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Speaker 1: The Will and Woody podcast, What did your kid tell

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Speaker 1: the teacher? I would love to hear from you guys.

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Speaker 1: Reality start in the UK called Dannielle Official. She's on

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Speaker 1: Dancing with the Stars. Largely irrelevant anyway.

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Speaker 2: Her six year old goes into school and he was

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Speaker 2: hating the fact that his mum was on the show

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Speaker 2: so much because apparent when we got to do Dancing with.

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Speaker 1: Stars, it's a lot of work.

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Speaker 2: He commitment, a lot of prep. You're doing a lot

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Speaker 2: of training. So she's barely home Danielle Official. So her

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Speaker 2: six year old goes to school. They say, you look stressed,

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Speaker 2: and he says, I am my mom's dead.

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Speaker 1: Oh yeah, God are brutal?

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Speaker 2: Yeah, well, because I think it was almost like cry

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Speaker 2: now oh yeah, it's calling his folks going, is you know?

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Speaker 1: Well you want to follow?

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Speaker 3: That's just like, how do we not hear that Danielle

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Speaker 3: Official die?

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Speaker 2: It should have been a big celebrity. I just saw

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Speaker 2: on Dancing with the Stars last night. Yeah dead, yeah,

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Speaker 2: and then she died. Yeah danced herself. Were great anyway,

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Speaker 2: so I know, so she's alive. Okay, Well Official is

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Speaker 2: officially a lot, but it's a terrifying terrifying moment to

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Speaker 2: think that when you said even said the like our

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Speaker 2: little girls off to daycare. You just know that they're

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Speaker 2: at this age where they're going to say what's on

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Speaker 2: their mind.

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Speaker 3: They will reveal anything about you because they're not thinking

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Speaker 3: that it could be embarrassing or damaging to your to

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Speaker 3: your person.

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Speaker 1: You know what I mean? That is they just see

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Speaker 1: and then they share.

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Speaker 3: Like for example, when my sister was going to school

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Speaker 3: and my mum said at one point that the art

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Speaker 3: teacher who likes to wear boots that were above the knee. Yes,

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Speaker 3: she referred to them as hooker boots. Yes, just a

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Speaker 3: little joke in the car. Obviously didn't think too much

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Speaker 3: of it until my sister went to art class and said,

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Speaker 3: my mom says, you wear hooker boots.

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Speaker 1: Yeah, that's tough at school. People keep it yourself.

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Speaker 2: So I had this thirty one or six five, what

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Speaker 2: is your kid tell the teacher? I had this with

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Speaker 2: my daughter when she was two years old. So she

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Speaker 2: started loving this Alex Cameron song.

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Speaker 1: It goes like this.

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Speaker 3: Pretty interesting taste of music for two.

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Speaker 2: Yeah, she just loved it. She just started getting around it.

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Speaker 2: I've got some audio of her singing it with me.

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Speaker 1: This is her singing it. Listen, Oh your god Jewish

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Speaker 1: say it.

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Speaker 2: Divorce, divorce.

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Speaker 1: So she's singing it.

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Speaker 2: And then so she was just running around here saying

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Speaker 2: that apparently by just.

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Speaker 1: Divorce just constantly.

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Speaker 2: So naturally, when a picture up one day and they

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Speaker 2: were like, how's it going with you? And Zam I

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Speaker 2: was like, yeah, good, feels a bit like a personal question,

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Speaker 2: but yeah, no, pretty well don't you know that?

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Speaker 1: Don't don't know you that?

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Speaker 4: Well?

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Speaker 2: Yeah, I mean I like you, but why are you

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Speaker 2: probably vir relationship? You're like, well, Max is running around

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Speaker 2: is yelling divorce.

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Speaker 3: And also it also makes sense you've been hitting the

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Speaker 3: jib recently. You've grown your hair out so like it

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Speaker 3: all fits, do you know what I mean? It's like, yeah,

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Speaker 3: you are clearly a single again.

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Speaker 1: How are you going out there more? Fish?

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Speaker 3: All the teachers talking about you behind your bag, like

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Speaker 3: will he is just tragic?

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Speaker 1: Isn't he trying to get back out there in the

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Speaker 1: dating fool? What did your kid tell the teacher I'll

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Speaker 1: take your girls, Julie, you're the You're the teacher in this.

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Speaker 5: I am the teacher. I had a child come in.

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Speaker 5: I've had multiple stories, but I've had a child come

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Speaker 5: in and tell me that their father slept on the

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Speaker 5: lounge last night.

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Speaker 1: Wow, that's just that's just a fact.

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Speaker 2: There's no there's no harm, no foul and the kids, yes,

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Speaker 2: I don't realize that means dramas go.

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Speaker 1: He's he's a little fun fact. But did you did

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Speaker 1: you explain why, Julie?

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Speaker 5: No, no, no, no, no, not at all. But the

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Speaker 5: real clenter. I had a child come in and I

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Speaker 5: had to help them unpack their school bag, and they

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Speaker 5: happened to pack their parents' ring. And I'm not talking

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Speaker 5: about the type that sits on the end of your finger.

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Speaker 6: Oh holy oh yeah right wow.

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Speaker 1: How did you deal with that, Julie.

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Speaker 5: I very politely just did not touch it and made

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Speaker 5: sure it was passed back in the bag.

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Speaker 3: Yeah, yeah, yeah, with a little note for mum and dad,

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Speaker 3: you know, maybe put this on a higher shelf.

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Speaker 4: Maybe.

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Speaker 7: Absolutely.

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Speaker 4: Wow.

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Speaker 3: I do think those rings and stuff they're starting to

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Speaker 3: look more aesthetically pleasing, do you know what I mean?

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Speaker 3: So they kind of do look like let's got a

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Speaker 3: Heather here on thirty one sixty five. Heather, this was

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Speaker 3: your thought. It was just a good point Heather, it

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Speaker 3: might have been.

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Speaker 1: That's not the issue. Love the issue, Heather. This was

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Speaker 1: your friend's child who said something to ja.

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Speaker 7: Yeah, we went down to the beach, right and more

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Speaker 7: keeping and stuff like that. And friend come up to me,

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Speaker 7: don't do something to win it. Yeah, you get a

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Speaker 7: car sword, I said, oh, you got rubies. Anyway, your

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Speaker 7: husband come back and here and my husband come back

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Speaker 7: in our fish And then he goes.

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Speaker 8: Here, did you go here?

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Speaker 1: I got crap?

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Speaker 7: So next sorry, share and tell the teachers you go

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Speaker 7: to school or had to go on the weekend though,

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Speaker 7: And he goes, Mom got herpies and Don's got crabs.

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Speaker 1: Ah, that's Good's that's good. Now I missed a little

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Speaker 1: bit of that.

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Speaker 3: Just because you've got you got some twang to your voice.

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Speaker 1: Yeah, heavy, you're still there. Yeah, you can have yourself

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Speaker 1: a double past to go and see running man. I

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Speaker 1: still got them. No, I haven't got them anymore.

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Speaker 3: G whiz.

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Speaker 1: Sorry, you've got one hundred Wahoo voucher for your head.

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Speaker 9: Oh thank you.

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Speaker 4: There you go.

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Speaker 2: Don't just play this summer run it. Discover Waho Onliner

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Speaker 2: in the store for NonStop summer fun. You can go

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Speaker 2: take them camping as.

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Speaker 1: Well take a while.

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Speaker 2: I genuinely missed first forty. I just heard herpes crabs.

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Speaker 2: That's always the punch.

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Speaker 3: Line's a good punchline, everything in between, no idea. There

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Speaker 3: was a there was a fishing link there as that's

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Speaker 3: why they caught crabs. I don't know how the herpes

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Speaker 3: came back, but anyway, let's got the grame, he g.

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Speaker 1: Graham, what did your kid tell the teacher?

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Speaker 10: WHOA, they were both My daughters are best friends with

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Speaker 10: another pair of girls of the same age and another family.

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Speaker 10: They really wanted to get a family photo together, so

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Speaker 10: they've been told they look like sisters the whole time,

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Speaker 10: and well, the teachers refused because they're not family members.

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Speaker 10: Then they ended up saying that my father, oh, their

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Speaker 10: father and me were in a relationship together.

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Speaker 1: Oh clever, clever girls. Get around it, girl.

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Speaker 10: And they got the photo. I've got the photo behind

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Speaker 10: my phone to prove it.

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Speaker 1: They bought it.

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Speaker 10: The people bought it, four girls, all four girls photo.

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Speaker 1: How did you find out that they'd told the teachers that?

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Speaker 10: Well, she came back with the photos and I'm like,

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Speaker 10: care you manage that, and then it all came to

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Speaker 10: her head.

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Speaker 1: Wow, that's wild, that's just smart. The kids Jenius stuff

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Speaker 1: crafty are they're great stories.

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Speaker 2: I look, these are all wonderful, cause thanks so much

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Speaker 2: for everyone that call. We've got loose changed legends coming

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Speaker 2: up right. It makes a chance to get five and

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Speaker 2: a half grand I guessing how much loose change you before.

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Speaker 1: We get out of here.

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Speaker 2: Though this has this has come up before, and there

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Speaker 2: was an all time story that I think probably just

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Speaker 2: needs very sharing.

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Speaker 3: Used to work in childcare, Sarah, if I.

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Speaker 8: Was new to the industry. I only been in the

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Speaker 8: industry for six months. Just got all the qualifications supervising

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Speaker 8: the bathroom of the three to five year olds, the

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Speaker 8: little girls going to the toilet, doing a normal thing.

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Speaker 8: She looks over to the boy, points to him and goes,

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Speaker 8: my mom's got one of them.

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Speaker 7: She straps it on.

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Speaker 1: Wards.

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Speaker 2: People's Sexiest Man Alive has been announced for twenty twenty five.

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Speaker 1: Big moment, always a big moment, huge moment. So to

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Speaker 1: get you guys across a few of the other winners.

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Speaker 1: There's been Paul Rudd. They've done studies. You know, sixty

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Speaker 1: percent of the time it works every time. I don't

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Speaker 1: think he's got it for his role in Anchorman.

