1 00:00:00,440 --> 00:00:03,279 Speaker 1: This is the Will and Woody podcast. 2 00:00:05,720 --> 00:00:08,799 Speaker 2: We were talking on Friday where we were asking people 3 00:00:08,800 --> 00:00:11,719 Speaker 2: if they're currently in the situation where they haven't farted 4 00:00:11,760 --> 00:00:14,720 Speaker 2: in front of their partner. We received an amazing call 5 00:00:14,760 --> 00:00:18,119 Speaker 2: from a woman called Charlotte. Charlotte, how long has it 6 00:00:18,160 --> 00:00:19,960 Speaker 2: been you still haven't farted in front of your partner? 7 00:00:20,720 --> 00:00:23,160 Speaker 3: I haven't, and it's been fifteen and a half years. 8 00:00:23,320 --> 00:00:25,640 Speaker 4: An accidental one has slipped out, and I've been so 9 00:00:25,680 --> 00:00:28,320 Speaker 4: embarrasseding gives me this weird side look and I was 10 00:00:28,360 --> 00:00:30,720 Speaker 4: so embarrassed by that look that I just have that 11 00:00:30,800 --> 00:00:31,280 Speaker 4: image in. 12 00:00:31,200 --> 00:00:32,839 Speaker 3: My head now. So he wouldn't care. 13 00:00:32,960 --> 00:00:34,360 Speaker 4: He says to me all the time, He's like, just 14 00:00:34,400 --> 00:00:36,239 Speaker 4: go for it. I'm like, and I just can't even. 15 00:00:36,320 --> 00:00:38,360 Speaker 4: I'm like I said, I'm like, there's one there, and 16 00:00:38,360 --> 00:00:40,000 Speaker 4: he'll just go and I'm like, no, I can't do it. 17 00:00:40,040 --> 00:00:40,280 Speaker 5: But you. 18 00:00:41,880 --> 00:00:43,400 Speaker 4: And he's like, what is wrong with you? 19 00:00:44,080 --> 00:00:48,440 Speaker 2: Charlotte joins us on the phone again. Hello Charlotte, Hello, 20 00:00:49,120 --> 00:00:53,159 Speaker 2: Hi Charlotte. So fifteen and a half years the most, well, 21 00:00:53,159 --> 00:00:56,520 Speaker 2: the weekend that's just passed, were there any farts? 22 00:00:57,600 --> 00:01:03,000 Speaker 3: No, not, though you would have heard anyway. 23 00:01:01,720 --> 00:01:03,959 Speaker 2: Because you were telling us weren't you that you there 24 00:01:03,960 --> 00:01:05,880 Speaker 2: are little places around the house like do you get 25 00:01:05,920 --> 00:01:08,320 Speaker 2: you go outdoors sometimes to pass. 26 00:01:08,120 --> 00:01:11,000 Speaker 3: Wind, sometimes yeah, sometimes totally wild. 27 00:01:11,440 --> 00:01:13,479 Speaker 2: Uh and and again the reason you don't do this 28 00:01:13,600 --> 00:01:16,080 Speaker 2: is because you're just worried that if you're fard in 29 00:01:16,160 --> 00:01:18,039 Speaker 2: front of him, what he won't look at you the same. 30 00:01:19,040 --> 00:01:19,240 Speaker 6: Yeah. 31 00:01:19,360 --> 00:01:20,080 Speaker 7: I can't really. 32 00:01:20,000 --> 00:01:22,360 Speaker 4: Explain, like I've married Win's get such a long time, 33 00:01:22,680 --> 00:01:24,679 Speaker 4: but I just like, I guess this thing in my 34 00:01:24,720 --> 00:01:26,600 Speaker 4: head where like, oh, it's going to be that bad 35 00:01:26,959 --> 00:01:28,840 Speaker 4: and it's going to be that shocking, but like he's 36 00:01:28,880 --> 00:01:29,480 Speaker 4: going to leave me. 37 00:01:30,600 --> 00:01:32,480 Speaker 5: What are they? What are they like though, Charlotte, like 38 00:01:32,520 --> 00:01:35,360 Speaker 5: are they are they? Are they cute? Or are they 39 00:01:35,440 --> 00:01:37,280 Speaker 5: you know? Are they a bit offensive? Every now and then? 40 00:01:37,920 --> 00:01:38,080 Speaker 8: Oh? 41 00:01:38,160 --> 00:01:39,840 Speaker 3: No, I think it's I think it's the sound. I 42 00:01:39,840 --> 00:01:40,640 Speaker 3: think it's a bit loud. 43 00:01:41,000 --> 00:01:43,720 Speaker 2: Yeah they're loud. Yeah, me too, shall it they're loud? 44 00:01:45,120 --> 00:01:48,040 Speaker 5: Wow? I didn't notice say that. 45 00:01:48,040 --> 00:01:50,680 Speaker 2: That's why she goes outside. She's gonna got another room, 46 00:01:50,720 --> 00:01:52,000 Speaker 2: She's gonna go outide, watch. 47 00:01:51,920 --> 00:01:54,960 Speaker 5: The birds just leave the trees all at the same time. 48 00:01:55,120 --> 00:02:00,800 Speaker 2: Imagine the neighbors next door going up there. She goes again, Charlotte, 49 00:02:00,800 --> 00:02:03,720 Speaker 2: we we have got an idea for you. We think 50 00:02:03,760 --> 00:02:06,280 Speaker 2: it's very, very important for your relationship to do this. 51 00:02:06,400 --> 00:02:10,240 Speaker 2: But we want you to call your beautiful husband Graham, 52 00:02:10,840 --> 00:02:14,799 Speaker 2: and effectively, while you're talking to Graham, I will make 53 00:02:15,080 --> 00:02:19,880 Speaker 2: a perfect fake fart noise with my mouth, okay, And 54 00:02:19,919 --> 00:02:23,280 Speaker 2: then we want you to effectively go, oh, sorry, that 55 00:02:23,480 --> 00:02:28,120 Speaker 2: was me. Henceforth, we break this ridiculous holding pattern that 56 00:02:28,160 --> 00:02:30,400 Speaker 2: you're in with not farting in front of your partner. 57 00:02:31,320 --> 00:02:32,639 Speaker 3: Okay. 58 00:02:32,120 --> 00:02:33,639 Speaker 2: Oh wow. 59 00:02:35,120 --> 00:02:38,480 Speaker 5: It's actually helping you, though, Charlotte, because the philosophy here 60 00:02:38,560 --> 00:02:41,040 Speaker 5: is that you now don't have to break these floodgates, 61 00:02:41,240 --> 00:02:44,560 Speaker 5: like the fart floodgates are now flung open. 62 00:02:45,720 --> 00:02:48,560 Speaker 4: Yeah, I'm hoping it's going to give me the confidence 63 00:02:48,600 --> 00:02:50,440 Speaker 4: to just let it go and feature. 64 00:02:50,200 --> 00:02:55,359 Speaker 2: For sure, great, unbelievable we can hope for Charlotte. First, 65 00:02:56,440 --> 00:03:00,000 Speaker 2: for the first time, so we're got to go to 66 00:03:00,240 --> 00:03:01,560 Speaker 2: So we've got to go to. 67 00:03:01,520 --> 00:03:02,240 Speaker 5: A song, Charlotte. 68 00:03:02,280 --> 00:03:05,600 Speaker 2: But right up next, you call your husband and as 69 00:03:05,639 --> 00:03:08,119 Speaker 2: the opener said, you fart for the first time. 70 00:03:08,560 --> 00:03:12,080 Speaker 5: On Friday. You and I were talking about farting in 71 00:03:12,080 --> 00:03:14,000 Speaker 5: front of your partner and the fact that there are 72 00:03:14,080 --> 00:03:15,560 Speaker 5: lots of people who caught up. We found out who 73 00:03:16,000 --> 00:03:18,720 Speaker 5: farted in front of their partner for years, You famously 74 00:03:18,800 --> 00:03:21,520 Speaker 5: in a previous relationship three years. Three years, Yeah, three 75 00:03:21,560 --> 00:03:22,519 Speaker 5: years where you didn't. 76 00:03:22,680 --> 00:03:24,200 Speaker 2: I didn't think that'd get topped. And then all of 77 00:03:24,240 --> 00:03:26,600 Speaker 2: a sudden we received a call from Charlotte, who is 78 00:03:26,720 --> 00:03:30,920 Speaker 2: currently holding for fifteen and a half years. 79 00:03:30,960 --> 00:03:38,840 Speaker 5: Hello Charlotte, Hello a half that strong strong Floodgates. Do 80 00:03:38,880 --> 00:03:41,640 Speaker 5: you even think he's gonna like because the plan Charotte 81 00:03:41,640 --> 00:03:44,160 Speaker 5: now is that you call your partner Graham, your husband Graham, 82 00:03:44,360 --> 00:03:45,640 Speaker 5: and you fart in front of him for the first 83 00:03:45,680 --> 00:03:48,839 Speaker 5: time live on there, which we're all very excited about. 84 00:03:49,040 --> 00:03:52,280 Speaker 5: One part of this is sure very immature, but another 85 00:03:52,320 --> 00:03:54,360 Speaker 5: part of this is like, this is big for the 86 00:03:54,440 --> 00:03:58,280 Speaker 5: development of your relationship. There's obviously a bit of a 87 00:03:58,280 --> 00:04:00,480 Speaker 5: demon under there that you feel like you're maybe not 88 00:04:00,480 --> 00:04:02,320 Speaker 5: going to be as attractive to him if you far 89 00:04:02,400 --> 00:04:02,920 Speaker 5: in front of him. 90 00:04:02,960 --> 00:04:03,360 Speaker 9: Is that right? 91 00:04:03,360 --> 00:04:04,520 Speaker 5: There was what a lot of the women were calling 92 00:04:04,560 --> 00:04:05,520 Speaker 5: about this on Friday. 93 00:04:05,600 --> 00:04:08,800 Speaker 3: Absolutely, yeah, for sure, And I think. 94 00:04:08,640 --> 00:04:10,800 Speaker 2: You'll find I know you'll find, Charlotte, that will just 95 00:04:10,880 --> 00:04:11,640 Speaker 2: not be the case. 96 00:04:11,760 --> 00:04:14,200 Speaker 3: Actually don't know he's going to react. I'm not really sure, Like, 97 00:04:14,240 --> 00:04:16,240 Speaker 3: I don't know if you'll just ignore it or if 98 00:04:16,240 --> 00:04:17,760 Speaker 3: he'll say something, I'd ignore it. 99 00:04:17,839 --> 00:04:21,360 Speaker 5: I don't know, unless you all put ourselves in Graham's shoes, Yeah, 100 00:04:21,600 --> 00:04:23,200 Speaker 5: you'd ignore it. You'd assume it was something else. 101 00:04:23,400 --> 00:04:26,000 Speaker 2: Yeah, but that's where so, Charlotte, if he doesn't bring 102 00:04:26,040 --> 00:04:29,320 Speaker 2: it up, I will fight multiple times with my mouth, okay, 103 00:04:29,440 --> 00:04:30,920 Speaker 2: because I'm the one who's going to make the noise. 104 00:04:31,720 --> 00:04:33,880 Speaker 2: That's where I start. And then obviously if he says nothing, 105 00:04:33,920 --> 00:04:37,000 Speaker 2: we'll start building up to like a no again, that's 106 00:04:37,080 --> 00:04:37,479 Speaker 2: been silly. 107 00:04:38,160 --> 00:04:43,599 Speaker 5: We'll keep it, kid, Kid, Charlie's worried about not being 108 00:04:43,600 --> 00:04:45,599 Speaker 5: attracted in front of my partners. You can't of be 109 00:04:45,720 --> 00:04:50,360 Speaker 5: dropping her guts, okay, and that's sort of abhorrent fashion. Yeah, 110 00:04:50,480 --> 00:04:52,239 Speaker 5: cute ones, nice ones, Charlotte. 111 00:04:52,279 --> 00:04:54,440 Speaker 4: If you need to acknowledge that it's me, I need 112 00:04:54,440 --> 00:04:56,080 Speaker 4: to actually acknowledge, like, oh yes. 113 00:04:56,480 --> 00:04:59,119 Speaker 5: If he doesn't mention it, you you have to self 114 00:04:59,120 --> 00:05:02,200 Speaker 5: sacrifice here. Yeah, Okay, are you ready? We're ready? I 115 00:05:02,240 --> 00:05:05,240 Speaker 5: think Australia is ready. Fifteen and a half years of fun. 116 00:05:05,360 --> 00:05:10,320 Speaker 5: Floodgates about to be flung open live on the radio, Charlotte. 117 00:05:10,680 --> 00:05:13,159 Speaker 5: He's doing a happy you, a happy gut in your life. 118 00:05:13,320 --> 00:05:15,719 Speaker 5: Moving forward, time for you to call your husband Grahame. 