1 00:00:00,760 --> 00:00:03,800 Speaker 1: Powered by the my Heart Radio app from ninety six 2 00:00:03,840 --> 00:00:04,600 Speaker 1: AIRFM to. 3 00:00:04,600 --> 00:00:06,400 Speaker 2: Wherever you're listening today. 4 00:00:06,640 --> 00:00:09,080 Speaker 3: This is Clecy and Lisa's podcast. 5 00:00:09,240 --> 00:00:12,119 Speaker 4: Coming up. On the podcast All the Wonderful Entourage, actor 6 00:00:12,119 --> 00:00:15,640 Speaker 4: and comedian Jeremy Peven talks about who makes him laugh 7 00:00:16,000 --> 00:00:18,280 Speaker 4: and the latest on his film The Performance. 8 00:00:18,440 --> 00:00:20,600 Speaker 1: Yeah when he said a certain word, Well sorry, I 9 00:00:20,720 --> 00:00:24,120 Speaker 1: am mister button. We discuss a wine study in Spain, 10 00:00:24,400 --> 00:00:27,880 Speaker 1: and who could possibly be the next mister Telephone. 11 00:00:28,120 --> 00:00:30,440 Speaker 4: Going to see live music is good for you. We 12 00:00:30,520 --> 00:00:31,440 Speaker 4: have the proof. 13 00:00:32,000 --> 00:00:34,159 Speaker 1: We take your calls on your irrational fear as a kid, 14 00:00:34,159 --> 00:00:35,560 Speaker 1: which may still be going as an adult. 15 00:00:35,640 --> 00:00:39,680 Speaker 4: And Benochet reviews the Phoenicians scheme starring what was his 16 00:00:39,760 --> 00:00:44,680 Speaker 4: name is? Vanessia del Toro. Jeremy Piven is coming to 17 00:00:44,680 --> 00:00:47,559 Speaker 4: town in August. Tickets are available through ticker Tech for 18 00:00:47,640 --> 00:00:51,400 Speaker 4: his show at the Asta Theater on August six, and 19 00:00:51,800 --> 00:00:54,600 Speaker 4: we are being treated to a reprise of Jeremy with 20 00:00:54,680 --> 00:00:55,240 Speaker 4: us this morning. 21 00:00:55,240 --> 00:00:56,920 Speaker 3: Hello, how's it going? 22 00:00:57,480 --> 00:00:58,320 Speaker 2: How's it going with you? 23 00:00:58,480 --> 00:01:01,160 Speaker 3: Welcome back, Oh man, I'm live in the dream right now. 24 00:01:02,360 --> 00:01:05,959 Speaker 4: You've been You've been doing some shows in California this 25 00:01:06,480 --> 00:01:08,920 Speaker 4: past week and touring the US over the next couple 26 00:01:08,959 --> 00:01:12,800 Speaker 4: of months before heading here. Are you when you lock 27 00:01:12,880 --> 00:01:15,120 Speaker 4: in a show? Is it locked in or do you 28 00:01:15,480 --> 00:01:17,759 Speaker 4: leave room to tweak it as you go along? 29 00:01:19,240 --> 00:01:22,280 Speaker 3: In terms of the material, it's you know, it depends 30 00:01:22,319 --> 00:01:24,600 Speaker 3: on where I am. I mean I like to immediately 31 00:01:24,680 --> 00:01:27,559 Speaker 3: hit the ground running and just walk around the town 32 00:01:28,000 --> 00:01:31,920 Speaker 3: and get a sense of it and then really address 33 00:01:32,360 --> 00:01:35,360 Speaker 3: how what what my take on that town is? You know, 34 00:01:35,440 --> 00:01:37,759 Speaker 3: like I was just in Cleveland, and I was staying 35 00:01:37,800 --> 00:01:39,920 Speaker 3: at the fourth Seasons, but it was Cleveland, so it 36 00:01:39,959 --> 00:01:43,399 Speaker 3: was two seasons and they didn't have there were some 37 00:01:43,440 --> 00:01:47,039 Speaker 3: seasons missing there was. It went right from winter to 38 00:01:47,160 --> 00:01:51,280 Speaker 3: get me the study. Oh sorry about that. 39 00:01:51,400 --> 00:02:01,000 Speaker 2: Sorry, Hey Jeremy, we love you. But who do you laugh? 40 00:02:01,000 --> 00:02:03,280 Speaker 1: Who makes you laugh on a regular basis? And it 41 00:02:03,280 --> 00:02:05,240 Speaker 1: can be someone in comedy history. 42 00:02:05,600 --> 00:02:09,120 Speaker 3: Oh man, that's that's a great question. You know. I 43 00:02:09,160 --> 00:02:11,880 Speaker 3: was just so lucky out of college to work with 44 00:02:12,000 --> 00:02:15,600 Speaker 3: like the great Gary Shandling and all of these incredibly 45 00:02:15,600 --> 00:02:19,839 Speaker 3: brilliant people. So I am and and and Jerry Seinfeld, 46 00:02:20,200 --> 00:02:23,400 Speaker 3: you know, you know, a guy in my twenties like 47 00:02:24,360 --> 00:02:27,760 Speaker 3: just working with these with these masters, these legends, and 48 00:02:29,280 --> 00:02:32,120 Speaker 3: uh and you know, I get up in in La 49 00:02:32,200 --> 00:02:34,800 Speaker 3: and New York, and they throw all all the comics 50 00:02:34,840 --> 00:02:39,079 Speaker 3: on the sets together, so you know, the nicky Glazers 51 00:02:39,120 --> 00:02:42,080 Speaker 3: of the world, who really deserve all the success that 52 00:02:42,120 --> 00:02:46,920 Speaker 3: she's getting because she works very hard and she's really funny. Jim, 53 00:02:47,200 --> 00:02:50,040 Speaker 3: your guy, Jim Jefferies always really makes me laugh. 54 00:02:51,360 --> 00:02:54,160 Speaker 4: Is now. When we spoke to you last time, we 55 00:02:54,160 --> 00:02:57,520 Speaker 4: were talking about your movie, which your sister wrote and 56 00:02:57,560 --> 00:03:00,720 Speaker 4: directed you in the performance. And after we spoke, I 57 00:03:00,760 --> 00:03:04,760 Speaker 4: went and watched the trailer. May I say magnificent? But 58 00:03:04,800 --> 00:03:06,880 Speaker 4: then I'm a big tap dancing fan. The movie is 59 00:03:06,919 --> 00:03:09,520 Speaker 4: about a gifted Jewish tap dancer who's recruited to perform 60 00:03:09,560 --> 00:03:12,680 Speaker 4: a one night engagement in nineteen thirties Berlin, you know, 61 00:03:13,120 --> 00:03:16,799 Speaker 4: has to obviously put on the show of his life. 62 00:03:17,440 --> 00:03:20,360 Speaker 4: What I'm confused though? What's the story with its release? 63 00:03:20,400 --> 00:03:23,240 Speaker 4: Where can I watch it? Is it? What's happening? 64 00:03:24,120 --> 00:03:28,240 Speaker 3: Wow? You've read my mind? Yeah, and everything that I'm 65 00:03:28,280 --> 00:03:31,040 Speaker 3: going through right now. You know, at a certain point 66 00:03:31,120 --> 00:03:35,560 Speaker 3: you get to an age everyone does or they don't, 67 00:03:35,960 --> 00:03:39,920 Speaker 3: where you have to drop all of your expectations and 68 00:03:40,840 --> 00:03:45,040 Speaker 3: and and just allow I guess without being too ethereal 69 00:03:45,200 --> 00:03:48,520 Speaker 3: like the universe and the divine timing to take over 70 00:03:48,600 --> 00:03:52,280 Speaker 3: because it is the best work I've ever done, and yeah, 71 00:03:52,320 --> 00:03:54,040 Speaker 3: it's time for it to come out. And so we're 72 00:03:54,680 --> 00:03:56,960 Speaker 3: we're just trying to figure that out right now. So I, 73 00:03:57,920 --> 00:04:00,160 Speaker 3: by the way, I'm not dancing around an answer. Just 74 00:04:00,200 --> 00:04:01,960 Speaker 3: don't know the end, but it is. 75 00:04:02,640 --> 00:04:02,880 Speaker 4: You know. 76 00:04:03,400 --> 00:04:06,960 Speaker 3: Listen, it took me ten years to get the money. Yeah, 77 00:04:07,000 --> 00:04:09,840 Speaker 3: and you know, to learn how to tap dance. 78 00:04:10,160 --> 00:04:10,480 Speaker 4: Yeah. 79 00:04:10,720 --> 00:04:12,280 Speaker 3: And by the way, every year I said, no, I 80 00:04:12,280 --> 00:04:14,760 Speaker 3: got better at tap dance. So that's an example of 81 00:04:14,800 --> 00:04:17,400 Speaker 3: divine timing. I wanted to happen, and it happened when 82 00:04:17,400 --> 00:04:20,560 Speaker 3: I was ready. And now that everyone hates Jews again, 83 00:04:20,960 --> 00:04:22,279 Speaker 3: it's time to release my movie. 