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Speaker 2: It's twenty twenty one. Paul Rudd, so probably Man in

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Speaker 2: the Wasp sort of areas where he was. Yeah, I

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Speaker 2: don't think he was a weird weird want to win.

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Speaker 1: He's pretty good looking Paul, and he doesn't age throws

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Speaker 1: and women. Paul Rudd. Yeah, about him, he's funny. It's

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Speaker 1: the charm. He's nodding. You're nodding aggressively. You like a

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Speaker 1: bit of He's got some aura about him. He really

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Speaker 1: like really just lives really nodding as well. There go, okay,

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Speaker 1: all right, all right, that's funny. From three The Age,

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Speaker 1: Last Guy, the Rock, wonderful stop standard, raw muscle. Some

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Speaker 1: people find that sex is the rock shakes of it

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Speaker 1: because I think he's too much have.

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Speaker 2: A type, I mean to him, find him a throwdown

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Speaker 2: in factor Tommy. Yeah, there is, but too muscle, too much,

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Speaker 2: too much much, it's too much.

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Speaker 1: You just can't win. If you one of those guys,

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Speaker 1: can you just can't win as a guy, really can you?

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Speaker 1: He'd be very.

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Speaker 2: Sweaty the rock as well because he's so big. Yeah,

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Speaker 2: he's rich though, very rich actually. And then the other

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Speaker 2: one I think for the last year was John Krasinski.

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Speaker 2: And here's a bit of audio from him in the

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Speaker 2: movie A Quiet Place.

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Speaker 1: I love that movie. That's a whole bit this year.

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Speaker 2: I didn't watch any of his previous stuff, but I

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Speaker 2: did manage to see him in Wicked, and absolutely the

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Speaker 2: first thing I thought when he walked on set was

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Speaker 2: that guy's drop dead gorgeous. Jonathan Bailey is people's sexiest

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Speaker 2: man twenty twenty five.

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Speaker 1: Did you know who he was before Wicked? You watched

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Speaker 1: a bit of Bridgidon, didn't you? I think i'd seen you.

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Speaker 3: You went down the orchard of perversion that is Bridgiesen.

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Speaker 3: I did the period piece of Bridgidon love. I like

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Speaker 3: going back to that world. But he's attractive in that

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Speaker 3: Jonathan Bailey. Yeah, yeah, gorgeous. Couldn't believe that gorgeous.

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Speaker 1: He was beautiful. He's got Jonathan Bailey hot all nuts

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Speaker 1: out there? Yeah, really hot? Yeah? It really rocked the

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Speaker 1: short short before most men in Hollywood? Did you really?

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Speaker 1: Oh yeah, yeah, really brought the short short in a

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Speaker 1: movie or casually. Okay, you've got to red carpets in

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Speaker 1: effective a footy short. Wow, that's good for great legs.

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Speaker 1: Oh really yeah, no, great legs very hairy with that. Yeah, hairy,

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Speaker 1: very hairy.

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Speaker 2: Yeah, he's good leg beautiful. Anyway, I have a question

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Speaker 2: for you because I was thinking.

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Speaker 1: I was thinking this.

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Speaker 2: I was talking to Sam, my partner, about the fact

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Speaker 2: that he was sexiest man in the world, and I

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Speaker 2: was I was like, I had this thought afterwards. So

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Speaker 2: he's the sexiest man in the world, right, yep, good feeling.

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Speaker 2: And let's say you just found out today Jonathan Bali

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Speaker 2: is the sexiest man in the world. Let's say Mim

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Speaker 2: goes out tonight, right, she sees Jonathan Bailey in a bar,

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Speaker 2: he makes a move on her, she goes for it.

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Speaker 1: He's gay, is that right?

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Speaker 4: Yeah?

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Speaker 1: Hilarious. But let's say let's say he wants he wants,

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Speaker 1: he wants to just have a little bit of fun.

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Speaker 1: On the other side, you didn't know he was gay.

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Speaker 2: I just saw his photo and so he so here's

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Speaker 2: a crack at mims kean, Okay, mims keen on.

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Speaker 4: She goes for it.

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Speaker 2: She would be home, yeah, right at whatever time in

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Speaker 2: the morning, cap in hand, and was just like, hey,

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Speaker 2: just so you know bum doing and Jonathan Ballet last

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Speaker 2: night we hooked up.

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Speaker 1: He's like, you found out today that he's the sexiest

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Speaker 1: man in the world.

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Speaker 2: Right, do you have grounds to be like like mildly

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Speaker 2: upset there or does she get instant hall pass access

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Speaker 2: given that it's like the day that he was announced

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Speaker 2: sexiest man alone.

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Speaker 1: Good question, it's a really good question because you're right.

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Speaker 3: You'd think if there's one thing that the sexiest man

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Speaker 3: alive gets, I would say on that in that twenty

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Speaker 3: four hour period.

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Speaker 1: Yeah, it's just like you're above the law. Well, yeah,

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Speaker 1: I think most relationships would respect that. But like, right

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Speaker 1: when he's the sexiest man in the world get, he's

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Speaker 1: giving him sexiest man in.

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Speaker 2: The world, Like there's three and a half billion men

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Speaker 2: out there, and he has walked into the bar, made

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Speaker 2: eyes with mim and gone, you know what, you're it

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Speaker 2: for me because I'll give you my answer. Same came

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Speaker 2: out and said that. I was like, I'd just have

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Speaker 2: to cop that, and I think I wouldn't. There'd be

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Speaker 2: no dispute. I'll just be like, would you like a coffee?

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Speaker 1: Yeah, definitely, and then tell me all about it. Yeah,

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Speaker 1: have to happen. It would be a sense of pride

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Speaker 1: that was from me to.

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Speaker 2: More towards my partner I'm sure, No, you'd be broken

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Speaker 2: you be her?

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Speaker 3: No, no, no, no, no, I could before proud of

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Speaker 3: my partner because I'm like, when he's the sexiest man

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Speaker 3: in the world, like said, he's got at least a

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Speaker 3: seventy two hour window there where the.

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Speaker 1: World wants you. Yes, yes, yes, and you chose that

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Speaker 1: my one. Yeah, it's pretty cool. I chose my wife.

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Speaker 1: Pretty cool. Yeah, go nice, it's yeah. I agree. Like

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Speaker 1: you've still got it, m yeah, you've still got it

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Speaker 1: pretty good.

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Speaker 4: Yeah.

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Speaker 3: I just though, Yeah, how do you think your partner

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Speaker 3: would take it? Is there a world's sexiest woman?

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Speaker 1: What do they not doing that? I think they do.

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Speaker 1: I don't think they do that.

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Speaker 2: I think they just like we're past that. Who's like,

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Speaker 2: I don't know they do like Robbie, No, not like generically,

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Speaker 2: I mean for the world's sexiest No, they just do.

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Speaker 3: Like no, they just they just noticed.

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Speaker 1: They're on magazines all the time. They are like, should

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Speaker 1: we start it sexiest woman you are trying to save?

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Speaker 3: Yeah, how do you think it'd go if you slept

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Speaker 3: with the world's sexiest woman and then let's say it

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Speaker 3: is Margot Robbie so you come home.

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Speaker 1: It gets weird doesn't know.

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Speaker 2: It's just absurd, Like Robbie walks into a bar. Let's go,

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Speaker 2: I'll be like, come from the radio.

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Speaker 1: Hamish Blake is on the show live fuccome.

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Speaker 6: Back mate, just just because people heard the quiz that

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Speaker 6: I lost accidentally for Relsia on the last question. Yeah, definitely,

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Speaker 6: we've got her details. We'll be sending her at least

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Speaker 6: a thousand dollars. I said my sincerius apologies to don't

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Speaker 6: getting the easiest question wrong. But although I do down

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Speaker 6: by the fact I would never have known what day

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Speaker 6: is two days from today. Tends out it's Wednesday. Today day,

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Speaker 6: I guess that's still Saturday?

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Speaker 1: Is it Friday? It was three days from today, so

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Speaker 1: it would have been Saturday.

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Speaker 6: Yea, yeah, yeah, say well yeah so that doesn't count

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Speaker 6: because it's been five minutes.

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Speaker 4: But yeah, good. Everyone knows she's been taking care.

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Speaker 1: So yeah, so it's great.

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Speaker 3: So you are going to send her a whole bunch

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Speaker 3: of lego and Hamish that beautifully segues into what I

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Speaker 3: want to talk to you about, because we actually got

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Speaker 3: sent some lego as well. I'm not sure if that

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Speaker 3: was actually directly personally from you or just people at Lego.

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Speaker 1: You're claiming joy that well, thank you.

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Speaker 3: Now, a lot of people on this show would know

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Speaker 3: that I can be a little bit tight with money,

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Speaker 3: and I'm interested to ask you, do you think it's

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Speaker 3: okay for me to wrap those gifts up and claim

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Speaker 3: them as a Christmas present to my daughter redmen?

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Speaker 4: Oh my god, yes, amazed, of course you can. You

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Speaker 4: earned them, did I?

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Speaker 6: I guess by being you in the position you are,

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Speaker 6: Well you okay, maybe you didn't known them, but you

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Speaker 6: legally came into possession of them. And what is purchasing

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Speaker 6: something if not legally coming into possession of it? So

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Speaker 6: really I don't see any any I see no harm,

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Speaker 6: no foul with this. And look, people, this is you know,

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Speaker 6: obviously not a situation that most people face, but when

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Speaker 6: you work in radio you do come across things a lot.

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Speaker 4: I got done one year giving my mum.

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Speaker 6: A book for Christmas that was by It was by

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Speaker 6: the Chef, by Shannon Bennett, the Chef, so it was

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Speaker 6: one of his books, and it was like, you know,

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Speaker 6: he'd written a book like where Chefs Eat when they

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Speaker 6: travel or something, and I was like, oh, this is

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Speaker 6: so yeah, this is just going bang straight into her

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Speaker 6: Christmas gifts and she was like, oh, that's so nice.