119 00:05:16,360 --> 00:05:29,240 Speaker 3: All right, I'll call him now here we go. Hello, sure, sorry, 120 00:05:29,240 --> 00:05:29,720 Speaker 3: are you busy? 121 00:05:31,240 --> 00:05:31,360 Speaker 5: Oh? 122 00:05:31,440 --> 00:05:31,719 Speaker 8: Really? 123 00:05:32,200 --> 00:05:32,279 Speaker 6: On? 124 00:05:33,279 --> 00:05:35,200 Speaker 3: So, I'm just sort of easy to call you. With 125 00:05:35,320 --> 00:05:39,080 Speaker 3: Austin's birthday on Friday? So what time do you want 126 00:05:39,120 --> 00:05:40,279 Speaker 3: to go to the aquarium? 127 00:05:40,480 --> 00:05:44,560 Speaker 10: Huh uh, I don't know the time, You're like. 128 00:05:44,720 --> 00:05:47,760 Speaker 3: Really, I know this part is not till Saturday. But 129 00:05:48,120 --> 00:05:51,400 Speaker 3: the people just called me and oh my god, my 130 00:05:51,440 --> 00:05:55,960 Speaker 3: stomach is not good today. Yeah, so they want to 131 00:05:55,960 --> 00:05:57,960 Speaker 3: know if they can deliver everything the day before. 132 00:06:01,080 --> 00:06:02,000 Speaker 5: Right here? 133 00:06:02,040 --> 00:06:02,360 Speaker 2: Okay? 134 00:06:03,200 --> 00:06:05,320 Speaker 3: Yeah, do you not hear that my stomach is not 135 00:06:05,320 --> 00:06:05,760 Speaker 3: gonna ki? 136 00:06:06,480 --> 00:06:09,360 Speaker 5: No, I mean we can go to the acquirement of 137 00:06:09,440 --> 00:06:10,000 Speaker 5: land stars. 138 00:06:10,120 --> 00:06:13,839 Speaker 11: Do you want to say, is that Oscar? 139 00:06:15,000 --> 00:06:21,880 Speaker 3: No, it's not Oscar. Oh, I get that noise my 140 00:06:21,960 --> 00:06:24,599 Speaker 3: stomach Like, well, I say it's my stomach. It's not 141 00:06:24,680 --> 00:06:27,280 Speaker 3: my stomach. Yeah, be happy for me to just to 142 00:06:27,320 --> 00:06:32,640 Speaker 3: make a decision. Yes, yeah, I'm Oh my god, I'm 143 00:06:32,680 --> 00:06:40,680 Speaker 3: so sorry. This is really embarrassing. I don't think you've 144 00:06:40,680 --> 00:06:44,280 Speaker 3: ever had this part probably before. Oh it just sounds 145 00:06:44,279 --> 00:06:46,479 Speaker 3: like pretty pretty and sweet. 146 00:06:46,560 --> 00:06:48,800 Speaker 10: During their characters. 147 00:06:54,560 --> 00:06:55,000 Speaker 11: Anyway. 148 00:06:56,160 --> 00:07:04,160 Speaker 2: But ryam, Graham, Graham? Are you there, Graham Graham. It's 149 00:07:04,200 --> 00:07:09,080 Speaker 2: Will and Woody. We're a radio show. If you haven't 150 00:07:09,120 --> 00:07:13,040 Speaker 2: heard of this, Graham, your beautiful partner called us last 151 00:07:13,040 --> 00:07:15,200 Speaker 2: week and todd that she hasn't farted in front of 152 00:07:15,200 --> 00:07:17,480 Speaker 2: you for fifteen and a half years. So we wanted 153 00:07:17,480 --> 00:07:19,800 Speaker 2: to set up a situation where she would call you 154 00:07:19,880 --> 00:07:22,640 Speaker 2: and fart for the very first time. But you just 155 00:07:22,720 --> 00:07:24,400 Speaker 2: ignored every far. 156 00:07:27,280 --> 00:07:28,000 Speaker 11: I thought I was the. 157 00:07:30,960 --> 00:07:31,200 Speaker 2: Mate. 158 00:07:31,240 --> 00:07:34,600 Speaker 5: It was like it was like so the Norman Evasion. 159 00:07:34,640 --> 00:07:38,480 Speaker 5: There you were getting bombed hard like you just you 160 00:07:38,600 --> 00:07:40,560 Speaker 5: just didn't blink. What is going on? 161 00:07:42,480 --> 00:07:44,200 Speaker 3: Oh he's obviously a gentleman. 162 00:07:45,120 --> 00:07:46,960 Speaker 2: But just while we've got your Graham. I mean, if 163 00:07:47,040 --> 00:07:49,080 Speaker 2: Charlotte was I'm not saying she will do this, but 164 00:07:49,160 --> 00:07:51,920 Speaker 2: if she was in the future to fart in front 165 00:07:51,960 --> 00:07:53,000 Speaker 2: of you, you wouldn't care, would you. 166 00:07:53,560 --> 00:07:59,960 Speaker 11: Oh? 167 00:08:01,480 --> 00:08:03,440 Speaker 5: Better tell you guys something which is very much a 168 00:08:03,480 --> 00:08:06,520 Speaker 5: back of house conversation, but hopefully it's going to lead 169 00:08:06,560 --> 00:08:09,880 Speaker 5: to something magical. So you and I were approached by 170 00:08:10,120 --> 00:08:13,600 Speaker 5: the Adelaide Fringe. The Adelaide Fringe, if you're not aware 171 00:08:13,600 --> 00:08:15,280 Speaker 5: of it, the fringe festival that goes on in Adelaide 172 00:08:15,360 --> 00:08:19,080 Speaker 5: is probably one of the best comedy festivals in the country, 173 00:08:19,120 --> 00:08:20,360 Speaker 5: if not the Southern hemisphere. 174 00:08:20,640 --> 00:08:23,280 Speaker 2: It's on the river, it's on right now. It's extraordinary. 175 00:08:23,280 --> 00:08:26,440 Speaker 5: It attracts the best acts in the world. Naturally they 176 00:08:26,480 --> 00:08:31,239 Speaker 5: came to us, of course, they said, they said, boys, 177 00:08:31,240 --> 00:08:32,760 Speaker 5: do you want to come and do a show? So 178 00:08:33,440 --> 00:08:38,040 Speaker 5: truly we're flattered, we really are. But we've had a 179 00:08:38,040 --> 00:08:39,280 Speaker 5: little bit of a think about it, and you know, 180 00:08:39,320 --> 00:08:41,319 Speaker 5: it's been a while since we've done comedy shows. But 181 00:08:41,480 --> 00:08:46,600 Speaker 5: more importantly, we've been looking for an opportunity to give 182 00:08:47,160 --> 00:08:52,440 Speaker 5: our very good friend Rude Dude her own opportunity to 183 00:08:52,640 --> 00:08:56,520 Speaker 5: actually make comedy something that she does professionally. 184 00:08:57,000 --> 00:08:58,720 Speaker 2: By the way, if you've never heard of Rude Jude, 185 00:08:59,200 --> 00:09:01,680 Speaker 2: she's been on this show what ten times now, Like 186 00:09:01,880 --> 00:09:03,840 Speaker 2: we just we love finding reasons to get her involved 187 00:09:03,840 --> 00:09:06,559 Speaker 2: in the show. She's this seventy four year old woman 188 00:09:06,600 --> 00:09:09,960 Speaker 2: from Charleville, which is in regional Queensland. She runs a 189 00:09:10,160 --> 00:09:14,400 Speaker 2: bait and tackle shop with effectively a naughty corner where 190 00:09:14,400 --> 00:09:17,839 Speaker 2: she sells bedroom toys. Yeah, here's just a little bit 191 00:09:17,880 --> 00:09:21,080 Speaker 2: a snippet of what Jude's brought to this show. Already 192 00:09:21,840 --> 00:09:22,280 Speaker 2: we're good. 193 00:09:22,880 --> 00:09:25,320 Speaker 5: We're supergan to talk to you about the willies and 194 00:09:25,320 --> 00:09:27,400 Speaker 5: woodies you've got in the back corner of your offish 195 00:09:27,400 --> 00:09:28,079 Speaker 5: and chip shop. 196 00:09:28,679 --> 00:09:29,120 Speaker 12: I bet that. 197 00:09:31,600 --> 00:09:32,080 Speaker 5: No doubt. 198 00:09:32,440 --> 00:09:36,199 Speaker 12: We've got little Nicky Lewis and Kitty Luis, and I 199 00:09:36,360 --> 00:09:38,319 Speaker 12: don't know whether to put it on the line or 200 00:09:38,320 --> 00:09:43,520 Speaker 12: put it on themselves. Ninety two year old woman came 201 00:09:43,559 --> 00:09:46,319 Speaker 12: in one day. She thought, my husband and I had 202 00:09:46,360 --> 00:09:49,480 Speaker 12: great sex. This is true story, had great sex and 203 00:09:49,520 --> 00:09:56,559 Speaker 12: I miss it so much, only fainted. She came back 204 00:09:56,600 --> 00:10:02,360 Speaker 12: a week later and said, have you got a bigger one? 205 00:10:03,840 --> 00:10:06,920 Speaker 5: Strawdry? So she's called rue dude for a reason. Obviously 206 00:10:07,040 --> 00:10:09,000 Speaker 5: she's very naughty. You may have even sent her on TV. 207 00:10:09,240 --> 00:10:10,880 Speaker 5: I know she she popped up on TV a couple 208 00:10:10,920 --> 00:10:13,600 Speaker 5: of times. She truly is a phenomenon, guys, and she 209 00:10:13,640 --> 00:10:16,920 Speaker 5: gives our show so much time. And we really think, 210 00:10:16,960 --> 00:10:18,800 Speaker 5: and I'm sure all of you do that listen to her, 211 00:10:19,120 --> 00:10:22,720 Speaker 5: that she's brilliant and she deserves this chance. You and 212 00:10:22,800 --> 00:10:25,040 Speaker 5: I get these sorts of opportunities all the time, and 213 00:10:25,080 --> 00:10:27,559 Speaker 5: it's a wonderful opportunity to give somebody. A seventy four 214 00:10:27,600 --> 00:10:29,960 Speaker 5: year old woman who runs a Fish, a bait and 215 00:10:30,000 --> 00:10:34,640 Speaker 5: tackle shop in Charleville, eight hours from Brisbane. The opportunity 216 00:10:34,720 --> 00:10:36,760 Speaker 5: to do stand up at one of the biggest comedy 217 00:10:36,800 --> 00:10:39,000 Speaker 5: festivals in the world. 218 00:10:39,120 --> 00:10:41,000 Speaker 2: Let's get her on the stage. She'll win. By the way, 219 00:10:41,120 --> 00:10:43,760 Speaker 2: she'll win the award best show she could. 220 00:10:44,160 --> 00:10:44,800 Speaker 5: We're gonna call it. 221 00:10:44,880 --> 00:10:45,080 Speaker 12: Well. 222 00:10:45,200 --> 00:10:48,600 Speaker 5: First of all, I don't know if she's ever left Charleville, Like, 223 00:10:48,720 --> 00:10:49,640 Speaker 5: I don't know. 224 00:10:49,280 --> 00:10:49,599 Speaker 11: I don't know. 225 00:10:49,840 --> 00:10:51,360 Speaker 5: I don't know if she I don't know if she can, 226 00:10:51,640 --> 00:10:53,280 Speaker 5: I don't know if she if she's able to travel 227 00:10:53,400 --> 00:10:54,000 Speaker 5: long distance. 228 00:10:54,280 --> 00:10:56,960 Speaker 2: Last time we spoke to her, she was an disappointment. 229 00:10:57,080 --> 00:10:59,280 Speaker 5: She's better than in timber into Womba. Yes, so she 230 00:10:59,360 --> 00:11:00,720 Speaker 5: moves and she said his mobile. 231 00:11:01,080 --> 00:11:01,760 Speaker 2: She's mobile. 