1 00:00:00,680 --> 00:00:05,040 Speaker 1: Great per flick with Ben. I love it when Ben 2 00:00:05,080 --> 00:00:06,920 Speaker 1: comes in with a movie. I had no idea what 3 00:00:07,040 --> 00:00:11,600 Speaker 1: even existed was coming out and today is that it 4 00:00:11,680 --> 00:00:15,320 Speaker 1: is Widow click o. We don't click about the woman 5 00:00:15,520 --> 00:00:20,040 Speaker 1: who founded the champagne house Verve clicko, which, of course 6 00:00:20,079 --> 00:00:24,160 Speaker 1: you know, it's probably Australia's favorite fancy bubbles, like mid range, 7 00:00:24,200 --> 00:00:26,480 Speaker 1: like you obviously can go a lot more expensive, but yeah, 8 00:00:26,520 --> 00:00:28,240 Speaker 1: it's about you know, these days it's about one hundred 9 00:00:28,320 --> 00:00:31,000 Speaker 1: bucks at Dan Murphy's. So is it really it's gone 10 00:00:31,040 --> 00:00:37,159 Speaker 1: up the French like a mum. Also, that's close, but 11 00:00:37,240 --> 00:00:40,040 Speaker 1: it's not. Yeah, but you know, like if someone's got 12 00:00:40,040 --> 00:00:43,440 Speaker 1: a like a housewarming or oh yeah it's a fortieth 13 00:00:43,479 --> 00:00:46,720 Speaker 1: birthday party or something, it's a beautiful bottle in the 14 00:00:46,760 --> 00:00:49,400 Speaker 1: nice box. And so this comes in a long line 15 00:00:49,400 --> 00:00:53,080 Speaker 1: of films that are about stuff about products, about consumerism. 16 00:00:53,320 --> 00:00:57,520 Speaker 1: We've had movies origin stories about Beanie babies, Yes, slame 17 00:00:57,600 --> 00:01:04,400 Speaker 1: and hot Cheetos, Tetris, Uh McDonald, Barbie McDonald's, It's It's Air, 18 00:01:04,480 --> 00:01:07,560 Speaker 1: Jordan's shoes, like there has been a rash of these 19 00:01:07,640 --> 00:01:11,840 Speaker 1: up shoes. Movies we talked about like musical biopics, and 20 00:01:11,840 --> 00:01:13,600 Speaker 1: how there seems to be so many of those. There's 21 00:01:13,640 --> 00:01:15,880 Speaker 1: also at the moment so many of these types of 22 00:01:15,920 --> 00:01:20,440 Speaker 1: movies Hollywood, you know, looking for original stories, but they 23 00:01:20,440 --> 00:01:23,959 Speaker 1: don't necessarily want to start from scratch, right, so they go, okay, well, 24 00:01:24,000 --> 00:01:26,280 Speaker 1: Air Jordan's a lot of people own Air Jordan's, let's 25 00:01:26,319 --> 00:01:29,160 Speaker 1: tell the origin story of those shoes. And there's a 26 00:01:29,280 --> 00:01:33,040 Speaker 1: pre prepared market for a film like that. And so 27 00:01:33,080 --> 00:01:35,399 Speaker 1: in this case, it's about the champagne Verve click co 28 00:01:35,680 --> 00:01:37,920 Speaker 1: which one thing I learned from this movie is we've 29 00:01:37,959 --> 00:01:39,920 Speaker 1: been doing it wrong, have we? So you know how 30 00:01:40,040 --> 00:01:43,240 Speaker 1: you to how Moette and Shandon is Moete not Mouey. 31 00:01:43,560 --> 00:01:45,720 Speaker 1: But in Australia we give us a bottle of Muey, 32 00:01:46,319 --> 00:01:48,480 Speaker 1: it's actually Moet because the dude who found that it 33 00:01:48,520 --> 00:01:52,680 Speaker 1: was clawed, ye Moette, yeah, exactly, So so many things 34 00:01:52,680 --> 00:01:54,480 Speaker 1: we pronounced wrong. Turns out we're doing the same thing 35 00:01:54,480 --> 00:01:56,560 Speaker 1: with verve click car. No, not that we're not that 36 00:01:56,560 --> 00:01:59,160 Speaker 1: we're necessarily pronouncing it. Tell me it's click it no 37 00:02:00,080 --> 00:02:02,560 Speaker 1: human clicker. But so so we say we go to 38 00:02:02,600 --> 00:02:05,160 Speaker 1: the bottle shop or the pub our bottle of verve. Right, 39 00:02:05,960 --> 00:02:07,880 Speaker 1: you're not supposed to say it like that you're supposed to. 40 00:02:07,920 --> 00:02:11,440 Speaker 1: You're supposed to say bottle of clicko. Okay, because verv 41 00:02:11,680 --> 00:02:15,520 Speaker 1: in French means widow. And the actual name of the 42 00:02:15,600 --> 00:02:19,360 Speaker 1: champ clicko. Just like if like it was called mister Clicko, 43 00:02:19,760 --> 00:02:22,799 Speaker 1: we're calling it mister