30:54.360
<v Speaker 2>the course we have had global doorbells. Yes, global doorbells. Yeah,

0:30:54.400 --> 0:30:58.960
<v Speaker 2>from Dubbo to Minnesota. Yeah, no doorbell left unwrung, I'm

0:30:59.000 --> 0:30:59.480
<v Speaker 2>turned on.

0:31:00.080 --> 0:31:01.480
<v Speaker 4>All right, give us a ranking.

0:31:01.240 --> 0:31:02.880
<v Speaker 2>All right, we'll coming in at number five. Would have

0:31:02.920 --> 0:31:07.760
<v Speaker 2>to be a Sky because she was disqualified. She was knocking.

0:31:07.840 --> 0:31:10.400
<v Speaker 2>That's not a doorbell. I'm so sorry. True. I mean,

0:31:10.600 --> 0:31:12.480
<v Speaker 2>I wouldn't have put that car aware, but what would

0:31:12.520 --> 0:31:12.680
<v Speaker 2>I know.

0:31:14.760 --> 0:31:17.640
<v Speaker 4>I vetted everyone's doorbell. I said, do you have a doorbell?

0:31:17.640 --> 0:31:18.400
<v Speaker 4>And she was cheeky?

0:31:18.520 --> 0:31:19.240
<v Speaker 2>So gotch.

0:31:19.480 --> 0:31:21.480
<v Speaker 4>I can't pay that. I pay the cheekiness. But no,

0:31:21.880 --> 0:31:22.719
<v Speaker 4>she didn't have a doorbell.

0:31:22.920 --> 0:31:25.120
<v Speaker 2>Okay, well. Coming in at number four would be Jessica

0:31:25.200 --> 0:31:32.880
<v Speaker 2>with this that electric chair doorbell no good. Number three

0:31:32.960 --> 0:31:38.880
<v Speaker 2>would be Steph It was completely harmless. But this a

0:31:38.880 --> 0:31:39.920
<v Speaker 2>bit too high pitch for me.

0:31:40.160 --> 0:31:42.600
<v Speaker 4>It doesn't painly. Is that one worked to me? It's

0:31:42.640 --> 0:31:43.000
<v Speaker 4>not good.

0:31:43.680 --> 0:31:46.400
<v Speaker 2>Coming in at number two, Lisa from Adelaide had a

0:31:46.480 --> 0:31:49.240
<v Speaker 2>beautiful doorbell. However, it's a it's got a mind of

0:31:49.240 --> 0:31:53.720
<v Speaker 2>its own. It's an unhinged door bell. Yeah, I remember

0:31:53.720 --> 0:31:55.880
<v Speaker 2>she said she couldn't turn it off, and like, you

0:31:55.920 --> 0:31:57.600
<v Speaker 2>have to physically go out there and ring it again

0:31:57.640 --> 0:32:00.440
<v Speaker 2>so it'll stop. Otherwise they could ring all day or night. No,

0:32:00.640 --> 0:32:02.720
<v Speaker 2>I don't like that. I need to have control of

0:32:02.760 --> 0:32:03.120
<v Speaker 2>my bell.

0:32:03.320 --> 0:32:04.560
<v Speaker 4>So that brings us to number one.

0:32:04.800 --> 0:32:09.280
<v Speaker 2>Yes, well, number one is Joey from Dubbo, whose doorbell

0:32:09.480 --> 0:32:12.160
<v Speaker 2>was basically like Lisa's, but it just is a bit

0:32:12.200 --> 0:32:13.000
<v Speaker 2>more reliable.

0:32:13.120 --> 0:32:20.400
<v Speaker 4>Have a listen, this is it. That's a good door bell,

0:32:20.560 --> 0:32:26.720
<v Speaker 4>he joins us to celebrate. Hello. Thank you guys, who

0:32:26.760 --> 0:32:28.120
<v Speaker 4>would you like to thank.

0:32:28.960 --> 0:32:32.000
<v Speaker 2>I would like to thank all the people of Dubbo, Yes,

0:32:32.160 --> 0:32:35.320
<v Speaker 2>for bringing us this door ball. Well, Jenna reckons that

0:32:35.400 --> 0:32:37.960
<v Speaker 2>you have the exact same doorbell that she did in Dubbo.

0:32:38.040 --> 0:32:40.160
<v Speaker 2>I reckon. There's one Dubbo doorbell.

0:32:39.800 --> 0:32:42.480
<v Speaker 3>Dealer that's a requirement to be in Dubbo.

0:32:42.720 --> 0:32:44.480
<v Speaker 4>Yeah yeah, I need that bell it.

0:32:45.120 --> 0:32:45.560
<v Speaker 2>Wow.

0:32:45.600 --> 0:32:48.719
<v Speaker 4>Well, congratulations, you're you're a superstar in our eyes.

0:32:49.200 --> 0:32:49.760
<v Speaker 3>Thank you.

0:32:50.000 --> 0:32:52.280
<v Speaker 2>And pride keeper Jenna, because it's her job, We'll hook

0:32:52.320 --> 0:32:53.880
<v Speaker 2>you up with a prize for winning, won't she.

0:32:55.840 --> 0:32:58.080
<v Speaker 3>Yeah yeah, she will find something.

0:32:58.160 --> 0:32:59.800
<v Speaker 2>Take that off the air and you can do get

0:32:59.880 --> 0:33:01.880
<v Speaker 2>up to Jonah's house in Dubble. Yeah.

0:33:02.440 --> 0:33:06.640
<v Speaker 3>Good idea, so easy for you.

0:33:06.920 --> 0:33:12.560
<v Speaker 4>Don't give with cracking on congratulations. I think Joe is

0:33:12.880 --> 0:33:14.880
<v Speaker 4>definitely not interested in pushing the doorbell. He likes to

0:33:14.880 --> 0:33:15.560
<v Speaker 4>be pushed himself.

0:33:15.680 --> 0:33:18.120
<v Speaker 2>Oh you know what I mean, What a shame you

0:33:18.160 --> 0:33:21.440
<v Speaker 2>get some Dubbo dick. What a shame?

0:33:21.440 --> 0:33:23.440
<v Speaker 4>I wonder if the Dubbo doorbell dealer gives good dick.

0:33:28.640 --> 0:33:32.920
<v Speaker 8>Listening on Spotify, don't forget to leave a five star.

0:33:33.840 --> 0:33:36.040
<v Speaker 2>You're listening to? Is it just me?

0:33:36.720 --> 0:33:43.760
<v Speaker 4>Okay? The Muffy Show continues, everybody you're enjoying Mitchell, turn

0:33:43.800 --> 0:33:45.360
<v Speaker 4>it down. You don't like the music though, you need

0:33:45.400 --> 0:33:46.960
<v Speaker 4>to be able to hear our voices over it. Yeah,

0:33:46.960 --> 0:33:49.360
<v Speaker 4>but it's like an excitement song that it fades out

0:33:49.360 --> 0:33:50.840
<v Speaker 4>and Vanessa fades out quite.

0:33:50.680 --> 0:33:51.200
<v Speaker 1>Like a career.

0:33:51.280 --> 0:33:52.360
<v Speaker 2>Yeah right, okay, what I mean?

0:33:52.400 --> 0:33:55.360
<v Speaker 4>It starts really big, everyone's really excited, and then nothing

0:33:55.400 --> 0:33:56.520
<v Speaker 4>for thirty years.

0:33:56.720 --> 0:33:59.840
<v Speaker 2>She's still going strong. How very dare you she? If

0:33:59.880 --> 0:34:02.320
<v Speaker 2>you weren't homophobic and didn't come to Mindigra, you would

0:34:02.320 --> 0:34:03.920
<v Speaker 2>have seen that she did a blank performance.

0:34:04.280 --> 0:34:06.000
<v Speaker 4>She did. Actually I retract that. I take that back.

0:34:06.000 --> 0:34:06.880
<v Speaker 4>All right, sorry, Vanessa?

0:34:06.920 --> 0:34:07.880
<v Speaker 2>And what are we doing now?

0:34:07.920 --> 0:34:10.000
<v Speaker 4>All right? As we move on, Jenner, are you ready?

0:34:10.040 --> 0:34:12.520
<v Speaker 4>I'm ready. I'm ready. This is something that happens in

0:34:12.560 --> 0:34:14.480
<v Speaker 4>all schools and as we continue to school trend, this

0:34:14.600 --> 0:34:17.080
<v Speaker 4>is musty day, after all, we celebrating freedom. We can

0:34:17.120 --> 0:34:19.920
<v Speaker 4>wear whatever we want. We're doing a round of IDJEM,

0:34:20.200 --> 0:34:24.640
<v Speaker 4>Show and Tell and tell on a show a show

0:34:25.719 --> 0:34:26.640
<v Speaker 4>opener at everything.

0:34:26.719 --> 0:34:29.520
<v Speaker 2>Michel, you just had that line around. You didn't make that.

0:34:30.120 --> 0:34:32.040
<v Speaker 4>It's a segment from Kyle and Jackie Oh show. I

0:34:32.080 --> 0:34:33.920
<v Speaker 4>did edit that to take Kyle's Show and Tell out

0:34:33.960 --> 0:34:37.600
<v Speaker 4>so tomorrow, Yeah, if you go back and listen, there's

0:34:37.600 --> 0:34:39.120
<v Speaker 4>a moment where and we pull it down.

0:34:39.239 --> 0:34:41.000
<v Speaker 2>Yeah right, and they were doing a round of Show

0:34:41.040 --> 0:34:43.359
<v Speaker 2>and Tell. Okay, So, as I.

0:34:43.360 --> 0:34:45.879
<v Speaker 4>Mentioned on the Instagram Live. I think I'll go first channel. Okay, Yeah,

0:34:45.920 --> 0:34:47.480
<v Speaker 4>I never liked show and tell in primary school. It's

0:34:47.480 --> 0:34:49.360
<v Speaker 4>actually something that we didn't do. It feels very American.

0:34:49.480 --> 0:34:50.600
<v Speaker 4>Did you guys do show and tell?

0:34:50.800 --> 0:34:53.440
<v Speaker 2>I lived for it, did you? Yeah? And any hindsight,

0:34:53.480 --> 0:34:55.840
<v Speaker 2>I don't think anyone gave a fuck about what I

0:34:55.920 --> 0:34:58.800
<v Speaker 2>was showing and telling. I would like right class today,

0:34:58.840 --> 0:35:02.560
<v Speaker 2>I got the New shaki An album and I would

0:35:02.560 --> 0:35:04.480
<v Speaker 2>just show that and all thoughts of shit, But I

0:35:04.480 --> 0:35:05.640
<v Speaker 2>don't think anyone really cared.

0:35:05.760 --> 0:35:07.720
<v Speaker 4>I did take my dad to school. Take your parents

0:35:07.719 --> 0:35:09.600
<v Speaker 4>to school day and you brought your dad in and

0:35:09.640 --> 0:35:11.560
<v Speaker 4>they told what they did at work. Oh that was

0:35:11.560 --> 0:35:14.800
<v Speaker 4>so cute. Remember that, No, Joede, your parents? Did you

0:35:14.840 --> 0:35:15.239
<v Speaker 4>ever do that?

0:35:15.440 --> 0:35:15.640
<v Speaker 3>Now?

0:35:15.800 --> 0:35:16.000
<v Speaker 2>Oh?

0:35:16.120 --> 0:35:17.560
<v Speaker 4>And your dad would sit down and go, I'll work

0:35:17.600 --> 0:35:18.560
<v Speaker 4>for a wine company.

0:35:18.560 --> 0:35:20.400
<v Speaker 2>I'll tell you how that would have gone at my school.

0:35:20.480 --> 0:35:20.920
<v Speaker 4>Yeah.

0:35:20.960 --> 0:35:24.279
<v Speaker 2>My dad's a farmer. My dad's also a farmer. My

0:35:24.400 --> 0:35:27.400
<v Speaker 2>dad's also a farmer. My dad's a farmer. Yeah, it

0:35:27.400 --> 0:35:29.040
<v Speaker 2>wouldn't have been that interesting.

0:35:28.760 --> 0:35:30.440
<v Speaker 4>And you're right, it would have been similar for Janet.

0:35:30.440 --> 0:35:33.440
<v Speaker 4>My dad's an executive banker. My dad's an executive banker.