84 00:04:24,800 --> 00:04:27,200 Speaker 4: I really want to say it good luck because it 85 00:04:27,320 --> 00:04:30,679 Speaker 4: deserves you know, when you consider some of the rubbish 86 00:04:30,680 --> 00:04:32,840 Speaker 4: that gets released in the cinema. My word, I want 87 00:04:32,880 --> 00:04:33,240 Speaker 4: to say this. 88 00:04:33,480 --> 00:04:35,680 Speaker 3: I don't know what you're talking about, Black Adam, what 89 00:04:35,720 --> 00:04:39,240 Speaker 3: do you mean by that? Yeah, come on, there's been 90 00:04:39,240 --> 00:04:40,760 Speaker 3: some great stuff too, fair. 91 00:04:42,080 --> 00:04:44,200 Speaker 2: And stuff gets funded. Jeremy, what's going on. 92 00:04:44,320 --> 00:04:46,080 Speaker 1: I've seen some footage like, well, there's been a bit 93 00:04:46,080 --> 00:04:49,160 Speaker 1: of footage circulating lately about people like Denzel Washington and 94 00:04:49,240 --> 00:04:51,760 Speaker 1: even Tom Hanks getting upset with paparazzi. Do you get 95 00:04:52,000 --> 00:04:54,000 Speaker 1: trouble with him hounding Ilan? How do you deal with him? 96 00:04:54,160 --> 00:04:58,599 Speaker 3: You know, I used to listen I'm still single and 97 00:04:58,720 --> 00:05:01,040 Speaker 3: I'm two hundred years old, and people say to me, 98 00:05:01,120 --> 00:05:03,040 Speaker 3: you know why you're still single, And I say that 99 00:05:03,080 --> 00:05:05,320 Speaker 3: I've been married to my work and then my work 100 00:05:05,360 --> 00:05:09,239 Speaker 3: decided to see other people. But I digress. Hold on, Sorry, 101 00:05:09,279 --> 00:05:10,560 Speaker 3: I just slip that in there. 102 00:05:11,400 --> 00:05:12,480 Speaker 2: No, you know, I. 103 00:05:12,480 --> 00:05:16,320 Speaker 3: Used to I used to look at I'm I'm I'm 104 00:05:16,360 --> 00:05:18,880 Speaker 3: a stage actor from Chicago. I don't know what the 105 00:05:18,920 --> 00:05:22,880 Speaker 3: equivalent in Australia would be. Probably be Perth. It'd probably 106 00:05:22,920 --> 00:05:25,120 Speaker 3: be Perth like a guy, you know, like a local 107 00:05:25,160 --> 00:05:28,000 Speaker 3: guy just grinding or you say, grafting, you know, on 108 00:05:28,080 --> 00:05:31,240 Speaker 3: the stage. And you know, I won the fresh Face 109 00:05:31,279 --> 00:05:34,120 Speaker 3: of the Year award at forty years old, and I said, 110 00:05:34,120 --> 00:05:36,560 Speaker 3: thank you so much for this award. There's nothing fresh 111 00:05:36,560 --> 00:05:37,880 Speaker 3: about my face, but thank you. 112 00:05:38,720 --> 00:05:45,799 Speaker 4: I appreciate. Do you do you have any thoughts on 113 00:05:46,080 --> 00:05:52,400 Speaker 4: the potential tariffs on films produced diversaries coming into the 114 00:05:52,520 --> 00:05:54,760 Speaker 4: US EU. Are you worried about the industry at all? 115 00:05:55,440 --> 00:05:58,920 Speaker 3: You know, I think The great thing about worrying is 116 00:05:59,520 --> 00:06:04,200 Speaker 3: it doesn't do anything. So all I can control is, 117 00:06:04,760 --> 00:06:08,159 Speaker 3: you know, like, for instance, there's this war overseas, and 118 00:06:08,960 --> 00:06:14,680 Speaker 3: you know, everyone somehow is a an expert on world politics, 119 00:06:14,880 --> 00:06:18,640 Speaker 3: you know, which is adorable. And I just think that, 120 00:06:19,680 --> 00:06:24,800 Speaker 3: you know, it's nuanced, and people aren't willing to I 121 00:06:24,839 --> 00:06:29,120 Speaker 3: think that people are really some people are hell bent 122 00:06:29,200 --> 00:06:33,440 Speaker 3: on identifying an oppressor, getting out there and making it 123 00:06:33,520 --> 00:06:36,480 Speaker 3: known that they're on the right side. And it's like, well, 124 00:06:36,480 --> 00:06:38,680 Speaker 3: hold on a second. I think that it's a little 125 00:06:38,680 --> 00:06:42,080 Speaker 3: more complicated and nuanced, and so I'm just open to 126 00:06:43,160 --> 00:06:46,599 Speaker 3: the truth. What's really going on, what's happening. I can't 127 00:06:46,600 --> 00:06:49,240 Speaker 3: control any of that stuff. I can just do the 128 00:06:49,240 --> 00:06:51,479 Speaker 3: best work that I possibly can. By the way, this 129 00:06:51,600 --> 00:06:54,680 Speaker 3: is the most politically correct answer in the history of answer. 130 00:06:55,680 --> 00:06:57,520 Speaker 3: It sounds like, by the way, you could use this 131 00:06:57,600 --> 00:07:00,520 Speaker 3: if you have trouble sleeping later, just use my answers. 132 00:07:00,880 --> 00:07:02,800 Speaker 3: You'll just be like, I'm so. 133 00:07:02,880 --> 00:07:09,039 Speaker 2: Tired, I need that. That was great. 134 00:07:09,720 --> 00:07:11,280 Speaker 1: Yeah, but when you were in town, you're getting the 135 00:07:11,400 --> 00:07:13,760 Speaker 1: vibe of Perth, the vibe of the city. You can 136 00:07:13,840 --> 00:07:15,600 Speaker 1: go to the Swan River, it's very famous, and you 137 00:07:15,600 --> 00:07:17,720 Speaker 1: can look at it from a place called King's Park 138 00:07:17,760 --> 00:07:19,840 Speaker 1: and maybe go to our beautiful beaches as well, even 139 00:07:19,840 --> 00:07:21,840 Speaker 1: though the weather won't be perfect that time of year. 140 00:07:22,040 --> 00:07:23,160 Speaker 2: You'll need to do a bit of that. 141 00:07:23,200 --> 00:07:25,040 Speaker 1: But you need to talk to locals too to maybe 142 00:07:25,120 --> 00:07:28,080 Speaker 1: help you with with your perth vibe. As far as 143 00:07:28,080 --> 00:07:29,560 Speaker 1: the show's concerned, do you do a bit of that, 144 00:07:29,640 --> 00:07:31,040 Speaker 1: you catch up with locals when you're in town. 145 00:07:31,240 --> 00:07:33,560 Speaker 3: Oh, that's the first thing I do is run around 146 00:07:34,200 --> 00:07:37,120 Speaker 3: and just get it, get a sense. I just immediately 147 00:07:37,160 --> 00:07:41,200 Speaker 3: start walking around and just get lost. And you know, 148 00:07:41,280 --> 00:07:44,480 Speaker 3: it's it's it's amazing just what you know, what happens 149 00:07:44,480 --> 00:07:47,160 Speaker 3: to you and what's revealed. You know, like today I 150 00:07:47,200 --> 00:07:50,520 Speaker 3: was I was walking, I was crossing the street and 151 00:07:50,760 --> 00:07:53,440 Speaker 3: the only car that stopped for me was a way 152 00:07:53,480 --> 00:08:00,480 Speaker 3: more car. It was a driverless car. So what I 153 00:08:00,520 --> 00:08:03,240 Speaker 3: think it's the I think it's the opposite. I think 154 00:08:03,280 --> 00:08:06,760 Speaker 3: that AI and machines will teach us how to be human. 155 00:08:07,360 --> 00:08:11,040 Speaker 4: Might take you some manners again, maybe merging better. 156 00:08:11,720 --> 00:08:16,800 Speaker 3: I was just so profusely thanking no one. It was 157 00:08:16,840 --> 00:08:17,480 Speaker 3: just amazing. 158 00:08:18,400 --> 00:08:22,080 Speaker 4: Well, we will stop for you here, Jeremy. We can't 159 00:08:22,080 --> 00:08:24,920 Speaker 4: wait for you to get to town August sixth. Let 160 00:08:24,920 --> 00:08:26,840 Speaker 4: me know who I need to write a stern letter 161 00:08:26,880 --> 00:08:29,000 Speaker 4: to to get the help with the performance, because I 162 00:08:29,040 --> 00:08:31,040 Speaker 4: want to damn well see it and I will do 163 00:08:31,080 --> 00:08:31,960 Speaker 4: what I can to help. 164 00:08:32,800 --> 00:08:33,760 Speaker 2: And you want to tip. 165 00:08:33,679 --> 00:08:38,160 Speaker 3: Dance, Yeah, listen, you know what it's. I know you're kidding, 166 00:08:38,640 --> 00:08:43,200 Speaker 3: but the reality is, well, you know, you know, to 167 00:08:43,200 --> 00:08:46,320 Speaker 3: be honest with you, I made the movie to show 168 00:08:46,320 --> 00:08:48,719 Speaker 3: it to people like you, and so that's who we 169 00:08:48,760 --> 00:08:51,360 Speaker 3: make it for. And I think they forget that. Yeah, 170 00:08:51,400 --> 00:08:54,600 Speaker 3: so yeah, you know, and I think that right now 171 00:08:54,840 --> 00:08:57,439 Speaker 3: people feel the way you do in terms of they're 172 00:08:57,480 --> 00:09:00,160 Speaker 3: just wondering. They don't they're not connecting with any of 173 00:09:00,200 --> 00:09:03,160 Speaker 3: these movies and TV shows. And I made something that 174 00:09:03,200 --> 00:09:06,160 Speaker 3: I'm insanely proud of and you just got to have 175 00:09:06,200 --> 00:09:08,480 Speaker 3: a little faith in it and go, Okay, this is 176 00:09:08,520 --> 00:09:14,040 Speaker 3: something special and and unfortunately it's incredibly timely, you know, 177 00:09:14,600 --> 00:09:16,880 Speaker 3: where there is a rise in anti Semitism, and I'd 178 00:09:16,920 --> 00:09:21,320 Speaker 3: love to address it because anger is real, and you know, 179 00:09:21,400 --> 00:09:25,160 Speaker 3: anger is like a punishment you give yourself for something 180 00:09:25,200 --> 00:09:28,520 Speaker 3: someone else did, kind of like burning your tesla, you 181 00:09:28,559 --> 00:09:29,080 Speaker 3: know what I mean. 182 00:09:29,480 --> 00:09:36,400 Speaker 4: Yeah, yeah, well, I genuinely wish you uh well with. 183 00:09:36,200 --> 00:09:39,319 Speaker 3: That and the way I try jokes on you right now, 184 00:09:40,559 --> 00:09:41,720 Speaker 3: trying material. 