232 00:11:02,040 --> 00:11:03,160 Speaker 5: So we're going to call her up next. 233 00:11:03,240 --> 00:11:03,640 Speaker 2: Yeah. 234 00:11:03,960 --> 00:11:06,320 Speaker 5: I really don't know how this is going to go, Guys. 235 00:11:06,360 --> 00:11:09,280 Speaker 5: We could have an elated dude on the other side. 236 00:11:09,640 --> 00:11:12,760 Speaker 5: It could just be a complicated phone call. It could 237 00:11:12,800 --> 00:11:15,880 Speaker 5: be also just yeah, just very rude. But by the way, 238 00:11:16,040 --> 00:11:17,800 Speaker 5: we're going to call out next see if she wants 239 00:11:17,840 --> 00:11:20,079 Speaker 5: to go and do the Adelaide Fringe Festival on behalf 240 00:11:20,120 --> 00:11:22,400 Speaker 5: of us. She'll be really special. Stay with hey. The 241 00:11:22,400 --> 00:11:26,000 Speaker 5: Adelaide Fringe is on really shortly Woods and it attracts 242 00:11:26,040 --> 00:11:28,679 Speaker 5: the best comedy acts in the world. Truly, it is 243 00:11:28,720 --> 00:11:31,160 Speaker 5: one of the greatest comedy festivals in the Southern Hemisphere, 244 00:11:31,160 --> 00:11:33,520 Speaker 5: if not the world. They approached us to do a 245 00:11:33,520 --> 00:11:36,400 Speaker 5: show that we said we can't. Maybe we're a little 246 00:11:36,440 --> 00:11:39,319 Speaker 5: bit scared, who knows, But the point is we also 247 00:11:40,080 --> 00:11:43,920 Speaker 5: would rather give the opportunity to somebody who we think 248 00:11:43,960 --> 00:11:44,480 Speaker 5: deserves it. 249 00:11:44,600 --> 00:11:47,120 Speaker 2: Her name is Rude Jude. We've got her phone number here. 250 00:11:47,400 --> 00:11:49,960 Speaker 2: Obviously we need to call her first because doing stand 251 00:11:50,040 --> 00:11:51,720 Speaker 2: up in front of hundreds of people is a pretty 252 00:11:51,880 --> 00:11:52,760 Speaker 2: scary thing to do. 253 00:11:52,880 --> 00:11:53,120 Speaker 5: Yeah. 254 00:11:53,120 --> 00:11:55,400 Speaker 2: Plus, she lives in Childville's a that's a long way 255 00:11:55,440 --> 00:11:57,960 Speaker 2: from it, so let's just call it. 256 00:11:58,480 --> 00:12:00,960 Speaker 5: Yeah. I was going to say, any why out of Childville? 257 00:12:00,960 --> 00:12:01,600 Speaker 5: Do you know that? 258 00:12:02,040 --> 00:12:07,600 Speaker 2: No idea, Mate, I still don't really know where la. 259 00:12:07,880 --> 00:12:09,520 Speaker 2: Let's just call her and see if she's available for 260 00:12:09,559 --> 00:12:10,400 Speaker 2: one or if she wants. 261 00:12:10,200 --> 00:12:29,440 Speaker 6: To do Okay, Hello, Judy Browsing, Hey jud it's Willem Woody. 262 00:12:29,880 --> 00:12:34,959 Speaker 5: Hi Judy, how are you God? How are you super well? Mate? 263 00:12:35,120 --> 00:12:37,680 Speaker 5: Super well? Just life as a life as a dad 264 00:12:37,760 --> 00:12:39,720 Speaker 5: for both of us at the moment, we're flat. 265 00:12:40,160 --> 00:12:46,120 Speaker 8: Girls rather bye baby. Yeah, it's exciting. 266 00:12:45,640 --> 00:12:48,199 Speaker 2: Isn't it. How the sales going in the bait and 267 00:12:48,240 --> 00:12:49,040 Speaker 2: tackle store? 268 00:12:50,440 --> 00:12:54,440 Speaker 8: Not too bad? Yeah, you know there's a few terrors, 269 00:12:54,679 --> 00:12:59,920 Speaker 8: terrors going through and hey I'm going along all right? 270 00:13:01,280 --> 00:13:01,480 Speaker 7: Yeah? 271 00:13:01,800 --> 00:13:04,640 Speaker 5: Sorry? Was that a comical that went off in the 272 00:13:04,640 --> 00:13:05,679 Speaker 5: background in the shop? 273 00:13:05,840 --> 00:13:07,120 Speaker 7: What was that? 274 00:13:07,120 --> 00:13:10,320 Speaker 8: That's someone coming into the shops? 275 00:13:12,200 --> 00:13:14,560 Speaker 5: Is that the is that the bell that goes off 276 00:13:14,640 --> 00:13:16,520 Speaker 5: the side. 277 00:13:15,960 --> 00:13:17,000 Speaker 8: Comes in the front door? 278 00:13:19,200 --> 00:13:21,520 Speaker 2: Can you can you go and move the door for us? 279 00:13:22,720 --> 00:13:23,960 Speaker 2: And move the door for us? I want to hear 280 00:13:24,000 --> 00:13:27,400 Speaker 2: it again, right, I'll just turn it off. You can 281 00:13:27,400 --> 00:13:29,240 Speaker 2: have want you want to hear it. We want to 282 00:13:29,280 --> 00:13:29,560 Speaker 2: hear it. 283 00:13:31,040 --> 00:13:38,800 Speaker 8: They want to hear I've got to turn back on. Hey, sorry, 284 00:13:38,880 --> 00:13:42,800 Speaker 8: dal Sorry, yes, I watched the guys. 285 00:13:45,480 --> 00:13:53,640 Speaker 5: I want to what I'm doing. 286 00:13:54,520 --> 00:13:56,360 Speaker 2: Dude, We've got an opportunity if you want to swing 287 00:13:56,400 --> 00:13:59,720 Speaker 2: you away? Are you freeing like a couple of weeks? 288 00:13:59,840 --> 00:14:02,200 Speaker 2: I what's what's your diary looking like? What's your schedule 289 00:14:02,200 --> 00:14:02,640 Speaker 2: looking like? 290 00:14:02,960 --> 00:14:03,560 Speaker 7: Oh? 291 00:14:03,600 --> 00:14:06,800 Speaker 8: Well yeah, I'll be free Why what's happening? 292 00:14:07,120 --> 00:14:10,400 Speaker 2: Okay? Have you ever heard of the Adelaide Fringe Festival? 293 00:14:10,640 --> 00:14:11,120 Speaker 8: Fringe? 294 00:14:11,600 --> 00:14:11,840 Speaker 2: Yeah? 295 00:14:11,880 --> 00:14:13,600 Speaker 8: Yeah, I'm on the top of your head. 296 00:14:13,920 --> 00:14:17,640 Speaker 5: No, no, no, no, it's like that's the name of 297 00:14:17,640 --> 00:14:23,720 Speaker 5: a festival, dude, it's a comedy Adelaide Fringe Festival. Yeah, yeah, yeah, 298 00:14:22,400 --> 00:14:27,720 Speaker 5: I would you like to perform there? Yeah? You're keen? 299 00:14:28,840 --> 00:14:31,920 Speaker 2: Yeah, today like a stand up show, dude, So you 300 00:14:31,960 --> 00:14:33,520 Speaker 2: get up on stage and do stand. 301 00:14:33,320 --> 00:14:37,760 Speaker 8: Up Hey, dal, I'm not a comedian and I'm not 302 00:14:37,920 --> 00:14:40,000 Speaker 8: even a stand up comic. I'm a rat. 303 00:14:41,880 --> 00:14:44,360 Speaker 5: You're not a rat? For you, bill? Do you. 304 00:14:46,240 --> 00:14:47,400 Speaker 2: We don't reckon? You're a rat? 305 00:14:47,680 --> 00:14:50,400 Speaker 5: Do you think you can put together like, like you know, 306 00:14:50,560 --> 00:14:52,640 Speaker 5: twenty minutes and a half an hour's worth of material? 307 00:14:53,760 --> 00:14:57,040 Speaker 8: Twenty minutes? Are you coming with me? 308 00:14:57,280 --> 00:14:57,920 Speaker 5: We'll come with you. 309 00:14:58,320 --> 00:15:02,120 Speaker 2: You will help you. What am I going to do before? 310 00:15:02,160 --> 00:15:04,280 Speaker 5: We have to think about some jokes or some stories 311 00:15:04,280 --> 00:15:04,840 Speaker 5: you can tell? 312 00:15:05,480 --> 00:15:09,880 Speaker 8: Oh, yes, right, okay, got a few of them, but 313 00:15:10,040 --> 00:15:11,440 Speaker 8: I'm not really funny. 314 00:15:12,200 --> 00:15:17,760 Speaker 5: Oh come on, you think you are hilarious. Everyone thinks 315 00:15:17,760 --> 00:15:18,800 Speaker 5: you're hilarious. 316 00:15:19,560 --> 00:15:20,320 Speaker 8: I'm alerted. 317 00:15:20,360 --> 00:15:23,840 Speaker 5: Tick, you are a little bit of that's what's your like? 318 00:15:24,360 --> 00:15:25,760 Speaker 5: Off the top of your head? If you have if 319 00:15:25,760 --> 00:15:27,160 Speaker 5: you had to tell us a joke, now, what would 320 00:15:27,160 --> 00:15:27,600 Speaker 5: you go for? 321 00:15:29,600 --> 00:15:33,280 Speaker 8: I don't know. Oh, I suppose I gonna tell you 322 00:15:33,280 --> 00:15:37,160 Speaker 8: this little quick one. Yeah, this lady's hanging over her 323 00:15:37,800 --> 00:15:41,120 Speaker 8: fence at her house and looking over the fence and 324 00:15:41,160 --> 00:15:45,320 Speaker 8: this little girl and Nancy, he's digging a big hole anyhow. 325 00:15:45,600 --> 00:15:50,200 Speaker 8: She said, what are you doing there? Nancy? She said, 326 00:15:50,440 --> 00:15:54,360 Speaker 8: my goldfish died and I'm burying it. She said that 327 00:15:54,520 --> 00:15:58,440 Speaker 8: hole is too big for a golfish. She said, no, 328 00:15:58,600 --> 00:16:01,280 Speaker 8: it's not, because it's in so on your cat. 329 00:16:06,200 --> 00:16:07,400 Speaker 2: You are gonna be fine. 330 00:16:07,560 --> 00:16:07,720 Speaker 11: Jr. 331 00:16:08,880 --> 00:16:13,200 Speaker 5: Wall I gotta know, lie, no one don't. 332 00:16:13,800 --> 00:16:15,880 Speaker 8: Dude was a little short. 333 00:16:15,960 --> 00:16:16,120 Speaker 7: Well. 334 00:16:16,240 --> 00:16:17,920 Speaker 5: I loved it. I just loved it. 335 00:16:18,480 --> 00:16:22,160 Speaker 2: Twenty I loved it. Any of them were off. 336 00:16:22,480 --> 00:16:26,920 Speaker 5: We're after a couple of weeks, give us some time 337 00:16:26,960 --> 00:16:28,520 Speaker 5: to think about it. But if it's a yes from you, 338 00:16:28,560 --> 00:16:30,720 Speaker 5: we'll go going on this and and we'll make sure 339 00:16:30,760 --> 00:16:32,840 Speaker 5: you're live at the Adelaide fringing a couple of weeks. 340 00:16:33,240 --> 00:16:40,000 Speaker 8: Oh, be bagged myself, all right, mate. 341 00:16:39,840 --> 00:16:48,960 Speaker 5: Love to hear your voice speak soon. 342 00:16:47,120 --> 00:16:47,440 Speaker 9: More. 343 00:16:49,640 --> 00:16:52,520 Speaker 5: It's Will and Woody one to six five, and I 344 00:16:52,680 --> 00:16:54,520 Speaker 5: really need to stress you can remain anonymous here. I 345 00:16:54,560 --> 00:16:55,600 Speaker 5: think we can have a bit of fun with this. 346 00:16:56,000 --> 00:16:58,320 Speaker 5: But if you were going to give the last person 347 00:16:58,400 --> 00:17:04,320 Speaker 5: you slept with feedback? What would you say to them? 348 00:17:04,359 --> 00:17:06,920 Speaker 5: Six five we're talking about it because of my favorite 349 00:17:06,960 --> 00:17:10,639 Speaker 5: show Mine Annuals Maths. A bit of live fedback on 350 00:17:10,680 --> 00:17:18,520 Speaker 5: the couch last night between Vanessa and Josh melissat. 351 00:17:16,320 --> 00:17:21,200 Speaker 1: That Intimacy Night drink Intimacy Week. It was just sex. 352 00:17:21,800 --> 00:17:26,600 Speaker 1: It was just a transaction. It wasn't how I imagined to 353 00:17:26,640 --> 00:17:29,600 Speaker 1: have an amazing sex life with someone. It was just 354 00:17:29,680 --> 00:17:32,400 Speaker 1: physical and that. 355 00:17:32,440 --> 00:17:37,080 Speaker 2: Was quite awful. Oh Vanessa sex Melissa. I actually I 356 00:17:37,080 --> 00:17:40,000 Speaker 2: actually saw this last night. She was she was horrific. 357 00:17:40,320 --> 00:17:41,879 Speaker 2: And you don't know how it's edited all that, I 358 00:17:41,920 --> 00:17:43,679 Speaker 2: get that, but she was saying to him, You're not 359 00:17:43,760 --> 00:17:45,719 Speaker 2: enough of a man. I need a real man, and 360 00:17:45,760 --> 00:17:48,679 Speaker 2: then just torch his performance in the bedroom. Wow, and 361 00:17:48,680 --> 00:17:51,440 Speaker 2: this poor this guy started crying, of course crying next 362 00:17:51,440 --> 00:17:53,719 Speaker 2: to he's on national TV. All other couples are watching. 363 00:17:54,160 --> 00:17:55,160 Speaker 5: It was it was horrific. 364 00:17:55,680 --> 00:17:56,360 Speaker 2: It was horrific. 