1 00:00:06,120 --> 00:00:09,399 Speaker 1: Well, it's been ten thousand dollars with us. Just if 2 00:00:09,440 --> 00:00:10,520 Speaker 1: I telling is a great yarn. 3 00:00:11,520 --> 00:00:23,799 Speaker 2: Will Hoodie percent Australias tallest explore Australia's biggest arts festival, 4 00:00:23,840 --> 00:00:26,400 Speaker 2: Adelaide Fringe from sixteen to March seventeen. 5 00:00:26,480 --> 00:00:28,000 Speaker 3: Tickets at Adelaide Fringe. 6 00:00:27,760 --> 00:00:29,760 Speaker 1: Dot com dot at you like you know you, sir. 7 00:00:29,760 --> 00:00:32,320 Speaker 2: We are sending the best storytellers in Australia to the 8 00:00:32,320 --> 00:00:37,440 Speaker 2: Adelaide Fringe ten grand to the winner on the night. 9 00:00:37,720 --> 00:00:39,840 Speaker 1: If you've got a story and you reckon, it's a crackout. 10 00:00:39,840 --> 00:00:42,040 Speaker 2: Willumwood dot com to register and you don't have to 11 00:00:42,040 --> 00:00:43,239 Speaker 2: be an Adelaide by the way. We'll fly you in 12 00:00:43,240 --> 00:00:45,440 Speaker 2: from anywhere in the country, all thanks to Rex Flights, accommodation, 13 00:00:45,920 --> 00:00:46,400 Speaker 2: all sort. 14 00:00:46,400 --> 00:00:47,519 Speaker 1: And it's going to be a cracking night. 15 00:00:47,560 --> 00:00:49,440 Speaker 2: If you are down at the Fringe, will be in 16 00:00:49,440 --> 00:00:52,480 Speaker 2: the Wonderlandspagel tent there. Hoop is going to be telling 17 00:00:52,520 --> 00:00:55,040 Speaker 2: a story on the night. I think we've got a 18 00:00:55,040 --> 00:00:57,200 Speaker 2: whole bunch of other comedians are going to be performing nice. 19 00:00:58,120 --> 00:01:02,680 Speaker 2: None is noteworthy is noteworthy as Claire Hooper, but Merrick 20 00:01:02,680 --> 00:01:03,640 Speaker 2: Watts also joins us. 21 00:01:03,680 --> 00:01:04,319 Speaker 1: Right now, good. 22 00:01:06,800 --> 00:01:09,039 Speaker 4: Boys got quite a noteworthy but sure, very happy to 23 00:01:09,080 --> 00:01:09,560 Speaker 4: be on the show. 24 00:01:11,720 --> 00:01:17,040 Speaker 2: Glad to so mes You're we have got some amazing 25 00:01:17,080 --> 00:01:18,800 Speaker 2: stories in the make and I feel like a couple 26 00:01:18,840 --> 00:01:22,440 Speaker 2: of them making him right up your ally. Have you 27 00:01:22,440 --> 00:01:24,280 Speaker 2: had anything to really well, have you anything to do 28 00:01:24,280 --> 00:01:26,120 Speaker 2: with Tom Jones before this. 29 00:01:26,240 --> 00:01:29,479 Speaker 4: Singer the performance? Yes, yes, no, no, I mean I've 30 00:01:29,480 --> 00:01:31,760 Speaker 4: always wanted to sleep with him, but unfortunately I'm one 31 00:01:31,760 --> 00:01:34,160 Speaker 4: of the women who got left behind of the audience. 32 00:01:34,280 --> 00:01:35,920 Speaker 4: I mean I threw in my pants and everything and 33 00:01:35,920 --> 00:01:36,520 Speaker 4: nothing happened. 34 00:01:36,560 --> 00:01:39,200 Speaker 2: So sure we got we got to store it from 35 00:01:39,200 --> 00:01:42,199 Speaker 2: a woman who had to fly, who was on the plane. 36 00:01:42,240 --> 00:01:44,280 Speaker 2: She was the hostess on the private plane that flew 37 00:01:44,360 --> 00:01:45,800 Speaker 2: him out from the Logis. 38 00:01:45,560 --> 00:01:47,720 Speaker 5: The host of the logis back in the nineties, Yeah, 39 00:01:47,760 --> 00:01:48,680 Speaker 5: I believe, yeah. 40 00:01:48,520 --> 00:01:51,560 Speaker 2: Yeah, so yeah, yeah, yeah yeah, I think Meg that 41 00:01:51,680 --> 00:01:53,600 Speaker 2: year the budget's been please. 42 00:01:54,480 --> 00:01:56,320 Speaker 4: A little bit of my high club kind of work? 43 00:01:56,440 --> 00:01:59,400 Speaker 5: Is that what we're No, don't dump to those deploysons. 44 00:01:59,440 --> 00:02:02,880 Speaker 5: Your absolutely to your gunna. Mine goes straight to my 45 00:02:03,040 --> 00:02:03,520 Speaker 5: high club. 46 00:02:03,560 --> 00:02:05,680 Speaker 1: It's actually it's actually better than that. It's actually better 47 00:02:05,680 --> 00:02:06,200 Speaker 1: than that mess. 48 00:02:06,240 --> 00:02:09,200 Speaker 2: She was on a plane with Tom Jones and he said, oh, 49 00:02:09,240 --> 00:02:10,880 Speaker 2: can I go to the toilet, and they were like, yeah, yeah, 50 00:02:10,880 --> 00:02:13,480 Speaker 2: you can go to the toilet. But he was like, no, no, no, 51 00:02:13,639 --> 00:02:17,040 Speaker 2: like can I go to the toilet and they showed him. 52 00:02:17,080 --> 00:02:18,440 Speaker 5: He didn't want to. He didn't want to use the 53 00:02:18,480 --> 00:02:20,280 Speaker 5: one toilet that was on the private jet. 54 00:02:20,400 --> 00:02:23,480 Speaker 2: Yes, yes, because this tiny, little private plane he wanted 55 00:02:23,520 --> 00:02:26,680 Speaker 2: more privacy. Yeah, so he I'm gonna give you all 56 00:02:26,720 --> 00:02:28,519 Speaker 2: the details, course that you can hear it on the night. 57 00:02:28,639 --> 00:02:34,080 Speaker 2: But effectively he made them land the plane in the 58 00:02:34,120 --> 00:02:39,679 Speaker 2: bush somewhere so that he could use it. He could 59 00:02:39,760 --> 00:02:42,000 Speaker 2: use an outhouse in the middle. 60 00:02:45,639 --> 00:02:51,079 Speaker 1: I'm not joking, amazing. 61 00:02:49,160 --> 00:02:51,800 Speaker 4: Land the plane. I'm seriously land the plant. 62 00:02:52,960 --> 00:02:55,240 Speaker 1: Yeah. So yeah, so yeah he went. 63 00:02:55,280 --> 00:02:57,000 Speaker 2: He went in an outhouse in the middle of the 64 00:02:57,000 --> 00:03:00,639 Speaker 2: bush and redefined the song burning down the house out 65 00:03:00,639 --> 00:03:02,440 Speaker 2: in the middle of out in the middle of nowhere. 66 00:03:02,480 --> 00:03:03,560 Speaker 2: So there's been some crackers. 67 00:03:06,680 --> 00:03:10,600 Speaker 6: Another one we had mes was this guy decided that 68 00:03:11,240 --> 00:03:13,680 Speaker 6: he wanted to use an unusual method to propose to 69 00:03:13,720 --> 00:03:17,120 Speaker 6: his partner. So we heard this story from the female's perspective. 70 00:03:17,639 --> 00:03:20,640 Speaker 6: They're staying at the Star in Sydney. She goes to 71 00:03:20,639 --> 00:03:22,880 Speaker 6: the bathroom. They're in this very special room with nice views. 72 00:03:22,919 --> 00:03:26,000 Speaker 6: She walks out and there's a partner with his dacks 73 00:03:26,080 --> 00:03:29,760 Speaker 6: around his ankles and then just blood everywhere. 74 00:03:30,320 --> 00:03:32,960 Speaker 5: And what she. 75 00:03:33,000 --> 00:03:37,320 Speaker 6: Realized is that he had tied an engagement ring around 76 00:03:37,360 --> 00:03:40,240 Speaker 6: his todda and the idea was that that's how he 77 00:03:40,280 --> 00:03:42,240 Speaker 6: wanted to propose, but it got caught on his pants 78 00:03:42,640 --> 00:03:55,120 Speaker 6: and it caused some damage. 79 00:03:54,360 --> 00:03:58,000 Speaker 7: If you would the idea that you would see love 80 00:03:58,080 --> 00:04:03,320 Speaker 7: yourself for love's just like images of all times, even 81 00:04:03,360 --> 00:04:05,160 Speaker 7: the same sick loving is a great thing to be 82 00:04:05,280 --> 00:04:07,760 Speaker 7: using on radio. I like to seek love for love 83 00:04:08,120 --> 00:04:10,400 Speaker 7: is the obviously a campaign that you guys can run with. 84 00:04:10,400 --> 00:04:12,120 Speaker 7: Feel free to use that as a radio promotion. 85 00:04:13,080 --> 00:04:19,280 Speaker 3: Love well, I think a lot of people yeah right. 86 00:04:19,200 --> 00:04:21,640 Speaker 4: Now, right now, one of your producers is going, how 87 00:04:21,640 --> 00:04:24,200 Speaker 4: can we get Woody to dig love himself for love? 88 00:04:24,320 --> 00:04:27,159 Speaker 4: How can we do that? That would I mean, I reckon, 89 00:04:27,160 --> 00:04:29,440 Speaker 4: that would tick a lot of boxes for our audience. 90 00:04:29,800 --> 00:04:35,920 Speaker 2: So good luck, thanks, Like, yeah, they're really really good, 91 00:04:35,920 --> 00:04:37,960 Speaker 2: they're great yarn, So look, yeah, we would love you 92 00:04:37,960 --> 00:04:38,800 Speaker 2: can come down on the night. 93 00:04:38,839 --> 00:04:39,359 Speaker 1: Have you got it? 94 00:04:39,400 --> 00:04:41,320 Speaker 2: I mean, like I know you've probably got well, I 95 00:04:41,320 --> 00:04:42,560 Speaker 2: know for a fact you've got a lot of off 96 00:04:42,600 --> 00:04:44,120 Speaker 2: mic stories that are absolutely wonderful. 97 00:04:44,160 --> 00:04:46,039 Speaker 1: But if you've got a yarn that you could maybe. 98 00:04:46,000 --> 00:04:50,000 Speaker 6: You told us a story from a radio conference in Vegas, 99 00:04:50,000 --> 00:04:51,599 Speaker 6: which definitely isn't good for radio. 100 00:04:51,640 --> 00:04:53,680 Speaker 5: But my god, was that an all time. 101 00:04:53,520 --> 00:04:55,320 Speaker 1: Yeah, that's a wild story. Yeah, do you remember? 102 00:04:56,600 --> 00:04:56,800 Speaker 5: Yeah? 103 00:04:56,960 --> 00:05:01,559 Speaker 4: I said something where I pretend to have a radio 104 00:05:01,600 --> 00:05:06,440 Speaker 4: competition that didn't exist, which basically involved me. I told 105 00:05:06,600 --> 00:05:09,240 Speaker 4: a group of Americans about eight hundred I'm keeping this 106 00:05:09,320 --> 00:05:10,960 Speaker 4: as clean as I can, eight hundred people in the 107 00:05:11,120 --> 00:05:14,320 Speaker 4: radio conference in Vegas, that I had a radio competition 108 00:05:14,400 --> 00:05:17,560 Speaker 4: where I would paint eyes on a certain part of 109 00:05:17,600 --> 00:05:19,840 Speaker 4: my body. Let's call it the below the belt part. 110 00:05:20,279 --> 00:05:22,360 Speaker 4: And what I would do is I would then get 111 00:05:22,400 --> 00:05:24,960 Speaker 4: a mud crab and I would stare down a mud 112 00:05:24,960 --> 00:05:28,440 Speaker 4: crab using only the eyes drawn on my parts. And 113 00:05:29,080 --> 00:05:30,920 Speaker 4: they said why would you do that? And I said, 114 00:05:30,920 --> 00:05:32,800 Speaker 4: because if you don't stay down in the mud crab, 115 00:05:33,040 --> 00:05:35,760 Speaker 4: it will attack it and tear the eyes off. And 116 00:05:35,760 --> 00:05:37,200 Speaker 4: they said why would you do that? And I said 117 00:05:37,200 --> 00:05:39,600 Speaker 4: because I live in Australia, and they just went, we 118 00:05:39,600 --> 00:05:41,400 Speaker 4: accept that. We totally accept that. 119 00:05:42,200 --> 00:05:42,920 Speaker 8: We accept that. 120 00:05:43,120 --> 00:05:46,039 Speaker 4: But that's not even the yarn. That's just that's just 121 00:05:46,080 --> 00:05:47,039 Speaker 4: a statement of fact. 122 00:05:47,279 --> 00:05:49,920 Speaker 6: That's just your life as well, pitching ideas like that. 123 00:05:50,000 --> 00:05:51,040 Speaker 5: I feel like that's every day. 124 00:05:51,160 --> 00:05:53,880 Speaker 2: Eric was well Tickets to an Idiot's Guide to Wine 125 00:05:53,960 --> 00:05:55,920 Speaker 2: Volume two a Merck Watts. 