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Speaker 6: I was like, yeah, well, you know, you think you're

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Speaker 6: traveling this year and should be great. And then on

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Speaker 6: said it, said, dear much enjoyed the book. I can

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Speaker 6: promise you I haven't signed that lego anywhere.

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Speaker 4: There's no way your daughter's going to know that it

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Speaker 4: wasn't from you.

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Speaker 3: I mean, she also can't read, so I think I'm

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Speaker 3: out of the wood there.

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Speaker 4: So sad.

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Speaker 2: Hey, speaking of books, mate, One of our producers and

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Speaker 2: alast came in here before and told us that you

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Speaker 2: met Zoe working on a book together.

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Speaker 1: Is that right?

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Speaker 4: Not exactly not.

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Speaker 6: We did know each other for a long time before then,

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Speaker 6: but we were both back in the day. We both

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Speaker 6: wrote for Cosmo magazine, so she did she did a

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Speaker 6: relationship column for Cosmo, and I also did a relationship calm.

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Speaker 6: So she wrote, she wrote like a relationship book, and

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Speaker 6: then I scribbled in literally just wrote in the margins

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Speaker 6: and that was my contribution to the book.

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Speaker 2: So then and so and after that though, So I

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Speaker 2: was reading that You're into her, right, You're like, yeah,

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Speaker 2: this this girl's in in a bit.

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Speaker 1: She's great.

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Speaker 4: These days would say, yeah. I mean, if not after

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Speaker 4: their of our first child.

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Speaker 1: Really cemented it.

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Speaker 4: The universe has given me signs.

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Speaker 1: But for her it was more of a slow burn.

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Speaker 10: Is that right?

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Speaker 1: Yeah?

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Speaker 6: No, I mean I again again, I'm not trying to brag,

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Speaker 6: but we did end up together.

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Speaker 4: I can't speak for how fast the burn was. You know,

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Speaker 4: we were friends very well.

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Speaker 2: So you were technically in the friend zone with her.

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Speaker 2: I feel like, I feel like I'm cross examining you here.

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00:17:35,880 --> 00:17:38,879
Speaker 2: I'm trying to eke out this information. But you were

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Speaker 2: technically in the friendship zone with her.

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Speaker 4: Is there do you want? Is there someone your friends

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Speaker 4: with that you would.

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Speaker 2: Like to isn't it true that you were in the

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Speaker 2: friendship zone with your partner for a long time?

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Speaker 6: No, I mean, yeah, we were friends, we wild we

386
00:17:54,080 --> 00:17:56,879
Speaker 6: knew each other. But yeah, sometimes that's it's funny the

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Speaker 6: way the universe works like that.

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Speaker 4: Then when when when it was right, it was right?

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Speaker 2: So did you make like a conscious play to get

390
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Speaker 2: out of there? Was there a moment where you were

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Speaker 2: like all right, friendships own time to exit or was

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00:18:07,720 --> 00:18:10,800
Speaker 2: it just beautifully sort of naturally transpirt it.

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Speaker 4: I mean came back years now.

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Speaker 6: No, Look, we you know, like I reckon at some point,

395
00:18:21,960 --> 00:18:23,560
Speaker 6: you know, in that time too, while we were friends,

396
00:18:23,600 --> 00:18:26,199
Speaker 6: like you know, she had a boyfriend, girlfriends, and we're

397
00:18:26,240 --> 00:18:28,560
Speaker 6: going in and out of relationships too, so it probably

398
00:18:28,720 --> 00:18:31,360
Speaker 6: just also requires and we also lived in different states.

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Speaker 6: It requires a few ducks to line both being single

400
00:18:38,000 --> 00:18:40,000
Speaker 6: and then but you know, because time goes on, life

401
00:18:40,080 --> 00:18:40,800
Speaker 6: changes and we're.

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Speaker 4: Like, well, actually maybe maybe this could work. And it

403
00:18:42,840 --> 00:18:45,480
Speaker 4: was a crazy plan, but it has seemed to pay off.

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Speaker 1: That's awesome.

405
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Speaker 3: I'm going to just rewind a little bit. So you

406
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Speaker 3: were once writing a relationship column in Cosmo.

407
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Speaker 4: Can you would you wonder are we wonder why the magazine?

408
00:18:57,320 --> 00:18:59,960
Speaker 3: Can I just hear one of your kernels of advice?

409
00:19:00,000 --> 00:19:02,480
Speaker 3: I was on relationships. I don't reckon. I've ever really

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00:19:02,600 --> 00:19:06,320
Speaker 3: heard you preaching relationship advice before, Hamish, No, it wasn't.

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Speaker 6: I think it was more just like a It was

412
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Speaker 6: basically just going, hey, guys are so simple, don't do

413
00:19:11,400 --> 00:19:12,440
Speaker 6: not over complicate this.

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Speaker 4: It really it was, you know, like with a bunch

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Speaker 4: of magazines. Well that's not fair.

416
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Speaker 6: There's some very good writers in magazines, but certainly my

417
00:19:19,720 --> 00:19:22,359
Speaker 6: stuff was pretty much the same thing, just repackaged every.

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Speaker 4: And also it was one of those ones where you're.

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Speaker 1: Like, I don't know how to it was.

420
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Speaker 6: I was like, twenty five, really think, I think I've

421
00:19:33,760 --> 00:19:36,400
Speaker 6: got too much of that much of a worldly take

422
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Speaker 6: on this, but I'm happy to give it a go.

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Speaker 6: Mostly for me, it was an exercise in lying about

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Speaker 6: that I'd done the article and that it was on

425
00:19:47,080 --> 00:19:51,320
Speaker 6: its way, and it was just that's all I remember

426
00:19:51,359 --> 00:19:53,080
Speaker 6: from that period, like, I don't think I gave any

427
00:19:53,160 --> 00:19:56,399
Speaker 6: great advice at all, and I spent ninety percent of

428
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Speaker 6: my time. I put way more effort into concocting stories.

429
00:20:00,040 --> 00:20:03,720
Speaker 6: I'd finished my article and then I was looking because

430
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Speaker 6: this is also back in the days before smartphones.

431
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Speaker 4: This is how long ago this was.

432
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Speaker 6: I was probably writing that article in my two thousand

433
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Speaker 6: and five Wow, it's like twenty years ago.

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Speaker 7: Wow.

435
00:20:11,359 --> 00:20:14,320
Speaker 6: Yeah, And so you could you could say stuff like, yeah,

436
00:20:14,600 --> 00:20:17,080
Speaker 6: did that not come throuughe ah, I'll have to get

437
00:20:17,119 --> 00:20:20,600
Speaker 6: to my laptop and send that, but I won't be

438
00:20:20,640 --> 00:20:23,200
Speaker 6: at the laptop for a few hours or there was

439
00:20:23,600 --> 00:20:26,720
Speaker 6: that was I was so behind deadline and I was like,

440
00:20:26,880 --> 00:20:29,199
Speaker 6: oh shit, I can't really got no idea what I'm

441
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Speaker 6: going to write about.

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00:20:30,040 --> 00:20:31,040
Speaker 4: I was like exhausted.

443
00:20:31,160 --> 00:20:34,720
Speaker 6: It was like a Friday afternoon and it was due

444
00:20:34,760 --> 00:20:37,120
Speaker 6: probably I'm like, you know, had been you on Tuesday

445
00:20:37,240 --> 00:20:39,880
Speaker 6: or something. And so I went into a word doc

446
00:20:40,720 --> 00:20:47,480
Speaker 6: and just in Windings Fond just did like three pages

447
00:20:47,560 --> 00:20:51,159
Speaker 6: of just squares, like just the square symbol. And I

448
00:20:51,720 --> 00:20:57,000
Speaker 6: called the file something like you know, ten ways, ten ways.

449
00:20:57,119 --> 00:21:00,720
Speaker 6: He's He's like, you know, I don't know, doing like

450
00:21:00,960 --> 00:21:02,880
Speaker 6: value is his mates more or something some some sort

451
00:21:02,880 --> 00:21:05,280
Speaker 6: of headline just called the article that as a word

452
00:21:05,359 --> 00:21:07,040
Speaker 6: dog senter and.

453
00:21:07,160 --> 00:21:11,640
Speaker 4: Then went about my weekend. And then Monday morning.

454
00:21:11,480 --> 00:21:15,520
Speaker 6: They're like, hey, that file didn't that was corrupted. I

455
00:21:15,640 --> 00:21:23,000
Speaker 6: was like, what, so sorry, let me try and recent

456
00:21:23,720 --> 00:21:24,760
Speaker 6: I just write.

457
00:21:26,160 --> 00:21:27,760
Speaker 4: Did that come through that? Yeah? We've got it now, Like,

458
00:21:27,800 --> 00:21:29,040
Speaker 4: oh my god, that's so weird. I don't know what.

459
00:21:30,800 --> 00:21:32,159
Speaker 4: I love that. That's awesome.

460
00:21:32,800 --> 00:21:35,600
Speaker 6: Before I was useless for advice, but I did learn

461
00:21:35,640 --> 00:21:37,560
Speaker 6: a lot in terms of scheming and getting out of

462
00:21:37,640 --> 00:21:38,480
Speaker 6: handing in your work.

463
00:21:38,720 --> 00:21:41,440
Speaker 1: Which is the message to take home kids.

464
00:21:41,920 --> 00:21:44,240
Speaker 4: Now more relevant to my career and.

465
00:21:46,119 --> 00:21:48,720
Speaker 2: Been handed the twenty twenty five Australian Talent Index Top

466
00:21:48,760 --> 00:21:49,359
Speaker 2: Talent Report.

467
00:21:49,359 --> 00:21:50,399
Speaker 1: I'm not sure if you're across this.

468
00:21:51,000 --> 00:21:53,800
Speaker 4: So I didn't even know. I'm not across that or

469
00:21:53,840 --> 00:21:55,000
Speaker 4: the twenty four one or the twenties.

470
00:21:55,040 --> 00:21:56,679
Speaker 1: Don't lie, mate, don't lie mate. It's the first thing

471
00:21:56,680 --> 00:21:57,960
Speaker 1: he said to me. Can you bring up the index?

