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Speaker 1: Happy Tuesday. It's the jam Nation podcast with Jonesy Demanda.

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Speaker 1: What a podcast, Oh.

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Speaker 2: What a podcast. We spoke to Eric Idle, one of

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Speaker 2: my childhood heroes, a hero of mine at the age

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Speaker 2: of sixty. Now, didn't we have a great chat with you?

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Speaker 2: We had a great just love him.

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Speaker 1: You brought to the table politicians making sex tapes? Why

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Speaker 1: is this so? Why is it?

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Speaker 2: Why is the to hope it doesn't catch on?

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Speaker 3: No?

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Speaker 1: Please, the tribal drum will beat for dad's claim to fame.

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Speaker 1: This is on the back of you discovering that a

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Speaker 1: twirl originated from.

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Speaker 2: Well, it's a flake covered another layer of chocolate and

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Speaker 2: a guy I saw on Twitter said that his dad

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Speaker 2: had invented it. So the tribal drum is beating for

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Speaker 2: dad's claim to fame.

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Speaker 1: Pardon my language, but we'll go down to the Jonesy

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Speaker 1: no matter of arms, to the pub test raising the

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Speaker 1: damn war.

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Speaker 2: Oh, Brendan, how offensive?

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Speaker 4: Enjoy our podcast, everybody, I.

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Speaker 2: Don't know that a miracle of recording.

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Speaker 1: We had so many request for them to do it again.

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Speaker 5: Mistress Amanda and ms Killer Amanda.

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Speaker 6: Doesn't work alone. Friend, making the tools of the train.

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Speaker 1: I've heard them describe him as a drunken idiot.

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Speaker 7: The legendary part. Jonesy, Amanda the actress.

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Speaker 2: Congratulations, we're read right now.

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Speaker 1: Jonesy and Amanda, you're doing a great job.

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Speaker 6: It could be for anyone but Selkie Giant now the

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Speaker 6: good radio.

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Speaker 2: Sorry but it's a tang twist set and Amanda, Shoot, Timy.

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Speaker 8: We're on the air.

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Speaker 1: We hello, Amanda, how are you today?

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Speaker 2: How are you going?

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Speaker 1: What's going on?

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Speaker 5: Man?

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Speaker 2: That much? I was on the TV last night.

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Speaker 1: You did a great job. Gee, you brought it. Whenever

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Speaker 1: I watched have you been paying attention? I always think, Wow,

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Speaker 1: you're so good. I get invia I think I can't

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Speaker 1: be like that.

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Speaker 2: That's very kind of you, Brenda. You did very very well,

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Speaker 2: and it's really good fun and you know, some things happen.

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Speaker 2: You think, surely that's going to come out in the edit.

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Speaker 2: It's a show that can never be live obviously obviously,

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Speaker 2: but you know, I think they do a really quick

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Speaker 2: turnaround on it, and I think, well that's stay in

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Speaker 2: so you never know.

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Speaker 1: Yeah, well you brought it. You bring the TV.

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Speaker 2: That's free. I bring the TV. That's me. I'm missus.

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Speaker 2: Rent retrovuale. What's it called retrovision?

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Speaker 1: Missus retrovision?

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Speaker 2: You bring the t first flattered and we'd rent out

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Speaker 2: television and you have to put money in an envelope

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Speaker 2: and send it off every week. And then there was

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Speaker 2: a knock at the door. You haven't been paying for

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Speaker 2: your television. Someone had taken all the money out of

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Speaker 2: the envelope.

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Speaker 1: What was that place? Radio rentals?

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Speaker 2: Radio rentals?

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Speaker 1: Yeah, but doesn't even rent a TV. Now, what would

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Speaker 1: you bother.

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Speaker 2: Our appliances? But they're much cheaper now than they used

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Speaker 2: to incredibly Yeah, I mean, I'm like airline tickets that

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Speaker 2: are more expensive when they used to be. You needs

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Speaker 2: to be able to fly around the world for three

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Speaker 2: thousand dollars now that pretty much gets you to Cans

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Speaker 2: and back.

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Speaker 3: Yea.

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Speaker 2: But yes, no TVs and all that stuff. We used

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Speaker 2: to rent it all. You used to do that too.

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Speaker 1: Never rented a TV. But I remember the ads for

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Speaker 1: just a rental TV, and the TV back in the

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Speaker 1: seventies was seven hundred and sixty bucks, which was a fortune.

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Speaker 1: And now seven hundred and sixty bucks you can buy

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Speaker 1: a giant flat scrob My mate Omo bought this TV.

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Speaker 1: It literally fills the whole wall of his house. And

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Speaker 1: I said, what of that questions he said twelve hundred bucks.

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Speaker 1: I said, you joke.

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Speaker 2: His house is worth three thousand, said.

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Speaker 1: It takes up the whole wall of his house.

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Speaker 2: But we went Remember all the movies when the kids

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Speaker 2: were little, we went through that three D phase of movies,

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Speaker 2: and then all the TVs three D potential. We bought

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Speaker 2: a TV that had three D potential. We never watched

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Speaker 2: one single three D movie. Movies aren't made in three

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Speaker 2: D anymore because.

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Speaker 1: No one's got time for that. No one could be

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Speaker 1: bothered putting the glasses on.

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Speaker 2: What it takes a second to put the glasses on.

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Speaker 1: People are time poored, no time time to.

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Speaker 2: Put the I have to put in contact.

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Speaker 1: Let use me, So you're wearing glasses. I've got no

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Speaker 1: time to put on two sets of glasses.

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Speaker 2: It happened to the three D movie phase gone.

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Speaker 1: I think it went with Some Price and House of Wax.

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Speaker 1: That was the big three.

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Speaker 2: No, but that was years ago. But I mean every

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Speaker 2: three every but every kid's film. You and I used

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Speaker 2: to go to those things with our kids. Every kid's

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Speaker 2: film was three D.

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Speaker 1: You know what. I like that My kids are grown up.

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Speaker 1: I do not have to see another Pixar thing again. Yeah, grandchildren.

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Speaker 2: I kind of missed that the Sunday Morning movie going

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Speaker 2: to the movies at ten o'clock in the morning and

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Speaker 2: sing yeah, cute, three D animated something.

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Speaker 1: See Hugh what's his name? Grant in a movie phoning

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Speaker 1: it in because he's stilling the voiceover for a particular

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Speaker 1: movie about.

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Speaker 2: Well and he's literally phoning it in.

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Speaker 1: If it's a voiceover, great, It would be great to

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Speaker 1: be a voice actor. You don't have to do anything.

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Speaker 1: You don't have to do any acting is do the

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Speaker 1: voice stuff.

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Speaker 2: I think you'd find it's harder than you imagine.

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Speaker 1: No, I don't reckon. I think it'd be a walk

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Speaker 1: in the park.

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Speaker 2: Do you just down there? It's like reading, it's just reading.

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Speaker 1: Disney's Walking the Park is out now, action packed show today.

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Speaker 1: I guess his joining is are you excited?

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Speaker 2: I'm so excited. It's Eric Idle from Monty Pyth and

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Speaker 2: I'm so excited.

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Speaker 1: Ten thousand dollars worth a ten thousand dollars question. We

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Speaker 1: can't do anything till we do the Magnificent seven. Question

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Speaker 1: one The Gan.

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Speaker 2: Spirit of the outbackh and Golf Lander a famous Australian.

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Speaker 1: What podcast we have the Magnificent Seven. There are seven questions.

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Speaker 1: Can you go the way and answer all seven questions correctly?

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Speaker 2: If you do that, you'll get my accolades. You'll get

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Speaker 2: my enormous and incredible accolade.

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Speaker 1: But it's about getting questions seven right. Nathan is in

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Speaker 1: Cambridge Park, Hio.

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Speaker 2: Nathan, good morning. Question one the Gan, Spirit of the

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Speaker 2: Outback and Golf Lander a famous Australian.

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Speaker 3: What.

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Speaker 2: Yeah, we're talking with Clare Stevens yesterday about the Gan.

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Speaker 2: I'd like to do that. Well, I know that that

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Speaker 2: one goes from later Darwin. What about the Spirit of

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Speaker 2: the Outbacks?

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Speaker 1: Which Spirit of the Outback goes round Queensland?

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Speaker 2: And what about Golflander.

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Speaker 1: Goes around Queensland as well?

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Speaker 2: All right, will not involve the golf you'd.

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Speaker 1: Think so, but no, it's Queensland. What about the Southern

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Speaker 1: Aurora that that goes straight across the country.

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Speaker 2: What about the Orange Express? You know what? I've been

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Speaker 2: perving it on Instagram? This is how old I am.

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Speaker 2: Now it's the Scottish Highlands something or other.

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Speaker 1: Do you get to go on the old old Boiler,

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Speaker 1: the old steam track.

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Speaker 2: I think you do, and the bagpipers wave you off,

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Speaker 2: and the Queen used to travel on it, and it's

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Speaker 2: so nostalgic, and these beautiful old dining cars and you

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Speaker 2: just go through the Scottish Highlands. It's like when you

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Speaker 2: look at the European river cruisers and you think, yep,

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Speaker 2: they look great.

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Speaker 1: I just like getting on the old Illawarra line into

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Speaker 1: the city.

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Speaker 2: You're happy with that. Is there a dining car?

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Speaker 1: There is a dining cart. If you pick up a sandwich,

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Speaker 1: you get eat before you get on, but make sure

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Speaker 1: you hide it when the guy comes past.

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Speaker 2: I'm allowed to have food.

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Speaker 1: It was supposed to eat on the train. You're allowed

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Speaker 1: to drink water though. You're allowed to drink water, but

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Speaker 1: you can't drink a beer on the train, as you learned.

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Speaker 1: Just don't do that, okay, Nathan. Question number two, What

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Speaker 1: is the main function of a grammarphone?

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Speaker 2: It was a gramophone?

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Speaker 8: Got no idea? Yeah, I gramophone?

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Speaker 2: You don't know the gramophone?

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Speaker 1: Donna's and layla park Dona, Hello, Donna?

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Speaker 2: What's a gramophone?

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Speaker 8: Music?

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Speaker 2: It's a record class.

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Speaker 1: It's an old time rag time. Maybe you're on the

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Speaker 1: Southern Aurora the steam train.

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Speaker 2: One, the ones come through the Scottish Highland.

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Speaker 1: You'll listening to that?

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Speaker 2: Yeah, maybe I am.

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Speaker 1: Let's play the not so Secret sound.

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Speaker 2: Old all right, Donna, listen up? What is this sound?

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Speaker 6: Young train whistlings?

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Speaker 1: I love the not so secret sound because it's as

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Speaker 1: obvious as you think it is.

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Speaker 2: That's that. That is an old fashioned noisy one though,

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Speaker 2: let's say.

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Speaker 1: Yeah, that's that's the old radiator two thousand, Yeah, thirteen

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Speaker 1: ws M is the number. Let's just have another listen

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Speaker 1: to that. I'll just keep my genitals away from it,

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Speaker 1: said a woman the Magnificent seven. Question three, and we're

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Speaker 1: playing the not so Secret sound.

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Speaker 2: Have a listen to this.

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Speaker 1: It's addle really. Dax is in Campbelltown. Hello Dax, Dax,

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Speaker 1: congratulations on having the coolest name. You should be a

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Speaker 1: radio DJ. I want to change my name to Dax.

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Speaker 1: Maybe that's what I got to be instead of just Jonesy.

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Speaker 1: Maybe Dax Jones and a man.

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Speaker 2: I don't know if it's your name that's holding you back.

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Speaker 1: What are you saying?

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Speaker 2: Nothing?

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Speaker 1: I just think I need a more dynamic name.

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Speaker 2: And then when you left, it could be Dax.

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Speaker 1: Free Dax and Amanda it's dactual.

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Speaker 2: For something or is that your actual name? Dax?

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Speaker 6: We love it o your actual name.

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Speaker 1: That's fantastic. Of course it's from The Adventures d X.

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Speaker 7: Yeah, howld Robin?

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Speaker 2: Yeah, yeah, I love it.

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Speaker 1: I'm loving it all right now?

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Speaker 2: An age? An age has passed since we heard the

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Speaker 2: secret sound? But do you what do you think it is?

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Speaker 1: Which brand of soup featured in one of Andy Warhol's

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Speaker 1: most famous pop art pieces. Was it a Campbell's b

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Speaker 1: Hines or c Continental? It was a Turkey Campbell's Question

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Speaker 1: five a climate protest. You might get it and throw

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Speaker 1: it at another piece of woe.

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Speaker 2: Oh, they're houning, they're ruining.

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Speaker 1: Damn their message ops with the tasers.

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Speaker 2: What's featured on the wrapper of a fantail? Chocolate decks,

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Speaker 2: chocolate fan tails? A red Oh sorry no.

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Speaker 1: No, Nancy's in balmy fi.

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Speaker 2: Nancy, Hi, how are you?

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Speaker 6: Good morning?

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Speaker 2: Hello? On the wrapper of a fan tail? What's written there?

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Speaker 7: Oh?

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Speaker 9: Fantai lollies? Yeah, the information about the actor?

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Speaker 2: Yeah, it's biographies of movie starts. That's right.

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Speaker 1: Which type of restaurant popularize the use of a conveyor belt?

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Speaker 2: Doesn't sound like something you'd like, does it a conveyor

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Speaker 2: belt in a restaurant. What food would it be? The

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Speaker 2: sushi train, the sushi train, sushi. Here's question seven. It's

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Speaker 2: sixty eight days until what.

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Speaker 3: Is it Christmas? Yes?

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Speaker 1: It is good idea. Nancy of Balmain, I said Balmain.

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Speaker 2: You said Balmain, Balmaine, Balmaine. You said it like you've

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Speaker 2: never heard of it.

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Speaker 1: I know it's weird. I love Balmain. Congratulations done, Nansi

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Speaker 1: of Belmain. You've won the jam Packets All Coming Away,

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Speaker 1: a one hundred dollars Makeout Meals voucher. Makeout Meals delivers

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Speaker 1: meals from Australia's favorite restaurants and now available in Sydney

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Speaker 1: and Baumine a two hundred dollar Contour Clinic's voucher. They

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Speaker 1: are the go to clinic to rejuvenate and refresh your

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Speaker 1: face with their gold standard skin care technologies. And Jonesie

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Speaker 1: demanded character chewers for the color and substandard pencils. Nancy,

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Speaker 1: is there anything you would like to add?

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Speaker 3: Oh?

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Speaker 6: That's great, thank you well aspecting that this morning.

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Speaker 2: Good on your Nancy Jonesy and Amanda Germination podcast.

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Speaker 3: Actually all grand another day, another dollars.

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Speaker 6: You know what they say?

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Speaker 10: You're writing job, but someone got stop work.

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Speaker 2: I'm going to flick through the German Acut Big Book

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Speaker 2: of Musical Facts on this down. Two thousand and five,

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Speaker 2: Madonna admitted that she wrote a groveling letter to Abba.

