1 00:00:00,200 --> 00:00:04,480 Speaker 1: Jersey and Amanda jam Nation. Well our Next Guest found 2 00:00:04,519 --> 00:00:06,880 Speaker 1: fame in two thousand and nine, finishing as a runner 3 00:00:06,960 --> 00:00:09,920 Speaker 1: up on American Idol. Since then, he sold over three 4 00:00:09,920 --> 00:00:13,920 Speaker 1: million albums five million singles worldwide, been the front man 5 00:00:13,960 --> 00:00:16,920 Speaker 1: for Queen since twenty eleven, replacing Freddie Mercury. His new 6 00:00:16,960 --> 00:00:20,119 Speaker 1: album High Drama is out now. It's a collection of 7 00:00:20,160 --> 00:00:24,079 Speaker 1: the most extraordinarily fabulous covers. He's here now are. 8 00:00:24,000 --> 00:00:27,000 Speaker 2: Post Hi and Let's go through the songs. I just 9 00:00:27,080 --> 00:00:31,960 Speaker 2: love the songs on High Drama. Thank You, Chandale's a local, 10 00:00:32,479 --> 00:00:41,440 Speaker 2: This is cruct Yeah, and on could You Club Me? Yeah? 11 00:00:41,479 --> 00:00:42,559 Speaker 2: Oh that's great. 12 00:00:45,080 --> 00:00:46,320 Speaker 1: How did you pick your faves? 13 00:00:46,960 --> 00:00:48,800 Speaker 3: It was there was a long list to start with, 14 00:00:49,479 --> 00:00:51,920 Speaker 3: but the you know, the whole concept of this album 15 00:00:51,960 --> 00:00:55,400 Speaker 3: is to take songs and completely rework them so that 16 00:00:55,440 --> 00:00:56,880 Speaker 3: you know, that kind of helped me narrow it down. 17 00:00:56,960 --> 00:00:58,800 Speaker 3: I needed to know, like, Okay, I can do something 18 00:00:58,800 --> 00:01:02,240 Speaker 3: special with this each song. And also I wanted songs 19 00:01:02,280 --> 00:01:04,840 Speaker 3: on there that I could you know, find some personal 20 00:01:04,880 --> 00:01:07,840 Speaker 3: attachment to, you know, with the storytelling in the lyrics. 21 00:01:07,880 --> 00:01:11,200 Speaker 3: I wanted to be able to, you know, perform them 22 00:01:11,240 --> 00:01:13,240 Speaker 3: as if they were written about my life, so that 23 00:01:13,280 --> 00:01:15,440 Speaker 3: kind of helped me narrow it down even further. And 24 00:01:15,959 --> 00:01:17,960 Speaker 3: you know, I just wanted some variety on there. You know, 25 00:01:18,000 --> 00:01:20,840 Speaker 3: there's some like older throwbacks, there's some more contemporary stuff. 26 00:01:20,880 --> 00:01:23,800 Speaker 3: There's there's kind of a bunch of different genres that 27 00:01:23,840 --> 00:01:25,920 Speaker 3: we that we run in and out of, and and 28 00:01:25,959 --> 00:01:30,160 Speaker 3: I turned it all into a dramatic rock and roll fantasy. 29 00:01:30,240 --> 00:01:32,640 Speaker 2: Well you do sex on fire, and I think that 30 00:01:32,720 --> 00:01:33,960 Speaker 2: suits your voice perfectly. 31 00:01:34,080 --> 00:01:36,240 Speaker 3: Thank you, thank you really song. I was a little 32 00:01:36,240 --> 00:01:38,560 Speaker 3: nervous about that one because the original record is like flawless, 33 00:01:39,160 --> 00:01:40,720 Speaker 3: but we took it and we kind of turned it 34 00:01:40,760 --> 00:01:44,480 Speaker 3: in this like it's a sort of a festival like 35 00:01:44,600 --> 00:01:47,480 Speaker 3: indie dance type treatment on that one. So I had 36 00:01:47,520 --> 00:01:48,000 Speaker 3: fun with that. 37 00:01:48,080 --> 00:01:50,640 Speaker 1: Were there any of the record company rejected, Like did 38 00:01:50,680 --> 00:01:53,760 Speaker 1: you say you wanted to do a Karen Carpenter or 39 00:01:53,800 --> 00:01:54,640 Speaker 1: something like that? 40 00:01:54,920 --> 00:01:58,280 Speaker 3: No, No, there were no We like. It was a 41 00:01:58,320 --> 00:02:00,560 Speaker 3: really nice process actually because once we the list down, 42 00:02:00,600 --> 00:02:02,760 Speaker 3: everybody was on board and we planned it so we 43 00:02:02,760 --> 00:02:04,480 Speaker 3: didn't waste any time in the studio doing stuff that 44 00:02:04,560 --> 00:02:05,480 Speaker 3: wasn't going to make the album. 