instead of You can't go wrong 44 00:02:22,840 --> 00:02:25,000 Speaker 1: with that. So in France they call it clicko, so 45 00:02:25,000 --> 00:02:28,720 Speaker 1: they'll say our bottle of clicko silver plank. So there 46 00:02:28,720 --> 00:02:31,040 Speaker 1: you go. So that's a little fun fact. But who 47 00:02:31,040 --> 00:02:33,320 Speaker 1: stops it. I don't know how many people are going 48 00:02:33,360 --> 00:02:35,680 Speaker 1: to change that habit and start calling it clicko. But 49 00:02:35,760 --> 00:02:37,720 Speaker 1: you know, that's just that's there. You know the correct 50 00:02:37,720 --> 00:02:43,440 Speaker 1: way to do it. Also Bolinger, not Bolinger. There you 51 00:02:43,480 --> 00:02:47,120 Speaker 1: go every days of school days. But the real story 52 00:02:47,200 --> 00:02:52,280 Speaker 1: behind this woman is incredible. So so Madame Clicko Barbe 53 00:02:52,360 --> 00:02:59,440 Speaker 1: Nicole Clicko was married to a vineyr on, a guy 54 00:02:59,480 --> 00:03:01,360 Speaker 1: who owned a d He was only a young fella. 55 00:03:01,760 --> 00:03:05,519 Speaker 1: He died when she was twenty seven years old. Six 56 00:03:05,600 --> 00:03:07,680 Speaker 1: years into the marriage. He died. They said it was 57 00:03:07,960 --> 00:03:10,880 Speaker 1: like a typhoid fever, but potentially it was a suicide. 58 00:03:11,360 --> 00:03:13,839 Speaker 1: The real life story is a bit hazy on how 59 00:03:13,880 --> 00:03:17,280 Speaker 1: he died. All we know is he left her the vineyard, 60 00:03:17,560 --> 00:03:21,240 Speaker 1: and this was at a time during Napoleonic France. Napoleon 61 00:03:21,320 --> 00:03:23,880 Speaker 1: was in charge, and he decreed that women weren't allowed 62 00:03:23,880 --> 00:03:26,080 Speaker 1: to own businesses, they weren't allowed to vote, they didn't 63 00:03:26,120 --> 00:03:29,360 Speaker 1: have a lot of civil and political rights at the time. 64 00:03:30,240 --> 00:03:36,040 Speaker 1: The bottle real short man syndrome. And so she kind 65 00:03:36,040 --> 00:03:39,280 Speaker 1: of defied all of those laws and took on the 66 00:03:39,360 --> 00:03:43,320 Speaker 1: vineyard and decided to really throw the champagne industry on 67 00:03:43,400 --> 00:03:45,800 Speaker 1: its head by coming up with some new innovations. She 68 00:03:45,840 --> 00:03:52,000 Speaker 1: invented the rose champagne, pink champagne. She invented some techniques 69 00:03:52,040 --> 00:03:55,400 Speaker 1: that are still used today, and that was so revolutionary 70 00:03:55,400 --> 00:03:58,400 Speaker 1: at the time. It enabled her to get her champagne 71 00:03:58,600 --> 00:04:02,880 Speaker 1: into the marketplace months before everybody else. And she managed 72 00:04:02,920 --> 00:04:06,280 Speaker 1: to keep these techniques secret for decades because her workers 73 00:04:06,280 --> 00:04:08,560 Speaker 1: were so loyal to her, even though at the time 74 00:04:08,640 --> 00:04:11,400 Speaker 1: the establishment, all the blokes of the Champagne region were 75 00:04:11,440 --> 00:04:13,400 Speaker 1: trying to take the vineyard off her because she was 76 00:04:13,440 --> 00:04:15,840 Speaker 1: a woman and she wasn't allowed to do it. And 77 00:04:16,120 --> 00:04:20,039 Speaker 1: so it's a fascinating true story of this pioneer who 78 00:04:20,120 --> 00:04:23,000 Speaker 1: grew one of the biggest champagne houses in the world 79 00:04:23,120 --> 00:04:25,479 Speaker 1: still is and a few years ago it was the 80 00:04:25,480 --> 00:04:30,039 Speaker 1: second highest selling champagne in the world. And Madame Clicko 81 00:04:30,160 --> 00:04:32,760 Speaker 1: in this film is played by Hailey Bennett, American actress, 82 00:04:32,800 --> 00:04:35,960 Speaker 1: and you might have seen her in that musical adaptation 83 00:04:36,040 --> 00:04:39,120 Speaker 1: of Cyrano with Peter Dinklige a couple of years ago. 84 00:04:39,240 --> 00:04:42,440 Speaker 1: She's so good at these types of period pieces. She's 85 00:04:42,440 --> 00:04:44,880 Speaker 1: good at kind of being sort of fiercely independent but 86 00:04:44,920 --> 00:04:47,680 Speaker 1: also quite vulnerable