185 00:09:41,600 --> 00:09:43,840 Speaker 4: Absolutely for a guinea pig. 186 00:09:44,640 --> 00:09:44,920 Speaker 2: The woman. 187 00:09:45,880 --> 00:09:47,680 Speaker 4: Thank you, Jeremy Piven, you in August. 188 00:09:47,800 --> 00:09:49,360 Speaker 2: Thanks man, I'll see you very soon. 189 00:09:49,400 --> 00:09:50,080 Speaker 3: Thank you guys. 190 00:09:50,320 --> 00:09:52,240 Speaker 1: And we did time to the last last jed at 191 00:09:52,280 --> 00:09:54,640 Speaker 1: least like a six hour Dina with you. So the 192 00:09:54,640 --> 00:09:56,240 Speaker 1: next bast thing is a second jet on the radio. 193 00:09:56,640 --> 00:10:00,040 Speaker 3: Oh no, no, documented. 194 00:10:00,120 --> 00:10:00,840 Speaker 2: Thanks man, all the bed. 195 00:10:02,520 --> 00:10:04,400 Speaker 1: Can you dance in those boots you're wearing this morning? Last, 196 00:10:04,640 --> 00:10:07,360 Speaker 1: of course you get going on the noose. I did 197 00:10:07,360 --> 00:10:10,080 Speaker 1: see some speaking boots. I did see some downstairs this morning. 198 00:10:10,080 --> 00:10:11,440 Speaker 1: I don't know if you noticed. There's a car park 199 00:10:11,520 --> 00:10:14,280 Speaker 1: not far from our driveway earlier. 200 00:10:14,160 --> 00:10:17,000 Speaker 4: Not today, earlier this week. I noticed there were some 201 00:10:17,040 --> 00:10:17,840 Speaker 4: boots because. 202 00:10:17,600 --> 00:10:20,160 Speaker 1: There's a car sitting down not far from our driveway 203 00:10:20,200 --> 00:10:23,199 Speaker 1: here at work, and right under the driver's door, sort 204 00:10:23,240 --> 00:10:25,280 Speaker 1: of tucked under the car. I thought, what's that under there? 205 00:10:25,280 --> 00:10:26,599 Speaker 1: I thought it was rubbish and I looked close to 206 00:10:26,679 --> 00:10:27,479 Speaker 1: there was a guy's. 207 00:10:27,240 --> 00:10:31,000 Speaker 4: Pair of we've been telling everyone, but oh yeah, but. 208 00:10:30,920 --> 00:10:32,640 Speaker 2: We were in big park, so. 209 00:10:34,280 --> 00:10:37,560 Speaker 1: You know, off the head, so I went, obviously doesn't 210 00:10:37,559 --> 00:10:41,280 Speaker 1: want to he or she looked like big boots. Yeah, 211 00:10:41,360 --> 00:10:43,240 Speaker 1: he doesn't want to wear them inside. He just leaves 212 00:10:43,240 --> 00:10:45,560 Speaker 1: them there, and I went ready to go. If they 213 00:10:45,600 --> 00:10:49,560 Speaker 1: don't get taken. 214 00:10:48,000 --> 00:10:50,839 Speaker 2: The brain of a man, I decided to do that. 215 00:10:51,000 --> 00:10:54,440 Speaker 4: I think this is going to be really convenience. I'm 216 00:10:54,480 --> 00:10:56,600 Speaker 4: going to leave them at the door to the car. 217 00:10:56,920 --> 00:10:59,480 Speaker 2: Yeah, not even on the floor of the car. 218 00:11:00,080 --> 00:11:01,920 Speaker 4: I'm not even in the car. Not in the car 219 00:11:02,000 --> 00:11:03,680 Speaker 4: where I'm got in the boot jap into them. Is 220 00:11:03,679 --> 00:11:05,360 Speaker 4: he coming down tiptoeing in his socks? 221 00:11:05,559 --> 00:11:05,920 Speaker 2: Might be? 222 00:11:06,240 --> 00:11:09,680 Speaker 1: Yeah, I had bully bully work socks on with me. Yeah, 223 00:11:10,040 --> 00:11:11,480 Speaker 1: hasn't even got the boots in the boot. He's got 224 00:11:11,559 --> 00:11:15,480 Speaker 1: him under the door outside, ready to go. It saves 225 00:11:15,520 --> 00:11:18,240 Speaker 1: more time thinking ahead. Give you another minute of sleep, 226 00:11:18,240 --> 00:11:18,959 Speaker 1: I guess yeah. 227 00:11:20,600 --> 00:11:26,000 Speaker 4: There's sure report on ninety six FM. All right, here's 228 00:11:26,040 --> 00:11:28,480 Speaker 4: your sign from the universe to treat yourself to more 229 00:11:28,480 --> 00:11:32,440 Speaker 4: concert tickets. A study from an expert in behavioral science 230 00:11:32,520 --> 00:11:35,719 Speaker 4: says that attending concerts at least twice a month can 231 00:11:35,800 --> 00:11:39,680 Speaker 4: increase your life expectancy. His research found that just twenty 232 00:11:39,760 --> 00:11:42,880 Speaker 4: minutes of gig time resulted in a significant twenty one 233 00:11:42,920 --> 00:11:46,360 Speaker 4: percent increase in feelings of well being. This expert, his 234 00:11:46,440 --> 00:11:50,240 Speaker 4: name's Patrick Fagan, reckons going to see live music frequently 235 00:11:50,360 --> 00:11:54,160 Speaker 4: could potentially provide more benefits than yoga. He says his 236 00:11:54,240 --> 00:11:57,360 Speaker 4: findings come off the back of bespoke psychometric and heart 237 00:11:57,440 --> 00:12:00,439 Speaker 4: rate tests at a range of well being activity. You 238 00:12:00,520 --> 00:12:02,640 Speaker 4: go so far as to say a giga fortnighte could 239 00:12:02,640 --> 00:12:04,840 Speaker 4: add years to your. 240 00:12:04,760 --> 00:12:06,160 Speaker 2: Life, sensational years. 241 00:12:06,200 --> 00:12:08,040 Speaker 4: Because he need help with other reasons to start now, 242 00:12:08,040 --> 00:12:11,000 Speaker 4: I guess yeah, I'll go tonight. Lady Gaga is now 243 00:12:11,080 --> 00:12:14,520 Speaker 4: an Emmy winner and therefore just a tony away from 244 00:12:14,520 --> 00:12:17,640 Speaker 4: being an egotch just quietly, I know my egots. Yesterday 245 00:12:17,640 --> 00:12:20,199 Speaker 4: it was announced that Garga won the award for Outstanding 246 00:12:20,280 --> 00:12:24,200 Speaker 4: Music Direction at the twenty twenty five Sports Emmy Awards. 247 00:12:24,320 --> 00:12:26,920 Speaker 4: I didn't know there were Sports Emmy's. She won for 248 00:12:26,960 --> 00:12:31,559 Speaker 4: singing hold My Hand before the Super Bowl in New Orleans. 249 00:12:32,040 --> 00:12:36,480 Speaker 4: Now people love to complain about Kim Kardashian personally, I 250 00:12:36,520 --> 00:12:40,360 Speaker 4: don't think Kardashians come any more annoying than Courtney, and 251 00:12:40,400 --> 00:12:43,600 Speaker 4: she hasn't let me down. This morning, Courtney Kardashian has 252 00:12:43,640 --> 00:12:46,880 Speaker 4: been on her sister Chloe's podcast, because who else is 253 00:12:46,920 --> 00:12:49,640 Speaker 4: going to talk to her where she made the statement 254 00:12:50,200 --> 00:12:55,200 Speaker 4: sending kids to school is so dated. She said, I 255 00:12:55,240 --> 00:12:59,160 Speaker 4: think living authentically. They love that word authentic, the Kardashians 256 00:12:59,200 --> 00:13:01,600 Speaker 4: just taking the ra of that for a moment. So 257 00:13:01,760 --> 00:13:05,960 Speaker 4: Courtney said, I think living authentically is not conforming to whatever. 258 00:13:06,880 --> 00:13:10,640 Speaker 4: So she homeschools instead. But here's what scares me about 259 00:13:10,640 --> 00:13:14,959 Speaker 4: Courtney Kardashian homeschooling children. Every second word when she spoke 260 00:13:15,040 --> 00:13:19,000 Speaker 4: on this podcast, was like, like, why do they go 261 00:13:19,080 --> 00:13:21,480 Speaker 4: to the school? I'm like, why do the same thing 262 00:13:21,520 --> 00:13:24,760 Speaker 4: every day? It's like, going to school is so dated. 