45 00:02:06,040 --> 00:02:11,360 Speaker 2: Aga Dude didn't come up there, no crazy Frog, no 46 00:02:13,440 --> 00:02:16,880 Speaker 2: follow up might be an album of just clangers, like 47 00:02:16,880 --> 00:02:22,399 Speaker 2: a terrible novel. I have the album of a song. Yeah, 48 00:02:22,560 --> 00:02:28,480 Speaker 2: an accomplished artist like you, accomplished artists like yourself, does 49 00:02:28,480 --> 00:02:31,000 Speaker 2: an album of clangers, A dreadful song. 50 00:02:30,840 --> 00:02:36,720 Speaker 3: Flop songs that's hilarious, a pivot point. It could be interesting, be. 51 00:02:36,000 --> 00:02:37,639 Speaker 2: Interesting writing this down. 52 00:02:37,320 --> 00:02:39,560 Speaker 1: I say, are you going to be touring this? 53 00:02:40,400 --> 00:02:42,920 Speaker 3: I don't know yet exactly. I'm doing some shows we 54 00:02:42,960 --> 00:02:46,280 Speaker 3: just announced, like a big show in the UK. There's 55 00:02:46,320 --> 00:02:48,960 Speaker 3: some stuff in Europe over the summer. At some point 56 00:02:49,000 --> 00:02:51,640 Speaker 3: I will be putting a tour together. I love you know. 57 00:02:52,680 --> 00:02:54,760 Speaker 3: It's so nice to be back here after three years 58 00:02:54,800 --> 00:02:57,360 Speaker 3: ago being here with Queen right before the pandemic. I 59 00:02:57,400 --> 00:02:59,359 Speaker 3: love it down here. The energy down here is great. 60 00:02:59,400 --> 00:03:04,960 Speaker 3: Everyone's friendly, it's you know, great weather. It's always really positive, 61 00:03:05,000 --> 00:03:07,480 Speaker 3: supportive audiences. So I'd like to come back down here 62 00:03:07,480 --> 00:03:08,600 Speaker 3: and tour for sure, and. 63 00:03:08,840 --> 00:03:09,600 Speaker 2: With Queen again. 64 00:03:10,360 --> 00:03:12,200 Speaker 3: I'd like to do it solo tour again down here, 65 00:03:12,240 --> 00:03:14,760 Speaker 3: because it's been a minute. It's been since like twenty fifteen. Sure, 66 00:03:14,800 --> 00:03:15,799 Speaker 3: so that would be really fun. 67 00:03:16,000 --> 00:03:18,520 Speaker 1: When you were when you first as we said, we're 68 00:03:18,560 --> 00:03:20,920 Speaker 1: on American Idol in two thousand and nine, you were 69 00:03:21,000 --> 00:03:22,560 Speaker 1: runner up. Who who came first? 70 00:03:22,840 --> 00:03:23,840 Speaker 3: This guy named Chris Allen. 71 00:03:24,040 --> 00:03:26,160 Speaker 1: Has he gone on to have success? 72 00:03:26,680 --> 00:03:29,280 Speaker 3: I don't know if there's a ton of like mainstream seas. 73 00:03:29,280 --> 00:03:31,239 Speaker 3: I think he's still making music. He's a lovely guy, 74 00:03:31,360 --> 00:03:35,200 Speaker 3: great great talent there. When you look at it, you've 75 00:03:35,280 --> 00:03:38,000 Speaker 3: kind of like, well, you know, yeah, it depends on 76 00:03:38,040 --> 00:03:38,600 Speaker 3: how you look at it. 77 00:03:39,680 --> 00:03:40,520 Speaker 1: I think we know how. 78 00:03:40,400 --> 00:03:43,160 Speaker 2: We You're touring with Queen, You've got this, Yeah, you 79 00:03:43,200 --> 00:03:45,800 Speaker 2: got a go gig. Yeah, doing the big stuffing the 80 00:03:45,840 --> 00:03:46,360 Speaker 2: big stuff. 