472
00:21:58,040 --> 00:22:00,920
Speaker 4: Boys? Apart from that, who does what is this?

473
00:22:01,359 --> 00:22:05,240
Speaker 3: No talent core company? Yeah, talent So it's all they

474
00:22:05,320 --> 00:22:07,119
Speaker 3: do in the top like a thing that you have to.

475
00:22:07,119 --> 00:22:09,200
Speaker 4: Pay subscription to where you don't get included in it.

476
00:22:11,040 --> 00:22:12,680
Speaker 2: So in the top twenty, I've only got the top

477
00:22:12,720 --> 00:22:16,200
Speaker 2: ten in front of me, but you've so you're third,

478
00:22:16,640 --> 00:22:20,119
Speaker 2: just so you know, happy with in the top forty.

479
00:22:20,560 --> 00:22:25,680
Speaker 2: You've taken out Gibney, doctor Chris Brown, Manu Fidell, Marsha

480
00:22:25,760 --> 00:22:28,680
Speaker 2: Hines in the top ten surprise packet and Todd Woodbridge

481
00:22:29,600 --> 00:22:30,040
Speaker 2: ahead of you.

482
00:22:30,160 --> 00:22:32,920
Speaker 1: Though mm hmm do you want to have a guess?

483
00:22:34,160 --> 00:22:34,520
Speaker 4: Andy?

484
00:22:35,040 --> 00:22:37,320
Speaker 1: And he's two and number one.

485
00:22:38,920 --> 00:22:40,560
Speaker 4: Is I mean, what's the category? Don't know?

486
00:22:40,640 --> 00:22:42,960
Speaker 1: I actually we're trying to figure it out. It's just

487
00:22:43,200 --> 00:22:46,440
Speaker 1: Australian Talent Indexes Top Talent Report. So I think this

488
00:22:46,640 --> 00:22:48,240
Speaker 1: canvas is everything is overall.

489
00:22:48,880 --> 00:22:54,159
Speaker 4: So I think it's so wrong because already you'd go, well, kidman, you.

490
00:22:54,200 --> 00:22:58,440
Speaker 1: Know ah, right, I see Jackman Jackman, Yeah, should be

491
00:22:58,560 --> 00:22:59,200
Speaker 1: in the top three.

492
00:22:59,320 --> 00:23:02,159
Speaker 4: Yeah, that's that's that's not like, where's Margot Robbie?

493
00:23:02,480 --> 00:23:02,680
Speaker 3: Yeah?

494
00:23:03,040 --> 00:23:05,560
Speaker 1: Yeah, we're poking holes in it. It sounds like someone's

495
00:23:05,560 --> 00:23:07,000
Speaker 1: angry with third. Can I just say.

496
00:23:09,800 --> 00:23:13,320
Speaker 6: I'm naming I'm naming the obvious top five. I mean,

497
00:23:13,320 --> 00:23:15,400
Speaker 6: I have no offense to Marsha Heines, but I'd say

498
00:23:15,560 --> 00:23:18,280
Speaker 6: both and both there, and I would agree that we

499
00:23:18,359 --> 00:23:20,920
Speaker 6: don't beat Margot Robbie. If that's not who number one is.

500
00:23:21,840 --> 00:23:22,680
Speaker 1: It's a strange list.

501
00:23:23,359 --> 00:23:25,800
Speaker 3: So tough day for Margot ion no doubt you'd be

502
00:23:25,840 --> 00:23:28,440
Speaker 3: across this list chat with Jidman and yeah, read Chris

503
00:23:28,520 --> 00:23:31,680
Speaker 3: Hemsworth and read Hugh Jackman, and it really does I

504
00:23:31,720 --> 00:23:32,800
Speaker 3: mean beas Lherman.

505
00:23:32,880 --> 00:23:34,800
Speaker 2: I mean like we just keep going on as Yeah,

506
00:23:35,200 --> 00:23:37,879
Speaker 2: it was your fourth. I like him a lot anyway.

507
00:23:38,119 --> 00:23:39,720
Speaker 2: Number one is Robert Owen.

508
00:23:40,080 --> 00:23:41,240
Speaker 1: There you go, you see I.

509
00:23:41,240 --> 00:23:42,719
Speaker 4: Did look, I would agree with that. I think he's

510
00:23:42,760 --> 00:23:44,959
Speaker 4: had a big ear and hats off to him.

511
00:23:45,040 --> 00:23:49,280
Speaker 11: But i'd question I'd question two, I'll tell you about that,

512
00:23:49,440 --> 00:23:54,439
Speaker 11: and I would question three. Well, you can take out

513
00:23:54,520 --> 00:23:56,920
Speaker 11: there for Kidman and Robbie and Msworth.

514
00:23:56,600 --> 00:23:59,040
Speaker 2: Feels about right. It feels about right. Give me keeps

515
00:23:59,080 --> 00:24:00,840
Speaker 2: uspot dot Chris Brown. And I mean he hasn't really

516
00:24:00,880 --> 00:24:01,400
Speaker 2: been hotter.

517
00:24:01,359 --> 00:24:01,480
Speaker 8: Is he.

518
00:24:02,040 --> 00:24:03,960
Speaker 1: Oh he's doing great things, doctor Chris Brown.

519
00:24:04,640 --> 00:24:05,200
Speaker 4: I enjoy it.

520
00:24:05,400 --> 00:24:09,360
Speaker 6: Yeah, I mean you can't argue with the index foolish

521
00:24:09,440 --> 00:24:10,560
Speaker 6: frost pressed back on.

522
00:24:10,640 --> 00:24:13,400
Speaker 1: The index's on the doctor. He just doesn't He's untouchable.

523
00:24:13,440 --> 00:24:13,760
Speaker 1: I reckon.

524
00:24:13,960 --> 00:24:14,720
Speaker 4: It's amazing.

525
00:24:14,920 --> 00:24:17,560
Speaker 6: I mean, usually when someone's like teft One, it's like

526
00:24:18,000 --> 00:24:20,800
Speaker 6: all their well known scandals aren't sticking to them. But

527
00:24:20,800 --> 00:24:23,000
Speaker 6: I don't think he has any well known scandals, does he?

528
00:24:23,160 --> 00:24:25,600
Speaker 6: Like he's not He's like tet One that no one's

529
00:24:25,640 --> 00:24:27,400
Speaker 6: trying to stick anything to hent.

530
00:24:28,520 --> 00:24:30,080
Speaker 4: He might not be like teft One. He might be

531
00:24:30,160 --> 00:24:31,639
Speaker 4: like Belcro. He just hasn't done anything.

532
00:24:31,920 --> 00:24:34,320
Speaker 3: Yeah, I'll bring up I'll bring up one slightly embarrassing

533
00:24:34,320 --> 00:24:36,600
Speaker 3: thing about doctor Chris Brown that I know because behind

534
00:24:36,600 --> 00:24:38,440
Speaker 3: the scenes from Mama Celebrity, Get Me out of Here.

535
00:24:39,359 --> 00:24:41,720
Speaker 3: Underneath all of his shirts when he's presenting, he wears

536
00:24:41,880 --> 00:24:44,800
Speaker 3: like a skin colored shirt and that's to stop the

537
00:24:44,880 --> 00:24:45,639
Speaker 3: excessive sweating.

538
00:24:45,800 --> 00:24:52,120
Speaker 1: So he's not perfect and he's out of the top.

539
00:24:52,200 --> 00:25:02,840
Speaker 1: Thing shots fine, when you see him, what is that? Okay,

540
00:25:03,160 --> 00:25:05,240
Speaker 1: well I didn't expect that from you, would there we go?

541
00:25:07,000 --> 00:25:08,960
Speaker 1: Crack all right, it's going to start a wall between

542
00:25:09,600 --> 00:25:10,080
Speaker 1: Chris Brown.

543
00:25:10,520 --> 00:25:12,640
Speaker 4: This is what we want to see. Get you both

544
00:25:12,840 --> 00:25:13,320
Speaker 4: right up the.

545
00:25:13,320 --> 00:25:17,160
Speaker 2: Top, mate, before you get out of here, let's talk

546
00:25:17,240 --> 00:25:20,520
Speaker 2: Lego my Christmas windows Mayer's Burke Street store from now on.

547
00:25:20,840 --> 00:25:21,840
Speaker 2: I know you're a big Lego fan.

548
00:25:21,920 --> 00:25:22,480
Speaker 1: What of these look like?

549
00:25:24,200 --> 00:25:27,320
Speaker 6: The windows are amazing. They're made by Brickman, so all

550
00:25:27,320 --> 00:25:29,920
Speaker 6: the windows aren't. The windows are made by probably Australia's

551
00:25:29,960 --> 00:25:34,359
Speaker 6: best glass company. But then what's behind the windows Brickman,

552
00:25:34,680 --> 00:25:36,840
Speaker 6: So it's it's it's a bit of a special one

553
00:25:36,880 --> 00:25:39,200
Speaker 6: because anyone that's grown up in Melbourne, you know that

554
00:25:40,320 --> 00:25:43,840
Speaker 6: my Christmas windows, you know, that's like with Moonber as

555
00:25:43,880 --> 00:25:45,640
Speaker 6: part of the you know, it's the heart and soul.

556
00:25:45,520 --> 00:25:45,960
Speaker 4: Of the city.

557
00:25:46,119 --> 00:25:48,040
Speaker 6: And as a kid, I would come and visit the

558
00:25:48,560 --> 00:25:50,159
Speaker 6: windows like that was our big thing. We catch a

559
00:25:50,200 --> 00:25:52,720
Speaker 6: training from glen Overly with our grandma and you know

560
00:25:52,880 --> 00:25:55,640
Speaker 6: we get to have an ice cream and buy mum

561
00:25:56,280 --> 00:25:57,800
Speaker 6: something that we wanted.