0:35:33.719 --> 0:35:38.440
<v Speaker 4>My dad's a wealthy millionaires. My dad's a Muggel Lane coat,

0:35:38.560 --> 0:35:43.279
<v Speaker 4>primary lane coat. Yeah, that's hardly that's hardly high for

0:35:43.360 --> 0:35:46.640
<v Speaker 4>Luton Lane Cove. Anyway, if you follow us on Instagram

0:35:46.640 --> 0:35:48.160
<v Speaker 4>a couple of minutes you would have seen about a weekend

0:35:48.200 --> 0:35:50.000
<v Speaker 4>or two ago, I revealed that I'm playing a new instrument.

0:35:50.360 --> 0:35:51.319
<v Speaker 2>Oh is that what this is?

0:35:51.719 --> 0:35:54.440
<v Speaker 4>This is, ladies and gentlemen, I'm going to introduce you.

0:35:54.440 --> 0:35:56.600
<v Speaker 2>You wouldn't tell me what the instrument was. I don't know.

0:35:56.640 --> 0:35:58.680
<v Speaker 4>And I'm going to put a timer on. We're going

0:35:58.760 --> 0:36:00.799
<v Speaker 4>to do two minutes on the clock. But I will

0:36:00.800 --> 0:36:03.839
<v Speaker 4>be showing and telling today my Pheromon. So if you'd

0:36:03.840 --> 0:36:04.479
<v Speaker 4>indulge it, I'm.

0:36:04.360 --> 0:36:06.560
<v Speaker 2>Gonna go Perramon.

0:36:06.600 --> 0:36:08.120
<v Speaker 4>You haven't seen it because it's under the desk.

0:36:08.239 --> 0:36:12.160
<v Speaker 2>It sounds like a kitchen appliance. Whow What for the

0:36:12.160 --> 0:36:14.080
<v Speaker 2>lover of God is that? It looks like a laminador?

0:36:14.160 --> 0:36:16.360
<v Speaker 4>Oh my god, it's my Ferramon.

0:36:16.440 --> 0:36:20.960
<v Speaker 3>Everybody like a mini spaceship.

0:36:21.520 --> 0:36:24.040
<v Speaker 4>I spoke to the technicians and it is wired into

0:36:24.080 --> 0:36:26.680
<v Speaker 4>the desk. Now, for those at home thinking, what the

0:36:26.719 --> 0:36:28.160
<v Speaker 4>hell's a theremon? Why am I pointing?

0:36:28.719 --> 0:36:30.320
<v Speaker 2>I'm in the room theremon?

0:36:30.360 --> 0:36:32.200
<v Speaker 4>Okay for those in the room, this is a theremon.

0:36:32.239 --> 0:36:35.200
<v Speaker 4>You know this famous theme sung X files, right of

0:36:35.200 --> 0:36:36.399
<v Speaker 4>course is this.

0:36:38.400 --> 0:36:41.000
<v Speaker 2>You're in the background, So it's like a synthe science.

0:36:41.200 --> 0:36:44.200
<v Speaker 4>It's like a synthesizer. However, it's the only instrument in

0:36:44.200 --> 0:36:48.280
<v Speaker 4>the world that requires nothing to be touched. It's all

0:36:48.440 --> 0:36:53.719
<v Speaker 4>played via electromagnetics. What just watch and learn. So I'm

0:36:53.719 --> 0:36:56.400
<v Speaker 4>turning my theerremon on, ladies and gentlemen. So there's a

0:36:56.440 --> 0:36:59.040
<v Speaker 4>giant antenna it looks like an alien spaceship. On the right,

0:36:59.080 --> 0:37:03.240
<v Speaker 4>there's a giant antenna. This controls frequency. On the left,

0:37:03.280 --> 0:37:06.640
<v Speaker 4>there is a curved antenna which controls volume. So I'm

0:37:06.640 --> 0:37:13.960
<v Speaker 4>turning it on. Jesus, we're on where on? Oh, I'm

0:37:13.960 --> 0:37:15.359
<v Speaker 4>just connecting to the hremon day there.

0:37:18.719 --> 0:37:20.680
<v Speaker 2>Wait, so does it depend on how close your hand

0:37:20.719 --> 0:37:21.480
<v Speaker 2>is about antenna?

0:37:21.480 --> 0:37:22.640
<v Speaker 4>I'm now at one with a theremon.

0:37:23.320 --> 0:37:25.240
<v Speaker 2>Fuck, So that is wild.

0:37:27.440 --> 0:37:29.600
<v Speaker 4>You know, I've tried the banjo and I like to

0:37:29.600 --> 0:37:31.440
<v Speaker 4>stand out from the pack. How many people can play

0:37:31.480 --> 0:37:33.279
<v Speaker 4>the banjo in the world millions?

0:37:33.320 --> 0:37:35.479
<v Speaker 2>And you're not that crash hood on the saxophone either.

0:37:36.719 --> 0:37:38.880
<v Speaker 4>So this is my third shot at an instrument that

0:37:38.960 --> 0:37:41.840
<v Speaker 4>I think I can actually play because it requires no

0:37:41.920 --> 0:37:44.960
<v Speaker 4>fucking playing. All you need is your hands.

0:37:45.000 --> 0:37:46.439
<v Speaker 2>But what if you actually want to play a song?

0:37:46.560 --> 0:37:48.920
<v Speaker 4>Oh, I'll get there eventually, but I'm gonna perform for

0:37:48.960 --> 0:37:52.920
<v Speaker 4>you now. Okay. So this is ladies and gentlemen me

0:37:53.040 --> 0:37:54.960
<v Speaker 4>playing the theremon. Are we ready?

0:37:55.239 --> 0:38:03.400
<v Speaker 2>Yeah? Yeah? You know what that makes them want to do? Mody?

0:38:05.000 --> 0:38:06.720
<v Speaker 4>I can get higher? Ready, So it's.

0:38:07.480 --> 0:38:08.279
<v Speaker 2>How do you get higher?

0:38:08.480 --> 0:38:10.040
<v Speaker 4>Just wait, there's a muzzy in the room.

0:38:10.080 --> 0:38:11.959
<v Speaker 2>You're gonna have to explain it to the people listening.

0:38:12.040 --> 0:38:13.480
<v Speaker 2>So how do you do it? You move your hands

0:38:13.480 --> 0:38:14.839
<v Speaker 2>further away if you get higher.

0:38:14.920 --> 0:38:16.719
<v Speaker 4>So there are two antennas here on the perremon. On

0:38:16.760 --> 0:38:19.359
<v Speaker 4>the left is volume here this one here. Make sure

0:38:19.400 --> 0:38:21.600
<v Speaker 4>this controls the volume. The higher my hand goes, the

0:38:21.719 --> 0:38:24.400
<v Speaker 4>louder it gets. On the right, this antenna looks like

0:38:24.400 --> 0:38:27.400
<v Speaker 4>an old TV. The further away it gets, the lower

0:38:27.400 --> 0:38:29.800
<v Speaker 4>the pitch becomes, and the higher the higher it becomes.

0:38:31.200 --> 0:38:32.240
<v Speaker 4>Do classic theherremon?

0:38:33.239 --> 0:38:33.359
<v Speaker 7>Oh?

0:38:33.400 --> 0:38:34.839
<v Speaker 2>Can you change the sound on it? Yes?

0:38:34.880 --> 0:38:36.160
<v Speaker 4>This is quite a modern theremon.

0:38:36.160 --> 0:38:37.759
<v Speaker 2>Could you make it sound like a church organ?

0:38:37.880 --> 0:38:40.200
<v Speaker 4>Yes? I can, you're joking. I can make it sound

0:38:40.280 --> 0:38:45.600
<v Speaker 4>like ready to actually.

0:38:45.280 --> 0:38:48.160
<v Speaker 2>Try and play something files.

0:38:48.200 --> 0:38:50.359
<v Speaker 3>I'm on the x files theme, so try x.

0:38:50.320 --> 0:39:04.759
<v Speaker 4>Files or do the scales ready, I'll start with scales. See.

0:39:04.800 --> 0:39:07.200
<v Speaker 2>I find that harder than an actual instrument, because the

0:39:07.239 --> 0:39:09.920
<v Speaker 2>piano you know which key to press to get a

0:39:09.960 --> 0:39:12.920
<v Speaker 2>certain note, but that it's guessing by distance, like you

0:39:12.960 --> 0:39:14.400
<v Speaker 2>could easily get the wrong note.

0:39:14.960 --> 0:39:15.919
<v Speaker 4>Would you like to have a try?

0:39:16.440 --> 0:39:19.080
<v Speaker 2>Yeah, come on, and you're gonna have to take my seat.

0:39:19.360 --> 0:39:21.280
<v Speaker 4>I'm going to give you. Would you like in orbit?

0:39:24.320 --> 0:39:28.200
<v Speaker 2>Nah? That's like that irritating doorbell. Go to the least

0:39:28.239 --> 0:39:29.040
<v Speaker 2>irritating sound.

0:39:29.080 --> 0:39:29.360
<v Speaker 4>What is it?

0:39:29.440 --> 0:39:30.040
<v Speaker 2>Thermo mix?

0:39:30.440 --> 0:39:35.360
<v Speaker 4>No? All right, I'm over here watching now. Don't forget.

0:39:35.360 --> 0:39:38.000
<v Speaker 4>Your left hand is volume. So take the cord off

0:39:38.000 --> 0:39:41.759
<v Speaker 4>it and keep your left hand. Touch your hand on it. Yep.

0:39:41.960 --> 0:39:43.680
<v Speaker 4>And then get your right hand and put it maybe

0:39:43.719 --> 0:39:47.160
<v Speaker 4>a centimeter away flat like this. Yep, and they lift

0:39:47.160 --> 0:39:48.120
<v Speaker 4>your left hand up.

0:39:48.880 --> 0:39:51.480
<v Speaker 2>I might just leave the left hand still, just leave

0:39:51.480 --> 0:39:55.560
<v Speaker 2>it low. I can't find the starting note of the

0:39:55.680 --> 0:40:00.600
<v Speaker 2>xbiles music. Does it even go low enough? Farking out?

0:40:01.440 --> 0:40:02.080
<v Speaker 2>I don't like this.

0:40:02.840 --> 0:40:05.040
<v Speaker 4>Change the knob, change the setting. Get something more closer,

0:40:05.120 --> 0:40:06.040
<v Speaker 4>furtheres knob to the right.

0:40:07.239 --> 0:40:14.640
<v Speaker 2>Oh ah, there we go, it's way off.

0:40:15.000 --> 0:40:16.319
<v Speaker 4>Now I get I heard it.

0:40:20.480 --> 0:40:27.880
<v Speaker 2>Yeah, wow, it's almost ridiculous. How talented I am. I

0:40:27.880 --> 0:40:29.040
<v Speaker 2>took to that like a duck to water.

0:40:29.280 --> 0:40:32.319
<v Speaker 4>You know, if anyone will innately do the theramon, it's

0:40:32.400 --> 0:40:34.359
<v Speaker 4>Jenna either. You should have a quick guy that you've

0:40:34.360 --> 0:40:35.040
<v Speaker 4>got it in your body.

0:40:35.080 --> 0:40:35.560
<v Speaker 2>I go.

0:40:35.920 --> 0:40:38.200
<v Speaker 4>The therami is, in fact, voted the hardest instrument to

0:40:38.239 --> 0:40:39.440
<v Speaker 4>play in the world.

0:40:39.880 --> 0:40:43.319
<v Speaker 2>And you thought that was easier. You told me the

0:40:43.360 --> 0:40:45.239
<v Speaker 2>reason you wanted to learn it's because it's easier than

0:40:45.239 --> 0:40:46.200
<v Speaker 2>an actual instrument.

0:40:46.400 --> 0:40:46.640
<v Speaker 5>Yeah.

0:40:46.840 --> 0:40:49.080
<v Speaker 4>I thought it was too until I paid eight hundred

0:40:49.160 --> 0:40:50.840
<v Speaker 4>dollars and had to pick it up from Merrickville and

0:40:51.200 --> 0:40:57.600
<v Speaker 4>Facebook marketplace. Imagine getting invited to play this at the

0:40:57.640 --> 0:41:03.160
<v Speaker 4>Anzact ceremony on the fucking idea on the theorem.

0:41:08.480 --> 0:41:11.560
<v Speaker 2>I don't know what you're gasping at. She's it's playing nonsense, but.

