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Speaker 1: Culture Club. But coming to town.

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Speaker 2: It is going to be awesome because they're going to

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Speaker 2: be playing their hits, all the greatest hits. They'll be

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Speaker 2: at rac Arena September five. Tickets around general sell through

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Speaker 2: Ticke Tech tomorrow and joining us Now boy George, Hello,

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Speaker 2: George Hello.

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Speaker 3: Promise you not to do any of their folk songs

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Speaker 3: or anything like that.

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Speaker 1: Any of you want songs.

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Speaker 3: Any of our folk period.

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Speaker 1: Reggae, but we won't do y Yeah.

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Speaker 4: Now the greatest Rea's very reggae, loves Reggae.

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Speaker 2: Beautiful, the greatest hits. That's you know that. That's a lot.

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Speaker 2: What How do you decide what makes the cut?

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Speaker 3: Well? I think you have practice. You know what songs

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Speaker 3: people love. Although recently we've been trying. I've been trying

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Speaker 3: to get to do stuff from the first album because

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Speaker 3: people love that. Like we started doing Love is Love,

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Speaker 3: which is really good. People love that. Yeah. I want

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Speaker 3: to do like some things from the early album, like

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Speaker 3: some kissing to be clever.

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Speaker 1: Yeah, yes, no, no, that is a plan.

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Speaker 3: And maybe like maybe like things like the Crying Game,

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Speaker 3: you know, things like that. Just do you want songs

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Speaker 3: that are gonna get people off their seat, make people emotional,

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Speaker 3: make them want to dance, make them have a really

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Speaker 3: unforgettable evening. You know, they just want to go home

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Speaker 3: with the biggest smile in their heart.

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Speaker 5: Don't worry, the crying game gets me emotional.

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Speaker 1: Well, I wrote it about you, George.

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Speaker 5: Could you just recreate the vibe for us? Man, don't

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Speaker 5: let us know what it was like in you know,

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Speaker 5: eighty two. Moving from you. I know you've got attention

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Speaker 5: to the clubs and you everyone knew you loved your

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Speaker 5: fashion and you love your music. But eighty two, when

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Speaker 5: all of a sudden you're all over the front of

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Speaker 5: the music magazines and then the band were in the charts.

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Speaker 5: What was that like? Was it exciting and a bit

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Speaker 5: daunting as well?

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Speaker 3: It was very exciting and it was quick. You know,

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Speaker 3: one minute people used to see me on the street

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Speaker 3: across the road like your famous on TV. And it

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Speaker 3: is so amazing how being on the radio is one thing, obviously,

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Speaker 3: but being on the telly, Yeah, that's at that point.

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Speaker 4: Wow.

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Speaker 3: Look, you know people that like riterally saw me in

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Speaker 3: the day time and run into the shop to alloyed me.

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Speaker 3: You're like, oh you so it was It was insane,

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Speaker 3: you know, just that sort of. And you know, obviously

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Speaker 3: people were so fascinated with what we wore, but for me,

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Speaker 3: it was just something I did. I never really thought

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Speaker 3: about the reaction, and then I started to really enjoy

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Speaker 3: the reaction.

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Speaker 1: Yeah, I love it. Well, that's the thing.

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Speaker 2: I mean, that is such a stretch from you know,

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Speaker 2: ducking across the road to avoid making eye contact to

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Speaker 2: chasing you into a shop you're going into a lot

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Speaker 2: of people say they can't deal with that sudden kind

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Speaker 2: of attention, and you know, it drives.

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Speaker 1: A lot of stuff.

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Speaker 3: I was one of them. You were you were You

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Speaker 3: enjoyed what I mean, I enjoyed it, But you know,

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Speaker 3: now I wish I'd enjoyed it more. I definitely enjoy

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Speaker 3: it more. I definitely now really enjoyed being me more

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Speaker 3: than I did in nineteen eighty four. Right, I sjoke

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Speaker 3: about it because, like boy, George has become a a

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Speaker 3: fictitional character.

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Speaker 5: I carry fast and sometimes I can really ham it

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Speaker 5: up and have such fun with it.

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Speaker 3: Because my reputation terrifies people. They think I'm going to

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Speaker 3: be so difficult Joan Collins, and I can be. You've

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Speaker 3: got a lot of fun with it, you know.

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Speaker 1: You're just a problem, George, I not like Joan Rivers.

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Speaker 5: Yeah, hey, George, you're speaking the fame thing. I've got

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Speaker 5: a friend who was in a shop, a clothing shop

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Speaker 5: in Fremantle when you were in town doing DJ sets

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Speaker 5: at one stage you're doing on tour, and she said

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Speaker 5: that the person who was she was too shy to

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Speaker 5: come and say hello. But she said that the person

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Speaker 5: at the shop did not know who you were, and

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Speaker 5: they were asking you about what you did for a living,

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Speaker 5: and it was she said, it was so cute. But

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Speaker 5: is it sometimes with that level of fame refreshing when

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Speaker 5: people don't recognize you or don't know who you are.