365 00:17:56,480 --> 00:18:02,960 Speaker 5: Well bring it back to a lighthearted time, because I reckon, 366 00:18:02,960 --> 00:18:05,160 Speaker 5: you can't give a little bit of fun feedback like 367 00:18:05,160 --> 00:18:07,240 Speaker 5: like so probably I'm obviously the last person that I 368 00:18:07,320 --> 00:18:09,359 Speaker 5: slept with was my partner, sim Yes, if I was 369 00:18:09,359 --> 00:18:11,840 Speaker 5: going to give her any feedback. The last time that 370 00:18:11,880 --> 00:18:15,000 Speaker 5: we had a bit of a honky chunk and was 371 00:18:15,320 --> 00:18:20,000 Speaker 5: would be don't bring the baby monitor into the bedroom? 372 00:18:20,080 --> 00:18:20,719 Speaker 5: Quite simple. 373 00:18:21,640 --> 00:18:24,679 Speaker 2: You did it go off? Yeah, because it does with noise? 374 00:18:25,640 --> 00:18:26,480 Speaker 2: Did you watch it back? 375 00:18:27,080 --> 00:18:27,359 Speaker 5: What? 376 00:18:27,920 --> 00:18:28,680 Speaker 2: Did you watch it back? 377 00:18:28,720 --> 00:18:28,920 Speaker 7: Watch? 378 00:18:28,920 --> 00:18:29,000 Speaker 9: What? 379 00:18:29,200 --> 00:18:31,200 Speaker 2: Back the monitor? 380 00:18:31,240 --> 00:18:31,840 Speaker 5: What do you mean? 381 00:18:32,000 --> 00:18:32,680 Speaker 2: Was it video on you? 382 00:18:32,760 --> 00:18:32,800 Speaker 1: No? 383 00:18:32,880 --> 00:18:35,000 Speaker 5: It doesn't. What what are you talking. 384 00:18:34,880 --> 00:18:35,879 Speaker 2: Talking about baby monitors? 385 00:18:35,920 --> 00:18:36,280 Speaker 12: The video? 386 00:18:36,840 --> 00:18:43,200 Speaker 5: I'm not talking about monitoring us. What you are? You 387 00:18:43,400 --> 00:18:46,520 Speaker 5: sick freak? Did you did you feel yourself in the monitor? 388 00:18:46,560 --> 00:18:49,359 Speaker 5: Did you feel yourself in the baby monitor? Did you 389 00:18:49,400 --> 00:18:53,679 Speaker 5: watch it back? Filming? You such a sin man? And 390 00:18:53,720 --> 00:18:55,919 Speaker 5: you did you watch it back? I didn't film myself 391 00:18:55,960 --> 00:18:57,119 Speaker 5: having sex on my. 392 00:18:57,119 --> 00:19:02,640 Speaker 2: Job deently, what a dream? And then and then you. 393 00:19:02,600 --> 00:19:05,439 Speaker 5: Could you're just showing your cards. 394 00:19:05,480 --> 00:19:08,119 Speaker 2: Well, if you did do it accidentally, if you did 395 00:19:08,119 --> 00:19:09,840 Speaker 2: it deliberately, it's a bit weird. But you could then 396 00:19:09,880 --> 00:19:12,880 Speaker 2: sit down and then go through feedback vision bitter life, 397 00:19:12,880 --> 00:19:14,480 Speaker 2: feb pause it there, pause it there? 398 00:19:14,520 --> 00:19:14,639 Speaker 5: Now? 399 00:19:14,680 --> 00:19:17,800 Speaker 2: What are you doing with that hand? I didn't like that. 400 00:19:17,800 --> 00:19:19,760 Speaker 5: That actually would be a great bit of a bit 401 00:19:19,800 --> 00:19:22,560 Speaker 5: of feedback session with a video pause, you learn a lot. 402 00:19:22,880 --> 00:19:25,560 Speaker 5: I could watch myself I could never watch myself. There's 403 00:19:25,600 --> 00:19:27,480 Speaker 5: no way anyway, neither. 404 00:19:33,800 --> 00:19:33,919 Speaker 4: One. 405 00:19:33,960 --> 00:19:38,440 Speaker 5: At six five over to you guys, feedback. Last person 406 00:19:38,480 --> 00:19:40,000 Speaker 5: is there with it can obviously be your partner. If 407 00:19:40,000 --> 00:19:42,040 Speaker 5: you're going to give them one piece of feedback, you 408 00:19:42,040 --> 00:19:43,760 Speaker 5: can remain completely anonymous on this. 409 00:19:43,800 --> 00:19:45,199 Speaker 2: Show and it can be really good for them. 410 00:19:45,440 --> 00:19:51,240 Speaker 5: Absolutely. What would the feedback be? Your feedback to mem Yeah, 411 00:19:51,440 --> 00:19:57,879 Speaker 5: nice mate, let's do it. Maps last night shocking scene 412 00:19:58,080 --> 00:20:01,560 Speaker 5: as she shall not be named because I can't remember 413 00:20:01,560 --> 00:20:05,200 Speaker 5: her name and Josh, Melissa had had a shocking crack 414 00:20:05,240 --> 00:20:07,000 Speaker 5: at him, gave him some feedback after they had been 415 00:20:07,040 --> 00:20:10,320 Speaker 5: intimate with each other, after they'd swapped legs in exchange gravy. 416 00:20:10,760 --> 00:20:14,080 Speaker 5: She told him just you know how to be and 417 00:20:14,119 --> 00:20:16,040 Speaker 5: you know it was shocking stuff. But I think a 418 00:20:16,040 --> 00:20:20,120 Speaker 5: bit of feedback in the boudoir can be incredibly beneficial 419 00:20:20,160 --> 00:20:23,359 Speaker 5: for your relationship or even if if you have a 420 00:20:23,400 --> 00:20:25,520 Speaker 5: one night stand, If you have a one night stand 421 00:20:25,520 --> 00:20:27,640 Speaker 5: with someone, if you're able to say to them, hey, look, 422 00:20:27,840 --> 00:20:32,159 Speaker 5: just I'm not coming back. You know, I'm not getting 423 00:20:32,160 --> 00:20:34,000 Speaker 5: the weekly DV day, I'm just getting the one night er. 424 00:20:34,119 --> 00:20:36,560 Speaker 2: I didn't like it, but bad. 425 00:20:36,800 --> 00:20:39,679 Speaker 5: But for the next person, maybe this would be a 426 00:20:39,680 --> 00:20:40,520 Speaker 5: good thing to know. 427 00:20:40,880 --> 00:20:44,200 Speaker 2: Done with respect. It's a great thing, and I think, I. 428 00:20:44,080 --> 00:20:47,160 Speaker 5: Think particularly with dudes. I mean like, hey, an undersheet 429 00:20:47,400 --> 00:20:48,159 Speaker 5: is a great idea. 430 00:20:48,560 --> 00:20:52,520 Speaker 2: There you go, you know, critiquing the bedroom as well, Well, it. 431 00:20:52,440 --> 00:20:54,919 Speaker 5: Doesn't necessarily need to be you know, in the gland 432 00:20:54,920 --> 00:20:57,560 Speaker 5: to gland combat that you're analyzing. It's more just like 433 00:20:57,720 --> 00:20:58,960 Speaker 5: in the bedroom. 434 00:20:58,800 --> 00:21:00,480 Speaker 2: Like take your socks off next time. That was weird. 435 00:21:00,560 --> 00:21:02,280 Speaker 5: Yeah, I don't like the fact that your housemate can 436 00:21:02,320 --> 00:21:05,560 Speaker 5: walk through at any stage, like those sorts of things 437 00:21:06,560 --> 00:21:08,240 Speaker 5: could be really bad. My mum used to say me, 438 00:21:08,280 --> 00:21:11,040 Speaker 5: cut your mom used to say cut your toneuse just 439 00:21:11,040 --> 00:21:14,800 Speaker 5: talking specifically about sex. Yeah, she said, because you'll scratch someone. Yeah, 440 00:21:14,960 --> 00:21:16,520 Speaker 5: said you never get a girlfriend like that if you 441 00:21:16,600 --> 00:21:18,200 Speaker 5: got long toils, because you'll scratch her. 442 00:21:18,480 --> 00:21:20,280 Speaker 2: When did she bring that up? In what context did 443 00:21:20,320 --> 00:21:20,840 Speaker 2: she bring that up? 444 00:21:20,880 --> 00:21:24,159 Speaker 5: Well, I think dad, she had a few. No, Jockie, 445 00:21:24,200 --> 00:21:27,800 Speaker 5: that's disgusting that that That wasn't okay. I'm living with 446 00:21:27,840 --> 00:21:29,119 Speaker 5: mum and dad right now. I'm not sure if this. 447 00:21:30,280 --> 00:21:32,919 Speaker 2: Yeah, have you heard anything She used to say that 448 00:21:33,000 --> 00:21:33,240 Speaker 2: to me? 449 00:21:33,400 --> 00:21:36,399 Speaker 5: They always cut your toeauls. Anyway, you took me there Woodie. 450 00:21:38,200 --> 00:21:41,880 Speaker 2: Yeah, mum giving you feedback for sex? You did? 451 00:21:42,359 --> 00:21:42,399 Speaker 5: What? 452 00:21:42,720 --> 00:21:44,960 Speaker 2: What does mummy to the girls? 453 00:21:46,240 --> 00:21:49,679 Speaker 5: Produces a rattle? We're all rattled, Tara. 454 00:21:49,800 --> 00:21:52,040 Speaker 11: Tara, Hey, how are you going? 455 00:21:52,119 --> 00:21:53,920 Speaker 5: Hey? So you've got a bit of feedback for the 456 00:21:53,960 --> 00:21:55,200 Speaker 5: last person that you slept with? 457 00:21:56,280 --> 00:21:56,520 Speaker 8: Yeah? 458 00:21:56,760 --> 00:22:00,280 Speaker 11: Yeah, I'm all about giving feedback without feedback, not. 459 00:22:00,280 --> 00:22:02,440 Speaker 2: Learn When was it, sorry, Tara, when I went in 460 00:22:02,480 --> 00:22:03,120 Speaker 2: to sleep with this. 461 00:22:03,040 --> 00:22:06,840 Speaker 11: Person recently, a couple of weeks ago. O? 462 00:22:07,160 --> 00:22:07,840 Speaker 2: Great? Great? 463 00:22:09,040 --> 00:22:18,120 Speaker 11: So my feedback is when a guy's going downstairs to 464 00:22:18,119 --> 00:22:20,080 Speaker 11: tell him that he needs to go maybe a little 465 00:22:20,119 --> 00:22:22,520 Speaker 11: bit to the left, a little bit to the right. Nope, 466 00:22:22,560 --> 00:22:23,520 Speaker 11: that's not quite right. 467 00:22:24,320 --> 00:22:27,840 Speaker 2: Okay, I'm just running this down so oh sorry, sorry, Tara. 468 00:22:28,000 --> 00:22:30,359 Speaker 5: I read it. I follow a thread on Reddit called 469 00:22:30,440 --> 00:22:34,080 Speaker 5: ask reddit, and this thread was exactly about that. It 470 00:22:34,119 --> 00:22:37,120 Speaker 5: was women, if you could give men one piece of advice, 471 00:22:37,240 --> 00:22:40,119 Speaker 5: what would it be? And Tara without I'm glad that 472 00:22:40,160 --> 00:22:42,720 Speaker 5: you're here for this discussion as well. The number one 473 00:22:42,760 --> 00:22:46,800 Speaker 5: comment was when I'm giving direction and you're doing that, 474 00:22:47,520 --> 00:22:48,679 Speaker 5: listen to the direction? 475 00:22:49,480 --> 00:22:52,000 Speaker 2: Is that right, Tara? You were directing and he was 476 00:22:52,000 --> 00:22:52,520 Speaker 2: not listening? 477 00:22:54,240 --> 00:22:56,840 Speaker 11: Yeah? Oh no, he would move and I'll say no, no, 478 00:22:56,960 --> 00:22:58,840 Speaker 11: actually back the other way. Nope, too far. 479 00:23:00,600 --> 00:23:04,240 Speaker 5: Trying to pin the town and the donkey or yeah. 480 00:23:04,000 --> 00:23:06,320 Speaker 11: Well you know there's there's one spot. 481 00:23:07,520 --> 00:23:10,040 Speaker 5: Yeah yeah, okay, there you go. There's the feedback. 482 00:23:10,119 --> 00:23:11,200 Speaker 2: Just move around. 483 00:23:11,359 --> 00:23:13,720 Speaker 5: Seem simple, doesn't it, Like listen to the direction when 484 00:23:13,720 --> 00:23:14,560 Speaker 5: you're winning direction. 485 00:23:14,640 --> 00:23:16,439 Speaker 2: I don't know why you wouldn't listen to that direction, 486 00:23:16,800 --> 00:23:19,399 Speaker 2: Like why would you? Why would you be lying? Let's go. 487 00:23:19,440 --> 00:23:21,760 Speaker 2: It's not a prank. I didn't want that. 488 00:23:21,840 --> 00:23:23,240 Speaker 5: Yeah, yeah, I think sometimes you're in a bit of 489 00:23:23,280 --> 00:23:26,240 Speaker 5: a mission though. Anyways, off him, Louisa. 