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Speaker 2: That's hard to imagine Madonna writing a groveling letter to anyone.

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Speaker 1: I imagine that and this.

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Speaker 2: She was massively famous two thousand and five, but she's

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Speaker 2: asking if she could sample their music for her latest single,

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Speaker 2: hung Up. She wanted to sample this from Gimmy gimme Yeah,

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Speaker 2: She said, I'd sent my reps to Stockholm with a

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Speaker 2: letter and the record that I was recording, begging them

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Speaker 2: and imploring them, telling them how much I worship their music,

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Speaker 2: telling them it was homage to them, which is all true,

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Speaker 2: and they had to think about it. Benny and beyond.

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Speaker 2: They didn't say yes straight away. They never let anyone

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Speaker 2: sample their music. They could have said no, that's what

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Speaker 2: she's saying, but she said, thank god, they didn't maage.

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Speaker 1: She just said, gimme gimme a hook of his song.

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Speaker 2: I don't think you say no to Madonna, because otherwise

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Speaker 2: you end up with jumper leads attached to your nipples.

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Speaker 2: No Beyonn might have liked it.

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Speaker 1: Hey were They're Swedes.

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Speaker 2: They loved they love that kind of stuff and hit

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Speaker 2: yourself with a birch twig and all of that. But

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Speaker 2: they said yes, And we have this.

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Speaker 1: Feel in my life I've got to do more. I

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Speaker 1: always think, oh man, I got to do more. I'm

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Speaker 1: not doing enough. And then I see the story of

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Speaker 1: Ned Brockman, I think, oh man, look at this guy.

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Speaker 2: What a great kid.

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Speaker 1: A guy he comes from Forbes, he moved to Sydney.

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Speaker 1: He was just devastated by the plight of the homelessess,

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Speaker 1: of homelessness of ours. And so he's decided, I'm going

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Speaker 1: to run from Perth to Bondi and he raises one

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Speaker 1: point six million dollars.

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Speaker 2: It is extraordinary, twenty three years old, a trade and

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Speaker 2: he's how much how far did he run every day?

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Speaker 1: Eighty k's a day a day eighty k.

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Speaker 2: He's raised one point six million dollars and he got

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Speaker 2: a hero's welcome yesterday. He may have seen it all

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Speaker 2: over the news last night when he arrived at Bondo Beach.

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Speaker 2: What incredible thing. What was it disturbing to me was

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Speaker 2: that he kicked off his own shoe and drank booze

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Speaker 2: from it. After you've run that long and that hard.

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Speaker 1: There those shoes look pristine, so you.

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Speaker 2: Don't think it wasn't one. He's the old Dunlop volumet

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Speaker 2: and now he was running for weeks.

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Speaker 1: Ned looked to he looked light on his feet, he

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Speaker 1: looked really refreshed. It looked like he'd just been going

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Speaker 1: for a run and there was no big deal.

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Speaker 2: Amazing. This is the second time he has run a

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Speaker 2: marathon to raise money. In twenty twenty, he ran fifty

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Speaker 2: marathons in fifty days and raised one hundred thousand dollars

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Speaker 2: for Red Cross. And now he's done this forty seven

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Speaker 2: day journey on foot from Perth and raised one point

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Speaker 2: six million dollars for a charity, a homelessness charity called

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Speaker 2: We Are Mobilized. What an incredible guy.

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Speaker 1: You know what else he did, He beat a record

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Speaker 1: as well, getting a Jetstar flight to Perth, so he

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Speaker 1: actually beat that record.

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Speaker 2: So he beat the plane, beat the plane and carried

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Speaker 2: his own luggage.

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Speaker 1: There's people in Perth. Game and got a drink and

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Speaker 1: got food on the way.

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Speaker 2: Ned. You are hearing, absolutely, there should be a day.

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Speaker 1: There should be a day.

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Speaker 2: You know, you Brendan talk about millennials. Look at this guy,

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Speaker 2: I think amazing and what a great inspiration.

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Speaker 1: I look at jim Y Raie. You're the same age

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Speaker 1: as Ned Brockman. And what have you done today? You

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Speaker 1: brought soup into work?

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Speaker 3: Yeah, I packed my own lunch.

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Speaker 1: He packed his lugs, and he already said to me.

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Speaker 1: I said, what's it that thing? He's got a thermos.

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Speaker 2: Because he's normally eating grain waves at this time of day.

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Speaker 1: That and what did you say it was? It's powdered soup.

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Speaker 2: We call it cup of soup. We've grown up on it.

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Speaker 2: Please give it a right name. I thought you guys

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Speaker 2: would be proud of me because I don't have you

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Speaker 2: give up the grain waves, giving up those delicious little

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Speaker 2: French fry things you buy as well a packet of those.

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Speaker 2: I've turned a new leaf.

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Speaker 10: I'm a new man.

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Speaker 1: So okay. On one hand, we've got Ned Brockman, who

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Speaker 1: runs from Perth to Bondai and raises one point six

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Speaker 1: million dollars. And on the other hand, we've got jim

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Speaker 1: Y Wright who's now managing to make powdered suit.

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Speaker 2: And wants us to be proud of him.

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Speaker 1: Yeah, where's my fanfare?

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Speaker 2: You could drink your tomato soup out of your own shoes.

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Speaker 1: You would just add water to those shoes, Ned Brockman,

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Speaker 1: we salute, We.

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Speaker 2: Do indeed.

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Speaker 11: Comcast.

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Speaker 2: Sometimes as a politician, you have to put your what's

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Speaker 2: the expression, put your money where your mouth is. Yeah,

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Speaker 2: I might regret that phrase with this story, but if

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Speaker 2: you're a politician, you're wanting him to get your message across.

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Speaker 2: You try and tell your constituents that you have personal

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Speaker 2: experience that these issues matter to you. So an American

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Speaker 2: politician wanted to convince people that he cared about a

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Speaker 2: quote his sex positive platform, and he where are we? It's?

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Speaker 2: Sex positivity is his platform, and he wants to decriminalize

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Speaker 2: and legalize sex work. So if you're going to talk

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Speaker 2: about it, he decided he should do it. Now, this

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Speaker 2: guy is he looks like grew minions minions, So he's

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Speaker 2: not a young he's not a young stud. But he's

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Speaker 2: decided to get his message across he would release a

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Speaker 2: sex tape. So he did. He made a sex tape

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Speaker 2: to promote this platform. He extra he did. This is

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Speaker 2: a great quote. I wanted to demonstrate my commitment to

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Speaker 2: the issue. Sure you did, Sure you did. So he

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Speaker 2: had sex with an adult performer. Her name is Nicole Sage.

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Speaker 2: The encounter was filmed last year and he has released

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Speaker 2: this on porn Hub, saying these are my platform and

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Speaker 2: this is what I believe in. Imagine saying that to

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Speaker 2: your family.

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Speaker 1: So you're polling the constituents, it's polling.

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Speaker 2: Well. I'm glad none of this caught on here in

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Speaker 2: Australia because we might have ended up with this.

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Speaker 1: Stop it. It's not sensible, it's not thoughtful. That's not

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Speaker 1: my job. Somebody's job. Someone's got to do it.

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Speaker 2: Someone's got to do it.

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Speaker 1: Gonna need some petty cash. I want to watch Top

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Speaker 1: Gun Maverick again. I hear that song and I'm thinking

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Speaker 1: I want to watch that again.

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Speaker 2: Bizarrely, I never see films twice, as you know, I

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Speaker 2: barely see them once. I've seen that film twice, the

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Speaker 2: new one twice, and I don't think i've seen the

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Speaker 2: first one. And you loved this well, I loved I

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Speaker 2: saw it with you the first time because we were

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Speaker 2: interviewing the actress.

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Speaker 1: From it, Fiona Connolly, No.

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Speaker 2: No, Jennifer Connolly. She was and she was so lovely and.

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Speaker 1: She writes for the New Idea.

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Speaker 2: I think, yeah, no, w you Hearry about it to

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Speaker 2: talk to her about it, and I loved it so

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Speaker 2: much that I then urged my husband and my son

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Speaker 2: to come and see it because and they liked it.

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Speaker 2: But Harley and I had an argument afterwards because he

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Speaker 2: thought that I got annoyed because he thought that Tom

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Speaker 2: Cruise was just being to Tom Cruise with that grin.

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Speaker 1: Yeah, that's what you get it.

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Speaker 2: That's what I loved. Was you saw old school Tom Cruise.

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Speaker 2: He loved all the flying scenes, loved all of that.

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Speaker 2: But he said Tom Cruise with his glinting teeth. I said, yes, yes.

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Speaker 1: My wife, who's not a Tom Cruise fan. And that's

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Speaker 1: the only hurdle in me seeing it again, because you

402
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Speaker 1: can rend it now on Fox Star. I said, oh,

403
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Speaker 1: let's watch let's watch Top Gun Maverick, and she said nah,

404
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Speaker 1: And I said, why not you guys I don't like

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Speaker 1: Tom Cruise. And I said, well, it's not for you,

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Speaker 1: but I want to see that movie.

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Speaker 2: I think I think Helen should see it because Tom

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Speaker 2: Cruise went through a stage where women stopped liking him.

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Speaker 2: Started with the jumping on the couch. He just seemed unnew.

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Speaker 2: You know, he just went through.

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Speaker 1: Dumped our nick, which was a billion years ago.

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Speaker 2: Well, I could accept that a marriage breaks up, that's okay,

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Speaker 2: But the jumping on the couch and all that stuff.

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Speaker 2: But in this movie, he has reclaimed his march owners,

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Speaker 2: his sexiness, his stealiness, all the stuff you used to

416
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Speaker 2: love about him, his back.

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Speaker 1: It's a good date night movie because it's for the

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Speaker 1: guys and the girls. It's been well made for men

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Speaker 1: and women.

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Speaker 2: And this is because I, for the first time ever

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Speaker 2: understood the flying mission. I don't understand Star Wars. I

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Speaker 2: don't understand I don't even understand what's that big fat

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Speaker 2: footed thing Hobbitt. I don't get any of those storylines.

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Speaker 1: Because I'll tell you this right now. I got this

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Speaker 1: in Top Gun, Maverick. The mission's exactly the same as

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Speaker 1: the Star Wars mission to blow up the deaths.

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Speaker 2: But it must be explained by.

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Speaker 1: A man, explained the out of the Johnny Dumbo. If

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Speaker 1: you couldn't work out what that mission was, and that is,

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Speaker 1: you would be the dumbest person in the history of

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Speaker 1: dumb people.

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Speaker 2: Well, I, as you know, have seen Star Wars and

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Speaker 2: when they did that one when they went back to

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Speaker 2: when Anakin was a little kid, I thought that was

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Speaker 2: Luke Skywalker, even after I'd seen the film. So I

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Speaker 2: don't know.

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Speaker 1: Do you understand when when they had to blow up

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Speaker 1: the Death Star and that they go down the canyon

439
00:20:18,960 --> 00:20:20,840
Speaker 1: torpedoes down the whole boom?

440
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Speaker 2: I think I do. I remember seeing I remember the stuff.

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Speaker 1: It was exactly the same, but this.

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Speaker 2: Was explained, and they had to go up a wall

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Speaker 2: and they had to come down and one torpedo and

444
00:20:30,200 --> 00:20:31,120
Speaker 2: then I got it.

445
00:20:31,240 --> 00:20:31,800
Speaker 1: You got it.

446
00:20:31,880 --> 00:20:32,439
Speaker 2: I got it.

447
00:20:32,520 --> 00:20:37,480
Speaker 1: Even Johnny Dumbo and Amanda go and see it. I

448
00:20:37,520 --> 00:20:39,680
Speaker 1: will work on my wife again this weekend.

449
00:20:40,040 --> 00:20:44,000
Speaker 2: Okay, and then you might see a film.

450
00:20:44,720 --> 00:20:46,520
Speaker 1: There's a couple of questions that I have to ask you.

451
00:20:46,600 --> 00:20:47,639
Speaker 1: I answer questions.

452
00:20:47,880 --> 00:20:48,760
Speaker 2: Just answer a question.

453
00:20:48,880 --> 00:20:51,400
Speaker 3: Okay, what's in it for me? Dollars?

454
00:20:51,400 --> 00:20:52,560
Speaker 7: A dollar rewards?

455
00:20:54,359 --> 00:20:57,520
Speaker 1: It's pretty good. Ten thousand dollars right here, right at now.

456
00:20:57,560 --> 00:20:59,359
Speaker 1: All you have to do is answer ten questions in

457
00:20:59,440 --> 00:21:02,119
Speaker 1: sixty seven. You do that, you get ten thousand dollars.

458
00:21:02,400 --> 00:21:04,440
Speaker 2: Doesn't matter how many of you it takes to get there.

459
00:21:04,480 --> 00:21:07,359
Speaker 2: If someone answers question ten correctly, they get that money.

460
00:21:07,880 --> 00:21:09,359
Speaker 1: Yeah, could be Scott a black Park.

461
00:21:09,480 --> 00:21:13,760
Speaker 2: OHI Scott, Morning guys, Good morning Scott. You could be

462
00:21:13,800 --> 00:21:17,360
Speaker 2: seconds away from getting ten thousand dollars in your bank account.

463
00:21:17,640 --> 00:21:22,040
Speaker 2: We have ten questions, let's hope ten questions sixty seconds.

464
00:21:22,080 --> 00:21:24,160
Speaker 2: If you're wrong or you hesitate, you're out and someone

465
00:21:24,200 --> 00:21:25,840
Speaker 2: takes your place. We have a stack of people ready

466
00:21:25,880 --> 00:21:27,159
Speaker 2: to go. How are you feeling?

467
00:21:29,119 --> 00:21:29,320
Speaker 3: Yeah?

468
00:21:29,400 --> 00:21:33,280
Speaker 2: Good, all right, let's do it. Okay, Scott und Scott,

469
00:21:33,400 --> 00:21:36,240
Speaker 2: here we go. Question one? What animal races in the

470
00:21:36,280 --> 00:21:40,520
Speaker 2: Melbourne Cup? Question two? On which free to wear channel?

471
00:21:40,520 --> 00:21:42,280
Speaker 2: Can you watch the show? The Traitor.

472
00:21:43,880 --> 00:21:46,080
Speaker 1: Seven Daves and Albion part?

473
00:21:46,160 --> 00:21:47,920
Speaker 2: On which free to wear channel? Can you watch the show?

474
00:21:48,480 --> 00:21:50,920
Speaker 2: Question three? What beans are used in me so soup?

475
00:21:52,680 --> 00:21:54,040
Speaker 1: Green Pa?

476
00:21:54,920 --> 00:21:56,480
Speaker 2: What beans are used in me so soup?

477
00:21:57,560 --> 00:21:58,040
Speaker 8: Sprouts?

478
00:21:59,080 --> 00:22:00,199
Speaker 1: David?

479
00:21:59,600 --> 00:22:01,920
Speaker 2: Now, what beans are used in me so soup?