562
00:25:59,520 --> 00:26:01,600
Speaker 4: And we're you know, we go to my windows and

563
00:26:01,680 --> 00:26:03,399
Speaker 4: that was the day out. So it is you know

564
00:26:03,480 --> 00:26:05,080
Speaker 4: there's a part of me that's like, well, this is

565
00:26:05,119 --> 00:26:07,240
Speaker 4: a lovely thing to be able to to. I'm the

566
00:26:07,320 --> 00:26:08,639
Speaker 4: voice I get to narrate the.

567
00:26:10,680 --> 00:26:14,560
Speaker 6: Australian Night before Christmas seen across the six windows. They're

568
00:26:14,560 --> 00:26:18,639
Speaker 6: all pretty incredible lego bills across the six windows and

569
00:26:18,720 --> 00:26:24,080
Speaker 6: then narrated by the dulcet tones of Australia's third most

570
00:26:24,240 --> 00:26:25,359
Speaker 6: indexed celebrity.

571
00:26:26,840 --> 00:26:28,040
Speaker 1: All right, we'll go and check it out if you're

572
00:26:28,040 --> 00:26:28,520
Speaker 1: in Melbourne.

573
00:26:28,560 --> 00:26:32,040
Speaker 2: As Hamig said, they are a Christmas tradition, beautiful, timeless

574
00:26:32,160 --> 00:26:34,840
Speaker 2: and this year Lego my Christmas windows down in Myersburg

575
00:26:34,880 --> 00:26:37,840
Speaker 2: Street store now narrated by Hamish Blake came.

576
00:26:37,880 --> 00:26:40,680
Speaker 1: Thanks so much for your time, your generosity. It's great

577
00:26:40,960 --> 00:26:41,320
Speaker 1: on the show.

578
00:26:42,240 --> 00:26:45,680
Speaker 4: You guys. You guys are my number one. That's coming

579
00:26:45,720 --> 00:26:50,200
Speaker 4: straight from the mouth of number three Will And what

580
00:26:50,440 --> 00:26:52,479
Speaker 4: is loose change?

581
00:26:52,680 --> 00:26:53,080
Speaker 3: Legends?

582
00:26:55,240 --> 00:26:57,399
Speaker 2: The prize mount is up to five four hundred and

583
00:26:57,480 --> 00:27:00,600
Speaker 2: seventy three sixty eight cents Woods just guessing how much

584
00:27:00,640 --> 00:27:01,679
Speaker 2: loose change we've got here?

585
00:27:01,960 --> 00:27:05,000
Speaker 1: Yes, how much loose change? I am dropping.

586
00:27:05,280 --> 00:27:07,560
Speaker 3: All we can tell you is that it is less

587
00:27:08,160 --> 00:27:11,240
Speaker 3: than twelve dollars. That's all we've revealed so far. I

588
00:27:11,359 --> 00:27:14,040
Speaker 3: believe I think I think we said more than three

589
00:27:14,119 --> 00:27:17,280
Speaker 3: coins as well. Okay, those are your two clues. Otherwise

590
00:27:17,680 --> 00:27:20,560
Speaker 3: you're going by sound. Have listened to this, Alana, because

591
00:27:20,560 --> 00:27:23,960
Speaker 3: you'll be first up having a guess that have a listen,

592
00:27:25,080 --> 00:27:26,000
Speaker 3: have a listen?

593
00:27:26,800 --> 00:27:27,119
Speaker 1: Said this?

594
00:27:31,480 --> 00:27:36,120
Speaker 5: Oh oh, that's not so many coins?

595
00:27:37,280 --> 00:27:38,080
Speaker 1: What's more than three?

596
00:27:38,960 --> 00:27:46,760
Speaker 5: More than three? I'm going to say six dollars eighty.

597
00:27:50,320 --> 00:27:55,280
Speaker 3: Incorrect, Alana, incorrect, incorrect. I'm not gonna I don't think

598
00:27:55,320 --> 00:27:57,600
Speaker 3: too much about this. But we are getting better Australia.

599
00:27:58,080 --> 00:27:58,320
Speaker 4: Okay.

600
00:27:58,480 --> 00:28:00,760
Speaker 1: The first guess we got was one hundred dollar. Yes,

601
00:28:01,680 --> 00:28:04,120
Speaker 1: we're getting better. We're getting better. Lee, do you want

602
00:28:04,160 --> 00:28:05,920
Speaker 1: a fresh drop or you're happy to fire from the

603
00:28:05,960 --> 00:28:06,960
Speaker 1: hip here and have a guess.

604
00:28:07,760 --> 00:28:09,040
Speaker 7: I'm happy to fire from the here.

605
00:28:09,400 --> 00:28:12,440
Speaker 5: I think there's love that seven dollars and thirty five?

606
00:28:12,840 --> 00:28:13,480
Speaker 1: Why do you think that?

607
00:28:13,640 --> 00:28:13,760
Speaker 7: Lee?

608
00:28:13,960 --> 00:28:15,200
Speaker 1: What's what's? What's brought that on?

609
00:28:16,160 --> 00:28:18,040
Speaker 10: Just just something drawing me to that number.

610
00:28:18,080 --> 00:28:21,119
Speaker 1: I'm not sure seven thirty five? You should have had

611
00:28:21,119 --> 00:28:21,680
Speaker 1: a fresh drop?

612
00:28:21,800 --> 00:28:21,960
Speaker 2: Lead?

613
00:28:24,440 --> 00:28:24,800
Speaker 9: Correct?

614
00:28:25,240 --> 00:28:27,480
Speaker 1: Can I just say real quick, don't deny me you

615
00:28:27,560 --> 00:28:31,080
Speaker 1: have a drop because I love it? Mary. You guys,

616
00:28:31,080 --> 00:28:32,920
Speaker 1: you're honest, about it. I thought you were going to

617
00:28:33,000 --> 00:28:35,760
Speaker 1: try and cover it up with some I just enjoy it.

618
00:28:35,880 --> 00:28:36,520
Speaker 1: You just like doing it.

619
00:28:36,560 --> 00:28:37,080
Speaker 4: I enjoy it.

620
00:28:37,280 --> 00:28:40,040
Speaker 1: I'm trying to get the perfect drop. That's my dream. Mary.

621
00:28:40,160 --> 00:28:41,440
Speaker 1: Do you want to hear a fresh drop?

622
00:28:42,960 --> 00:28:43,280
Speaker 3: Okay?

623
00:28:43,880 --> 00:28:44,760
Speaker 1: Yeah, you don't have to.

624
00:28:46,000 --> 00:28:47,280
Speaker 4: You don't have to. You have to hear.

625
00:28:47,320 --> 00:28:52,640
Speaker 1: We go, here's a good one. How much money?

626
00:28:53,360 --> 00:28:55,640
Speaker 5: I'm going to say three eighty five?

627
00:29:01,040 --> 00:29:01,760
Speaker 4: Incorrect?

628
00:29:02,600 --> 00:29:02,840
Speaker 3: Ah?

629
00:29:03,280 --> 00:29:03,600
Speaker 12: Damn?

630
00:29:06,320 --> 00:29:06,520
Speaker 4: Wow?

631
00:29:06,720 --> 00:29:10,240
Speaker 1: God it wowey correct? He just remind me what the

632
00:29:10,320 --> 00:29:11,120
Speaker 1: actual amount is.

633
00:29:13,440 --> 00:29:13,720
Speaker 12: Wow.

634
00:29:15,840 --> 00:29:18,640
Speaker 1: We won't say anymore more. Nothing more needs to be said.

635
00:29:18,680 --> 00:29:21,640
Speaker 1: I give too much away there. Maybe yeah, don't say anymore?

636
00:29:21,640 --> 00:29:27,640
Speaker 1: Will it's enough? Maybe this is all a bluff Australia. Yeah, anyway,

637
00:29:27,680 --> 00:29:29,600
Speaker 1: are we taking any more calls? I don't think so.

638
00:29:39,480 --> 00:29:39,640
Speaker 12: Well?

639
00:29:41,480 --> 00:29:43,040
Speaker 4: Along the well then.

640
00:29:43,000 --> 00:29:44,880
Speaker 2: Wit you for your dash right now and convinces you're

641
00:29:44,880 --> 00:29:48,440
Speaker 2: in the car with somebody else. Thirteen one oh sixty

642
00:29:48,440 --> 00:29:49,880
Speaker 2: five is the phone number.

643
00:29:50,040 --> 00:29:53,000
Speaker 1: We decide is someone else actually there or you just

644
00:29:53,120 --> 00:29:57,000
Speaker 1: putting on a very good voice. That's right right now.

645
00:29:57,720 --> 00:29:58,920
Speaker 1: It's been thrown around a bit.

646
00:29:59,640 --> 00:29:59,920
Speaker 4: What are you?

647
00:30:00,040 --> 00:30:02,080
Speaker 1: Producer? Mark the man Daniel came with this idea before.

648
00:30:02,120 --> 00:30:02,760
Speaker 1: I quite like it.

649
00:30:03,200 --> 00:30:07,160
Speaker 3: He's always good Mark the man Daniel. So he would

650
00:30:07,280 --> 00:30:10,040
Speaker 3: like us to give a tutorial on how to play

651
00:30:10,280 --> 00:30:14,880
Speaker 3: phone alone. Well, yeah, so welcome to class. For you

652
00:30:15,040 --> 00:30:17,280
Speaker 3: going to give it a go, Well, I'm going to

653
00:30:17,320 --> 00:30:20,320
Speaker 3: give a tutorial with an example of So for mine,

654
00:30:20,600 --> 00:30:22,960
Speaker 3: if you do want to play this game, is the

655
00:30:23,000 --> 00:30:24,560
Speaker 3: number you want to play?

656
00:30:24,560 --> 00:30:25,400
Speaker 1: The workshop work?

657
00:30:25,520 --> 00:30:29,480
Speaker 3: It's a workshop And if you've got a pen and paper, great,

658
00:30:29,640 --> 00:30:31,920
Speaker 3: I'd say get that now and write this down. So

659
00:30:32,160 --> 00:30:35,520
Speaker 3: for mine, start with your fake voice. I think that's

660
00:30:35,560 --> 00:30:39,160
Speaker 3: a great piece of advice. I think that often throws

661
00:30:39,240 --> 00:30:42,320
Speaker 3: us when you actually start with the fabricated voice, because

662
00:30:42,320 --> 00:30:44,240
Speaker 3: we're listening for things when you pass the phone.