81 00:03:46,400 --> 00:03:48,840 Speaker 1: I wasn't aware that you were in a scene in 82 00:03:48,880 --> 00:03:52,320 Speaker 1: Bohemian Rhapsody. Very brief, very really tell us about that. 83 00:03:52,360 --> 00:03:55,920 Speaker 3: I don't have any dialogue. I'm literally when Freddy and 84 00:03:55,960 --> 00:03:57,600 Speaker 3: the band they stop at a rest stop when they're 85 00:03:57,600 --> 00:04:01,840 Speaker 3: on the bus and he uses the payphone to call Mary, 86 00:04:02,680 --> 00:04:04,640 Speaker 3: and I'm a trucker who gets out of the truck 87 00:04:04,720 --> 00:04:06,600 Speaker 3: and kind of gives them the eye and walks to 88 00:04:06,640 --> 00:04:08,280 Speaker 3: the bathroom and turns around and like, do you want 89 00:04:08,280 --> 00:04:10,080 Speaker 3: to go in the bathroom with me? So that's me, 90 00:04:12,600 --> 00:04:15,280 Speaker 3: I accused him. Yeah, well I was kind of disguised. 91 00:04:15,280 --> 00:04:16,840 Speaker 3: I had like a beard and a wigne, so I 92 00:04:16,839 --> 00:04:18,200 Speaker 3: don't really look fully like me. 93 00:04:18,440 --> 00:04:23,479 Speaker 1: But circle that story. That's amazing. Yeah, you're cracking onto 94 00:04:23,480 --> 00:04:24,240 Speaker 1: Freddy Mercury. 95 00:04:24,400 --> 00:04:26,120 Speaker 3: I mean I I I asked the director, my are 96 00:04:26,160 --> 00:04:27,440 Speaker 3: sure you don't want to do like an interior of 97 00:04:27,480 --> 00:04:30,320 Speaker 3: the bathroom shot where we like get to it. He 98 00:04:30,400 --> 00:04:35,239 Speaker 3: was like no, I'm sorry. I'm like, damn, damn, that's enough. 99 00:04:35,839 --> 00:04:38,320 Speaker 1: It still wouldn't be a speaking part, just off part. 100 00:04:38,440 --> 00:04:39,200 Speaker 3: I'd be fine with that. 101 00:04:39,320 --> 00:04:41,680 Speaker 2: Yeah, so this is your next this is your next pivot. 102 00:04:41,720 --> 00:04:45,880 Speaker 3: Maybe that's actually I have gotten into acting. I was 103 00:04:46,000 --> 00:04:48,760 Speaker 3: just in a film called Fairyland that premiered at sun 104 00:04:48,839 --> 00:04:52,839 Speaker 3: Dance and it's an indie film about a single gay 105 00:04:52,839 --> 00:04:55,640 Speaker 3: father raising his daughter in San Francisco in the seventies. 106 00:04:55,640 --> 00:04:56,240 Speaker 1: Are you the father? 107 00:04:56,400 --> 00:04:58,760 Speaker 3: I'm one of the father's boyfriends. Oh yeah, So I 108 00:04:58,760 --> 00:05:00,839 Speaker 3: have some scenes towards the outer half of the movie, 109 00:05:00,880 --> 00:05:05,360 Speaker 3: and I play a party boy who you know likes leather. 110 00:05:05,760 --> 00:05:07,280 Speaker 2: Yeah, well that's not like you stretch. 111 00:05:08,160 --> 00:05:11,200 Speaker 3: The leather did not stretch. No, Yeah, that's very sick. 112 00:05:11,400 --> 00:05:15,320 Speaker 2: It's just your weekend, Adam. It's great to talk to you. 113 00:05:15,400 --> 00:05:18,520 Speaker 2: The latest album, High Drama is out now to wherever 114 00:05:18,560 --> 00:05:21,560 Speaker 2: you get your music. From and please consider our proposal. 115 00:05:21,839 --> 00:05:25,159 Speaker 2: Your album have clangers or you know, dud songs, this. 116 00:05:25,200 --> 00:05:26,599 Speaker 1: Could be anyone can sell it. 117 00:05:26,640 --> 00:05:26,920 Speaker 2: You can. 118 00:05:27,080 --> 00:05:28,200 Speaker 3: Oh, that's very sweat. 119 00:05:28,600 --> 00:05:29,839 Speaker 1: It's a very strange compliment. 120 00:05:29,839 --> 00:05:30,919 Speaker 2: But take it. I t it. 121 00:05:31,000 --> 00:05:31,800 Speaker 3: Yeah, I take it. 122 00:05:32,200 --> 00:05:32,880 Speaker 2: Thank you, Adam