480
00:22:03,920 --> 00:22:04,480
Speaker 7: Broad things?

481
00:22:05,680 --> 00:22:06,040
Speaker 1: Encloyed?

482
00:22:06,240 --> 00:22:07,680
Speaker 2: What beans are used in me so soup?

483
00:22:09,040 --> 00:22:09,200
Speaker 3: Mean?

484
00:22:11,359 --> 00:22:16,240
Speaker 2: What beans are used in meso soup? What beans are

485
00:22:16,320 --> 00:22:17,119
Speaker 2: used in me so soup?

486
00:22:18,000 --> 00:22:19,920
Speaker 7: That's why cake in?

487
00:22:20,560 --> 00:22:22,000
Speaker 2: What beans are used in miso soup?

488
00:22:24,280 --> 00:22:26,880
Speaker 1: Okay, we run out of call.

489
00:22:26,840 --> 00:22:27,280
Speaker 3: And that's it.

490
00:22:27,760 --> 00:22:30,879
Speaker 2: That's what happens. We ran out of everyone on questions.

491
00:22:31,920 --> 00:22:33,320
Speaker 1: No one's drinking me so soup.

492
00:22:33,480 --> 00:22:35,440
Speaker 2: I drink me so soup. It's a soy bean.

493
00:22:35,840 --> 00:22:37,480
Speaker 1: The easiest question in the world, it's.

494
00:22:37,280 --> 00:22:40,880
Speaker 2: The soy bean. I'm surprised I brought everyone on stock. Yeah,

495
00:22:41,480 --> 00:22:43,680
Speaker 2: didn't even get a question three down. That's how it goes.

496
00:22:43,720 --> 00:22:46,080
Speaker 2: Some mornings, people know stuff. Other mornings and no one

497
00:22:46,119 --> 00:22:46,760
Speaker 2: knows nothing.

498
00:22:46,960 --> 00:22:51,440
Speaker 1: It can happen, man podcast.

499
00:22:51,640 --> 00:22:53,480
Speaker 2: Remember I've always wanted to be the girl in the

500
00:22:53,520 --> 00:22:56,920
Speaker 2: Flake commercial. Remember her. She was wearing cheese cloth. I

501
00:22:57,040 --> 00:22:58,160
Speaker 2: used to love cheese cloth.

502
00:22:58,240 --> 00:22:59,680
Speaker 1: And she couldn't ride that pushbike.

503
00:22:59,760 --> 00:23:02,479
Speaker 2: She was riding it in a casual way, as you say, Wobbley.

504
00:23:02,960 --> 00:23:05,119
Speaker 2: She was riding in a way like that scene in

505
00:23:07,119 --> 00:23:09,840
Speaker 2: you know, Robert Redford and Paul Newman.

506
00:23:11,080 --> 00:23:11,399
Speaker 1: Cassie.

507
00:23:12,119 --> 00:23:13,880
Speaker 2: Yeah, wasn't there a girl riding a bike in Adam?

508
00:23:13,960 --> 00:23:15,120
Speaker 2: I thinking of the Mad magazine.

509
00:23:15,240 --> 00:23:17,600
Speaker 1: That's Paul Newman riding the bike and the girls on

510
00:23:17,640 --> 00:23:18,840
Speaker 1: the on the handlebar.

511
00:23:19,080 --> 00:23:22,280
Speaker 2: Yeah, well that's what that was my dream. Uncomfortable sitting

512
00:23:22,280 --> 00:23:25,600
Speaker 2: on the handlebars like a baguette. But the girl in

513
00:23:25,640 --> 00:23:29,439
Speaker 2: the flame a push bike, that's what I dreamt of it.

514
00:23:29,480 --> 00:23:33,159
Speaker 2: But combining, you can combine a bike, cheese cloth, and chocolate.

515
00:23:33,200 --> 00:23:34,320
Speaker 2: It's everything I ever dreamt of.

516
00:23:34,320 --> 00:23:37,560
Speaker 1: Before I knew you. I remember watching Beyond two thousand

517
00:23:37,640 --> 00:23:40,760
Speaker 1: and watching you riding, because most of your stories seem

518
00:23:40,840 --> 00:23:45,760
Speaker 1: to be about wacky push bikes and non conventional ways

519
00:23:45,760 --> 00:23:48,760
Speaker 1: of transports. And then had you on this wacky pushbike

520
00:23:49,080 --> 00:23:51,679
Speaker 1: and you're saying, in the future, we'll all be riding

521
00:23:51,720 --> 00:23:53,679
Speaker 1: this bike. And then you went straight into a bush.

522
00:23:53,840 --> 00:23:54,080
Speaker 3: Yeah.

523
00:23:54,240 --> 00:23:56,920
Speaker 2: No, it was one of those where you sit very

524
00:23:56,920 --> 00:23:58,800
Speaker 2: low to the ground, you're reclining.

525
00:23:59,000 --> 00:24:01,760
Speaker 1: What about those freaks you say, those guys are push bikes.

526
00:24:01,840 --> 00:24:03,760
Speaker 2: Well, this guy was riding one of those for Beyond

527
00:24:03,880 --> 00:24:05,639
Speaker 2: his thousand and we destroyed with him in the States,

528
00:24:05,760 --> 00:24:08,000
Speaker 2: and he had three Doss computers on it.

529
00:24:08,320 --> 00:24:11,880
Speaker 1: Why why those ones they sit on the ground. Yeah,

530
00:24:11,880 --> 00:24:13,959
Speaker 1: and then they feed up And that's what this was.

531
00:24:14,040 --> 00:24:17,360
Speaker 1: But I think and ready push bike riders are maligned

532
00:24:17,400 --> 00:24:19,960
Speaker 1: on the roads. Why would you make yourself more maligned.

533
00:24:20,000 --> 00:24:22,160
Speaker 2: Well, they're not as easy as you as you think.

534
00:24:22,680 --> 00:24:26,520
Speaker 2: I was riding one, that's why you went over. Yeah,

535
00:24:26,640 --> 00:24:29,040
Speaker 2: enough about a flake. Do you know that a flake

536
00:24:29,160 --> 00:24:32,440
Speaker 2: is a couple of flakes. A flake with an extra

537
00:24:32,480 --> 00:24:33,919
Speaker 2: layer of chocolate is a twirl.

538
00:24:34,080 --> 00:24:34,800
Speaker 1: I know that.

539
00:24:35,040 --> 00:24:35,800
Speaker 2: I didn't know that.

540
00:24:35,840 --> 00:24:36,359
Speaker 1: What's a twix?

541
00:24:36,480 --> 00:24:36,640
Speaker 3: Then?

542
00:24:37,640 --> 00:24:39,280
Speaker 2: What is a twix? That's probably got a bit of

543
00:24:39,280 --> 00:24:42,240
Speaker 2: Newgar in it has it? It's betwixt and between.

544
00:24:42,080 --> 00:24:44,520
Speaker 1: Got a bit of Newga, It's got Newgar.

545
00:24:45,400 --> 00:24:46,800
Speaker 2: The reason I know this is I was looking at

546
00:24:46,840 --> 00:24:48,919
Speaker 2: Twitter yesterday and this guy said that his father had

547
00:24:48,920 --> 00:24:51,640
Speaker 2: passed away twenty years ago. He was an industrial chocolate here.

548
00:24:51,880 --> 00:24:54,160
Speaker 2: I meationine, if your dad was an industrial chocolate here,

549
00:24:54,520 --> 00:24:56,520
Speaker 2: and among other things, he figured out how to cover

550
00:24:56,600 --> 00:24:59,520
Speaker 2: a flake, not me, with an extra layer of chocolate,

551
00:25:00,160 --> 00:25:04,640
Speaker 2: us inventing the towel. This person's dad invented the toil.

552
00:25:04,720 --> 00:25:05,760
Speaker 2: What a claim to fame.

553
00:25:06,040 --> 00:25:08,040
Speaker 1: Yeah, that's a good that's a good claim to fame

554
00:25:08,359 --> 00:25:11,880
Speaker 1: because when if you're a and I'm not by any

555
00:25:11,920 --> 00:25:14,320
Speaker 1: stretch of chocolate industrial.

556
00:25:14,040 --> 00:25:16,280
Speaker 2: You know, industrial chocolates here.

557
00:25:16,280 --> 00:25:19,000
Speaker 1: I'm not one of those. But remember I invented the

558
00:25:19,080 --> 00:25:22,639
Speaker 1: chocolate Monte Carlo biscuit because I love a chocolate Monty.

559
00:25:23,320 --> 00:25:25,680
Speaker 1: And then I thought, well, imagine if you had a

560
00:25:25,680 --> 00:25:31,080
Speaker 1: Monte Carlo biscuit completely immersed in chocolate. And remember what

561
00:25:31,119 --> 00:25:33,320
Speaker 1: I said to you at the time, what a great idea?

562
00:25:33,359 --> 00:25:35,800
Speaker 1: And you purpued my idea. So I took it to

563
00:25:35,840 --> 00:25:38,159
Speaker 1: the Arnot's people and they said, you know what, we

564
00:25:38,359 --> 00:25:39,840
Speaker 1: like the cut of your chip because I made one

565
00:25:39,840 --> 00:25:41,760
Speaker 1: in the kitchen. He took it to them.

566
00:25:41,840 --> 00:25:43,960
Speaker 2: Well made one. You just dipped a biscuit in chocolate.

567
00:25:44,040 --> 00:25:44,200
Speaker 5: Yeah.

568
00:25:44,200 --> 00:25:45,960
Speaker 1: I took it to the Arne's people and they went,

569
00:25:46,080 --> 00:25:47,440
Speaker 1: you know what, this is a great eye.

570
00:25:47,440 --> 00:25:50,480
Speaker 2: This kid is great and they made a run of them.

571
00:25:50,520 --> 00:25:51,200
Speaker 1: They made a run.

572
00:25:51,240 --> 00:25:53,040
Speaker 2: And why did you get cranky? Look at your face?

573
00:25:53,040 --> 00:25:54,000
Speaker 2: What did you get cranky?

574
00:25:54,040 --> 00:25:56,960
Speaker 1: Because they caught it the chocolate Monty keller.

575
00:25:59,000 --> 00:26:00,960
Speaker 2: And it drove you.

576
00:26:01,119 --> 00:26:03,400
Speaker 1: I was a little red hen, who's going to help

577
00:26:03,400 --> 00:26:08,840
Speaker 1: me bake the bread? And you the other farm yard animals?

578
00:26:09,040 --> 00:26:09,919
Speaker 2: Which am I?

579
00:26:09,920 --> 00:26:13,560
Speaker 1: I don't know to ride a bike? And you chose

580
00:26:13,600 --> 00:26:15,720
Speaker 1: not to help. And that was my claim to fame.

581
00:26:15,720 --> 00:26:18,480
Speaker 1: And my youngest dominique he says, I really would like

582
00:26:18,760 --> 00:26:22,119
Speaker 1: a chocolate Monty. He does call it a keller, which

583
00:26:22,359 --> 00:26:25,440
Speaker 1: bugs me, but yeah, that's the thing, you know. Even

584
00:26:25,520 --> 00:26:27,439
Speaker 1: Richard Max. You remember we had Richard Max on the

585
00:26:27,440 --> 00:26:30,600
Speaker 1: show and we were talking about his dad. His dad

586
00:26:30,680 --> 00:26:31,679
Speaker 1: was a jingle rider.

587
00:26:32,840 --> 00:26:36,280
Speaker 12: I had tremendous love and respect for my father when

588
00:26:36,320 --> 00:26:38,600
Speaker 12: I was young, but I wanted to do my own thing.

589
00:26:38,720 --> 00:26:38,919
Speaker 3: You know.

590
00:26:39,000 --> 00:26:41,199
Speaker 12: The kid said, hey, come out and work with me.

591
00:26:41,280 --> 00:26:42,800
Speaker 12: And I mean he tried to get me to like

592
00:26:42,880 --> 00:26:45,320
Speaker 12: he was a jingle writer producer, and he tried to

593
00:26:45,359 --> 00:26:48,080
Speaker 12: get me to sort of take over his business. And

594
00:26:48,119 --> 00:26:51,560
Speaker 12: I said, man, I'm so grateful, but I like, that's

595
00:26:51,600 --> 00:26:52,040
Speaker 12: your thing.

596
00:26:52,200 --> 00:26:53,960
Speaker 1: I want to do my thing, and I think my.

597
00:26:53,840 --> 00:26:56,520
Speaker 12: Sons are in the same same same place.

598
00:26:56,760 --> 00:26:58,480
Speaker 1: That's right. You did a jingle when you're a kid,

599
00:26:58,520 --> 00:26:59,080
Speaker 1: didn't you.

600
00:26:59,200 --> 00:26:59,960
Speaker 3: I did a bunch of.

601
00:27:02,080 --> 00:27:04,720
Speaker 12: Candy bars and bubblegum and breakfast cereal.

602
00:27:04,960 --> 00:27:07,399
Speaker 1: And if you YouTube this he you can hear a

603
00:27:07,440 --> 00:27:10,159
Speaker 1: young Richard Marx and his mum singing on this chicken

604
00:27:10,200 --> 00:27:14,880
Speaker 1: of the sea for tuna skin you happened to see

605
00:27:15,480 --> 00:27:21,520
Speaker 1: was the best jun chickens. Dad's dad, Dad, We couldn't

606
00:27:21,520 --> 00:27:22,800
Speaker 1: confirm if you wrote this one.

607
00:27:27,359 --> 00:27:27,920
Speaker 2: That's his mother.

608
00:27:28,119 --> 00:27:28,280
Speaker 3: Man.

609
00:27:31,119 --> 00:27:33,560
Speaker 2: My dad's claim to fame was that he was in

610
00:27:33,640 --> 00:27:37,119
Speaker 2: a movie in nineteen fifty four. He was working on

611
00:27:37,240 --> 00:27:39,240
Speaker 2: Thursday Island. He got a job in the bank at

612
00:27:39,320 --> 00:27:44,280
Speaker 2: Thursday Island, pre marriage, pre all of that. Thursday Island,

613
00:27:44,359 --> 00:27:47,639
Speaker 2: the very top of Queensland, off the top of Queensland,

614
00:27:48,080 --> 00:27:50,320
Speaker 2: and they came to make the film King of the

615
00:27:50,400 --> 00:27:54,440
Speaker 2: Coral Sea had Chips Rafferty, it had Bud Tingle, and

616
00:27:54,520 --> 00:27:57,640
Speaker 2: it was the very first film of Rod Taylor right,

617
00:27:58,119 --> 00:28:00,800
Speaker 2: and Dad had to do it well. He had to.

618
00:28:00,960 --> 00:28:02,960
Speaker 2: For one thing, he had to move out of his

619
00:28:03,080 --> 00:28:05,120
Speaker 2: room because Dad was tall, and he had to give

620
00:28:05,160 --> 00:28:08,480
Speaker 2: his bed to Chip's raffity who was tall. But Dad

621
00:28:08,640 --> 00:28:10,560
Speaker 2: was in the background of it, and we've seen it.

