1 00:00:00,120 --> 00:00:02,840 Speaker 1: Hello, Amanda, It's Wednesday. It's the jam Nation podcast with 2 00:00:02,960 --> 00:00:03,800 Speaker 1: Jonesy and Amanda. 3 00:00:04,280 --> 00:00:07,680 Speaker 2: We speak to a really interesting defense lawyer, Johann Kalanta. 4 00:00:08,200 --> 00:00:10,440 Speaker 2: He put out a series of TikTok s during the 5 00:00:10,440 --> 00:00:13,760 Speaker 2: Amber Her Johnny Depp defamation trial, and he went viral 6 00:00:13,800 --> 00:00:15,840 Speaker 2: with those explaining the process and what he thought was 7 00:00:15,880 --> 00:00:19,079 Speaker 2: going on. There's a new Netflix series about the trial 8 00:00:19,320 --> 00:00:21,799 Speaker 2: and his TikTok's featuring it. He wasn't even aware of 9 00:00:21,800 --> 00:00:23,720 Speaker 2: it until someone told him. He's going to be on 10 00:00:23,760 --> 00:00:24,720 Speaker 2: our show today. 11 00:00:24,640 --> 00:00:27,040 Speaker 1: Our old mate Rove if that's his real name, that's 12 00:00:27,040 --> 00:00:28,560 Speaker 1: actually it's not. His real name is John. 13 00:00:28,640 --> 00:00:29,560 Speaker 2: I what a spoiler. 14 00:00:29,720 --> 00:00:31,520 Speaker 1: He will be joining us on the show to talk 15 00:00:31,520 --> 00:00:33,680 Speaker 1: about a project that you're involved with with him. 16 00:00:34,080 --> 00:00:36,640 Speaker 2: What do you do if you have to cover up 17 00:00:36,640 --> 00:00:39,000 Speaker 2: a fart? That's not the project I'm doing? His row 18 00:00:39,159 --> 00:00:42,440 Speaker 2: By the way, what trial John is going to beat? 19 00:00:42,479 --> 00:00:43,760 Speaker 2: Four tales of the cover up? 20 00:00:43,880 --> 00:00:48,360 Speaker 1: Yeah. Also, bumper stickers, the latest range of merch jones 21 00:00:48,400 --> 00:00:51,800 Speaker 1: Y and Amanda bumper stickers has been released, but people are saying, 22 00:00:51,920 --> 00:00:53,640 Speaker 1: what are you doing bumper stickers for? 23 00:00:53,880 --> 00:00:56,080 Speaker 2: Do people like bumper stickers? We will find. 24 00:00:55,800 --> 00:00:58,320 Speaker 1: Out do they pass the pub test and also. 25 00:00:58,400 --> 00:01:00,840 Speaker 2: The best jokes. The best one line is from the 26 00:01:00,960 --> 00:01:04,399 Speaker 2: Edinburgh Fringe. This went a skew on the show because 27 00:01:04,480 --> 00:01:06,959 Speaker 2: Jonesy has no generosity of spirit. 28 00:01:07,319 --> 00:01:10,000 Speaker 1: You had ten of them, and I think really anything 29 00:01:10,000 --> 00:01:12,120 Speaker 1: that has a top ten should be cut to a five. 30 00:01:12,360 --> 00:01:14,360 Speaker 1: If you've got something like that, you cut it in half. 31 00:01:14,880 --> 00:01:18,119 Speaker 2: What's wrong with you? Radio one hour one hurt you, Brendan. 32 00:01:18,120 --> 00:01:20,160 Speaker 1: It's Ray Radio fifty and a half. 33 00:01:20,280 --> 00:01:21,319 Speaker 2: I don't know who hurt you. 34 00:01:21,400 --> 00:01:33,000 Speaker 1: Enjoy the podcast? It was now that a miracle of recording. 35 00:01:33,200 --> 00:01:35,400 Speaker 1: We have so many requests for them to do it again. 36 00:01:35,520 --> 00:01:38,679 Speaker 3: Mistress Amanda and miss Killer Amanda. 37 00:01:38,319 --> 00:01:39,400 Speaker 4: Doesn't work alone. 38 00:01:41,160 --> 00:01:43,880 Speaker 2: Friend making the tools of the train. 39 00:01:43,959 --> 00:01:47,119 Speaker 1: I've heard them describe him as a drunken idiot. 40 00:01:48,160 --> 00:01:52,120 Speaker 5: The legendary poet Jonesy, Amanda the actress. 41 00:01:52,160 --> 00:01:53,280 Speaker 2: Congratulations, Murder. 42 00:01:53,280 --> 00:01:56,360 Speaker 1: We're there right now, Jersey and Amanda. You're doing a 43 00:01:56,400 --> 00:01:56,960 Speaker 1: great job. 44 00:01:57,480 --> 00:02:00,040 Speaker 6: It could anyone but your Selfie Giants. 45 00:02:00,440 --> 00:02:02,040 Speaker 4: The good Radio. 46 00:02:02,360 --> 00:02:07,320 Speaker 5: Sorry, but if a tongue twist set. 47 00:02:06,320 --> 00:02:10,480 Speaker 4: Amanda's shoot, Timy, we're on the air. 48 00:02:10,880 --> 00:02:14,440 Speaker 1: Hello there, Amanda, how are you? Makes all nautically topped? Friend? 49 00:02:15,280 --> 00:02:20,919 Speaker 2: Wow, Normally you're the anchor. Yeah, yeah, I like that shirt, 50 00:02:21,440 --> 00:02:24,160 Speaker 2: blue striped shirt. It's a T shirt that's blue stripes. 51 00:02:24,200 --> 00:02:27,760 Speaker 1: You've come fresh out of avalon around the Northern Beaches. 52 00:02:27,440 --> 00:02:29,400 Speaker 2: Parts, don't I say that. 53 00:02:29,400 --> 00:02:33,080 Speaker 1: I used to live there, Claville. It's very nice top. 54 00:02:33,320 --> 00:02:36,440 Speaker 1: It looks like if you're working at a yacht club 55 00:02:36,520 --> 00:02:37,640 Speaker 1: or something like that, you'd be one. 56 00:02:37,760 --> 00:02:39,560 Speaker 2: I have to dress as a yachte Yeah. 57 00:02:39,320 --> 00:02:40,799 Speaker 1: And you'd go along there and you'd be one of 58 00:02:40,840 --> 00:02:42,920 Speaker 1: those mums that have come back into the workforce after 59 00:02:42,960 --> 00:02:44,960 Speaker 1: being out of it for some time. And you did 60 00:02:44,960 --> 00:02:46,919 Speaker 1: a bit of bar work in the nineties. 61 00:02:47,000 --> 00:02:51,440 Speaker 2: Working at the bar well, Molly's eight and Jason seven, 62 00:02:51,560 --> 00:02:53,000 Speaker 2: and I've left them with my mum just a couple 63 00:02:53,000 --> 00:02:54,640 Speaker 2: of days a week. So I'm just getting back into it. 64 00:02:54,680 --> 00:02:57,320 Speaker 1: And then we you're the last person you want to 65 00:02:57,320 --> 00:02:59,200 Speaker 1: buy a drink from because you've got no idea. 66 00:03:00,160 --> 00:03:03,040 Speaker 2: Is a bit weird. So I'm just still fighting my feet. 67 00:03:03,280 --> 00:03:05,720 Speaker 1: How the till work and all these new cocktails. 68 00:03:05,280 --> 00:03:07,359 Speaker 2: Didn't have those? But I know anyway, Sorry, what was 69 00:03:07,400 --> 00:03:08,000 Speaker 2: it you wanted. 70 00:03:07,840 --> 00:03:10,280 Speaker 1: To get someone? And Mibsey comes up and asks for 71 00:03:10,400 --> 00:03:12,640 Speaker 1: six expresso has. 72 00:03:12,480 --> 00:03:16,000 Speaker 2: Mipsy mobs and Bobo great, which is great. 73 00:03:16,320 --> 00:03:18,080 Speaker 1: And that's where i'd go to the outside bar. 74 00:03:18,280 --> 00:03:20,040 Speaker 2: But you know the difference between my shirt and yours. 75 00:03:20,320 --> 00:03:23,919 Speaker 2: Go on, I paid for my Oh, you get free clothes. 76 00:03:24,280 --> 00:03:28,359 Speaker 2: Don't rub your flate your face flace, don't rub your flace. 77 00:03:28,800 --> 00:03:29,880 Speaker 1: They get free clothes. 78 00:03:29,919 --> 00:03:30,120 Speaker 7: You do. 79 00:03:30,960 --> 00:03:33,320 Speaker 1: People see me and they want to they want to 80 00:03:33,320 --> 00:03:33,760 Speaker 1: clothe me. 81 00:03:34,000 --> 00:03:35,840 Speaker 2: Your face has gone all red. You have whens the 82 00:03:35,920 --> 00:03:38,680 Speaker 2: last time you bought a shirt you have. This is 83 00:03:38,720 --> 00:03:40,320 Speaker 2: a whole new range of shirts you wear. You haven't 84 00:03:40,320 --> 00:03:41,440 Speaker 2: bought one for about five years. 85 00:03:41,520 --> 00:03:45,640 Speaker 1: Is the new John Lennon range from English laundry? 86 00:03:45,920 --> 00:03:47,200 Speaker 2: Ryan, have you got your sound effect? 87 00:03:47,240 --> 00:03:47,440 Speaker 8: There? 88 00:03:48,920 --> 00:03:51,520 Speaker 2: Old person's kochin? There you go and. 89 00:03:51,560 --> 00:03:54,720 Speaker 1: Sounds like a young person's kochin. If you want to 90 00:03:54,720 --> 00:03:56,800 Speaker 1: go and pay for your clothes, that's fine by me. 91 00:03:57,320 --> 00:03:59,160 Speaker 2: Well, I bought my own and you've mocked them, so 92 00:03:59,200 --> 00:03:59,960 Speaker 2: I think that's fine. 93 00:04:00,080 --> 00:04:03,800 Speaker 1: Boy said you look great? What part of you look great? 94 00:04:03,840 --> 00:04:07,480 Speaker 1: Do you not understand? Do you watch Telly? Last night? 95 00:04:08,040 --> 00:04:11,080 Speaker 2: I finished up I'm late to this show broad Church, 96 00:04:11,520 --> 00:04:14,840 Speaker 2: the last of series three, and I think it's some 97 00:04:14,880 --> 00:04:17,279 Speaker 2: of the best television I've seen. The British are so good. 98 00:04:17,320 --> 00:04:19,920 Speaker 2: Every performance is so good. The scripts are so amazing. 99 00:04:20,200 --> 00:04:22,520 Speaker 1: It's got all the great accents in it. Is that right? 100 00:04:23,200 --> 00:04:25,919 Speaker 2: Oh no, it'd be great English faces. It's got David Tennant, 101 00:04:25,960 --> 00:04:28,880 Speaker 2: it's got Olivia Coleman. It's just brilliant. 102 00:04:29,000 --> 00:04:33,320 Speaker 1: I've I've been stuck on Outback Truckers and Heavy Toe 103 00:04:33,400 --> 00:04:33,960 Speaker 1: Down Under. 104 00:04:34,000 --> 00:04:35,040 Speaker 2: Does Helen watch these with you? 105 00:04:35,160 --> 00:04:35,280 Speaker 4: Yes? 106 00:04:35,360 --> 00:04:37,400 Speaker 1: She does, so she likes it. Does Heavy Tow Down 107 00:04:37,480 --> 00:04:39,640 Speaker 1: Under is my favorite show at the moment. It's these 108 00:04:39,680 --> 00:04:43,120 Speaker 1: guys with tow trucks that just go getting stuff out 109 00:04:43,160 --> 00:04:44,880 Speaker 1: of bogs. That's what they do. 110 00:04:45,120 --> 00:04:46,919 Speaker 2: And it's like YouTube on television. 111 00:04:47,000 --> 00:04:49,440 Speaker 1: Yeah, it's over in New Zealand and it's here. And 112 00:04:49,560 --> 00:04:51,960 Speaker 1: the New Zealand accents are fantastic because there's a lot 113 00:04:52,000 --> 00:04:55,520 Speaker 1: of ditch and pitch and bitch and things like that. 114 00:04:56,000 --> 00:04:58,520 Speaker 1: And then out Back Truckers is always good, always got 115 00:04:58,560 --> 00:05:00,720 Speaker 1: the jeopardy. It's the same voice out the guy. If 116 00:05:00,800 --> 00:05:03,400 Speaker 1: Keith doesn't make it in a Meeka Farah by six 117 00:05:03,480 --> 00:05:05,560 Speaker 1: to nine, he can kiss his bonus goodbye. 118 00:05:05,600 --> 00:05:10,039 Speaker 2: And then Keith gets he makes it. 119 00:05:10,440 --> 00:05:10,840 Speaker 1: He makes it? 120 00:05:11,600 --> 00:05:14,200 Speaker 2: Does are producer driven shots? Can you how do I 121 00:05:14,240 --> 00:05:15,640 Speaker 2: say I don't make it work? 122 00:05:16,839 --> 00:05:19,440 Speaker 1: Because one of the guys is quite reasonably guess. No, actually, 123 00:05:19,440 --> 00:05:21,040 Speaker 1: I don't think there's much jeopardy in this at all. 124 00:05:21,040 --> 00:05:25,360 Speaker 1: I think we're going to be fine. Sunny's do it again, Keith, 125 00:05:25,400 --> 00:05:26,240 Speaker 1: there's jeopardy. 126 00:05:26,480 --> 00:05:30,080 Speaker 2: Harley seems to have just discovered YouTube, so he'll often 127 00:05:30,839 --> 00:05:34,880 Speaker 2: he's been watching twenty four hours or something. This police stuff, 128 00:05:34,960 --> 00:05:37,960 Speaker 2: real life police stuff where they have twenty four hours. 129 00:05:37,960 --> 00:05:40,239 Speaker 2: I don't know where you have twenty four hours, since 130 00:05:40,480 --> 00:05:46,120 Speaker 2: after you charge someone or after you hold someone before 131 00:05:46,200 --> 00:05:48,320 Speaker 2: you can charge them, and so they've got to get 132 00:05:48,320 --> 00:05:51,080 Speaker 2: all the evidence in. But it's it's reality. And other 133 00:05:51,120 --> 00:05:55,080 Speaker 2: ones have just idiot individuals cruising for police stories. They're 134 00:05:55,080 --> 00:05:58,240 Speaker 2: on the police scanner. It's god, what are you watching 135 00:05:58,279 --> 00:05:58,679 Speaker 2: this show? 136 00:05:58,880 --> 00:06:01,000 Speaker 1: Idiot individuals cruising for police? 137 00:06:01,160 --> 00:06:03,080 Speaker 2: Say as well, but come on, har we're gonna length 138 00:06:03,080 --> 00:06:05,080 Speaker 2: them breadth of stuff. You have to watch here? What 139 00:06:05,200 --> 00:06:05,839 Speaker 2: you're choosing this? 140 00:06:05,960 --> 00:06:07,880 Speaker 1: You've got a back collection of the living room. 141 00:06:07,960 --> 00:06:09,599 Speaker 2: Collection of OUTLANDA what are you doing? 142 00:06:09,760 --> 00:06:13,600 Speaker 1: Come on Action Pack show Today, Instagram makes its return 143 00:06:14,080 --> 00:06:15,760 Speaker 1: on the show. We always like to catch up with 144 00:06:15,800 --> 00:06:17,800 Speaker 1: our mate Rove. He's over in Perth at the moment. 145 00:06:17,839 --> 00:06:19,960 Speaker 1: I understand he can't walk the streets of that town. 146 00:06:20,680 --> 00:06:21,640 Speaker 1: That's going to talk to us. 147 00:06:21,680 --> 00:06:22,200 Speaker 2: He's locked in. 148 00:06:22,320 --> 00:06:24,760 Speaker 1: That's his old stamping around. People just love him over there, 149 00:06:25,120 --> 00:06:27,880 Speaker 1: people love him. We love him here of course, of course. 150 00:06:27,920 --> 00:06:31,120 Speaker 1: But Rove in Perth, it's you know, it's like you 151 00:06:31,200 --> 00:06:32,080 Speaker 1: walking around, could. 152 00:06:31,960 --> 00:06:32,919 Speaker 2: You You can't happen. 