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Speaker 3: What I do now is getting a tactic because obviously

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Speaker 3: getting a taxi people always say to me, you look

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Speaker 3: really familiar, or people recognize my boys. Yeah, I always

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Speaker 3: immediately only one asks you what I do our sound boy? George? Yeah,

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Speaker 3: all the small talk, you know, because they said, they go,

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Speaker 3: what are you doing? You say? You know, say do

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Speaker 3: you ask I'm a musician? What kind of musicians say?

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Speaker 3: I'm boyd George, I'm an icon.

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Speaker 1: Exactly, don't you know why?

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Speaker 3: And then you and then you get twenty minutes is

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Speaker 3: it really you? And I go, yeah, it's really mean.

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Speaker 1: This is one of the reasons the small talk.

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Speaker 3: You know, I bought.

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Speaker 2: An eighties icon. Indeed, because Karma Chameleon has been listed

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Speaker 2: as one of the top twenty best selling singles worldwide

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Speaker 2: of the eighties. Considering how good the eighties was for music,

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Speaker 2: that is a pretty huge feat. Did you sort of

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Speaker 2: think at the time, this is really going to change things,

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Speaker 2: this is going to mix it up when you when

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Speaker 2: you came out with Karma Chameleon.

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Speaker 3: Let me tell you, right, when I sang that idea

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Speaker 3: to the boys, they laughed at me and they said

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Speaker 3: it was rubbish and they didn't want to put on

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Speaker 3: the records. And I went to Egypt with my friend

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Speaker 3: Marilyn Love playing it in Egypt, I was like, this

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Speaker 3: is an number. I mean, I didn't know anything about

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Speaker 3: whether something was the number one here. I wasn't young,

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Speaker 3: I know anything. Yeah, but of course I quickly, I

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Speaker 3: quickly became an expert. I was it's gonna be number one,

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Speaker 3: It's going to number one. And I had to fight

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Speaker 3: with the guys to get that song on the album.

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Speaker 3: I wish i'd kept all the publisher.

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Speaker 5: Oh yes, exactly take all of it. George, Last time

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Speaker 5: I saw you.

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Speaker 3: You hated so much. Let me have the whole thing.

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Speaker 1: Yeah, yeah, yeah, yeah.

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Speaker 3: That song is kind of it's kind of a cute,

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Speaker 3: mad insane song. I've heard so many different versions of him.

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Speaker 3: My favorite version of the song is by This Bangled

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Speaker 3: the New Bombs. They do it totally right. You do

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Speaker 3: at me, You can do a lot of things that

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Speaker 3: common chameleon.

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Speaker 5: Yeah, well it just became such a phenomenal's chameleon.

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Speaker 1: And the video with the Pedal Steamer and.

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Speaker 5: Kamelia him George, Last time I saw your life was

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Speaker 5: with a double bill with the Human League, and on

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Speaker 5: the night you and phil Oky, I just couldn't believe

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Speaker 5: your voices. Right, what do you what do you do

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Speaker 5: to look after that that instrument? Because you both sounded

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Speaker 5: wonderful that night.

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Speaker 3: I think just yeah, I think I think I take

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Speaker 3: more care of my voice than I used to when

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Speaker 3: I was like first starting out, I never really took

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Speaker 3: any care of my voice, you know. I remember like

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Speaker 3: sort of you know, well, I actually got a problem

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Speaker 3: with my voice about ten years ago, and that really

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Speaker 3: made me kind of you know, focus on you know,

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Speaker 3: looking after it. And but I think the most important

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Speaker 3: thing I have to tell you is you know your

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Speaker 3: sense of humor. That is the thing that's going to

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Speaker 3: make you sing better. If you're walking on stage in

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Speaker 3: a confident, happy mood, you're never going to sing off

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Speaker 3: key when your round up and miserable and having arguments

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Speaker 3: with everybody. Tell you what you shoul laugh at some

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Speaker 3: pub notes. I think a lot of it is attitude,

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Speaker 3: or you know, it's about your attitude that's amazing.

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Speaker 2: You know, We've we've talked a lot over many years

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Speaker 2: with great singers about how they look after their voice,

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Speaker 2: and they'll say things like it's.

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Speaker 1: A lot of sleep and DoD smog, how do you

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Speaker 1: do this? And you gargle and you la la la, la,

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Speaker 1: la la la.

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Speaker 2: And that's the first time I've ever heard anyone say

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Speaker 2: it's got a lot to do with you, just your

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Speaker 2: attitude and frame of moment their words.

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Speaker 1: To live on.

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Speaker 3: You could be on stage and you know you're making

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Speaker 3: things a problem that sounds bad. This one's you know.

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Speaker 3: And actually, if you walk on stage with you knowing

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Speaker 3: what you're there for, you're determined to have a good time.

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Speaker 3: By stand by the side of the stage thing. It's

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Speaker 3: going to be amazing. It's I tell myself that over

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Speaker 3: and over.

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Speaker 1: Yeah, that's fantastic.

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Speaker 5: Yeah, not that big time I made. The first song

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Speaker 5: I ever played on radio was when Vinyl was hot.