126 00:05:55,720 --> 00:05:56,560 Speaker 1: Dot com dot you. 127 00:05:57,080 --> 00:05:59,320 Speaker 2: I mean it kind of just moves from being a 128 00:05:59,360 --> 00:06:01,640 Speaker 2: show and to be drinking at some stage, so I 129 00:06:01,680 --> 00:06:03,240 Speaker 2: just had to get careful words there. 130 00:06:03,520 --> 00:06:05,680 Speaker 4: Yeah, it was originally to be called Drinks for Mums, 131 00:06:06,120 --> 00:06:07,600 Speaker 4: but then we change it to an Idiots Guide the 132 00:06:07,640 --> 00:06:09,960 Speaker 4: Wine Volume too because but it is Drinks from Mums. 133 00:06:10,600 --> 00:06:13,400 Speaker 4: So it's a great show. You take six wines during 134 00:06:13,440 --> 00:06:15,919 Speaker 4: the show. Most of the sessions are sold out. But 135 00:06:15,960 --> 00:06:17,720 Speaker 4: that's just a humble break. That's just me putting that 136 00:06:17,839 --> 00:06:18,120 Speaker 4: in there. 137 00:06:19,800 --> 00:06:22,720 Speaker 2: So I drinks from mums are the mums. You are 138 00:06:22,720 --> 00:06:24,800 Speaker 2: the mums the predominant audience. 139 00:06:25,120 --> 00:06:27,400 Speaker 4: Yeah, yeah, absolutely, because I've moved this is on fifteen 140 00:06:27,440 --> 00:06:29,400 Speaker 4: hour right, because I'm not young like you lads anymore. 141 00:06:29,600 --> 00:06:32,679 Speaker 4: So I've moved into full milk territory. I'm a milk technically, 142 00:06:32,720 --> 00:06:36,080 Speaker 4: I'm a dilk right. So and what happens, like I've 143 00:06:36,120 --> 00:06:38,520 Speaker 4: noticed this is this is true, is that when I 144 00:06:38,680 --> 00:06:41,280 Speaker 4: was young and I started and radiated What would happen 145 00:06:41,360 --> 00:06:43,000 Speaker 4: is a mom and a daughter would come up to 146 00:06:43,000 --> 00:06:45,080 Speaker 4: me after a show and the moments say, oh, look, 147 00:06:45,120 --> 00:06:46,880 Speaker 4: this is really embarrassing, but my daughter would love to 148 00:06:46,960 --> 00:06:49,120 Speaker 4: get a photo with you. Is that okay? And okay, okay, 149 00:06:49,200 --> 00:06:51,800 Speaker 4: she's too embarrassed for us. Now what's happened is that 150 00:06:52,040 --> 00:06:54,000 Speaker 4: young women come up to approach me and I still 151 00:06:54,040 --> 00:06:56,480 Speaker 4: got it, men still got it, and they go, I 152 00:06:56,560 --> 00:06:58,640 Speaker 4: was just wondering if you could have a photo with 153 00:06:58,640 --> 00:07:01,680 Speaker 4: my mum, and I got You've lost it. You've lost it. 154 00:07:04,600 --> 00:07:06,880 Speaker 4: I've moved from having photos with the daughter into having 155 00:07:06,880 --> 00:07:10,040 Speaker 4: photos with the mom. And that's my crowd and I 156 00:07:10,960 --> 00:07:11,600 Speaker 4: and we loved them. 157 00:07:11,680 --> 00:07:13,520 Speaker 1: Know your demo, Love your demo. 158 00:07:13,640 --> 00:07:16,480 Speaker 2: You taste six different wines at six different varieties of 159 00:07:16,560 --> 00:07:18,440 Speaker 2: shar today, moving down. 160 00:07:18,280 --> 00:07:20,520 Speaker 1: To a cheap New Zealand seven blanc at the end. 161 00:07:20,520 --> 00:07:23,400 Speaker 2: There for anyone that's interested just to finish yourself off, 162 00:07:24,040 --> 00:07:26,200 Speaker 2: but me's you are going to be. You are going 163 00:07:26,280 --> 00:07:28,840 Speaker 2: to be coming down to the Adelaide Fringe. We're very 164 00:07:28,840 --> 00:07:31,480 Speaker 2: excited to our Tallest tast competition. You're gonna be on stage, 165 00:07:31,480 --> 00:07:33,480 Speaker 2: Claire Hope. You're both telling stories. Could you gives a 166 00:07:33,480 --> 00:07:34,800 Speaker 2: bit of a sneak peak. I know you've got loads 167 00:07:34,800 --> 00:07:36,360 Speaker 2: of stories, but is there a yarn off the top 168 00:07:36,360 --> 00:07:38,280 Speaker 2: of your head which you might tell you to night. 169 00:07:38,720 --> 00:07:41,040 Speaker 4: Look, I wasn't really planning on this, but I did 170 00:07:41,080 --> 00:07:43,960 Speaker 4: actually have relations with a young woman when I was 171 00:07:44,000 --> 00:07:45,600 Speaker 4: in Adelaide as a young man. I don't think a 172 00:07:45,640 --> 00:07:47,720 Speaker 4: man or singles a long, long time ago, and they're 173 00:07:47,760 --> 00:07:50,800 Speaker 4: not surprised. But it was anyway, But it was, it was. 174 00:07:51,040 --> 00:07:51,480 Speaker 9: It was. 175 00:07:52,040 --> 00:07:53,280 Speaker 7: I can't believe we're telling you. 176 00:07:53,680 --> 00:07:55,320 Speaker 10: It was in the front seat of it. That's in 177 00:07:55,400 --> 00:07:57,400 Speaker 10: one twenty white. Now people are going to have to 178 00:07:57,440 --> 00:07:59,680 Speaker 10: google what that is. But I had relations and it 179 00:07:59,720 --> 00:08:03,360 Speaker 10: went horribly horribly wrong because that vehicle is not made 180 00:08:03,400 --> 00:08:04,040 Speaker 10: for romance. 181 00:08:04,360 --> 00:08:10,640 Speaker 6: Oh so what, what's the main issue with the. 182 00:08:09,040 --> 00:08:09,720 Speaker 1: Of the vehicle. 183 00:08:09,920 --> 00:08:11,800 Speaker 4: Well, here's the thing is, that's old school, so it's 184 00:08:11,840 --> 00:08:14,040 Speaker 4: got like a handbreak. You see, old school cars don't 185 00:08:14,040 --> 00:08:16,440 Speaker 4: have the buttons to put on the foot break, right, 186 00:08:16,480 --> 00:08:18,640 Speaker 4: So you've got to have an old school handbrake on 187 00:08:18,680 --> 00:08:20,640 Speaker 4: it and a part Look, I don't want to spoil 188 00:08:20,640 --> 00:08:22,600 Speaker 4: the story, but a part of the car into the 189 00:08:22,600 --> 00:08:23,080 Speaker 4: part of me. 190 00:08:27,400 --> 00:08:27,720 Speaker 1: Wow. 191 00:08:28,000 --> 00:08:49,079 Speaker 5: So technically it was a threesome. 192 00:08:39,960 --> 00:08:43,240 Speaker 4: All right, that's that's one of the teas. That's a 193 00:08:43,320 --> 00:08:44,720 Speaker 4: tea stories that I can share. 194 00:08:45,320 --> 00:08:45,760 Speaker 1: I love it. 195 00:08:46,040 --> 00:08:48,959 Speaker 2: And you're to make a total dick of yourself on stage. 196 00:08:49,000 --> 00:08:52,480 Speaker 2: We appreciate that. We love that about you and we 197 00:08:52,520 --> 00:08:55,000 Speaker 2: will see you at the Adelaide Fringe on Thursday the 198 00:08:55,040 --> 00:08:58,320 Speaker 2: fourteenth for our Tallest Tail competition. So great to have 199 00:08:58,360 --> 00:09:01,520 Speaker 2: you on the show, mate, and it would be like, yeah, 200 00:09:01,520 --> 00:09:01,960 Speaker 2: it'd be great. 201 00:09:01,960 --> 00:09:03,439 Speaker 4: We'll hang out and be good times and I'll get 202 00:09:03,440 --> 00:09:03,760 Speaker 4: you some. 203 00:09:03,640 --> 00:09:06,440 Speaker 5: Sharp buddy, bring down the dats and mate. 204 00:09:08,760 --> 00:09:11,640 Speaker 4: It's inside me. How can I not career. 205 00:09:14,880 --> 00:09:15,160 Speaker 3: With me? 206 00:09:16,360 --> 00:09:18,079 Speaker 1: Yeah, that's why you say. Sometimes a bit of a 207 00:09:18,120 --> 00:09:20,079 Speaker 1: handbreak in a conversation. 208 00:09:22,280 --> 00:09:23,720 Speaker 4: You know, the little button bit on the end of 209 00:09:23,720 --> 00:09:23,959 Speaker 4: the hand. 210 00:09:24,000 --> 00:09:30,240 Speaker 2: But yeah, just the release valve to press it, press 211 00:09:30,240 --> 00:09:39,120 Speaker 2: it when you take a ship. Great to hear your voice, 212 00:09:39,720 --> 00:09:42,360 Speaker 2: so good. 213 00:09:43,040 --> 00:09:44,360 Speaker 1: That's some wild stories woods. 214 00:09:44,480 --> 00:09:44,880 Speaker 3: Oh yeah. 215 00:09:45,000 --> 00:09:48,200 Speaker 2: I bet a woman on a private plane with Tom 216 00:09:48,280 --> 00:09:50,520 Speaker 2: Jones have to crash land in the bush just so 217 00:09:50,600 --> 00:09:53,360 Speaker 2: that he could take a poon a bush outstanding. 218 00:09:53,360 --> 00:09:53,800 Speaker 1: That was good. 219 00:09:53,840 --> 00:09:55,480 Speaker 2: Give also had a woman who had to service her 220 00:09:55,480 --> 00:09:57,280 Speaker 2: dog twice a day for two weeks. 221 00:09:58,080 --> 00:09:59,520 Speaker 1: I'll let you guys fill the caps there. 222 00:09:59,520 --> 00:10:02,040 Speaker 5: I propose that ended up with an injured penis. 223 00:10:02,520 --> 00:10:03,520 Speaker 1: Yes, is another one. 224 00:10:03,800 --> 00:10:05,200 Speaker 5: Get them on the podcast, guys. 225 00:10:05,960 --> 00:10:08,199 Speaker 6: But if your story is good enough, you got to 226 00:10:08,240 --> 00:10:12,120 Speaker 6: Adelaide Fringe to perform that story on stage Thursday the fourteenth. 227 00:10:12,240 --> 00:10:14,440 Speaker 6: If your story is voted the best by the crowd 228 00:10:14,679 --> 00:10:17,880 Speaker 6: ten books for a great yarn. 229 00:10:17,679 --> 00:10:19,160 Speaker 1: And something you might have told it. You know, don't 230 00:10:19,200 --> 00:10:20,440 Speaker 1: have to come up with a bit of genius. 231 00:10:20,480 --> 00:10:22,160 Speaker 2: This just might be the best thing that's happened in 232 00:10:22,240 --> 00:10:24,040 Speaker 2: your life. The funniest thing that's happened in your. 233 00:10:23,920 --> 00:10:27,079 Speaker 1: Life might be a beautiful story. You didn't need to 234 00:10:27,120 --> 00:10:27,800 Speaker 1: be comedic. 235 00:10:28,000 --> 00:10:29,920 Speaker 2: No, But on the nightmarek what's is going to be 236 00:10:29,920 --> 00:10:31,679 Speaker 2: down there telling stories? Claire Hoop is going to be 237 00:10:31,720 --> 00:10:34,600 Speaker 2: down there telling stories all happening at the Wonderland Spiegel tenth. 