622
00:28:10,600 --> 00:28:12,320
Speaker 2: It is to be the most exciting thing whenever it

623
00:28:12,359 --> 00:28:16,240
Speaker 2: came on television. For a family where nothing exciting happened,

624
00:28:16,440 --> 00:28:18,880
Speaker 2: this was the most thrilling thing ever. We'd watched Dad

625
00:28:18,960 --> 00:28:21,439
Speaker 2: in this movie. And he and his mate were standing

626
00:28:21,520 --> 00:28:24,680
Speaker 2: on a jetty and Chip's raffity walked past talking to

627
00:28:24,760 --> 00:28:27,320
Speaker 2: Bud Tingle and Dad had to count to three and

628
00:28:27,480 --> 00:28:30,800
Speaker 2: laugh and count to four and pretend to talk. And

629
00:28:30,960 --> 00:28:33,000
Speaker 2: we watched it and it was the most exciting thing

630
00:28:33,080 --> 00:28:35,439
Speaker 2: that had ever happened to our family. And Dad, as

631
00:28:35,440 --> 00:28:38,080
Speaker 2: a joke, said he had an acting stage named Dane,

632
00:28:38,360 --> 00:28:40,080
Speaker 2: and for years we used to make fun of Dane.

633
00:28:41,280 --> 00:28:44,040
Speaker 1: Wow, the window nights must have flown by at your

634
00:28:44,120 --> 00:28:46,560
Speaker 1: house and look at you now, look at you. You're

635
00:28:46,600 --> 00:28:49,120
Speaker 1: a big deal. This is something your kids will probably

636
00:28:49,240 --> 00:28:50,040
Speaker 1: saying this right now.

637
00:28:50,240 --> 00:28:50,360
Speaker 3: Now.

638
00:28:50,400 --> 00:28:51,160
Speaker 2: They couldn't kill this.

639
00:28:51,520 --> 00:28:53,479
Speaker 1: Of course they care, of course they care. Maybe that's

640
00:28:53,520 --> 00:28:57,000
Speaker 1: something the tribal drum would beat for dad's claim to fame.

641
00:29:00,840 --> 00:29:04,040
Speaker 1: Maybe he immersed twigt in chocolate. Maybe he came up

642
00:29:04,080 --> 00:29:05,600
Speaker 1: with the chocolate Monte Carlo.

643
00:29:05,960 --> 00:29:09,000
Speaker 2: Maybe he was an extra in a movie. Yeah, see

644
00:29:09,040 --> 00:29:11,320
Speaker 2: that's exciting. White kids don't care less about what I do.

645
00:29:11,760 --> 00:29:12,960
Speaker 2: This stuff was exciting.

646
00:29:14,760 --> 00:29:17,920
Speaker 1: Hello. There, it's Jonesie Amanda. The tribal drummer's been beating

647
00:29:18,400 --> 00:29:26,920
Speaker 1: dad's claim to fame. We've discovered this man's dad's claim

648
00:29:26,960 --> 00:29:29,840
Speaker 1: to fame. He was an industrial chocolate tea. What a job.

649
00:29:30,000 --> 00:29:32,400
Speaker 1: And he got a flake and then he immersed it

650
00:29:32,480 --> 00:29:35,480
Speaker 1: in chocolate and it became a twirl. Yes, and which

651
00:29:35,560 --> 00:29:37,160
Speaker 1: is pretty good because a flake, when you eat it

652
00:29:37,320 --> 00:29:39,800
Speaker 1: goes everywhere. Yes, And people know.

653
00:29:40,640 --> 00:29:44,400
Speaker 2: Pastry flake a paste. Don't think about it.

654
00:29:44,760 --> 00:29:45,720
Speaker 1: Lauren has joined us.

655
00:29:45,800 --> 00:29:47,680
Speaker 2: Hello, Lauren, what's your dad's claim to fame?

656
00:29:49,360 --> 00:29:51,800
Speaker 10: I my dad was a solo man.

657
00:29:52,680 --> 00:29:56,320
Speaker 2: No, the solo man, because there's a couple of Solomon.

658
00:29:56,520 --> 00:29:58,280
Speaker 2: Because I think Joel Creesy's dad was one.

659
00:29:58,200 --> 00:30:00,840
Speaker 1: Of the solo men. Creasy's dad was solo man, which

660
00:30:00,880 --> 00:30:02,000
Speaker 1: which which was yours?

661
00:30:02,880 --> 00:30:06,479
Speaker 10: So this was in nineteen seventy nine and nineteen eighty

662
00:30:07,400 --> 00:30:11,280
Speaker 10: one maybe, And it's like man from Snowy River style.

663
00:30:11,760 --> 00:30:13,560
Speaker 10: He was working in the high country.

664
00:30:13,760 --> 00:30:16,680
Speaker 1: He was on the horse, yeah, the horse.

665
00:30:16,960 --> 00:30:19,160
Speaker 2: Was he an actor? Lauren? How did it come about?

666
00:30:20,280 --> 00:30:20,400
Speaker 3: Oh?

667
00:30:20,680 --> 00:30:23,080
Speaker 10: Well, my mum was a model and they said we

668
00:30:23,160 --> 00:30:26,840
Speaker 10: need a good looking guy who can ride, and she said,

669
00:30:26,880 --> 00:30:28,280
Speaker 10: oh well my husband can.

670
00:30:28,600 --> 00:30:33,040
Speaker 1: He can ride. All right, Wow, and that's how you

671
00:30:33,120 --> 00:30:33,760
Speaker 1: were conceived.

672
00:30:34,240 --> 00:30:37,480
Speaker 2: That's charming. I want to say this solo man, that's

673
00:30:37,520 --> 00:30:38,719
Speaker 2: so hockety I love.

674
00:30:39,160 --> 00:30:41,400
Speaker 1: And this isn't the horse. This is the canoe guy.

675
00:30:41,440 --> 00:30:42,640
Speaker 1: I remember the canoe guy.

676
00:30:47,160 --> 00:30:52,640
Speaker 13: The other Yeah, keep it shaved, be your solo got.

677
00:30:54,040 --> 00:30:59,200
Speaker 1: There. He goes off the cliff you've got and then

678
00:30:59,240 --> 00:30:59,640
Speaker 1: he gets the.

679
00:30:59,720 --> 00:31:04,360
Speaker 2: Sol someone we landed on a siren And Lauren, la,

680
00:31:06,440 --> 00:31:09,040
Speaker 2: did you have like solo man stuff all over the house?

681
00:31:09,160 --> 00:31:11,160
Speaker 2: Was it the most exciting thing that had ever happened?

682
00:31:12,000 --> 00:31:12,160
Speaker 3: Oh?

683
00:31:12,360 --> 00:31:14,680
Speaker 10: No, just every time someone had come over came over,

684
00:31:15,640 --> 00:31:18,000
Speaker 10: we had to pull out the VHS tape.

685
00:31:19,240 --> 00:31:20,320
Speaker 3: And watch it.

686
00:31:20,440 --> 00:31:24,040
Speaker 10: And then somehow I got it onto YouTube and so

687
00:31:25,160 --> 00:31:27,720
Speaker 10: meet someone new and someone knows this alone stand was

688
00:31:27,760 --> 00:31:28,480
Speaker 10: a solo man.

689
00:31:28,800 --> 00:31:29,520
Speaker 1: So excited.

690
00:31:30,200 --> 00:31:31,440
Speaker 2: I think that is a great claim.

691
00:31:31,920 --> 00:31:33,520
Speaker 1: Is your your dad's still around.

692
00:31:35,160 --> 00:31:35,840
Speaker 10: A few years ago?

693
00:31:36,120 --> 00:31:36,680
Speaker 1: I'm sorry to.

694
00:31:36,680 --> 00:31:39,440
Speaker 10: Hear that I did try to get a bunch of

695
00:31:39,800 --> 00:31:42,120
Speaker 10: free solo cans to have it the wake.

696
00:31:44,240 --> 00:31:46,080
Speaker 1: The solo people wouldn't come to the party.

697
00:31:47,400 --> 00:31:49,960
Speaker 2: No, that is outrageous.

698
00:31:50,200 --> 00:31:51,080
Speaker 1: I would have played for that.

699
00:31:51,360 --> 00:31:53,480
Speaker 2: That's outrageous outrage.

700
00:31:53,240 --> 00:31:55,320
Speaker 1: How would the solo man go these days? You know,

701
00:31:55,360 --> 00:31:57,760
Speaker 1: in these binary or non binary times?

702
00:31:57,960 --> 00:31:59,560
Speaker 2: Well, you can still be a solo man or a

703
00:31:59,600 --> 00:32:00,240
Speaker 2: solo woman.

704
00:32:00,360 --> 00:32:01,320
Speaker 1: What a solow day.

705
00:32:02,760 --> 00:32:07,080
Speaker 2: Brandan You still have men and women. Not everyone's been

706
00:32:07,160 --> 00:32:08,720
Speaker 2: pushed into being a vake.

707
00:32:08,680 --> 00:32:12,240
Speaker 1: Jingle says a solo man. Yeah, so can he still exist?

708
00:32:13,240 --> 00:32:15,440
Speaker 2: So many questions? But Lauren, we love that. Thank you

709
00:32:15,560 --> 00:32:15,960
Speaker 2: so much.

710
00:32:16,480 --> 00:32:19,400
Speaker 11: Jonesy and AMANDAM podcast.

711
00:32:23,160 --> 00:32:25,040
Speaker 2: And we are up and running.

712
00:32:25,360 --> 00:32:28,280
Speaker 1: Hello there, we've been chatting about my dance claim to fame.

713
00:32:28,920 --> 00:32:31,840
Speaker 1: Maybe like it all started with the guy that covered

714
00:32:32,040 --> 00:32:35,560
Speaker 1: a flake in chocolate and twirl, which is a yummy chocolate.

715
00:32:35,640 --> 00:32:38,880
Speaker 1: But we had Lauren just wringing and her dad was

716
00:32:39,040 --> 00:32:41,560
Speaker 1: in the solo. He was the solo man. He was

717
00:32:41,600 --> 00:32:42,760
Speaker 1: the one on the horse and cart.

718
00:32:43,080 --> 00:32:44,760
Speaker 2: So he was on a horse and cart.

719
00:32:44,880 --> 00:32:48,240
Speaker 1: Yeah, he's getting pulled by two horses. Really, Jim y Ryan,

720
00:32:48,280 --> 00:32:49,440
Speaker 1: I would just watching what about that?

721
00:32:49,600 --> 00:32:50,840
Speaker 3: Oh it was so good?

722
00:32:51,080 --> 00:32:51,280
Speaker 5: Yeah?

723
00:32:53,320 --> 00:32:54,520
Speaker 2: Is he going down a mountain?

724
00:32:55,040 --> 00:32:58,360
Speaker 1: He was just riding on the flat doing donuts. And

725
00:33:00,000 --> 00:33:00,640
Speaker 1: that's a horse.

726
00:33:00,880 --> 00:33:02,120
Speaker 2: God, that's not easy.

727
00:33:02,240 --> 00:33:03,280
Speaker 1: That's not easy.

728
00:33:03,360 --> 00:33:04,280
Speaker 2: You need a kind of drink.

729
00:33:05,120 --> 00:33:06,280
Speaker 1: It's a man's drink.

730
00:33:07,240 --> 00:33:08,040
Speaker 2: The horse said it.

731
00:33:08,200 --> 00:33:10,680
Speaker 1: That's what they did. That's what they did back then

732
00:33:10,760 --> 00:33:13,280
Speaker 1: when men were men and the women were men too.

733
00:33:13,680 --> 00:33:17,000
Speaker 1: Everyone was a man anyway. The trouble drum is beating

734
00:33:17,560 --> 00:33:18,800
Speaker 1: dad's claim to fame.

735
00:33:23,240 --> 00:33:25,960
Speaker 2: Scott's with us. Give us your dad's claim to fame, Scott.

736
00:33:26,760 --> 00:33:27,760
Speaker 8: Yeah, Hi, hey gun.

737
00:33:27,880 --> 00:33:32,280
Speaker 5: Yeah. My father was a ex detective and he used

738
00:33:33,040 --> 00:33:36,440
Speaker 5: one stage. He was at a thing called the Special

739
00:33:36,480 --> 00:33:39,160
Speaker 5: Branch before the Federal.

740
00:33:38,840 --> 00:33:39,720
Speaker 8: Police or whatever.

741
00:33:40,520 --> 00:33:42,479
Speaker 5: And back in I think it was about nine nine

742
00:33:42,640 --> 00:33:46,920
Speaker 5: seventy when the three astronauts that landed on the Moon,

743
00:33:47,640 --> 00:33:51,560
Speaker 5: Neil Armstrong and buzz Aldridge and Neil Collins, come to Australia.

744
00:33:52,880 --> 00:33:55,760
Speaker 5: He looked after him and took them out on the

745
00:33:55,840 --> 00:33:59,960
Speaker 5: town for a few nights and yeah, what a store.

746
00:34:00,000 --> 00:34:01,440
Speaker 2: Sorry? What did he make of them? Do you say

747
00:34:01,480 --> 00:34:03,560
Speaker 2: they were good guys? Because often they're quite I know,

748
00:34:03,640 --> 00:34:08,000
Speaker 2: buzz Aldron's a bit like, a bit crazy and fun,

749
00:34:08,360 --> 00:34:11,799
Speaker 2: but the others they're sort of scientist guys in a way.

750
00:34:11,880 --> 00:34:12,759
Speaker 2: What did he make of them?

751
00:34:13,200 --> 00:34:13,439
Speaker 6: Yeah?

752
00:34:14,200 --> 00:34:17,120
Speaker 5: I spoke to him a few years ago before he

753
00:34:17,239 --> 00:34:19,920
Speaker 5: passed away about it. We were at a thing and

754
00:34:20,880 --> 00:34:24,000
Speaker 5: he was saying that I can't remember actually whether it

755
00:34:24,160 --> 00:34:30,640
Speaker 5: was Neil Collins or buzz Aldridge. Apparently one of them

756
00:34:30,760 --> 00:34:36,279
Speaker 5: was a bit of a dickhead, and the as I said,

757
00:34:36,320 --> 00:34:38,920
Speaker 5: they're on the drink and whatever. And the guy that

758
00:34:39,080 --> 00:34:41,839
Speaker 5: my dad was working, we've almost knocked him out.

759
00:34:43,239 --> 00:34:47,600
Speaker 2: What a story. We love it, Scott. I think it

760
00:34:47,680 --> 00:34:50,600
Speaker 2: was Michael Collins, buzz Aldron and Neil Armstrong, but the

761
00:34:50,719 --> 00:34:54,399
Speaker 2: story is really we love it. Thank you, Scott. Kelly

762
00:34:55,239 --> 00:34:59,760
Speaker 2: as well, Hello Kelly, Hi, what's your dad's claim to fame?

763
00:35:00,880 --> 00:35:01,040
Speaker 5: Oh?