263 00:13:25,480 --> 00:13:28,960 Speaker 4: Just going out on a mad limb here, court But 264 00:13:29,160 --> 00:13:32,240 Speaker 4: maybe at school they'll learn to speak like grown up 265 00:13:32,280 --> 00:13:38,800 Speaker 4: people instead of like sounding like idiots like more Cuezy 266 00:13:39,240 --> 00:13:46,040 Speaker 4: Lisa More podcast Soon. He producer Susie is a relatively 267 00:13:46,080 --> 00:13:49,680 Speaker 4: new aunt twenty one months now, but she's been doing 268 00:13:49,800 --> 00:13:53,000 Speaker 4: a bit of looking after her new nephew. He's still 269 00:13:53,120 --> 00:13:55,960 Speaker 4: new and it's twenty one months Maddie this last week, 270 00:13:55,960 --> 00:13:59,000 Speaker 4: and she's discovered a few things about him, well, quite 271 00:13:59,000 --> 00:14:03,840 Speaker 4: a lot of things, one being his fear, which Susie 272 00:14:03,840 --> 00:14:05,840 Speaker 4: said is an irrational fear. But I don't, I don't 273 00:14:05,840 --> 00:14:07,720 Speaker 4: I mean, I can understand why twenty one year old 274 00:14:07,800 --> 00:14:10,280 Speaker 4: might be scared of Henry the octopus from the Wiggles. 275 00:14:11,280 --> 00:14:13,440 Speaker 4: What does he just freak out every time Henry comes 276 00:14:13,440 --> 00:14:16,920 Speaker 4: on the TV? Looks away, spinning out, looks away. Yeah, okay, 277 00:14:16,920 --> 00:14:20,040 Speaker 4: fair enough, has like not for me, not for me, 278 00:14:21,080 --> 00:14:22,040 Speaker 4: not Maddie Henry. 279 00:14:22,120 --> 00:14:23,360 Speaker 2: Yeah, yeah, yeah, yeah exactly. 280 00:14:24,240 --> 00:14:26,520 Speaker 4: Do you haven't. Did you have any irrational fears as 281 00:14:26,520 --> 00:14:27,560 Speaker 4: a kid, I definitely did. 282 00:14:27,680 --> 00:14:29,200 Speaker 2: No, No, tell me yours. 283 00:14:29,440 --> 00:14:32,600 Speaker 4: I had an irrational fear that has come you know 284 00:14:32,640 --> 00:14:35,960 Speaker 4: it's it's coming too adulthood. I cannot to this day. Yes, 285 00:14:36,440 --> 00:14:39,440 Speaker 4: hang my arm over the edge of the bed if 286 00:14:39,440 --> 00:14:42,760 Speaker 4: it's you know, you can get underneath it, right, because 287 00:14:42,800 --> 00:14:45,320 Speaker 4: there might be something under there. You mean, like the Boogeyman, 288 00:14:45,960 --> 00:14:50,720 Speaker 4: something something that will grab me. Yeah, yanked me under 289 00:14:50,720 --> 00:14:52,480 Speaker 4: the bed from my sleeping. 290 00:14:52,440 --> 00:14:55,120 Speaker 2: You get dragged into that dark place on stranger. 291 00:14:54,800 --> 00:14:58,120 Speaker 4: Things, something like that. Yeaeah. 292 00:14:58,240 --> 00:14:59,920 Speaker 1: Mine's a bit of a weird one, but you know 293 00:15:00,160 --> 00:15:04,720 Speaker 1: you made here his weird Mine is drains in roads. 294 00:15:04,840 --> 00:15:06,720 Speaker 2: Since I was a kid and I first started. 295 00:15:06,480 --> 00:15:10,520 Speaker 1: Riding bikes, they all flat. I had this thing about 296 00:15:10,560 --> 00:15:12,760 Speaker 1: drains and roads, not just the ones under you know 297 00:15:12,800 --> 00:15:15,240 Speaker 1: where the clown wasn't it. But also the actual drain, 298 00:15:15,360 --> 00:15:17,800 Speaker 1: the grills in the in the road, Okay, because I 299 00:15:18,000 --> 00:15:19,920 Speaker 1: always feared that I was going to go my front 300 00:15:19,920 --> 00:15:22,320 Speaker 1: wheel was going to go down one, and so I'd 301 00:15:22,320 --> 00:15:25,560 Speaker 1: take a wide bike, my pushbike, I'd take a wide 302 00:15:25,560 --> 00:15:27,600 Speaker 1: berth when I was riding around Padstow Street, and. 303 00:15:27,920 --> 00:15:30,440 Speaker 4: As a kid, I don't think i'd go over one. 304 00:15:30,520 --> 00:15:30,920 Speaker 4: Even now. 305 00:15:31,080 --> 00:15:33,120 Speaker 1: Yeah, and so I still have that thing where if 306 00:15:33,120 --> 00:15:34,280 Speaker 1: I see them, I think I'm going to drop my 307 00:15:34,320 --> 00:15:35,640 Speaker 1: car keys down them or something like that. But I 308 00:15:35,640 --> 00:15:36,720 Speaker 1: reckon it comes from childhood. 309 00:15:36,960 --> 00:15:40,120 Speaker 4: Often I'm one day, I'm terrified that I'm going to 310 00:15:40,160 --> 00:15:41,160 Speaker 4: do that. I'm going to get out of the car 311 00:15:41,160 --> 00:15:41,960 Speaker 4: and I'm going to drop. 312 00:15:41,800 --> 00:15:44,720 Speaker 2: My cand go down three meters. What are you going 313 00:15:44,760 --> 00:15:45,880 Speaker 2: to do? You can't lift them up? 314 00:15:46,720 --> 00:15:47,120 Speaker 4: Horrible. 315 00:15:47,160 --> 00:15:48,800 Speaker 2: So that's a weird one. But yeah, that's that's the 316 00:15:49,040 --> 00:15:49,720 Speaker 2: that's the irrational. 317 00:15:49,800 --> 00:15:52,040 Speaker 4: Melissa Immranguru had one that I think a lot of 318 00:15:52,040 --> 00:15:55,120 Speaker 4: ouzzy kids would have had. Fear of a huge great 319 00:15:55,160 --> 00:15:57,640 Speaker 4: wife in the deep end of them. Thank you jaws. 320 00:15:58,000 --> 00:16:00,360 Speaker 2: Yes, yes, play the music, sir. 321 00:16:00,600 --> 00:16:03,320 Speaker 4: We were we all were, we were all there. It 322 00:16:03,640 --> 00:16:04,680 Speaker 4: had a lot to answer for it. 323 00:16:05,080 --> 00:16:07,000 Speaker 2: I did. Yeah, And it wasn't just the beach. 324 00:16:07,320 --> 00:16:10,480 Speaker 4: I just get of having a bus. Stephen Sterling says 325 00:16:10,520 --> 00:16:12,280 Speaker 4: the shadow at the top of the stairs. 326 00:16:12,320 --> 00:16:14,480 Speaker 1: Oh yeah, I'm with you there, especially when that primo 327 00:16:14,600 --> 00:16:15,680 Speaker 1: was playing for the night Stalker. 328 00:16:16,680 --> 00:16:19,760 Speaker 2: Wouldn't watch the Nightstalker, No, but the Primo was enough 329 00:16:19,800 --> 00:16:23,480 Speaker 2: to give you the spokes Cana doing. 330 00:16:24,160 --> 00:16:27,440 Speaker 4: Oh good Canada. What was your irrational fear as a kid? 331 00:16:28,600 --> 00:16:30,400 Speaker 1: Well, on the moon, the moon. 332 00:16:31,840 --> 00:16:35,120 Speaker 5: My mom called it Phoebe and she said, Danny, if 333 00:16:35,160 --> 00:16:37,240 Speaker 5: I'm not in bed by the moon comes out, it's 334 00:16:37,280 --> 00:16:42,920 Speaker 5: going to come and get me. My dad are standing on. 335 00:16:42,840 --> 00:16:46,280 Speaker 2: The front fault and my mom said, Nate, the moon's 336 00:16:46,280 --> 00:16:47,200 Speaker 2: coming to get job. 337 00:16:47,360 --> 00:16:49,320 Speaker 6: Oh no, the moon. 338 00:16:49,480 --> 00:16:51,840 Speaker 3: It was bright, bright red. 339 00:16:53,840 --> 00:16:56,480 Speaker 7: I screamed and I ran and I ran into my 340 00:16:56,560 --> 00:16:57,720 Speaker 7: bed and I didn't come. 341 00:16:57,560 --> 00:17:00,680 Speaker 2: Out the moon. 342 00:17:01,880 --> 00:17:05,200 Speaker 4: Yeah, well that is that is an irrational fear. But 343 00:17:05,280 --> 00:17:06,040 Speaker 4: hasn't stayed with you? 344 00:17:07,920 --> 00:17:13,520 Speaker 5: Well sometimes flashback you're on like a big pizza pie. 345 00:17:13,600 --> 00:17:18,280 Speaker 2: Yeah, thanks, thanks, that's scary. 346 00:17:18,320 --> 00:17:21,080 Speaker 4: That is a different one. What about you, Sandra and Luca? 347 00:17:21,160 --> 00:17:23,280 Speaker 4: What was your irrational fear as a kid. 348 00:17:23,440 --> 00:17:27,000 Speaker 5: It was an irrational fear of a teacher named missus 349 00:17:27,000 --> 00:17:28,919 Speaker 5: Side right. 350 00:17:28,840 --> 00:17:31,920 Speaker 4: Get out there was a missus Side les Murdy Primary 351 00:17:31,960 --> 00:17:34,400 Speaker 4: School could be no. 352 00:17:34,720 --> 00:17:36,920 Speaker 7: Really, yeah, yeah that's her. 353 00:17:37,320 --> 00:17:39,320 Speaker 4: Did you know I went to Lesbody Primary School? Or 354 00:17:39,359 --> 00:17:41,200 Speaker 4: is this the biggest coincidence in the world. 