238 00:10:34,600 --> 00:10:37,320 Speaker 2: So you are at the Adelaide Fringe, come down on 239 00:10:37,360 --> 00:10:39,320 Speaker 2: Thursday of the fourteenth, have a great night. 240 00:10:39,360 --> 00:10:40,160 Speaker 1: It's going to be a cracker. 241 00:10:40,800 --> 00:10:44,480 Speaker 2: Zach's eyeing off the ten grand Zach, what's your story? 242 00:10:44,480 --> 00:10:44,840 Speaker 1: Mate? 243 00:10:45,000 --> 00:10:45,200 Speaker 2: Eid? 244 00:10:45,960 --> 00:10:49,080 Speaker 8: So many many years ago, my first job was a 245 00:10:49,160 --> 00:10:52,920 Speaker 8: Chinese delivery driver. So whenever I was delivering food, I 246 00:10:53,000 --> 00:10:55,280 Speaker 8: arrived to Bild Spiel's houses, and there was a bit 247 00:10:55,280 --> 00:10:57,480 Speaker 8: of a strange look at me because I'm basically a 248 00:10:57,760 --> 00:11:00,719 Speaker 8: four Caucasian guy, blonde hair, blue eyes that always looked mely. 249 00:11:00,840 --> 00:11:02,480 Speaker 8: You know, did you make the food or you know 250 00:11:02,559 --> 00:11:04,960 Speaker 8: what's going on here? There was always a running joke 251 00:11:05,160 --> 00:11:07,840 Speaker 8: that I was never expected to be a Chinese delivery driver. 252 00:11:08,040 --> 00:11:08,720 Speaker 1: Yeah, of course. 253 00:11:08,760 --> 00:11:10,720 Speaker 8: One day I had to deliver food to a hospital 254 00:11:10,760 --> 00:11:13,480 Speaker 8: and basically instructions were delivered to ward e, which is fine. 255 00:11:13,679 --> 00:11:16,000 Speaker 8: I went into ward e and big heavy doors. I 256 00:11:16,120 --> 00:11:18,920 Speaker 8: walk in, I look around, going people seem a little 257 00:11:19,000 --> 00:11:20,880 Speaker 8: strange here, but you know, it's a hospital. What am 258 00:11:20,920 --> 00:11:23,080 Speaker 8: I to think about it? So I dropped the food off. 259 00:11:23,160 --> 00:11:24,800 Speaker 8: I go to walk out the same big doors and 260 00:11:24,800 --> 00:11:27,320 Speaker 8: you press the button, doors don't move. So I asked 261 00:11:27,360 --> 00:11:28,040 Speaker 8: a nurse next week. 262 00:11:28,040 --> 00:11:28,840 Speaker 4: I was like, how do I. 263 00:11:28,840 --> 00:11:30,800 Speaker 8: Actually get out of here? And she says, oh, sweetie, 264 00:11:30,920 --> 00:11:34,000 Speaker 8: you don't and she walked away. And at that moment 265 00:11:34,040 --> 00:11:37,000 Speaker 8: I realized I wasn't a mental ward So I had 266 00:11:37,000 --> 00:11:38,880 Speaker 8: to say to her, oh my god, wait, wait, you 267 00:11:38,880 --> 00:11:41,960 Speaker 8: don't understand I'm the Chinese delivery driver and you looked 268 00:11:41,960 --> 00:11:48,920 Speaker 8: at me, and she's worked away. 269 00:11:47,440 --> 00:11:50,160 Speaker 1: Because you're not because you're not. 270 00:11:50,679 --> 00:11:53,720 Speaker 5: This one's really lost Chinese delivery not. 271 00:11:54,360 --> 00:11:56,320 Speaker 1: Yeah, that's right, Zack. And I'm the man in the moon. 272 00:11:57,160 --> 00:11:57,680 Speaker 2: How did you? 273 00:11:58,400 --> 00:12:00,920 Speaker 1: How did you? Well? What's your from here? Mate? 274 00:12:01,080 --> 00:12:03,680 Speaker 8: So how do you convince someone that you know, blonde hair, 275 00:12:03,720 --> 00:12:05,520 Speaker 8: blue wives, you are the Chinese delivery driver. I just 276 00:12:05,520 --> 00:12:07,400 Speaker 8: walked in. I actually begged one of this. I'm like, 277 00:12:07,400 --> 00:12:09,160 Speaker 8: could you please go to the back, back and please 278 00:12:09,240 --> 00:12:10,840 Speaker 8: check me? And she said, oh, look fine, and she 279 00:12:10,880 --> 00:12:13,280 Speaker 8: went on the back and about fifteen twenty minutes later, 280 00:12:13,280 --> 00:12:15,360 Speaker 8: I'm sitting there, she walks in and she says, oh 281 00:12:15,400 --> 00:12:18,240 Speaker 8: my god, I'm so sorry, and she presses the button 282 00:12:18,240 --> 00:12:19,240 Speaker 8: and lets me out. 283 00:12:19,840 --> 00:12:22,760 Speaker 6: Wow, what did you do for the fifteen twenty minutes there? 284 00:12:22,920 --> 00:12:23,120 Speaker 5: Zach? 285 00:12:23,400 --> 00:12:24,960 Speaker 8: You know this is a day of like slip phones. 286 00:12:24,960 --> 00:12:26,480 Speaker 8: I don't have a smile phone. And to keep me entertained, 287 00:12:26,600 --> 00:12:30,000 Speaker 8: I sat there with my little Chinese delivery money box, 288 00:12:30,280 --> 00:12:32,400 Speaker 8: hoping that please let me out? How do I explained 289 00:12:32,400 --> 00:12:33,760 Speaker 8: to my bottling me so late. 290 00:12:33,640 --> 00:12:39,439 Speaker 1: Your little money box, that's say. That is a great story. 291 00:12:39,960 --> 00:12:41,040 Speaker 5: You would have looked like a place. 292 00:12:41,440 --> 00:12:42,920 Speaker 1: He's got a little honey box. 293 00:12:43,679 --> 00:12:51,920 Speaker 11: All random, All right, story, Zach, great work mine shortlisted 294 00:12:52,000 --> 00:12:55,800 Speaker 11: for Adelaide Braine Doll Tiles competition. 295 00:12:55,840 --> 00:12:57,600 Speaker 2: If you've got a great story, headle on to willimwe 296 00:12:57,679 --> 00:12:58,200 Speaker 2: dot com. 297 00:12:58,480 --> 00:13:00,679 Speaker 1: You've been ten grand on. The night's gonna be a cracker. 298 00:13:01,440 --> 00:13:03,280 Speaker 2: So many great stories coming in at the moment, so 299 00:13:03,360 --> 00:13:04,240 Speaker 2: please get involved. 300 00:13:04,240 --> 00:13:04,440 Speaker 1: Guys. 301 00:13:04,440 --> 00:13:05,559 Speaker 2: It's going to be a hell of a night down 302 00:13:05,559 --> 00:13:07,719 Speaker 2: at the Wonderlands Beagle Tent at the Adelaide Fringe comes 303 00:13:07,720 --> 00:13:10,040 Speaker 2: say gooday. As I said before, Claire Hooper Merrick Watt's 304 00:13:10,040 --> 00:13:11,280 Speaker 2: both down there telling stories. 305 00:13:11,559 --> 00:13:15,360 Speaker 1: The best story with ten thousand dollars for this guy 306 00:13:15,440 --> 00:13:18,880 Speaker 1: is in town at the moment. These shows look unbelievable. 307 00:13:19,640 --> 00:13:22,840 Speaker 5: It's a very very cool DJ Fred Again. 308 00:13:23,559 --> 00:13:25,360 Speaker 1: I think everyone knows who he is, but I love. 309 00:13:25,240 --> 00:13:27,360 Speaker 2: That I don't know who he was two days ago, 310 00:13:27,400 --> 00:13:29,160 Speaker 2: like a dad every day mate. 311 00:13:29,280 --> 00:13:31,920 Speaker 1: He's a very very cool dig jan. 312 00:13:32,720 --> 00:13:34,800 Speaker 5: He's quite underground producer. 313 00:13:35,280 --> 00:13:37,680 Speaker 1: I wouldn't say he's underground, No, not quite. 314 00:13:38,480 --> 00:13:40,040 Speaker 5: I still don't really get this guy. 315 00:13:40,160 --> 00:13:42,400 Speaker 1: I don't think you do. He writes songs for Sheeran. 316 00:13:42,440 --> 00:13:44,160 Speaker 1: For Christ's sake, he's underground. 317 00:13:44,360 --> 00:13:47,120 Speaker 2: He's a very yeah, an amazing music producer, and he's 318 00:13:47,200 --> 00:13:50,760 Speaker 2: very popular with the kids. We thought that his doppelganger 319 00:13:50,880 --> 00:13:54,600 Speaker 2: is a comedian called Tom Cashman. One percent, so Tom Kshman, 320 00:13:54,720 --> 00:13:56,319 Speaker 2: he's on Task Master. You would have seen him on 321 00:13:56,320 --> 00:13:59,079 Speaker 2: the pro Jade. I was just going to describe who 322 00:13:59,200 --> 00:14:01,680 Speaker 2: what he looks like. But he looks like Fred again, totally. Anyway, 323 00:14:01,760 --> 00:14:04,600 Speaker 2: we had Tom in the studio yesterday and we thought, geez, 324 00:14:04,600 --> 00:14:06,079 Speaker 2: you look so much like Fred again. If we put 325 00:14:06,080 --> 00:14:08,280 Speaker 2: a flat cap on you and a baggy jumper. Would 326 00:14:08,320 --> 00:14:11,320 Speaker 2: Mitch Chury, who does the night show here on Kiss 327 00:14:11,320 --> 00:14:13,120 Speaker 2: you know him from the pickup as well? Would Mitch 328 00:14:13,200 --> 00:14:15,840 Speaker 2: Jury actually believe that he was interviewing Fred again? 329 00:14:15,840 --> 00:14:16,160 Speaker 1: Obviously? 330 00:14:16,200 --> 00:14:19,200 Speaker 2: We told Mitch's producers he was interviewing Fred again. We 331 00:14:19,240 --> 00:14:20,680 Speaker 2: told Mitche's interviewing Fred again? 332 00:14:21,320 --> 00:14:22,280 Speaker 1: How long would. 333 00:14:22,040 --> 00:14:25,640 Speaker 2: Cashman last as Fred again? You're about to find out. 334 00:14:26,480 --> 00:14:29,360 Speaker 3: Hello, buddy, how are you? Oh much so nice to 335 00:14:29,360 --> 00:14:29,680 Speaker 3: meet you? 336 00:14:29,800 --> 00:14:31,320 Speaker 12: Yeah, gorgeous to meet you with two. 337 00:14:31,400 --> 00:14:31,920 Speaker 3: Honest to god. 338 00:14:31,920 --> 00:14:33,680 Speaker 13: A big fan of your work, A big fan of 339 00:14:33,680 --> 00:14:35,640 Speaker 13: your line bike riding. I saw in your insta story. 340 00:14:35,680 --> 00:14:36,040 Speaker 3: I'm like that. 341 00:14:36,200 --> 00:14:38,360 Speaker 13: To film on a line bike and to ride through 342 00:14:38,360 --> 00:14:39,760 Speaker 13: Melbourne like one handed. 343 00:14:39,760 --> 00:14:42,360 Speaker 3: That is skill. Your brain works in mysterious ways. 344 00:14:42,520 --> 00:14:44,800 Speaker 12: Oh zoom and then, but I'm zooming even more now. 345 00:14:45,080 --> 00:14:49,480 Speaker 13: He's got jokes. You are, tell you what, You're funny, 346 00:14:49,480 --> 00:14:51,560 Speaker 13: you're handsome, you're talented, I mean you are? 347 00:14:51,440 --> 00:14:53,240 Speaker 3: Are you single? I mean, I'm sure people would want 348 00:14:53,280 --> 00:14:54,080 Speaker 3: to know, Oh. 349 00:14:53,920 --> 00:14:56,000 Speaker 12: I'm single for now, but you know who knows what 350 00:14:56,040 --> 00:14:58,480 Speaker 12: goes on on the tour? You know, Yeah, that's exactly right, 351 00:14:58,680 --> 00:14:59,640 Speaker 12: the single match. 352 00:15:00,480 --> 00:15:04,480 Speaker 13: Yeah, I'm in a weird situationship fred what weird situation 353 00:15:05,120 --> 00:15:07,520 Speaker 13: with someone and I just doesn't have a label yet, 354 00:15:07,560 --> 00:15:09,280 Speaker 13: but like we're basically together, So. 355 00:15:09,600 --> 00:15:10,200 Speaker 1: You're not together. 356 00:15:10,800 --> 00:15:13,160 Speaker 3: Don't make this about me. God, you're good the psychology 357 00:15:13,160 --> 00:15:13,560 Speaker 3: of Freddie. 