764
00:35:01,280 --> 00:35:04,240
Speaker 14: He'll love to tell you that I bowled out Doggie

765
00:35:04,320 --> 00:35:05,680
Speaker 14: Walters in a cricket game.

766
00:35:06,200 --> 00:35:06,480
Speaker 3: Wow.

767
00:35:06,840 --> 00:35:08,279
Speaker 2: What were the circumstances of that?

768
00:35:09,400 --> 00:35:09,560
Speaker 7: Oh?

769
00:35:09,760 --> 00:35:15,960
Speaker 6: Look, they were in about year six. It was a

770
00:35:16,040 --> 00:35:17,280
Speaker 6: gala day or something.

771
00:35:17,320 --> 00:35:19,720
Speaker 10: Where the country kids came to play the city kids,

772
00:35:19,800 --> 00:35:22,160
Speaker 10: and yeah, Dad bowled me out. So when he's telling

773
00:35:22,239 --> 00:35:25,400
Speaker 10: us the story, we're thinking, oh wow, dad played Rep Cricket.

774
00:35:26,400 --> 00:35:28,160
Speaker 1: He was a primary school student.

775
00:35:28,800 --> 00:35:29,600
Speaker 2: That's brilliant.

776
00:35:29,680 --> 00:35:30,480
Speaker 1: That's what we're talking.

777
00:35:30,719 --> 00:35:31,120
Speaker 3: We love it.

778
00:35:31,160 --> 00:35:33,360
Speaker 1: I'm going to take more calls WSFN. Why don't you

779
00:35:33,360 --> 00:35:37,560
Speaker 1: give us a call? It's nineteen eighth the tribal dramas

780
00:35:37,600 --> 00:35:39,279
Speaker 1: beating Dad's claim to fame.

781
00:35:39,320 --> 00:35:40,680
Speaker 2: We've had some great us.

782
00:35:43,520 --> 00:35:46,200
Speaker 1: We've had the solo man, and we've had a dad

783
00:35:46,280 --> 00:35:48,680
Speaker 1: that claims to have bowled out Douggie Walters.

784
00:35:48,960 --> 00:35:50,760
Speaker 2: He was at high school, primary school.

785
00:35:50,800 --> 00:35:52,399
Speaker 1: He's twelve years of about it. Well, it doesn't matter

786
00:35:52,440 --> 00:35:54,680
Speaker 1: to us, It doesn't matter. Denise has joined us.

787
00:35:54,719 --> 00:35:57,439
Speaker 2: Hello Denise, Good morning bend Room.

788
00:35:57,600 --> 00:35:59,160
Speaker 9: Amanda, how are you very well?

789
00:35:59,480 --> 00:36:01,879
Speaker 2: What's your claim to fame? Look?

790
00:36:02,080 --> 00:36:05,400
Speaker 9: Dad was a car salesman all around Sydney and one

791
00:36:05,480 --> 00:36:08,680
Speaker 9: of the companies he worked for was Broadway Motors right

792
00:36:08,719 --> 00:36:13,200
Speaker 9: on Broadway and an old actress from Hollywood. And I

793
00:36:13,239 --> 00:36:15,440
Speaker 9: don't know whether you would remember Betty Hutton.

794
00:36:15,680 --> 00:36:17,520
Speaker 6: Yes, she was a big deal.

795
00:36:17,880 --> 00:36:18,360
Speaker 3: She was.

796
00:36:18,640 --> 00:36:22,320
Speaker 9: I'm out to Australia and Broadway Motors offered her a

797
00:36:22,440 --> 00:36:26,959
Speaker 9: car and a driver, which was Dad, and he said

798
00:36:27,200 --> 00:36:29,120
Speaker 9: she wasn't a very nice person. He didn't like her

799
00:36:29,200 --> 00:36:30,840
Speaker 9: very much, but he had to drag her all around

800
00:36:30,840 --> 00:36:34,759
Speaker 9: Sydney to events and stuff during that time. And in

801
00:36:34,880 --> 00:36:40,399
Speaker 9: those days television was live and live ads, and Dad

802
00:36:40,400 --> 00:36:44,160
Speaker 9: would take vehicles over to Channel seven. I think that

803
00:36:44,320 --> 00:36:47,560
Speaker 9: had to be perfect and pristine. And he wrote a

804
00:36:47,680 --> 00:36:51,960
Speaker 9: jingle for Broadway Motors, so he would often be singing

805
00:36:52,000 --> 00:36:54,279
Speaker 9: it in the background and it's just something that's stuck

806
00:36:54,360 --> 00:36:54,839
Speaker 9: in my head.

807
00:36:55,160 --> 00:36:58,080
Speaker 2: Come and sing it for us, now, Denise, Oh my god,

808
00:36:58,719 --> 00:36:59,200
Speaker 2: I'll sing.

809
00:36:59,120 --> 00:37:03,680
Speaker 9: It as quickly as I can. Sure, Okay, A board

810
00:37:03,760 --> 00:37:05,000
Speaker 9: of Ford take.

811
00:37:04,880 --> 00:37:05,640
Speaker 14: Over the wheel.

812
00:37:06,400 --> 00:37:08,040
Speaker 2: Broad Wing lords.

813
00:37:07,719 --> 00:37:11,920
Speaker 9: Give a wonderful deal. And when the family's abort, they'll holiday,

814
00:37:12,360 --> 00:37:13,880
Speaker 9: We're glad you bought a Ford.

815
00:37:15,040 --> 00:37:16,520
Speaker 2: You got a beautiful voice too.

816
00:37:16,640 --> 00:37:20,840
Speaker 1: Come through Sydney absolutely great todayse Well what about that?

817
00:37:21,200 --> 00:37:23,920
Speaker 2: And Betty Hutton't she was in? Was she not any Oakley?

818
00:37:24,000 --> 00:37:24,719
Speaker 2: She was one of them.

819
00:37:24,800 --> 00:37:25,399
Speaker 1: She was one of those.

820
00:37:25,400 --> 00:37:26,880
Speaker 2: And he gets your gun one of those.

821
00:37:27,160 --> 00:37:28,240
Speaker 1: She was getting something.

822
00:37:30,400 --> 00:37:32,160
Speaker 2: Thanks Bill Collins, Thank you.

823
00:37:32,320 --> 00:37:34,560
Speaker 1: Dese. Joe was joined us as well.

824
00:37:34,560 --> 00:37:37,719
Speaker 8: Hello Joe, Hi, how are you going?

825
00:37:38,000 --> 00:37:38,120
Speaker 3: Right.

826
00:37:38,160 --> 00:37:39,840
Speaker 2: What's your dad's claim to fame Joe.

827
00:37:41,280 --> 00:37:46,360
Speaker 8: Well, my dad had a radio show on two Ky,

828
00:37:47,160 --> 00:37:52,880
Speaker 8: he had a television show for twenty one years and

829
00:37:54,080 --> 00:37:58,520
Speaker 8: he also was the very first Australian to perform on

830
00:37:58,680 --> 00:38:02,680
Speaker 8: the Grand Ole Obry and he was very well known

831
00:38:02,840 --> 00:38:04,480
Speaker 8: in the company music industry.

832
00:38:05,560 --> 00:38:11,680
Speaker 1: J Yeah, have a well, I think I know who

833
00:38:11,719 --> 00:38:11,920
Speaker 1: it is.

834
00:38:12,120 --> 00:38:14,800
Speaker 2: Yeah, it's not slim Dusty, it's Rege Lindsay.

835
00:38:16,120 --> 00:38:17,920
Speaker 8: Yes, slim Dusty is my uncle.

836
00:38:18,120 --> 00:38:26,200
Speaker 2: But Redge Lindsey is your dad. Brilliant. I still remember

837
00:38:26,239 --> 00:38:29,080
Speaker 2: that song. He he wrote a song about Nil Arms.

838
00:38:29,560 --> 00:38:31,880
Speaker 1: He did not you know.

839
00:38:35,280 --> 00:38:38,920
Speaker 2: Amor July after this brendant are you too Young?

840
00:38:40,880 --> 00:38:42,560
Speaker 1: Was one years stra age.

841
00:38:46,719 --> 00:38:51,520
Speaker 2: Love it and he bowled out Doug Waters from Dido.

842
00:38:51,480 --> 00:38:54,880
Speaker 1: Doug Walters and did he kayak down a river drinking solo?

843
00:38:55,760 --> 00:38:56,480
Speaker 2: Joe, I love it.

844
00:38:56,640 --> 00:38:58,480
Speaker 1: Thank you, thank you so much, and thank you for

845
00:38:58,560 --> 00:38:59,160
Speaker 1: all your calls.

846
00:39:01,320 --> 00:39:05,680
Speaker 15: Pomdcast Jonesy and Amanda in the morning one oh one

847
00:39:05,760 --> 00:39:08,319
Speaker 15: point seven WSFM.

848
00:39:07,640 --> 00:39:09,719
Speaker 1: Down to the Jonesy de Matter answer the pub test

849
00:39:09,920 --> 00:39:12,640
Speaker 1: and today this is one that's dominating everywhere. And I

850
00:39:12,760 --> 00:39:16,480
Speaker 1: love infrastructure. Raising the damn wall. Does it pass the

851
00:39:16,480 --> 00:39:17,080
Speaker 1: pub test Well.

852
00:39:17,120 --> 00:39:20,000
Speaker 2: Our premiere Dominic Perrete, has vowed to raise the Wargamber

853
00:39:20,080 --> 00:39:22,959
Speaker 2: Damn Wall, declaring that new South Welles will gold alone

854
00:39:23,000 --> 00:39:24,960
Speaker 2: if the federal government doesn't step into hell. But it's

855
00:39:24,960 --> 00:39:28,719
Speaker 2: going to cost one point six billion dollars. Why is

856
00:39:28,840 --> 00:39:31,080
Speaker 2: this so controversial? Tell me the fore and against.

857
00:39:32,000 --> 00:39:35,359
Speaker 1: The against is that you're going to lose a bit

858
00:39:35,400 --> 00:39:39,399
Speaker 1: of land, trees and stuff up from the dam.

859
00:39:39,920 --> 00:39:41,240
Speaker 2: Why because if you're raising.

860
00:39:41,000 --> 00:39:42,640
Speaker 1: The war, once you raise the wall, that's going to

861
00:39:42,640 --> 00:39:43,160
Speaker 1: be flooded.

862
00:39:43,239 --> 00:39:44,719
Speaker 2: Okay, so takes in more space.

863
00:39:44,880 --> 00:39:48,160
Speaker 1: Got to take in more space. The pro I guess

864
00:39:48,400 --> 00:39:51,239
Speaker 1: it's going to save you eight thousand lives. Apparently there's

865
00:39:51,239 --> 00:39:53,520
Speaker 1: a lot of people that live downstream that get affected

866
00:39:53,920 --> 00:39:55,680
Speaker 1: by when the dam floods over.

867
00:39:55,920 --> 00:40:01,040
Speaker 2: I've seen some people commenting here that twelve years that

868
00:40:01,160 --> 00:40:03,920
Speaker 2: they haven't actually dealt with flood mitigation in those communities,

869
00:40:04,320 --> 00:40:06,520
Speaker 2: and they've actually allowed houses to be built where they

870
00:40:06,520 --> 00:40:08,960
Speaker 2: shouldn't be. And so some people are saying, well, it's

871
00:40:08,960 --> 00:40:10,520
Speaker 2: all very well and good now, but why haven't you

872
00:40:10,560 --> 00:40:12,279
Speaker 2: looked out to those people before this? Why does it

873
00:40:12,360 --> 00:40:13,719
Speaker 2: have to take Why do we have to have an

874
00:40:13,760 --> 00:40:16,719
Speaker 2: environmental issue now when this could have been done, and.

875
00:40:16,719 --> 00:40:19,560
Speaker 1: The labor government has always erred on the side of

876
00:40:19,680 --> 00:40:23,080
Speaker 1: the environment, So the labor would have it run at

877
00:40:23,200 --> 00:40:26,239
Speaker 1: lower capacity, so then when we have a drought, we're

878
00:40:26,280 --> 00:40:27,600
Speaker 1: not going to have any rain and they're going to

879
00:40:27,640 --> 00:40:31,240
Speaker 1: be paying exorbitant water prices. And it's also been table

880
00:40:31,320 --> 00:40:33,759
Speaker 1: we might be drinking recycled water, which I don't want

881
00:40:33,800 --> 00:40:35,960
Speaker 1: to drink. The liberal government, on the other hand, have said, well,

882
00:40:36,000 --> 00:40:39,279
Speaker 1: let's raise the wall by fourteen meters. And let's face it,

883
00:40:39,360 --> 00:40:42,359
Speaker 1: it's a dam. We need the dam. The dam's going

884
00:40:42,400 --> 00:40:44,880
Speaker 1: to be there. If they raise the wall, then the

885
00:40:44,960 --> 00:40:48,279
Speaker 1: water might we might go into another drought period. But

886
00:40:48,360 --> 00:40:50,960
Speaker 1: I would rather have the dam sitting at full capacity

887
00:40:51,360 --> 00:40:53,760
Speaker 1: than have it sitting at like, say, twenty five percent

888
00:40:53,840 --> 00:40:55,640
Speaker 1: capacity and then we have no rain and then we're

889
00:40:55,640 --> 00:40:56,840
Speaker 1: all drinking cups of mud.

890
00:40:56,840 --> 00:41:00,520
Speaker 2: And at the current capacity, if it rains and we spill,

891
00:41:00,719 --> 00:41:02,480
Speaker 2: that's an environmental disaster too, and.

892
00:41:02,520 --> 00:41:07,800
Speaker 1: It's also inundates all those communities downstream. An issue that

893
00:41:07,840 --> 00:41:10,520
Speaker 1: the area was always a natural catchment area. When they

894
00:41:10,560 --> 00:41:12,600
Speaker 1: first discovered in the eighteen hundreds, they said, this will

895
00:41:12,600 --> 00:41:13,640
Speaker 1: be a great spot to put a dam.

896
00:41:13,760 --> 00:41:14,760
Speaker 2: And now let's put some houses.

897
00:41:14,880 --> 00:41:18,080
Speaker 1: Yeah, so they built well down. That's for another that's

898
00:41:18,120 --> 00:41:22,200
Speaker 1: another different shaped potato. But from nineteen forty eight to

899
00:41:22,320 --> 00:41:25,239
Speaker 1: nineteen sixty they built the dam originally, and I think

900
00:41:25,280 --> 00:41:28,320
Speaker 1: in the eighties they raised it. Bob Carr's government said no,

901
00:41:28,400 --> 00:41:31,200
Speaker 1: we're not raising it any further in the mid eighties

902
00:41:31,719 --> 00:41:33,520
Speaker 1: and that's where we're at now.

903
00:41:34,239 --> 00:41:37,360
Speaker 2: All right, So there's the four there's the egainst raising

904
00:41:37,440 --> 00:41:39,359
Speaker 2: the damn Wall? Does it pass the pub test?