663
00:30:44,400 --> 00:30:46,920
Speaker 1: My other piece of advice is don't overdo the phone.

664
00:30:47,000 --> 00:30:51,240
Speaker 3: Change that every time you add theatrics to the moving

665
00:30:51,320 --> 00:30:53,400
Speaker 3: the phone to the other person talking, it's just like

666
00:30:53,520 --> 00:30:54,760
Speaker 3: a red rag to a bull.

667
00:30:55,200 --> 00:30:55,760
Speaker 1: You're pretending.

668
00:30:55,840 --> 00:30:58,160
Speaker 3: Now, I will step outside the studio and give you

669
00:30:59,040 --> 00:31:00,280
Speaker 3: an example of what I'm talking.

670
00:31:07,800 --> 00:31:09,160
Speaker 10: Hello, is this wild? I like to play?

671
00:31:09,200 --> 00:31:09,640
Speaker 1: Final line?

672
00:31:09,680 --> 00:31:09,920
Speaker 4: Please?

673
00:31:10,920 --> 00:31:13,120
Speaker 1: Oh yeah, Hi? Who's that good?

674
00:31:13,200 --> 00:31:13,560
Speaker 4: Nay mate?

675
00:31:13,840 --> 00:31:18,440
Speaker 10: My name is from Tony and mate, I'm here on a.

676
00:31:18,480 --> 00:31:22,480
Speaker 12: Gap year bloody Oh drinks drinks drinks responsibly.

677
00:31:23,560 --> 00:31:26,640
Speaker 10: And I've just met a mate of mine who was

678
00:31:26,680 --> 00:31:28,280
Speaker 10: actually a pen pal of mine when I.

679
00:31:28,360 --> 00:31:29,840
Speaker 1: Was doing some time in prison.

680
00:31:30,360 --> 00:31:32,920
Speaker 7: And he's hearing the car with me, and his name's

681
00:31:33,520 --> 00:31:34,080
Speaker 7: John Paul.

682
00:31:34,720 --> 00:31:37,680
Speaker 1: Oh, John Paul. All right, well sorry what was your

683
00:31:37,800 --> 00:31:38,160
Speaker 1: name again?

684
00:31:42,680 --> 00:31:43,000
Speaker 4: All right?

685
00:31:43,680 --> 00:31:45,800
Speaker 1: Well Tony, Well, let's put John Paul on the phone,

686
00:31:45,960 --> 00:31:46,240
Speaker 1: shall we.

687
00:31:46,280 --> 00:31:49,440
Speaker 12: Yeah, not problem, Hey guys, John Paul here.

688
00:31:51,160 --> 00:31:53,760
Speaker 1: Oh, good day, John Paul. How's it going? How'd you mate? Tony?

689
00:31:54,680 --> 00:31:54,800
Speaker 4: Oh?

690
00:31:54,920 --> 00:31:55,160
Speaker 8: Mate?

691
00:31:55,160 --> 00:31:57,760
Speaker 12: We became pen pals when he was doing some time

692
00:31:58,320 --> 00:31:59,840
Speaker 12: for a non violent crime in the UK.

693
00:32:00,120 --> 00:32:00,800
Speaker 1: What was his crime?

694
00:32:00,880 --> 00:32:05,680
Speaker 12: And uh, we can't go into it. I think that's

695
00:32:05,720 --> 00:32:07,800
Speaker 12: the ruling of the court because he's still on probation.

696
00:32:08,880 --> 00:32:13,200
Speaker 12: Was yes, non violent, absolutely, but we just can't talk

697
00:32:13,200 --> 00:32:17,160
Speaker 12: about an active court case. But yeah, no, he's just

698
00:32:17,240 --> 00:32:19,880
Speaker 12: here on a gap year and I'm going to.

699
00:32:19,880 --> 00:32:24,080
Speaker 1: Check it back over to Tony. John Paul. You know, Hello, guys,

700
00:32:24,200 --> 00:32:25,040
Speaker 1: have a buddy. Hello?

701
00:32:25,040 --> 00:32:25,320
Speaker 12: Are we.

702
00:32:26,960 --> 00:32:27,280
Speaker 4: Okay?

703
00:32:28,200 --> 00:32:28,440
Speaker 8: Yeah?

704
00:32:28,600 --> 00:32:31,960
Speaker 1: Great, great phone line. I do think it's the same person,

705
00:32:32,680 --> 00:32:36,120
Speaker 1: well obviously, I guess. Well, no, that's a win for me.

706
00:32:36,760 --> 00:32:41,600
Speaker 1: Hello Charles. Hi, who are you in the car with? Charles?

707
00:32:43,200 --> 00:32:43,360
Speaker 7: Oh?

708
00:32:43,440 --> 00:32:47,240
Speaker 1: My friends, it's very vague. Does your friend have a name?

709
00:32:48,280 --> 00:32:49,800
Speaker 9: Yeah? What is it?

710
00:32:50,320 --> 00:32:51,680
Speaker 4: Matt?

711
00:32:52,960 --> 00:32:53,240
Speaker 12: Max?

712
00:32:53,800 --> 00:32:54,120
Speaker 4: Max?

713
00:32:54,480 --> 00:32:58,400
Speaker 1: Max? Max? Okay, okay? Where are you and Max off to?

714
00:32:59,760 --> 00:32:59,920
Speaker 7: Yep?

715
00:33:00,880 --> 00:33:01,120
Speaker 1: Cool?

716
00:33:01,280 --> 00:33:01,720
Speaker 4: Cool? Cool?

717
00:33:02,120 --> 00:33:03,080
Speaker 1: What position do you play?

718
00:33:06,480 --> 00:33:08,080
Speaker 4: Good? All right?

719
00:33:08,120 --> 00:33:13,080
Speaker 1: Can you pass the phone to Max? Please? Hi, I'm Max.

720
00:33:13,120 --> 00:33:14,320
Speaker 1: What position on the network court?

721
00:33:14,360 --> 00:33:16,160
Speaker 4: Do you play the fence?

722
00:33:17,160 --> 00:33:18,000
Speaker 1: Solid? Also?

723
00:33:18,080 --> 00:33:19,720
Speaker 4: Solid? Yeah?

724
00:33:20,440 --> 00:33:22,040
Speaker 1: Did you guys just get picked up from school?

725
00:33:23,320 --> 00:33:23,520
Speaker 12: Yep?

726
00:33:25,040 --> 00:33:25,840
Speaker 1: Favorite subject?

727
00:33:27,400 --> 00:33:27,560
Speaker 12: Uh?

728
00:33:29,360 --> 00:33:31,960
Speaker 3: Yeah, okay nice? Could you hand the phone back to

729
00:33:32,040 --> 00:33:33,040
Speaker 3: your mate Charles please?

730
00:33:33,680 --> 00:33:33,920
Speaker 9: Yep?

731
00:33:34,880 --> 00:33:41,640
Speaker 1: Hi A Charles? Who's driving? Kee te.

732
00:33:44,360 --> 00:33:44,600
Speaker 7: Keith?

733
00:33:45,160 --> 00:33:47,360
Speaker 1: Keith? Keith is Keith? Is Keith your dad?

734
00:33:49,720 --> 00:33:49,960
Speaker 11: Yeah?

735
00:33:50,480 --> 00:33:50,720
Speaker 4: Cool?

736
00:33:52,920 --> 00:33:53,000
Speaker 10: Uh?

737
00:33:54,240 --> 00:33:59,520
Speaker 1: I think that's two different people. That Keith is your

738
00:33:59,600 --> 00:34:04,040
Speaker 1: dad Keith. I think he doesn't call him dad either

739
00:34:04,120 --> 00:34:06,440
Speaker 1: kills him Keith. If my dad was Keith, I would

740
00:34:06,480 --> 00:34:09,920
Speaker 1: only kill him Keith for mine. Keith is a strong name.

741
00:34:10,000 --> 00:34:10,239
Speaker 1: I love.

742
00:34:10,960 --> 00:34:13,200
Speaker 3: We might hear from Keith after, but from mine. Yeah,

743
00:34:13,520 --> 00:34:15,920
Speaker 3: Keith is at the helm of two kids in the

744
00:34:15,920 --> 00:34:16,480
Speaker 3: back of his car.

745
00:34:16,719 --> 00:34:17,680
Speaker 4: I agree, I agree.

746
00:34:17,680 --> 00:34:22,319
Speaker 1: I think Charles and Max bothair Charles is Max reel

747
00:34:23,560 --> 00:34:26,759
Speaker 1: Yeah yeah beautiful. Now can you hand to phone the

748
00:34:26,840 --> 00:34:27,360
Speaker 1: Keith please?

749
00:34:29,520 --> 00:34:30,840
Speaker 10: I can't old I'm driving?

750
00:34:32,360 --> 00:34:35,719
Speaker 1: Was a test comment. Well, I'm Keith. The most Keith

751
00:34:35,760 --> 00:34:37,239
Speaker 1: comment imaginable.

752
00:34:38,320 --> 00:34:42,120
Speaker 2: That down there, wasn't it a little bit of angst

753
00:34:42,160 --> 00:34:44,400
Speaker 2: in the voice, not stern, just annoyed.

754
00:34:44,840 --> 00:34:47,359
Speaker 3: Annoyed, but he's focused on the right. Good on you, Keith.

755
00:34:48,600 --> 00:34:49,800
Speaker 1: Christy. Who are you in the car with?

756
00:34:50,520 --> 00:34:52,400
Speaker 5: I'm not in the car but actually walking.

757
00:34:52,960 --> 00:34:58,000
Speaker 1: Oh, you are streams on the iart nice. Good Christie?

758
00:34:58,480 --> 00:34:59,360
Speaker 1: Who are you walking with?

759
00:34:59,520 --> 00:35:01,880
Speaker 5: CHRISTI I'm walking as my partner.