358 00:15:13,560 --> 00:15:17,200 Speaker 12: Sorry me, just on a lot of these and. 359 00:15:17,200 --> 00:15:17,880 Speaker 5: Now you're a pro. 360 00:15:18,640 --> 00:15:20,080 Speaker 13: Hey, it's such a pleasure to have you on the 361 00:15:20,120 --> 00:15:22,920 Speaker 13: show and to get you in here. You're a hard 362 00:15:23,040 --> 00:15:25,280 Speaker 13: man to get hold of. I think I just want 363 00:15:25,320 --> 00:15:27,800 Speaker 13: to start with the success that you have had. I mean, 364 00:15:27,840 --> 00:15:31,520 Speaker 13: now a Grammy winner, you sell out shows in literal seconds. 365 00:15:31,720 --> 00:15:34,200 Speaker 13: A couple of years ago, I'm not trying to be 366 00:15:34,280 --> 00:15:35,920 Speaker 13: rude here, I didn't know who fred again was. 367 00:15:36,000 --> 00:15:37,480 Speaker 3: Now I can't escape you. 368 00:15:37,480 --> 00:15:40,360 Speaker 13: You were everywhere that must be for like, you know, 369 00:15:40,400 --> 00:15:42,120 Speaker 13: a thirty year old he's been doing this quite a while. 370 00:15:42,160 --> 00:15:43,880 Speaker 3: A good spot to be in your career. 371 00:15:44,080 --> 00:15:46,160 Speaker 12: It's a fantastic spot to be in. And can I 372 00:15:46,200 --> 00:15:48,120 Speaker 12: say a few years ago, I didn't know who you 373 00:15:48,160 --> 00:15:51,680 Speaker 12: were either, so it's even but no, absolutely, I was 374 00:15:51,720 --> 00:15:54,560 Speaker 12: just making songs in my basement on my computer and 375 00:15:54,680 --> 00:15:56,920 Speaker 12: I was doing my best and to break out in 376 00:15:56,920 --> 00:15:58,160 Speaker 12: the way that I happened to be able to visit 377 00:15:58,160 --> 00:16:00,680 Speaker 12: places like Australia and put on shows like I can 378 00:16:01,040 --> 00:16:03,840 Speaker 12: The Split of an Arrow. It's absolutely fantastic. 379 00:16:04,720 --> 00:16:05,720 Speaker 3: Is this a real accent? 380 00:16:05,800 --> 00:16:05,880 Speaker 7: This? 381 00:16:06,160 --> 00:16:07,760 Speaker 3: I feel like I'm on a sketch show. This is 382 00:16:07,760 --> 00:16:10,560 Speaker 3: a brilliant accent. It's what's the hybrid of where were 383 00:16:10,560 --> 00:16:10,960 Speaker 3: you born? 384 00:16:11,160 --> 00:16:13,120 Speaker 12: Well, I've been in Australia for about five days, so 385 00:16:13,160 --> 00:16:14,920 Speaker 12: I thought it would be right to kind of adjust 386 00:16:15,000 --> 00:16:17,160 Speaker 12: my accent in a little bit of an Australian way. 387 00:16:17,360 --> 00:16:18,600 Speaker 1: So I'm putting one over on you. 388 00:16:18,680 --> 00:16:20,720 Speaker 3: Humich, are you actually putting on an assy accent? 389 00:16:20,800 --> 00:16:20,960 Speaker 13: Yeah? 390 00:16:20,960 --> 00:16:21,440 Speaker 3: I'm trying to. 391 00:16:21,560 --> 00:16:22,560 Speaker 1: Is it not coming across? 392 00:16:22,760 --> 00:16:23,720 Speaker 3: You're such a shit? 393 00:16:24,040 --> 00:16:26,160 Speaker 13: I'm like, we need to get does anyone else smell 394 00:16:26,160 --> 00:16:27,600 Speaker 13: burnt toes fre It's had a stroke? 395 00:16:27,800 --> 00:16:29,160 Speaker 3: And then I'm going to be the one that has 396 00:16:29,200 --> 00:16:32,080 Speaker 3: caused his mental downfall. Do you think I'm dying that 397 00:16:32,520 --> 00:16:35,160 Speaker 3: I might? Someone get thread a glass of water. The 398 00:16:35,160 --> 00:16:38,960 Speaker 3: poor bastard needs an aspirin. Wait, give me your normal voice, 399 00:16:39,000 --> 00:16:39,720 Speaker 3: your silly bugger. 400 00:16:39,840 --> 00:16:42,120 Speaker 1: No, no, I want to do it like this. I'm 401 00:16:42,200 --> 00:16:43,200 Speaker 1: enjoying Australia. 402 00:16:43,320 --> 00:16:45,840 Speaker 3: Come on and then no, the no needs it needs 403 00:16:45,840 --> 00:16:47,240 Speaker 3: to be more nasally and it needs. 404 00:16:47,360 --> 00:16:51,720 Speaker 1: Tell me how to speak me, I know to speak No. 405 00:16:51,800 --> 00:16:56,040 Speaker 13: No, that's the eussy. Uh well, yeah, the success is cool. 406 00:16:56,400 --> 00:16:58,720 Speaker 13: Winning the Grammy was very exciting. A couple of weeks ago. 407 00:17:00,960 --> 00:17:03,440 Speaker 2: It's willing, It's Willing Woody, and you're not talking to 408 00:17:03,440 --> 00:17:04,159 Speaker 2: Fred again. 409 00:17:04,160 --> 00:17:05,400 Speaker 5: You're talking to Tom Cashman. 410 00:17:09,640 --> 00:17:10,960 Speaker 1: Could I said, that was probably the best. 411 00:17:10,960 --> 00:17:13,920 Speaker 2: How long it's five? 412 00:17:14,240 --> 00:17:18,000 Speaker 12: Talk to be Fred again is such a fantastic feeling. 413 00:17:18,600 --> 00:17:19,320 Speaker 13: I knew it. 414 00:17:19,840 --> 00:17:20,760 Speaker 1: I knew. 415 00:17:22,440 --> 00:17:24,720 Speaker 5: And he started talking about your relationship. 416 00:17:32,240 --> 00:17:34,560 Speaker 1: The accent, the accent was too. 417 00:17:34,440 --> 00:17:38,680 Speaker 2: Much, extremely open with your situation to a global superstar. 418 00:17:39,359 --> 00:17:40,919 Speaker 3: The accent was the accent. 419 00:17:40,920 --> 00:17:43,200 Speaker 13: I thought, God, this guy's got a great sense of humor. 420 00:17:43,280 --> 00:17:45,640 Speaker 13: He's so funny, so good. 421 00:17:45,920 --> 00:17:49,840 Speaker 1: I think the last thing Job said was tell me how. 422 00:17:55,400 --> 00:17:57,240 Speaker 3: I went with And I'm like he's so famous. I 423 00:17:57,880 --> 00:17:58,720 Speaker 3: give him what he wants. 424 00:17:59,080 --> 00:18:01,200 Speaker 1: I was a friend. The only thing I planned was 425 00:18:01,240 --> 00:18:02,000 Speaker 1: gorgeous to meet you. 426 00:18:02,080 --> 00:18:03,639 Speaker 12: And I think when I said gorgeous, it was it 427 00:18:03,720 --> 00:18:06,840 Speaker 12: was like gorgeous. 428 00:18:04,520 --> 00:18:09,920 Speaker 13: I genuinely thought to myself, this looks like that guy 429 00:18:09,960 --> 00:18:12,000 Speaker 13: that sometimes sits on the left side of the project. 430 00:18:15,080 --> 00:18:21,200 Speaker 11: Oh mit, you are a consument professional. 431 00:18:21,680 --> 00:18:28,480 Speaker 3: I told my parents to listen to this credible, so good. 432 00:18:28,600 --> 00:18:29,280 Speaker 1: It's so good. 433 00:18:29,359 --> 00:18:31,679 Speaker 2: You can see it in our socials Instagram TiO. What 434 00:18:31,720 --> 00:18:33,880 Speaker 2: if you want to see Mitch's face, it's unbelievable gear 435 00:18:34,000 --> 00:18:35,960 Speaker 2: and if you want to see Cashman looking like Fred Again. 436 00:18:36,400 --> 00:18:39,240 Speaker 2: The great news is Mitch Jury is demanded audience. He 437 00:18:39,240 --> 00:18:40,760 Speaker 2: wants to come back on this show. He wants to 438 00:18:40,800 --> 00:18:42,320 Speaker 2: crack and he's going to join us up next on 439 00:18:42,359 --> 00:18:49,199 Speaker 2: willin Wood. Yesterday we managed to convince Mitch Jury that 440 00:18:49,240 --> 00:18:53,840 Speaker 2: he was interviewing Fred Again, the global sensation and music 441 00:18:53,880 --> 00:18:57,920 Speaker 2: producer who is currently touring a smattering of sold out shows, 442 00:18:57,920 --> 00:18:59,560 Speaker 2: which he sold out about five minutes. By the way, 443 00:18:59,720 --> 00:19:03,479 Speaker 2: I've got to stress, this guy is so cool, like 444 00:19:03,680 --> 00:19:08,240 Speaker 2: he's not doing any media, he's doing no interviews anywhere. 445 00:19:09,640 --> 00:19:13,680 Speaker 2: But we had Tom Cashman in here yesterday woods totally unrelated, yep. 446 00:19:13,800 --> 00:19:15,640 Speaker 1: That these guys have never crossed paths. 447 00:19:15,640 --> 00:19:17,240 Speaker 2: And we said to Tom Cashman, jeez, you look a 448 00:19:17,240 --> 00:19:18,240 Speaker 2: lot like Fred again. 449 00:19:18,200 --> 00:19:19,560 Speaker 5: And he does, he actually does. 450 00:19:19,920 --> 00:19:23,399 Speaker 2: So we said, could you convince Mitch Jury from the 451 00:19:23,480 --> 00:19:26,320 Speaker 2: Night Show that you are Fred again and that Mitch 452 00:19:26,359 --> 00:19:29,800 Speaker 2: actually has Fred Again's only interview for his time in 453 00:19:29,800 --> 00:19:31,120 Speaker 2: Australia if you just missed it. 454 00:19:31,440 --> 00:19:32,040 Speaker 1: Mitch bought it. 455 00:19:36,359 --> 00:19:36,880 Speaker 3: I knew it. 456 00:19:37,000 --> 00:19:38,840 Speaker 1: Could I say that was probably the best. How long ago? 457 00:19:39,080 --> 00:19:41,120 Speaker 5: It's five five? 458 00:19:42,000 --> 00:19:44,960 Speaker 6: So when about five minutes Mitch joins us on the 459 00:19:45,000 --> 00:19:46,520 Speaker 6: show right now, Mitch. 460 00:19:47,760 --> 00:19:51,040 Speaker 5: First question, So when your producer says. 461 00:19:50,800 --> 00:19:54,280 Speaker 6: To you, you've got the only exclusive chat with Fred again, 462 00:19:54,680 --> 00:19:56,600 Speaker 6: Like just to let the people at home know how 463 00:19:56,680 --> 00:20:01,000 Speaker 6: much prep time goes into that, I. 464 00:20:00,920 --> 00:20:03,000 Speaker 13: Thought about not speaking to really screw with you guys, 465 00:20:03,080 --> 00:20:04,400 Speaker 13: just to like sit there in silence. 466 00:20:05,800 --> 00:20:07,439 Speaker 3: Do you like get everyone in their cars like, oh 467 00:20:07,720 --> 00:20:09,000 Speaker 3: the audio screwed up? 468 00:20:09,359 --> 00:20:11,320 Speaker 13: But but no, I won't do it to you because 469 00:20:11,320 --> 00:20:13,760 Speaker 13: I've got respect for my brothers on the network. 470 00:20:13,920 --> 00:20:15,720 Speaker 3: Let me tell I'm not going to answer your questions. 471 00:20:15,760 --> 00:20:18,800 Speaker 3: You answer my questions? No, no, no, yeah, yeah, all 472 00:20:18,880 --> 00:20:20,679 Speaker 3: right now Wood. You were easy to break. You're a 473 00:20:20,800 --> 00:20:23,240 Speaker 3: terrible this is a terrible hosting situation. You've folded. 