355 00:17:42,400 --> 00:17:45,800 Speaker 7: I didn't know because you've mentioned you go. 356 00:17:46,040 --> 00:17:48,960 Speaker 4: That she just she was. She was a whole mood 357 00:17:48,960 --> 00:17:49,960 Speaker 4: as the kids would say that. 358 00:17:51,840 --> 00:17:54,920 Speaker 5: Yeah, I was putting her class in years five. Yeah, 359 00:17:55,119 --> 00:18:00,000 Speaker 5: last three, last of three days. Got put in her class. 360 00:18:00,520 --> 00:18:00,760 Speaker 2: Yeah. 361 00:18:00,800 --> 00:18:04,040 Speaker 5: I lasted fifteen minutes because she sent me to the 362 00:18:04,080 --> 00:18:07,320 Speaker 5: office because my letters didn't touch the margin. 363 00:18:07,760 --> 00:18:12,280 Speaker 4: I know, no, you know what, Sandra, I found the 364 00:18:12,359 --> 00:18:18,320 Speaker 4: key to missuss Sido's softer side. We had hair in 365 00:18:18,320 --> 00:18:23,400 Speaker 4: her head, her hair. We had poodles my family, and 366 00:18:23,440 --> 00:18:28,479 Speaker 4: it turned out Mississido loved poodles. And one day I 367 00:18:28,560 --> 00:18:30,760 Speaker 4: pretended that one of my poodles followed me to school. 368 00:18:30,800 --> 00:18:33,880 Speaker 4: Didn't really, I encouraged it to follow me. Don't ask 369 00:18:33,880 --> 00:18:36,520 Speaker 4: me why, and missus Side I was like, oh, it's 370 00:18:36,560 --> 00:18:38,359 Speaker 4: a poodle and she she. 371 00:18:38,440 --> 00:18:39,160 Speaker 2: Do you want a heart? 372 00:18:39,280 --> 00:18:41,680 Speaker 4: She took us home? Really yeah, I got to go 373 00:18:41,800 --> 00:18:49,119 Speaker 4: with missus that's hilarious. What were you? 374 00:18:49,160 --> 00:18:49,960 Speaker 7: Oh, you don't. 375 00:18:51,680 --> 00:18:53,320 Speaker 4: Let's just say it was the mid seventies. 376 00:18:54,000 --> 00:18:59,720 Speaker 2: Baby. Oh you're probably classmates. 377 00:18:59,800 --> 00:19:00,760 Speaker 7: Yeah, could have been. 378 00:19:01,880 --> 00:19:03,919 Speaker 2: You wouldn't been concerned left after minutes. 379 00:19:08,960 --> 00:19:12,879 Speaker 4: Class had mister McKenna. Was he the one that used 380 00:19:12,920 --> 00:19:14,160 Speaker 4: to throw chalk at us? 381 00:19:14,920 --> 00:19:15,120 Speaker 3: Yeah? 382 00:19:15,280 --> 00:19:18,399 Speaker 4: Yeah, you've been sitting next to it. 383 00:19:18,560 --> 00:19:21,440 Speaker 2: Did you do a quade a noble? 384 00:19:24,119 --> 00:19:24,320 Speaker 3: Yes? 385 00:19:27,200 --> 00:19:30,280 Speaker 4: Just going to yet. Oh my gosh, I still remember 386 00:19:30,320 --> 00:19:34,359 Speaker 4: Calvin what he's doing. 387 00:19:35,440 --> 00:19:36,920 Speaker 2: I think you've both just been pursed. 388 00:19:37,480 --> 00:19:45,560 Speaker 4: That's it's hilarious if you've seen so. She was like 389 00:19:45,680 --> 00:19:49,480 Speaker 4: she had a real you know, sort of a real caricatury, 390 00:19:49,560 --> 00:19:54,880 Speaker 4: looking very very big, sort of head of white hair 391 00:19:54,960 --> 00:19:59,679 Speaker 4: and and severe makeup, with that powder puff about it. 392 00:20:00,119 --> 00:20:03,200 Speaker 1: Yeah right, yeah, good like old Echo by the Sound 393 00:20:03,160 --> 00:20:05,639 Speaker 1: of Comedy character. 394 00:20:05,760 --> 00:20:06,280 Speaker 4: Yeah yeah. 395 00:20:07,720 --> 00:20:09,000 Speaker 2: And the way you did to hear that was like 396 00:20:09,520 --> 00:20:10,280 Speaker 2: foxy clear Petro. 397 00:20:11,760 --> 00:20:14,560 Speaker 4: That's hilarious. I told you, Calvin, you. 398 00:20:14,560 --> 00:20:18,880 Speaker 1: Did say that Kelvin's up to and I wouldn't find 399 00:20:18,880 --> 00:20:20,680 Speaker 1: an angry I wouldn't find an angry call from missus 400 00:20:20,720 --> 00:20:24,040 Speaker 1: Sido to be honest, to be fair, Oh. 401 00:20:24,040 --> 00:20:26,200 Speaker 4: My gosh, we've just done another students to get you. 402 00:20:26,200 --> 00:20:29,160 Speaker 2: Serious, really serious? Really, so that's funny. 403 00:20:29,200 --> 00:20:31,240 Speaker 4: Oh my god, we should We're all going to hell, guys, 404 00:20:31,359 --> 00:20:35,000 Speaker 4: because we shouldn't be talking about missus. It's on the text. 405 00:20:35,560 --> 00:20:40,120 Speaker 4: Robin said her irrational fear was Dahlia Flowers because an 406 00:20:40,119 --> 00:20:42,080 Speaker 4: ear wig came out of one of moms. Dahlia is 407 00:20:42,080 --> 00:20:46,000 Speaker 4: a bitter on the butt when she was age outstanding 408 00:20:46,080 --> 00:20:49,720 Speaker 4: to this day, this one we all relate to. They 409 00:20:49,760 --> 00:20:53,560 Speaker 4: haven't left their name, but the text says, thanks to 410 00:20:53,640 --> 00:20:56,040 Speaker 4: American TV shows and cartoons. Growing up, I had a 411 00:20:56,080 --> 00:20:56,920 Speaker 4: fear of quicksands. 412 00:20:57,000 --> 00:21:01,159 Speaker 2: Oh absolutely, everybody that fear of quick especially on Tarzan 413 00:21:01,280 --> 00:21:01,920 Speaker 2: and shows like that. 414 00:21:02,160 --> 00:21:04,720 Speaker 4: We used to play I'm stuck in quicksand at the beach. 415 00:21:05,240 --> 00:21:09,919 Speaker 1: Yeah, yeah, yeah, I think even Gilligan's Island an episode 416 00:21:09,920 --> 00:21:11,000 Speaker 1: with quicksand for sure. 417 00:21:11,080 --> 00:21:13,520 Speaker 2: Yeah that's funny. 418 00:21:14,720 --> 00:21:17,840 Speaker 4: By hello, yes, wanting guys. 419 00:21:18,160 --> 00:21:20,400 Speaker 7: So it was actually my son, he's now grown twenty 420 00:21:20,400 --> 00:21:22,679 Speaker 7: one year old or a man, i should say, but 421 00:21:22,720 --> 00:21:27,399 Speaker 7: when he was younger where he hated the coin operated 422 00:21:27,640 --> 00:21:31,040 Speaker 7: kids play things at the shopping center. But he was 423 00:21:31,080 --> 00:21:33,920 Speaker 7: torn because he was absolutely mad with Thomas the tank engine, 424 00:21:33,920 --> 00:21:36,359 Speaker 7: and we actually had one at our low call, so 425 00:21:36,400 --> 00:21:39,320 Speaker 7: he'd write and jump on it, but and refused to 426 00:21:39,320 --> 00:21:41,719 Speaker 7: get off until I threatened to put money in and 427 00:21:41,720 --> 00:21:43,160 Speaker 7: then it was off quick smart. 428 00:21:43,600 --> 00:21:45,920 Speaker 2: Like the look of it. Didn't want to write it. 429 00:21:46,640 --> 00:21:49,000 Speaker 7: No, I absolutely have. And there was other kids obviously 430 00:21:49,080 --> 00:21:50,960 Speaker 7: wanted to jump on and have a turn as soon 431 00:21:51,000 --> 00:21:53,080 Speaker 7: as they'd go to put money in. No, it was off. 432 00:21:54,720 --> 00:21:56,040 Speaker 7: Saved me some coin anyway. 433 00:21:56,200 --> 00:21:59,879 Speaker 1: Yeah, yeah, my kids were the opposite. Yeah, to tilted 434 00:21:59,920 --> 00:22:01,560 Speaker 1: and shake it around. 435 00:22:03,040 --> 00:22:06,320 Speaker 4: Thank you, Jess. I must just share with you this 436 00:22:06,400 --> 00:22:08,720 Speaker 4: other text we got from Debbie, who also went to 437 00:22:08,800 --> 00:22:14,960 Speaker 4: Lesbody Primary School and also had missus Sido, and she said, 438 00:22:15,520 --> 00:22:17,720 Speaker 4: once and this is this is why I talk about. 439 00:22:17,800 --> 00:22:19,879 Speaker 4: This is the this is what missus Sido was about. 440 00:22:20,040 --> 00:22:24,040 Speaker 4: She once sprayed everyone's shoes with perfume because somebody had 441 00:22:24,080 --> 00:22:30,320 Speaker 4: smelly feet and everyone's shoe that's that's missus Sido to 442 00:22:30,359 --> 00:22:33,199 Speaker 4: a teeth. And JENB went to school with Kelvin Nobles 443 00:22:33,240 --> 00:22:34,080 Speaker 4: sister Irene. 444 00:22:34,320 --> 00:22:37,720 Speaker 2: Oh really it's just come full circles. 445 00:22:37,760 --> 00:22:42,040 Speaker 4: Certainly has taking me straight back to Lesbandi Primary School 446 00:22:42,040 --> 00:22:43,440 Speaker 4: circle and did seventy seven? 