905
00:41:42,680 --> 00:41:42,919
Speaker 3: God?

906
00:41:45,000 --> 00:41:49,200
Speaker 7: Right now, I'm taking now windows.

907
00:41:50,520 --> 00:41:57,200
Speaker 1: All down to the jonesy demands of the pub test

908
00:41:57,480 --> 00:41:59,919
Speaker 1: raising the damn Wall? Does it passed the pub test?

909
00:42:00,000 --> 00:42:00,200
Speaker 5: Well?

910
00:42:00,280 --> 00:42:03,120
Speaker 2: Dominic Perrete, our premier has vowed to raise the damn

911
00:42:03,160 --> 00:42:05,759
Speaker 2: Wall by hell or high water, declaring that New South

912
00:42:05,800 --> 00:42:08,239
Speaker 2: Wales will go alone if the federal government doesn't come

913
00:42:08,320 --> 00:42:10,799
Speaker 2: to the table and split the cost. One point six

914
00:42:10,960 --> 00:42:15,440
Speaker 2: billion dollars lots of four and lots of against. Give

915
00:42:15,520 --> 00:42:17,919
Speaker 2: us some in a nutshell, Brandon, Well.

916
00:42:17,920 --> 00:42:20,239
Speaker 1: They're raising the damn war by fourteen meters.

917
00:42:20,040 --> 00:42:22,200
Speaker 2: Yes, but what's the argument for it.

918
00:42:22,520 --> 00:42:25,279
Speaker 1: Well, the argument for is you'll save all those houses downstream.

919
00:42:25,760 --> 00:42:28,560
Speaker 1: So for example, storm more water sixty percent would have

920
00:42:29,840 --> 00:42:32,920
Speaker 1: the homes in twenty twenty one wouldn't have been flooded

921
00:42:33,200 --> 00:42:35,239
Speaker 1: if they had that extra bit on top of the wall.

922
00:42:35,360 --> 00:42:37,160
Speaker 2: Some people are saying that the government should have acted

923
00:42:37,200 --> 00:42:39,400
Speaker 2: sooner to make sure we had some flood mitigation. But

924
00:42:39,440 --> 00:42:41,680
Speaker 2: what's the then who were against.

925
00:42:41,400 --> 00:42:44,120
Speaker 1: Well, up upstream, it's a World Heritage National Park. Say

926
00:42:44,120 --> 00:42:48,080
Speaker 1: you lose trees, aboriginal artifacts, all that sort of stuff

927
00:42:48,080 --> 00:42:50,359
Speaker 1: as well, So it's one of those things. But having

928
00:42:50,400 --> 00:42:52,360
Speaker 1: said that, if they do add the fourteen meters to

929
00:42:52,400 --> 00:42:54,520
Speaker 1: the top of the wall, this is a flood mitigation thing.

930
00:42:54,760 --> 00:42:57,600
Speaker 1: So we've got flood mitigation, but we've also got catchment area.

931
00:42:58,840 --> 00:43:01,600
Speaker 1: So there's two good things dances here. So the Labor

932
00:43:01,640 --> 00:43:03,880
Speaker 1: government they're saying, well, what we'll do is we'll reduce

933
00:43:03,880 --> 00:43:06,200
Speaker 1: all the water. When it's not raining, we'll let water

934
00:43:06,480 --> 00:43:09,080
Speaker 1: flow out, get rid of the water. But then what

935
00:43:09,120 --> 00:43:11,520
Speaker 1: happens when we have a drought for fifty years, Then

936
00:43:11,560 --> 00:43:14,080
Speaker 1: we're all drinking mud. So what they're talking about, if

937
00:43:14,120 --> 00:43:17,640
Speaker 1: they raise the wall by fourteen meters, it doesn't necessarily

938
00:43:17,920 --> 00:43:20,040
Speaker 1: go to be running at that capacity. It's just in

939
00:43:20,120 --> 00:43:23,440
Speaker 1: a situation where we have inundation of water, then they

940
00:43:23,520 --> 00:43:26,840
Speaker 1: can let that water out. In time, so that area,

941
00:43:27,160 --> 00:43:29,560
Speaker 1: this is my undertaking of it, that area won't be

942
00:43:29,560 --> 00:43:31,600
Speaker 1: flooded all the time. It would it be better to

943
00:43:31,680 --> 00:43:35,240
Speaker 1: have some national park flooded or your house downstream flooded.

944
00:43:35,520 --> 00:43:36,960
Speaker 1: That's what it comes down for me.

945
00:43:37,080 --> 00:43:40,040
Speaker 2: And I'm that's my vine, all right, that's your vine.

946
00:43:40,120 --> 00:43:40,680
Speaker 1: That's my vibe.

947
00:43:40,760 --> 00:43:43,120
Speaker 2: So what's your vibe? Raising the damn wall? Does it

948
00:43:43,160 --> 00:43:44,000
Speaker 2: pass the pub test?

949
00:43:44,160 --> 00:43:45,000
Speaker 7: We need to raise it.

950
00:43:45,200 --> 00:43:46,879
Speaker 6: We drink more and we need to raise the dam

951
00:43:47,000 --> 00:43:48,440
Speaker 6: to keep the water in.

952
00:43:48,760 --> 00:43:51,040
Speaker 8: Yeah, I think the dam wall should be rains.

953
00:43:51,160 --> 00:43:52,640
Speaker 7: It's save a lot of license.

954
00:43:52,800 --> 00:43:56,040
Speaker 10: The stopping of flooding areas would be a lot better.

955
00:43:56,320 --> 00:43:59,640
Speaker 6: Definitely not. They should not raise the wall. It was

956
00:43:59,680 --> 00:44:02,480
Speaker 6: in needed to be that way mother nature. What is

957
00:44:02,560 --> 00:44:05,680
Speaker 6: the wall not to be built? And it's not good

958
00:44:05,760 --> 00:44:09,479
Speaker 6: for the environment, so mother nature try it. Of course,

959
00:44:09,760 --> 00:44:10,719
Speaker 6: leave the wall as it is.

960
00:44:11,000 --> 00:44:12,120
Speaker 7: No, I don't think it does.

961
00:44:12,680 --> 00:44:14,480
Speaker 10: I've had a couple of years ago there has the

962
00:44:14,520 --> 00:44:18,000
Speaker 10: perfect opportunity to at one point it'll get all they and.

963
00:44:18,040 --> 00:44:18,680
Speaker 7: Die it fever.

964
00:44:19,040 --> 00:44:20,840
Speaker 10: Now you know I by raised the wall, it's just

965
00:44:20,960 --> 00:44:23,560
Speaker 10: got to quite further up through bring the water level

966
00:44:23,680 --> 00:44:24,680
Speaker 10: upstream up wire.

967
00:44:26,360 --> 00:44:26,960
Speaker 7: Yes, it does.

968
00:44:27,200 --> 00:44:29,200
Speaker 6: You know, there's so many people lost homes and all

969
00:44:29,280 --> 00:44:31,279
Speaker 6: sorts of things in our floods this year.

970
00:44:31,600 --> 00:44:34,600
Speaker 14: I think it will help people having us going through

971
00:44:34,680 --> 00:44:35,600
Speaker 14: that all over again.

972
00:44:36,160 --> 00:44:38,520
Speaker 7: No, it doesn't pass the pub test, but we also

973
00:44:38,640 --> 00:44:42,520
Speaker 7: need to look at alternatives for getting water, and we

974
00:44:42,640 --> 00:44:44,879
Speaker 7: have a lot more other areas where we can either

975
00:44:45,000 --> 00:44:47,960
Speaker 7: dam up or we can can look at our resource

976
00:44:48,000 --> 00:44:50,880
Speaker 7: for that water as opposed to raising the damn damn walls.

977
00:44:51,719 --> 00:44:53,279
Speaker 2: What's the call for the pub test this morning?

978
00:44:53,400 --> 00:44:55,439
Speaker 1: We could talk about it for another one hundred years,

979
00:44:55,480 --> 00:44:57,839
Speaker 1: perhaps when the next one hundred year flood comes along.

980
00:45:00,440 --> 00:45:02,600
Speaker 1: Podcast We've got Eric Gordol coming.

981
00:45:02,400 --> 00:45:04,400
Speaker 2: Out so exciting. When I was a kid, and this

982
00:45:04,520 --> 00:45:08,720
Speaker 2: is how Daggy I am. My dad used Tobias Monty

983
00:45:08,760 --> 00:45:11,600
Speaker 2: Python records and I went to it was preschoolies. We

984
00:45:11,600 --> 00:45:13,439
Speaker 2: didn't even have schoolies, but three of us went stayed

985
00:45:13,480 --> 00:45:16,000
Speaker 2: in the caravan, I think on the South coast somewhere,

986
00:45:16,920 --> 00:45:20,400
Speaker 2: and we listened to Monty Python cassettes. That's what we

987
00:45:20,560 --> 00:45:21,719
Speaker 2: did on our schoolies.

988
00:45:21,960 --> 00:45:23,320
Speaker 1: What's your favorite? Really?

989
00:45:23,480 --> 00:45:23,680
Speaker 2: Yeah?

990
00:45:24,880 --> 00:45:25,680
Speaker 1: Was there any drinking?

991
00:45:25,920 --> 00:45:25,960
Speaker 3: No?

992
00:45:26,239 --> 00:45:28,880
Speaker 2: No, there was none none. We went and had a

993
00:45:28,960 --> 00:45:31,440
Speaker 2: swim and we'd come back and we'd recite Monty Python.

994
00:45:31,960 --> 00:45:34,880
Speaker 2: You know, how daggy, but how great is that he's got?

995
00:45:35,040 --> 00:45:36,759
Speaker 2: Eric Idle was coming to Australia. Who's got a new

996
00:45:36,840 --> 00:45:42,640
Speaker 2: show called Nudge Nudge? And this is or say no More?

997
00:45:43,080 --> 00:45:45,840
Speaker 2: And this is from a very famous sketch, one of

998
00:45:45,840 --> 00:45:48,560
Speaker 2: the most famous sketches he had, which was Nudge Nudge,

999
00:45:49,120 --> 00:45:49,680
Speaker 2: Say No More?

1000
00:45:50,640 --> 00:45:52,720
Speaker 3: Is your wife a goer?

1001
00:45:52,920 --> 00:45:53,040
Speaker 9: Hey?

1002
00:45:55,120 --> 00:45:55,840
Speaker 3: As lads.

1003
00:45:57,960 --> 00:45:58,279
Speaker 1: A boom?

1004
00:45:58,640 --> 00:45:59,359
Speaker 3: Your wife does?

1005
00:45:59,440 --> 00:46:00,640
Speaker 14: She does she go.

1006
00:46:03,239 --> 00:46:03,759
Speaker 3: To say no more?

1007
00:46:04,200 --> 00:46:04,600
Speaker 6: Sometimes?

1008
00:46:04,719 --> 00:46:04,879
Speaker 7: Good?

1009
00:46:04,960 --> 00:46:06,480
Speaker 1: Yes, I'll bet she does. I'll betually does.

1010
00:46:06,520 --> 00:46:09,560
Speaker 3: I'll bet she does. Know what I mean? As still?

1011
00:46:10,120 --> 00:46:19,560
Speaker 7: Are you insinuating something? Oh?

1012
00:46:22,000 --> 00:46:26,080
Speaker 13: Oh yes, well, well, I mean, I mean you're a

1013
00:46:26,160 --> 00:46:27,120
Speaker 13: man of the world, aren't you.

1014
00:46:27,200 --> 00:46:30,200
Speaker 1: I mean you've you've been there, haven't you. I mean

1015
00:46:30,239 --> 00:46:30,920
Speaker 1: you've been around.

1016
00:46:31,400 --> 00:46:35,719
Speaker 3: What do you mean, I mean like you've you've you've

1017
00:46:35,800 --> 00:46:36,080
Speaker 3: done it?

1018
00:46:36,280 --> 00:46:40,320
Speaker 13: I mean you've you know, you've slept with a lady?

1019
00:46:40,560 --> 00:46:41,560
Speaker 1: Yes, what's it like?

1020
00:46:43,400 --> 00:46:46,520
Speaker 2: She sounds like you, Brenda doesn't are you doing it?

1021
00:46:48,760 --> 00:46:53,319
Speaker 1: But I have slept with don't tell my wife.

1022
00:46:56,880 --> 00:46:59,400
Speaker 2: I'm so chuffed to be talking to this man. We

1023
00:46:59,480 --> 00:47:02,120
Speaker 2: know him best for his unforgettable roles on Monty Python

1024
00:47:02,160 --> 00:47:04,319
Speaker 2: from Flying Circus to the meaning of life.

1025
00:47:04,360 --> 00:47:04,480
Speaker 3: Now.

1026
00:47:04,640 --> 00:47:07,200
Speaker 2: Eric Idle reflects on the meaning of his own life

1027
00:47:07,640 --> 00:47:09,920
Speaker 2: and the meaning of comedy in a one note only

1028
00:47:10,040 --> 00:47:12,799
Speaker 2: show Say No More. He's going to be chatting about

1029
00:47:12,800 --> 00:47:14,719
Speaker 2: his life and his career, but before he does all

1030
00:47:14,760 --> 00:47:16,880
Speaker 2: of that, he's going to chat to us. Eric Idle,

1031
00:47:16,920 --> 00:47:17,440
Speaker 2: what a thrill.

1032
00:47:17,520 --> 00:47:22,200
Speaker 3: Hello, Hello, Actually my wife and my career and after life.

1033
00:47:22,239 --> 00:47:23,400
Speaker 3: I think it's a misery.

1034
00:47:24,600 --> 00:47:27,719
Speaker 1: Did She insists she's not coming so I can.

1035
00:47:27,680 --> 00:47:33,239
Speaker 3: Talk about finally Lash, you know, forty five years in,

1036
00:47:33,360 --> 00:47:34,520
Speaker 3: I can tell the truth.

1037
00:47:35,520 --> 00:47:36,680
Speaker 1: Last we get to hear it.

1038
00:47:37,760 --> 00:47:37,920
Speaker 5: Eric.

1039
00:47:38,000 --> 00:47:40,719
Speaker 2: This show sounds great because our mate Sean mccarloffe is

1040
00:47:40,800 --> 00:47:43,080
Speaker 2: going to be talking to you for the first half

1041
00:47:43,120 --> 00:47:46,279
Speaker 2: of the show, and then the second half is you

1042
00:47:47,040 --> 00:47:53,239
Speaker 2: discussing comedy and life. You've had an interesting time of late.

1043
00:47:53,360 --> 00:47:57,160
Speaker 2: I know you only spoke recently about about of pancreatic

1044
00:47:57,239 --> 00:47:59,000
Speaker 2: cancer that you got early and all seems to be

1045
00:47:59,080 --> 00:48:02,040
Speaker 2: going well for you. So you've lived a rich life.

1046
00:48:02,200 --> 00:48:03,880
Speaker 2: How do you pick which bits to talk about?