474 00:20:23,240 --> 00:20:25,240 Speaker 13: But Will's going to be the tough one to crack you, 475 00:20:27,000 --> 00:20:30,639 Speaker 13: so target him all your focus. A boy, my team, 476 00:20:30,760 --> 00:20:32,840 Speaker 13: let me tell you you boys were on nights. Once 477 00:20:32,920 --> 00:20:35,240 Speaker 13: I host the night show. We get the we get 478 00:20:35,280 --> 00:20:39,199 Speaker 13: the drippings of every other show on this network. My producer, 479 00:20:39,280 --> 00:20:42,520 Speaker 13: who produces multiple shows, had to re edit. So your 480 00:20:42,560 --> 00:20:45,399 Speaker 13: producer had written all these questions for Fred. Again, we 481 00:20:45,520 --> 00:20:47,760 Speaker 13: got that come through. We went, this is dreadful. We 482 00:20:47,840 --> 00:20:48,800 Speaker 13: have to rewrite this. 483 00:20:48,800 --> 00:20:49,720 Speaker 3: Thing from scratch. 484 00:20:51,000 --> 00:20:53,119 Speaker 13: She thought, Mitch. She thought, Mitch will see this and 485 00:20:53,200 --> 00:20:56,440 Speaker 13: he'll be livered. So my beautiful producer, Grace, spent in 486 00:20:56,480 --> 00:20:58,639 Speaker 13: the afternoon re editing the questions for me. 487 00:20:58,720 --> 00:21:01,280 Speaker 3: I went over it. I read and. 488 00:21:01,240 --> 00:21:03,399 Speaker 2: They actually had a producer that's cute as well, Like 489 00:21:03,480 --> 00:21:04,040 Speaker 2: that's nice. 490 00:21:04,240 --> 00:21:07,359 Speaker 3: Yeah, you've just got Yeah, thanks, just what salary sacrifice? 491 00:21:07,400 --> 00:21:12,679 Speaker 3: Thanks Will. Maybe that's why I'm triggered. 492 00:21:12,680 --> 00:21:15,240 Speaker 13: I'm a little angry because like I genuinely fell for it, 493 00:21:15,280 --> 00:21:16,760 Speaker 13: and you can if you haven't seen the video and 494 00:21:16,800 --> 00:21:18,440 Speaker 13: the socials, like I actually did. 495 00:21:18,640 --> 00:21:19,840 Speaker 3: You got me, You got. 496 00:21:20,200 --> 00:21:23,199 Speaker 6: The moment because I get I feel like it was. 497 00:21:23,240 --> 00:21:25,760 Speaker 6: It was the accent right that that started to go. 498 00:21:26,000 --> 00:21:29,639 Speaker 13: Yeah, went a bit, who's the comedian Connolly? The Irish 499 00:21:29,720 --> 00:21:31,320 Speaker 13: or Scottish Scottish chamileon. 500 00:21:34,119 --> 00:21:34,800 Speaker 3: Was the end. 501 00:21:34,920 --> 00:21:38,240 Speaker 13: I thought, this is something's going on and I and 502 00:21:38,320 --> 00:21:40,639 Speaker 13: I know Tom like I I think he's a brilliant comic. 503 00:21:40,800 --> 00:21:42,720 Speaker 3: But it just didn't click. But it was the accent, 504 00:21:43,000 --> 00:21:44,240 Speaker 3: then him grilling me. 505 00:21:44,280 --> 00:21:47,760 Speaker 13: On my personal yeah, when I thought, this doesn't normally 506 00:21:47,800 --> 00:21:49,720 Speaker 13: happen with the A listers, But. 507 00:21:49,760 --> 00:21:52,000 Speaker 2: Dude, you had like because I mean, obviously you know 508 00:21:52,040 --> 00:21:54,840 Speaker 2: who Fred again is, like he is, as we said 509 00:21:54,880 --> 00:21:57,119 Speaker 2: a number of times, like he is so in demand, 510 00:21:57,160 --> 00:21:59,520 Speaker 2: Like this guy's white hot at the moment, like he's 511 00:21:59,560 --> 00:22:02,040 Speaker 2: properly under this. I can't think of anyone else or 512 00:22:02,040 --> 00:22:04,280 Speaker 2: there's probably a handful of people in the world that 513 00:22:04,359 --> 00:22:07,399 Speaker 2: could say I'm in Australia and then go I'm going 514 00:22:07,480 --> 00:22:09,880 Speaker 2: to do a shot the Opera House and rod Laver Arena. 515 00:22:09,880 --> 00:22:11,200 Speaker 2: I'm going to sell them out of sell it. It's 516 00:22:11,240 --> 00:22:14,400 Speaker 2: like it's insane the hysteria around this person. So can 517 00:22:14,440 --> 00:22:16,480 Speaker 2: you just talk me through at the moment when you 518 00:22:16,680 --> 00:22:19,640 Speaker 2: found out that you had the only interview in Australia 519 00:22:21,080 --> 00:22:23,480 Speaker 2: from Read Again, because I've heard there's an audio note 520 00:22:23,480 --> 00:22:25,040 Speaker 2: that that might have flown around. 521 00:22:25,359 --> 00:22:27,960 Speaker 3: Okay, an audio note? 522 00:22:28,080 --> 00:22:31,720 Speaker 13: Well yeah, So what happened was my producer Grace text 523 00:22:31,760 --> 00:22:34,280 Speaker 13: me and she said, Will and Woody don't think you 524 00:22:34,640 --> 00:22:37,000 Speaker 13: played it really well. They've got an interview with Fred again. 525 00:22:37,040 --> 00:22:38,480 Speaker 13: They don't think they can make it. Can you be 526 00:22:38,520 --> 00:22:40,680 Speaker 13: on standby? And that's how I mean. I got Billie 527 00:22:40,680 --> 00:22:43,439 Speaker 13: Eilish that way and Lizzo like real interviews by stand 528 00:22:43,480 --> 00:22:45,960 Speaker 13: by from other shows saying no, so that they filter 529 00:22:46,000 --> 00:22:48,440 Speaker 13: it down to me. So it's a very believable act 530 00:22:48,600 --> 00:22:50,960 Speaker 13: in So I went, a, it's gonna work. 531 00:22:51,000 --> 00:22:52,840 Speaker 3: It's great. So then I was at lunch. 532 00:22:52,960 --> 00:22:56,160 Speaker 13: I was at lunch with my mum because I work nights, right, 533 00:22:56,200 --> 00:22:58,160 Speaker 13: so the afternoons I just spend time with my family 534 00:22:58,160 --> 00:23:00,000 Speaker 13: because I'm a humble family boy, you know, a nice 535 00:23:00,080 --> 00:23:00,600 Speaker 13: hard time. 536 00:23:00,720 --> 00:23:03,120 Speaker 3: So you know, can't do wrong by anyone. 537 00:23:03,160 --> 00:23:03,880 Speaker 1: I'm buying it. 538 00:23:04,040 --> 00:23:07,480 Speaker 13: So I called my brother in law and who's the 539 00:23:07,520 --> 00:23:09,399 Speaker 13: only really straight guy into it because I'm you know, 540 00:23:09,600 --> 00:23:12,280 Speaker 13: I'm gay and I'm Fred Again's not my vibe. I'll 541 00:23:12,320 --> 00:23:14,359 Speaker 13: call my brother in law, he'll know about Fred again, 542 00:23:14,600 --> 00:23:16,600 Speaker 13: and it was the most connection we've ever had in. 543 00:23:16,560 --> 00:23:17,880 Speaker 3: Five years of knowing each other. 544 00:23:18,840 --> 00:23:20,760 Speaker 13: I mean, it was the longest phone call I've had 545 00:23:20,800 --> 00:23:22,600 Speaker 13: with my straight brother in law. Was like, mate, this 546 00:23:22,680 --> 00:23:24,600 Speaker 13: is real bonding. Maybe you can get his tickets and 547 00:23:24,640 --> 00:23:28,760 Speaker 13: we can go together. I went, maybe, maybe, Kurt, does 548 00:23:28,800 --> 00:23:29,040 Speaker 13: he know? 549 00:23:29,320 --> 00:23:30,800 Speaker 5: Surely you can keep his living that line? 550 00:23:30,920 --> 00:23:31,160 Speaker 1: Sure? 551 00:23:31,520 --> 00:23:33,720 Speaker 3: I bloked him on Instagram. So you can't see the video. 552 00:23:34,440 --> 00:23:35,400 Speaker 3: I'm mortified. 553 00:23:36,720 --> 00:23:38,560 Speaker 2: Oh it's great here, mate, Well look I hope you 554 00:23:38,600 --> 00:23:41,439 Speaker 2: can stick around because we can't do Madonna this afternoon. 555 00:23:41,520 --> 00:23:43,879 Speaker 1: But hilarious, very funny. 556 00:23:44,000 --> 00:23:46,240 Speaker 13: This is war boys, this is war Just so you know, 557 00:23:46,359 --> 00:23:50,320 Speaker 13: return serve incoming, bring it on to it, make. 558 00:23:50,200 --> 00:23:50,879 Speaker 1: Sure you listen to it. 559 00:23:51,040 --> 00:23:53,680 Speaker 2: He is on tonight as he is every night from 560 00:23:53,720 --> 00:23:54,360 Speaker 2: seven o'clock. 561 00:23:54,480 --> 00:23:57,960 Speaker 13: Any guests on tonight, Mitge, absolutely nobody, No one will 562 00:23:57,960 --> 00:23:59,840 Speaker 13: come on the show. You've ruined my reputation in the 563 00:24:00,000 --> 00:24:07,680 Speaker 13: in the street, my resignation tomorrow, Midge going on. 564 00:24:07,920 --> 00:24:10,080 Speaker 2: Having a drive ib you can still win ten game 565 00:24:10,119 --> 00:24:13,000 Speaker 2: with us very shortly now Tall as Tales and Merrik 566 00:24:13,040 --> 00:24:15,560 Speaker 2: Watts is going to join us for the real. 567 00:24:16,040 --> 00:24:22,400 Speaker 1: No fakes here, everyone j Lo has got this brand 568 00:24:22,480 --> 00:24:22,960 Speaker 1: new film. 569 00:24:22,960 --> 00:24:25,600 Speaker 2: It's called The Greatest Love Story Never Told, and it's 570 00:24:25,600 --> 00:24:27,600 Speaker 2: about her and Ben Affleck. 571 00:24:29,480 --> 00:24:32,920 Speaker 1: Wow, I mean, I'm in benefit. 572 00:24:33,920 --> 00:24:35,160 Speaker 5: It's an amazing story. 573 00:24:35,280 --> 00:24:38,760 Speaker 2: Well, it is an amazing story for everybody but Jennifer Garner. 574 00:24:39,000 --> 00:24:45,200 Speaker 2: Oh yeah, Look, her and Ben have a wonderful relationship. 575 00:24:45,200 --> 00:24:48,040 Speaker 2: Although it has been reviewed, no one's seen the movie yet, 576 00:24:48,040 --> 00:24:51,639 Speaker 2: but insiders have claimed that there are these love letters 577 00:24:51,680 --> 00:24:56,040 Speaker 2: in the movie where their love letters that Jennifer and 578 00:24:56,040 --> 00:24:59,360 Speaker 2: Ben wrote to each other during their thirteen year marriage. 579 00:24:59,520 --> 00:25:01,640 Speaker 1: Sure, the marriage. 580 00:25:01,359 --> 00:25:04,879 Speaker 6: Ends, sorry, hang hang hand hang on Sorry Ben was 581 00:25:04,920 --> 00:25:07,679 Speaker 6: writing letters during his marriage to Jennifer Garner. 582 00:25:07,760 --> 00:25:08,399 Speaker 1: No, this is sor. 583 00:25:08,480 --> 00:25:11,240 Speaker 2: There's two Jennifers at play here. It's quite consent Gna 584 00:25:11,320 --> 00:25:15,560 Speaker 2: and Lopez. Okay, So when Ben and Jal are together, 585 00:25:15,720 --> 00:25:16,840 Speaker 2: they're writing these letters. 586 00:25:16,600 --> 00:25:17,040 Speaker 1: To each other. 587 00:25:17,080 --> 00:25:19,280 Speaker 2: Of course, that's what you do in a relationship. Then 588 00:25:19,280 --> 00:25:22,360 Speaker 2: this is where it gets interesting. The Jalo and Ben 589 00:25:22,480 --> 00:25:28,200 Speaker 2: benefit ends and then he Ben then meets Jennifer Garner, right, Alias, 590 00:25:28,640 --> 00:25:33,800 Speaker 2: Oh yeah, I know you know. So so Ben's with 591 00:25:34,560 --> 00:25:36,000 Speaker 2: Ben's with Jennifer Garner. 