153 00:06:32,920 --> 00:06:35,280 Speaker 1: You're like Rocky. Everyone's hey, there's man. 154 00:06:35,440 --> 00:06:37,440 Speaker 2: Yeah, look at the heavy jewelry she's wearing. 155 00:06:38,200 --> 00:06:39,839 Speaker 1: And we can't do anything till we do the Magnificent 156 00:06:39,920 --> 00:06:41,159 Speaker 1: seven Question one. 157 00:06:41,360 --> 00:06:44,040 Speaker 2: Smith's is a brand known for what product. 158 00:06:46,279 --> 00:06:49,080 Speaker 1: Podcast we have for you, the Magnificent Seven. There are 159 00:06:49,120 --> 00:06:50,640 Speaker 1: seven questions? Could you go all the way and answer 160 00:06:50,680 --> 00:06:52,640 Speaker 1: all seven questions correctly? If you do that, Amanda will 161 00:06:52,640 --> 00:06:53,360 Speaker 1: say we have. 162 00:06:53,279 --> 00:06:55,000 Speaker 2: To talk to Helen to see why she likes those 163 00:06:55,000 --> 00:06:57,719 Speaker 2: trucking shows. Does she like them or does she endue 164 00:06:57,760 --> 00:06:58,040 Speaker 2: with them? 165 00:06:58,120 --> 00:07:00,560 Speaker 1: I think because my wife just doomed scrolls on a 166 00:07:00,640 --> 00:07:04,200 Speaker 1: phone constantly just going through stuff about Trump and Biden, 167 00:07:04,240 --> 00:07:06,560 Speaker 1: and I don't care, I don't care. Just don't you 168 00:07:06,600 --> 00:07:09,039 Speaker 1: care what's happening? I said, you see that you're in 169 00:07:09,200 --> 00:07:12,000 Speaker 1: a silo now. The algorithm is pizzelsay. 170 00:07:11,520 --> 00:07:14,880 Speaker 2: Is the guy watching a non stop stream of trucking shows. 171 00:07:14,960 --> 00:07:17,920 Speaker 1: Tracking shows are great. Trackies are the life blend of 172 00:07:18,000 --> 00:07:18,800 Speaker 1: blood of astral. 173 00:07:18,920 --> 00:07:20,760 Speaker 2: They don't get it to tell Abithra if. 174 00:07:20,600 --> 00:07:22,720 Speaker 1: They don't get it to tell a Bithrie again, kisses 175 00:07:22,800 --> 00:07:25,680 Speaker 1: bonus goodbye? But it's about any Question seven? 176 00:07:25,760 --> 00:07:25,880 Speaker 9: Right? 177 00:07:25,920 --> 00:07:26,840 Speaker 1: Will is in begor? 178 00:07:26,960 --> 00:07:31,000 Speaker 2: I will oh very well? One. Smith's is a brand 179 00:07:31,040 --> 00:07:32,480 Speaker 2: known for what product. 180 00:07:33,200 --> 00:07:39,880 Speaker 1: Chips Broadway in New York. He's famous for what will musical, Yeah, Theater, 181 00:07:40,440 --> 00:07:41,600 Speaker 1: spider Man the musical. 182 00:07:41,720 --> 00:07:44,040 Speaker 2: Sometimes you can see shows without music in him too. 183 00:07:44,720 --> 00:07:50,080 Speaker 2: Question three, let's play serious sings? See if you recognize 184 00:07:50,120 --> 00:07:51,400 Speaker 2: this song? That sirious singing. 185 00:07:52,040 --> 00:07:55,880 Speaker 3: A man walks down the street. He says, why am 186 00:07:55,880 --> 00:07:59,760 Speaker 3: I sort of attention? Got a short little span of attention? 187 00:08:00,640 --> 00:08:01,640 Speaker 2: And whoa? 188 00:08:02,080 --> 00:08:05,679 Speaker 3: My nights are so long? Where's my wife and family? 189 00:08:06,440 --> 00:08:07,240 Speaker 3: What if I die? 190 00:08:07,280 --> 00:08:10,640 Speaker 2: Here? What a weird version of that? Do you know 191 00:08:10,720 --> 00:08:11,080 Speaker 2: the song? 192 00:08:12,000 --> 00:08:16,360 Speaker 1: Nah guy and I'll pop sorry? We ds in spring on? 193 00:08:16,520 --> 00:08:18,600 Speaker 2: Hello? Do you need to hear that again? It's weird 194 00:08:19,960 --> 00:08:21,040 Speaker 2: that he's very weird. 195 00:08:22,120 --> 00:08:23,080 Speaker 10: I won't hear that again. 196 00:08:23,160 --> 00:08:24,080 Speaker 2: Thank here it comes. 197 00:08:24,120 --> 00:08:27,960 Speaker 3: A man walks down the street. He says, why am 198 00:08:27,960 --> 00:08:31,840 Speaker 3: I short of attention? Got a short little span of attention? 199 00:08:32,720 --> 00:08:37,040 Speaker 3: And whoa, my nights are so long? Where's my wife 200 00:08:37,120 --> 00:08:39,600 Speaker 3: and family? What if I die here? 201 00:08:40,800 --> 00:08:41,560 Speaker 2: Do you know the song? 202 00:08:42,480 --> 00:08:43,240 Speaker 10: Don't know that one? 203 00:08:43,400 --> 00:08:44,880 Speaker 3: Sorry, guys next day. 204 00:08:45,640 --> 00:08:48,360 Speaker 2: Well, it's a great song. Series not doing a justice. 205 00:08:48,400 --> 00:08:49,480 Speaker 2: I have to say if you know what it is, 206 00:08:49,520 --> 00:08:49,960 Speaker 2: gives a call. 207 00:08:49,960 --> 00:08:53,240 Speaker 1: I got a ribbon bassline in it. Shu, where are 208 00:08:53,240 --> 00:08:55,760 Speaker 1: the magnificence? We find ourselves? 209 00:08:55,760 --> 00:09:02,160 Speaker 2: A question which is serious things? When hi, Jan of Wynyard, 210 00:09:02,200 --> 00:09:03,360 Speaker 2: how are you or Vineyard? 211 00:09:04,559 --> 00:09:04,800 Speaker 10: Yes? 212 00:09:06,559 --> 00:09:09,000 Speaker 2: Very well. Haven't listened to siri. It's a well known song, 213 00:09:09,040 --> 00:09:10,360 Speaker 2: but she's making it sound a bit weird. 214 00:09:10,800 --> 00:09:14,640 Speaker 3: A man walks down the street. He says, why am 215 00:09:14,679 --> 00:09:18,480 Speaker 3: I sort of attention? Got a short little span of attention? 216 00:09:18,600 --> 00:09:19,880 Speaker 2: Et cetera. Do you know the song? 217 00:09:20,120 --> 00:09:20,360 Speaker 8: Whoa? 218 00:09:21,520 --> 00:09:23,480 Speaker 5: It's Paul Simon, you can call me. 219 00:09:24,480 --> 00:09:27,360 Speaker 1: It sounds to say, why am I sure of attention? 220 00:09:27,800 --> 00:09:29,720 Speaker 2: Do you think he's kind of almost talking it? But 221 00:09:29,720 --> 00:09:31,240 Speaker 2: then he's sirih and you go, no, he's. 222 00:09:31,080 --> 00:09:35,800 Speaker 1: Been musicale what a fact? Which actor is playing Willie 223 00:09:35,800 --> 00:09:38,600 Speaker 1: Wonker in the upcoming Wonker film They're doing it again? 224 00:09:39,120 --> 00:09:48,600 Speaker 1: Is it Timothy Chalamay, Tom Holland or Michael Sira, Tom Holland, No, 225 00:09:48,720 --> 00:09:49,000 Speaker 1: it's not. 226 00:09:50,240 --> 00:09:52,840 Speaker 2: We're so old that we've seen three incarnations of Willia Wonka. 227 00:09:52,880 --> 00:09:54,520 Speaker 2: It's a whole new generation seeing it again. 228 00:09:54,600 --> 00:09:56,800 Speaker 1: It's gonna be Is this a prequel? 229 00:09:57,360 --> 00:09:57,840 Speaker 2: Prequel? 230 00:09:57,840 --> 00:09:58,120 Speaker 1: Is him? 231 00:09:58,200 --> 00:09:58,320 Speaker 11: There? 232 00:09:58,360 --> 00:09:59,800 Speaker 1: You go? Who've mad? 233 00:10:00,559 --> 00:10:02,160 Speaker 2: Matt? How are you good? 234 00:10:02,440 --> 00:10:03,400 Speaker 9: So? Are you well? 235 00:10:03,440 --> 00:10:03,480 Speaker 8: So? 236 00:10:03,520 --> 00:10:05,480 Speaker 2: Who's playing Willie Wonker in the New Wonker film? Is 237 00:10:05,480 --> 00:10:07,840 Speaker 2: it Timothy charlemaye or Michael Sarah? 238 00:10:08,200 --> 00:10:09,920 Speaker 12: I believe it's Timothy Challow. 239 00:10:09,640 --> 00:10:13,800 Speaker 1: Mae yes, it is so quiet? Up and listen down. Nope, 240 00:10:13,960 --> 00:10:15,280 Speaker 1: scratch that reverse it. 241 00:10:16,240 --> 00:10:19,959 Speaker 2: Oh, here we go. Question five? 242 00:10:20,200 --> 00:10:22,640 Speaker 1: And when we get to interview him. What a great 243 00:10:22,679 --> 00:10:24,000 Speaker 1: idea this movie is? 244 00:10:24,640 --> 00:10:28,319 Speaker 2: Where on a ship, Matt, would you find the crow's nest? 245 00:10:29,720 --> 00:10:31,080 Speaker 12: Where would I find the crow's nest? 246 00:10:31,440 --> 00:10:31,720 Speaker 2: Ship? 247 00:10:34,760 --> 00:10:36,040 Speaker 12: I'm not too sure to be honest? 248 00:10:36,320 --> 00:10:39,120 Speaker 2: Oh, Mas, so I'm glad you're being honest. 249 00:10:39,640 --> 00:10:40,720 Speaker 1: Helen's in Connell's point. 250 00:10:40,800 --> 00:10:43,800 Speaker 2: Hello, Helen, Hi, guys, how are you very well? 251 00:10:43,800 --> 00:10:43,880 Speaker 8: So? 252 00:10:43,920 --> 00:10:46,439 Speaker 2: Whereabouts on a ship do you find the crow's nest? 253 00:10:46,920 --> 00:10:49,480 Speaker 9: It's that tall mask, it's. 254 00:10:49,360 --> 00:10:49,880 Speaker 2: Upon the mask. 255 00:10:49,920 --> 00:10:53,000 Speaker 1: You're a naudical cove Helen, get to the tall poor thing. 256 00:10:53,840 --> 00:10:55,679 Speaker 1: What are the villains called in transformers? 257 00:10:58,320 --> 00:11:00,000 Speaker 9: Oh? 258 00:11:00,160 --> 00:11:05,800 Speaker 2: From baddies. Sorry, Helen, Lisa, Lisa, do you know what 259 00:11:05,840 --> 00:11:10,280 Speaker 2: the villains are called? And transformers decepticons, which brings us 260 00:11:10,280 --> 00:11:12,520 Speaker 2: to question seven. We talked about this earlier in the show. 261 00:11:13,120 --> 00:11:14,960 Speaker 2: What Australian city is Rod from? 262 00:11:15,240 --> 00:11:18,800 Speaker 1: Can't walk the streets of the city, Adelaide. 263 00:11:19,200 --> 00:11:23,760 Speaker 2: No, he's not from. Georgia's in Ingerdeen. Hello Georgia, Hi, 264 00:11:24,440 --> 00:11:29,119 Speaker 2: very well, which city is road from? It's Perth. 265 00:11:29,960 --> 00:11:31,520 Speaker 1: He's calling us from Perth today. 266 00:11:32,240 --> 00:11:34,160 Speaker 2: They're a few hours behind, and make him get up early. 267 00:11:34,240 --> 00:11:35,680 Speaker 1: We should become the mayor of Perth. 268 00:11:36,880 --> 00:11:37,640 Speaker 2: Why would he want that? 269 00:11:38,160 --> 00:11:42,920 Speaker 1: What's his name is? From the Basil? He's on TV 270 00:11:43,040 --> 00:11:43,839 Speaker 1: now He's the mayor of. 271 00:11:43,800 --> 00:11:48,880 Speaker 2: Perth, Basil Zampaks. Is that the slimming drug? It is? 272 00:11:49,040 --> 00:11:51,760 Speaker 1: Nice guy? Congratulations, you've won the jam pack. It's all 273 00:11:51,760 --> 00:11:52,079 Speaker 1: coming home. 274 00:11:52,120 --> 00:11:54,000 Speaker 2: Well when he goes into the media. Should become the mayor. 275 00:11:54,120 --> 00:11:56,320 Speaker 1: You should become the mayor of his town and then 276 00:11:56,360 --> 00:12:02,600 Speaker 1: I could get some stuff shut up past. 277 00:12:03,280 --> 00:12:05,000 Speaker 2: You had to be in the stocks before, you know. 278 00:12:07,080 --> 00:12:09,960 Speaker 1: Actually, that would be a bad thing if you were 279 00:12:10,000 --> 00:12:12,920 Speaker 1: the mayor of this city. Returning to Manly in spring, 280 00:12:13,040 --> 00:12:15,400 Speaker 1: that hoodio grews two hundred dollars to spend the babies 281 00:12:15,480 --> 00:12:18,320 Speaker 1: to dessert World Famous Desserts and Bavies to Paramatta and Brighteners, 282 00:12:18,320 --> 00:12:21,120 Speaker 1: Sands and Jones in Amerda character choose video coloring and 283 00:12:21,120 --> 00:12:23,360 Speaker 1: substandard pass Georgia. Anything you'd like to add? 284 00:12:24,280 --> 00:12:26,040 Speaker 9: No, thank you, thanks so much. 285 00:12:26,080 --> 00:12:26,640 Speaker 2: You're welcome. 286 00:12:27,040 --> 00:12:35,520 Speaker 7: Jonesy and Amanda podcast right. 287 00:12:35,320 --> 00:12:43,080 Speaker 1: Now away simbing through the Germanaker Big Book of Musical Facts. 288 00:12:43,240 --> 00:12:46,360 Speaker 1: On this day. In nineteen eighty, David Bowey released Ashes 289 00:12:46,360 --> 00:12:48,200 Speaker 1: to Ashes. Remember the film Clipped to Ashes. 290 00:12:48,760 --> 00:12:51,920 Speaker 2: Remember what he said that he was dressed in a 291 00:12:51,960 --> 00:12:52,600 Speaker 2: clown suit. 292 00:12:53,120 --> 00:12:56,360 Speaker 1: It's a giant escavator behind him. You tell the story, 293 00:12:56,440 --> 00:12:58,600 Speaker 1: and there was an old guy that just walks through 294 00:12:58,600 --> 00:13:01,400 Speaker 1: the shots and the escavator. It's Miles, Miles. 295 00:13:01,520 --> 00:13:03,360 Speaker 2: The old guys wasn't supposed to be in the film. 296 00:13:03,360 --> 00:13:05,360 Speaker 1: And so there's a picture of this giant, big front 297 00:13:05,440 --> 00:13:08,319 Speaker 1: end lader and David Bowie dressed as a cloud, walking 298 00:13:08,360 --> 00:13:10,920 Speaker 1: along and the guy can't see a camera or anything 299 00:13:11,000 --> 00:13:13,640 Speaker 1: like that, and this old guy walks into the shot. 300 00:13:13,920 --> 00:13:16,600 Speaker 2: And David Bowie as a cloud that as a cloud. 301 00:13:17,080 --> 00:13:19,520 Speaker 1: The directors, oh, what are you doing on the set? 302 00:13:19,520 --> 00:13:21,240 Speaker 1: And he goes, well, I don't know is do you 303 00:13:21,280 --> 00:13:23,600 Speaker 1: have any idea who that is? And the old guy says, 304 00:13:23,760 --> 00:13:26,160 Speaker 1: that's some sea in a clown suit. 305 00:13:26,160 --> 00:13:30,000 Speaker 2: And apparently David Bowie laughed so hard it stayed with 306 00:13:30,080 --> 00:13:32,400 Speaker 2: him forever, said, He's right, that's all I am. 307 00:13:32,480 --> 00:13:36,640 Speaker 1: I'm just some sea in a clouds. It's true from 308 00:13:37,000 --> 00:13:39,679 Speaker 1: that particular album. We're not going to play anything, know, 309 00:13:39,800 --> 00:13:43,120 Speaker 1: we're going back. The song was, of course, of sequel 310 00:13:43,160 --> 00:13:45,760 Speaker 1: to the nineteen sixty nine hits Space Odity. You remember 311 00:13:46,040 --> 00:13:49,800 Speaker 1: Space Oddity Major Tom on the Drugs, which sort of 312 00:13:49,800 --> 00:13:53,160 Speaker 1: in a way reflected David Bowie's own experience with the drugs. 