490 00:23:26,400 --> 00:23:30,800 Speaker 2: Let's go to Luisa to find there which is very 491 00:23:30,800 --> 00:23:34,720 Speaker 2: well will let's go to Louis. Louisa, you did you 492 00:23:34,720 --> 00:23:36,639 Speaker 2: you actually gave this feedback to someone? 493 00:23:37,440 --> 00:23:38,159 Speaker 13: Yes, of course I did. 494 00:23:38,240 --> 00:23:39,840 Speaker 11: What you learned from feedback? 495 00:23:40,080 --> 00:23:41,520 Speaker 13: My feedback was slow down. 496 00:23:41,600 --> 00:23:44,879 Speaker 11: It's not a race. Yeah right, I didn't get to 497 00:23:44,880 --> 00:23:45,520 Speaker 11: the finish line. 498 00:23:46,520 --> 00:23:46,720 Speaker 12: Right. 499 00:23:46,800 --> 00:23:50,040 Speaker 2: That's great feedback. That's really good feedback. It's not a race. 500 00:23:50,160 --> 00:23:51,240 Speaker 2: Awesome work, Laiser. 501 00:23:51,359 --> 00:23:52,720 Speaker 5: Have you had that feedback? 502 00:23:53,320 --> 00:23:58,600 Speaker 2: It's not a race? Uh no, because my if duration 503 00:23:58,800 --> 00:24:00,760 Speaker 2: was an issue, it's not that I was. Let's just 504 00:24:00,840 --> 00:24:03,119 Speaker 2: leave it there, Lisa. 505 00:24:03,640 --> 00:24:06,360 Speaker 5: So you go for so long I've. 506 00:24:06,200 --> 00:24:12,640 Speaker 2: Got to Lisa here, lisay, what's come on? What's your feed? 507 00:24:12,680 --> 00:24:14,840 Speaker 2: BASEE wanting to know Lisa? 508 00:24:14,920 --> 00:24:18,120 Speaker 3: What you two out of five stars? 509 00:24:18,480 --> 00:24:19,760 Speaker 5: Oh wow, he treats me. 510 00:24:20,000 --> 00:24:21,119 Speaker 8: How you treat your sheep? 511 00:24:21,359 --> 00:24:22,280 Speaker 3: I'm not coming back. 512 00:24:23,320 --> 00:24:25,080 Speaker 2: You were treated like a sheep? Well he did he 513 00:24:25,200 --> 00:24:26,640 Speaker 2: shorn you? Did you? Did he show? 514 00:24:27,280 --> 00:24:28,560 Speaker 3: The thing's on the sheet? 515 00:24:28,680 --> 00:24:30,119 Speaker 4: He doesn't change his sheep. 516 00:24:30,720 --> 00:24:36,720 Speaker 2: Oh she don't like a sheep like he's grabbing you 517 00:24:36,800 --> 00:24:37,399 Speaker 2: like a sheep? 518 00:24:38,040 --> 00:24:43,000 Speaker 5: Tro did he did? He? Sure? You did? He s. 519 00:24:47,119 --> 00:24:47,280 Speaker 8: Right? 520 00:24:47,359 --> 00:24:47,760 Speaker 3: Now? 521 00:24:47,800 --> 00:24:50,359 Speaker 5: It's a woman, the one and only Pink. 522 00:24:50,400 --> 00:24:53,160 Speaker 9: He's bringing a summer carnival talk to Australia. 523 00:24:53,359 --> 00:24:55,560 Speaker 2: February and March twenty twenty four. 524 00:24:55,680 --> 00:24:56,680 Speaker 5: Second shows added. 525 00:24:56,760 --> 00:24:59,920 Speaker 9: Tickets on sale now it's a live Nation dot Com. 526 00:24:59,760 --> 00:25:03,960 Speaker 5: Dot you double pass ready. 527 00:25:05,040 --> 00:25:11,720 Speaker 6: To find the demons of my life. 528 00:25:09,200 --> 00:25:15,240 Speaker 5: Whales woody Whals. Gotta beat him in guessing the lyrics. 529 00:25:15,240 --> 00:25:17,600 Speaker 5: Gotta sing him as well. If you can beat him, 530 00:25:17,600 --> 00:25:20,840 Speaker 5: it's a best of three. Winner gets two tickets to 531 00:25:20,880 --> 00:25:22,320 Speaker 5: go and see Pink. 532 00:25:22,680 --> 00:25:23,760 Speaker 2: Do I get the tickets? 533 00:25:24,720 --> 00:25:29,520 Speaker 5: Yeah? Huge, I'm that confident that you're that bad. Willinwoodo 534 00:25:29,520 --> 00:25:32,199 Speaker 5: dot com get yourself a double pass to go and 535 00:25:32,240 --> 00:25:32,760 Speaker 5: see Pink. 536 00:25:33,000 --> 00:25:35,360 Speaker 2: Sure, let's go to Angela here, Angela, you really want 537 00:25:35,359 --> 00:25:39,240 Speaker 2: the tickets? Yeah, I do. Look I'm a super competitive bloke, 538 00:25:39,320 --> 00:25:41,400 Speaker 2: so look I also i'd love you to go to Pink. 539 00:25:41,600 --> 00:25:43,200 Speaker 2: But I am gonna be having a red hot crack 540 00:25:43,280 --> 00:25:45,960 Speaker 2: here and Will My form has been better of late. 541 00:25:46,080 --> 00:25:50,040 Speaker 5: No, it hasn't, it has it hasn't. We did this 542 00:25:50,080 --> 00:25:51,760 Speaker 5: on our Instagram. If you go on the Will and 543 00:25:51,800 --> 00:25:53,800 Speaker 5: What he does a video of us guessing the lyrics. 544 00:25:54,440 --> 00:25:56,560 Speaker 5: You did a song that we've done before on the radio, 545 00:25:56,640 --> 00:25:58,879 Speaker 5: like a day earlier, and you you butchered it in 546 00:25:58,920 --> 00:26:00,400 Speaker 5: ways that I didn't even know you could. 547 00:26:00,640 --> 00:26:01,440 Speaker 2: Yeah, it's pretty fair. 548 00:26:01,520 --> 00:26:04,320 Speaker 5: So this is for me, the greatest marvel of this 549 00:26:04,359 --> 00:26:06,879 Speaker 5: whole Woody Whales segment is that you hear these songs. 550 00:26:06,920 --> 00:26:08,440 Speaker 5: You would have heard these songs. I've got the Pink 551 00:26:08,440 --> 00:26:10,960 Speaker 5: songs that you're going to sing against Angela. It's the 552 00:26:11,000 --> 00:26:13,600 Speaker 5: best of three. You would have heard these songs thousands 553 00:26:13,600 --> 00:26:15,879 Speaker 5: of times. Yeah, no doubt it's Pink and you have 554 00:26:15,960 --> 00:26:16,479 Speaker 5: no idea. 555 00:26:16,520 --> 00:26:17,840 Speaker 2: But I'm not going to go into it. But I 556 00:26:17,840 --> 00:26:18,760 Speaker 2: don't hear lyric. 557 00:26:19,240 --> 00:26:22,040 Speaker 5: We've heard this, We've heard that, Angela. Are you Okay, 558 00:26:22,040 --> 00:26:24,280 Speaker 5: if Woody goes first, because I think if you haven't 559 00:26:24,280 --> 00:26:25,520 Speaker 5: heard this before, you kind of just need to wrap 560 00:26:25,520 --> 00:26:28,160 Speaker 5: your head around this. Double pasta pink on the line. 561 00:26:28,400 --> 00:26:35,240 Speaker 5: Here we go. First song, raise your glass and then 562 00:26:35,359 --> 00:26:36,280 Speaker 5: the worst way. 563 00:26:36,560 --> 00:26:39,560 Speaker 2: I'm going to sing a song and I'll never be, 564 00:26:39,760 --> 00:26:41,800 Speaker 2: never be here again to night. 565 00:26:43,359 --> 00:26:49,960 Speaker 5: It's the first thing, never never be right. It was good, 566 00:26:50,520 --> 00:26:54,680 Speaker 5: it's good, but you got it wrong. So and best 567 00:26:54,720 --> 00:26:56,680 Speaker 5: of three? Your gore you ready to go? 568 00:26:57,720 --> 00:27:04,359 Speaker 7: Okay, here we go, and all the right ways of 569 00:27:04,680 --> 00:27:07,919 Speaker 7: you and the dogs we will never be, never be 570 00:27:08,160 --> 00:27:13,800 Speaker 7: anything but lad and Netty gretty dirty little Freeze. 571 00:27:13,760 --> 00:27:16,760 Speaker 5: Said, hang on. 572 00:27:25,119 --> 00:27:27,080 Speaker 2: So fun that I said in all the wrong ways, 573 00:27:27,160 --> 00:27:29,359 Speaker 2: I said, I said the opposite to what she says. 574 00:27:29,440 --> 00:27:31,760 Speaker 5: Yeah, I think the word ways anyway. You got to 575 00:27:31,800 --> 00:27:36,159 Speaker 5: never be, never be, and go up and one nils you. 576 00:27:36,240 --> 00:27:39,200 Speaker 5: It's a best of three, all right, So again double 577 00:27:39,240 --> 00:27:41,280 Speaker 5: pasta pink if you can, if you can take her 578 00:27:41,320 --> 00:27:47,479 Speaker 5: the next one and you're halfway there, you're ready, Okay, 579 00:27:48,200 --> 00:27:52,280 Speaker 5: I'm first. I think you're gonna go first again. This works, 580 00:27:52,320 --> 00:27:52,879 Speaker 5: you'll just copy it. 581 00:27:52,960 --> 00:27:53,879 Speaker 2: I like to intimidate it. 582 00:27:55,000 --> 00:27:58,280 Speaker 5: Here we go, Here we go, What is this? 583 00:27:58,960 --> 00:27:59,480 Speaker 11: Give me, so. 584 00:28:01,880 --> 00:28:07,320 Speaker 2: Cover me in sunshine, cover me in all that shine. 585 00:28:08,359 --> 00:28:11,960 Speaker 14: Let me see the sunshine, cover. 586 00:28:11,840 --> 00:28:13,320 Speaker 2: Me, take it over, my child. 587 00:28:18,280 --> 00:28:20,679 Speaker 5: I can see the look on your face. You didn't 588 00:28:20,680 --> 00:28:23,320 Speaker 5: know what someone was until half a taken before you 589 00:28:23,400 --> 00:28:26,040 Speaker 5: started singing, and you were so happy with it. But 590 00:28:26,119 --> 00:28:29,640 Speaker 5: then you double down and cover me in sunshine. Okay, Angela, 591 00:28:29,760 --> 00:28:33,800 Speaker 5: you go, and as double pasta pink ends, come on 592 00:28:33,880 --> 00:28:37,080 Speaker 5: here we go far way. 593 00:28:37,800 --> 00:28:44,840 Speaker 13: Give cot of me in sunshine. Show me with good times. 594 00:28:46,240 --> 00:28:49,400 Speaker 13: Tell me that the world's been spinning since the beginning, 595 00:28:49,800 --> 00:28:51,560 Speaker 13: and everything will be all right. 596 00:28:53,920 --> 00:28:57,840 Speaker 5: Good lyrics, Double good Lyrics Session. Some of the best 597 00:28:58,240 --> 00:29:01,560 Speaker 5: double pasta Pink Edge The Want Only Bring a Summer 598 00:29:01,600 --> 00:29:04,360 Speaker 5: carval to an Australia feb in March twenty twenty four. 599 00:29:04,400 --> 00:29:07,000 Speaker 5: Second shows added. Tickets on sale now hit to Live 600 00:29:07,080 --> 00:29:08,880 Speaker 5: Nation dot com. Got you or hit to willmwoo dot 601 00:29:08,880 --> 00:29:11,080 Speaker 5: com from a double pass that's going to be back 602 00:29:11,120 --> 00:29:14,600 Speaker 5: tomorrow pretty easy. You are like a shooting vishion of errol. 603 00:29:16,120 --> 00:29:17,719 Speaker 8: Ooh, Will and Woody Goodness. 604 00:29:17,960 --> 00:29:22,240 Speaker 2: After this, it's the Will and Woody Podcast. Talking about 605 00:29:22,240 --> 00:29:26,960 Speaker 2: Rebel Wilson, she proposed to her partner Ramona a groomer 606 00:29:27,600 --> 00:29:29,640 Speaker 2: on the weekend at Disneyland. 607 00:29:31,760 --> 00:29:39,080 Speaker 5: Yeah, that's aitch up archive that was That was me 608 00:29:39,160 --> 00:29:40,680 Speaker 5: in the audio and I hear him over the top 609 00:29:40,720 --> 00:29:44,440 Speaker 5: of this. Yeah, that one. 610 00:29:48,040 --> 00:29:50,720 Speaker 2: I actually know it. I actually know it. 611 00:29:51,360 --> 00:29:51,600 Speaker 8: I do. 612 00:29:52,560 --> 00:29:57,920 Speaker 2: Anyway, what are your thoughts posing at Disneyland? But yeah, 613 00:29:58,120 --> 00:30:00,360 Speaker 2: I agree with you. I couldn't think of a worst 614 00:30:00,360 --> 00:30:03,280 Speaker 2: place to be proposed to. There are crowds of people around, 615 00:30:03,280 --> 00:30:07,560 Speaker 2: there are children around, micking mouses, there a billion people 616 00:30:07,560 --> 00:30:07,760 Speaker 2: of that. 617 00:30:08,200 --> 00:30:10,320 Speaker 5: And I would be one hundred percent on your bandwagon 618 00:30:10,400 --> 00:30:16,000 Speaker 5: if producer LJ didn't get engaged and you know that, 619 00:30:16,240 --> 00:30:18,000 Speaker 5: and I'm not I'm not following her in. 620 00:30:19,720 --> 00:30:21,000 Speaker 2: Because I thought you'd come with me. 621 00:30:21,200 --> 00:30:23,760 Speaker 5: You carried on. I was like, not a great idea. 622 00:30:23,960 --> 00:30:26,800 Speaker 5: You all of a sudden he went ham so and 623 00:30:26,960 --> 00:30:30,120 Speaker 5: LJ was very happy getting to propose to it in Disneyland. 