0:41:11.520 --> 0:41:12.880
<v Speaker 4>It's a Nate it's in a blood.

0:41:15.200 --> 0:41:16.200
<v Speaker 2>You didn't say that about me.

0:41:20.560 --> 0:41:21.320
<v Speaker 4>I'm blown away.

0:41:25.280 --> 0:41:28.000
<v Speaker 2>I mean, it's one of those instruments where it just

0:41:28.080 --> 0:41:30.480
<v Speaker 2>sounds correct, even if you're just making it up. Like

0:41:30.520 --> 0:41:32.719
<v Speaker 2>if I did this on a piano, it's bashed random notes,

0:41:32.719 --> 0:41:35.160
<v Speaker 2>it wouldn't sound like a song, but because it's a thermomix,

0:41:35.840 --> 0:41:41.680
<v Speaker 2>it just kind of because it's so like obscure. Anyway,

0:41:42.120 --> 0:41:45.560
<v Speaker 2>I drive my final show. So what's your plan with this?

0:41:45.640 --> 0:41:47.920
<v Speaker 2>You're actually gonna get lessons? Do you get lessons on them?

0:41:48.080 --> 0:41:51.000
<v Speaker 4>I have Maddie Jay and Laura Burn's wedding coming up

0:41:51.040 --> 0:41:52.960
<v Speaker 4>in October and I'm hoping to be asked to play it.

0:41:53.640 --> 0:41:56.520
<v Speaker 2>That's my goal, right, But are you actually going to

0:41:56.600 --> 0:41:58.440
<v Speaker 2>learn it or you just just buy it to play with?

0:41:58.520 --> 0:41:58.640
<v Speaker 7>Now?

0:41:58.680 --> 0:42:00.879
<v Speaker 4>Now, I've got YouTube last up to less than three

0:42:00.920 --> 0:42:01.839
<v Speaker 4>of theremon one I won?

0:42:01.960 --> 0:42:02.160
<v Speaker 2>Yeah?

0:42:02.280 --> 0:42:04.440
<v Speaker 4>Oh yeah, I'm learning all right, all right, I'm going

0:42:04.480 --> 0:42:05.799
<v Speaker 4>to try and nail it over the beat of the

0:42:05.920 --> 0:42:06.840
<v Speaker 4>X Files theme. Ready?

0:42:07.040 --> 0:42:14.920
<v Speaker 2>Oh god? Oh no, it goes higher?

0:42:16.400 --> 0:42:21.480
<v Speaker 4>I think I did it ready, I'm doing it.

0:42:22.080 --> 0:42:22.600
<v Speaker 2>That's not it?

0:42:22.640 --> 0:42:25.479
<v Speaker 4>Pretty hard? I'm going to try now, Oh so hard?

0:42:27.200 --> 0:42:27.719
<v Speaker 4>I did it?

0:42:29.760 --> 0:42:31.680
<v Speaker 2>Is that actually what X Files has played on?

0:42:31.960 --> 0:42:32.959
<v Speaker 4>Yess a? Theremon? Yeah?

0:42:33.040 --> 0:42:34.000
<v Speaker 2>What made you want to get this?

0:42:34.200 --> 0:42:34.279
<v Speaker 6>Like?

0:42:34.320 --> 0:42:36.560
<v Speaker 2>What where did this idea come from? Out of nowhere?

0:42:37.200 --> 0:42:39.319
<v Speaker 4>Well? I went to a microphone store to purchase a

0:42:39.360 --> 0:42:42.400
<v Speaker 4>microphone for my radio show, and it's a music store

0:42:42.600 --> 0:42:45.840
<v Speaker 4>and someone was playing it beautifully and I said I

0:42:45.880 --> 0:42:49.120
<v Speaker 4>want to be them. They had people lined up to

0:42:49.160 --> 0:42:51.840
<v Speaker 4>watch them, and I thought, that's attention that I'm not getting.

0:42:52.440 --> 0:42:54.400
<v Speaker 4>I need to be getting. So how do I It

0:42:54.400 --> 0:42:56.960
<v Speaker 4>was like fourteen hundred dollars, So I went straight to marketplace.

0:42:57.080 --> 0:42:59.839
<v Speaker 4>There was one online in Marrickville. Hey a Baudi, I'll

0:42:59.840 --> 0:43:02.040
<v Speaker 4>give eight ten you hold that theremon for me.

0:43:02.520 --> 0:43:03.240
<v Speaker 2>You sit put.

0:43:03.760 --> 0:43:05.839
<v Speaker 4>I'm gonna quickly show you one thing. I'm gonna show

0:43:05.840 --> 0:43:07.680
<v Speaker 4>you a professional theremon player, so you know where I'll

0:43:07.719 --> 0:43:08.960
<v Speaker 4>be in about three to four days.

0:43:09.200 --> 0:43:11.279
<v Speaker 2>I feel like you're gonna start taking this thing to

0:43:11.360 --> 0:43:13.959
<v Speaker 2>parties and being like, no, don't make me play, don't

0:43:13.960 --> 0:43:15.920
<v Speaker 2>make me play, and then you just start playing wonder

0:43:15.960 --> 0:43:17.239
<v Speaker 2>Wall on the Thermo mix.

0:43:17.760 --> 0:43:20.160
<v Speaker 4>Listen to this. This is a boy four point seven

0:43:20.440 --> 0:43:38.480
<v Speaker 4>million views on the Internet. He's playing the theremon. Isn't

0:43:38.480 --> 0:43:39.120
<v Speaker 4>that nice?

0:43:41.600 --> 0:43:44.279
<v Speaker 2>It's not that nice? Actually? Really yeah, I find that

0:43:44.280 --> 0:43:45.360
<v Speaker 2>particular one a bit annoying.

0:43:45.360 --> 0:43:46.759
<v Speaker 3>Founding the piano's nice.

0:43:46.760 --> 0:43:48.799
<v Speaker 4>Well, he doesn't have a Theremoni's expenses of mine. Not

0:43:48.800 --> 0:43:51.080
<v Speaker 4>everyone can afford it. He's been playing for thirty years

0:43:51.160 --> 0:43:56.200
<v Speaker 4>and he can't afford it. It's actually his lifecraft and

0:43:56.239 --> 0:43:59.840
<v Speaker 4>he's on an old score one. Oh, and that's my

0:44:00.200 --> 0:44:02.200
<v Speaker 4>show and tell over. Yeah, I think we play this

0:44:02.200 --> 0:44:09.520
<v Speaker 4>for the rest of the episode. I could do the

0:44:09.520 --> 0:44:11.120
<v Speaker 4>next season's music.

0:44:12.640 --> 0:44:15.160
<v Speaker 2>You could. It's not like there's royalties issues.

0:44:15.200 --> 0:44:15.680
<v Speaker 1>You made it.

0:44:15.760 --> 0:44:17.000
<v Speaker 4>I made it with my own instrument.

0:44:17.239 --> 0:44:19.239
<v Speaker 2>I just don't know why you're striving for that same

0:44:19.239 --> 0:44:22.000
<v Speaker 2>attention the guy in the music store had, because when

0:44:22.080 --> 0:44:23.959
<v Speaker 2>people are ever just going to stumble across you playing

0:44:24.000 --> 0:44:27.000
<v Speaker 2>it unless you take it to parties, which in itself

0:44:27.080 --> 0:44:29.480
<v Speaker 2>is a bit annoying. It's very obnoxious.

0:44:30.400 --> 0:44:35.879
<v Speaker 4>Imagine you in the QVB. I will do it.

0:44:36.160 --> 0:44:38.040
<v Speaker 2>Do you need like a guitar ramp or something to

0:44:38.120 --> 0:44:39.200
<v Speaker 2>go with it to play it out loud?

0:44:39.239 --> 0:44:41.080
<v Speaker 4>I've just connected it straight to the studio desk. It's

0:44:41.120 --> 0:44:42.400
<v Speaker 4>got the guitar connection.

0:44:42.560 --> 0:44:43.439
<v Speaker 2>How do you play it at home?

0:44:43.920 --> 0:44:45.080
<v Speaker 4>Oh, it's got a built in speaker?

0:44:45.200 --> 0:44:47.960
<v Speaker 2>All right, Okay, I've got a guitar ramp that I'm

0:44:47.960 --> 0:44:49.120
<v Speaker 2>not using, so you can use that.

0:44:49.280 --> 0:44:52.239
<v Speaker 4>Ah, I will use it. I will use it. All right. Guys,

0:44:52.280 --> 0:44:54.560
<v Speaker 4>If you want a custom theorem and played at your wedding,

0:44:54.960 --> 0:44:57.120
<v Speaker 4>contact me. I reckon. I'll be at that level of

0:44:57.120 --> 0:44:59.600
<v Speaker 4>about three or four days, so hit me up. And

0:44:59.600 --> 0:45:02.480
<v Speaker 4>by the time episodes out, I'll be playing.

0:45:02.360 --> 0:45:04.799
<v Speaker 2>Wow wow wow.

0:45:05.520 --> 0:45:05.719
<v Speaker 3>Yeah.

0:45:05.760 --> 0:45:07.640
<v Speaker 2>What happens if you just like your hand has a

0:45:07.719 --> 0:45:10.600
<v Speaker 2>fucking spasms I am speaking if you just feel like this,

0:45:11.160 --> 0:45:16.680
<v Speaker 2>wave your hand like a lunatic Wow Wow Now again

0:45:16.760 --> 0:45:27.920
<v Speaker 2>somewhere triple yow Wow. Amazing new track here on Triple

0:45:28.040 --> 0:45:29.960
<v Speaker 2>j Wow.

0:45:31.040 --> 0:45:35.360
<v Speaker 4>That right there was Jehovah's Beethoven. Then having take on

0:45:35.480 --> 0:45:39.759
<v Speaker 4>Jesus Christ over Star. The artist simply goes by the

0:45:39.840 --> 0:45:40.680
<v Speaker 4>number seven.

0:45:41.080 --> 0:45:43.439
<v Speaker 2>And you can catch them at Splendor this year.

0:45:44.280 --> 0:45:48.200
<v Speaker 4>Wow seven takes inspiration from sounds such as kind of

0:45:48.200 --> 0:45:54.040
<v Speaker 4>a cruise line, horns and aeroplane turbones. This year, I'll

0:45:54.040 --> 0:45:57.439
<v Speaker 4>get better, I'll get my show and tell has completed. Jenna,

0:45:57.560 --> 0:46:00.600
<v Speaker 4>your two minute timer that I blew out starts.

0:46:00.120 --> 0:46:08.239
<v Speaker 2>Now, Okay, see her fucking podcast craft just isn't up

0:46:08.239 --> 0:46:10.480
<v Speaker 2>to scratch. No, she's like you said, all right over

0:46:10.560 --> 0:46:12.759
<v Speaker 2>to you, Jenna, and then she was mute and she's

0:46:12.800 --> 0:46:14.839
<v Speaker 2>not describing what's happening that no one can see.

0:46:15.080 --> 0:46:16.160
<v Speaker 4>Jenny, you need to use your mouth.

0:46:17.280 --> 0:46:19.839
<v Speaker 2>She's putting something that's not how it works your multitask.

0:46:22.000 --> 0:46:25.439
<v Speaker 3>I'm currently wearing a WSFM jacket worn by the one

0:46:25.480 --> 0:46:29.080
<v Speaker 3>and only Amanda Keller. That's my show and tell. Would

0:46:29.120 --> 0:46:30.160
<v Speaker 3>you like to feel it? No?

0:46:30.920 --> 0:46:32.359
<v Speaker 4>This is from the Jones and Amanda Show.

0:46:32.560 --> 0:46:36.239
<v Speaker 3>Yes, this is Amanda's specifically, she wears it every show. No,

0:46:36.400 --> 0:46:40.880
<v Speaker 3>they don't wear it every show, it's just events. Yeah.

0:46:40.920 --> 0:46:42.160
<v Speaker 2>Cool, fascinating.

0:46:42.840 --> 0:46:47.160
<v Speaker 4>Thank you, thank you, thank you, Jenna, thank you. She showed,

0:46:48.040 --> 0:46:49.280
<v Speaker 4>she told barely.

0:46:50.320 --> 0:46:52.359
<v Speaker 2>She didn't do the tell bit. She said, all right,

0:46:52.360 --> 0:46:53.680
<v Speaker 2>I've got something to show you.