760
00:35:02,560 --> 00:35:03,719
Speaker 1: What's what's your partner's name?

761
00:35:04,440 --> 00:35:05,319
Speaker 5: His name is John?

762
00:35:05,880 --> 00:35:07,080
Speaker 1: John? How long you been dating?

763
00:35:07,120 --> 00:35:08,839
Speaker 5: For nine years?

764
00:35:09,920 --> 00:35:12,920
Speaker 1: I'm dy Oh, it sounds.

765
00:35:12,680 --> 00:35:15,400
Speaker 3: Like someone wants old Johnny boy to get down on

766
00:35:15,440 --> 00:35:17,520
Speaker 3: one knee. Hearing that, I'm hearing that.

767
00:35:17,640 --> 00:35:18,720
Speaker 1: Where are you walking, Christy?

768
00:35:19,480 --> 00:35:26,120
Speaker 5: We're walking to an n Yes, cool, hear from John.

769
00:35:26,239 --> 00:35:27,000
Speaker 1: Let's say from John?

770
00:35:27,600 --> 00:35:29,600
Speaker 8: Hey, yeah, no.

771
00:35:33,440 --> 00:35:37,080
Speaker 1: John, Hello John John. Why haven't you propose to you

772
00:35:37,600 --> 00:35:38,680
Speaker 1: to your partner? Christie?

773
00:35:39,239 --> 00:35:41,520
Speaker 7: Well, she won't let me get a boat, so she's

774
00:35:41,600 --> 00:35:42,279
Speaker 7: not getting a ring.

775
00:35:46,840 --> 00:35:49,719
Speaker 3: A blog has been caught doing something. I'm gonna say

776
00:35:50,400 --> 00:35:54,520
Speaker 3: it's pretty embarrassing at a Jonas Brothers, gime.

777
00:35:58,880 --> 00:36:01,040
Speaker 1: Bros. They're doing their thing.

778
00:36:02,400 --> 00:36:04,120
Speaker 3: Some of the best anserstatities in the world can't believe

779
00:36:04,120 --> 00:36:06,799
Speaker 3: they're all in the same family. So much talent there.

780
00:36:07,280 --> 00:36:10,160
Speaker 3: They're out there, blood, sweat and tears on that stage. Well,

781
00:36:10,440 --> 00:36:12,719
Speaker 3: right now, they've got most of the crowd in the

782
00:36:12,800 --> 00:36:15,359
Speaker 3: palm of their hands putting on such a hot show.

783
00:36:16,000 --> 00:36:19,000
Speaker 1: But then someone has put this on TikTok.

784
00:36:19,160 --> 00:36:21,640
Speaker 3: They noticed that there was a person, a guy in

785
00:36:21,760 --> 00:36:24,360
Speaker 3: the crowd who was on his phone, and then they

786
00:36:24,560 --> 00:36:27,160
Speaker 3: zoomed in on what he was looking at on his phone,

787
00:36:27,680 --> 00:36:30,680
Speaker 3: and it turns out he was going through people's resumes.

788
00:36:32,000 --> 00:36:35,280
Speaker 3: So he was he was so bored at the Jonahs

789
00:36:35,360 --> 00:36:37,200
Speaker 3: Brother's concert that he was just like, might as well

790
00:36:37,239 --> 00:36:38,000
Speaker 3: do a little bit of work.

791
00:36:38,080 --> 00:36:40,160
Speaker 1: How could you be bored watching that hot ass on

792
00:36:40,239 --> 00:36:41,800
Speaker 1: the stage. I can't believe it.

793
00:36:42,080 --> 00:36:48,640
Speaker 3: Joe, You've got Nick Kiaran, Kevin Ken, Kevin I think Kevin, Yeah, yeah, yeah. Anyway,

794
00:36:48,960 --> 00:36:53,640
Speaker 3: this is This has gone viral on TikTok. I mean,

795
00:36:53,680 --> 00:36:56,080
Speaker 3: it's it's very funny the idea of someone going through

796
00:36:56,160 --> 00:36:59,720
Speaker 3: resumes while Jonah's Brother's concept is I mean, that's.

797
00:36:59,640 --> 00:37:02,319
Speaker 2: Everyone's shocked, like, wow, how could you be doing anything

798
00:37:02,360 --> 00:37:03,200
Speaker 2: but watching those boys?

799
00:37:03,200 --> 00:37:04,360
Speaker 1: I think it's just bringing the loles.

800
00:37:04,400 --> 00:37:06,560
Speaker 3: To be honest, this is so funny, and then some

801
00:37:06,680 --> 00:37:08,200
Speaker 3: of the Jonas boys commented on it.

802
00:37:08,280 --> 00:37:08,800
Speaker 10: They found it.

803
00:37:09,360 --> 00:37:12,000
Speaker 3: Kevin said, I'm one of Scott Kelly's references because it

804
00:37:12,040 --> 00:37:16,960
Speaker 3: was Scott Kelly's resume. Oh good, Kevin, Kevin, and then

805
00:37:17,040 --> 00:37:20,200
Speaker 3: Nicks Knick's gun there as well, So it's boys loving it.

806
00:37:20,280 --> 00:37:20,960
Speaker 1: It's popping off.

807
00:37:21,000 --> 00:37:21,359
Speaker 4: He lives.

808
00:37:21,920 --> 00:37:22,280
Speaker 1: Anyway.

809
00:37:22,680 --> 00:37:25,080
Speaker 3: I look at this and I go, clearly, what's happened

810
00:37:25,120 --> 00:37:28,480
Speaker 3: here is that this guy has been dragged to a

811
00:37:28,560 --> 00:37:34,200
Speaker 3: Jonas Brothers concert by his partner. He hates the Jonas Brothers, right,

812
00:37:34,520 --> 00:37:36,919
Speaker 3: but it's one of those situations where the partner goes,

813
00:37:37,280 --> 00:37:39,680
Speaker 3: I love the Jonas Brothers and you have to come

814
00:37:39,760 --> 00:37:42,759
Speaker 3: with me to the concert. Okay, here's the question I

815
00:37:42,840 --> 00:37:44,920
Speaker 3: want to ask everyone. On thirteen one oh sixty five,

816
00:37:44,920 --> 00:37:48,960
Speaker 3: we'll take him after the song. Should you have to

817
00:37:49,080 --> 00:37:51,080
Speaker 3: go to the things or should you have to go

818
00:37:51,239 --> 00:37:54,400
Speaker 3: to things with your partner? If you really if you

819
00:37:54,480 --> 00:37:57,800
Speaker 3: have no interest in it? Oh spisy one, isn't it

820
00:37:57,880 --> 00:38:00,080
Speaker 3: so you have no interest? But your partner goes, I

821
00:38:00,160 --> 00:38:02,840
Speaker 3: want you to come with me. George is like, don't like,

822
00:38:03,480 --> 00:38:03,960
Speaker 3: don't like?

823
00:38:04,640 --> 00:38:06,640
Speaker 1: If you don't like something, should you have to go

824
00:38:06,960 --> 00:38:08,759
Speaker 1: to something with your partner to support them.

825
00:38:09,120 --> 00:38:09,640
Speaker 4: Is that music?

826
00:38:10,360 --> 00:38:12,000
Speaker 1: Are we talking music? It could be anything.

827
00:38:12,440 --> 00:38:14,839
Speaker 3: It could be the ballet, it could be a social event,

828
00:38:15,080 --> 00:38:16,680
Speaker 3: it could be a baby shower.

829
00:38:17,040 --> 00:38:17,840
Speaker 4: I like the ballet.

830
00:38:18,120 --> 00:38:18,800
Speaker 1: I like the balot.

831
00:38:18,960 --> 00:38:22,000
Speaker 2: Oh so you're saying, like a social commitment, I think

832
00:38:22,080 --> 00:38:24,080
Speaker 2: that's different. And I just say, I think that's a

833
00:38:24,360 --> 00:38:26,239
Speaker 2: that's this is an important conversation, and we're going to

834
00:38:26,280 --> 00:38:29,759
Speaker 2: take these phone calls because I think social commitment is different.

835
00:38:29,520 --> 00:38:33,160
Speaker 1: To going to an event, going to a gig of

836
00:38:33,239 --> 00:38:35,120
Speaker 1: some sort. I think it's different. I don't know why.

837
00:38:35,280 --> 00:38:37,520
Speaker 1: I don't know why. Yeah, it feels really different.

838
00:38:37,560 --> 00:38:40,279
Speaker 3: Okay, well let's get let's take some some calls here.

839
00:38:40,280 --> 00:38:42,839
Speaker 3: We've got Lily here, let's get a female perspective early Lily.

840
00:38:43,120 --> 00:38:44,600
Speaker 1: Hello, So if we're.

841
00:38:44,480 --> 00:38:47,560
Speaker 3: Talking concerts here, do you think the partner should have

842
00:38:47,680 --> 00:38:49,880
Speaker 3: to go if he's not interested.

843
00:38:49,520 --> 00:38:51,080
Speaker 1: But you love the performer?

844
00:38:51,680 --> 00:38:51,799
Speaker 6: Oh?

845
00:38:53,200 --> 00:38:57,040
Speaker 3: No matter what, of course, But so does that potentially

846
00:38:57,200 --> 00:38:59,200
Speaker 3: take away from how much you enjoy it?

847
00:38:59,320 --> 00:38:59,520
Speaker 4: Though?

848
00:39:00,480 --> 00:39:02,759
Speaker 1: If you're partner the city next to you and clearly hate,

849
00:39:02,840 --> 00:39:05,759
Speaker 1: I can't well, no, I would get angry at him.

850
00:39:05,760 --> 00:39:07,440
Speaker 1: I'd be telling him get off your phone, and I'll

851
00:39:07,480 --> 00:39:08,440
Speaker 1: say you have to enjoy it.

852
00:39:08,719 --> 00:39:13,160
Speaker 2: It sounds like a great relationship. Really, Carlie is killed.

853
00:39:13,520 --> 00:39:15,319
Speaker 2: I feel like you've got a bit of scar tissue here.