624 00:30:30,160 --> 00:30:33,240 Speaker 2: Well, tell us about it. Elchair was a proposal at Disneyland. 625 00:30:34,360 --> 00:30:36,840 Speaker 9: Yeah, it was very special, But there was there was 626 00:30:36,880 --> 00:30:39,280 Speaker 9: a moment where the castle's little up, the lanterns are 627 00:30:39,280 --> 00:30:42,640 Speaker 9: gone in the air. It's magical and unbeknownst to me, 628 00:30:42,920 --> 00:30:45,640 Speaker 9: my now wife had the ring in her pocket. But 629 00:30:45,800 --> 00:30:47,600 Speaker 9: at the time I was like, God, this is a 630 00:30:47,600 --> 00:30:48,280 Speaker 9: bit cheesy. 631 00:30:48,400 --> 00:30:49,360 Speaker 2: And I turned to her. 632 00:30:49,800 --> 00:30:52,360 Speaker 9: I turned to her and said, is this the moment 633 00:30:52,400 --> 00:30:53,040 Speaker 9: you propose? 634 00:30:53,720 --> 00:30:54,400 Speaker 2: Not thinking? 635 00:30:55,120 --> 00:30:57,560 Speaker 9: Not in a world because I thinking it would happen. 636 00:30:57,800 --> 00:31:00,200 Speaker 9: And then two seconds later, she pulled a ring from 637 00:31:00,200 --> 00:31:03,000 Speaker 9: her pocket that she'd hidden all day, got down on 638 00:31:03,000 --> 00:31:04,000 Speaker 9: one knee and proposed. 639 00:31:06,200 --> 00:31:07,880 Speaker 2: And I think you've hit the nail on the head there. 640 00:31:08,120 --> 00:31:10,800 Speaker 2: I love megs, I love it, and I love your story. 641 00:31:10,920 --> 00:31:16,880 Speaker 5: It's cheesy, Oh that was so I love you guys. 642 00:31:17,160 --> 00:31:20,440 Speaker 5: I love your story. It's so spear me. 643 00:31:20,680 --> 00:31:25,120 Speaker 2: So right now. It's not as bad as proposing under 644 00:31:25,160 --> 00:31:27,080 Speaker 2: a bridge, though, which is what you did. 645 00:31:33,520 --> 00:31:35,640 Speaker 5: You were like a You were like another drug addicts 646 00:31:35,680 --> 00:31:36,080 Speaker 5: town there. 647 00:31:36,320 --> 00:31:39,280 Speaker 2: You were like a troll. You you were like all 648 00:31:39,360 --> 00:31:41,240 Speaker 2: in you you decided. 649 00:31:41,320 --> 00:31:47,000 Speaker 5: I mean, but you got proposed, or you engaged in 650 00:31:47,040 --> 00:31:50,400 Speaker 5: the inner backyard, in your tiny concrete courtyard. So I 651 00:31:50,440 --> 00:31:54,360 Speaker 5: got engaged in Paris under a bridge. It wasn't under 652 00:31:54,360 --> 00:31:56,160 Speaker 5: a bridge, it was it was on top of a bridge. 653 00:31:56,440 --> 00:31:58,320 Speaker 5: And then she was laughing in my face so much 654 00:31:58,360 --> 00:32:00,200 Speaker 5: that I needed to get her out of public, like 655 00:32:00,920 --> 00:32:03,080 Speaker 5: we need to go down the stairs because this is embarrassing, 656 00:32:03,160 --> 00:32:04,720 Speaker 5: because I didn't know she was going to say yes. 657 00:32:05,280 --> 00:32:08,000 Speaker 5: The big you know, like Sam was very much anti marriage, 658 00:32:08,000 --> 00:32:09,840 Speaker 5: and the only way I was going to get her 659 00:32:09,840 --> 00:32:11,440 Speaker 5: in a position where she might say yes, was. 660 00:32:11,440 --> 00:32:14,080 Speaker 2: He kidnapp her and put her under it is if 661 00:32:14,120 --> 00:32:16,400 Speaker 2: I surprised her, you know, like while we were one 662 00:32:16,400 --> 00:32:18,040 Speaker 2: on one in Paris. 663 00:32:17,680 --> 00:32:19,240 Speaker 5: I was like, yea, the only way I'm getting this 664 00:32:19,280 --> 00:32:21,240 Speaker 5: over the line? Did I buy a ring beforehand? 665 00:32:21,360 --> 00:32:21,560 Speaker 4: Yes? 666 00:32:21,720 --> 00:32:24,080 Speaker 5: Was I able to return it? No? I backed myself, 667 00:32:24,600 --> 00:32:28,400 Speaker 5: but thank you. But yeah, she was so awkward and 668 00:32:28,560 --> 00:32:31,680 Speaker 5: so embarrassed that she laughed in my face. Yeah, to 669 00:32:31,720 --> 00:32:34,440 Speaker 5: the point where I was like, like, I was done. 670 00:32:34,480 --> 00:32:36,920 Speaker 5: Then I panicked and you took her under a bridge. Yeah, 671 00:32:37,000 --> 00:32:39,280 Speaker 5: that's when we headed down to the depths. 672 00:32:39,320 --> 00:32:41,240 Speaker 2: Now, look, we can all keep attacking each other. We 673 00:32:41,280 --> 00:32:43,160 Speaker 2: can all keep attacking each other, but it feels like 674 00:32:43,240 --> 00:32:47,360 Speaker 2: no one has nailed location. You talk about me, I 675 00:32:47,400 --> 00:32:48,040 Speaker 2: am yet. 676 00:32:47,840 --> 00:32:51,600 Speaker 5: To wipe my ass with your engagement. Sorry because you 677 00:32:51,800 --> 00:32:53,480 Speaker 5: you didn't even book a dinner afterwards. 678 00:32:53,480 --> 00:32:55,520 Speaker 2: Hang on, you didn't even have a restaurant to go to. 679 00:32:55,640 --> 00:32:57,120 Speaker 2: You're going to attack my up next. 680 00:32:57,680 --> 00:32:59,520 Speaker 5: Song parody about it? I think we should play it again. 681 00:32:59,560 --> 00:33:01,520 Speaker 2: I will out up next. But thirteen one oh sixty 682 00:33:01,560 --> 00:33:05,520 Speaker 2: five is our number shocking places to propose? Did you 683 00:33:05,520 --> 00:33:07,520 Speaker 2: get proposed to in a really bad place? Did you 684 00:33:07,600 --> 00:33:10,600 Speaker 2: propose in a really bad location? None of these team's 685 00:33:10,640 --> 00:33:14,000 Speaker 2: nailed it. We've all had stinkers. We've had Bridge Boy 686 00:33:14,680 --> 00:33:18,160 Speaker 2: had another Disneylander in LJ and I did in my courtyard. 687 00:33:18,880 --> 00:33:21,840 Speaker 2: So thirteen one oh six five there was a shocking 688 00:33:21,880 --> 00:33:22,480 Speaker 2: place you got. 689 00:33:22,360 --> 00:33:25,280 Speaker 5: Lower owns Bridge Barren thirty one and six y five. 690 00:33:25,320 --> 00:33:27,200 Speaker 5: Worst place to be proposed too. 691 00:33:27,520 --> 00:33:30,200 Speaker 2: Because this is. 692 00:33:32,040 --> 00:33:34,560 Speaker 5: Unfortunate. I'm going to say is if you're going to 693 00:33:34,600 --> 00:33:36,760 Speaker 5: get if you're going to get engaged under a bridge somewhere, 694 00:33:37,120 --> 00:33:41,160 Speaker 5: make it a bridge in Paris. Oh sure, beautiful to 695 00:33:41,160 --> 00:33:43,440 Speaker 5: get engaged in a courtyard somewhere, Don't make it the 696 00:33:43,480 --> 00:33:46,080 Speaker 5: deep burbs of Melbourne. That's all I'd say. 697 00:33:46,040 --> 00:33:47,040 Speaker 2: When I proposed it. 698 00:33:47,120 --> 00:33:50,080 Speaker 5: Anywhere in Paris would be better than your courtyard. 699 00:33:50,400 --> 00:33:51,960 Speaker 2: When I proposed in my courtyd that was a. 700 00:33:51,960 --> 00:33:56,880 Speaker 5: Ballet of like a park in the remote outskirts of 701 00:33:56,880 --> 00:33:58,320 Speaker 5: Paris would be better than your courtyard. 702 00:33:58,520 --> 00:34:02,040 Speaker 2: If there was a reason, and why our courtyard mimen 703 00:34:02,120 --> 00:34:04,360 Speaker 2: mim in my courtyard, it is it is a happy place. 704 00:34:04,400 --> 00:34:07,000 Speaker 2: I'll play some audio. You try try not to cry 705 00:34:07,040 --> 00:34:08,239 Speaker 2: when you hear this audio was in. 706 00:34:08,320 --> 00:34:16,400 Speaker 5: A how's the cat? What's going on? Where's the cat gone? 707 00:34:16,520 --> 00:34:29,800 Speaker 2: Just keep playing it right, Okay, I was just wondering. 708 00:34:19,440 --> 00:34:19,520 Speaker 7: I. 709 00:34:25,120 --> 00:34:31,920 Speaker 5: Propose in your backyard? 710 00:34:34,719 --> 00:34:42,160 Speaker 2: Oh that was me playing it to you for the 711 00:34:42,160 --> 00:34:44,560 Speaker 2: first time on our radio show Beautiful Moment. 712 00:34:44,600 --> 00:34:47,880 Speaker 5: Well, well, what I can't crack. I can't have a 713 00:34:47,920 --> 00:34:50,080 Speaker 5: go at you when you're telling me you're getting engaged 714 00:34:50,120 --> 00:34:50,759 Speaker 5: for the first time. 715 00:34:50,840 --> 00:34:54,120 Speaker 2: You did say in your backyard that slip, and I 716 00:34:54,120 --> 00:34:58,000 Speaker 2: was like, rand, if anyone who six five steps called Steph, 717 00:34:58,120 --> 00:34:59,120 Speaker 2: this was your ex partner. 718 00:35:00,120 --> 00:35:00,400 Speaker 7: Ah. 719 00:35:00,480 --> 00:35:00,719 Speaker 8: Yeah. 720 00:35:00,800 --> 00:35:02,880 Speaker 10: So we were on the way to go grocery shopping 721 00:35:03,040 --> 00:35:05,400 Speaker 10: and he told me to pull into this ice cream 722 00:35:05,560 --> 00:35:07,799 Speaker 10: dairy bell place and he preproached me in the car 723 00:35:07,840 --> 00:35:08,319 Speaker 10: park there. 724 00:35:08,640 --> 00:35:09,120 Speaker 4: Oh. 725 00:35:09,160 --> 00:35:11,000 Speaker 2: He didn't even wait to get the ice. 726 00:35:10,719 --> 00:35:14,319 Speaker 12: Creams, nothing, nothing, just while we pulled up. We didn't 727 00:35:14,320 --> 00:35:15,239 Speaker 12: even know we get ice cream. 728 00:35:15,280 --> 00:35:17,480 Speaker 10: We just he sat the car and said will you 729 00:35:17,520 --> 00:35:18,920 Speaker 10: marry me? And pulled out a ring and a. 730 00:35:21,920 --> 00:35:22,240 Speaker 5: Yes. 731 00:35:23,040 --> 00:35:23,200 Speaker 6: Oh. 732 00:35:23,239 --> 00:35:25,880 Speaker 12: Well, I laughed ages and then I was like I 733 00:35:25,920 --> 00:35:31,280 Speaker 12: guess so. And then that's all that's all that happened. 734 00:35:31,560 --> 00:35:32,800 Speaker 3: And then we went grocery shopping. 735 00:35:33,440 --> 00:35:37,760 Speaker 2: You didn't even get ice creams. Oh god, what a stinker, 736 00:35:38,719 --> 00:35:39,239 Speaker 2: thanks Jeff. 737 00:35:39,640 --> 00:35:42,160 Speaker 5: Well, yeah, you couldn't go out for dinner for your 738 00:35:42,160 --> 00:35:43,800 Speaker 5: engagement because you haven't booked it anywhere. 