313 00:13:53,240 --> 00:13:55,559 Speaker 1: But did you know that the song was also influenced 314 00:13:55,559 --> 00:13:57,600 Speaker 1: by a children's song called inch Work. 315 00:13:57,679 --> 00:14:03,280 Speaker 2: I know the song Inchworm by Jenny Ensure that was 316 00:14:03,400 --> 00:14:11,640 Speaker 2: influenced by that measure kids, This was entertainment when we 317 00:14:11,640 --> 00:14:12,120 Speaker 2: were younger. 318 00:14:12,720 --> 00:14:16,680 Speaker 1: Bowie said that the song had a child nursery rhyme element, 319 00:14:17,760 --> 00:14:20,840 Speaker 1: and he was the guy who's driving the He's just 320 00:14:20,960 --> 00:14:25,360 Speaker 1: some sea in a clown suit. Actually, let's put ashes 321 00:14:25,360 --> 00:14:25,760 Speaker 1: to ashes. 322 00:14:26,360 --> 00:14:27,280 Speaker 2: You're going to play Danny K. 323 00:14:28,880 --> 00:14:32,760 Speaker 1: We'll played more Danny K than anyone. 324 00:14:32,800 --> 00:14:33,520 Speaker 4: W S F M. 325 00:14:33,600 --> 00:14:36,240 Speaker 1: Hello there, it's jonesing amount of David Bowie or some 326 00:14:36,560 --> 00:14:37,960 Speaker 1: sea in a clown suit. 327 00:14:38,520 --> 00:14:41,480 Speaker 2: He would have enjoyed that. It really tickled him, and 328 00:14:41,480 --> 00:14:44,240 Speaker 2: he thought, he's right, How dare I have an overinflated 329 00:14:44,240 --> 00:14:49,160 Speaker 2: sense of myself? But isn't that the way you're filming something? 330 00:14:49,160 --> 00:14:51,760 Speaker 2: And some old coot why in the background, shuffles all 331 00:14:51,760 --> 00:14:53,800 Speaker 2: the way through without realizing the crew were there, and 332 00:14:53,800 --> 00:14:54,600 Speaker 2: everyone's waiting. 333 00:14:54,640 --> 00:14:58,480 Speaker 1: Do you remember reg Precide, Remember I did this thing 334 00:14:58,520 --> 00:15:01,080 Speaker 1: for the Toyura avalon and it's a long day filming 335 00:15:01,080 --> 00:15:03,440 Speaker 1: this car and we're mucking around at the Northern Beaches 336 00:15:03,480 --> 00:15:06,200 Speaker 1: there and this I had to do the voiceovers for 337 00:15:06,240 --> 00:15:09,360 Speaker 1: the Toyoda Press. And you just get your little handheld 338 00:15:09,360 --> 00:15:11,840 Speaker 1: mic and you're just doing the thing. This guy comes 339 00:15:11,880 --> 00:15:12,960 Speaker 1: down to have a look at the surf and he 340 00:15:13,000 --> 00:15:14,600 Speaker 1: gets on his phone and he starts talking, you know, 341 00:15:14,680 --> 00:15:17,640 Speaker 1: like surface stuff. Yeah, mate, it's really pumping. Yeah, And 342 00:15:17,680 --> 00:15:20,400 Speaker 1: he's talking for ages and read case, how long has 343 00:15:20,440 --> 00:15:22,280 Speaker 1: this guy got to talk for us? Well made, it's 344 00:15:22,280 --> 00:15:25,880 Speaker 1: a private public area. He can do whatever he wants. Anyway. 345 00:15:25,920 --> 00:15:28,360 Speaker 1: The guy keeps going on the red case. He says, mate, 346 00:15:28,360 --> 00:15:31,000 Speaker 1: why don't you if off? And do that somewhere else. 347 00:15:31,080 --> 00:15:33,200 Speaker 2: But he's allowed to. He's in a public space. 348 00:15:33,400 --> 00:15:35,160 Speaker 1: Age You no worries. 349 00:15:34,960 --> 00:15:37,560 Speaker 2: Because you know Frontline. You know I've been Frontline television. 350 00:15:38,040 --> 00:15:40,600 Speaker 2: That TV show started. It ruined it for everyone until 351 00:15:40,600 --> 00:15:42,440 Speaker 2: then you could say, we're making television. Do you mind 352 00:15:42,440 --> 00:15:44,440 Speaker 2: going away? Do I not mowing a lawn? Dom I 353 00:15:44,480 --> 00:15:47,840 Speaker 2: not flying a plane over here. But after Frontline exposed 354 00:15:47,880 --> 00:15:52,080 Speaker 2: how ludicrous the media actually is, people with nah, piss off, 355 00:15:52,280 --> 00:15:53,520 Speaker 2: I'm mowing the lawn. 356 00:15:54,760 --> 00:15:57,280 Speaker 1: At seventeen to seven, I must say I never checked 357 00:15:57,320 --> 00:16:01,840 Speaker 1: DMS on Instagram because you know, there's a lot of weirdos. 358 00:16:01,880 --> 00:16:05,880 Speaker 1: But I did get a post from you yesterday and 359 00:16:05,920 --> 00:16:08,800 Speaker 1: I opened it and it was a very worthy story 360 00:16:08,920 --> 00:16:11,440 Speaker 1: about doctor Bernardo. If you were a. 361 00:16:11,400 --> 00:16:13,880 Speaker 13: Poor child living in the slums of Victoria in London, 362 00:16:14,240 --> 00:16:17,640 Speaker 13: your life was probably pretty miserable. You'd be familiar with 363 00:16:17,680 --> 00:16:19,720 Speaker 13: the horrors of disease with grinding. 364 00:16:20,840 --> 00:16:25,880 Speaker 1: And because I thinking, I know that you are a 365 00:16:25,920 --> 00:16:29,240 Speaker 1: worthy person, you do worthy things, and the story about 366 00:16:29,320 --> 00:16:32,880 Speaker 1: doctor Bernardo is a worthwhile story about how he helped 367 00:16:32,920 --> 00:16:36,680 Speaker 1: impoverished youth in Victorian England. I thought that was that 368 00:16:36,760 --> 00:16:39,400 Speaker 1: was pretty good, But at the end of it. I'm thinking, okay. 369 00:16:39,480 --> 00:16:42,680 Speaker 2: Five minutes then you messaged me and you said, what 370 00:16:42,760 --> 00:16:43,520 Speaker 2: a nice what. 371 00:16:43,440 --> 00:16:44,960 Speaker 1: A top bloke, what a top fellow. 372 00:16:44,960 --> 00:16:47,520 Speaker 2: I thought, what are you talking about? And I looked 373 00:16:47,560 --> 00:16:49,880 Speaker 2: at what I'd sent you. I thought, no, I didn't 374 00:16:49,920 --> 00:16:52,240 Speaker 2: mean to send you that. I had to send you this. 375 00:16:52,320 --> 00:16:54,720 Speaker 2: So I resent what I had meant to send you, 376 00:16:55,480 --> 00:17:00,320 Speaker 2: which was a TikTok of a girl whose boy friend 377 00:17:00,360 --> 00:17:02,720 Speaker 2: is over and she needs to pass wind, so she 378 00:17:02,840 --> 00:17:05,919 Speaker 2: runs into her flatmate's room and the flatmate starts filming her, 379 00:17:05,920 --> 00:17:19,240 Speaker 2: and it's hilarious. It sounds like a dug ordering a pizza. 380 00:17:21,040 --> 00:17:23,800 Speaker 1: On one hand, we got doctor Bernardo doing the great Word. 381 00:17:23,880 --> 00:17:25,600 Speaker 2: And you must have wondered why I sent you that 382 00:17:25,720 --> 00:17:27,280 Speaker 2: was in fact, I meant to just send you the 383 00:17:27,320 --> 00:17:31,439 Speaker 2: fighting girl. You must have thought, what's happened to Amanda? 384 00:17:31,440 --> 00:17:33,520 Speaker 1: Why she's ending me it happened. I thought, oh man, 385 00:17:33,520 --> 00:17:34,720 Speaker 1: we're gonna have BABC. 386 00:17:35,000 --> 00:17:36,679 Speaker 2: Then you knew all was right with the world. 387 00:17:36,760 --> 00:17:41,320 Speaker 1: Everything was okay, The world was back on its axis. 388 00:17:41,560 --> 00:17:45,040 Speaker 2: Pomcast wasn't that long ago the Johnny Depp and Amber 389 00:17:45,080 --> 00:17:48,200 Speaker 2: Her defamation case captured the world? Thought you'd heard enough, Well, 390 00:17:48,200 --> 00:17:50,959 Speaker 2: now there's a Netflix documentary putting the case back at 391 00:17:50,960 --> 00:17:54,639 Speaker 2: the forefront for people. Somebody who went viral by commentating 392 00:17:54,680 --> 00:17:57,640 Speaker 2: on the trial is Sydney based defense lawyer Johann Kalanta. 393 00:17:58,160 --> 00:18:01,000 Speaker 2: He's featured heavily in the doco. Without him even knowing it, 394 00:18:01,119 --> 00:18:02,680 Speaker 2: he joins us now, Jahann. 395 00:18:02,359 --> 00:18:05,560 Speaker 10: Hi, Hey, good morning, How are you great? 396 00:18:05,680 --> 00:18:05,920 Speaker 5: John? 397 00:18:06,119 --> 00:18:08,280 Speaker 1: That must have been interesting when of a sudden you 398 00:18:08,400 --> 00:18:09,760 Speaker 1: just popped up on Netflix. 399 00:18:10,800 --> 00:18:13,840 Speaker 10: It was a weird Thursday. I started getting text messages 400 00:18:13,880 --> 00:18:17,120 Speaker 10: for relatives and friends. Oh, you did great in that documentary, 401 00:18:17,200 --> 00:18:20,159 Speaker 10: and I'm thinking, what documentary are you talking about? 402 00:18:20,440 --> 00:18:24,040 Speaker 2: Well, this all came about because of your tiktoks, which 403 00:18:24,320 --> 00:18:28,520 Speaker 2: was your daily analysis of the court room drama. What 404 00:18:28,640 --> 00:18:31,520 Speaker 2: did you make of that court case? Because early on 405 00:18:31,640 --> 00:18:34,240 Speaker 2: you said, well, Johnny Depp's going to be he's going 406 00:18:34,240 --> 00:18:35,720 Speaker 2: to be let off here, and you were right. 407 00:18:37,320 --> 00:18:40,560 Speaker 10: It was a really interesting moment in I guess pop 408 00:18:40,600 --> 00:18:42,720 Speaker 10: culture and legal history. So I can only see the 409 00:18:42,720 --> 00:18:44,439 Speaker 10: world through the lens of a lawyer. And while I 410 00:18:44,440 --> 00:18:47,080 Speaker 10: don't practice in the United States, many of the tactical 411 00:18:47,080 --> 00:18:49,800 Speaker 10: and strategic skills are pretty much the same, and so 412 00:18:50,680 --> 00:18:53,760 Speaker 10: there was a lot of white noise around this particular trial. 413 00:18:53,840 --> 00:18:56,320 Speaker 10: But when you cut through it and you started to 414 00:18:56,320 --> 00:18:58,960 Speaker 10: look at the different elements, you started to see, look, 415 00:18:59,119 --> 00:19:01,720 Speaker 10: it's likely that he was defamed, and that's what the 416 00:19:02,119 --> 00:19:03,920 Speaker 10: court ultimately found, as was Miss Hurd. 417 00:19:05,600 --> 00:19:07,359 Speaker 2: So they were both defamed. 418 00:19:08,240 --> 00:19:11,400 Speaker 10: Yes, So essentially the ultimate outcome was that mister Depp 419 00:19:11,440 --> 00:19:13,240 Speaker 10: had been defamed by the op ed and that Miss 420 00:19:13,320 --> 00:19:17,240 Speaker 10: Hurd had been defamed by representations made by mister Depp's 421 00:19:17,240 --> 00:19:20,800 Speaker 10: attorney at the time. So it was the victory was 422 00:19:20,840 --> 00:19:23,919 Speaker 10: really to mister Depp because he was awarded substantially more damages, 423 00:19:23,960 --> 00:19:26,040 Speaker 10: but ultimately the court sound both of them had done 424 00:19:26,040 --> 00:19:26,520 Speaker 10: the long thing. 425 00:19:27,000 --> 00:19:30,280 Speaker 2: You were quite opinionated about Amber Herd's legal team. What 426 00:19:30,400 --> 00:19:31,679 Speaker 2: did they get wrong? 427 00:19:33,600 --> 00:19:36,080 Speaker 10: I think they did a very very good job, to 428 00:19:36,119 --> 00:19:39,119 Speaker 10: the best of their ability, with a client that was 429 00:19:39,200 --> 00:19:42,359 Speaker 10: not particularly well received by either the jury or the 430 00:19:42,400 --> 00:19:45,320 Speaker 10: general public. And I think that what they did was 431 00:19:45,359 --> 00:19:48,320 Speaker 10: they came off as quite swami at certain times, and 432 00:19:48,359 --> 00:19:51,760 Speaker 10: they came off as quite arrogant, and that's understandable. Defamation 433 00:19:51,880 --> 00:19:54,119 Speaker 10: is incredibly hard to prove in the United States, and 434 00:19:54,400 --> 00:19:58,040 Speaker 10: mister Herd had already unsuccessfully attempted a defamation action against 435 00:19:58,040 --> 00:20:00,280 Speaker 10: the Sun in the United Kingdom, and so it was 436 00:20:00,320 --> 00:20:02,080 Speaker 10: easy for them to go in there thinking this is 437 00:20:02,119 --> 00:20:04,879 Speaker 10: a laid down maasaire. But as the trial went on, 438 00:20:05,000 --> 00:20:07,520 Speaker 10: and as the Jewelry started to I guess, become more 439 00:20:07,920 --> 00:20:11,119 Speaker 10: conscious of the credibility of misheard and perhaps find Johnny 440 00:20:11,160 --> 00:20:14,280 Speaker 10: more likable than they expected. They didn't switch tactics, and 441 00:20:14,320 --> 00:20:16,400 Speaker 10: that's where I think they came a little bit unstuck. 442 00:20:16,640 --> 00:20:18,840 Speaker 1: Defamation has become a big thing in our country, though, 443 00:20:18,880 --> 00:20:21,480 Speaker 1: hasn't it as well? But not really successful. No one's 444 00:20:21,520 --> 00:20:23,320 Speaker 1: really won any defamation cases. 445 00:20:24,520 --> 00:20:28,600 Speaker 10: Well. The reality is that this type of litigation, a 446 00:20:28,800 --> 00:20:32,640 Speaker 10: large scale defamation for a powerful person to protect their position, 447 00:20:33,000 --> 00:20:35,320 Speaker 10: was never done before this, and certainly not done in 448 00:20:35,359 --> 00:20:38,680 Speaker 10: such a way as to be publicly broadcast on social media. 449 00:20:38,760 --> 00:20:41,239 Speaker 10: This really was the first of its kind, but I 450 00:20:41,320 --> 00:20:43,479 Speaker 10: believe it's the start of something. I don't know if 451 00:20:43,480 --> 00:20:46,000 Speaker 10: anything will ever be this big again, but I imagine 452 00:20:46,000 --> 00:20:48,840 Speaker 10: that this will be the way that, you know, a 453 00:20:49,040 --> 00:20:52,680 Speaker 10: listers and people in power litigate these disputes moving forward. 