447 00:22:43,920 --> 00:22:45,760 Speaker 2: Can feet good? 448 00:22:45,800 --> 00:22:46,480 Speaker 4: Mississido? 449 00:22:46,960 --> 00:22:50,080 Speaker 2: Okay, I hope so anything at all? You got it? 450 00:22:50,200 --> 00:22:53,119 Speaker 1: That seems to be the premise for members of the 451 00:22:53,160 --> 00:22:56,399 Speaker 1: Brady Bunch cast from TV's history. I noticed least i 452 00:22:56,440 --> 00:22:59,120 Speaker 1: sort of thing yesterday that the guy who played Greg 453 00:22:59,119 --> 00:23:01,959 Speaker 1: Brady Williams, the one who played Peter, and the one 454 00:23:01,960 --> 00:23:05,240 Speaker 1: who played Cindia doing appearances at chocolate expos in America. 455 00:23:05,119 --> 00:23:07,639 Speaker 4: Chocolate Expo, Chocolate Chocolate Expo. 456 00:23:07,720 --> 00:23:08,680 Speaker 2: I have no idea why. 457 00:23:09,359 --> 00:23:11,840 Speaker 1: For some reason that people putting together the exposed thought 458 00:23:11,880 --> 00:23:13,239 Speaker 1: that it's a great idea, get people to come and 459 00:23:13,240 --> 00:23:15,320 Speaker 1: reminisce and do a mini sort of. 460 00:23:15,560 --> 00:23:16,520 Speaker 2: Comic con or something. 461 00:23:16,760 --> 00:23:19,119 Speaker 1: Yeah, so the three of them rock up on stage 462 00:23:19,119 --> 00:23:21,399 Speaker 1: and reminisce about with Brady Bunch of fans. 463 00:23:21,520 --> 00:23:22,800 Speaker 2: It was a very odd thing. 464 00:23:23,160 --> 00:23:26,919 Speaker 4: That's such a random, tenuously very sauce. 465 00:23:27,480 --> 00:23:35,280 Speaker 5: Maybe maybe used to make yes, kitty carry alls, shitty 466 00:23:35,320 --> 00:23:38,600 Speaker 5: carry alls carry all exhibition, but absolutely. 467 00:23:38,800 --> 00:23:40,240 Speaker 2: Sharp and Peter. 468 00:23:40,320 --> 00:23:41,000 Speaker 4: Wasn't it an apple? 469 00:23:41,640 --> 00:23:44,280 Speaker 2: Bet you? Someone will quote that to the guy plays Peter, 470 00:23:44,600 --> 00:23:46,240 Speaker 2: remember his name, might look at. 471 00:23:46,760 --> 00:23:52,239 Speaker 4: A little guy, poor Peter. Now Peter and Jared they 472 00:23:52,240 --> 00:23:54,400 Speaker 4: always complained being the middle ones, that no one knew 473 00:23:54,440 --> 00:23:55,800 Speaker 4: who they were and was his name? 474 00:23:56,880 --> 00:23:57,359 Speaker 2: Someone know. 475 00:23:58,840 --> 00:24:00,640 Speaker 1: If you want to go to the States, you can 476 00:24:00,680 --> 00:24:02,840 Speaker 1: see some of the cast of the Brady bunch at 477 00:24:02,840 --> 00:24:03,960 Speaker 1: a chocolate expo near you. 478 00:24:04,880 --> 00:24:08,520 Speaker 4: Mores More podcast soon. 479 00:24:09,920 --> 00:24:13,440 Speaker 1: Great per flick with Benoh. 480 00:24:13,640 --> 00:24:15,520 Speaker 4: I don't know if you know this about me, Ben, 481 00:24:16,000 --> 00:24:22,600 Speaker 4: but I have had a long thing for Benitzio del Toro. 482 00:24:22,920 --> 00:24:27,520 Speaker 2: Yeah, who does it? But I love Benitzio del Toro 483 00:24:27,600 --> 00:24:29,120 Speaker 2: as well romance. 484 00:24:29,240 --> 00:24:32,920 Speaker 4: Not in the way I do my girl. 485 00:24:34,240 --> 00:24:37,920 Speaker 6: He is wonderful. He is wonderful, and he is the 486 00:24:38,000 --> 00:24:41,159 Speaker 6: lead actor of this new Wes Andersen movie. And like 487 00:24:41,240 --> 00:24:43,520 Speaker 6: when you think about Wes Anderson, I reckon a lot 488 00:24:43,520 --> 00:24:45,880 Speaker 6: of people either love him or they don't really get 489 00:24:45,920 --> 00:24:49,439 Speaker 6: into it because he's got a very unique aesthetic. His 490 00:24:49,600 --> 00:24:53,320 Speaker 6: films are very whimsical, very stylized, and you either have 491 00:24:53,480 --> 00:24:56,800 Speaker 6: to lean into that and yes, I'm on board, or 492 00:24:57,280 --> 00:25:01,800 Speaker 6: people some people might find it incredibly infuriate. Okay, but 493 00:25:02,119 --> 00:25:03,760 Speaker 6: you know, I'm one of those people who certainly have 494 00:25:03,920 --> 00:25:05,919 Speaker 6: loved Wes Anderson movies in the past. It's a bit 495 00:25:06,000 --> 00:25:09,480 Speaker 6: like getting a gift on a special occasion. You look 496 00:25:09,600 --> 00:25:13,280 Speaker 6: forward to it coming it arrives, it's elaborately packaged. You 497 00:25:13,320 --> 00:25:16,040 Speaker 6: open it up. Sometimes it's something that you can't really 498 00:25:16,040 --> 00:25:18,240 Speaker 6: find a use for, but that's okay. You try and 499 00:25:18,240 --> 00:25:25,120 Speaker 6: get your money back. But his best movies movies like Rushmore, Yeah, 500 00:25:25,160 --> 00:25:28,080 Speaker 6: Grand Budapest Hotel was amazing. Those those sort of films 501 00:25:28,080 --> 00:25:29,920 Speaker 6: are really really good. Some of some of the more 502 00:25:29,920 --> 00:25:32,200 Speaker 6: recent ones, he's maybe leaned a little bit too far 503 00:25:32,320 --> 00:25:35,880 Speaker 6: into the style over the substance Asteroid City. His most 504 00:25:35,920 --> 00:25:39,560 Speaker 6: recent movie was It Was. It was maybe a bit 505 00:25:39,600 --> 00:25:42,879 Speaker 6: too whimsical, maybe a bit too silly. And and the 506 00:25:42,880 --> 00:25:46,240 Speaker 6: one before that, The French Dispatch, had Benizio del Toro 507 00:25:46,359 --> 00:25:48,040 Speaker 6: in it. He made a cameo as this sort of 508 00:25:48,040 --> 00:25:51,520 Speaker 6: mentally disturbed artist who is incarcerated for murder. Didn't have 509 00:25:51,560 --> 00:25:54,359 Speaker 6: a lot of dialogue, but he was an absolute scene stealer, 510 00:25:54,400 --> 00:25:57,600 Speaker 6: as he always is. And that movie and what and 511 00:25:57,640 --> 00:26:00,880 Speaker 6: Wes Anderson watching Benincio in that field, thought, you know what, 512 00:26:01,200 --> 00:26:03,960 Speaker 6: this guy has got something and I want to collaborate 513 00:26:04,000 --> 00:26:06,240 Speaker 6: with him again. I'm going to write a movie, write 514 00:26:06,240 --> 00:26:10,600 Speaker 6: a character, specifically Benitzio del Toro, and in it he 515 00:26:10,680 --> 00:26:13,760 Speaker 6: plays this sort of It's set in the nineteen fifties. 516 00:26:13,840 --> 00:26:18,200 Speaker 6: He plays this kind of like European tycoon Ja jac Corda, 517 00:26:18,320 --> 00:26:20,840 Speaker 6: who's meant to be a bit like an Aristotle on 518 00:26:20,960 --> 00:26:26,240 Speaker 6: Nassas type. So sort of an unscrupulous businessman who does 519 00:26:26,320 --> 00:26:29,000 Speaker 6: deals maybe a little bit on the dodgy side, and 520 00:26:29,080 --> 00:26:33,840 Speaker 6: he has this idea of this grand, ambitious infrastructure project 521 00:26:33,920 --> 00:26:36,880 Speaker 6: that is going to totally transform the you know, sort 522 00:26:36,920 --> 00:26:38,920 Speaker 6: of the fictional country of Phoenicia, which once upon a 523 00:26:38,920 --> 00:26:42,560 Speaker 6: time was a real country. And it involves lots of 524 00:26:42,600 --> 00:26:46,840 Speaker 6: different components. There's a canal, there's a tunnel that, there's 525 00:26:46,840 --> 00:26:49,760 Speaker 6: a dam, all of these kind of things, and it's 526 00:26:49,800 --> 00:26:51,680 Speaker 6: going to make him super rich. It's going to establish 527 00:26:51,760 --> 00:26:53,479 Speaker 6: his legacy. The only problem is he has a lot 528 00:26:53,480 --> 00:26:56,520 Speaker 6: of enemies. They're always trying to assassinate him. So Pernincio 529 00:26:56,560 --> 00:27:00,280 Speaker 6: del Torre's character, his playing has been blown up six times, 530 00:27:00,280 --> 00:27:03,320 Speaker 6: manages to survive and every time he's in sort of 531 00:27:03,359 --> 00:27:07,080 Speaker 6: a bit of a predicament. His line throughout the film is, oh, myself, 532 00:27:07,359 --> 00:27:10,800 Speaker 6: I feel very safe, even though things are just going 533 00:27:11,640 --> 00:27:15,480 Speaker 6: around him. And so his growing power and influence in 534 00:27:15,520 --> 00:27:18,119 Speaker 6: Europe has come to the attention of the American government. 