0:46:53.760 --> 0:46:55.640
<v Speaker 4>Yeah, Jenna, that was technically just show.

0:46:56.280 --> 0:46:58.200
<v Speaker 2>I told you. Yeah, this is really good for a podcast.

0:46:58.880 --> 0:47:00.799
<v Speaker 2>Show someone a jacket that they can't see and don't

0:47:00.800 --> 0:47:01.279
<v Speaker 2>describe it.

0:47:01.360 --> 0:47:05.280
<v Speaker 4>Oh wow, rare outy here musty show down and dastard

0:47:05.440 --> 0:47:07.839
<v Speaker 4>you know what? That's all? One more time? Crack open

0:47:07.920 --> 0:47:10.440
<v Speaker 4>a Oh you're having a fan to spider.

0:47:10.480 --> 0:47:12.480
<v Speaker 2>That's a nice one, yummy creaming cider.

0:47:12.760 --> 0:47:15.120
<v Speaker 4>Oh spider he've got?

0:47:15.719 --> 0:47:16.279
<v Speaker 2>Yeah? You do?

0:47:16.440 --> 0:47:16.600
<v Speaker 1>You do?

0:47:16.680 --> 0:47:18.480
<v Speaker 2>I have a fanto one d reckon that you could

0:47:18.520 --> 0:47:19.800
<v Speaker 2>do a pashion a spider.

0:47:19.840 --> 0:47:23.480
<v Speaker 4>That'll be I wonder if you can do spiders with

0:47:23.520 --> 0:47:26.160
<v Speaker 4>non fizzy drinks sorry, I mean alcoholic drinks, like an

0:47:26.200 --> 0:47:27.120
<v Speaker 4>alcohol spider.

0:47:27.600 --> 0:47:31.000
<v Speaker 2>Oh, surely, like a cruiser spider. It needs to be

0:47:31.239 --> 0:47:34.800
<v Speaker 2>a bubbly alcohol though and sweet. Yeah, like a muskada.

0:47:35.160 --> 0:47:37.239
<v Speaker 4>Oh I love muscada joke. I had a wedding over

0:47:37.239 --> 0:47:39.360
<v Speaker 4>the weekend. All I drunk all night was shandies.

0:47:40.360 --> 0:47:42.200
<v Speaker 2>Really sounds like a great night to me. What's the

0:47:42.239 --> 0:47:42.920
<v Speaker 2>point of this story?

0:47:42.960 --> 0:47:44.600
<v Speaker 4>I love a shandy. It was half alcohol, so it

0:47:44.640 --> 0:47:46.000
<v Speaker 4>wasn't even pissed by the night.

0:47:46.080 --> 0:47:47.040
<v Speaker 2>What do you mean half alcohol?

0:47:47.080 --> 0:47:49.960
<v Speaker 4>Well, a shandy is half alcohol, half beer, half lemonade.

0:47:50.040 --> 0:47:51.719
<v Speaker 2>Oh, I thought you would have been bogan and saying

0:47:51.760 --> 0:47:53.360
<v Speaker 2>shandy instead of like shand on.

0:47:53.719 --> 0:47:57.040
<v Speaker 4>No, no, I'll have a shandy is like an old

0:47:57.040 --> 0:47:59.399
<v Speaker 4>woman's drink, which is half lemonade so you don't get

0:47:59.400 --> 0:48:00.759
<v Speaker 4>too drunk and a bit sweet so you.

0:48:00.680 --> 0:48:02.200
<v Speaker 2>Can drink it. Sounds terrible.

0:48:02.360 --> 0:48:05.360
<v Speaker 4>No, I really liked it all right, Mitchell, did you

0:48:05.400 --> 0:48:06.879
<v Speaker 4>enjoy the kickback relaxed week?

0:48:07.880 --> 0:48:10.359
<v Speaker 2>It oddly made me more tense, But it's okay because

0:48:10.400 --> 0:48:11.960
<v Speaker 2>like a walk away from this burning and it's not

0:48:12.000 --> 0:48:14.960
<v Speaker 2>my problem. I appreciate the help. Spare it.

0:48:15.040 --> 0:48:16.600
<v Speaker 4>Will we love you? And by the time this is out,

0:48:16.600 --> 0:48:19.360
<v Speaker 4>Mitch's shows would have been a hit success. I've actually

0:48:19.360 --> 0:48:22.720
<v Speaker 4>got a review from the future and it says five stars.

0:48:23.000 --> 0:48:25.480
<v Speaker 2>Good, really good. Yeah, fab bilous And that was from

0:48:25.520 --> 0:48:27.400
<v Speaker 2>half Post And that's it the Melbourne that's it. The

0:48:27.440 --> 0:48:29.319
<v Speaker 2>Melbourne leg I've got. The Sydney show is coming up

0:48:29.600 --> 0:48:31.200
<v Speaker 2>end of April early May. You want to come along

0:48:31.239 --> 0:48:31.440
<v Speaker 2>to that.

0:48:31.800 --> 0:48:34.080
<v Speaker 4>I spoil anything, but has asked been player fera ment

0:48:34.080 --> 0:48:36.560
<v Speaker 4>to open so if you want to see it live.

0:48:36.800 --> 0:48:39.640
<v Speaker 4>I imagine if I was good enough to count you

0:48:39.719 --> 0:48:40.520
<v Speaker 4>in with the.

0:48:40.400 --> 0:48:44.400
<v Speaker 2>Theremon No, I can't even imagine, you know what?

0:48:44.680 --> 0:48:46.960
<v Speaker 4>But can I thank you for listening? Everyone, Please give

0:48:47.000 --> 0:48:48.480
<v Speaker 4>us a five star rating. We love you. Can do

0:48:48.560 --> 0:48:51.000
<v Speaker 4>it on Spotify now. Apple podcast keeps us going, right

0:48:51.080 --> 0:48:52.719
<v Speaker 4>If you haven't written a review on your new here

0:48:52.800 --> 0:48:55.120
<v Speaker 4>like we heard we had it's a Minnesota listeners, write

0:48:55.120 --> 0:48:57.279
<v Speaker 4>a review. It keeps us going and we love you.

0:48:57.320 --> 0:48:58.080
<v Speaker 4>I We'll see you next week.

0:48:58.280 --> 0:49:00.239
<v Speaker 2>Catch you then it agains. That was a fun that

0:49:00.320 --> 0:49:03.560
<v Speaker 2>mufty weed. Thankfully so it took us for your shows me,

0:49:03.760 --> 0:49:04.760
<v Speaker 2>thanks damn babe?

0:49:05.200 --> 0:49:09.239
<v Speaker 1>Is it just me a podcast by a couple of meches.

0:49:09.480 --> 0:49:18.920
<v Speaker 8>Make sure you've hit follow on your podcast app.

0:49:28.480 --> 0:49:31.200
<v Speaker 2>Welcome to add breath. This is our secret segment on

0:49:31.239 --> 0:49:33.719
<v Speaker 2>the end. Oh you should be doing this bit.

0:49:33.760 --> 0:49:36.000
<v Speaker 4>Actually I've never done it in the history of the show.

0:49:37.000 --> 0:49:40.040
<v Speaker 4>Welcome to add brief. This is a secret segment on

0:49:40.080 --> 0:49:45.000
<v Speaker 4>the end of the show. I wonder if I could

0:49:45.000 --> 0:49:49.120
<v Speaker 4>play that sund effect on a heremon, Probably you.

0:49:49.000 --> 0:49:51.280
<v Speaker 2>Have to explain what a d brief is.

0:49:50.520 --> 0:49:53.040
<v Speaker 4>A is the back of this little part of the

0:49:53.080 --> 0:49:55.520
<v Speaker 4>show where nothing is planned and we don't know what's

0:49:55.560 --> 0:49:56.080
<v Speaker 4>going to happen.

0:49:56.480 --> 0:49:59.560
<v Speaker 2>It's meant to be the chaotic alternative to what otherwise

0:49:59.640 --> 0:50:02.880
<v Speaker 2>is a really thoughtfully structured show. But it's yeah, this

0:50:02.920 --> 0:50:04.640
<v Speaker 2>whole week with mufty weeks.

0:50:04.719 --> 0:50:06.399
<v Speaker 4>Yes, you know when you drink milk and now there's

0:50:06.440 --> 0:50:08.800
<v Speaker 4>milk alternatives. You got oat milk, You've got some milk,

0:50:08.840 --> 0:50:13.000
<v Speaker 4>You've got tit milk. Now add debrief is IgE am alternative.

0:50:13.680 --> 0:50:15.480
<v Speaker 4>If you're allergic to the main show, you've got this.

0:50:17.600 --> 0:50:20.239
<v Speaker 2>If you have a bad reaction to the main show, if.

0:50:20.160 --> 0:50:22.400
<v Speaker 4>You need to be epipenn in the next straight after

0:50:22.440 --> 0:50:25.560
<v Speaker 4>listening to the main show, this is for you. You know,

0:50:25.600 --> 0:50:27.040
<v Speaker 4>Hayden said to me the other day, he goes, I

0:50:27.040 --> 0:50:29.680
<v Speaker 4>think I'm lactose intolerant, Like, oh why, I guess, Well,

0:50:29.719 --> 0:50:31.439
<v Speaker 4>ever since I started drinking because I live.

0:50:31.360 --> 0:50:33.680
<v Speaker 2>In Gleeb now of course I am no, he goaues.

0:50:33.560 --> 0:50:36.640
<v Speaker 4>I've been shitting myself after I drink milk. Then yes,

0:50:37.160 --> 0:50:39.719
<v Speaker 4>that's like to like, yeah, that's a direct correlation.

0:50:39.880 --> 0:50:41.600
<v Speaker 2>But how does that come on all of a sudden,

0:50:41.960 --> 0:50:44.160
<v Speaker 2>Like people who have never been lactose intolerant, all of

0:50:44.160 --> 0:50:46.120
<v Speaker 2>a sudden just change one day. I feel like it's

0:50:46.320 --> 0:50:48.719
<v Speaker 2>the virus, you know, like coronavirus, Like one day I'll

0:50:48.760 --> 0:50:50.160
<v Speaker 2>catch the lactose intolerance.

0:50:50.280 --> 0:50:51.960
<v Speaker 4>Maybe you're right, Maybe we've spent too much time in

0:50:51.960 --> 0:50:55.040
<v Speaker 4>the inner West near the city and we've just caught hypsterism.

0:50:55.480 --> 0:50:58.560
<v Speaker 2>Yeah, I have look at shit wearing fucking blue light

0:50:58.600 --> 0:51:01.520
<v Speaker 2>glasses that serve no real purpose, playing the Thermo mix,

0:51:01.600 --> 0:51:03.399
<v Speaker 2>wearing a little nit jumper like that.

0:51:04.480 --> 0:51:09.040
<v Speaker 4>It's a Ferra mix by Moog. If you want to

0:51:09.040 --> 0:51:11.719
<v Speaker 4>look at this, guy's the Mini by Moog. It's very good.

0:51:11.920 --> 0:51:13.480
<v Speaker 4>So the old theremon that I played for it's a

0:51:13.520 --> 0:51:16.399
<v Speaker 4>wooden block with two antennas on the side, and it's

0:51:16.600 --> 0:51:18.840
<v Speaker 4>just that one sound. This is the new state.

0:51:18.680 --> 0:51:20.440
<v Speaker 2>Of the art. You mean the old one you played?

0:51:20.719 --> 0:51:22.719
<v Speaker 4>Remember I played a sample of some kid playing it. Oh,

0:51:23.480 --> 0:51:25.920
<v Speaker 4>that is a wooden block like a cheese block with

0:51:26.000 --> 0:51:28.000
<v Speaker 4>two antennas. But this is state of the art. That's

0:51:28.000 --> 0:51:31.080
<v Speaker 4>why it costs so much money. I can't return it now.

0:51:31.080 --> 0:51:34.080
<v Speaker 4>Though I think it was a good investment, it feels

0:51:34.120 --> 0:51:36.879
<v Speaker 4>like you're going to lose interest. That banjo is still

0:51:36.880 --> 0:51:38.480
<v Speaker 4>in its case, still got the bags on it.

0:51:38.600 --> 0:51:40.839
<v Speaker 2>How do you actually get a banjo? Oh? That's right,

0:51:40.960 --> 0:51:42.000
<v Speaker 2>fucking hell, I forgot.