454 00:20:52,680 --> 00:20:54,879 Speaker 10: Because it really was a pr campaign wrapped up as 455 00:20:54,880 --> 00:20:55,520 Speaker 10: a lawsuit. 456 00:20:55,680 --> 00:20:57,320 Speaker 2: And is that good or bad? How do you as 457 00:20:57,320 --> 00:20:59,800 Speaker 2: a lawyer feel about that I see it. 458 00:21:00,160 --> 00:21:03,040 Speaker 10: Look, I can kind of both ways. Access to justice 459 00:21:03,080 --> 00:21:05,400 Speaker 10: is necessarily a good thing. It's good that people can 460 00:21:05,440 --> 00:21:08,679 Speaker 10: see the evidence unfold and can make those opinions, But 461 00:21:08,720 --> 00:21:11,680 Speaker 10: the problem is that it also generates substantial white noise. 462 00:21:11,920 --> 00:21:13,919 Speaker 10: A lot of the experts who were commentating on this 463 00:21:14,000 --> 00:21:16,959 Speaker 10: thing had no qualification whatsoever, and some of them were 464 00:21:16,960 --> 00:21:20,680 Speaker 10: saying things that were respectfully unhinged. So it's really concerning 465 00:21:20,720 --> 00:21:22,800 Speaker 10: because if you're getting you know, if you're getting your 466 00:21:22,800 --> 00:21:26,359 Speaker 10: insights from people who aren't qualified journalists, you've got a problem. 467 00:21:26,560 --> 00:21:29,240 Speaker 2: And the result is very interesting that Johnny Depp continues 468 00:21:29,240 --> 00:21:33,680 Speaker 2: to work and Amberhard seems to be struggling. Funny then, yeah, Look. 469 00:21:33,640 --> 00:21:35,959 Speaker 10: It's what we need to always bring it back to 470 00:21:36,200 --> 00:21:39,200 Speaker 10: is that if somebody is the victim of something as 471 00:21:39,240 --> 00:21:42,400 Speaker 10: horrendous as into partner violence, they deserve to be believed. 472 00:21:42,480 --> 00:21:45,080 Speaker 10: And it's so important that this does not detract from 473 00:21:45,080 --> 00:21:47,399 Speaker 10: that message in any way, shape or form. The flip 474 00:21:47,400 --> 00:21:49,159 Speaker 10: side of it, though, is if someone is willing to 475 00:21:49,200 --> 00:21:53,080 Speaker 10: make unsubstantiate allegations which destroy someone's life, there needs to 476 00:21:53,119 --> 00:21:55,800 Speaker 10: be some account and so I'm hopeful that this has 477 00:21:55,840 --> 00:21:58,399 Speaker 10: brought that message to the general public, and it hasn't 478 00:21:58,440 --> 00:22:00,879 Speaker 10: kind of washed over the importance of making sure that 479 00:22:01,080 --> 00:22:04,359 Speaker 10: people in those horrible situations deserve to be believed and 480 00:22:04,400 --> 00:22:06,640 Speaker 10: deserve to have every opportunity to get out of them. 481 00:22:06,880 --> 00:22:09,359 Speaker 1: Well, Johann, you are great. We're putting you in our 482 00:22:09,400 --> 00:22:13,080 Speaker 1: speed for any sort of defamation law trouble that Amanda 483 00:22:13,160 --> 00:22:15,680 Speaker 1: might get us into, wouldn't be me. It would always 484 00:22:15,760 --> 00:22:18,600 Speaker 1: be Amanda. And you can follow Johanna on TikTok at 485 00:22:19,119 --> 00:22:23,400 Speaker 1: Johann Klanta Official. Thank you for joining us, mate. 486 00:22:23,320 --> 00:22:24,439 Speaker 10: Thank you so much for having me. 487 00:22:24,480 --> 00:22:25,760 Speaker 8: Guys shumation. 488 00:22:27,960 --> 00:22:29,680 Speaker 12: Now, who wants the free money? 489 00:22:29,720 --> 00:22:30,120 Speaker 2: Instance? 490 00:22:30,640 --> 00:22:37,920 Speaker 1: Fast and Amanda's what's this called love? Instagram? Ten questions 491 00:22:37,960 --> 00:22:39,840 Speaker 1: sixty seconds on the clock. You can pass if you 492 00:22:39,840 --> 00:22:41,520 Speaker 1: don't know an answer, will come back to that question 493 00:22:41,560 --> 00:22:43,960 Speaker 1: if time permits. If you get all the questions right, 494 00:22:44,200 --> 00:22:47,120 Speaker 1: one thousand dollars coming your way, you can rack off with. 495 00:22:47,080 --> 00:22:49,760 Speaker 2: A thousand dollars and we'll say good on you. But 496 00:22:49,920 --> 00:22:51,480 Speaker 2: do you want to double your money. We'll give you 497 00:22:51,520 --> 00:22:53,560 Speaker 2: the option of playing double or nothing. 498 00:22:53,760 --> 00:22:55,720 Speaker 1: We do have to get there first. Robert is in 499 00:22:55,800 --> 00:23:00,920 Speaker 1: Glen Alpine. Amanda, We are well. 500 00:23:00,960 --> 00:23:03,719 Speaker 2: Thank you now, Robert ten, question sixty seconds. If you're 501 00:23:03,760 --> 00:23:07,240 Speaker 2: not sure, say passed, Wes, you have time to come back. Okay, okay, 502 00:23:07,240 --> 00:23:09,160 Speaker 2: thanks Robert. I've got a good feeling about you. Let's 503 00:23:09,160 --> 00:23:10,280 Speaker 2: see how we go? Are you ready? 504 00:23:10,359 --> 00:23:10,880 Speaker 1: Here we go? 505 00:23:11,320 --> 00:23:14,280 Speaker 2: Here we go? Question number one? How many wheels are 506 00:23:14,280 --> 00:23:15,080 Speaker 2: on a tricycle? 507 00:23:17,119 --> 00:23:17,600 Speaker 12: Three? 508 00:23:17,720 --> 00:23:22,560 Speaker 2: Question two? What fruit is used to make traditional wine? 509 00:23:22,680 --> 00:23:24,320 Speaker 2: Question three? Where does Santa live? 510 00:23:25,680 --> 00:23:25,840 Speaker 6: Nor? 511 00:23:26,359 --> 00:23:28,680 Speaker 2: Question four? What color of flamingos? 512 00:23:29,240 --> 00:23:29,520 Speaker 12: Pink? 513 00:23:29,760 --> 00:23:34,520 Speaker 2: Question five? What is fridge? Short for refrigerator? Question six? 514 00:23:34,560 --> 00:23:36,160 Speaker 2: How many strings are on a standard guitar? 515 00:23:37,080 --> 00:23:37,320 Speaker 11: Six? 516 00:23:37,720 --> 00:23:41,800 Speaker 2: Question seven? Barley is an island in which country? Question eight? 517 00:23:41,840 --> 00:23:44,280 Speaker 2: If you're born on Christmas Day? What star sign are you? 518 00:23:45,800 --> 00:23:46,080 Speaker 6: Ask? 519 00:23:46,320 --> 00:23:49,320 Speaker 2: Question nine? In the movie Bridget jones Diary, who plays 520 00:23:49,320 --> 00:23:49,960 Speaker 2: Mark Darcy? 521 00:23:51,280 --> 00:23:51,560 Speaker 4: Ask? 522 00:23:51,880 --> 00:24:00,600 Speaker 2: Question ten? What type of animal is a puffin? Ah Aird? 523 00:24:00,760 --> 00:24:02,000 Speaker 1: You're thinking of a puffer fish? 524 00:24:03,240 --> 00:24:04,240 Speaker 12: As I said it. 525 00:24:04,840 --> 00:24:06,639 Speaker 2: I thought you might have known this one. What fruit 526 00:24:06,720 --> 00:24:09,879 Speaker 2: is used to make wine? 527 00:24:10,800 --> 00:24:10,919 Speaker 8: Here? 528 00:24:10,920 --> 00:24:13,840 Speaker 2: Probably if you're born on that's okay because we could 529 00:24:13,840 --> 00:24:16,080 Speaker 2: have come back. If you're born on Christmas Day? What stars? 530 00:24:16,119 --> 00:24:21,120 Speaker 2: I know you it's Capricorn and Colin Firth plays Mark 531 00:24:21,200 --> 00:24:23,760 Speaker 2: Darcy in the Stone. 532 00:24:23,880 --> 00:24:26,480 Speaker 1: No chance on that, oh, Robert. 533 00:24:26,200 --> 00:24:27,960 Speaker 2: Thank you get one hundred bucks to be getting on with. 534 00:24:28,000 --> 00:24:30,240 Speaker 2: Thank you for thanks the opportunity. 535 00:24:33,080 --> 00:24:35,880 Speaker 1: So you slid into my d MS last night. 536 00:24:36,119 --> 00:24:38,200 Speaker 2: Well, sometimes I find little bits and pieces and I 537 00:24:38,200 --> 00:24:39,560 Speaker 2: think I'll send that to Jonesy. 538 00:24:39,960 --> 00:24:42,240 Speaker 1: And I don't usually, as a rule check dms because 539 00:24:42,520 --> 00:24:43,719 Speaker 1: largely they're from nuts. 540 00:24:44,400 --> 00:24:46,040 Speaker 2: I'm no exception, and well. 541 00:24:46,240 --> 00:24:48,320 Speaker 1: Yeah, nothing had change that. But then it was a 542 00:24:48,440 --> 00:24:52,000 Speaker 1: very worthy post about doctor Bernardo's and all the good 543 00:24:52,040 --> 00:24:55,159 Speaker 1: work he did starting out in Victoria and England with 544 00:24:55,280 --> 00:24:57,240 Speaker 1: little kids, little impoverished kiddies. 545 00:24:57,760 --> 00:24:59,760 Speaker 13: If you were a poor child living and the slums 546 00:24:59,800 --> 00:25:01,600 Speaker 13: of it Tory in London, your. 547 00:25:01,480 --> 00:25:03,240 Speaker 2: Life was probably pretty. 548 00:25:02,960 --> 00:25:05,399 Speaker 1: Mist And I've watched this story and I thought this 549 00:25:05,560 --> 00:25:07,920 Speaker 1: is great. It went for five minutes. 550 00:25:07,720 --> 00:25:10,800 Speaker 2: And I checked my phone and you'd message back saying 551 00:25:11,000 --> 00:25:13,720 Speaker 2: what a top bloke. I thought, what are you talking about? 552 00:25:13,760 --> 00:25:16,439 Speaker 2: And I realized i'd send you that by mistake. What 553 00:25:16,520 --> 00:25:19,239 Speaker 2: I'd meant to send you was this funny vision I 554 00:25:19,320 --> 00:25:22,199 Speaker 2: saw of this girl whose boyfriend is staying over and 555 00:25:22,240 --> 00:25:25,400 Speaker 2: she needs to fart, so she runs into her flatmate's 556 00:25:25,680 --> 00:25:28,720 Speaker 2: bedroom and she and her flatmate are laughing so hard 557 00:25:28,920 --> 00:25:36,879 Speaker 2: and her flatmate films it all. Someone said, it sounds 558 00:25:36,880 --> 00:25:37,520 Speaker 2: like a duck. 559 00:25:37,400 --> 00:25:40,080 Speaker 1: Is ordering a pizza boy stuff. 560 00:25:42,400 --> 00:25:44,760 Speaker 2: That's what I'd meant to send you, not to undo 561 00:25:44,840 --> 00:25:46,879 Speaker 2: the beautiful work of doctor Bernardo's. But I don't know 562 00:25:47,000 --> 00:25:47,640 Speaker 2: how I. 563 00:25:47,520 --> 00:25:49,040 Speaker 1: Sent back to it, and he would have, like, you know, 564 00:25:49,160 --> 00:25:51,400 Speaker 1: gone into it. Little rooms of poor little kiddies in. 565 00:25:51,359 --> 00:25:52,720 Speaker 2: There, dropped one. 566 00:25:53,200 --> 00:25:54,200 Speaker 1: Haven't I suffered enough? 567 00:25:54,320 --> 00:25:54,520 Speaker 8: Mate? 568 00:25:54,680 --> 00:25:56,879 Speaker 2: This woman was on Reddit the other day saying she 569 00:25:56,960 --> 00:25:59,560 Speaker 2: sparked a debates. Said her boyfriend told her quote, she 570 00:25:59,600 --> 00:26:02,159 Speaker 2: needs to be more lady like because she farted in 571 00:26:02,200 --> 00:26:04,640 Speaker 2: front of him. She said, she just wants to fight 572 00:26:04,680 --> 00:26:06,880 Speaker 2: with our judgment, and they got into a big argument 573 00:26:06,880 --> 00:26:08,320 Speaker 2: about it. She'll be able to fart in the privacy 574 00:26:08,320 --> 00:26:08,920 Speaker 2: of your own home. 575 00:26:10,000 --> 00:26:12,920 Speaker 1: Yeah. Yeah, I don't just rip them out. Contrary to 576 00:26:13,000 --> 00:26:15,639 Speaker 1: what you would think, I'm very discreet about mine. I 577 00:26:15,760 --> 00:26:18,760 Speaker 1: always plan them, you know, plan them out. Just in 578 00:26:18,760 --> 00:26:20,480 Speaker 1: a situation where. 579 00:26:20,440 --> 00:26:22,040 Speaker 2: Like in the stairwell here stairwell. 580 00:26:23,160 --> 00:26:25,720 Speaker 1: Yeah, I was walking up the stairwell and crazy Mindy 581 00:26:26,000 --> 00:26:27,600 Speaker 1: was in the stair well. I didn't know she was there. 582 00:26:27,640 --> 00:26:28,479 Speaker 1: She used to work with us. 583 00:26:28,520 --> 00:26:31,080 Speaker 2: We're just enjoying the gracios. 584 00:26:30,560 --> 00:26:32,200 Speaker 1: And I was just walking up the stairs and I've 585 00:26:32,240 --> 00:26:37,040 Speaker 1: just done a big three toner, you know, changes pitch, 586 00:26:37,440 --> 00:26:38,840 Speaker 1: and then I hear crazy mindy. 587 00:26:38,720 --> 00:26:45,200 Speaker 2: Hi Jonesy, you've hit a high seed just right? Oh wow? 588 00:26:45,400 --> 00:26:49,280 Speaker 2: Is that why her hair went great? Catherine Mahoney, who's 589 00:26:49,280 --> 00:26:51,679 Speaker 2: this fantastic woman. She's a friend of mine. She's got 590 00:26:51,720 --> 00:26:54,040 Speaker 2: a book called Currently Between Husbands and so I'm not 591 00:26:54,080 --> 00:26:55,840 Speaker 2: giving out a confidence. She wrote about this in the 592 00:26:55,880 --> 00:26:59,480 Speaker 2: book that she had someone staying over, she was divorced, 593 00:26:59,520 --> 00:27:02,520 Speaker 2: and she had to pass wind. So she ran into 594 00:27:02,600 --> 00:27:04,679 Speaker 2: the next bedroom. Her son wasn't there. He was with 595 00:27:04,720 --> 00:27:07,159 Speaker 2: the dad that night, and she grabbed the only thing 596 00:27:07,200 --> 00:27:09,560 Speaker 2: she could find, which was one of her son's teddies, 597 00:27:10,359 --> 00:27:11,520 Speaker 2: put it into a bottom and. 598 00:27:11,640 --> 00:27:12,440 Speaker 1: Let rip. 599 00:27:14,400 --> 00:27:16,240 Speaker 2: There was what the lengths you go do to cover up? 600 00:27:16,480 --> 00:27:19,800 Speaker 2: I was were filming with Miguel for the living room 601 00:27:20,160 --> 00:27:23,520 Speaker 2: and we were filming around this tandury oven and Miguel says, oh, look, 602 00:27:23,520 --> 00:27:25,480 Speaker 2: I've just got a fart, and he said watch this, 603 00:27:25,840 --> 00:27:27,600 Speaker 2: and what he's going to do was clang the lid 604 00:27:27,640 --> 00:27:30,280 Speaker 2: of the tandury oven down the distraction and fart at 605 00:27:30,280 --> 00:27:32,119 Speaker 2: the time, and all I heard was the clank of 606 00:27:32,160 --> 00:27:36,080 Speaker 2: the lidd and then we missed the timing completely. 