739 00:35:43,960 --> 00:35:46,360 Speaker 2: No, I thought it would be like spontaneous and romantic, 740 00:35:46,400 --> 00:35:48,600 Speaker 2: and anyway, everything was booked out, So we went to 741 00:35:48,760 --> 00:35:52,000 Speaker 2: very cheap Chinese. Let's go to Justine here. Oh yes, 742 00:35:52,040 --> 00:35:54,920 Speaker 2: this is amazing. Now Justine, you're the lawyer for this company, 743 00:35:55,920 --> 00:35:57,839 Speaker 2: and we heard a little bit of a whisper that 744 00:35:57,920 --> 00:35:59,880 Speaker 2: you recently got proposed to. 745 00:36:01,120 --> 00:36:01,880 Speaker 7: I did. 746 00:36:02,200 --> 00:36:04,200 Speaker 13: I did on Valentine's Day. 747 00:36:04,719 --> 00:36:10,160 Speaker 15: Congratulations Justin You were listening from Europe when we were 748 00:36:10,200 --> 00:36:16,120 Speaker 15: trying to eat the thirty five year old fish? 749 00:36:16,840 --> 00:36:18,400 Speaker 2: Were we interrupting your honeymoon? 750 00:36:18,400 --> 00:36:18,560 Speaker 5: Then? 751 00:36:18,640 --> 00:36:19,480 Speaker 2: Is that what was going on? 752 00:36:19,600 --> 00:36:20,160 Speaker 9: No? 753 00:36:20,160 --> 00:36:22,040 Speaker 13: No, no, he han't proposed yet. 754 00:36:22,239 --> 00:36:24,600 Speaker 3: So I was busy working. 755 00:36:24,360 --> 00:36:29,879 Speaker 2: And busy working in Europe. Yeah, we get it. So 756 00:36:30,480 --> 00:36:33,320 Speaker 2: where did your partner decide to propose? Justine? 757 00:36:34,000 --> 00:36:37,000 Speaker 10: He proposed in Paris from Valentine's Day? 758 00:36:37,120 --> 00:36:38,880 Speaker 2: Oh did you go under a bridge as well? 759 00:36:38,920 --> 00:36:39,040 Speaker 5: Like? 760 00:36:39,120 --> 00:36:41,000 Speaker 12: Will we did? 761 00:36:40,880 --> 00:36:40,920 Speaker 1: You? 762 00:36:42,480 --> 00:36:42,800 Speaker 2: Actually? 763 00:36:42,880 --> 00:36:43,040 Speaker 10: Did? 764 00:36:43,120 --> 00:36:44,200 Speaker 2: You went under a bridge? 765 00:36:44,760 --> 00:36:50,879 Speaker 10: He rented a Italian city cruiser and we went on 766 00:36:50,960 --> 00:36:52,880 Speaker 10: a sunset cruise up the set. 767 00:36:53,400 --> 00:36:57,279 Speaker 5: Oh, that's the sunset cruise up the sin which is 768 00:36:57,320 --> 00:37:00,800 Speaker 5: the river that runs right through Paris. Nice, says lovely Justine. 769 00:37:00,840 --> 00:37:02,759 Speaker 5: We'd think the legal department could afford a phone line. 770 00:37:02,760 --> 00:37:05,440 Speaker 5: But maybe that's why you guys answer our calls. I'm 771 00:37:05,440 --> 00:37:08,640 Speaker 5: gonna leave it with you. Thanks recording us, Josey Ashley 772 00:37:08,760 --> 00:37:11,200 Speaker 5: turning them at worst places you get proposed to see 773 00:37:11,200 --> 00:37:13,839 Speaker 5: maybe that's why they don't cause because they just they 774 00:37:13,840 --> 00:37:14,560 Speaker 5: can't get on to us. 775 00:37:14,600 --> 00:37:17,920 Speaker 2: They just set up phones that are patchy and actually, 776 00:37:18,000 --> 00:37:19,000 Speaker 2: gus actually. 777 00:37:18,800 --> 00:37:22,319 Speaker 5: Thirty one six five worst place you're propose to I. 778 00:37:22,280 --> 00:37:24,719 Speaker 10: Got proposed to an a tent on a forty five 779 00:37:24,760 --> 00:37:26,520 Speaker 10: degree day. 780 00:37:26,800 --> 00:37:28,800 Speaker 2: So were you at like some sort of special event 781 00:37:28,920 --> 00:37:29,320 Speaker 2: or something? 782 00:37:30,239 --> 00:37:31,439 Speaker 5: Ashley No. 783 00:37:31,680 --> 00:37:34,399 Speaker 10: I think he was trying to throw me off the scent. 784 00:37:34,640 --> 00:37:37,200 Speaker 10: So he thought we'd go camping, and I thought, there's 785 00:37:37,239 --> 00:37:38,960 Speaker 10: no way he's going to do it camping. And then 786 00:37:39,000 --> 00:37:41,120 Speaker 10: it ended up being forty five degrees and we were 787 00:37:41,560 --> 00:37:45,560 Speaker 10: sweating and miserable and very very sun burn and we'd 788 00:37:45,640 --> 00:37:48,280 Speaker 10: just gone into the tent to just take some shelter 789 00:37:48,400 --> 00:37:51,080 Speaker 10: from the sun, and we were pouring sweat and gross 790 00:37:51,080 --> 00:37:54,080 Speaker 10: and smelly, and he decided, hey, will you marry me? 791 00:37:54,600 --> 00:37:57,239 Speaker 10: And popped out the ring and I thought, you can't 792 00:37:57,239 --> 00:37:59,560 Speaker 10: be serious. 793 00:38:00,360 --> 00:38:02,600 Speaker 2: You gotta be better than this, So you said yes. 794 00:38:02,400 --> 00:38:10,280 Speaker 10: Actually, any food or anything afterwards? Four hours, I'm hungry 795 00:38:10,360 --> 00:38:11,040 Speaker 10: just stopped. 796 00:38:11,680 --> 00:38:14,600 Speaker 5: Sounds shocking. They've all been pretty bad, to be honest, guys, 797 00:38:14,600 --> 00:38:17,400 Speaker 5: none as bad as Woody's courtyard proposal, though. And to 798 00:38:17,560 --> 00:38:21,640 Speaker 5: celebrate how awful getting engaged to somebody surrounded by three 799 00:38:21,719 --> 00:38:25,880 Speaker 5: by three meters of concrete and industrial timber fencing, I 800 00:38:25,880 --> 00:38:39,680 Speaker 5: wrote a song parody about it. Enjoy. Oh why did 801 00:38:39,719 --> 00:38:41,240 Speaker 5: you get engaged? 802 00:38:41,360 --> 00:38:41,520 Speaker 7: Gen? 803 00:38:41,560 --> 00:38:45,120 Speaker 5: You small courtyard? Don't you get paid a lot? 804 00:38:45,520 --> 00:38:45,840 Speaker 8: Oh? 805 00:38:45,880 --> 00:38:47,840 Speaker 5: Why did you get engaged? 806 00:38:47,960 --> 00:38:48,080 Speaker 8: Gen? 807 00:38:48,160 --> 00:38:55,239 Speaker 5: You small courtyard? And you didn't book a restaurant and 808 00:38:55,520 --> 00:38:59,680 Speaker 5: you played a Jesus song and you filmed it on 809 00:39:00,160 --> 00:39:04,440 Speaker 5: You're right phone. You're so cheap, you earn thousands of 810 00:39:04,560 --> 00:39:08,000 Speaker 5: dollars a week. Do do do do Doude Do do 811 00:39:08,000 --> 00:39:12,560 Speaker 5: Do Do Do Do Doude Do do do Dude, Do 812 00:39:12,760 --> 00:39:17,239 Speaker 5: do dude do do do do God, this must be 813 00:39:17,239 --> 00:39:18,799 Speaker 5: annoying for you, and it's going to be stuck in 814 00:39:18,840 --> 00:39:21,640 Speaker 5: everybody's head. But wait until I lay out this awful 815 00:39:21,640 --> 00:39:24,720 Speaker 5: acapella with box pops from people around the office. Also, 816 00:39:24,719 --> 00:39:25,720 Speaker 5: who think you're cheap? 817 00:39:25,960 --> 00:39:27,880 Speaker 9: If he proposed to me like that, I would have 818 00:39:27,880 --> 00:39:29,160 Speaker 9: said that awful. 819 00:39:29,000 --> 00:39:29,680 Speaker 11: Just awful. 820 00:39:29,760 --> 00:39:32,120 Speaker 9: I mean he wore shorts, his ratlegs run shot for 821 00:39:32,160 --> 00:39:33,480 Speaker 9: everyone to say, what did. 822 00:39:33,360 --> 00:39:37,160 Speaker 5: You get this change? Shoo this hole cot yard? Don't 823 00:39:37,200 --> 00:39:38,480 Speaker 5: you get paid lot? 824 00:39:39,120 --> 00:39:39,440 Speaker 11: Oh? 825 00:39:39,480 --> 00:39:43,000 Speaker 5: What did you get? Cage s misshole court yard? 826 00:39:43,200 --> 00:39:48,480 Speaker 2: Will An Moody, Yeah, that was a shocking start. I 827 00:39:48,520 --> 00:39:51,000 Speaker 2: will do you do you want to talk about the 828 00:39:51,040 --> 00:39:52,120 Speaker 2: water that you're after. 829 00:39:52,000 --> 00:39:55,040 Speaker 5: Or do you about actually do because okay, yeah, I 830 00:39:55,120 --> 00:39:55,640 Speaker 5: mean a spot. 831 00:39:56,200 --> 00:39:58,200 Speaker 2: So you need a thousand liters of water? Yeah, it's 832 00:39:58,200 --> 00:40:00,160 Speaker 2: a lot of water. Do you need a thousand or 833 00:40:00,160 --> 00:40:02,760 Speaker 2: could you take five hundred mills? I mean five. 834 00:40:06,280 --> 00:40:10,200 Speaker 5: What is this take for ads? No? You know I 835 00:40:10,239 --> 00:40:13,000 Speaker 5: need I need. I need a thousand leaders in all 836 00:40:13,040 --> 00:40:13,200 Speaker 5: of a. 837 00:40:13,239 --> 00:40:15,759 Speaker 2: Thousand that's a ton of water. Yeah okay, so and 838 00:40:15,800 --> 00:40:17,160 Speaker 2: you really need that by Saturday. 839 00:40:17,200 --> 00:40:18,200 Speaker 5: I need it on Saturday. 840 00:40:18,239 --> 00:40:18,640 Speaker 2: Saturday. 841 00:40:18,840 --> 00:40:21,840 Speaker 5: By Saturday, I need it on Saturday between seven and midday. 842 00:40:22,000 --> 00:40:27,200 Speaker 5: So the location somewhere in Melbourne's north in the northeast. 843 00:40:27,280 --> 00:40:28,879 Speaker 2: How much you are willing to pay for that water. 844 00:40:30,800 --> 00:40:31,760 Speaker 5: Two hundred bucks. 845 00:40:32,520 --> 00:40:35,439 Speaker 2: That seems unders two hundred and fifty bucks. That seems sure. 846 00:40:35,440 --> 00:40:37,760 Speaker 5: That's what the water tank Sorry, that's what the water 847 00:40:37,960 --> 00:40:41,360 Speaker 5: tank company were giving me. Two fifty Yeah, too fifty 848 00:40:41,400 --> 00:40:43,640 Speaker 5: before they bailed on me. Would you, scoundre, would you. 849 00:40:43,600 --> 00:40:44,880 Speaker 2: Do a deal for five hundred If you would you 850 00:40:44,880 --> 00:40:45,880 Speaker 2: pay five hundred bucks for it? 851 00:40:46,440 --> 00:40:48,439 Speaker 5: I'm not going to tell you what I would pay, 852 00:40:49,440 --> 00:40:51,600 Speaker 5: but yeah, okay, he's desperate. 853 00:40:51,640 --> 00:40:54,239 Speaker 2: Guys get in touch with him. How do they get 854 00:40:54,280 --> 00:40:56,720 Speaker 2: in touch with you? You're gonna put your mobile number. 855 00:40:56,560 --> 00:40:58,960 Speaker 5: On here to put yours though. 856 00:41:00,040 --> 00:41:02,080 Speaker 2: Don't be a dick. Don't be a dick. Don't be 857 00:41:02,120 --> 00:41:05,680 Speaker 2: a dick. Don't be a dick. If I give one 858 00:41:05,719 --> 00:41:08,560 Speaker 2: more you've done this before, and I got calls all through. 859 00:41:08,719 --> 00:41:10,440 Speaker 5: If I do, if I give one more digit, what's 860 00:41:10,480 --> 00:41:12,520 Speaker 5: the probability and then figuring out, let's just not do it. 861 00:41:12,520 --> 00:41:13,960 Speaker 5: I definitely got one hundred numbers to work through. 862 00:41:14,000 --> 00:41:20,680 Speaker 2: Serofho zer one. You don't know the rest one? Oh no, 863 00:41:20,719 --> 00:41:28,040 Speaker 2: that's Langer's numbers one five, two, ZEROFO zero one one 864 00:41:28,080 --> 00:41:31,000 Speaker 2: five to two. Oh I could get going? Is that you? 865 00:41:33,120 --> 00:41:38,399 Speaker 2: I'm just giving out other main numbers. I could get 866 00:41:38,440 --> 00:41:38,879 Speaker 2: I'm not sure. 867 00:41:41,320 --> 00:41:43,759 Speaker 5: Hit us up Instagram, Facebook, William, what do you forget 868 00:41:43,800 --> 00:41:44,080 Speaker 5: the water? 