0:51:42.080 --> 0:51:44.920
<v Speaker 4>I brought that into Yeah. That was during the at

0:51:44.920 --> 0:51:48.680
<v Speaker 4>home shows. Yes, then we did the saxophone, of course,

0:51:48.760 --> 0:51:50.000
<v Speaker 4>which I was really.

0:51:49.680 --> 0:51:53.040
<v Speaker 2>Bring a banjo in? Remember I played nah?

0:51:53.200 --> 0:51:56.480
<v Speaker 3>Yeah, it was at your house, at your house the

0:51:56.600 --> 0:51:58.040
<v Speaker 3>drugs that appended the drugs.

0:51:58.320 --> 0:52:00.600
<v Speaker 2>Oh was that the episode where were doing it from

0:52:00.600 --> 0:52:02.080
<v Speaker 2>my place because I just had surgery?

0:52:02.160 --> 0:52:04.120
<v Speaker 4>Yes, and I did it from your bedroom. I played

0:52:04.120 --> 0:52:05.120
<v Speaker 4>the banjo in your bedroom.

0:52:06.560 --> 0:52:07.600
<v Speaker 2>I have no recollection.

0:52:07.640 --> 0:52:09.520
<v Speaker 4>I think that's what made Isabelle your cat fall for me.

0:52:09.800 --> 0:52:12.480
<v Speaker 2>I remember organizing the saxophone to come in here. Yes,

0:52:12.560 --> 0:52:13.440
<v Speaker 2>and that was shocking.

0:52:13.520 --> 0:52:15.480
<v Speaker 4>But I return.

0:52:15.520 --> 0:52:16.239
<v Speaker 2>Oh yeah, and how was it?

0:52:16.280 --> 0:52:16.600
<v Speaker 4>I went, ye?

0:52:16.760 --> 0:52:18.120
<v Speaker 2>Really good? Did you vow that you were going to

0:52:18.200 --> 0:52:20.760
<v Speaker 2>learn the banjo? Right?

0:52:20.840 --> 0:52:22.520
<v Speaker 4>Okay, but I'm not vowing all of them this I

0:52:22.600 --> 0:52:25.040
<v Speaker 4>already know it. It's a nate in my bones, you don't.

0:52:26.120 --> 0:52:27.360
<v Speaker 4>I am at one with the Pheromon.

0:52:28.400 --> 0:52:28.920
<v Speaker 2>Yeah. Okay.

0:52:29.440 --> 0:52:30.799
<v Speaker 4>Now, something I wanted to bring up on the show

0:52:30.800 --> 0:52:32.319
<v Speaker 4>this week was the Will Smith Ster, but we can't.

0:52:32.360 --> 0:52:33.920
<v Speaker 4>It's gonna be old by the time this comes out.

0:52:33.920 --> 0:52:37.920
<v Speaker 4>But it has literally happened yesterday recording time. Do we

0:52:37.920 --> 0:52:38.880
<v Speaker 4>all have hot takes on it?

0:52:40.160 --> 0:52:41.759
<v Speaker 2>I feel like there's nothing I can say that hasn't

0:52:41.800 --> 0:52:45.760
<v Speaker 2>already been said. Yeah, because there was like it ebbs

0:52:45.800 --> 0:52:48.719
<v Speaker 2>and flows my feelings towards that, because at first I

0:52:48.840 --> 0:52:50.960
<v Speaker 2>was like, yeah, good on you for standing up for

0:52:51.040 --> 0:52:54.080
<v Speaker 2>your your bird, your missus, And then I was like, oh,

0:52:54.160 --> 0:52:56.160
<v Speaker 2>violence is never really answer. But then I thought, well,

0:52:56.160 --> 0:52:58.239
<v Speaker 2>no one would be talking about the issue if he

0:52:58.280 --> 0:53:00.520
<v Speaker 2>hadn't done that, because it wouldn't have as much of

0:53:00.520 --> 0:53:03.200
<v Speaker 2>a statement if you just had a polite adult conversation backstage.

0:53:03.200 --> 0:53:04.439
<v Speaker 4>Now, but you know what he could have done, which

0:53:04.440 --> 0:53:06.560
<v Speaker 4>would have been really impactful. He could have got up there,

0:53:07.000 --> 0:53:10.120
<v Speaker 4>took tagging the microphone and said, my wife is beautiful,

0:53:10.600 --> 0:53:13.799
<v Speaker 4>don't make jokes about Alopecia's a disease, donate here at

0:53:13.840 --> 0:53:16.120
<v Speaker 4>the Alopecia fund dot org, and then sat down.

0:53:16.160 --> 0:53:18.960
<v Speaker 2>How powerful that I have a feeling it wasn't that

0:53:19.080 --> 0:53:22.440
<v Speaker 2>well thought through. No, I agree, but yeah, hindsight, it's

0:53:22.480 --> 0:53:23.480
<v Speaker 2>the beautiful thing, isn't it.

0:53:23.560 --> 0:53:25.480
<v Speaker 4>I was watching it live and I was eating Sultana

0:53:25.480 --> 0:53:27.360
<v Speaker 4>brand because it was like eleven thirty in the morning

0:53:27.400 --> 0:53:30.120
<v Speaker 4>in the Australian time. Yeah, was early, and Hayden was

0:53:30.160 --> 0:53:32.000
<v Speaker 4>working from home in the kitchen with his AirPods in

0:53:32.040 --> 0:53:35.840
<v Speaker 4>a very important TikTok meeting Peach PRC's rehab video or something,

0:53:36.120 --> 0:53:39.920
<v Speaker 4>and I went, oh, Hayden, I think there's something happening

0:53:39.920 --> 0:53:42.480
<v Speaker 4>at the oscars. He went, shut up, something really big

0:53:42.520 --> 0:53:44.440
<v Speaker 4>has happened. So I watched nine to eleven happened, and

0:53:44.440 --> 0:53:45.799
<v Speaker 4>no one believed me. I saw it live.

0:53:46.239 --> 0:53:48.319
<v Speaker 2>It would have been weird to watch it live actually.

0:53:48.080 --> 0:53:50.680
<v Speaker 4>Because I was like, that's a joke, and everyone started laughing,

0:53:50.680 --> 0:53:52.319
<v Speaker 4>and then the veins in his neck were bursting. It

0:53:52.360 --> 0:53:53.120
<v Speaker 4>was very aggressive.

0:53:53.120 --> 0:53:53.680
<v Speaker 3>It's intense.

0:53:53.840 --> 0:53:57.239
<v Speaker 2>I really want to coin that phrase for myself. Now

0:53:58.360 --> 0:54:02.239
<v Speaker 2>give me someone's name, Jess. You can't, No, that doesn't work.

0:54:02.440 --> 0:54:05.399
<v Speaker 2>Like if someone slags you off, keep my co host

0:54:05.600 --> 0:54:10.160
<v Speaker 2>name out of your fucking mouth. Quite satisfying to yell that.

0:54:10.200 --> 0:54:13.040
<v Speaker 4>Then he repeats it. That was powerful and put Oh

0:54:13.080 --> 0:54:18.040
<v Speaker 4>my god, Chris Rock to go through live and he

0:54:18.080 --> 0:54:20.040
<v Speaker 4>stuffed it up like the audio is. So He's like,

0:54:20.120 --> 0:54:22.920
<v Speaker 4>I'm here to give the documentary documentaries and then he

0:54:23.160 --> 0:54:25.560
<v Speaker 4>kept going with his jokes. Oh I felt for him.

0:54:25.560 --> 0:54:28.960
<v Speaker 4>That was real. And it was punch in the face, slapped, slapped,

0:54:29.000 --> 0:54:31.800
<v Speaker 4>which I think is worse. A slap covers more surface

0:54:31.800 --> 0:54:33.480
<v Speaker 4>area and your skin tingles.

0:54:33.880 --> 0:54:36.279
<v Speaker 2>Yeah, but a punch kind of has more force because

0:54:36.280 --> 0:54:38.200
<v Speaker 2>like you're using knuckles than you could like form a

0:54:38.239 --> 0:54:40.759
<v Speaker 2>bruise in a matter of minutes. But a slap it's

0:54:40.800 --> 0:54:44.400
<v Speaker 2>more just like a But when I when you listen

0:54:44.480 --> 0:54:47.920
<v Speaker 2>to that grab the Will Smith shit, it sounds like

0:54:47.920 --> 0:54:50.280
<v Speaker 2>a punch. Star must have been quite the hefty slap.

0:54:50.600 --> 0:54:50.759
<v Speaker 5>Yeah.

0:54:50.880 --> 0:54:52.480
<v Speaker 4>They were in the Dolby Fear to the Home of

0:54:52.520 --> 0:54:55.200
<v Speaker 4>Dolby at most, so no wonder it sounded sobody good.

0:54:55.360 --> 0:54:56.760
<v Speaker 2>Yeah.

0:54:56.800 --> 0:54:57.840
<v Speaker 4>Do you want to hear the audio. I've got it

0:54:57.920 --> 0:55:06.080
<v Speaker 4>right here. This is the slab if you missed it. Wow, wow, wow.

0:55:08.840 --> 0:55:17.239
<v Speaker 4>One of the elites laughing. Dame Helen Mirren, I love it.

0:55:17.360 --> 0:55:19.440
<v Speaker 2>Mentioned how many people are right now listening to this

0:55:19.480 --> 0:55:21.440
<v Speaker 2>podcast are like, oh, thank you so much for playing

0:55:21.440 --> 0:55:23.759
<v Speaker 2>that audio. I've been looking for this everywhere. I could

0:55:23.800 --> 0:55:25.320
<v Speaker 2>not find it. It has not been published.

0:55:25.560 --> 0:55:30.359
<v Speaker 4>Jim exclusive, Jim exclusive, Whites and Gentleman never before heard.

0:55:36.000 --> 0:55:38.920
<v Speaker 4>That was my exclusive music that I wrote the score to.

0:55:40.440 --> 0:55:44.240
<v Speaker 4>Call me hard Zimmer, call me back.

0:55:46.400 --> 0:55:48.560
<v Speaker 2>Not the stuff you get on the true composer.

0:55:49.600 --> 0:55:51.719
<v Speaker 4>He is a famous composer called Hayden, spelt the same

0:55:51.719 --> 0:55:52.600
<v Speaker 4>way as Muba loved.

0:55:52.960 --> 0:55:54.680
<v Speaker 2>I'm sure there's a few Hayden's in the world.

0:55:54.800 --> 0:55:57.400
<v Speaker 4>No, h y d n. He's got the unique spelling.

0:55:57.640 --> 0:56:00.239
<v Speaker 2>Oh right, I didn't think is that is that unique? Yes?

0:56:00.440 --> 0:56:00.600
<v Speaker 4>Ah?

0:56:01.000 --> 0:56:04.040
<v Speaker 2>How's it usually spelled j y d ian Hey Dan.

0:56:04.120 --> 0:56:05.839
<v Speaker 2>I've seen it spelled both, but it's plenty of times.

0:56:05.880 --> 0:56:08.080
<v Speaker 2>Oh do you think that Mitchell's that only have one

0:56:08.160 --> 0:56:09.040
<v Speaker 2>L are fucked by the way.

0:56:09.160 --> 0:56:10.480
<v Speaker 4>Yeah, the people that are like.

0:56:10.440 --> 0:56:12.399
<v Speaker 2>One L or two l's, I'm like, who has one?

0:56:12.480 --> 0:56:14.279
<v Speaker 2>I don't know. I never met anyone. We'd just look

0:56:14.360 --> 0:56:18.799
<v Speaker 2>naked the word without two l's. Mitchell, Yeah, Mitchell, it

0:56:18.880 --> 0:56:21.080
<v Speaker 2>needs a double out need a double although I imagine

0:56:21.120 --> 0:56:22.480
<v Speaker 2>being like, go to hell with one L?

0:56:24.520 --> 0:56:25.919
<v Speaker 4>Oh he fell with one L?

0:56:26.480 --> 0:56:28.680
<v Speaker 2>Yeah, you need both, he felt.

0:56:29.440 --> 0:56:32.759
<v Speaker 4>Yeah, do you get mispronounced as Michelle? All My uber

0:56:32.800 --> 0:56:35.040
<v Speaker 4>each delivery divers go Michelle and I go, where the

0:56:35.080 --> 0:56:37.239
<v Speaker 4>fuck is the e l E? You know?