854
00:39:15,560 --> 00:39:17,120
Speaker 2: So what have you been to that you didn't enjoy

855
00:39:17,160 --> 00:39:17,680
Speaker 2: in the past?

856
00:39:18,120 --> 00:39:21,160
Speaker 3: Oh, there's too many of the list, but so for mine,

857
00:39:21,360 --> 00:39:24,240
Speaker 3: so gig wise, well, so anything which.

858
00:39:24,160 --> 00:39:26,760
Speaker 1: Is overwhelming for the senses, for me is difficult.

859
00:39:26,800 --> 00:39:27,200
Speaker 7: But I do.

860
00:39:31,120 --> 00:39:33,480
Speaker 3: I wear ear plugs around my neck now at all

861
00:39:33,520 --> 00:39:35,640
Speaker 3: these things. Is that that's my little you know, I

862
00:39:35,680 --> 00:39:38,279
Speaker 3: can I can go to another world with that. So

863
00:39:38,440 --> 00:39:40,960
Speaker 3: for mem and I, the where we've got to is

864
00:39:40,960 --> 00:39:42,960
Speaker 3: because she's probably a little bit more extroverted than me

865
00:39:43,040 --> 00:39:45,400
Speaker 3: and like would like doing more things. So for me,

866
00:39:45,960 --> 00:39:47,320
Speaker 3: there's a lot of things that I don't want to

867
00:39:47,360 --> 00:39:51,400
Speaker 3: go to, but I go to things with her. But

868
00:39:51,520 --> 00:39:54,040
Speaker 3: the little like agreement we've got is if I if

869
00:39:54,080 --> 00:39:57,040
Speaker 3: I want to leave, I will leave early.

870
00:39:57,560 --> 00:39:58,640
Speaker 1: Well that sounds awesome.

871
00:39:59,560 --> 00:40:00,960
Speaker 2: Maybe to get with you, but if at any point

872
00:40:00,960 --> 00:40:03,360
Speaker 2: I'm not enjoying myself, I hear the first song and

873
00:40:03,480 --> 00:40:06,200
Speaker 2: I am gone, I'm like, wow, So you just you

874
00:40:06,360 --> 00:40:07,480
Speaker 2: just hold that over her head.

875
00:40:07,360 --> 00:40:07,839
Speaker 1: The whole time.

876
00:40:07,960 --> 00:40:09,719
Speaker 3: But no, don't hold on her head because then she

877
00:40:09,920 --> 00:40:11,799
Speaker 3: was feeling guilty about it. She could tell like, you're

878
00:40:11,840 --> 00:40:13,160
Speaker 3: going to a lot of things that you don't want

879
00:40:13,200 --> 00:40:14,920
Speaker 3: to go to, and you're sitting through it and I

880
00:40:14,960 --> 00:40:17,680
Speaker 3: can see you suffering. But she's like, so we feel

881
00:40:17,719 --> 00:40:19,960
Speaker 3: comfortable now going like, let's go to things. But then

882
00:40:20,000 --> 00:40:21,920
Speaker 3: she knows as well that sometimes it feels like I'm

883
00:40:21,920 --> 00:40:24,239
Speaker 3: going to explode unless I leave but a place because

884
00:40:24,280 --> 00:40:26,560
Speaker 3: my senses are so overwhelmed, right, and it's a great place.

885
00:40:26,560 --> 00:40:27,880
Speaker 3: And then it's not so like it's not like a

886
00:40:27,960 --> 00:40:30,399
Speaker 3: we're leaving thing, it's a you you can stay.

887
00:40:31,440 --> 00:40:31,759
Speaker 4: I'll go.

888
00:40:32,480 --> 00:40:35,359
Speaker 1: Oh mate, I'll go. It's a beautiful thing.

889
00:40:35,440 --> 00:40:35,880
Speaker 4: You've done that.

890
00:40:35,960 --> 00:40:37,319
Speaker 1: Well, what do you mean?

891
00:40:37,360 --> 00:40:39,440
Speaker 3: I rely know a nice, nice happy Do you think

892
00:40:39,440 --> 00:40:41,040
Speaker 3: I should have to stay for the whole time even

893
00:40:41,040 --> 00:40:42,000
Speaker 3: though I'm hating something?

894
00:40:42,120 --> 00:40:44,640
Speaker 2: No. I just think like if I invited someone somewhere

895
00:40:45,320 --> 00:40:48,520
Speaker 2: and they said to me, sure, but just so you know,

896
00:40:48,920 --> 00:40:50,840
Speaker 2: you leave it in a second, I am going to

897
00:40:50,920 --> 00:40:54,239
Speaker 2: do the round, I would find that and you find

898
00:40:54,280 --> 00:40:54,600
Speaker 2: that hard?

899
00:40:54,760 --> 00:40:55,800
Speaker 9: Well, I think so No.

900
00:40:55,960 --> 00:40:58,200
Speaker 1: Sorry, Again, as I said before, it depends on the thing.

901
00:40:58,320 --> 00:41:00,680
Speaker 2: So if it was a concert together, I'd be like,

902
00:41:01,160 --> 00:41:04,000
Speaker 2: but if it's a social event, where they're my friends,

903
00:41:04,800 --> 00:41:07,640
Speaker 2: then totally fine because I'm fine, I've got my mates.

904
00:41:08,120 --> 00:41:10,719
Speaker 1: Yeah, it's a gig, and I'm like, but but again,

905
00:41:11,280 --> 00:41:13,160
Speaker 1: I mean, who was our first caller? What was her name?

906
00:41:13,440 --> 00:41:14,160
Speaker 4: Remember Seal?

907
00:41:15,840 --> 00:41:19,239
Speaker 1: Yeah, I can't imagine anything worse than that.

908
00:41:20,520 --> 00:41:23,759
Speaker 2: On either side of that, which is going to a

909
00:41:23,800 --> 00:41:25,640
Speaker 2: gig and going like, I know you're going to hate this,

910
00:41:25,760 --> 00:41:28,360
Speaker 2: but you're my partner and you have to come for me.

911
00:41:28,520 --> 00:41:30,680
Speaker 1: It doesn't work. That's just I just would not.

912
00:41:31,040 --> 00:41:34,800
Speaker 2: Okay, there's because on the other end of the scale,

913
00:41:34,920 --> 00:41:38,000
Speaker 2: going to a gig or a I don't know whatever,

914
00:41:38,120 --> 00:41:40,040
Speaker 2: it is, going to watch a sports game with someone

915
00:41:40,080 --> 00:41:41,840
Speaker 2: who's into it. He's like the best feeling in the

916
00:41:41,880 --> 00:41:44,640
Speaker 2: world when you're both into it. That is that is

917
00:41:44,840 --> 00:41:48,200
Speaker 2: they're like core memories, beautiful synergy. But at the same time,

918
00:41:48,239 --> 00:41:50,520
Speaker 2: if you're there with someone who's hating it and also

919
00:41:50,680 --> 00:41:52,680
Speaker 2: it ruins the whole Thingeh.

920
00:41:52,520 --> 00:41:55,239
Speaker 1: One, It's got John and Marie, We've got we've got

921
00:41:55,239 --> 00:41:55,839
Speaker 1: the double here.

922
00:41:56,680 --> 00:41:59,000
Speaker 3: Guys, You've got some thoughts on whether you should go

923
00:41:59,239 --> 00:42:01,719
Speaker 3: to something to support your partner even if you hate it.

924
00:42:02,640 --> 00:42:07,840
Speaker 9: Yeah, definitely, Look, I go what's the places that I

925
00:42:07,880 --> 00:42:11,240
Speaker 9: don't necessarily want to go to support of my life.

926
00:42:11,280 --> 00:42:15,879
Speaker 9: But you know, we're currently driving to mcg for ac DC. John.

927
00:42:16,360 --> 00:42:22,720
Speaker 9: I love ACDC. I grew up with them, Maria, Oh.

928
00:42:23,480 --> 00:42:26,359
Speaker 3: Maria, and we've got Maria there. I believe Maria. How

929
00:42:26,400 --> 00:42:28,440
Speaker 3: are you feeling about ac DC tonight?

930
00:42:29,360 --> 00:42:30,759
Speaker 9: Yeah, I'm not looking forward to it.

931
00:42:30,920 --> 00:42:36,120
Speaker 5: But I went to Oasis last the other week.

932
00:42:36,160 --> 00:42:37,120
Speaker 9: I didn't like them either.

933
00:42:38,880 --> 00:42:40,640
Speaker 1: It sounds like you're getting the row into the sticky

934
00:42:40,680 --> 00:42:42,759
Speaker 1: of Maria. What have you sent John too?

935
00:42:42,840 --> 00:42:43,000
Speaker 4: Though?

936
00:42:43,040 --> 00:42:45,239
Speaker 1: That he doesn't? John, Johnny, what have you been to

937
00:42:45,360 --> 00:42:45,920
Speaker 1: that you hated?

938
00:42:46,520 --> 00:42:46,960
Speaker 8: I haven't.

939
00:42:47,200 --> 00:42:49,840
Speaker 5: I haven't been twenty gigs that he doesn't that he

940
00:42:49,960 --> 00:42:52,880
Speaker 5: hasn't been many gigs that I would take him to

941
00:42:52,960 --> 00:42:53,960
Speaker 5: something that he didn't like.

942
00:42:54,120 --> 00:42:57,520
Speaker 1: So, yeah, you, Maria, why would you ruin it? What's

943
00:42:57,560 --> 00:42:58,040
Speaker 1: going on here?

944
00:42:58,160 --> 00:42:58,359
Speaker 8: John?

945
00:42:58,960 --> 00:43:02,040
Speaker 9: Well, we've just come back from a long holiday and

946
00:43:02,400 --> 00:43:07,240
Speaker 9: I visited so many shopping centers it wasn't funny.

947
00:43:08,480 --> 00:43:11,160
Speaker 4: Oh, I definitely think I might leave you.

948
00:43:11,200 --> 00:43:14,800
Speaker 1: To to this long drive to a C d C. Bells,

949
00:43:14,880 --> 00:43:15,240
Speaker 1: Bells