535 00:27:18,160 --> 00:27:20,920 Speaker 6: They're not too happy with him, and so they want 536 00:27:20,960 --> 00:27:22,480 Speaker 6: to sort of, you know, sort of use a bit 537 00:27:22,520 --> 00:27:27,440 Speaker 6: of espionage and subterfuge to undermine this huge business enterprise, 538 00:27:27,600 --> 00:27:30,400 Speaker 6: and they do it in the most mundane Wes Andersen way. 539 00:27:30,640 --> 00:27:34,040 Speaker 6: So they decide to drive up the price of something 540 00:27:34,080 --> 00:27:37,040 Speaker 6: called bashable rivets, so just a rivet that is used 541 00:27:37,040 --> 00:27:40,000 Speaker 6: to make the train tracks and the tunnels and this 542 00:27:40,040 --> 00:27:43,399 Speaker 6: and that. So they make the rivets go from ninety 543 00:27:43,480 --> 00:27:45,760 Speaker 6: nine cents up to a dollar forty nine, and just 544 00:27:45,840 --> 00:27:48,880 Speaker 6: the overall cost of that on a supply blows out 545 00:27:48,920 --> 00:27:51,600 Speaker 6: the budget. And so that sets up the plot for 546 00:27:52,280 --> 00:27:54,480 Speaker 6: Jaja Quorter too has to go to all of his 547 00:27:54,600 --> 00:27:58,440 Speaker 6: partners in this enterprise and renegotiate the terms of the deal. 548 00:27:59,080 --> 00:28:01,199 Speaker 6: And in that way it's speaks to modern times, like 549 00:28:01,240 --> 00:28:03,280 Speaker 6: you'd be watching this going this is a bit like 550 00:28:03,320 --> 00:28:06,639 Speaker 6: a trumpy out of the deal vibes happening here. And 551 00:28:06,680 --> 00:28:09,320 Speaker 6: so he goes to and when he's negotiating with his partners, 552 00:28:09,359 --> 00:28:11,840 Speaker 6: as all Wes Anderson films do, it's got the most 553 00:28:11,920 --> 00:28:15,480 Speaker 6: star studded cast like one faction is run by Tom 554 00:28:15,560 --> 00:28:18,320 Speaker 6: Hanks and Brian Cranston, and they end up having a 555 00:28:18,400 --> 00:28:22,200 Speaker 6: basketball one on one with Benicie del Toro, which sounds 556 00:28:22,200 --> 00:28:25,080 Speaker 6: like the most bonkers scene, and it's amazing. You've got 557 00:28:25,160 --> 00:28:29,480 Speaker 6: Scarlett Johansson, you've got Rami Malick. You've got jeff the 558 00:28:29,520 --> 00:28:33,359 Speaker 6: Great Jeffrey Wright, and you've got Benedict Cumberbats just thrown 559 00:28:33,560 --> 00:28:34,280 Speaker 6: Drone in there as. 560 00:28:34,160 --> 00:28:35,600 Speaker 2: Well, so getting the first two. 561 00:28:37,680 --> 00:28:39,640 Speaker 6: So you've got all of these different groups kind of 562 00:28:39,640 --> 00:28:42,040 Speaker 6: competing with each other negotiating. 563 00:28:41,400 --> 00:28:42,360 Speaker 4: Over these deals. 564 00:28:43,160 --> 00:28:45,320 Speaker 6: And then and then on top of it all, you've 565 00:28:45,360 --> 00:28:49,480 Speaker 6: got what's going on in Benicia dea Torre's character's own household, 566 00:28:49,560 --> 00:28:53,160 Speaker 6: in his personal life. And he's got his estrange daughter Lisel, 567 00:28:53,400 --> 00:28:55,600 Speaker 6: who he brings back into the fold because of all 568 00:28:55,600 --> 00:28:59,680 Speaker 6: the assassination attempts, makes her his sole heir to the fortune, 569 00:29:00,040 --> 00:29:02,840 Speaker 6: and brings her in on this scheme. She's a novice nun. 570 00:29:03,160 --> 00:29:05,440 Speaker 6: She is his moral compass, sort of the good angel 571 00:29:05,480 --> 00:29:08,720 Speaker 6: sitting on his shoulder and is not into any of 572 00:29:08,720 --> 00:29:12,520 Speaker 6: this dodgy dealing whatsoever. And she's played by Mia Threppleton, 573 00:29:12,680 --> 00:29:15,040 Speaker 6: who is a name no one's ever heard of. She's 574 00:29:15,080 --> 00:29:18,960 Speaker 6: a newcomer, is amazing, shouldn't be a surprise. She's Kate 575 00:29:18,960 --> 00:29:19,720 Speaker 6: Winslet's daughter. 576 00:29:19,760 --> 00:29:22,560 Speaker 2: Oh very much, But I'd. 577 00:29:22,400 --> 00:29:24,440 Speaker 4: Said the name because I was just reading about her 578 00:29:24,480 --> 00:29:24,960 Speaker 4: this morning. 579 00:29:25,160 --> 00:29:26,920 Speaker 6: Yeah, but she's no nappo baby. 580 00:29:27,000 --> 00:29:27,800 Speaker 4: She is amazing. 581 00:29:28,640 --> 00:29:31,840 Speaker 2: Her career is Philby incredible. 582 00:29:31,040 --> 00:29:36,160 Speaker 6: She's amazing, and and Beniczio's character has got a tutor 583 00:29:36,400 --> 00:29:40,320 Speaker 6: from Oslo played by Michael Sarah Beyond, and he's got 584 00:29:40,360 --> 00:29:43,880 Speaker 6: the most thray accent. And there's a bit more to 585 00:29:43,920 --> 00:29:46,880 Speaker 6: his character as well. So it's funny, it's whimsical. I 586 00:29:46,920 --> 00:29:50,920 Speaker 6: will warn people. The first thirty minutes where Benitzio is 587 00:29:50,960 --> 00:29:56,440 Speaker 6: explaining this scheme is so dense with information it's actually 588 00:29:56,600 --> 00:30:00,360 Speaker 6: quite hard to follow. You have to listen because every 589 00:30:00,400 --> 00:30:03,360 Speaker 6: little detail is important. And even though some of it 590 00:30:03,400 --> 00:30:07,080 Speaker 6: seems extremely boring in that first thirty minutes, as the 591 00:30:07,080 --> 00:30:09,840 Speaker 6: film gets going, it all starts to make sense. And 592 00:30:10,720 --> 00:30:13,720 Speaker 6: Benitsio that's why you go see this film. Yeah, he's 593 00:30:13,800 --> 00:30:18,760 Speaker 6: generally a character who has few words, very tense, intense guy, 594 00:30:19,400 --> 00:30:22,760 Speaker 6: usually killing people, sort of the medicine that the menacing, 595 00:30:22,840 --> 00:30:25,920 Speaker 6: tough guy. This is probably the role of his career. 596 00:30:26,400 --> 00:30:28,480 Speaker 6: He has more dialogue than he's ever had in a movie, 597 00:30:28,520 --> 00:30:29,800 Speaker 6: more nuanced to a character. 598 00:30:30,120 --> 00:30:31,000 Speaker 2: He's hilarious. 599 00:30:31,760 --> 00:30:34,120 Speaker 6: It's so funny. He's so funny. 600 00:30:34,400 --> 00:30:36,920 Speaker 4: Were considering that how many it doesn't really matters because 601 00:30:36,920 --> 00:30:37,160 Speaker 4: I know. 602 00:30:39,600 --> 00:30:43,320 Speaker 6: I'm giving it for whoa, whoa. It's a fun film. 603 00:30:43,560 --> 00:30:45,080 Speaker 6: It might not be for everybody because of the Wes 604 00:30:45,120 --> 00:30:47,600 Speaker 6: anders In factor. Stick with it and the end is, 605 00:30:47,680 --> 00:30:49,440 Speaker 6: you know, it's a real genuine heart film. 606 00:30:49,560 --> 00:30:53,640 Speaker 1: Playing a premium for the Rippets. Well done, brilliant, Yeah, 607 00:30:53,800 --> 00:30:57,840 Speaker 1: that's a ripper. Telethon is back on again in October lease, 608 00:30:58,120 --> 00:31:00,960 Speaker 1: October eighteen and nineteen this year, but it will be 609 00:31:01,080 --> 00:31:04,760 Speaker 1: somewhat different this year because the state Liberal Party leader 610 00:31:04,960 --> 00:31:06,400 Speaker 1: is not going to be a big part of it, 611 00:31:06,440 --> 00:31:07,760 Speaker 1: like in Basil Teplace. 612 00:31:07,960 --> 00:31:11,120 Speaker 4: I've been reeling back a little over the last it 613 00:31:11,120 --> 00:31:13,400 Speaker 4: has been not so much Basil show. Yeah. 614 00:31:13,440 --> 00:31:17,400 Speaker 1: He has been pretty much the vernacular, you know, mister 615 00:31:17,440 --> 00:31:19,840 Speaker 1: Telethon really for quite a few years now, and Jeff 616 00:31:19,880 --> 00:31:20,920 Speaker 1: Newman was Jeff Newman. 617 00:31:21,360 --> 00:31:23,120 Speaker 4: Bazil kind of took the when you. 618 00:31:23,040 --> 00:31:24,920 Speaker 1: Think about it, over the years. I mean, in a 619 00:31:24,960 --> 00:31:26,760 Speaker 1: way it was Peter Dean. You know, if it's a 620 00:31:26,800 --> 00:31:28,760 Speaker 1: person calling out the title of the end, Peter Dean, 621 00:31:28,840 --> 00:31:29,760 Speaker 1: it's stud wag stuff. 