592 00:25:36,160 --> 00:25:37,840 Speaker 5: Okay, Alias, they have kids. 593 00:25:37,920 --> 00:25:41,919 Speaker 2: They have kids, the two kids, and it's been revealed 594 00:25:41,960 --> 00:25:46,000 Speaker 2: in this documentary that he kept all the love letters 595 00:25:47,640 --> 00:25:53,600 Speaker 2: from his previous marriage mm hm. And he had them 596 00:25:53,680 --> 00:25:58,639 Speaker 2: bound and like kept sort of like secretly in a 597 00:25:58,720 --> 00:26:02,000 Speaker 2: nice little spot. And then since benefit has, since he's 598 00:26:02,000 --> 00:26:04,000 Speaker 2: got back with j Lo, he regifted her. 599 00:26:03,880 --> 00:26:07,280 Speaker 1: The love letters and he didn't. 600 00:26:07,480 --> 00:26:10,040 Speaker 2: Yeah, that's what's going to be shown in the documentary. 601 00:26:10,119 --> 00:26:11,080 Speaker 5: Getting them bound. 602 00:26:11,240 --> 00:26:13,520 Speaker 2: Is like I'd kind of get it if it was 603 00:26:13,600 --> 00:26:15,480 Speaker 2: like the letters, but don't take them to the library. 604 00:26:15,560 --> 00:26:20,600 Speaker 1: Well, don't take into the laminating machine. You I think, no. 605 00:26:20,680 --> 00:26:21,000 Speaker 8: Hang on it. 606 00:26:21,040 --> 00:26:23,479 Speaker 6: But that's like that's like that's glamorizing it and like 607 00:26:23,600 --> 00:26:26,480 Speaker 6: making it a thing. Like for me if it's like, oh, 608 00:26:26,680 --> 00:26:28,919 Speaker 6: I think those letters doing a cardboard box in that 609 00:26:29,000 --> 00:26:32,040 Speaker 6: property that we bought together in Puerto Rica. Yeah, now 610 00:26:32,040 --> 00:26:33,919 Speaker 6: that we're back together, I might go and see if 611 00:26:33,920 --> 00:26:37,880 Speaker 6: they're Puerto Rico. I might go and see if they're 612 00:26:37,920 --> 00:26:41,320 Speaker 6: still there. Like I would want to believe you kind 613 00:26:41,320 --> 00:26:43,520 Speaker 6: of forgot about them. But if you have bound we 614 00:26:43,600 --> 00:26:44,680 Speaker 6: all accidentally. 615 00:26:45,560 --> 00:26:48,600 Speaker 2: Can we stop focusing on the laminating that's the I 616 00:26:48,600 --> 00:26:49,679 Speaker 2: don't think it's a part of it. 617 00:26:49,680 --> 00:26:50,719 Speaker 1: I think it's just the intent. 618 00:26:50,920 --> 00:26:52,800 Speaker 2: I think, sorry, the reason that it is a bit 619 00:26:52,840 --> 00:26:57,480 Speaker 2: for you is because of the intent around preserving something 620 00:26:57,520 --> 00:27:00,200 Speaker 2: from a previous relationship, that's it, which is there's all 621 00:27:00,200 --> 00:27:01,280 Speaker 2: sorts of question marks over. 622 00:27:01,200 --> 00:27:02,320 Speaker 1: Whether or not you can do that. 623 00:27:02,960 --> 00:27:04,960 Speaker 2: But I think the really interesting thing about this for 624 00:27:05,080 --> 00:27:10,199 Speaker 2: me is that Jennifer Ganna has since her people you 625 00:27:10,200 --> 00:27:12,680 Speaker 2: know these people just got you know, insiders or a 626 00:27:12,760 --> 00:27:17,680 Speaker 2: spokesperson of their possy. Yeah, they've said that Jennifer's totally 627 00:27:17,720 --> 00:27:21,280 Speaker 2: okay with it. Apparently Jennifer Ghana and Ben Affleck a friends, 628 00:27:21,280 --> 00:27:23,560 Speaker 2: they've got the kids, they've got a good relationship, and 629 00:27:23,600 --> 00:27:26,840 Speaker 2: they basically said, and this, I think this is fascinating. 630 00:27:27,160 --> 00:27:27,720 Speaker 1: She said. 631 00:27:28,160 --> 00:27:32,960 Speaker 2: Jennifer Gannah said the whole time that she was with 632 00:27:33,040 --> 00:27:35,760 Speaker 2: Ben Affleck, huh, she knew. 633 00:27:37,520 --> 00:27:39,680 Speaker 1: That Ben had not gotten over j Lo. 634 00:27:42,600 --> 00:27:45,720 Speaker 6: That's so hard, I must mean so hard for her 635 00:27:46,280 --> 00:27:47,320 Speaker 6: because because j Lo. 636 00:27:47,680 --> 00:27:52,400 Speaker 1: Was with the a rod alexand although doing Andy Rotick. 637 00:27:52,359 --> 00:27:54,919 Speaker 6: No no, no, no, the amazing baseball player. 638 00:27:55,119 --> 00:27:58,800 Speaker 5: So that's so hard. So was Jennifer Garner. Oh, it's 639 00:27:58,840 --> 00:28:00,000 Speaker 5: so awful. What have been thinking? 640 00:28:00,000 --> 00:28:00,359 Speaker 3: Think that? 641 00:28:00,520 --> 00:28:04,920 Speaker 6: Like, oh, when Jal broke up with a Rod, that's 642 00:28:04,960 --> 00:28:06,680 Speaker 6: exactly what she would have like, she would have known 643 00:28:06,720 --> 00:28:07,800 Speaker 6: that was gonna happen. 644 00:28:07,720 --> 00:28:09,960 Speaker 2: Potentially now, and I don't know the timelines all that well. 645 00:28:10,000 --> 00:28:12,639 Speaker 2: Pop cult is not my specialty, and I'm aware of 646 00:28:12,680 --> 00:28:15,520 Speaker 2: the faith. This is a very loaded question, but I'm 647 00:28:15,680 --> 00:28:18,280 Speaker 2: I'm fascinated by the idea that you never get over someone, 648 00:28:19,119 --> 00:28:21,159 Speaker 2: Like I feel like there's always a part of you 649 00:28:21,280 --> 00:28:23,960 Speaker 2: that's like, I don't know, it's like a part of 650 00:28:23,960 --> 00:28:26,879 Speaker 2: you that's kind of like trapped in time when you 651 00:28:27,160 --> 00:28:30,280 Speaker 2: are with someone, and that part of you will always 652 00:28:30,840 --> 00:28:31,719 Speaker 2: love that person. 653 00:28:32,240 --> 00:28:34,679 Speaker 1: Yeah, I think like the love very hard to not. 654 00:28:35,760 --> 00:28:38,680 Speaker 2: I think that that has to continue existing because particularly 655 00:28:38,720 --> 00:28:40,640 Speaker 2: if you have a relationship with someone and you fall 656 00:28:40,640 --> 00:28:42,200 Speaker 2: in love with somebody, with somebody who's with it for 657 00:28:42,240 --> 00:28:43,400 Speaker 2: thirteen years. 658 00:28:43,800 --> 00:28:45,800 Speaker 6: Yeah, I think the love evolves, though, I think, and 659 00:28:45,840 --> 00:28:48,719 Speaker 6: then it evolves from when you're with them. I think 660 00:28:48,760 --> 00:28:50,600 Speaker 6: the love is very different to a love that you 661 00:28:50,680 --> 00:28:52,960 Speaker 6: feel when you're not with them anymore. And I feel 662 00:28:52,960 --> 00:28:55,320 Speaker 6: like the love almost becomes more of a care. Yes, 663 00:28:55,800 --> 00:28:58,080 Speaker 6: I feel like I can say I still I will 664 00:28:58,080 --> 00:29:00,680 Speaker 6: still always care about people that I so much time 665 00:29:00,720 --> 00:29:02,920 Speaker 6: with and did and did love you know what I mean. 666 00:29:02,960 --> 00:29:05,520 Speaker 6: But I do think, I mean, I'm not keeping their 667 00:29:05,600 --> 00:29:08,960 Speaker 6: letters though, you know, I think that I certainly. 668 00:29:13,200 --> 00:29:21,280 Speaker 5: Just it's the intent, you know, yeah. 669 00:29:22,240 --> 00:29:25,240 Speaker 1: It's if anyone's ever laminated anything before. Its bloody pain 670 00:29:25,320 --> 00:29:25,680 Speaker 1: in the ass. 671 00:29:25,760 --> 00:29:27,200 Speaker 2: Like he's gone to a lot of effort there, not 672 00:29:27,200 --> 00:29:30,840 Speaker 2: that I can't see him the laminader Derry. 673 00:29:30,680 --> 00:29:36,400 Speaker 6: Dairy May William Nikki Hayley has suspended her presidential campaign, 674 00:29:36,560 --> 00:29:42,160 Speaker 6: which looks like, now, oh my god, I genuinely can't 675 00:29:42,160 --> 00:29:46,080 Speaker 6: believe I'm saying this. The President of the United States 676 00:29:46,320 --> 00:29:48,040 Speaker 6: is either going to be this dude. 677 00:29:48,600 --> 00:29:49,480 Speaker 3: I'm being baked. 678 00:29:49,880 --> 00:29:50,760 Speaker 9: I'm being baked like. 679 00:29:50,760 --> 00:29:55,240 Speaker 1: A cake, or the idea, Yeah. 680 00:29:56,720 --> 00:29:59,400 Speaker 8: You know, the rapid erosion. 681 00:30:01,320 --> 00:30:05,800 Speaker 2: In with with I don't know. 682 00:30:09,440 --> 00:30:11,400 Speaker 5: You can't get his thoughts out. And he's the president 683 00:30:11,440 --> 00:30:12,120 Speaker 5: of the United States. 684 00:30:12,160 --> 00:30:13,440 Speaker 1: He doesn't know where he is, Arthur or Martha. 685 00:30:13,560 --> 00:30:16,200 Speaker 2: Meanwhile, the other guy paid a porn star one hundred 686 00:30:16,200 --> 00:30:20,320 Speaker 2: thousand dollars in hush money not tell anyone about the 687 00:30:20,320 --> 00:30:23,280 Speaker 2: time that he slept with her whilst his wife was 688 00:30:23,280 --> 00:30:24,040 Speaker 2: pregnant with a baby. 689 00:30:24,200 --> 00:30:26,880 Speaker 1: Don't be rude, Like. 690 00:30:27,320 --> 00:30:32,320 Speaker 2: Just wow, And he's mildly really scary, isn't it. 691 00:30:32,400 --> 00:30:34,480 Speaker 6: He might be president again, So I think for the 692 00:30:34,520 --> 00:30:36,520 Speaker 6: American people and actually the whole world. 693 00:30:36,800 --> 00:30:38,640 Speaker 5: This is a bit of a lose lose situation. 694 00:30:39,200 --> 00:30:42,000 Speaker 6: We're either getting Trump or a guy that truly can't 695 00:30:42,000 --> 00:30:42,720 Speaker 6: get his thoughts out. 696 00:30:42,760 --> 00:30:45,200 Speaker 2: Surely he'd prefer sleepy Joe over Trump at this stage though, 697 00:30:45,240 --> 00:30:47,200 Speaker 2: because I mean, at least you know, sleepy Joe will 698 00:30:47,240 --> 00:30:49,080 Speaker 2: die in a couple of months, and then you know. 699 00:30:49,240 --> 00:30:51,040 Speaker 1: He just he just needs to get through the election 700 00:30:51,240 --> 00:30:51,880 Speaker 1: the least. 701 00:30:51,640 --> 00:30:53,720 Speaker 2: To hang on Joe, but the leader hang on, and 702 00:30:53,760 --> 00:30:55,360 Speaker 2: then Kamala Harris can just roll in. 703 00:30:56,160 --> 00:30:58,400 Speaker 1: Then we'll have a we'll have a nice little setup 704 00:30:58,440 --> 00:30:59,240 Speaker 1: for four years. 705 00:30:59,840 --> 00:31:02,280 Speaker 2: You know, hopefully by that time Trump goes to prison 706 00:31:02,360 --> 00:31:03,880 Speaker 2: for the three hundred. 707 00:31:03,760 --> 00:31:06,440 Speaker 1: Crimes that he's committed when he was lasting president. Because 708 00:31:06,440 --> 00:31:07,480 Speaker 1: you know, if Trump. 709 00:31:07,200 --> 00:31:10,720 Speaker 2: Gets in, this is why he's delaying, Tom Button, push 710 00:31:10,720 --> 00:31:12,920 Speaker 2: your term coat, Tom about this. Before he's delaying, he 711 00:31:12,960 --> 00:31:15,840 Speaker 2: keeps appealing all these all these legal charges against him 712 00:31:15,880 --> 00:31:18,640 Speaker 2: because when he becomes president, if he becomes president, he 713 00:31:18,680 --> 00:31:23,520 Speaker 2: can pardon himself. That's such a thing in the system now, 714 00:31:24,160 --> 00:31:25,959 Speaker 2: so he won't be guilty of any of those crimes. 