607 00:27:36,240 --> 00:27:42,560 Speaker 1: That's like a band clank. Watch this. I think the 608 00:27:42,600 --> 00:27:47,240 Speaker 1: tribal drum will be. We call it the cover up because, 609 00:27:47,280 --> 00:27:54,840 Speaker 1: if anything, it sounds like a trail bike. If anything, 610 00:27:54,880 --> 00:27:56,680 Speaker 1: we can get some tips and advice on. 611 00:27:56,920 --> 00:27:59,960 Speaker 2: You know, all right, the cover up? Have you covered up? 612 00:28:00,080 --> 00:28:02,800 Speaker 2: What lengths you go to to disguise the fart? Remember 613 00:28:02,800 --> 00:28:05,639 Speaker 2: once we're working at the other radio station and Dave Gibson, 614 00:28:05,640 --> 00:28:07,800 Speaker 2: who he loved, was working with us, and he did 615 00:28:07,840 --> 00:28:11,000 Speaker 2: this terrible, stinky fart and he thought and everyone was 616 00:28:11,000 --> 00:28:13,880 Speaker 2: coming in for a meeting. He reached the cupboard thinking 617 00:28:13,920 --> 00:28:16,199 Speaker 2: he was getting air fresh now, and he sprayed with 618 00:28:16,359 --> 00:28:19,200 Speaker 2: what's that hit? It was olive oil, spru olive oil 619 00:28:19,200 --> 00:28:22,159 Speaker 2: and garlic spray. Just adding to just adding to the 620 00:28:22,240 --> 00:28:23,520 Speaker 2: horror of the moment. 621 00:28:25,840 --> 00:28:28,600 Speaker 1: Podcast. It is hard when you think about it. I 622 00:28:28,640 --> 00:28:32,560 Speaker 1: think about captains of industry, or even bus drivers, the 623 00:28:32,640 --> 00:28:35,360 Speaker 1: humble bus driver. They're in a bus driving along. If 624 00:28:35,359 --> 00:28:37,200 Speaker 1: they want to rip one out, they can't really do it. 625 00:28:37,240 --> 00:28:39,240 Speaker 1: And that's one of the great pleasures in life. When 626 00:28:39,240 --> 00:28:41,200 Speaker 1: you're in your car, you lift a cheeking. 627 00:28:40,920 --> 00:28:44,320 Speaker 2: Out so you hope that you have to wind your 628 00:28:44,320 --> 00:28:46,760 Speaker 2: window down for a squeegey guy to do your win screens. 629 00:28:46,840 --> 00:28:49,000 Speaker 1: Squeege you go, But often it's the trope. 630 00:28:49,080 --> 00:28:51,520 Speaker 2: Of guys at home who has ripped them out. This 631 00:28:51,600 --> 00:28:53,480 Speaker 2: woman is saying that her boyfriend has said he doesn't 632 00:28:53,480 --> 00:28:55,000 Speaker 2: want her farting at home, and she goes, what am 633 00:28:55,000 --> 00:28:55,360 Speaker 2: I support? 634 00:28:55,360 --> 00:28:56,360 Speaker 1: How does she do it? Back? 635 00:28:56,360 --> 00:28:58,239 Speaker 2: In my head will blow off? Well, I don't know, 636 00:28:58,520 --> 00:29:00,680 Speaker 2: but there's ways of doing it to screen well, like 637 00:29:00,720 --> 00:29:02,560 Speaker 2: you do in the stairwell when other people are there. 638 00:29:02,600 --> 00:29:04,600 Speaker 1: Yeah. Well, and I usually in the morning, I'm the 639 00:29:04,600 --> 00:29:06,680 Speaker 1: only one here. I get to work first and I 640 00:29:06,800 --> 00:29:09,760 Speaker 1: run up the stairs and as I'm running up the stairs, 641 00:29:09,960 --> 00:29:12,120 Speaker 1: it all just you know, it's a perfect And also 642 00:29:12,160 --> 00:29:14,760 Speaker 1: I do appreciate the echo chamber, yeah, because you can 643 00:29:14,840 --> 00:29:17,120 Speaker 1: really get a good one. But I didn't know that 644 00:29:17,200 --> 00:29:20,680 Speaker 1: crazy Mindy was right by me on the stairs. 645 00:29:21,200 --> 00:29:23,320 Speaker 2: We're discussing tales of the cover up. There's a woman 646 00:29:23,360 --> 00:29:26,600 Speaker 2: who was needed to pass wind at her home. Her 647 00:29:26,600 --> 00:29:28,920 Speaker 2: boyfriend was over, so she ran into a flatmate's room 648 00:29:28,960 --> 00:29:30,640 Speaker 2: and a flatmate thought it was hilarious and filmed the 649 00:29:30,680 --> 00:29:36,040 Speaker 2: whole thing. It's like a. 650 00:29:36,000 --> 00:29:37,880 Speaker 1: Trial bike going up the sand dunes. 651 00:29:39,200 --> 00:29:41,760 Speaker 2: What have we got hello, Christine, tell us about the 652 00:29:41,800 --> 00:29:42,360 Speaker 2: cover up. 653 00:29:43,240 --> 00:29:44,800 Speaker 5: Morning Jones and Amanda, how are. 654 00:29:44,800 --> 00:29:47,720 Speaker 2: You very so? 655 00:29:47,920 --> 00:29:48,120 Speaker 8: Here? 656 00:29:48,160 --> 00:29:50,720 Speaker 5: I was I was new to retail after twenty years 657 00:29:50,720 --> 00:29:54,920 Speaker 5: in an office job, and this was seventeen years ago now. 658 00:29:55,240 --> 00:29:58,920 Speaker 5: But here I've gone over showing these lovely young couple 659 00:29:59,000 --> 00:30:01,200 Speaker 5: this jney to that they come in to look her 660 00:30:01,800 --> 00:30:06,560 Speaker 5: and out pops the fart, and I've just started kicking 661 00:30:06,560 --> 00:30:13,240 Speaker 5: my leather shoes together, going oh, sorry, new shoes, I 662 00:30:13,320 --> 00:30:15,800 Speaker 5: don't know. Their faces didn't give away much, but I 663 00:30:15,880 --> 00:30:19,080 Speaker 5: quickly exited back over to my desk and told the girls. Well, 664 00:30:19,120 --> 00:30:22,720 Speaker 5: everyone was in hysterics because you know, how can you 665 00:30:22,760 --> 00:30:24,520 Speaker 5: bother blame your new shoes. 666 00:30:25,160 --> 00:30:25,960 Speaker 2: Shoes smell at. 667 00:30:28,440 --> 00:30:28,640 Speaker 9: You know? 668 00:30:28,720 --> 00:30:32,080 Speaker 2: Even this morning I was charging my Apple watch next 669 00:30:32,080 --> 00:30:33,800 Speaker 2: to the bed and before I left the house, and 670 00:30:33,880 --> 00:30:35,600 Speaker 2: I want to go and get my watches. I walked 671 00:30:35,640 --> 00:30:37,480 Speaker 2: in to get my watch, just did a fart next 672 00:30:37,520 --> 00:30:40,080 Speaker 2: the bed and left. Poor Harley thinks I've come out 673 00:30:40,080 --> 00:30:42,880 Speaker 2: of my way to fart next to the bed and 674 00:30:42,920 --> 00:30:45,880 Speaker 2: then leave. You must think I've married the pick of 675 00:30:45,920 --> 00:30:53,280 Speaker 2: the litter. Here, My said, he's alarm. Thanks Chris, you've 676 00:30:53,320 --> 00:30:55,480 Speaker 2: walked back and then left again. 677 00:30:56,880 --> 00:30:57,960 Speaker 1: No kids. 678 00:30:59,400 --> 00:31:02,160 Speaker 2: Times, Tom tell us about the cover up. 679 00:31:03,000 --> 00:31:06,400 Speaker 6: Good morning, guys, how are you doing well? That's good. 680 00:31:07,120 --> 00:31:09,240 Speaker 6: Years ago, when I was a young lake, I decided 681 00:31:09,280 --> 00:31:12,280 Speaker 6: to go for a job in town. It was like 682 00:31:12,320 --> 00:31:15,880 Speaker 6: an office hand and anyway, I travel on the train 683 00:31:15,920 --> 00:31:18,960 Speaker 6: and my tummy was a bit churning a bit and 684 00:31:19,560 --> 00:31:22,080 Speaker 6: I got to the got to the place, got in 685 00:31:22,120 --> 00:31:24,720 Speaker 6: the elevator. There was about thirty people in this elevator. 686 00:31:24,760 --> 00:31:28,239 Speaker 6: It was chocus. So I had to had to do it. 687 00:31:28,280 --> 00:31:33,520 Speaker 6: So I let this fie go, I let this silent park. 688 00:31:33,880 --> 00:31:37,240 Speaker 6: It was like, I'll bring tears to your eyes. And 689 00:31:37,880 --> 00:31:39,640 Speaker 6: I thought they were going to blame the young Lake. 690 00:31:39,680 --> 00:31:40,960 Speaker 6: So I looked at the guy next to me and 691 00:31:41,040 --> 00:31:41,600 Speaker 6: I said. 692 00:31:41,480 --> 00:31:42,960 Speaker 4: Oh, mate, that is bad. 693 00:31:44,160 --> 00:31:47,640 Speaker 6: Everybody looked at him and said, ma, you're disgusting. So 694 00:31:47,720 --> 00:31:50,760 Speaker 6: we all got out the next level and he stayed 695 00:31:50,760 --> 00:31:53,680 Speaker 6: in there and said it wasn't me. Anyway, I got 696 00:31:53,680 --> 00:31:56,160 Speaker 6: in another elevator went up and when I went into 697 00:31:56,200 --> 00:32:00,560 Speaker 6: the job in them you guess who it was. And 698 00:32:00,600 --> 00:32:03,280 Speaker 6: he says, I have to ask you one question, and 699 00:32:03,320 --> 00:32:04,760 Speaker 6: I said, he said, was it you? 700 00:32:05,680 --> 00:32:06,520 Speaker 1: What did you say? 701 00:32:07,320 --> 00:32:09,760 Speaker 6: Well, I was to be honest to get a job. 702 00:32:09,840 --> 00:32:12,760 Speaker 12: Hall lie not feel right, so I had to be 703 00:32:12,800 --> 00:32:15,480 Speaker 12: honest and it was He says, well, there's the door, 704 00:32:15,560 --> 00:32:24,160 Speaker 12: so yeah. 705 00:32:19,520 --> 00:32:23,040 Speaker 2: Yeah, oh, I never fought in an elevator. That's another 706 00:32:23,120 --> 00:32:24,720 Speaker 2: country songs that I love so much. 707 00:32:24,680 --> 00:32:27,320 Speaker 1: Because if the one here, we've only got four floors 708 00:32:27,320 --> 00:32:29,840 Speaker 1: in this building. And if you're in your there by 709 00:32:29,880 --> 00:32:31,840 Speaker 1: yourself and you writ one ats goodboard. 710 00:32:31,920 --> 00:32:33,880 Speaker 2: People the doors open and other people. 711 00:32:33,680 --> 00:32:35,160 Speaker 1: Going when you get to the bottom attack. 712 00:32:35,440 --> 00:32:36,880 Speaker 2: The worst one is if you go in and someone 713 00:32:36,880 --> 00:32:38,720 Speaker 2: else has done one and then the doors open, everyone 714 00:32:38,800 --> 00:32:39,480 Speaker 2: think it was you. 715 00:32:41,080 --> 00:32:42,880 Speaker 1: That seems to happen a lot to you. 716 00:32:44,760 --> 00:32:50,440 Speaker 7: Jonesy and Amanda podcast TI. 717 00:32:56,120 --> 00:32:58,920 Speaker 1: On this Stay. Twelve months ago, John Farnham underwent a 718 00:32:59,080 --> 00:33:02,520 Speaker 1: twelve hours surgery in Melbourne to remove a cancerous tumor 719 00:33:02,560 --> 00:33:06,080 Speaker 1: from his mouth, along with the reconstructive plastic surgery the 720 00:33:06,120 --> 00:33:08,760 Speaker 1: follow Since then, John has been in and out of 721 00:33:08,800 --> 00:33:12,400 Speaker 1: rehabilitation care that's included eight weeks of radiation treatment and 722 00:33:12,480 --> 00:33:16,640 Speaker 1: supplementary surgical procedures as a result of various complications and issues, 723 00:33:16,760 --> 00:33:20,000 Speaker 1: including infections, that presented over the past year. 724 00:33:20,080 --> 00:33:23,400 Speaker 2: Yeah. Then last month in July, John, this is extraordinary, 725 00:33:23,400 --> 00:33:26,920 Speaker 2: wonderful news. John was formally given confirmation by his medical 726 00:33:26,960 --> 00:33:29,600 Speaker 2: team that he is all clear of cancer. 727 00:33:29,720 --> 00:33:30,040 Speaker 1: Wow. 728 00:33:30,080 --> 00:33:32,840 Speaker 2: So to mark the anniversary of his initial surgery, John 729 00:33:32,880 --> 00:33:36,080 Speaker 2: Farnham has issued a statement. Let's read it because it's 730 00:33:36,120 --> 00:33:38,680 Speaker 2: just wonderful news. He said, I'm the luckiest man I 731 00:33:38,720 --> 00:33:41,200 Speaker 2: know right now. It's been a year since my first surgery, 732 00:33:41,520 --> 00:33:43,160 Speaker 2: and to be honest, I've lost count of how many 733 00:33:43,200 --> 00:33:46,080 Speaker 2: other procedures there's been since then. I'm sure someone's kept 734 00:33:46,120 --> 00:33:47,880 Speaker 2: track of them. Let's just say there's been a few. 735 00:33:48,240 --> 00:33:50,360 Speaker 2: But I'm home now and I'm very grateful and a 736 00:33:50,520 --> 00:33:52,920 Speaker 2: very happy man. I'm sitting here in my living room 737 00:33:53,040 --> 00:33:55,360 Speaker 2: lapping up the attention from my beautiful wife Jill, my 738 00:33:55,400 --> 00:33:59,720 Speaker 2: boys Robin, James, and my Minichnaw's are Edmund. I only now, 739 00:33:59,840 --> 00:34:02,480 Speaker 2: it's only now I can start to appreciate and comprehend 740 00:34:02,520 --> 00:34:05,440 Speaker 2: for myself how many messages of love and support have 741 00:34:05,520 --> 00:34:08,239 Speaker 2: been sent to me over the past year. I don't 742 00:34:08,239 --> 00:34:10,520 Speaker 2: know what to say other than thank you so very much. 743 00:34:10,960 --> 00:34:12,960 Speaker 2: It honestly means the world to me. Thank you to 744 00:34:13,000 --> 00:34:15,759 Speaker 2: everyone who took the time to write and send a message. 745 00:34:15,920 --> 00:34:18,439 Speaker 2: Today's a special day. I'm going to market by having 746 00:34:18,440 --> 00:34:20,759 Speaker 2: a pizza because I can and I can't wait to 747 00:34:20,760 --> 00:34:23,920 Speaker 2: see what might be next on the menu. Bring on 748 00:34:24,000 --> 00:34:29,000 Speaker 2: twenty twenty four. This is brilliant, brilliant news, wonderful news. 749 00:34:29,120 --> 00:34:31,440 Speaker 1: Let's put on a song that sums up John Farnham. 