0:56:37.320 --> 0:56:39.920
<v Speaker 2>I get that or the other one that makes no sense?

0:56:40.040 --> 0:56:42.560
<v Speaker 2>Like Michelle, I kind of get, but Michael, yes, like

0:56:42.719 --> 0:56:44.040
<v Speaker 2>you're just gonna ignore the tea? Are we?

0:56:44.800 --> 0:56:47.399
<v Speaker 4>Yeah, Michael, it's not a hard fucking name.

0:56:47.560 --> 0:56:48.040
<v Speaker 2>No, it's not.

0:56:48.239 --> 0:56:48.920
<v Speaker 4>It's Mitchell.

0:56:49.160 --> 0:56:50.719
<v Speaker 2>It doesn't help that I look like a woman now,

0:56:50.760 --> 0:56:52.400
<v Speaker 2>So Michelle, is this what they would be?

0:56:53.440 --> 0:56:55.279
<v Speaker 4>They see me in the breast and they go, there

0:56:55.320 --> 0:56:56.080
<v Speaker 4>she is, Michelle.

0:56:56.280 --> 0:56:57.680
<v Speaker 2>I was at a pub the other night and I

0:56:57.760 --> 0:57:00.799
<v Speaker 2>was leaving the bathroom and as I opened the door,

0:57:00.840 --> 0:57:02.400
<v Speaker 2>I kind of ran into someone who was about to

0:57:02.400 --> 0:57:04.680
<v Speaker 2>walk in, and so we bumped into each other in

0:57:04.680 --> 0:57:07.040
<v Speaker 2>the doorway and he goes, oh, and then sees me

0:57:07.080 --> 0:57:09.879
<v Speaker 2>and goes, fuck, is this the men's And I was like, yeah, mate,

0:57:11.120 --> 0:57:12.480
<v Speaker 2>he theok one look at me and goes, fuck, am

0:57:12.520 --> 0:57:14.120
<v Speaker 2>I about to walk into the lady's room?

0:57:14.800 --> 0:57:16.000
<v Speaker 4>Oh? That's disgusting.

0:57:16.760 --> 0:57:17.920
<v Speaker 2>What's disgusting about it?

0:57:18.640 --> 0:57:20.280
<v Speaker 4>What a stupid thing to say from him.

0:57:20.520 --> 0:57:22.280
<v Speaker 2>I think it's an easy mistake to make.

0:57:22.400 --> 0:57:23.320
<v Speaker 4>Now, I looked gorgeous.

0:57:23.360 --> 0:57:23.680
<v Speaker 2>That nice.

0:57:23.720 --> 0:57:26.960
<v Speaker 4>You do look gorgeous. You do have a five PM shadow.

0:57:26.960 --> 0:57:30.360
<v Speaker 2>Maybe you just shaved not I can't remember, but yeah,

0:57:30.400 --> 0:57:32.960
<v Speaker 2>it's at a first glance you would be like, fuck.

0:57:32.920 --> 0:57:34.480
<v Speaker 4>Yeah, do you think I could get away with wing

0:57:34.480 --> 0:57:36.840
<v Speaker 4>in a woman's bathroom?

0:57:36.880 --> 0:57:39.840
<v Speaker 2>Probably not. I don't reckon, No, No, I do it

0:57:39.880 --> 0:57:40.360
<v Speaker 2>all the time.

0:57:40.520 --> 0:57:43.160
<v Speaker 4>I'm all for gender neutral bathrooms. Just make my bathrooms

0:57:43.160 --> 0:57:44.120
<v Speaker 4>a bathroom, guys.

0:57:44.280 --> 0:57:46.400
<v Speaker 2>Yeah. I mean a lot of places I go have

0:57:46.480 --> 0:57:49.560
<v Speaker 2>that anyway. Really, Yeah, like stone Wall.

0:57:49.440 --> 0:57:53.280
<v Speaker 4>Oh yeah yeah, yeah my house. Yeah, the bathroom is

0:57:53.920 --> 0:57:54.440
<v Speaker 4>for anyone.

0:57:54.680 --> 0:57:56.560
<v Speaker 2>Yeah, everyone's welcome.

0:57:56.320 --> 0:57:58.880
<v Speaker 4>Everyone's working in my b room. Oh my god. This morning,

0:57:58.880 --> 0:58:01.520
<v Speaker 4>I was having a shower and I was in the

0:58:01.560 --> 0:58:05.520
<v Speaker 4>shower when the doorbell rang, and I'm like like, package oh,

0:58:05.720 --> 0:58:07.560
<v Speaker 4>just leave it. Great. So then I get out of

0:58:07.600 --> 0:58:10.200
<v Speaker 4>the shower, put my towel around my waist, and walk out.

0:58:10.240 --> 0:58:11.280
<v Speaker 4>And he's still standing there.

0:58:12.000 --> 0:58:14.000
<v Speaker 2>You got it in understand now, Because.

0:58:13.720 --> 0:58:18.240
<v Speaker 4>The shraining outside my showers, you probably said I'm a big,

0:58:18.280 --> 0:58:20.720
<v Speaker 4>fat hot I'm gonna come in fuck me. So I

0:58:20.760 --> 0:58:22.959
<v Speaker 4>walk and I have tits and I'm very insecure about

0:58:22.960 --> 0:58:24.560
<v Speaker 4>my bat So I walk out and I go, oh,

0:58:24.640 --> 0:58:28.040
<v Speaker 4>I've allably screened, and I can just imagined it. I

0:58:28.120 --> 0:58:31.000
<v Speaker 4>screwed screened on that you want to eat that theerremone player,

0:58:31.760 --> 0:58:34.120
<v Speaker 4>and he said you need to sign. I have to

0:58:34.120 --> 0:58:36.280
<v Speaker 4>put a shirt on. He went, oh, you're fine, don't

0:58:36.400 --> 0:58:39.160
<v Speaker 4>tell me that I'm fine, run through him and put

0:58:39.160 --> 0:58:41.000
<v Speaker 4>my shirt on, which was annoying cause I was dripping wet,

0:58:41.040 --> 0:58:43.480
<v Speaker 4>so I'd ruined a shirt. Just put the shirt on

0:58:43.520 --> 0:58:45.240
<v Speaker 4>and I had the towel wrap around my waist and

0:58:45.280 --> 0:58:47.520
<v Speaker 4>I signed for the your wet hand and everything, and

0:58:47.560 --> 0:58:50.800
<v Speaker 4>then I took my package and cringe. Was awful moment

0:58:51.200 --> 0:58:51.680
<v Speaker 4>this morning.

0:58:52.120 --> 0:58:54.280
<v Speaker 2>I don't know why, but I've always been a little

0:58:54.280 --> 0:58:56.720
<v Speaker 2>bit confused about why the male titties are allowed to

0:58:56.760 --> 0:58:58.840
<v Speaker 2>be out but the women's ones are like, oh no,

0:58:58.880 --> 0:59:01.600
<v Speaker 2>they're meant to be covered, because instinctively, for some reason,

0:59:01.640 --> 0:59:03.960
<v Speaker 2>I always just cover my titties as well. Like if

0:59:03.960 --> 0:59:06.280
<v Speaker 2>I ever walk around the kitchen at my place in

0:59:06.320 --> 0:59:08.040
<v Speaker 2>a towel, Jordan will be like, why is that wrap

0:59:08.120 --> 0:59:09.720
<v Speaker 2>around your whole body and not just your waist, And

0:59:09.720 --> 0:59:12.320
<v Speaker 2>I'm like, I don't want you to see my boob. Yes,

0:59:12.600 --> 0:59:14.120
<v Speaker 2>I don't know why, it's I always been like that.

0:59:14.400 --> 0:59:17.439
<v Speaker 4>Isn't it so dumb that Instagram will censor a topless woman,

0:59:17.440 --> 0:59:18.360
<v Speaker 4>but not a topless man.

0:59:18.560 --> 0:59:21.720
<v Speaker 2>Yeah, I should post the topless photo and see what

0:59:21.760 --> 0:59:22.520
<v Speaker 2>Instagram thinks.

0:59:22.560 --> 0:59:23.280
<v Speaker 4>I am.

0:59:23.520 --> 0:59:27.440
<v Speaker 2>Yes, imagine, imagine that I just post a photo of

0:59:27.440 --> 0:59:29.840
<v Speaker 2>me being like free the nipple? Have you?

0:59:29.840 --> 0:59:31.520
<v Speaker 4>You know what? This was gonna sound really weird, But

0:59:31.560 --> 0:59:33.200
<v Speaker 4>I was thinking about your nipples the other day.

0:59:33.720 --> 0:59:34.680
<v Speaker 2>Yeah, not fair enough.

0:59:35.440 --> 0:59:37.720
<v Speaker 4>A photo was put up and I thought, you your

0:59:37.760 --> 0:59:41.120
<v Speaker 4>nipples looked good. Yeah, I saw a photo of your nipples.

0:59:41.120 --> 0:59:42.480
<v Speaker 2>I thought, when did I put my nipples up?

0:59:42.520 --> 0:59:44.680
<v Speaker 4>I'm trying to think it was really recent? You were

0:59:44.680 --> 0:59:46.280
<v Speaker 4>topless and I thought, gee, he looks great.

0:59:46.640 --> 0:59:49.880
<v Speaker 2>What I can't remember anything I've posted the topless Have

0:59:49.920 --> 0:59:50.840
<v Speaker 2>you posted anything topless?

0:59:50.840 --> 0:59:51.560
<v Speaker 4>I'm I go to your feed?

0:59:53.240 --> 0:59:54.560
<v Speaker 2>No, definitely not in feed.

0:59:55.040 --> 0:59:56.200
<v Speaker 6>Hm.

0:59:56.200 --> 1:00:00.680
<v Speaker 4>Oh I remember it was for the celebration of the

1:00:00.680 --> 1:00:03.800
<v Speaker 4>one hundredth episode. I think you posted a swipe through

1:00:03.840 --> 1:00:05.920
<v Speaker 4>and you in your Marti Gras uniform and it was

1:00:05.960 --> 1:00:07.560
<v Speaker 4>pulled down and yours.

1:00:07.800 --> 1:00:10.160
<v Speaker 2>No, I haven't. That's the video when I asked you,

1:00:10.200 --> 1:00:11.760
<v Speaker 2>does my belly button look like a clip?

1:00:11.960 --> 1:00:15.120
<v Speaker 4>Yes? Yeah, but your tits were out And I don't

1:00:15.160 --> 1:00:16.480
<v Speaker 4>know where I saw that grab or if one of

1:00:16.520 --> 1:00:17.800
<v Speaker 4>as shared it or someone shared.

1:00:17.600 --> 1:00:20.240
<v Speaker 2>It it's onout TikTok. If you go find me looking

1:00:20.240 --> 1:00:22.480
<v Speaker 2>like an absolute drunk man, you can't talking about my

1:00:22.520 --> 1:00:23.640
<v Speaker 2>belly button looking like a clep.

1:00:23.720 --> 1:00:25.240
<v Speaker 4>You can't go onto our TikTok at the moment, it's

1:00:25.280 --> 1:00:27.840
<v Speaker 4>just so viral comments.

1:00:27.960 --> 1:00:30.480
<v Speaker 2>Just anyway, you thought I had a good set of

1:00:30.480 --> 1:00:31.000
<v Speaker 2>bullies on me?

1:00:31.080 --> 1:00:32.560
<v Speaker 4>Did you have a lovely set of yet?

1:00:32.600 --> 1:00:32.840
<v Speaker 2>Thanks?

1:00:32.920 --> 1:00:35.360
<v Speaker 4>Yeah, you were freshly sprayed hand. I think wax the

1:00:35.400 --> 1:00:38.080
<v Speaker 4>boot because of the back pedal. Just let the compliment

1:00:38.120 --> 1:00:41.440
<v Speaker 4>breathe at the moment. Another one, Jenna, what do you have?

1:00:44.040 --> 1:00:45.320
<v Speaker 3>I'll try the fans one?

1:00:45.360 --> 1:00:45.600
<v Speaker 2>Really?

1:00:46.840 --> 1:00:47.960
<v Speaker 4>How's the creaming stamache?