715 00:31:26,240 --> 00:31:29,680 Speaker 6: My god, you know it's amazing, though, Will You're quite 716 00:31:29,720 --> 00:31:32,160 Speaker 6: good at getting out of lose lose situations. Like even before, 717 00:31:32,200 --> 00:31:34,440 Speaker 6: when I said this is a lose lose situation, you 718 00:31:34,480 --> 00:31:37,320 Speaker 6: beautifully explained how if we do vote for Biden, or 719 00:31:37,320 --> 00:31:39,800 Speaker 6: if Biden wins, this is a win because then Kamal 720 00:31:39,880 --> 00:31:42,240 Speaker 6: Harris will take over as president. I think you're the 721 00:31:42,240 --> 00:31:44,960 Speaker 6: best at getting how to lose lose situations in the world, 722 00:31:45,040 --> 00:31:46,920 Speaker 6: or out of anyone I've ever met. So I'd love 723 00:31:47,000 --> 00:31:49,800 Speaker 6: to throw some lose lose situations at you right now 724 00:31:49,960 --> 00:31:51,440 Speaker 6: to see if you can get a win out of it. 725 00:31:53,400 --> 00:31:55,800 Speaker 5: And that is appropriate music. Nice. Okay, here we go. 726 00:31:56,840 --> 00:31:59,440 Speaker 6: Your partner asks for an opinion on their outfit on 727 00:31:59,520 --> 00:32:00,440 Speaker 6: the day of an event. 728 00:32:01,280 --> 00:32:03,840 Speaker 5: You hate the outfit. Okay, in this hypothetical, what do 729 00:32:03,880 --> 00:32:04,120 Speaker 5: you do? 730 00:32:06,280 --> 00:32:08,320 Speaker 2: I'd say that somebody else's I've heard that somebody else 731 00:32:08,400 --> 00:32:09,160 Speaker 2: is wearing that outfit. 732 00:32:09,760 --> 00:32:11,400 Speaker 5: This is on the day of the event. There's no 733 00:32:11,480 --> 00:32:12,840 Speaker 5: other there's no other outfit. 734 00:32:12,960 --> 00:32:14,920 Speaker 6: So you've just told her there's someone else wearing your 735 00:32:14,960 --> 00:32:16,400 Speaker 6: outfit and she can't get changed. 736 00:32:17,800 --> 00:32:19,239 Speaker 2: No hang on, So she comes to me but hand, 737 00:32:19,360 --> 00:32:20,760 Speaker 2: but I can tell her that I think there's somebody 738 00:32:20,760 --> 00:32:22,160 Speaker 2: else there who's wearing that dress. 739 00:32:22,640 --> 00:32:23,760 Speaker 5: But then what she gonna wear? 740 00:32:24,800 --> 00:32:25,760 Speaker 1: That's the only thing she can wear. 741 00:32:25,760 --> 00:32:27,400 Speaker 5: It's on the you're on the way to the event. 742 00:32:27,400 --> 00:32:28,480 Speaker 1: Well, we're on the way to the event, and I 743 00:32:28,520 --> 00:32:28,920 Speaker 1: hate it. 744 00:32:29,040 --> 00:32:29,600 Speaker 5: You hate it? 745 00:32:30,640 --> 00:32:32,800 Speaker 1: Oh god? 746 00:32:33,360 --> 00:32:36,400 Speaker 2: Oh well, i'd spill something on her and then be like, gee, 747 00:32:36,440 --> 00:32:38,200 Speaker 2: we're gonna go and get another outfit and then make 748 00:32:38,240 --> 00:32:42,480 Speaker 2: stop off on the way. Yeah. Actually that's pretty good. 749 00:32:43,280 --> 00:32:46,080 Speaker 5: You deliberately spill something on her outfit. 750 00:32:46,160 --> 00:32:47,960 Speaker 1: Yeah, I just make sure the dress gets caught on 751 00:32:48,000 --> 00:32:48,760 Speaker 1: the door on the way out. 752 00:32:48,880 --> 00:32:50,680 Speaker 5: Rips o, no, rip her dress off? 753 00:32:50,800 --> 00:32:51,000 Speaker 1: Nice? 754 00:32:51,040 --> 00:32:53,880 Speaker 5: Well, nice, Okay, let's go to the next one. 755 00:32:54,960 --> 00:32:55,240 Speaker 11: It off. 756 00:32:55,280 --> 00:32:56,520 Speaker 1: But like there's a little bit of it. 757 00:32:56,520 --> 00:32:57,960 Speaker 5: It sounds like there. 758 00:32:57,840 --> 00:32:59,479 Speaker 1: Are people watching something. They're all disgusted. 759 00:32:59,560 --> 00:33:01,880 Speaker 6: I did just know that, And they're all women, and 760 00:33:02,000 --> 00:33:06,080 Speaker 6: they're angry about you for in one on your girlfriend's outfit. 761 00:33:06,080 --> 00:33:06,960 Speaker 1: Do you put me in this spot? 762 00:33:07,120 --> 00:33:07,400 Speaker 5: I have? 763 00:33:07,920 --> 00:33:10,640 Speaker 6: These are deliberately lose lose situations. Can we'll get out? Okay, 764 00:33:10,680 --> 00:33:14,320 Speaker 6: here's the next one. Your mum and your partner are 765 00:33:14,320 --> 00:33:15,760 Speaker 6: in a heated disagreement. 766 00:33:15,960 --> 00:33:18,680 Speaker 5: Yes, they turn to you and they ask you to 767 00:33:18,760 --> 00:33:19,360 Speaker 5: choose a sign. 768 00:33:21,200 --> 00:33:27,600 Speaker 2: Yes, that's actually really easy, I think anyway, Yeah, because 769 00:33:27,600 --> 00:33:29,680 Speaker 2: I would just say I think it's really beneficial for 770 00:33:29,800 --> 00:33:33,160 Speaker 2: your relationship that you guys have this discussion out together. 771 00:33:34,680 --> 00:33:35,960 Speaker 2: And I don't think I can be a part of this, 772 00:33:36,000 --> 00:33:37,440 Speaker 2: because I think it's beneficial for all of us that 773 00:33:37,480 --> 00:33:39,200 Speaker 2: you guys understand each other and then we can move 774 00:33:39,240 --> 00:33:42,200 Speaker 2: forward togetherevable. 775 00:33:44,320 --> 00:33:46,640 Speaker 5: That's your unbelievable and easy. That's not easy, and. 776 00:33:46,600 --> 00:33:47,600 Speaker 1: I think everyone should do that. 777 00:33:47,640 --> 00:33:51,000 Speaker 6: By the way, write that down everyone, Okay. 778 00:33:50,720 --> 00:33:51,280 Speaker 5: Final one. 779 00:33:51,640 --> 00:33:52,920 Speaker 1: You don't want to be in the middle, guy. 780 00:33:53,480 --> 00:33:55,120 Speaker 5: No, but the hard thing is getting out and I 781 00:33:55,160 --> 00:33:56,720 Speaker 5: think that's a great way to do it. So everyone 782 00:33:56,760 --> 00:33:58,200 Speaker 5: write that down. Next one. 783 00:33:59,200 --> 00:34:00,400 Speaker 1: Oh no, it don't. 784 00:34:00,800 --> 00:34:01,840 Speaker 5: No, no, no, final one. 785 00:34:02,640 --> 00:34:05,240 Speaker 6: You've booked tickets to a musical, but have just realized 786 00:34:05,280 --> 00:34:07,280 Speaker 6: that Round one of the AFL is on at the 787 00:34:07,320 --> 00:34:10,200 Speaker 6: same time. This is definitely not from my real life tonight. 788 00:34:12,640 --> 00:34:14,279 Speaker 6: It's definitely not from my real life tonight. 789 00:34:14,320 --> 00:34:18,600 Speaker 5: I want to confirm that what would you do in 790 00:34:18,600 --> 00:34:19,280 Speaker 5: that situation? 791 00:34:21,480 --> 00:34:22,880 Speaker 11: I thought we weren't going to talk about this. 792 00:34:23,000 --> 00:34:26,120 Speaker 5: We're not talking about my situation. This is totally rand now. 793 00:34:26,120 --> 00:34:27,719 Speaker 1: No, no, no, no, not at all at all. And it's 794 00:34:27,719 --> 00:34:30,200 Speaker 1: your team met. 795 00:34:30,080 --> 00:34:30,799 Speaker 5: When I'm playing tonight. 796 00:34:30,800 --> 00:34:32,880 Speaker 2: But this has nothing to do with my tickets to 797 00:34:32,880 --> 00:34:33,520 Speaker 2: a Wicked tonight. 798 00:34:34,360 --> 00:34:36,440 Speaker 5: Is that's weird. That is a coincidence. But in this 799 00:34:36,560 --> 00:34:38,520 Speaker 5: random scenario, I've said, up, what would you do? 800 00:34:40,040 --> 00:34:41,360 Speaker 2: Well, I'll tell you what I wouldn't do is I 801 00:34:41,520 --> 00:34:43,360 Speaker 2: wouldn't say that on air, And when I know that 802 00:34:43,400 --> 00:34:45,680 Speaker 2: my partner's listening and she's really excited about the musical. 803 00:34:45,880 --> 00:34:47,000 Speaker 5: Yeah, perfect. 804 00:34:49,120 --> 00:34:54,240 Speaker 1: Computer starting worst to support? 805 00:34:55,880 --> 00:34:58,360 Speaker 2: All right, what is the worst person at tech? I know, 806 00:34:58,440 --> 00:35:00,520 Speaker 2: apart from anyone over the age of eighty. Together, they 807 00:35:00,560 --> 00:35:03,000 Speaker 2: make the world's worst tech support. Today, Woods joining you 808 00:35:03,040 --> 00:35:04,680 Speaker 2: in the world's worst tech support. He's Clancy. 809 00:35:04,680 --> 00:35:06,520 Speaker 1: He's back on the show back, Clans. 810 00:35:06,960 --> 00:35:09,600 Speaker 2: Hey you guys so well mate, great to have you 811 00:35:09,680 --> 00:35:13,279 Speaker 2: back on the show now, Clans. Last time, I think 812 00:35:13,280 --> 00:35:14,960 Speaker 2: your wife was helping you out in the background. 813 00:35:15,000 --> 00:35:17,759 Speaker 1: So we're under that. We're under that, just so you know. 814 00:35:19,280 --> 00:35:21,319 Speaker 2: All right, the quizes come out very shortly, Mark, what's 815 00:35:21,400 --> 00:35:23,399 Speaker 2: going to join us very shortly as well? So let's 816 00:35:23,400 --> 00:35:28,680 Speaker 2: crack in boys, Woody and Clancy. Yes, if I was 817 00:35:28,719 --> 00:35:30,839 Speaker 2: going to look up or if I wanted to see 818 00:35:30,960 --> 00:35:35,960 Speaker 2: multiple photos of flowers, yes, how would I go about that? 819 00:35:38,520 --> 00:35:39,680 Speaker 5: What would you do Clancy? 820 00:35:40,440 --> 00:35:43,839 Speaker 7: By going to my photos and bring out a little 821 00:35:43,880 --> 00:35:46,800 Speaker 7: square bumps you a little small ones. 822 00:35:46,920 --> 00:35:48,560 Speaker 5: You bring up small ones. 823 00:35:50,440 --> 00:35:55,960 Speaker 6: Photo album and zoom out, and then and then just 824 00:35:56,000 --> 00:35:56,880 Speaker 6: look for flowers. 825 00:35:57,000 --> 00:36:00,520 Speaker 4: No, no, no, I've got any flowers in mine? You was. 826 00:36:04,360 --> 00:36:04,799 Speaker 1: No hang on. 827 00:36:06,480 --> 00:36:09,439 Speaker 2: Cl Cley, So you haven't got any. So you haven't 828 00:36:09,440 --> 00:36:12,240 Speaker 2: got any flowers on your phone. You've zoomed out, you've 829 00:36:12,280 --> 00:36:15,120 Speaker 2: had a look through catalog. How are you getting multiple 830 00:36:15,160 --> 00:36:16,600 Speaker 2: photos of flowers on your phone? 