750 00:34:31,440 --> 00:34:34,239 Speaker 1: This is what he was with the LRB and times 751 00:34:34,280 --> 00:34:36,280 Speaker 1: are tough when he was in LRB and he wrote 752 00:34:36,360 --> 00:34:39,920 Speaker 1: this song playing to win, and really, I guess it's 753 00:34:39,920 --> 00:34:42,000 Speaker 1: a metaphor for all our lives. Get a bit of 754 00:34:42,080 --> 00:34:44,839 Speaker 1: Farnum in there, and it's got some good synth as well. 755 00:34:45,000 --> 00:34:46,120 Speaker 2: Good news, John, Good on. 756 00:34:46,160 --> 00:34:49,399 Speaker 1: You, Joni Jama. Let's get on down to the Jones 757 00:34:49,480 --> 00:34:53,359 Speaker 1: Amanda arms in the pub test yesterday we released our 758 00:34:53,400 --> 00:34:58,120 Speaker 1: new range of Jonesy Demander merch, the Jones Amanda bumper 759 00:34:58,200 --> 00:35:00,480 Speaker 1: sticker and on the bumper sticker it's got our little 760 00:35:00,520 --> 00:35:02,799 Speaker 1: dolly heads from the TV campaign. You've seen that that. 761 00:35:03,160 --> 00:35:04,879 Speaker 1: I was watching seven Mate last night and I saw 762 00:35:04,920 --> 00:35:08,400 Speaker 1: it a honk if you love Jonesy and Amanda, And 763 00:35:08,440 --> 00:35:11,160 Speaker 1: then we were talking about the bigger issue about people 764 00:35:11,440 --> 00:35:13,000 Speaker 1: putting bumper sticks on cars. 765 00:35:13,239 --> 00:35:15,239 Speaker 2: Yes, I mean we were all handed them yesterday and 766 00:35:15,239 --> 00:35:17,319 Speaker 2: we go that's great. I bet not one of us 767 00:35:17,320 --> 00:35:19,520 Speaker 2: will put it on a car. I put one on 768 00:35:19,560 --> 00:35:23,600 Speaker 2: a folder and also put in a drawer as a memento, 769 00:35:23,880 --> 00:35:24,160 Speaker 2: like the. 770 00:35:24,160 --> 00:35:26,520 Speaker 1: Ideas of you know, a bumper sticker on a car. 771 00:35:26,560 --> 00:35:29,080 Speaker 2: You get someone put that on your bike, Well it's 772 00:35:29,320 --> 00:35:30,919 Speaker 2: it's a bit too big for my bike. What about 773 00:35:30,960 --> 00:35:33,360 Speaker 2: that other bike that's not that one, that really big one? 774 00:35:34,120 --> 00:35:35,120 Speaker 2: And you also do have. 775 00:35:35,080 --> 00:35:39,000 Speaker 1: A car I put I put I've got a car. 776 00:35:38,040 --> 00:35:40,040 Speaker 1: I'll put it on my car. 777 00:35:40,200 --> 00:35:40,680 Speaker 2: You will not. 778 00:35:40,800 --> 00:35:42,879 Speaker 1: I will put it on. Whether that I might look 779 00:35:42,880 --> 00:35:45,080 Speaker 1: a bit up myself, people will say, oh, there's that jonesy, 780 00:35:45,120 --> 00:35:45,960 Speaker 1: he's up himself. 781 00:35:46,280 --> 00:35:49,000 Speaker 2: That's the other sticker that's been released. But you were 782 00:35:49,000 --> 00:35:51,160 Speaker 2: the one who said yesterday that no one uses bumper. 783 00:35:50,880 --> 00:35:53,600 Speaker 1: Stick I didn't say no one uses them anymore, but 784 00:35:53,640 --> 00:35:55,799 Speaker 1: they you don't see them as much as the good 785 00:35:55,840 --> 00:35:59,399 Speaker 1: old days. You've got some sort of lefty statement in there, 786 00:35:59,440 --> 00:36:00,840 Speaker 1: like cash, egg block, a. 787 00:36:00,920 --> 00:36:05,120 Speaker 2: Danni, or or maybe a righty one. I've got a 788 00:36:05,200 --> 00:36:07,439 Speaker 2: fish and I shoot, and I vote, and I vote 789 00:36:07,480 --> 00:36:09,560 Speaker 2: for Trump. I saw one the other day that I 790 00:36:09,600 --> 00:36:11,960 Speaker 2: really liked. It was hot chicks hit curbs. I like 791 00:36:12,000 --> 00:36:12,359 Speaker 2: that one. 792 00:36:12,400 --> 00:36:14,759 Speaker 1: What about this one? I'm only driving this fast because. 793 00:36:14,480 --> 00:36:16,839 Speaker 2: I have to poop, I probably need that one. 794 00:36:16,840 --> 00:36:18,480 Speaker 1: What about this one too? Beers and I'm gay? 795 00:36:18,760 --> 00:36:20,680 Speaker 2: This one I've seen. This is one of those my 796 00:36:20,800 --> 00:36:24,160 Speaker 2: family stickers. There is a mom with a holding a 797 00:36:24,160 --> 00:36:26,880 Speaker 2: little baby, and there's four other kids. And then on 798 00:36:26,920 --> 00:36:29,520 Speaker 2: the other side of the window, it's got a guy 799 00:36:29,560 --> 00:36:32,400 Speaker 2: and a girl says beer guzzling baby daddy and his hoe. 800 00:36:32,600 --> 00:36:34,600 Speaker 2: Her whole story is played out on that back. 801 00:36:35,200 --> 00:36:37,120 Speaker 1: Did you say that one? And it's got the whole family, 802 00:36:37,600 --> 00:36:40,600 Speaker 1: but there's about seven kids. And then someone's written because 803 00:36:40,600 --> 00:36:43,160 Speaker 1: it's the car's Dusty has written dude, get off her, 804 00:36:44,640 --> 00:36:46,560 Speaker 1: leave her alone. Stop. 805 00:36:47,440 --> 00:36:50,439 Speaker 2: Somebody emailed us yesterday. This is Julie Scottson who said, 806 00:36:50,880 --> 00:36:53,319 Speaker 2: jam I believe it's illegal to beat or honk your 807 00:36:53,320 --> 00:36:55,600 Speaker 2: horn unnecessarily. You get a three hundred dollar fine because 808 00:36:55,600 --> 00:36:57,960 Speaker 2: the sticker says honk if you like Jones and Amanda, 809 00:36:58,000 --> 00:36:59,640 Speaker 2: Are we allowed to entice people to honk? 810 00:36:59,760 --> 00:37:03,120 Speaker 1: Well, I've got the rules here. Honking using a hornful 811 00:37:04,000 --> 00:37:07,560 Speaker 1: for an unnecessary reason currently attracts a five of three 812 00:37:07,640 --> 00:37:09,879 Speaker 1: hundred and fifty two dollars. That's what we're I I'd 813 00:37:09,880 --> 00:37:12,600 Speaker 1: be able to do that. That's the reason that you 814 00:37:12,840 --> 00:37:15,280 Speaker 1: like us is why you would honk. So you'd say, oh, okay, 815 00:37:15,760 --> 00:37:17,799 Speaker 1: the cops say, well I like them, and the cop 816 00:37:17,800 --> 00:37:19,600 Speaker 1: would say that's fair enough. Nothing to see. 817 00:37:19,760 --> 00:37:21,680 Speaker 2: Oh I see, So it is okay. 818 00:37:21,480 --> 00:37:22,520 Speaker 1: It's okay to honk. Casts. 819 00:37:22,760 --> 00:37:25,640 Speaker 2: Well, we're wondering, do you like bumper stickers? Do bumper 820 00:37:25,640 --> 00:37:27,680 Speaker 2: stickers pass the pub test? 821 00:37:27,800 --> 00:37:30,280 Speaker 1: Yeah? What are you supporting? What are you pushing? 822 00:37:32,400 --> 00:37:32,480 Speaker 3: So? 823 00:37:32,520 --> 00:37:35,200 Speaker 2: I was watching the Channel seven News last night. Big 824 00:37:35,200 --> 00:37:36,799 Speaker 2: fan of Mark Ferguson, as you know, I like Peter 825 00:37:36,880 --> 00:37:39,400 Speaker 2: Overton as well. Pretty boy fergus often flick around and 826 00:37:39,400 --> 00:37:41,879 Speaker 2: then I'll watch the ABC News. But I know I'm 827 00:37:42,440 --> 00:37:42,960 Speaker 2: not naive. 828 00:37:43,040 --> 00:37:45,040 Speaker 1: When you watch the ABC News, it's like you're watching 829 00:37:45,040 --> 00:37:45,800 Speaker 1: grown up news. 830 00:37:45,840 --> 00:37:49,279 Speaker 2: Well, I appreciate that on a commercial network there are 831 00:37:49,280 --> 00:37:53,440 Speaker 2: commercial considerations. I get that. Having said that, since the 832 00:37:53,480 --> 00:37:55,400 Speaker 2: news has gone from half hour to an hour, it 833 00:37:55,440 --> 00:37:58,480 Speaker 2: feels to me that there's lots of filler stories. And 834 00:37:58,760 --> 00:38:00,560 Speaker 2: I was watching the news the other night and this 835 00:38:00,600 --> 00:38:02,680 Speaker 2: story wasn't just a filler story. I thought it was 836 00:38:02,719 --> 00:38:03,399 Speaker 2: a full on ad. 837 00:38:03,920 --> 00:38:07,480 Speaker 14: A shoppers ditch loyalty in favor of cheaper prices. Wolworths 838 00:38:07,560 --> 00:38:11,360 Speaker 14: is making a strategic play, hoping to stop customers going elsewhere. 839 00:38:11,480 --> 00:38:15,279 Speaker 14: Starting Wednesday, some Wooly specials will only be available for 840 00:38:15,320 --> 00:38:17,960 Speaker 14: those signed up to its everyday reward scheme. 841 00:38:18,440 --> 00:38:19,960 Speaker 1: I be I get signed up to that? Where do 842 00:38:20,000 --> 00:38:20,480 Speaker 1: I get that? 843 00:38:20,600 --> 00:38:20,839 Speaker 15: Well? 844 00:38:20,840 --> 00:38:23,040 Speaker 2: And then we actually heard what some of the specials were. 845 00:38:23,440 --> 00:38:27,799 Speaker 16: As the cost of everything rises, some reprieve at the supermarket. 846 00:38:27,920 --> 00:38:30,560 Speaker 15: Checkout everything we can do to try and make the 847 00:38:30,560 --> 00:38:32,560 Speaker 15: weekly grocery shop more affordable. 848 00:38:32,600 --> 00:38:37,000 Speaker 16: Wool Words always has weekly specials, but starting Wednesdays, some 849 00:38:37,120 --> 00:38:40,560 Speaker 16: will be exclusive to loyalty members, like three tins of 850 00:38:40,600 --> 00:38:43,480 Speaker 16: Green Seas tuna for four dollars fifty or two of 851 00:38:43,520 --> 00:38:45,480 Speaker 16: these snack pots for ten dollars. 852 00:38:46,160 --> 00:38:48,040 Speaker 2: Really, that's a news story. 853 00:38:48,200 --> 00:38:50,719 Speaker 1: Do you think they would do the tuna deal in 854 00:38:50,800 --> 00:38:52,080 Speaker 1: Serena Tuna? I like the. 855 00:38:52,000 --> 00:38:54,760 Speaker 2: Serena This is like one of those brand Power commercial. 856 00:38:54,800 --> 00:38:56,920 Speaker 1: It's like a brand Bower commercial. You know, if you've 857 00:38:56,960 --> 00:38:59,120 Speaker 1: been watching a show called The Backside of TV, if 858 00:38:59,160 --> 00:39:02,560 Speaker 1: you watch that's on Fox still, it's really good and 859 00:39:02,640 --> 00:39:06,560 Speaker 1: it shows. There was a story just last week about 860 00:39:06,719 --> 00:39:09,840 Speaker 1: how our news has changed over the years. This is 861 00:39:09,920 --> 00:39:11,360 Speaker 1: Mitch talking about it. This is the host. 862 00:39:11,680 --> 00:39:13,719 Speaker 15: There was a time when TV news was one of 863 00:39:13,760 --> 00:39:16,160 Speaker 15: only a few ways to stay informed. Back in the eighties, 864 00:39:16,200 --> 00:39:19,280 Speaker 15: there was a simplicity to the news in the content, visuals, 865 00:39:19,320 --> 00:39:22,239 Speaker 15: and tone. Newsreaders used to be no nonsense types, but 866 00:39:22,280 --> 00:39:25,840 Speaker 15: still neutral and friendly. However, forty years later, not only 867 00:39:25,880 --> 00:39:30,120 Speaker 15: have fancy openings long gone, but commercial news has become savage, chaotic, 868 00:39:30,200 --> 00:39:30,960 Speaker 15: and stressful. 869 00:39:31,400 --> 00:39:33,359 Speaker 1: And he goes on to say as well, back then, 870 00:39:33,600 --> 00:39:36,960 Speaker 1: in the eighties the TV news, there was no jeopardy 871 00:39:37,000 --> 00:39:40,400 Speaker 1: for the viewer. You always felt safe, it was like, 872 00:39:41,000 --> 00:39:44,359 Speaker 1: but now they with the news. Now they don't give 873 00:39:44,400 --> 00:39:48,400 Speaker 1: you an outcome. They'll say a baby died yesterday in Peru. 874 00:39:48,520 --> 00:39:50,680 Speaker 1: This is what people have to know. And then they 875 00:39:50,680 --> 00:39:52,359 Speaker 1: don't actually tell you what you need to know. They 876 00:39:52,400 --> 00:39:54,319 Speaker 1: just give you the news. And then they'll have a 877 00:39:54,360 --> 00:39:58,240 Speaker 1: picture of a machete attack in Melbourne. A machete attack 878 00:39:58,280 --> 00:40:01,840 Speaker 1: in Melbourne, and it's just augrist for the mill. It 879 00:40:01,920 --> 00:40:04,160 Speaker 1: just makes you anxious, spy level of anxiety. 880 00:40:04,239 --> 00:40:06,000 Speaker 2: That's right. And often what they'll do they'll have a 881 00:40:06,040 --> 00:40:09,239 Speaker 2: reporter on the site if there's some sort of hostage situation. 882 00:40:09,560 --> 00:40:11,400 Speaker 2: The next day a reporter will be on sites. So 883 00:40:11,480 --> 00:40:14,520 Speaker 2: you're given the impression that this anxiety level is ongoing 884 00:40:14,640 --> 00:40:17,080 Speaker 2: because all media does it now it's all clickbait and 885 00:40:17,120 --> 00:40:23,279 Speaker 2: all of that engagement leaning in equals slight anxiety. You 886 00:40:23,400 --> 00:40:26,839 Speaker 2: have to frighten people, I think, to keep them engaged. 887 00:40:27,400 --> 00:40:31,279 Speaker 2: You can't be just a passive passenger anymore. And so 888 00:40:31,400 --> 00:40:33,399 Speaker 2: the easiest way to do that is to frighten pain. 889 00:40:33,600 --> 00:40:38,200 Speaker 1: Negative stories get more clickbait than positive stories. So and 890 00:40:38,239 --> 00:40:40,440 Speaker 1: you look at the case in point where whenever we 891 00:40:40,480 --> 00:40:45,680 Speaker 1: talk about anything on this show, we like you and I. 892 00:40:45,680 --> 00:40:49,839 Speaker 1: I would never deliberately go negative just to get clickbait. 893 00:40:50,040 --> 00:40:52,000 Speaker 1: That would seem to me to be irresponsible. I know 894 00:40:52,040 --> 00:40:54,080 Speaker 1: people in this business that do. I know that people 895 00:40:54,160 --> 00:40:58,879 Speaker 1: that are deliberately in this business, say obsivocating the no thing, 896 00:40:59,160 --> 00:41:02,719 Speaker 1: like the the referendum that's coming up, they're deliberately being 897 00:41:02,719 --> 00:41:05,520 Speaker 1: abtuse because it gets more clickbait. 