622 00:31:29,800 --> 00:31:31,040 Speaker 2: You felt for a long. 623 00:31:30,920 --> 00:31:34,640 Speaker 4: Time Telephone it was you know, bog all Rounder, you know, 624 00:31:34,720 --> 00:31:37,400 Speaker 4: the person that they would go to. Yeah, when someone 625 00:31:37,480 --> 00:31:38,840 Speaker 4: was making a big donation. 626 00:31:38,640 --> 00:31:42,480 Speaker 1: And you know, the last few years talking to Kerry 627 00:31:42,480 --> 00:31:44,520 Speaker 1: starkes at the end, you know, and doing all the stuff. 628 00:31:44,520 --> 00:31:45,120 Speaker 1: It's been Basil. 629 00:31:45,320 --> 00:31:47,240 Speaker 4: Quite often they would appear in a lot of the 630 00:31:47,360 --> 00:31:49,640 Speaker 4: you know, the media with the kids leading up to it, 631 00:31:49,960 --> 00:31:52,560 Speaker 4: that sort of thing. So like the ambassadors, sort of 632 00:31:52,600 --> 00:31:53,400 Speaker 4: an ambassadory. 633 00:31:53,520 --> 00:31:54,200 Speaker 2: Yeah. 634 00:31:54,240 --> 00:31:56,560 Speaker 1: So it doesn't seem right that the opposition state opposition 635 00:31:56,600 --> 00:31:58,360 Speaker 1: leader would be sitting there at the end when Roger 636 00:31:58,400 --> 00:31:59,720 Speaker 1: Cook comes in to give the check. 637 00:31:59,520 --> 00:32:02,560 Speaker 4: This year, that would be very imagine, I guess not. 638 00:32:04,520 --> 00:32:06,959 Speaker 1: So, therefore the search must be on at seven at 639 00:32:07,000 --> 00:32:09,560 Speaker 1: seven West Media for the new person. And is there 640 00:32:09,560 --> 00:32:11,520 Speaker 1: anyone who steps straight up to the line in your 641 00:32:11,560 --> 00:32:14,040 Speaker 1: mind as the person who should be taking Basil's gig? 642 00:32:14,040 --> 00:32:17,920 Speaker 4: There? We reckon, It's gotta be Fat Cats turned to 643 00:32:17,920 --> 00:32:20,600 Speaker 4: shine you reckon, I mean, but the problem. 644 00:32:20,280 --> 00:32:22,800 Speaker 2: Is, yeah, it's difficult. 645 00:32:22,760 --> 00:32:28,120 Speaker 4: Not talking talking now. If we could get a translator, 646 00:32:28,640 --> 00:32:32,280 Speaker 4: and I'm happy to do that. I love the cat 647 00:32:32,480 --> 00:32:35,160 Speaker 4: and you know the cat and I I feel that 648 00:32:35,200 --> 00:32:38,400 Speaker 4: we have a rapport. We've known each other for many years, 649 00:32:38,520 --> 00:32:42,840 Speaker 4: and I reckon I could act as fat Cats translator. 650 00:32:43,240 --> 00:32:47,440 Speaker 2: Yeah, and you know, take care of business. You don't 651 00:32:47,440 --> 00:32:50,680 Speaker 2: have any other Well, I'm just saying, well, when you 652 00:32:50,680 --> 00:32:53,080 Speaker 2: were vacated together. You can't never get a word in 653 00:32:53,480 --> 00:32:54,200 Speaker 2: its true. 654 00:32:54,560 --> 00:32:56,520 Speaker 1: So you can go to the news room and say 655 00:32:56,520 --> 00:32:59,120 Speaker 1: what Tim McMillan's has been doing quite a bit with 656 00:32:59,200 --> 00:33:02,400 Speaker 1: the telethon boar. I'm thinking Angela's son would do a 657 00:33:02,400 --> 00:33:05,960 Speaker 1: great job missus Telethon, miss miss or missus telephone right, 658 00:33:06,040 --> 00:33:08,120 Speaker 1: Ryan Daniels O, Mate, it'd be He'd be. 659 00:33:09,920 --> 00:33:10,200 Speaker 4: Ryan. 660 00:33:10,480 --> 00:33:12,680 Speaker 2: Ryan has got that. Ryan's got that appeal. 661 00:33:13,200 --> 00:33:15,040 Speaker 4: I mean pretty Tim for the win for me. 662 00:33:15,120 --> 00:33:16,360 Speaker 2: But Tim for the wind. 663 00:33:17,320 --> 00:33:19,440 Speaker 1: Rob Palmer has been coming to Telethon for a long 664 00:33:19,480 --> 00:33:21,880 Speaker 1: time now. He's much loved, but he's not a Perth identity. 665 00:33:22,360 --> 00:33:23,960 Speaker 4: I think he's got to be a Perthy got. 666 00:33:23,800 --> 00:33:26,200 Speaker 1: A couple of parochial I think by Ruffi is the 667 00:33:26,240 --> 00:33:29,120 Speaker 1: g man, the great Man. Adrian Barrett bar up there 668 00:33:29,400 --> 00:33:31,560 Speaker 1: because then he can be mister Telethon and mister President 669 00:33:31,600 --> 00:33:32,400 Speaker 1: of the Perfect Club. 670 00:33:33,800 --> 00:33:36,160 Speaker 4: He puts everything into everything he does. You could do 671 00:33:36,160 --> 00:33:36,920 Speaker 4: a lot worse. 672 00:33:36,800 --> 00:33:38,920 Speaker 1: Because I get the feeling Rick and Sue are busy. 673 00:33:38,960 --> 00:33:40,800 Speaker 1: They do a lot of stuff for Telethon. They rock 674 00:33:40,880 --> 00:33:42,560 Speaker 1: up to it. In fact, they don't get any sleep 675 00:33:42,600 --> 00:33:45,280 Speaker 1: on that weekend. But I think it's probably probably going 676 00:33:45,320 --> 00:33:47,960 Speaker 1: to go somewhere else so it will be interesting and 677 00:33:48,000 --> 00:33:50,000 Speaker 1: that person who ever ends up doing that job will 678 00:33:50,040 --> 00:33:52,360 Speaker 1: be talking to mister Stokes at the end. And if 679 00:33:52,400 --> 00:33:58,080 Speaker 1: you work for seven West Media. 680 00:33:56,160 --> 00:34:04,440 Speaker 4: That's not going to get a forest. Hello, now listen, 681 00:34:04,880 --> 00:34:09,640 Speaker 4: what are you doing? Roadworks? A d to a sign roadworks, 682 00:34:09,640 --> 00:34:12,680 Speaker 4: But yeah, roadworks. There's been roadworks down this end of 683 00:34:12,719 --> 00:34:13,600 Speaker 4: Hay Street for. 684 00:34:15,320 --> 00:34:17,279 Speaker 2: Eons, about seven. 685 00:34:17,120 --> 00:34:22,319 Speaker 4: Eight nine months now. And ironically, when I drive up 686 00:34:22,360 --> 00:34:26,160 Speaker 4: to the turn off yesterday where we turn, I thought 687 00:34:26,160 --> 00:34:29,759 Speaker 4: they were finished. Get here this morning the whole road 688 00:34:29,840 --> 00:34:33,239 Speaker 4: is closed, but they there was no detour sign. It 689 00:34:33,360 --> 00:34:36,800 Speaker 4: was just closed. So I had to do a big 690 00:34:38,200 --> 00:34:40,200 Speaker 4: U turn thing because all the roads around it and 691 00:34:40,280 --> 00:34:41,759 Speaker 4: no through roads. I had to go all the way 692 00:34:41,800 --> 00:34:44,400 Speaker 4: back and then go around and turn on a no 693 00:34:44,520 --> 00:34:46,799 Speaker 4: right turn turn turned right. 694 00:34:47,520 --> 00:34:50,120 Speaker 1: After that, you could pretty much drive that double decker 695 00:34:50,120 --> 00:34:51,439 Speaker 1: bus that takes tourists around Perth. 696 00:34:51,520 --> 00:34:53,040 Speaker 2: You know, exactly know I do. 697 00:34:53,040 --> 00:34:55,319 Speaker 4: Now, I know, I know that there's a whole lot 698 00:34:55,320 --> 00:34:57,239 Speaker 4: of no through roads just in this little pocket of 699 00:34:57,280 --> 00:34:57,880 Speaker 4: East Perpia. 700 00:34:58,480 --> 00:35:01,640 Speaker 1: Absolutely yeah, or don't turn right at this traffic light. 701 00:35:01,800 --> 00:35:03,520 Speaker 1: A you know that when they first started doing those 702 00:35:03,600 --> 00:35:06,080 Speaker 1: roadworks up there. I remember looking going because you were 703 00:35:06,080 --> 00:35:07,680 Speaker 1: in front of me one day, right it was really 704 00:35:07,719 --> 00:35:09,920 Speaker 1: early days, and I went, can we actually turn right 705 00:35:09,920 --> 00:35:12,000 Speaker 1: here anymore? Because it didn't seem like there was space. 706 00:35:12,800 --> 00:35:13,239 Speaker 2: Yeah, I was. 707 00:35:13,360 --> 00:35:16,000 Speaker 1: I was following you and it didn't take long before 708 00:35:16,000 --> 00:35:19,960 Speaker 1: you shot off like Riccardo, I have been bottle bam. 709 00:35:20,920 --> 00:35:22,160 Speaker 4: Maybe I needed to get home. 710 00:35:22,440 --> 00:35:24,719 Speaker 2: Well, we'll get home and do a show. You crazy 711 00:35:24,920 --> 00:35:25,600 Speaker 2: and Lisa