831 00:36:18,000 --> 00:36:18,959 Speaker 7: How would I get them? 832 00:36:19,040 --> 00:36:23,200 Speaker 4: Yeah, if I don't already have them. 833 00:36:24,080 --> 00:36:25,359 Speaker 1: If you don't, you haven't got them. 834 00:36:25,520 --> 00:36:28,879 Speaker 7: You haven't got how would I get them? Take as 835 00:36:28,880 --> 00:36:30,000 Speaker 7: a player, boys. 836 00:36:34,560 --> 00:36:37,200 Speaker 2: Woods putting to bear to the myth it's not what 837 00:36:37,360 --> 00:36:39,560 Speaker 2: you know, but who you know. And the way we 838 00:36:39,640 --> 00:36:41,440 Speaker 2: are doing this, guys, is what he is on. 839 00:36:41,440 --> 00:36:42,960 Speaker 1: The who you know side. I am on the what 840 00:36:43,120 --> 00:36:43,800 Speaker 1: you know side. 841 00:36:44,040 --> 00:36:47,200 Speaker 2: So you are choosing something that I know, and then 842 00:36:47,239 --> 00:36:49,480 Speaker 2: you are trying to beat me at that thing with 843 00:36:49,640 --> 00:36:51,399 Speaker 2: the help of someone you know. 844 00:36:51,920 --> 00:36:56,799 Speaker 13: It's willing what you know, who you know, with better 845 00:36:56,880 --> 00:36:58,440 Speaker 13: job matches than ever before. 846 00:36:58,520 --> 00:37:01,399 Speaker 3: There is no secret, please and. 847 00:37:01,400 --> 00:37:02,080 Speaker 1: You shall find. 848 00:37:03,360 --> 00:37:05,840 Speaker 6: Yesterday I decided that one of the things you know 849 00:37:06,560 --> 00:37:10,040 Speaker 6: is being a parking inspector and that's not from any 850 00:37:10,080 --> 00:37:13,239 Speaker 6: experience really, it's just because you're very good at conflict 851 00:37:13,280 --> 00:37:16,520 Speaker 6: and confrontation, right, that's a space you know, well. 852 00:37:16,320 --> 00:37:19,640 Speaker 1: Well yeah, yeah, I don't like it. Be good at it? 853 00:37:19,640 --> 00:37:22,360 Speaker 2: Well yeah, I could deal with it, yes, And I 854 00:37:22,360 --> 00:37:25,560 Speaker 2: think parking inspectors are very good at that exactly. You 855 00:37:25,840 --> 00:37:28,200 Speaker 2: never feel like you're in the argument. They have one 856 00:37:28,239 --> 00:37:30,319 Speaker 2: before you even start having a chat with them. 857 00:37:30,360 --> 00:37:32,239 Speaker 5: And I truly think you'd be very good at that. 858 00:37:32,320 --> 00:37:33,359 Speaker 5: So that's what you know. 859 00:37:34,000 --> 00:37:36,200 Speaker 6: But I have a very good friend called Dom from 860 00:37:36,239 --> 00:37:38,000 Speaker 6: Married at First Sight. I was in the jungle with 861 00:37:38,040 --> 00:37:39,640 Speaker 6: her and I'm a celebrity to get me out of here. 862 00:37:39,800 --> 00:37:42,600 Speaker 6: She is amazing in confrontation, and she gave me some 863 00:37:42,640 --> 00:37:46,680 Speaker 6: advice yesterday. What's the key to being good in a confrontation? 864 00:37:46,719 --> 00:37:48,480 Speaker 6: Because I've seen you in this and you're very good 865 00:37:48,480 --> 00:37:48,719 Speaker 6: at it. 866 00:37:48,840 --> 00:37:51,120 Speaker 8: Ten second, Look, I probably can't slay it on radios. 867 00:37:52,239 --> 00:37:56,400 Speaker 6: Say it, Tom, We've only got ten seconds. 868 00:38:00,080 --> 00:38:00,920 Speaker 5: That was her advice. 869 00:38:01,160 --> 00:38:03,759 Speaker 2: So padding downder the pressure because for each of these 870 00:38:03,760 --> 00:38:05,520 Speaker 2: phone calls that you've had, you've only had a minute 871 00:38:05,560 --> 00:38:07,120 Speaker 2: for them to give the advice. Otherwise it gets a 872 00:38:07,160 --> 00:38:07,800 Speaker 2: bit ridiculous. 873 00:38:08,520 --> 00:38:10,120 Speaker 1: Dom used her time. Unwisely. 874 00:38:11,320 --> 00:38:12,840 Speaker 5: I kind of regret that phone call, but it was 875 00:38:12,880 --> 00:38:13,640 Speaker 5: great to hear her voice. 876 00:38:13,640 --> 00:38:14,640 Speaker 1: I just love you to hear from it. 877 00:38:14,880 --> 00:38:18,440 Speaker 6: So we went out yesterday will separately, and the challenge 878 00:38:18,480 --> 00:38:22,480 Speaker 6: was deliver as many parking tickets as you can smoothly. 879 00:38:23,239 --> 00:38:25,759 Speaker 5: And you started pretty. 880 00:38:25,440 --> 00:38:27,840 Speaker 2: Well, Oh buddy, here we go. 881 00:38:31,080 --> 00:38:38,319 Speaker 1: Mine gets so get so would he as spector? We're 882 00:38:38,440 --> 00:38:42,680 Speaker 1: very sure of himself. It's pretty into oh bang, all right, wow, 883 00:38:43,480 --> 00:38:47,520 Speaker 1: And I think that's actually that guy's car. Is he 884 00:38:47,560 --> 00:38:48,719 Speaker 1: pretty good ticket for him? 885 00:38:49,440 --> 00:38:51,120 Speaker 6: I can pay for a team mate if your wife's 886 00:38:51,160 --> 00:38:52,359 Speaker 6: in there having an appointment made. 887 00:38:52,600 --> 00:38:54,200 Speaker 5: Yeah, yeah, I'll look after you. 888 00:38:54,400 --> 00:38:55,680 Speaker 1: I think you just brought him a ticket. 889 00:38:56,560 --> 00:39:00,359 Speaker 5: You've got the disabled. Oh oh, it's pretty anyway. Nice 890 00:39:00,400 --> 00:39:01,440 Speaker 5: donation to the government. 891 00:39:02,440 --> 00:39:04,440 Speaker 1: I'll speak to the. 892 00:39:03,560 --> 00:39:05,279 Speaker 5: To the top dogs about how you moving it up 893 00:39:05,719 --> 00:39:06,480 Speaker 5: buying a ticket. 894 00:39:06,680 --> 00:39:09,359 Speaker 6: No, it's just laying down the law and you're sitting in. 895 00:39:09,360 --> 00:39:13,120 Speaker 1: The pool and you're feeling nice and cool. Get a ticket. 896 00:39:14,400 --> 00:39:16,160 Speaker 1: He's a courier. You couldn't have booked him. 897 00:39:16,239 --> 00:39:16,720 Speaker 12: Very lucky. 898 00:39:16,880 --> 00:39:18,560 Speaker 5: I don't see curious above the law. 899 00:39:18,600 --> 00:39:20,400 Speaker 1: Well, it's a courier, not a curier. 900 00:39:20,480 --> 00:39:22,680 Speaker 5: I don't see curious above the law, and. 901 00:39:22,800 --> 00:39:25,720 Speaker 2: You're sitting in the sun and you think you're having fun. 902 00:39:27,239 --> 00:39:29,280 Speaker 1: Oh, you're good. 903 00:39:29,120 --> 00:39:32,799 Speaker 6: At Sorry, you just gone on slightly over the two 904 00:39:32,800 --> 00:39:43,840 Speaker 6: hour limit. There you didn't, that's all right, okay, I'll 905 00:39:43,880 --> 00:39:44,719 Speaker 6: go a moment now. 906 00:39:44,760 --> 00:39:45,320 Speaker 2: Is that okay? 907 00:39:45,520 --> 00:39:46,400 Speaker 8: Yeah? Yeah? 908 00:39:46,320 --> 00:39:47,560 Speaker 1: Why not take it to the machine. 909 00:39:47,920 --> 00:39:54,680 Speaker 9: I'm so sorry. Why don't we we'll buy Why don't 910 00:39:54,680 --> 00:39:56,520 Speaker 9: we buy a ticket together? Why don't we just buy 911 00:39:56,520 --> 00:39:58,759 Speaker 9: a two hour ticket and then don't worry about it? 912 00:39:58,800 --> 00:39:59,120 Speaker 2: Okay? 913 00:39:59,600 --> 00:40:01,719 Speaker 5: Sure, yeah, yeah, yeah, I'll buy the ticket? Of acent? 914 00:40:01,920 --> 00:40:02,839 Speaker 5: Was he going through a tough punt? 915 00:40:02,880 --> 00:40:03,760 Speaker 1: Back to the magine. 916 00:40:04,560 --> 00:40:06,040 Speaker 5: I'm glad you're letting the emotions out. 917 00:40:06,360 --> 00:40:09,280 Speaker 1: Your parking inspector was not a parking assistance. 918 00:40:09,280 --> 00:40:10,040 Speaker 12: We're not all bad. 919 00:40:10,280 --> 00:40:13,440 Speaker 5: Which one was? You're sorry, that's my mistake. I'll take 920 00:40:13,480 --> 00:40:15,440 Speaker 5: that chicket off. Sorry about that. 921 00:40:16,080 --> 00:40:16,680 Speaker 2: Good chick. 922 00:40:16,719 --> 00:40:17,439 Speaker 8: You're good to chick. 923 00:40:17,520 --> 00:40:21,440 Speaker 11: You're good a ticket, good chick, get a chick ticket? 924 00:40:23,560 --> 00:40:27,200 Speaker 5: Yes, there you yeah, yes you are sorry. 925 00:40:27,800 --> 00:40:30,080 Speaker 6: You just didn't buy a ticket though, unfortunately, so there's 926 00:40:30,080 --> 00:40:30,759 Speaker 6: nothing I can really do. 927 00:40:30,880 --> 00:40:35,000 Speaker 8: Unfortunately. Yeah, so I we just pulled that a love. 928 00:40:34,960 --> 00:40:37,520 Speaker 1: Letter, maybe a love letter instead of a ticket. 929 00:40:38,440 --> 00:40:39,560 Speaker 2: No, we know we can't. 930 00:40:39,840 --> 00:40:41,719 Speaker 5: We're going to buy tickets straight away. That's all right, 931 00:40:41,800 --> 00:40:42,480 Speaker 5: I can't watch. 932 00:40:42,880 --> 00:40:44,880 Speaker 8: How about the money that I would have spent on 933 00:40:45,280 --> 00:40:46,839 Speaker 8: the ticket I buy your life? 934 00:40:47,320 --> 00:40:48,680 Speaker 1: It's so awkward. 935 00:40:48,840 --> 00:40:51,400 Speaker 9: Oh my god again it look if I pay for 936 00:40:51,520 --> 00:40:55,799 Speaker 9: your ticket, can I get the hamderchiefs to butter roll? 937 00:40:55,880 --> 00:40:57,960 Speaker 5: You don't like? I say, don't you can have anything? 938 00:40:58,120 --> 00:40:58,160 Speaker 7: That? 939 00:40:58,719 --> 00:41:01,200 Speaker 1: Okay, you're getting hear another ticket. 940 00:41:01,480 --> 00:41:02,800 Speaker 5: I'm getting a ham and cheese toasty. 941 00:41:03,480 --> 00:41:03,920 Speaker 4: That's a win. 942 00:41:07,000 --> 00:41:08,719 Speaker 6: That was really hard and I've got a lot of 943 00:41:08,719 --> 00:41:10,359 Speaker 6: respect for his puck inspectors out there? 944 00:41:10,800 --> 00:41:12,759 Speaker 5: Do you know how much that, like today costs me? 945 00:41:16,239 --> 00:41:18,080 Speaker 2: So you get even the audio. I was watching from 946 00:41:18,080 --> 00:41:19,719 Speaker 2: a distance, so it's half a minute and know what. 947 00:41:19,800 --> 00:41:20,120 Speaker 4: Was going on. 948 00:41:20,280 --> 00:41:22,719 Speaker 2: But basically every time you put every second time you 949 00:41:22,719 --> 00:41:24,200 Speaker 2: put a tick it down, some would come over and 950 00:41:24,239 --> 00:41:27,279 Speaker 2: then you just end up at the ticket machine with 951 00:41:27,360 --> 00:41:28,200 Speaker 2: them with your credit card. 952 00:41:28,239 --> 00:41:31,239 Speaker 5: And I felt awful. It was sound so guilty about it. 953 00:41:31,440 --> 00:41:33,800 Speaker 2: You could not have, like, of all the jobs in 954 00:41:33,840 --> 00:41:37,759 Speaker 2: the world, have crafted personally crafted a worse job for you? 955 00:41:38,080 --> 00:41:40,000 Speaker 5: I know, And I found that out and it's hurt 956 00:41:40,080 --> 00:41:40,680 Speaker 5: my hip pocket. 957 00:41:42,200 --> 00:41:42,680 Speaker 4: So she 958 00:41:44,960 --> 00:41:45,880 Speaker 1: Instagram TikTok