1047
00:48:05,640 --> 00:48:09,239
Speaker 3: Well, that's quite a question. Actually, I try and think

1048
00:48:09,280 --> 00:48:12,320
Speaker 3: of things I haven't said, you talked about, areas I

1049
00:48:12,320 --> 00:48:15,480
Speaker 3: haven't discussed before, and Shaw's very good I mean, he's

1050
00:48:15,640 --> 00:48:19,080
Speaker 3: very efficient, and he's feelings from feeding me questions and

1051
00:48:19,160 --> 00:48:21,400
Speaker 3: things which I will have actually get. He's working on that,

1052
00:48:22,160 --> 00:48:25,520
Speaker 3: and so I don't really know. I mean, I shall

1053
00:48:25,560 --> 00:48:29,960
Speaker 3: play some songs on the guitar, and you know it's

1054
00:48:30,000 --> 00:48:32,480
Speaker 3: still in progress, so I'm not entirely sure. In fact,

1055
00:48:32,520 --> 00:48:34,840
Speaker 3: you're updated. It's very good. Where did you get that

1056
00:48:34,960 --> 00:48:39,359
Speaker 3: from the first half? You can talk all the way

1057
00:48:39,440 --> 00:48:44,080
Speaker 3: through the damn show. As far as I'm concerned, I love.

1058
00:48:44,000 --> 00:48:45,880
Speaker 2: That the show is called say No More from the

1059
00:48:46,040 --> 00:48:49,600
Speaker 2: very famous Nudge Nudge sketch. I've been reading that that

1060
00:48:49,760 --> 00:48:53,080
Speaker 2: was one of Elvis Presley's favorite sketches. He used to

1061
00:48:53,160 --> 00:48:59,040
Speaker 2: do Monty Python sketches in bed with his partner Linda,

1062
00:48:59,400 --> 00:49:02,080
Speaker 2: Linda Tom's and he used to call people squire. He

1063
00:49:02,239 --> 00:49:04,239
Speaker 2: was so taken with you guys. Did you know all

1064
00:49:04,280 --> 00:49:05,600
Speaker 2: of your connection with Elvis?

1065
00:49:06,719 --> 00:49:08,680
Speaker 3: I did found out about it. It was it was,

1066
00:49:09,480 --> 00:49:11,560
Speaker 3: I think because we did the nice to nice sketch

1067
00:49:11,719 --> 00:49:15,040
Speaker 3: very early on on the television on the TV show.

1068
00:49:16,160 --> 00:49:19,520
Speaker 3: But the work that Linda told Thompson to herself told

1069
00:49:19,560 --> 00:49:23,160
Speaker 3: me that she after TV closed down in Nashville, she

1070
00:49:23,640 --> 00:49:25,440
Speaker 3: Elvis would make us sit next to in bed and

1071
00:49:25,640 --> 00:49:30,480
Speaker 3: do python sketches. And I didn't believe her. And she said, no.

1072
00:49:30,640 --> 00:49:32,359
Speaker 16: Missus thing, I'm Miss's entity.

1073
00:49:32,440 --> 00:49:33,520
Speaker 3: I need a new brain.

1074
00:49:33,640 --> 00:49:36,040
Speaker 16: And I said no, no, no, no, no he didn't

1075
00:49:36,320 --> 00:49:37,839
Speaker 16: and she said he did. And then I thought, well,

1076
00:49:37,840 --> 00:49:40,360
Speaker 16: how the hell did she know the words? Otherwise, you know,

1077
00:49:41,000 --> 00:49:43,799
Speaker 16: Carry's brain? What Elvis saying, I want to Curry's brain,

1078
00:49:43,840 --> 00:49:47,440
Speaker 16: which relates to a small shop in London that sells,

1079
00:49:47,600 --> 00:49:51,560
Speaker 16: you know, electronics. It's just you can't make that up.

1080
00:49:51,640 --> 00:49:57,040
Speaker 3: So I believed her. Finally, that isn't it in the

1081
00:49:57,080 --> 00:49:57,840
Speaker 3: Elvis movie.

1082
00:49:58,040 --> 00:50:02,960
Speaker 16: No, I didn't put they spas lermon doing come on, yeah, exactly.

1083
00:50:03,480 --> 00:50:05,640
Speaker 3: It's like they didn't put the song in that other

1084
00:50:05,719 --> 00:50:07,880
Speaker 3: one about Jesus. They didn't put the song of the

1085
00:50:09,000 --> 00:50:11,279
Speaker 3: you know your guy WA's his name? The Australian Boy?

1086
00:50:12,920 --> 00:50:13,399
Speaker 2: Which one?

1087
00:50:13,680 --> 00:50:14,080
Speaker 1: Which one?

1088
00:50:14,200 --> 00:50:14,520
Speaker 7: The one?

1089
00:50:14,640 --> 00:50:17,800
Speaker 3: You know, the one, the bloody the very bloody one.

1090
00:50:17,960 --> 00:50:24,879
Speaker 1: You know, Barry mackenzie, Barry mckenn. Though the only film

1091
00:50:25,400 --> 00:50:29,919
Speaker 1: from about Jesus. No, hang on, let's do this well

1092
00:50:30,000 --> 00:50:33,240
Speaker 1: about mel Gibson, mel Gibson.

1093
00:50:32,840 --> 00:50:35,440
Speaker 3: The Passion Christ. He didn't put the song in the end.

1094
00:50:35,640 --> 00:50:38,560
Speaker 3: It didn't It was calling with a bloody song the

1095
00:50:38,600 --> 00:50:39,719
Speaker 3: best of the film.

1096
00:50:39,760 --> 00:50:42,279
Speaker 2: You know, it was calling for that song.

1097
00:50:42,360 --> 00:50:44,760
Speaker 1: It really was because in the Passion of the Christ

1098
00:50:44,920 --> 00:50:46,759
Speaker 1: there was a joke in the Passion of the Christ

1099
00:50:46,840 --> 00:50:49,120
Speaker 1: and everyone kind of did you pick up the joke

1100
00:50:49,160 --> 00:50:52,000
Speaker 1: in the Passion of the Christ, And it's about there's

1101
00:50:52,000 --> 00:50:55,640
Speaker 1: a bit where Jesus has made he's invented the table

1102
00:50:56,160 --> 00:50:59,359
Speaker 1: and Mary, his mother, is sitting there and she goes,

1103
00:50:59,400 --> 00:51:02,000
Speaker 1: what's this calling. He said, it's called a table and

1104
00:51:02,160 --> 00:51:03,680
Speaker 1: she said, what do you do with it? And he

1105
00:51:03,800 --> 00:51:05,239
Speaker 1: and he got a stool and he said, will you

1106
00:51:05,280 --> 00:51:07,560
Speaker 1: sit down and you eat at it? And Mary says,

1107
00:51:07,880 --> 00:51:11,920
Speaker 1: it'll never catch on, and that was that's.

1108
00:51:13,080 --> 00:51:14,120
Speaker 3: It's a carpenter joke.

1109
00:51:14,239 --> 00:51:15,880
Speaker 1: It's a carpenter But it was when we.

1110
00:51:15,960 --> 00:51:18,040
Speaker 13: First started to do the Life of Brian Gilliam and

1111
00:51:18,120 --> 00:51:21,680
Speaker 13: I started we do terrible jokes about him being crucified

1112
00:51:21,719 --> 00:51:26,560
Speaker 13: and he kept falling down the cross and he kept saying, no, no,

1113
00:51:26,680 --> 00:51:28,080
Speaker 13: you need to want to give it in there.

1114
00:51:28,160 --> 00:51:32,880
Speaker 3: Get a four pay get down against We didn't do that.

1115
00:51:33,040 --> 00:51:37,160
Speaker 2: Of course, when you write your material, were you where

1116
00:51:37,600 --> 00:51:40,080
Speaker 2: which of the ones would become parts of the vernacular

1117
00:51:40,160 --> 00:51:42,880
Speaker 2: and which ones wouldn't or when you saw your babies

1118
00:51:42,920 --> 00:51:44,960
Speaker 2: go out into the world, have you been surprised at

1119
00:51:44,960 --> 00:51:45,920
Speaker 2: the ones that have stuck.

1120
00:51:48,760 --> 00:51:50,759
Speaker 3: I think on the hole the ones were stuck were

1121
00:51:50,920 --> 00:51:54,040
Speaker 3: the best of it, but I wouldn't have been able

1122
00:51:54,040 --> 00:51:55,960
Speaker 3: to tell at the time what was the best. And

1123
00:51:56,080 --> 00:51:59,920
Speaker 3: it's only afterwards, maybe by a repetition and people repeating

1124
00:52:00,040 --> 00:52:02,360
Speaker 3: them to us, that you found out which were the

1125
00:52:02,440 --> 00:52:05,239
Speaker 3: more popular ones. So not really, because I mean the

1126
00:52:05,320 --> 00:52:07,200
Speaker 3: thing about it is we were all writers, and we

1127
00:52:07,320 --> 00:52:09,760
Speaker 3: all put sketches in, but you never know quite who's

1128
00:52:09,760 --> 00:52:13,000
Speaker 3: writing at any moment when you're watching the show, do

1129
00:52:13,040 --> 00:52:15,680
Speaker 3: you know. I mean that there's a seamless transitions to

1130
00:52:15,760 --> 00:52:18,160
Speaker 3: Michael Paynan bit and then that goes into a CLEAs

1131
00:52:18,200 --> 00:52:22,319
Speaker 3: and Chapman bit, you know. So we were mainly keen

1132
00:52:22,400 --> 00:52:25,440
Speaker 3: on getting our bits into the show, I think, really, And.

1133
00:52:25,520 --> 00:52:27,440
Speaker 1: That would be the other thing. It's like, you know,

1134
00:52:27,840 --> 00:52:30,880
Speaker 1: in a band presenting a song and you're just hoping

1135
00:52:30,960 --> 00:52:32,080
Speaker 1: that the other guys like it.

1136
00:52:33,040 --> 00:52:35,160
Speaker 3: Well, that's why I thought that George Harrison and I

1137
00:52:35,440 --> 00:52:37,800
Speaker 3: had such a good bond because we both played similar

1138
00:52:37,920 --> 00:52:41,120
Speaker 3: roles in our groups. You know, we were both the younger,

1139
00:52:41,280 --> 00:52:44,320
Speaker 3: you know, we were both facing strong, powerful people to

1140
00:52:44,440 --> 00:52:46,600
Speaker 3: work with. You know, he had to work with Leon

1141
00:52:46,800 --> 00:52:50,600
Speaker 3: and McCartney, and I've got Clease and Chapman and Palin

1142
00:52:50,640 --> 00:52:53,120
Speaker 3: and Jones, both of which are writing duos. So it's

1143
00:52:53,520 --> 00:52:55,840
Speaker 3: harder to squeeze in when they've got two votes and

1144
00:52:55,880 --> 00:52:56,640
Speaker 3: you've only got one.

1145
00:52:57,040 --> 00:52:58,879
Speaker 1: Is this when you try to bring a sitar into

1146
00:52:59,040 --> 00:52:59,800
Speaker 1: Monty Python?

1147
00:53:02,360 --> 00:53:06,360
Speaker 3: Yes, it was a good idea. Dudes are on a

1148
00:53:06,440 --> 00:53:07,880
Speaker 3: sitter very nicely.

1149
00:53:09,160 --> 00:53:11,000
Speaker 2: How do you feel with people coming up to you

1150
00:53:11,400 --> 00:53:13,840
Speaker 2: reciting your sketches to you? I know, we spoke to

1151
00:53:14,239 --> 00:53:16,239
Speaker 2: Seinfeld a number of years ago, and he always seemed

1152
00:53:16,280 --> 00:53:18,440
Speaker 2: a bit narky that he said, yeah, I know I wrote.

1153
00:53:18,239 --> 00:53:23,080
Speaker 1: It, but he liked it. He's kind of circumspect Jerry's

1154
00:53:23,200 --> 00:53:23,600
Speaker 1: New York.

1155
00:53:24,120 --> 00:53:25,760
Speaker 2: Yeah, but how do you feel?

1156
00:53:26,000 --> 00:53:29,640
Speaker 3: I think the trouble is it it leaves you unable

1157
00:53:29,719 --> 00:53:31,920
Speaker 3: to say anything because they've just done this thing, and

1158
00:53:31,960 --> 00:53:36,440
Speaker 3: you go, yes, just not a conversation or I like him,

1159
00:53:36,480 --> 00:53:38,719
Speaker 3: You say hello, I you know, hello, what do you

1160
00:53:38,760 --> 00:53:41,000
Speaker 3: do you know? I mean, you have a human conversation.

1161
00:53:41,080 --> 00:53:44,479
Speaker 3: But if somebody comes up and says you recites ohl

1162
00:53:44,600 --> 00:53:48,239
Speaker 3: sketch you there's nothing to be said you where do

1163
00:53:48,320 --> 00:53:49,120
Speaker 3: you pick up from there?

1164
00:53:50,120 --> 00:53:52,560
Speaker 2: Or someone comes up very rude, yeah, or someone comes

1165
00:53:52,640 --> 00:53:55,640
Speaker 2: up and just says you're Eric Idol. Then you're right.

1166
00:53:55,760 --> 00:53:57,200
Speaker 2: There's no conversation, is this I.

1167
00:53:57,200 --> 00:54:01,200
Speaker 3: Would say, no, I'm not at that point. I'm Michael Palin.

1168
00:54:02,440 --> 00:54:04,120
Speaker 2: Yeah, he's rude, so rude.

1169
00:54:04,800 --> 00:54:07,320
Speaker 1: Well, Eric, it's always great to talk to you. Just

1170
00:54:07,440 --> 00:54:10,080
Speaker 1: for laugh. Sydney has announced an exclusive one show only

1171
00:54:10,440 --> 00:54:12,680
Speaker 1: I Say No More in conversation with Eric Idle at

1172
00:54:12,719 --> 00:54:14,520
Speaker 1: the State Theater. It's December one.

1173
00:54:14,560 --> 00:54:16,000
Speaker 2: It's amazing. I can't wait.

1174
00:54:17,280 --> 00:54:18,960
Speaker 3: Well, I can't wait, Ei though I'm very looking forward

1175
00:54:18,960 --> 00:54:20,640
Speaker 3: to coming to Australia. I love Australia.

1176
00:54:21,280 --> 00:54:22,680
Speaker 1: And the last time we caught up with he was

1177
00:54:22,760 --> 00:54:26,480
Speaker 1: like twenty sixteen and nothing's happened between then and now.

1178
00:54:26,520 --> 00:54:30,840
Speaker 3: So absolutely nothing. So next time you'll find something to

1179
00:54:30,880 --> 00:54:32,160
Speaker 3: talk about the next four years.

1180
00:54:32,760 --> 00:54:34,960
Speaker 2: Okay, So great to talk to you, Eric, Thank you,

1181
00:54:35,200 --> 00:54:36,320
Speaker 2: thank you, thanks for having me.