869 00:41:44,280 --> 00:41:47,920 Speaker 2: He'll pay cash? Cash, You pay cash? Yep, cash, all right, 870 00:41:47,960 --> 00:41:52,520 Speaker 2: you got water, You got yourself cash Now, dude, this 871 00:41:52,600 --> 00:41:56,320 Speaker 2: will be awesome. I honestly her joke that she delivered 872 00:41:56,440 --> 00:41:58,400 Speaker 2: on the phone. That was way better than I expected. 873 00:41:58,560 --> 00:42:02,680 Speaker 5: Yeah, she's fucking she's fine. Yeah, delivery is amazing. 874 00:42:02,840 --> 00:42:05,600 Speaker 2: How long does she have to go for I don't know. 875 00:42:05,760 --> 00:42:07,680 Speaker 5: There's a lot we need to figure out. I mean, 876 00:42:07,719 --> 00:42:10,959 Speaker 5: so yeah, just we got approach by the outelete friends. 877 00:42:11,000 --> 00:42:13,319 Speaker 5: You guys know that. They just said, I love you 878 00:42:13,360 --> 00:42:14,920 Speaker 5: to do a show. We said we can't do it. 879 00:42:15,120 --> 00:42:17,520 Speaker 2: Because we could. Let's be honest, we can't write a 880 00:42:17,560 --> 00:42:20,480 Speaker 2: show in two weeks. No, No, that's absolute night man. 881 00:42:20,920 --> 00:42:24,000 Speaker 2: We got kids, but kids seventy four year old women 882 00:42:24,000 --> 00:42:26,520 Speaker 2: from child will do it bloody. 883 00:42:27,800 --> 00:42:31,040 Speaker 5: So well, she's not doing anything else. That's how we 884 00:42:31,080 --> 00:42:33,520 Speaker 5: asked her. Is she actually free? And she she is 885 00:42:33,600 --> 00:42:35,080 Speaker 5: actually free. She wants to do it. 886 00:42:35,640 --> 00:42:36,080 Speaker 2: That was great. 887 00:42:36,160 --> 00:42:38,800 Speaker 5: It's an incredible opportunity. So we're pumped about the idea 888 00:42:38,800 --> 00:42:42,319 Speaker 5: that she can actually do it. Yeah, that's awesome. I 889 00:42:42,360 --> 00:42:44,279 Speaker 5: reckon she'll be able to. But yeah, she needs to 890 00:42:44,320 --> 00:42:46,600 Speaker 5: get going. We need to start getting some material outstat 891 00:42:46,680 --> 00:42:48,480 Speaker 5: But you know what she's liking to say to it, Dude, 892 00:42:48,520 --> 00:42:50,560 Speaker 5: give me three stories and I mean that's what she's 893 00:42:50,600 --> 00:42:53,120 Speaker 5: done on the show. Before we put her on. You 894 00:42:53,160 --> 00:42:55,840 Speaker 5: have to cut her off. So I'm so sorry. This 895 00:42:55,920 --> 00:42:57,360 Speaker 5: is great, but I got to keep moving and. 896 00:42:57,400 --> 00:42:59,760 Speaker 2: She should write it dragon and she can work off 897 00:43:00,000 --> 00:43:02,000 Speaker 2: I think she's better off the off the cuff. But 898 00:43:02,120 --> 00:43:03,440 Speaker 2: is that too risky to just put her on a 899 00:43:03,440 --> 00:43:05,120 Speaker 2: stage and go, good luck, see you in half. 900 00:43:06,000 --> 00:43:09,239 Speaker 5: Yeah, although it'd be good. I mean it'd be good, 901 00:43:09,360 --> 00:43:10,520 Speaker 5: but but yeah, she. 902 00:43:10,560 --> 00:43:12,240 Speaker 2: Might be too plained if we get it to write anything. 903 00:43:12,719 --> 00:43:16,400 Speaker 5: Yeah. So like Ross Noble, who I've seen love before, 904 00:43:16,520 --> 00:43:20,439 Speaker 5: perfect example, he doesn't plan, never does the same show 905 00:43:20,560 --> 00:43:22,680 Speaker 5: any of his show, never does the same show. But 906 00:43:22,760 --> 00:43:25,920 Speaker 5: he's just totally one of the best improvers in. 907 00:43:25,800 --> 00:43:28,480 Speaker 2: The world, internationally renowned for it. Yeah. 908 00:43:28,680 --> 00:43:30,000 Speaker 5: Yeah, he's amazing at it. 909 00:43:30,040 --> 00:43:32,040 Speaker 2: We'll im saying she'll be as good at him as 910 00:43:32,120 --> 00:43:37,000 Speaker 2: off the cuff in it. Yeah still good. Yeah, yeah, 911 00:43:37,160 --> 00:43:38,920 Speaker 2: she might not be comfortable with that though she might 912 00:43:38,960 --> 00:43:41,640 Speaker 2: want like, Okay, I've got a show, Yes, I can 913 00:43:41,680 --> 00:43:43,880 Speaker 2: do it. Yes, yeah, I think. 914 00:43:43,960 --> 00:43:46,000 Speaker 5: Yeah, it will be epic. We're going to need a censor. 915 00:43:46,040 --> 00:43:47,200 Speaker 5: It's going to go at the fringe. 916 00:43:47,320 --> 00:43:49,279 Speaker 2: Oh does she? Yeah? Is she too rude? 917 00:43:49,520 --> 00:43:49,880 Speaker 5: Could be? 918 00:43:50,239 --> 00:43:51,719 Speaker 2: But the people get up and swear. 919 00:43:52,200 --> 00:43:54,120 Speaker 5: Of course you can swear. I mean like it is 920 00:43:54,160 --> 00:43:56,120 Speaker 5: a fringe festival as well, so you can get some 921 00:43:56,160 --> 00:43:59,279 Speaker 5: pretty out there stuff at the fringe festival. She gets 922 00:43:59,480 --> 00:44:01,319 Speaker 5: only at the fringe festival. That it's some pretty out 923 00:44:01,360 --> 00:44:01,760 Speaker 5: there stuff. 924 00:44:01,800 --> 00:44:04,080 Speaker 2: That's the difference between fringe and just a comedy. 925 00:44:03,880 --> 00:44:07,560 Speaker 5: Comedy festival or like yeah, yeah, what's French. It's called fringe. 926 00:44:07,600 --> 00:44:08,920 Speaker 5: It's like it's pushing the boundaries. 927 00:44:09,000 --> 00:44:09,360 Speaker 2: Perfect. 928 00:44:09,600 --> 00:44:12,360 Speaker 5: She's perfect for her, Yeah she is, so yeah. I 929 00:44:12,360 --> 00:44:15,960 Speaker 5: don't know whether she just just just wheels out all 930 00:44:16,000 --> 00:44:19,480 Speaker 5: of the warradongers and whatever else she's got in the 931 00:44:19,520 --> 00:44:20,399 Speaker 5: naughty corner there. 932 00:44:20,640 --> 00:44:21,720 Speaker 2: How will she get to add. 933 00:44:22,000 --> 00:44:25,239 Speaker 5: Dicky Lewis and Timmy Lewis and she just you know, 934 00:44:25,320 --> 00:44:26,080 Speaker 5: talks about them. 935 00:44:26,280 --> 00:44:27,440 Speaker 2: How will she get to Adelaide? 936 00:44:28,120 --> 00:44:30,120 Speaker 5: I'd sayually take a plane? What do you mean, I 937 00:44:30,120 --> 00:44:33,080 Speaker 5: don't know if planes go to Charlville. No, we need 938 00:44:33,120 --> 00:44:36,200 Speaker 5: to like drive her to Brisbane and fly down. 939 00:44:36,600 --> 00:44:38,480 Speaker 2: We we're not driving it. We're not doing that. 940 00:44:38,600 --> 00:44:39,920 Speaker 5: I was in the company, would have to do it 941 00:44:42,000 --> 00:44:43,920 Speaker 5: springs or something. You think our station is going to 942 00:44:43,920 --> 00:44:48,719 Speaker 5: pay well, where the one Jim Courier, where the one's 943 00:44:48,760 --> 00:44:52,319 Speaker 5: asking her to do the show in Adelaide. So I imagine that. Well, 944 00:44:52,400 --> 00:44:56,240 Speaker 5: she I don't even know if she's left Childville she has. 945 00:44:56,440 --> 00:44:58,600 Speaker 5: Have you guys even thought about this? No? No, not really, 946 00:45:00,440 --> 00:45:03,160 Speaker 5: That's what's happening right now. Can you see? 947 00:45:03,280 --> 00:45:06,000 Speaker 2: She could drive and think of jokes on the drive. 948 00:45:06,160 --> 00:45:06,600 Speaker 2: That's good. 949 00:45:06,760 --> 00:45:09,200 Speaker 5: I think that. I think that the company will need 950 00:45:09,239 --> 00:45:11,200 Speaker 5: to get her out of there. You can sheet a 951 00:45:11,239 --> 00:45:14,200 Speaker 5: helicopter out of Charldville. She's a long way away. 952 00:45:14,719 --> 00:45:15,480 Speaker 2: She's a day. 953 00:45:15,520 --> 00:45:18,640 Speaker 5: She's a full day to day and a half travel 954 00:45:18,680 --> 00:45:21,600 Speaker 5: I'd say from Brisbane from Charlville. 955 00:45:22,080 --> 00:45:23,880 Speaker 2: But a day and a half to Childvil, or a 956 00:45:23,920 --> 00:45:25,200 Speaker 2: day and a half to Adelaide, a day and a 957 00:45:25,239 --> 00:45:27,440 Speaker 2: half to Adelaide non stop for a day and a half. 958 00:45:27,440 --> 00:45:30,000 Speaker 5: Well, probably she's seventy five. She can't she's knowing she's 959 00:45:30,040 --> 00:45:32,239 Speaker 5: going backpacking. She can't just do an eight hour drive 960 00:45:32,239 --> 00:45:33,719 Speaker 5: and then be like sweet, I'm going to get into 961 00:45:33,680 --> 00:45:35,040 Speaker 5: a plane in three hours and then I'm going to 962 00:45:35,080 --> 00:45:38,439 Speaker 5: take a flight for six hours. Yeah, seventy five need rest. 963 00:45:38,480 --> 00:45:41,040 Speaker 5: She'll probably you need to stop every two hours. If 964 00:45:41,080 --> 00:45:43,160 Speaker 5: she does an eight hour drive, there's a lot to 965 00:45:43,200 --> 00:45:43,680 Speaker 5: think about. 966 00:45:44,000 --> 00:45:45,040 Speaker 2: Stop every two hours. 967 00:45:45,080 --> 00:45:46,720 Speaker 5: Oh yeah, she'd probably have to go to the toilet. 968 00:45:46,800 --> 00:45:47,600 Speaker 5: She's seventy five. 969 00:45:47,719 --> 00:45:49,480 Speaker 2: She might be good at long driving though, because she 970 00:45:49,560 --> 00:45:50,120 Speaker 2: lives out there. 971 00:45:50,160 --> 00:45:52,440 Speaker 5: Maybe we don't know. Look, we've got a lot to 972 00:45:52,440 --> 00:45:53,640 Speaker 5: figure out. I don't even know if she. 973 00:45:53,680 --> 00:45:56,680 Speaker 14: Let's say, seventeen hour drive from Charleville to Adelaide. She 974 00:45:56,719 --> 00:45:59,160 Speaker 14: can't bang that out in one I reckon she gets 975 00:45:59,200 --> 00:46:00,960 Speaker 14: seventeen hours, bang that out in a day. 976 00:46:01,440 --> 00:46:04,239 Speaker 5: It's one thousand and five eighty seven. I cannot tell you, guys, 977 00:46:04,320 --> 00:46:06,839 Speaker 5: how remote this Childville remote. 978 00:46:06,880 --> 00:46:11,440 Speaker 14: It is insanely remote. It's bang bang bang right in 979 00:46:11,440 --> 00:46:15,880 Speaker 14: the middle of Queensland. Essentially, it's nowhere. 980 00:46:16,000 --> 00:46:19,800 Speaker 5: It's it's nowhere. It is the definition of but funck nowhere. 981 00:46:20,520 --> 00:46:22,920 Speaker 5: It is above Kinnamala m. 982 00:46:24,920 --> 00:46:25,440 Speaker 7: What was that? 983 00:46:25,960 --> 00:46:28,360 Speaker 5: It's above Kanda Malla kamala. 984 00:46:29,880 --> 00:46:31,880 Speaker 2: Why don't we send a comedy c DS? 985 00:46:32,400 --> 00:46:32,480 Speaker 3: No? 986 00:46:33,480 --> 00:46:36,879 Speaker 5: I see you guys tomorrow, OK, A lovely good luck