1:00:48.520 --> 1:00:50.240
<v Speaker 2>I finished it? Smash that thing? Really?

1:00:50.280 --> 1:00:51.520
<v Speaker 3>Why don't we have any passion?

1:00:53.680 --> 1:00:55.720
<v Speaker 4>Now you've got fanto and passion, you better drink it

1:00:55.960 --> 1:00:59.120
<v Speaker 4>or we'll get ants. Is it just me on the

1:00:59.160 --> 1:01:03.600
<v Speaker 4>fly or your parents also obsessed with the notion of ants?

1:01:04.160 --> 1:01:08.440
<v Speaker 4>What my parents always Oh, you drop the crumbs on

1:01:08.440 --> 1:01:13.680
<v Speaker 4>the floor, You dropped your capillo called ice cream. You're

1:01:13.720 --> 1:01:16.680
<v Speaker 4>gonna get ants? Go to the go to the corn

1:01:16.760 --> 1:01:18.040
<v Speaker 4>store and get ant. Raid.

1:01:18.840 --> 1:01:20.280
<v Speaker 2>Oh they were that anti ant.

1:01:20.400 --> 1:01:21.600
<v Speaker 4>They was so anti ann.

1:01:21.680 --> 1:01:21.919
<v Speaker 2>Fuck.

1:01:22.040 --> 1:01:26.240
<v Speaker 4>Also each on the fly Americans, how they say like

1:01:26.280 --> 1:01:27.040
<v Speaker 4>an anti acid.

1:01:27.080 --> 1:01:30.440
<v Speaker 2>They go ant acid, Yeah, a acid, Oh, I need

1:01:30.440 --> 1:01:33.240
<v Speaker 2>an add acid. It sounds like that's your auntie's name. Yes,

1:01:33.400 --> 1:01:35.120
<v Speaker 2>an Acid's coming over and acid.

1:01:34.840 --> 1:01:37.120
<v Speaker 4>Will be here. It's a great drag queen name. Don't please,

1:01:37.120 --> 1:01:40.640
<v Speaker 4>welcome to the stage. And acid. Yeah, but like it's

1:01:40.680 --> 1:01:43.600
<v Speaker 4>anti acid. Like they just dropped the ti. Also each

1:01:43.720 --> 1:01:46.480
<v Speaker 4>on the fly instead of herbs in America, you know

1:01:46.520 --> 1:01:49.360
<v Speaker 4>what they say, herbs, herbs, herbs. Oh, I had the

1:01:49.360 --> 1:01:54.120
<v Speaker 4>best potato and a herb mash, but erb Oh I

1:01:54.200 --> 1:01:54.560
<v Speaker 4>love her.

1:01:56.040 --> 1:01:56.640
<v Speaker 2>Herb garden.

1:01:56.640 --> 1:01:58.200
<v Speaker 4>Oh and the fires that burn down the herbs.

1:01:59.040 --> 1:02:02.840
<v Speaker 2>My uncle herb uncle earv Yes, they added an h

1:02:03.520 --> 1:02:06.160
<v Speaker 2>two words that start with a vowel and then ditch

1:02:06.160 --> 1:02:08.120
<v Speaker 2>the eighth, so it's like, oh, my uncle herb.

1:02:10.720 --> 1:02:12.360
<v Speaker 4>You know, I'm not good with vows and consonents and

1:02:12.680 --> 1:02:15.000
<v Speaker 4>confuses me. When I was in acting school in New

1:02:15.040 --> 1:02:17.520
<v Speaker 4>York's I lived in New York, there was a guy

1:02:17.560 --> 1:02:19.560
<v Speaker 4>named Graham we went to school with, and I would go, oh, Graham,

1:02:19.560 --> 1:02:21.160
<v Speaker 4>great when you get Starbucks, Graham, want to do the

1:02:21.200 --> 1:02:23.840
<v Speaker 4>scene Graham, Graham, No, no, no, everyone else Graham.

1:02:24.000 --> 1:02:26.160
<v Speaker 3>Yeah, I don't get that, Graham, Graham.

1:02:26.280 --> 1:02:28.560
<v Speaker 4>Gee, I am oh I love your Graham.

1:02:29.080 --> 1:02:30.560
<v Speaker 2>We were talking about this the other day, won't we

1:02:30.600 --> 1:02:32.520
<v Speaker 2>How they say mirror as an unable mirror?

1:02:32.640 --> 1:02:37.160
<v Speaker 4>Mirror, mirror mirror? Are you a slow cat mirror mirror?

1:02:37.880 --> 1:02:40.440
<v Speaker 2>That fucking filth We used to work with, used to

1:02:40.480 --> 1:02:41.040
<v Speaker 2>same mirror.

1:02:41.520 --> 1:02:45.400
<v Speaker 3>Yeah, all the time, look in the mirror, Graham, Graham.

1:02:45.560 --> 1:02:48.400
<v Speaker 4>How many grams? Graham? Yeah?

1:02:48.760 --> 1:02:51.080
<v Speaker 2>How many? Grant going a bit the manic? I feel?

1:02:51.160 --> 1:02:56.760
<v Speaker 4>How many grams of herb Graham? All right? I think Mitchell,

1:02:56.880 --> 1:03:00.840
<v Speaker 4>if you were to rank Joey's doorbell against this, which

1:03:00.920 --> 1:03:03.240
<v Speaker 4>is the better doorbell? Because this is the ultimate doorbell

1:03:03.280 --> 1:03:05.160
<v Speaker 4>We've just in my mind, I.

1:03:05.240 --> 1:03:07.680
<v Speaker 2>Don't think that is the ultimate doorbell. Think about it.

1:03:07.800 --> 1:03:10.320
<v Speaker 2>If that was actually in your home, that would scare

1:03:10.360 --> 1:03:13.440
<v Speaker 2>the living fuck out of you and your family. Like,

1:03:13.560 --> 1:03:15.760
<v Speaker 2>there's just no way that wouldn't catch you off guard

1:03:15.920 --> 1:03:18.240
<v Speaker 2>after ten it or it doesn't make your guests feel welcome.

1:03:18.920 --> 1:03:20.920
<v Speaker 2>It makes them feel like a real burden if that's

1:03:20.960 --> 1:03:21.560
<v Speaker 2>their entrance.

1:03:22.840 --> 1:03:24.080
<v Speaker 4>Hello, I'm here.

1:03:24.440 --> 1:03:27.160
<v Speaker 2>I'm so sorry to serve you. Yeah, Like if that

1:03:27.200 --> 1:03:28.920
<v Speaker 2>went off when I arrived at someone's house, I'd be like,

1:03:28.960 --> 1:03:30.600
<v Speaker 2>oh fuck, I'm so sorry for that disruption.

1:03:31.120 --> 1:03:33.080
<v Speaker 4>Jenner actually sent me this aord you grab of her doorbell?

1:03:33.120 --> 1:03:39.360
<v Speaker 4>You ready to hear this? It's not actually on the

1:03:39.400 --> 1:03:42.040
<v Speaker 4>wall is a man with a conch.

1:03:42.360 --> 1:03:46.200
<v Speaker 2>I wish that you could do like a custom voice

1:03:46.240 --> 1:03:48.040
<v Speaker 2>like you know how your voicemail, you can do a

1:03:48.160 --> 1:03:51.040
<v Speaker 2>custom greeting. I wish you could do like a custom doorbell,

1:03:51.680 --> 1:03:54.720
<v Speaker 2>and so I could just voice record something into the

1:03:54.760 --> 1:03:56.760
<v Speaker 2>doorbell and then when people press the button, it fires

1:03:56.800 --> 1:03:59.320
<v Speaker 2>it off. I think someone rise to my house? All right?

1:04:00.160 --> 1:04:02.880
<v Speaker 2>We are, Yeah, just arrived to Mitchell's early because I'm

1:04:03.280 --> 1:04:06.400
<v Speaker 2>respectful and up on time. Just bring the doorbell.

1:04:07.360 --> 1:04:11.840
<v Speaker 4>Yeah, I think you can do that with a ring doorbell,

1:04:11.880 --> 1:04:14.479
<v Speaker 4>which is like the techy doorbell that people have these days.

1:04:15.120 --> 1:04:18.080
<v Speaker 4>Fucking hell, because in Tesla's in electric those electric cars,

1:04:18.480 --> 1:04:22.040
<v Speaker 4>you can custom your horn. You can customize your horn

1:04:22.200 --> 1:04:24.040
<v Speaker 4>so it can do whatever you want any sound. Really,

1:04:24.160 --> 1:04:26.280
<v Speaker 4>you just download the MP three, upload it to your car,

1:04:26.600 --> 1:04:27.439
<v Speaker 4>and you play the horn.

1:04:27.640 --> 1:04:29.560
<v Speaker 2>Oh my god, I'm going to put so much shit

1:04:29.640 --> 1:04:30.680
<v Speaker 2>as my horn. Listen.

1:04:30.760 --> 1:04:34.080
<v Speaker 4>Ready, have you seen the Tiktoks Tesla Horn TikTok compilation.

1:04:34.200 --> 1:04:38.520
<v Speaker 4>Let's play that. It's Addison Ray ready.

1:04:43.800 --> 1:04:45.920
<v Speaker 2>So is there just like a big ass megaphone in

1:04:46.000 --> 1:04:47.520
<v Speaker 2>the tesla or something that plays.

1:04:47.280 --> 1:04:49.680
<v Speaker 4>It that loudly. No, that's the horn.

1:04:51.120 --> 1:04:54.520
<v Speaker 2>I don't think you're understanding my question. How the fuck

1:04:54.560 --> 1:04:56.800
<v Speaker 2>does that make the MP three play that loudly? Is

1:04:56.840 --> 1:04:58.640
<v Speaker 2>there like a big megaphone or something. You make a

1:04:58.680 --> 1:05:01.840
<v Speaker 2>good point, You don't have the No, I.

1:05:04.720 --> 1:05:06.680
<v Speaker 4>Here, ready, this is it are?

1:05:06.720 --> 1:05:09.640
<v Speaker 2>Your answer was no, it's the horn. I understand that bit.

1:05:11.720 --> 1:05:14.840
<v Speaker 4>Bollywood music is a horn, now, Mitchell, next week you

1:05:14.840 --> 1:05:17.160
<v Speaker 4>can put you back to work. If you're listening to

1:05:17.240 --> 1:05:19.680
<v Speaker 4>this and you drive a Tesla and you want a

1:05:19.760 --> 1:05:23.440
<v Speaker 4>custom is it just me horn? We will send you

1:05:23.520 --> 1:05:26.840
<v Speaker 4>the working file I can send it. You just need

1:05:26.920 --> 1:05:31.120
<v Speaker 4>to be willing to film yourself using the tesla horn. Mitch.

1:05:31.160 --> 1:05:31.880
<v Speaker 4>What could yours be?

1:05:32.120 --> 1:05:33.120
<v Speaker 2>Oh, let me have a look.

1:05:33.240 --> 1:05:34.400
<v Speaker 4>I'll think of one for me, and we'll send you

1:05:34.480 --> 1:05:35.000
<v Speaker 4>the three options.

1:05:35.400 --> 1:05:37.920
<v Speaker 2>I've told you about this before on the podcast, that

1:05:38.000 --> 1:05:41.080
<v Speaker 2>I have a folder full of isolated like reactions of

1:05:41.160 --> 1:05:43.480
<v Speaker 2>ours for editing purposes if I ever need it.

1:05:43.520 --> 1:05:44.840
<v Speaker 4>Great, so we don't even need to make them up.

1:05:44.840 --> 1:05:47.120
<v Speaker 2>This is pertly, but for me it's mostly just like

1:05:48.040 --> 1:05:51.640
<v Speaker 2>I don't have any sentences that I've used. Okay, Oh wait, yes,

1:05:51.680 --> 1:05:55.280
<v Speaker 2>I do. I've never used this grab once. It's me

1:05:55.400 --> 1:06:01.160
<v Speaker 2>saying yes, as if i'd ever need to agree with you. Yes, yeah,

1:06:01.520 --> 1:06:02.160
<v Speaker 2>that's good.

1:06:02.400 --> 1:06:03.480
<v Speaker 4>When would you use we'd have to.

1:06:03.520 --> 1:06:07.240
<v Speaker 2>Record custom ones. It's be like move, we can use

1:06:07.240 --> 1:06:07.760
<v Speaker 2>that as their horn.