as she's dealing with the trauma of 87 00:04:47,720 --> 00:04:50,479 Speaker 1: her husband who's passed away. That's kind of told through 88 00:04:50,520 --> 00:04:53,960 Speaker 1: flashbacks in the film. He's played by Tom Sturage. And 89 00:04:54,360 --> 00:04:57,040 Speaker 1: her kind of close relationship and confident in the film 90 00:04:57,200 --> 00:04:59,800 Speaker 1: is her wine cellar, this guy who was famous for 91 00:05:00,120 --> 00:05:05,640 Speaker 1: traveling around Europe selling wine. Yeah, that's right. Yeah. She 92 00:05:05,680 --> 00:05:07,760 Speaker 1: also she also had a good relationship with her wine 93 00:05:07,800 --> 00:05:12,880 Speaker 1: cellar with a C. As your husband drops off the twig, 94 00:05:12,920 --> 00:05:14,560 Speaker 1: you spent a lot of time in the cell course, 95 00:05:14,760 --> 00:05:18,400 Speaker 1: the wine cell it turns out, and the wine cellar 96 00:05:18,560 --> 00:05:21,960 Speaker 1: with an S is played by Sam Riley, who's who's 97 00:05:22,000 --> 00:05:24,039 Speaker 1: claim to fame was He played Ian Curtis in that 98 00:05:24,120 --> 00:05:27,120 Speaker 1: movie Control and at the time thought he was going 99 00:05:27,160 --> 00:05:29,440 Speaker 1: to be the next big look because he was amazing 100 00:05:29,480 --> 00:05:31,599 Speaker 1: in that, but it didn't really happen. But he's he's 101 00:05:31,600 --> 00:05:33,960 Speaker 1: great in this film as well. It's it's one of 102 00:05:34,000 --> 00:05:36,400 Speaker 1: those stories of you know, a woman sort of fighting 103 00:05:36,440 --> 00:05:40,360 Speaker 1: against the establishment, the patriarchy, and and really it's it 104 00:05:40,600 --> 00:05:43,520 Speaker 1: kind of resonates through to today as well, I think, 105 00:05:44,000 --> 00:05:45,960 Speaker 1: and we'd probably like to see a few more a 106 00:05:46,000 --> 00:05:48,560 Speaker 1: bit more gender representation. It's sort of the upper ends 107 00:05:48,560 --> 00:05:51,800 Speaker 1: of you know, some corporations. But so she was, she 108 00:05:51,880 --> 00:05:56,039 Speaker 1: was an amazing real life figure. The film itself beautifully shot, 109 00:05:56,680 --> 00:05:59,400 Speaker 1: very very interesting, but it ends too soon. It's only 110 00:05:59,440 --> 00:06:02,320 Speaker 1: about eighty five minutes long, and it kind of cuts 111 00:06:02,320 --> 00:06:05,839 Speaker 1: off just she's just as she's just as she's about 112 00:06:05,880 --> 00:06:08,640 Speaker 1: to have success. You see her struggle and struggle and struggle, 113 00:06:08,839 --> 00:06:11,040 Speaker 1: and jeez, it's going to be great when she finally 114 00:06:11,080 --> 00:06:14,200 Speaker 1: turns the corner and starts to have some success. Movie 115 00:06:14,200 --> 00:06:18,040 Speaker 1: movie and movie on the precipice. So it's ultimately it's 116 00:06:18,080 --> 00:06:21,359 Speaker 1: a bit unsatisfying. It's like a champagne that doesn't have 117 00:06:21,440 --> 00:06:25,200 Speaker 1: enough fizz. Yeah, and so that probably lets her down 118 00:06:25,240 --> 00:06:28,240 Speaker 1: a little bit because you know, really all of the 119 00:06:28,240 --> 00:06:30,400 Speaker 1: things that she did that made her so successful. You 120 00:06:30,400 --> 00:06:34,240 Speaker 1: don't see any of that. Yeah, but it is, it is. 121 00:06:34,360 --> 00:06:36,040 Speaker 1: It's a fun film. It's in English as well, even 122 00:06:36,080 --> 00:06:39,240 Speaker 1: though it's a French story. It's in English with a 123 00:06:39,279 --> 00:06:42,440 Speaker 1: bunch of English cast members. But it's it's a it's 124 00:06:42,440 --> 00:06:45,240 Speaker 1: an interesting little slice of history, very nice. Well, how 125 00:06:45,279 --> 00:06:47,520 Speaker 1: many chin chins are you giving it? I'm going to 126 00:06:47,600 --> 00:06:50,880 Speaker 1: give it three three. Get a bottle of Clicko next 127 00:06:50,920 --> 00:06:55,200 Speaker 1: time I go to the BWS. Yes, yeah, we'll try 128 00:06:55,200 --> 00:06:58,040 Speaker 1: and get it right. You learn something every day, Nichael Nike. 129 00:07:00,040 --> 00:07:00,440 Speaker 1: There you got