898 00:41:05,360 --> 00:41:07,360 Speaker 2: About And the media has to have two sides to 899 00:41:07,400 --> 00:41:09,640 Speaker 2: a story, the whole climate change thing. You know that 900 00:41:09,680 --> 00:41:11,600 Speaker 2: as if it's fifty to fifty. And listen to a 901 00:41:11,640 --> 00:41:12,359 Speaker 2: twin about the media. 902 00:41:12,400 --> 00:41:13,920 Speaker 1: We are part of the media, the media. 903 00:41:14,080 --> 00:41:16,200 Speaker 2: Everyone has to be hyper alert. The bottom of the 904 00:41:16,239 --> 00:41:18,640 Speaker 2: news scroll is breaking news. No, that's a promo over 905 00:41:18,719 --> 00:41:20,080 Speaker 2: the next story. It is not branding. 906 00:41:20,239 --> 00:41:23,120 Speaker 1: You notice during COVID Channel nine with PD's news, they 907 00:41:23,160 --> 00:41:26,880 Speaker 1: started putting alert in the bottom. Alert. Okay, there's an alert. 908 00:41:26,920 --> 00:41:30,400 Speaker 1: Something's happening, but nothing's happening. It's got tunice. 909 00:41:32,840 --> 00:41:35,440 Speaker 2: Where it's like stroking a cat backwards. We're all on 910 00:41:35,680 --> 00:41:39,280 Speaker 2: high alert. And it's not just social media, it's media 911 00:41:39,360 --> 00:41:40,080 Speaker 2: doing it too. 912 00:41:40,160 --> 00:41:43,240 Speaker 1: Exactly stroking a cat backwards. That's on the project tonight. 913 00:41:43,320 --> 00:41:44,680 Speaker 2: How much was that tuna again. 914 00:41:46,600 --> 00:41:47,160 Speaker 3: Podcast? 915 00:41:48,719 --> 00:41:49,040 Speaker 15: Gone? 916 00:41:50,080 --> 00:41:56,239 Speaker 4: I wanted to get right now, I'm taking windows your. 917 00:41:56,160 --> 00:42:03,120 Speaker 1: Head on a yell Hellore Dow Jonesy nomatter of arms 918 00:42:03,120 --> 00:42:05,479 Speaker 1: for the pub test today? Bumper stickers? Did they pass 919 00:42:05,560 --> 00:42:08,200 Speaker 1: the pub test? The latest range of Jonesy and Amanda 920 00:42:08,360 --> 00:42:12,000 Speaker 1: merch the Jonesy Amanda bumper sticker? Honk if you like 921 00:42:12,120 --> 00:42:12,960 Speaker 1: Jonesy and Amanda. 922 00:42:13,160 --> 00:42:15,600 Speaker 2: Well, I wanted to get the Jonesy Amanda Faberge egg, 923 00:42:15,640 --> 00:42:17,480 Speaker 2: but they decided to go this way instead. 924 00:42:17,600 --> 00:42:18,120 Speaker 1: Very expense. 925 00:42:18,280 --> 00:42:20,080 Speaker 2: Would you put I have a bit of a burp 926 00:42:20,120 --> 00:42:23,880 Speaker 2: and we'll continued. Sorry, feel free? Would you put it 927 00:42:23,920 --> 00:42:24,359 Speaker 2: on your car? 928 00:42:25,120 --> 00:42:25,239 Speaker 8: Well? 929 00:42:25,280 --> 00:42:28,279 Speaker 1: I ride a motorcycle and fit it on. I don't 930 00:42:28,280 --> 00:42:31,719 Speaker 1: think I could fit it on because because on my motorcycle. 931 00:42:31,760 --> 00:42:33,920 Speaker 1: I put stickers that you know that means something like 932 00:42:34,040 --> 00:42:35,560 Speaker 1: lane filtering is legal. 933 00:42:35,960 --> 00:42:39,960 Speaker 2: I thought lane filtering worked for CNN A or so 934 00:42:40,040 --> 00:42:40,759 Speaker 2: you wouldn't use. 935 00:42:40,640 --> 00:42:42,719 Speaker 1: The stick or shiny side up or you know, things 936 00:42:42,719 --> 00:42:45,600 Speaker 1: that remind a fellow motorists not to kill us on 937 00:42:45,719 --> 00:42:48,240 Speaker 1: the on the way to work. So I and also 938 00:42:48,239 --> 00:42:50,280 Speaker 1: i'd look a bit up myself. And there against Jonesy 939 00:42:50,280 --> 00:42:51,920 Speaker 1: on his motorbike with isn't. 940 00:42:51,719 --> 00:42:54,080 Speaker 2: He up himself? That's our next range of stickers were 941 00:42:54,120 --> 00:42:57,359 Speaker 2: putting out lots of ones. I saw one the other 942 00:42:57,400 --> 00:42:59,160 Speaker 2: day that said hot chicks hit curbs. I thought that 943 00:42:59,200 --> 00:43:01,680 Speaker 2: one's not bad you and in a nutshell, I'm only 944 00:43:01,719 --> 00:43:03,240 Speaker 2: driving this fast because I have to poop. 945 00:43:03,440 --> 00:43:05,720 Speaker 1: Yep, that's you. And a nutshell as well. 946 00:43:06,040 --> 00:43:11,400 Speaker 2: What about you? I shoot nih that's that's you. Bumper stickers. 947 00:43:11,800 --> 00:43:13,719 Speaker 2: Bumper stickers Do they pass the pub test? 948 00:43:13,880 --> 00:43:14,080 Speaker 8: Yes? 949 00:43:14,120 --> 00:43:17,480 Speaker 1: It does, figure and says if you are going to 950 00:43:17,600 --> 00:43:19,560 Speaker 1: ride my ass, at least pull my hair. 951 00:43:19,800 --> 00:43:21,120 Speaker 9: Has seen quite regularly. 952 00:43:21,120 --> 00:43:23,160 Speaker 6: It's on the back of my daughter's car. I just 953 00:43:23,160 --> 00:43:24,480 Speaker 6: shake my head when I see it. 954 00:43:24,680 --> 00:43:28,439 Speaker 9: Absolutely it does. I drive a stick conduck, so I'm 955 00:43:28,480 --> 00:43:31,200 Speaker 9: always on the road and I love pulling up at 956 00:43:31,200 --> 00:43:34,960 Speaker 9: a satellite and reading somebody who's bumper stickers. It gives 957 00:43:35,000 --> 00:43:38,080 Speaker 9: me a great good laugh. Some are real classics, you know. 958 00:43:38,160 --> 00:43:39,920 Speaker 4: I saw a good one the other day, one of 959 00:43:39,920 --> 00:43:42,400 Speaker 4: those ones where someone got someone even memorial like car 960 00:43:42,520 --> 00:43:44,760 Speaker 4: id the name, the day that they died or whatever, 961 00:43:44,920 --> 00:43:48,240 Speaker 4: and this person said, smile one. 962 00:43:48,440 --> 00:43:51,080 Speaker 2: It certainly does pass the tub tist. If you send 963 00:43:51,080 --> 00:43:52,680 Speaker 2: me one of those bumper stickers. 964 00:43:52,280 --> 00:43:53,920 Speaker 6: I'll happily put it on my car. 965 00:43:54,160 --> 00:43:56,640 Speaker 1: And if a man gets that one made about Jonesy 966 00:43:56,680 --> 00:43:58,520 Speaker 1: being up himself, I'll put that one onto. 967 00:44:00,120 --> 00:44:02,800 Speaker 2: Ah. I'll have to get down to the merchant department, 968 00:44:02,880 --> 00:44:05,120 Speaker 2: the merchant. But first we've got to do the Faberge Eggs. 969 00:44:05,640 --> 00:44:10,640 Speaker 1: Get on to that podcast WSF. 970 00:44:11,280 --> 00:44:14,719 Speaker 2: Hello, we're still debating whether you say quantus r inty 971 00:44:14,719 --> 00:44:17,320 Speaker 2: for eight hundred bucks. It sounds like hundred from you. 972 00:44:17,520 --> 00:44:19,880 Speaker 1: They've already got my one hundred bucks. It doesn't. 973 00:44:19,880 --> 00:44:20,880 Speaker 2: You're into them for it. 974 00:44:20,960 --> 00:44:24,759 Speaker 1: Hello, it's jones No, Yeah, okay, it's Jonesy demanded thanks 975 00:44:24,760 --> 00:44:27,239 Speaker 1: to chemists Warehouse Public Cloudy nineteen in the city twenty 976 00:44:27,239 --> 00:44:30,480 Speaker 1: one in our West yesterday on Gets My Ghoulies. I 977 00:44:30,520 --> 00:44:33,080 Speaker 1: did have a GOOLI about quite as owing me eight hundred. 978 00:44:33,280 --> 00:44:35,520 Speaker 2: Well, there's a class action for a whole range of 979 00:44:35,520 --> 00:44:36,600 Speaker 2: people are feeling the same. 980 00:44:36,680 --> 00:44:39,839 Speaker 1: This is for some pandemic flight cancelations. And I had 981 00:44:39,840 --> 00:44:41,720 Speaker 1: a call from them yesterday from Quantas. 982 00:44:41,719 --> 00:44:43,239 Speaker 2: Good to be you, Brandon, Did Alan get on the 983 00:44:43,280 --> 00:44:46,120 Speaker 2: phone to be sure, to be sure, I'm retorying a retoring, 984 00:44:46,160 --> 00:44:48,279 Speaker 2: But before I go, I want to sort it out 985 00:44:48,320 --> 00:44:49,800 Speaker 2: for you, Jonesy, and you alone. 986 00:44:49,840 --> 00:44:50,960 Speaker 1: That's exactly what he did. 987 00:44:51,200 --> 00:44:51,520 Speaker 2: It went. 988 00:44:51,640 --> 00:44:54,520 Speaker 1: It wasn't Alan, it was Callum who rang me a 989 00:44:54,640 --> 00:44:57,520 Speaker 1: very nice fella and we had a great chat, great 990 00:44:57,600 --> 00:44:59,319 Speaker 1: chat about it, and he gave me And this isn't 991 00:44:59,320 --> 00:45:00,800 Speaker 1: just for me, by the way, this is for everyone 992 00:45:00,840 --> 00:45:04,640 Speaker 1: that is owed money by Quantas. They've developed a customer 993 00:45:04,719 --> 00:45:08,400 Speaker 1: tool called find my Credit. They launched this in June 994 00:45:09,000 --> 00:45:10,960 Speaker 1: and it will help locate bookings that are up to 995 00:45:11,000 --> 00:45:15,839 Speaker 1: three years old. So I'm in that. And if you've 996 00:45:15,920 --> 00:45:19,279 Speaker 1: changed several times, like the multiple flights, because what we 997 00:45:19,320 --> 00:45:22,480 Speaker 1: worked out, i'd about three flights were booked then canceled 998 00:45:22,480 --> 00:45:25,960 Speaker 1: and booked and canceled. And this all applied for Virgin 999 00:45:25,960 --> 00:45:27,279 Speaker 1: as well, not that con it's going to help you 1000 00:45:27,280 --> 00:45:30,080 Speaker 1: out with Virgin stuff. But Virgin as well did this 1001 00:45:30,840 --> 00:45:33,319 Speaker 1: as well. But he was saying that eighty percent of 1002 00:45:33,560 --> 00:45:36,239 Speaker 1: customers who have had COVID credits have the option of 1003 00:45:36,280 --> 00:45:37,600 Speaker 1: a refund if they prefer. 1004 00:45:37,680 --> 00:45:40,120 Speaker 2: So this career really because I was always told that 1005 00:45:40,160 --> 00:45:41,520 Speaker 2: they wouldn't give you your money back. 1006 00:45:41,960 --> 00:45:45,040 Speaker 1: This included automating a number of systems to reduce the 1007 00:45:45,040 --> 00:45:47,560 Speaker 1: amount of time taken by the call center operators. So 1008 00:45:47,560 --> 00:45:53,360 Speaker 1: they've made it automated to process the requests so you 1009 00:45:53,400 --> 00:45:55,080 Speaker 1: don't need the paper and stuff because a lot of 1010 00:45:55,120 --> 00:45:58,120 Speaker 1: customers details have changed, such as the credit card used 1011 00:45:58,120 --> 00:46:00,520 Speaker 1: to book the original flight and that might have been spired. 1012 00:46:01,040 --> 00:46:04,759 Speaker 1: So if they've got a number here, it's thirteen thirteen thirty. 1013 00:46:04,600 --> 00:46:06,200 Speaker 2: But there is an option to maybe get your money back. 1014 00:46:06,200 --> 00:46:07,360 Speaker 1: You can get your money back. But I had a 1015 00:46:07,400 --> 00:46:08,959 Speaker 1: great chat with him. I just said, you know, because 1016 00:46:09,000 --> 00:46:11,640 Speaker 1: I'm a fan of Qantas. I've always been at fan Aquantas. 1017 00:46:11,719 --> 00:46:14,960 Speaker 1: Dad flew for them for a thousand men and your 1018 00:46:15,040 --> 00:46:17,840 Speaker 1: sister works the Needa works for them now. And I 1019 00:46:17,920 --> 00:46:20,520 Speaker 1: always had great pride and Dad, he was such a 1020 00:46:20,560 --> 00:46:22,600 Speaker 1: company man with Quantas. He just loved him. 1021 00:46:22,640 --> 00:46:23,960 Speaker 2: Did He used to make you dress up when you 1022 00:46:24,000 --> 00:46:24,919 Speaker 2: were kicked on a plane. 1023 00:46:25,000 --> 00:46:27,080 Speaker 1: Yeah, we had to dress up like the von Trapp 1024 00:46:27,160 --> 00:46:30,000 Speaker 1: family getting on the plane. And he, you know, he 1025 00:46:30,080 --> 00:46:33,360 Speaker 1: loved flying. He flew the seven four seven internationally. And 1026 00:46:33,400 --> 00:46:35,640 Speaker 1: then when he was supposed to retire when he was sixty, 1027 00:46:36,480 --> 00:46:41,720 Speaker 1: they changed the retirement laws in Australia so international pilots 1028 00:46:41,719 --> 00:46:43,600 Speaker 1: they can't fly over the age of sixty, but in 1029 00:46:43,640 --> 00:46:46,120 Speaker 1: Australia you can fly as long as you're capable. And 1030 00:46:46,160 --> 00:46:49,120 Speaker 1: so he went and started flying seven sixty sevens domestically. 1031 00:46:49,600 --> 00:46:51,279 Speaker 1: And my sister said to me, he said, the seven 1032 00:46:51,320 --> 00:46:53,560 Speaker 1: sixty seven is a really complex and a pain in 1033 00:46:53,600 --> 00:46:56,479 Speaker 1: the neck to fly. It's a very clunky aircraft. And Dad, 1034 00:46:56,520 --> 00:46:58,520 Speaker 1: you know, a long hawl flight you fly for ages. 1035 00:46:58,800 --> 00:47:00,960 Speaker 1: The short hall flights, you you're taking off your landing. 1036 00:47:01,040 --> 00:47:03,200 Speaker 1: You're doing this all day more or less, and it's 1037 00:47:03,320 --> 00:47:04,960 Speaker 1: a difficult flight. And she said, I don't know how 1038 00:47:04,960 --> 00:47:07,080 Speaker 1: he did it in his sixties, well into his sixties. 