1:06:07.880 --> 1:06:10.080
<v Speaker 4>Let's just do them now. I've got one.

1:06:10.360 --> 1:06:11.520
<v Speaker 2>Okay, a.

1:06:13.560 --> 1:06:16.440
<v Speaker 4>Imagine that someone trying to merge on the highway.

1:06:16.960 --> 1:06:17.400
<v Speaker 5>Ah.

1:06:20.880 --> 1:06:23.720
<v Speaker 2>Yeah, no, because you needed a horn that's applicable to

1:06:23.760 --> 1:06:24.560
<v Speaker 2>every situation.

1:06:24.880 --> 1:06:26.560
<v Speaker 4>Yeah, it needs to be universal.

1:06:27.480 --> 1:06:32.800
<v Speaker 2>Why that's terrifying. That kind of works.

1:06:33.440 --> 1:06:35.600
<v Speaker 4>Now I'm more passive. I wouldn't go I would never

1:06:35.680 --> 1:06:36.600
<v Speaker 4>go on the traffic.

1:06:37.120 --> 1:06:38.360
<v Speaker 2>What did you do this? Would you do this?

1:06:40.040 --> 1:06:40.080
<v Speaker 8>No?

1:06:41.400 --> 1:06:45.200
<v Speaker 4>That's good? Yeah, yeah, that's good. That's good. No, all right,

1:06:45.360 --> 1:06:47.680
<v Speaker 4>if you have a Tesla or another electric car, sorry

1:06:47.720 --> 1:06:51.480
<v Speaker 4>to shun other electric cars, damus and we will get

1:06:51.480 --> 1:06:53.520
<v Speaker 4>you the working files and make them your horn, and

1:06:53.840 --> 1:06:55.520
<v Speaker 4>we'll make it worth you one. I'll play the ceremon

1:06:55.560 --> 1:06:56.600
<v Speaker 4>at your funeral. Are you wedding?

1:06:56.640 --> 1:06:57.640
<v Speaker 2>What shoul Jenner's one be?

1:06:57.960 --> 1:07:00.400
<v Speaker 4>I'm turning mitches in my mic. Off you're making your

1:07:00.440 --> 1:07:00.760
<v Speaker 4>own horn?

1:07:00.840 --> 1:07:08.880
<v Speaker 2>Now, goodwie, surely not.

1:07:09.360 --> 1:07:10.200
<v Speaker 4>That's horrific.

1:07:12.240 --> 1:07:13.640
<v Speaker 2>You sounded like the thermomix.

1:07:15.680 --> 1:07:19.240
<v Speaker 4>Oh dear, Yeah, that's a lot, isn't it. I know

1:07:19.360 --> 1:07:25.880
<v Speaker 4>what Jenne's horn would be. Really, I am.

1:07:28.160 --> 1:07:28.360
<v Speaker 2>Just that.

1:07:30.560 --> 1:07:33.120
<v Speaker 4>You get so over it. This would be a good horn, though.

1:07:33.160 --> 1:07:38.720
<v Speaker 4>Actually that's so regal. I'd really love you. I have

1:07:38.880 --> 1:07:43.680
<v Speaker 4>arrived Squire on horseback, I've ridden forty moon sets. We're

1:07:43.720 --> 1:07:47.680
<v Speaker 4>done this. I'll go shoot from mich On to.

1:07:49.480 --> 1:07:52.080
<v Speaker 2>Oh my god. Imagine if you made your your horn

1:07:52.800 --> 1:07:55.120
<v Speaker 2>like a plane crash sound effect, and then everyone's like,

1:07:55.200 --> 1:07:55.800
<v Speaker 2>what happened?

1:07:56.520 --> 1:07:59.680
<v Speaker 4>Why don't you make your horn a siren. Once the

1:07:59.760 --> 1:08:02.680
<v Speaker 4>cop get hold of the capabilities of this, they'll make it.

1:08:03.360 --> 1:08:05.960
<v Speaker 2>Oh yeah, you just make yourself sound like a police

1:08:06.040 --> 1:08:08.080
<v Speaker 2>car and be like, get out of the way, idiots,

1:08:08.120 --> 1:08:10.720
<v Speaker 2>I've got somewhere to be. Does anyone want this is

1:08:10.800 --> 1:08:16.519
<v Speaker 2>their horn? Thegin wash, not our wash, the egin wash.

1:08:16.720 --> 1:08:17.360
<v Speaker 4>Get out of liy?

1:08:20.080 --> 1:08:22.559
<v Speaker 2>What if you just made your horn someone yelling help?

1:08:23.760 --> 1:08:27.439
<v Speaker 2>I think something going help. I think that someone trapped

1:08:27.479 --> 1:08:30.719
<v Speaker 2>in someone's boot. Help.

1:08:31.280 --> 1:08:32.320
<v Speaker 4>I know what to be a good horn?

1:08:32.400 --> 1:08:32.599
<v Speaker 2>Ready?

1:08:34.200 --> 1:08:34.479
<v Speaker 5>Wow?

1:08:36.320 --> 1:08:39.680
<v Speaker 2>Nah, we've got different tasting horns. Clearly, Okay, whatever you

1:08:39.720 --> 1:08:41.760
<v Speaker 2>want your horn to be, let us know. We'll put

1:08:41.800 --> 1:08:43.519
<v Speaker 2>it into your tesla. And we'll get that footage all

1:08:43.520 --> 1:08:45.280
<v Speaker 2>played on the show next week. I'm sure someone listening

1:08:45.360 --> 1:08:47.320
<v Speaker 2>right now in a Tesla is open to it. I

1:08:47.400 --> 1:08:48.400
<v Speaker 2>know someone with a Tesla.

1:08:48.600 --> 1:08:52.040
<v Speaker 4>Yeah, I know, yeah, yeah, Actually testro tesla last week

1:08:52.520 --> 1:08:55.880
<v Speaker 4>at the dealership. He goes, do this change the blinker

1:08:55.920 --> 1:08:56.880
<v Speaker 4>sound effect to a fart?

1:08:57.520 --> 1:08:59.519
<v Speaker 2>See, that's ridiculous. What do we if we're if we're

1:08:59.560 --> 1:09:04.800
<v Speaker 2>being cut some horns? What should our custom linkers be? Yeah? Nah, yeah, nah,

1:09:05.040 --> 1:09:06.040
<v Speaker 2>yeah nah Yeah.

1:09:06.280 --> 1:09:08.040
<v Speaker 4>That might have just been two variables in my life.

1:09:13.720 --> 1:09:14.240
<v Speaker 2>That's good.

1:09:14.479 --> 1:09:15.200
<v Speaker 4>That'd be very good.

1:09:16.200 --> 1:09:19.800
<v Speaker 2>Oh what else could I be? Yeah? And I can't

1:09:19.840 --> 1:09:22.280
<v Speaker 2>think of anything, nor should I. It's mark Up week.

1:09:22.320 --> 1:09:24.200
<v Speaker 2>I'm not doing anywhere. I'm not anything my brain.

1:09:24.479 --> 1:09:26.479
<v Speaker 4>We should go though, happy mack up week and happy

1:09:26.560 --> 1:09:28.679
<v Speaker 4>good up two shows and make sure once again thanks

1:09:29.000 --> 1:09:31.080
<v Speaker 4>if anyone wants there. In one on one class is

1:09:31.120 --> 1:09:33.280
<v Speaker 4>my rate through the through the room and as it

1:09:33.280 --> 1:09:35.519
<v Speaker 4>should be for my skill level? But still reach out

1:09:35.560 --> 1:09:36.479
<v Speaker 4>and of course I you've got to test that.

1:09:36.600 --> 1:09:38.320
<v Speaker 2>Let us know. It's like Marge Simpsons says, you only

1:09:38.360 --> 1:09:40.880
<v Speaker 2>have to be one lesson ahead of the kid. Oh,

1:09:41.640 --> 1:09:43.200
<v Speaker 2>just teach them what you learned last time.

1:09:43.200 --> 1:09:45.320
<v Speaker 4>I love that we're quoting margin life now and.

1:09:45.360 --> 1:09:47.280
<v Speaker 2>As she goes, I'll take up to make extra money.

1:09:47.320 --> 1:09:50.519
<v Speaker 2>Marge Simpson says, oh, I'll start giving piano lessons, and

1:09:50.600 --> 1:09:52.479
<v Speaker 2>she goes, you don't play piano. I only need to

1:09:52.520 --> 1:09:54.920
<v Speaker 2>be one lesson ahead of the kid. That's very cute.

1:09:55.160 --> 1:09:57.479
<v Speaker 4>Yeah, well I agree. Well I'm one lesson behind them.

1:09:57.800 --> 1:09:59.280
<v Speaker 4>To give you a couple of days and I'll be

1:09:59.360 --> 1:10:00.760
<v Speaker 4>up to scratch, all right, be love. Do you think

1:10:00.800 --> 1:10:02.680
<v Speaker 4>you're listening everyone? And we'll see you next week.

1:10:02.720 --> 1:10:05.040
<v Speaker 2>Yeah, let us know if math few weeks should be

1:10:05.120 --> 1:10:07.040
<v Speaker 2>something that we do again, I'm not vibe and I'm

1:10:07.080 --> 1:10:09.200
<v Speaker 2>not sure. Well, well it feels all over the shop.

1:10:09.479 --> 1:10:10.639
<v Speaker 2>Well we mul that over.

1:10:11.200 --> 1:10:12.920
<v Speaker 4>Pig Week is coming up in the next few weeks

1:10:12.920 --> 1:10:16.320
<v Speaker 4>as well. Yeah, of course we've I think we missed

1:10:16.360 --> 1:10:17.200
<v Speaker 4>pig Week last year.

1:10:18.080 --> 1:10:19.479
<v Speaker 2>No, last week was pig Week.

1:10:19.600 --> 1:10:20.880
<v Speaker 4>Last year was the first pig Week?

1:10:20.960 --> 1:10:23.439
<v Speaker 2>Yeah, yeah, well how could we have missed it? One?

1:10:23.840 --> 1:10:25.400
<v Speaker 4>I don't know if it's been over one, direct has

1:10:25.439 --> 1:10:25.960
<v Speaker 4>been under one.

1:10:26.920 --> 1:10:29.320
<v Speaker 2>Pig Week was when I first started seeing a pet

1:10:30.640 --> 1:10:32.479
<v Speaker 2>and that was the reason for it. It was like

1:10:32.560 --> 1:10:34.720
<v Speaker 2>a one final pig out before I started watching my

1:10:34.800 --> 1:10:37.920
<v Speaker 2>diet and that was a month before Lockdown and Lockdown

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<v Speaker 2>with July. So I'm going to say may or something.

1:10:41.080 --> 1:10:44.599
<v Speaker 4>Okay, all right, so yeah, and by the way, we're

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<v Speaker 4>working on that Adrim telefon talk about teams live will

1:10:47.240 --> 1:10:50.320
<v Speaker 4>be happening. I'm talking to a broadcast technician at the moment. Well,

1:10:50.360 --> 1:10:50.920
<v Speaker 4>you need to know on that.

1:10:50.960 --> 1:10:51.240
<v Speaker 2>Okay.

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<v Speaker 4>I hope this podcast meet you mean you can do it.

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<v Speaker 4>It is your catchphrase. And I know you're not doing

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<v Speaker 4>the work, but go for it.

1:10:57.080 --> 1:11:00.439
<v Speaker 2>Ah, you expect me to do it. I forget to

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<v Speaker 2>set me to do that in my wake up.

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<v Speaker 4>I'll accompany it. I'll place out, I'll place out.

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<v Speaker 2>Try and make it a bit more soothing sounding. We

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<v Speaker 2>hope this podcast made you feel at least two percent

1:11:13.439 --> 1:11:15.639
<v Speaker 2>better today. That's all just two percent.

1:11:17.520 --> 1:11:18.400
<v Speaker 3>So we do.

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<v Speaker 4>See you next week.

1:11:24.840 --> 1:11:28.720
<v Speaker 2>It's very Culty Captain next week. Idiots love you have

1:11:28.800 --> 1:11:42.560
<v Speaker 2>fa Is it just me?

1:11:43.160 --> 1:11:45.360
<v Speaker 1>A podcast by a couple of meches.

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<v Speaker 8>Make sure you've hit follow on your podcast app.