1182
00:54:36,800 --> 00:54:39,240
Speaker 11: Jonesy and Amanda Germ podcast.

1183
00:54:42,080 --> 00:54:44,800
Speaker 1: Sorry, wait, what is ticking?

1184
00:54:46,920 --> 00:54:49,799
Speaker 2: What's my gorul is is coming up? After record to nine.

1185
00:54:49,920 --> 00:54:52,560
Speaker 2: Now this is where you can vent your spleen, tell

1186
00:54:52,640 --> 00:54:53,520
Speaker 2: us what's getting on your.

1187
00:54:53,520 --> 00:54:56,640
Speaker 1: Goat and you can win the fabulous prize twenty thousand

1188
00:54:56,680 --> 00:54:59,839
Speaker 1: dollars and a year's supply of chocks from Darryl Lee.

1189
00:55:00,440 --> 00:55:02,759
Speaker 1: Nine six one seven nine eight four is our hotline number.

1190
00:55:02,920 --> 00:55:04,680
Speaker 2: Barry Dubois has a GHOULI I.

1191
00:55:04,800 --> 00:55:07,080
Speaker 1: No doubt the living room being rested for a year.

1192
00:55:07,239 --> 00:55:09,920
Speaker 2: That's one of them. Here's another one. He went to

1193
00:55:10,040 --> 00:55:12,719
Speaker 2: Double Bay, parked his car double pay. I know you

1194
00:55:12,880 --> 00:55:14,719
Speaker 2: like saying that he parked his car.

1195
00:55:15,239 --> 00:55:17,040
Speaker 1: Can I just say? It's actually cheap in Double Bay.

1196
00:55:17,040 --> 00:55:18,680
Speaker 1: I noticed I went there for a coffee, and I

1197
00:55:18,840 --> 00:55:20,480
Speaker 1: thought it was quite cheap. And reason it is.

1198
00:55:20,719 --> 00:55:22,320
Speaker 2: I love going there because I know where all the

1199
00:55:22,320 --> 00:55:24,680
Speaker 2: shops are. It's easy to park. Or so I thought,

1200
00:55:24,840 --> 00:55:28,000
Speaker 2: this is what Barry's done. He's parked his car, He's

1201
00:55:28,040 --> 00:55:30,320
Speaker 2: put his money into the parking meter. He's put like

1202
00:55:30,880 --> 00:55:33,960
Speaker 2: eight dollars fifty. You're on his credit card and its

1203
00:55:34,000 --> 00:55:37,759
Speaker 2: spat out. Not a parking voucher that you put on

1204
00:55:37,800 --> 00:55:41,120
Speaker 2: your dashboard, but what looks like a receipt. And so

1205
00:55:41,880 --> 00:55:46,680
Speaker 2: excuse me. He has said then that he Okay, what

1206
00:55:46,760 --> 00:55:47,400
Speaker 2: am I going to do here?

1207
00:55:48,200 --> 00:55:48,359
Speaker 3: Work?

1208
00:55:48,400 --> 00:55:50,799
Speaker 1: Give me a water, give me water, give me, give

1209
00:55:50,840 --> 00:55:53,640
Speaker 1: me this. I'll do all this. Yep, I'm back.

1210
00:55:53,640 --> 00:55:57,000
Speaker 2: I've got a bad throat. So he says, I use

1211
00:55:57,080 --> 00:55:57,719
Speaker 2: my credit card.

1212
00:55:57,920 --> 00:55:58,680
Speaker 1: It's not going to work.

1213
00:55:59,200 --> 00:56:02,399
Speaker 2: It's working, baby, I'm back. I use my credit card

1214
00:56:02,440 --> 00:56:04,880
Speaker 2: to pay for two hours parking. And this is what

1215
00:56:05,000 --> 00:56:05,880
Speaker 2: came out of the machine.

1216
00:56:06,000 --> 00:56:07,120
Speaker 1: It sounds like Nevil ran.

1217
00:56:07,719 --> 00:56:11,759
Speaker 2: He said he's dead now. He said, I left the

1218
00:56:11,840 --> 00:56:14,800
Speaker 2: ticket and a note explaining that. So he's left what

1219
00:56:14,880 --> 00:56:20,160
Speaker 2: looks like a receipt, explained what's been spat out of

1220
00:56:20,200 --> 00:56:22,479
Speaker 2: the machine is like a receipt. He's put that plus

1221
00:56:22,520 --> 00:56:26,000
Speaker 2: a note on his dashboard. He said he's still got booked.

1222
00:56:27,120 --> 00:56:30,439
Speaker 2: So then he's applied to the council because he got

1223
00:56:30,880 --> 00:56:33,680
Speaker 2: his bank statement the show that the money came out.

1224
00:56:34,160 --> 00:56:36,480
Speaker 2: He said, I sent in all the details, the bank statement,

1225
00:56:36,920 --> 00:56:39,760
Speaker 2: the note I left, and to show that I've been booked,

1226
00:56:40,920 --> 00:56:43,600
Speaker 2: including proof of payment. As he said, he was told

1227
00:56:43,719 --> 00:56:45,960
Speaker 2: he could go to court. It had cost him eighty

1228
00:56:46,040 --> 00:56:47,000
Speaker 2: dollars even if.

1229
00:56:46,920 --> 00:56:48,439
Speaker 1: He wons outrageous.

1230
00:56:48,680 --> 00:56:50,640
Speaker 2: So even if he wins that he's going to have

1231
00:56:50,680 --> 00:56:52,520
Speaker 2: to pay eighty dollars for a nine dollar part.

1232
00:56:52,840 --> 00:56:54,840
Speaker 1: There's two options you can do. And I've done this

1233
00:56:54,920 --> 00:56:56,920
Speaker 1: before and it works. Go to the state on Budsman

1234
00:56:57,560 --> 00:57:00,759
Speaker 1: and put your case forward and then might let you off.

1235
00:57:00,920 --> 00:57:02,480
Speaker 1: So you write up a letter of the state the

1236
00:57:03,239 --> 00:57:06,399
Speaker 1: revenue state on Botsman. Or next time you drive past

1237
00:57:06,440 --> 00:57:08,120
Speaker 1: a parking spectac yell at flall.

1238
00:57:08,280 --> 00:57:09,360
Speaker 2: No, not that's the individual.

1239
00:57:09,440 --> 00:57:11,200
Speaker 1: That's the council response either one.

1240
00:57:11,440 --> 00:57:13,800
Speaker 2: The council told him that, not the individual.

1241
00:57:15,040 --> 00:57:17,040
Speaker 1: Whatever works for you. I'm just giving you the option.

1242
00:57:17,280 --> 00:57:19,120
Speaker 2: Yeah, but you know that's you can't win, and they

1243
00:57:19,160 --> 00:57:20,560
Speaker 2: know that you are you going to go that far

1244
00:57:20,640 --> 00:57:22,520
Speaker 2: from nine dollars. Maybe you should, but you're going to

1245
00:57:22,680 --> 00:57:25,000
Speaker 2: it's going to cost you at least eighteen dollars.

1246
00:57:24,760 --> 00:57:26,680
Speaker 1: For nine bucks. I've gone to war for three bucks.

1247
00:57:26,680 --> 00:57:28,080
Speaker 2: But would you go to war for eighty bucks?

1248
00:57:28,480 --> 00:57:31,480
Speaker 1: Yeah? Easy, Yeah, No you wouldn't. Yeah, that's that's how

1249
00:57:31,520 --> 00:57:34,000
Speaker 1: the whole Russian War was going. Now that's just for

1250
00:57:34,120 --> 00:57:36,040
Speaker 1: parking fights. That's what happens.

1251
00:57:36,120 --> 00:57:37,760
Speaker 2: Well, if you have a goolie, give us a call

1252
00:57:38,360 --> 00:57:51,480
Speaker 2: nine six one seven, nine eight four. As we said earlier,

1253
00:57:51,560 --> 00:57:54,000
Speaker 2: twenty thousand dollars cash and a year's supply of Darrely

1254
00:57:54,120 --> 00:57:56,400
Speaker 2: chocolate awaits you. If you're o favorite goolie of the

1255
00:57:56,520 --> 00:57:58,400
Speaker 2: year nine O six one seven nine eighty four.

1256
00:57:58,560 --> 00:57:59,160
Speaker 1: What have we got?

1257
00:58:00,160 --> 00:58:04,680
Speaker 14: Paying with cash gets my gulies After the whole COVID

1258
00:58:04,920 --> 00:58:07,600
Speaker 14: period of time where everything with cashless and you could

1259
00:58:07,600 --> 00:58:10,960
Speaker 14: pay with card, and then you go to businesses, they

1260
00:58:11,120 --> 00:58:13,400
Speaker 14: ring up the amount and then they say, sorry, where

1261
00:58:13,480 --> 00:58:16,080
Speaker 14: cash only? So you have to go to the ATM

1262
00:58:16,560 --> 00:58:19,080
Speaker 14: and get cash out. Then when you get your change,

1263
00:58:19,560 --> 00:58:21,240
Speaker 14: what do you do with that money? Not only do

1264
00:58:21,320 --> 00:58:23,760
Speaker 14: you have notes, you have coin and then you have

1265
00:58:23,840 --> 00:58:25,600
Speaker 14: to put it into your wallet that I don't even

1266
00:58:25,720 --> 00:58:28,760
Speaker 14: use anymore because I usually pay with card which is

1267
00:58:28,800 --> 00:58:32,520
Speaker 14: on my phone and Apple pay. Can't everybody just take card?

1268
00:58:33,120 --> 00:58:33,320
Speaker 5: Thanks?

1269
00:58:33,360 --> 00:58:34,320
Speaker 14: Life so much easier.

1270
00:58:34,640 --> 00:58:36,920
Speaker 1: Yeah, what are your cave man? You're paying in shells?

1271
00:58:37,320 --> 00:58:38,160
Speaker 1: What else have we got?

1272
00:58:38,880 --> 00:58:39,040
Speaker 3: Oh?

1273
00:58:39,160 --> 00:58:40,360
Speaker 6: Hi Jones din Amanda.

1274
00:58:40,480 --> 00:58:43,040
Speaker 14: You know what really gets my goolies is when you're

1275
00:58:43,040 --> 00:58:46,720
Speaker 14: out for dinner and you're talking away and everyone around.

1276
00:58:46,520 --> 00:58:48,680
Speaker 6: Jwy's on the phone. Mum as will have gone out

1277
00:58:48,720 --> 00:58:49,600
Speaker 6: by myself.

1278
00:58:49,640 --> 00:58:53,240
Speaker 1: Bar what she says on my phone, me too, out

1279
00:58:53,280 --> 00:58:54,520
Speaker 1: of the badom of the good If you did, Dad

1280
00:58:54,520 --> 00:58:56,280
Speaker 1: does Man, you can always call out hotline number nine

1281
00:58:56,320 --> 00:58:58,560
Speaker 1: oh six one seven nine eight four. It's four to nine.

1282
00:59:00,480 --> 00:59:03,120
Speaker 2: My favorite call email. A Facebook friend when's three hundred

1283
00:59:03,120 --> 00:59:05,400
Speaker 2: dollars to spend at bay Vista, Will famous asserts at

1284
00:59:05,400 --> 00:59:07,640
Speaker 2: Bavista Paramatta and Brighten the Sand, you also.

1285
00:59:07,480 --> 00:59:09,840
Speaker 1: Get the Jonesie Demanda tea towel and fridge magnet with

1286
00:59:09,920 --> 00:59:11,200
Speaker 1: our little dolly heads on it.

1287
00:59:11,360 --> 00:59:14,520
Speaker 2: This morning, the Tribal John was beating for dad's claim

1288
00:59:14,640 --> 00:59:21,400
Speaker 2: to fame. We got a call from Scott from Blacktown.

1289
00:59:21,880 --> 00:59:24,160
Speaker 2: He's telling us a great story about his dad. Now

1290
00:59:24,200 --> 00:59:26,960
Speaker 2: he's got some of the names wrong, but the story

1291
00:59:27,240 --> 00:59:27,880
Speaker 2: is brilliant.

1292
00:59:28,360 --> 00:59:33,400
Speaker 5: My father was an ex detective and he used one

1293
00:59:33,520 --> 00:59:36,720
Speaker 5: stage he was a thing called the Special Branch. And

1294
00:59:37,000 --> 00:59:39,240
Speaker 5: back in I think it was about nine nineteen seventy,

1295
00:59:40,560 --> 00:59:43,080
Speaker 5: one of the three astronauts that landed on the Moon,

1296
00:59:43,800 --> 00:59:47,720
Speaker 5: Neil Armstrong and buzz Aldridge and Neil Collins come to Australia.

1297
00:59:49,040 --> 00:59:51,920
Speaker 5: He looked after him and took them out on the

1298
00:59:52,000 --> 00:59:55,920
Speaker 5: town for a few nights. And I spake to him

1299
00:59:56,080 --> 00:59:58,560
Speaker 5: a few years ago before he passed away about it,

1300
00:59:58,680 --> 01:00:02,720
Speaker 5: and he was saying that I can't remember actually whether

1301
01:00:02,760 --> 01:00:09,280
Speaker 5: it was Neil Collins or buzz Aldred. Apparently one of

1302
01:00:09,320 --> 01:00:13,240
Speaker 5: them was a bit of a wicked and the the

1303
01:00:14,640 --> 01:00:16,560
Speaker 5: as I said, they're on the drink and whatever. And

1304
01:00:17,240 --> 01:00:20,280
Speaker 5: the guy that my dad was working, we've almost knocked

1305
01:00:20,320 --> 01:00:20,680
Speaker 5: him out.

1306
01:00:21,680 --> 01:00:24,680
Speaker 1: And just with the records buzz Aldron, Neil Armstrong and

1307
01:00:24,800 --> 01:00:25,479
Speaker 1: Michael Collin.

1308
01:00:25,560 --> 01:00:29,080
Speaker 2: Yes for the stories. Great nonetheless, right at you too.

1309
01:00:29,520 --> 01:00:32,200
Speaker 2: That's enough. We'll be weavers next. He's got free field

1310
01:00:32,200 --> 01:00:33,280
Speaker 2: to give away with Beat the Bowser.

1311
01:00:33,360 --> 01:00:34,920
Speaker 1: We'll be back from six to night for jab nat

1312
01:00:35,240 --> 01:00:37,919
Speaker 1: then did you well? Thank god that's over.

1313
01:00:38,080 --> 01:00:41,880
Speaker 3: Good bite, good bite, wipe the two.

1314
01:00:42,720 --> 01:00:46,640
Speaker 15: From catch Jonesy and Amanda's podcast on the iHeartRadio app

1315
01:00:46,880 --> 01:00:48,440
Speaker 15: or wherever you get your podcasts.

1316
01:00:55,960 --> 01:00:59,720
Speaker 11: Jonesy and Amanda podcast. Catch up on what you've missed

1317
01:00:59,760 --> 01:01:01,560
Speaker 11: on the free iHeartRadio app