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Speaker 5: The first time. It was a seventeth single of Time, Time,

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Speaker 5: Clock of the Heart. That song was nineteen only three

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Speaker 5: when we were playing it as a new song, and

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Speaker 5: that just stays with me. It takes me back in

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Speaker 5: time to that first job. Anything from those first couple

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Speaker 5: of albums that and it could be an album track

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Speaker 5: that takes you back, and it's hard to pick your

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Speaker 5: favorite child of course.

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Speaker 3: Well, interestingly, a young girl called Nee Maxine has just

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Speaker 3: done a cover version of Changing every Day, which is

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Speaker 3: getting played on jazz FM in the UK. I went

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Speaker 3: to see a singer the other night and it was

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Speaker 3: amazing to hear someone reinterpreting that song, which was a

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Speaker 3: jazz song, like a jazzy song. And so I think

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Speaker 3: that would be the one because it was like one

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Speaker 3: of those album tracks that you just forgot about, and

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Speaker 3: that's getting played on the radio. Go with this young

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Speaker 3: singer and that I suppose I'll achieved that one awesome.

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Speaker 2: Fantastic have you ever heard anyone do any of these

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Speaker 2: songs and you've thought, oh God.

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Speaker 1: Please let it alone, please put it down.

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Speaker 3: No, you know, my favorite version, my favorite version of

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Speaker 3: any coach of the song is the violent sem through

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Speaker 3: dis version of do you really want to hurt?

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Speaker 1: Fantastic?

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Speaker 4: Have you never heard it? Honestly, what's the color of

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Speaker 4: your favorite guitar? It's the funniest version. I had to

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Speaker 4: get our permission to use it.

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Speaker 3: As soon as I heard it. I was like, yes, yes, yeah,

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Speaker 3: that's great.

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Speaker 1: What about your your music because you've you never stop.

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Speaker 2: Have you been sort of working with anyone that might

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Speaker 2: surprise us recently on anything new?

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Speaker 3: Not anyone that you would know, actually, you know, sort

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Speaker 3: of more like kind of a band that I work

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Speaker 3: with called We a Branda. They're young, you know, they're

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Speaker 3: kind of more like electro sort of woman's playing homage

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Speaker 3: to that kind of a human league electronics sound. We

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Speaker 3: are Brando. So I do a lot of stuff with them,

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Speaker 3: and I've done a few kind of collaborations with them,

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Speaker 3: But you know, collaborations are always very difficult because sometimes

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Speaker 3: the ego you just can't quite get it to that.

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Speaker 2: Yeah, yeah, they're so the thing though, aren't they now?

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Speaker 2: Collaboration shows just about everything is that you know such

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Speaker 2: and such?

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Speaker 3: Can I play something a little bit a little bit controversial?

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Speaker 3: Often I often hear these people say you heard this

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Speaker 3: song with this one and this one. I think, well,

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Speaker 3: it's going to be amazing because two of them. Can

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Speaker 3: you hear it? And you think, is that the best

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Speaker 3: you could do?

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Speaker 5: And especially now Georgia in different land, land room, in

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Speaker 5: a different part of the world, they're not together exactly.

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Speaker 3: I think that there is an emphasise there was a

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Speaker 3: lot of lazy songwriting out there.

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Speaker 1: Yeah, yeah, wow, Georgie, have you kept many of your hats?

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Speaker 1: Have you got more heads? And Elton's got glasses?

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Speaker 3: Might? Huh? I think I probably don't have as many

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Speaker 3: hats as Elton has. Classes. I've seen Elton's classes collection

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Speaker 3: and it's a loveful, you know, and he keeps growing.

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Speaker 3: But I think we're definitely on the part with classes,

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Speaker 3: and he doesn't really wear the crazy glasses anymore.

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Speaker 2: So mad so much just ending farewell to Yeah have

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Speaker 2: you made to the farewell tour Elton?

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Speaker 3: I went with him two weeks ago, was fabulous, great night.

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Speaker 3: I was actually surprised there were songs that like Crocodile

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Speaker 3: Rock and Saturday Nothing for Fighting. I was up like

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Speaker 3: a crazy person. Yes, it was a rocket Man. Rocket

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Speaker 3: Man was phenomenal. Rock Man were it was beautiful. Yeah,

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Speaker 3: it was really good.

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Speaker 5: Yeah, it was almost like an emotional experience sing that

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Speaker 5: last album, Journey.

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Speaker 1: He was so loving.

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Speaker 3: I think you also realized that it's a song. It's

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Speaker 3: always about the song. If you haven't got a good song,

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Speaker 3: some one's going to remember you.

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Speaker 1: Absolutely well.

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Speaker 2: We will certainly remember him, and we can't wait to

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Speaker 2: remember Culture Club and all the hits from the eighties,

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Speaker 2: not that we've ever forgotten them. They still had plenty

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Speaker 2: of round here, don't they. R c Arena September five.

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Speaker 2: Tickets are on sale through ticket Tek tomorrow. You know

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Speaker 2: you have a standing invitation, George to pop in and

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Speaker 2: see us in the studio.

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Speaker 1: When you'll have a cup of tea.

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Speaker 3: Help me back, George.

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Speaker 1: Thank you so much, George,