1039 00:47:07,239 --> 00:47:09,680 Speaker 1: And he retired in two thousand and nine. And I 1040 00:47:09,680 --> 00:47:12,480 Speaker 1: remember Anita saying it his retirement, buddy, Oh, he'll be 1041 00:47:12,520 --> 00:47:14,440 Speaker 1: dead in five years because it meant so much to you. 1042 00:47:14,600 --> 00:47:16,440 Speaker 1: You love the plying, and then I talked to a 1043 00:47:16,480 --> 00:47:18,279 Speaker 1: lot of pilots when you have to retire, so like 1044 00:47:18,280 --> 00:47:20,040 Speaker 1: if I had to retire from doing this, it would 1045 00:47:20,080 --> 00:47:22,400 Speaker 1: be terrible if someone said, you've got to retire in 1046 00:47:22,480 --> 00:47:25,439 Speaker 1: five years. He just loved flying. He'd fly on Christmas Day, 1047 00:47:25,440 --> 00:47:28,200 Speaker 1: he'd fly whatever day. But he My point is he'd 1048 00:47:28,200 --> 00:47:30,160 Speaker 1: love Connas and I love Contas because of it. And 1049 00:47:30,160 --> 00:47:32,879 Speaker 1: when you see a story like remember you watch rain 1050 00:47:32,960 --> 00:47:35,759 Speaker 1: Man and you see Dustin Hoffman talking about Contus, you 1051 00:47:35,800 --> 00:47:38,600 Speaker 1: go right on. But I said to calumnysterday, you're ranking 1052 00:47:38,719 --> 00:47:41,200 Speaker 1: Quantus is ranking used to be up there, number one. 1053 00:47:41,239 --> 00:47:44,239 Speaker 1: It's now number seventeen, and airlines of the world. You 1054 00:47:44,280 --> 00:47:46,160 Speaker 1: can't rest on those laurels. 1055 00:47:46,200 --> 00:47:49,920 Speaker 2: And it is just as expensive to fly Quantus as 1056 00:47:49,960 --> 00:47:53,640 Speaker 2: it is other international airlines that are doing it better now. 1057 00:47:54,239 --> 00:47:56,319 Speaker 2: So our loyalty only goes so far. 1058 00:47:56,440 --> 00:47:58,520 Speaker 1: But originally I didn't pursue the money as well, because 1059 00:47:58,520 --> 00:48:00,439 Speaker 1: I thought that the Flying Kangaroo was going to break 1060 00:48:00,440 --> 00:48:02,160 Speaker 1: and I thought, well, I can't have that not on 1061 00:48:02,239 --> 00:48:04,160 Speaker 1: my watch. I don't have to go break. So but 1062 00:48:04,320 --> 00:48:07,960 Speaker 1: now they're making money. I just feel that when corporate 1063 00:48:08,000 --> 00:48:09,720 Speaker 1: world gets involved, and I think. 1064 00:48:09,600 --> 00:48:13,279 Speaker 2: Did the government boil them out? I think they did. 1065 00:48:13,360 --> 00:48:14,480 Speaker 1: I'm not too sure about that. 1066 00:48:14,600 --> 00:48:16,600 Speaker 2: A bit from column, a bit from columb. 1067 00:48:16,520 --> 00:48:19,279 Speaker 1: My point is, you have pride in a brand. If 1068 00:48:19,320 --> 00:48:22,080 Speaker 1: you have pride in a brand, that brand will stay 1069 00:48:22,080 --> 00:48:25,319 Speaker 1: on forever. But you can't disrespect them. 1070 00:48:25,760 --> 00:48:28,399 Speaker 2: You can't disrespect us by assuming that will be loyal 1071 00:48:28,440 --> 00:48:30,680 Speaker 2: to the brand if the service isn't there anymore. 1072 00:48:30,320 --> 00:48:33,000 Speaker 1: So, but anyway, if you are, and this numbers here, 1073 00:48:33,080 --> 00:48:36,680 Speaker 1: thirteen thirteen thirteen ring them, so this is good for 1074 00:48:36,719 --> 00:48:38,200 Speaker 1: all of us. And also he was happy that I 1075 00:48:38,239 --> 00:48:39,719 Speaker 1: wasn't going to go into the land and steal a 1076 00:48:39,719 --> 00:48:40,640 Speaker 1: coffee machine. 1077 00:48:40,880 --> 00:48:43,000 Speaker 2: Yeah, well that's a relief, because that's what you said. 1078 00:48:43,000 --> 00:48:45,560 Speaker 2: You're going to get your own back by coming into 1079 00:48:45,560 --> 00:48:47,520 Speaker 2: the lounge with me because you're too cheap to pay 1080 00:48:47,560 --> 00:48:50,799 Speaker 2: for Quantus club and stealing a coffee machine thinking no 1081 00:48:50,840 --> 00:48:51,319 Speaker 2: one would know. 1082 00:48:51,400 --> 00:48:54,080 Speaker 1: You'd also say, that's a lot of toasted sandwiches, wouldn't 1083 00:48:54,120 --> 00:48:55,879 Speaker 1: beer that you'd have to eat for eight hundred dollars. 1084 00:48:56,040 --> 00:49:00,360 Speaker 2: You've done the tower, you know it's a lot. 1085 00:49:00,840 --> 00:49:03,640 Speaker 17: Jonesy and Amanda in the morning one oh one point 1086 00:49:03,680 --> 00:49:05,800 Speaker 17: seven wsfl. 1087 00:49:05,120 --> 00:49:06,560 Speaker 1: Hell, I would say twenty two It's. 1088 00:49:06,480 --> 00:49:09,399 Speaker 2: That time of year again. Celebrity theater sports is back. 1089 00:49:10,000 --> 00:49:13,200 Speaker 2: This is where the stars come out. There's a slight 1090 00:49:13,239 --> 00:49:15,239 Speaker 2: asterisk next to that, because I'm one of them, not 1091 00:49:15,280 --> 00:49:18,080 Speaker 2: really a star, come out to improvise and make you laugh, 1092 00:49:18,160 --> 00:49:22,080 Speaker 2: all for a very good cause. Rose mcrose, Rove McManus. 1093 00:49:22,120 --> 00:49:25,200 Speaker 2: Luckily he's hosting and not me. Well, Robe's going to 1094 00:49:25,200 --> 00:49:26,880 Speaker 2: be hosting and joining in the games as well, with 1095 00:49:26,920 --> 00:49:30,319 Speaker 2: a cavalcade of other performers up on stage at the end. 1096 00:49:30,320 --> 00:49:33,279 Speaker 2: More on Sunday, Robe is here to tell us more Hollo. 1097 00:49:33,160 --> 00:49:35,600 Speaker 4: Rove, Hello and good morning. 1098 00:49:35,640 --> 00:49:37,160 Speaker 2: It was quite the intro, wasn't it. 1099 00:49:37,280 --> 00:49:38,560 Speaker 1: You're coming to us intro? 1100 00:49:38,680 --> 00:49:42,120 Speaker 4: Following on from topless Mum, story's been quite the roller 1101 00:49:42,120 --> 00:49:42,680 Speaker 4: coaster ride. 1102 00:49:42,760 --> 00:49:45,120 Speaker 1: Dear me, not topless mum. I was a lady that 1103 00:49:45,200 --> 00:49:45,880 Speaker 1: was on the dunes. 1104 00:49:45,880 --> 00:49:48,000 Speaker 4: That was top Actually my first topless lady was I 1105 00:49:48,000 --> 00:49:49,640 Speaker 4: saw was on a roller coaster ride? 1106 00:49:50,040 --> 00:49:53,840 Speaker 2: How did that happen? The less we don't go to it. 1107 00:49:55,080 --> 00:49:56,440 Speaker 4: It was quite confronting. 1108 00:49:56,680 --> 00:49:58,680 Speaker 2: Yeah, why was she topless on a roller coaster? 1109 00:49:59,000 --> 00:49:59,040 Speaker 7: No? 1110 00:49:59,200 --> 00:50:06,080 Speaker 2: The we were fascinating. 1111 00:50:07,120 --> 00:50:09,439 Speaker 4: See Amanda, Amanda, see you were going to be part 1112 00:50:09,480 --> 00:50:12,960 Speaker 4: of this celebrity theater sports on Sunday, it's yes, and 1113 00:50:13,120 --> 00:50:16,680 Speaker 4: you have to remember yes. And if someone's on stage 1114 00:50:16,719 --> 00:50:19,080 Speaker 4: and they say I just saw a topless woman on 1115 00:50:19,120 --> 00:50:21,800 Speaker 4: a roller coaster, you say yet and. 1116 00:50:21,680 --> 00:50:22,239 Speaker 2: It was me? 1117 00:50:22,680 --> 00:50:23,120 Speaker 1: Yeah? 1118 00:50:24,360 --> 00:50:26,400 Speaker 4: Me, there we go. 1119 00:50:26,480 --> 00:50:28,720 Speaker 2: Should I be nervous, Rove? Should I be nervous? 1120 00:50:29,480 --> 00:50:31,840 Speaker 4: Look, I'm going to let your listeners in on a 1121 00:50:31,920 --> 00:50:36,200 Speaker 4: very special secret. If no one was at the Opera 1122 00:50:36,239 --> 00:50:39,920 Speaker 4: House for the Slide Night show that I was performing 1123 00:50:39,920 --> 00:50:42,640 Speaker 4: there that you two were part of, you were both amazing, 1124 00:50:43,160 --> 00:50:46,800 Speaker 4: and Amanda, without Jonesy there to hold you back. 1125 00:50:46,640 --> 00:50:48,960 Speaker 1: I think you're going to be So what you're saying 1126 00:50:48,960 --> 00:50:53,600 Speaker 1: is practice. So what you're saying is I was terrible 1127 00:50:53,640 --> 00:50:55,719 Speaker 1: at the Opera House, and so you've gone on with 1128 00:50:55,760 --> 00:50:58,360 Speaker 1: this with just Amanda and you've broken up the band. 1129 00:50:58,480 --> 00:50:58,800 Speaker 3: Yeah. 1130 00:50:58,880 --> 00:51:01,440 Speaker 4: Yeah, you know how to read between the lines. You're 1131 00:51:01,440 --> 00:51:01,960 Speaker 4: a clever boy. 1132 00:51:02,000 --> 00:51:04,600 Speaker 1: But I don't think there's much reading between the lines. 1133 00:51:04,640 --> 00:51:06,160 Speaker 1: It's lines. 1134 00:51:06,160 --> 00:51:06,440 Speaker 12: I don't know. 1135 00:51:06,480 --> 00:51:07,120 Speaker 4: It's evening. 1136 00:51:07,320 --> 00:51:09,920 Speaker 2: But I've had a lot of association with Canteen, which 1137 00:51:10,040 --> 00:51:12,120 Speaker 2: is the charity that the supports tell us a bit 1138 00:51:12,120 --> 00:51:14,280 Speaker 2: about Canteen Row Well. 1139 00:51:14,160 --> 00:51:18,719 Speaker 4: Canteen is great, carantin a wonderful they help children whose 1140 00:51:18,760 --> 00:51:21,360 Speaker 4: lives are affected by cancer. And what I love in 1141 00:51:21,400 --> 00:51:24,799 Speaker 4: particular about this is that it's not just kids who 1142 00:51:24,920 --> 00:51:28,400 Speaker 4: are dealing with cancer themselves that have it, but also 1143 00:51:28,520 --> 00:51:31,480 Speaker 4: those that have been affected by having cancer in their 1144 00:51:31,480 --> 00:51:35,440 Speaker 4: lives through a friend or in particularly usually have family 1145 00:51:35,480 --> 00:51:40,160 Speaker 4: members and it provides great support which is really really 1146 00:51:40,200 --> 00:51:42,759 Speaker 4: helpful for anyone who's going through this. And that's where 1147 00:51:42,760 --> 00:51:45,080 Speaker 4: the proceeds will be going on Sunday. 1148 00:51:44,840 --> 00:51:48,200 Speaker 1: Right And asides from me not being there, who are 1149 00:51:48,239 --> 00:51:50,320 Speaker 1: we going to see up on stage other than Amanda 1150 00:51:50,400 --> 00:51:51,040 Speaker 1: and yourself? 1151 00:51:51,920 --> 00:51:56,239 Speaker 4: Well, you will be seeing people like Will Anderson, Adam Spencer, 1152 00:51:56,520 --> 00:51:59,399 Speaker 4: Heath Garrett who's a former Matilda. 1153 00:51:59,560 --> 00:51:59,640 Speaker 8: And. 1154 00:52:01,320 --> 00:52:04,839 Speaker 4: A host of other people you will know, comedians, performers, 1155 00:52:05,200 --> 00:52:07,000 Speaker 4: some of you might not know but you're recognizing. Oh 1156 00:52:07,000 --> 00:52:08,680 Speaker 4: I think I know them from Thank God you're here, 1157 00:52:09,480 --> 00:52:12,320 Speaker 4: and a lot of people who are a lot better 1158 00:52:12,360 --> 00:52:16,080 Speaker 4: at this than Amanda and I and definitely you you're. 1159 00:52:15,960 --> 00:52:17,120 Speaker 2: Going to join in though, aren't you? 1160 00:52:17,239 --> 00:52:20,600 Speaker 4: Row Yes, Yes, I will be I will be hosting. 1161 00:52:20,640 --> 00:52:24,799 Speaker 4: I took part in this last year and had a 1162 00:52:24,840 --> 00:52:26,840 Speaker 4: ton of fun, and so I was asked to be 1163 00:52:26,920 --> 00:52:29,560 Speaker 4: back for it this year and immediately said yes, but 1164 00:52:30,360 --> 00:52:32,440 Speaker 4: I said, I'm happy to host, but I don't want 1165 00:52:32,480 --> 00:52:35,279 Speaker 4: to miss out on being part of the game and 1166 00:52:35,760 --> 00:52:38,040 Speaker 4: playing out the scenes, because because that's the whole point. 1167 00:52:38,120 --> 00:52:42,080 Speaker 4: And if you've never seen Bitter Sports before, it's people 1168 00:52:42,239 --> 00:52:47,719 Speaker 4: making up scenes on the spot based on suggestions from 1169 00:52:47,719 --> 00:52:50,480 Speaker 4: you and the audience. So come along and watch these 1170 00:52:50,480 --> 00:52:52,120 Speaker 4: people sweat thanks to you. 1171 00:52:52,320 --> 00:52:58,440 Speaker 1: I'm on a roller coaster with Rowe McManus and. 1172 00:52:56,520 --> 00:52:59,879 Speaker 4: And he's topless and oh no different. 1173 00:52:59,600 --> 00:52:59,959 Speaker 12: No different. 1174 00:53:00,200 --> 00:53:03,960 Speaker 1: Someone's going to lose an eye, could be worse on 1175 00:53:03,960 --> 00:53:06,120 Speaker 1: the road. Gravity's not your friend on the road. 1176 00:53:06,280 --> 00:53:07,839 Speaker 2: This is going to be at the end More Theater. 1177 00:53:07,920 --> 00:53:10,560 Speaker 2: We would love your support. You'll be supporting canteen, You'll 1178 00:53:10,600 --> 00:53:12,520 Speaker 2: be having a laugh with everyone. It's going to be great. 1179 00:53:12,520 --> 00:53:14,399 Speaker 1: I'm lending my support. No one of them be there. 1180 00:53:14,440 --> 00:53:16,680 Speaker 2: You can purchase your tickets from Ticke Tech and Robe. 1181 00:53:16,680 --> 00:53:18,000 Speaker 2: I can't wait to see you on Sunday. 1182 00:53:18,840 --> 00:53:19,640 Speaker 10: It's going to be fun. 1183 00:53:19,680 --> 00:53:21,480 Speaker 4: Thanks for being part of it. And yeah, I look 1184 00:53:21,520 --> 00:53:23,120 Speaker 4: forward to hopefully sank everybody there. 1185 00:53:23,480 --> 00:53:37,879 Speaker 7: Jonesy and Amanda podcast Right now, do you. 1186 00:53:37,800 --> 00:53:40,320 Speaker 2: Know where I'd love to go? Edinburgh to the Edinburgh 1187 00:53:40,680 --> 00:53:43,279 Speaker 2: Fringe Festival, I'm thinking of going to Scotland next year, 1188 00:53:43,360 --> 00:53:47,239 Speaker 2: not just because of my outlander fetish. Rob put my 1189 00:53:47,280 --> 00:53:52,760 Speaker 2: hands on the stones, not the rolling Stones. Mick Jagger 1190 00:53:52,760 --> 00:53:54,480 Speaker 2: looks like he's gone back in time, but it's actually 1191 00:53:54,520 --> 00:53:56,560 Speaker 2: still just him. He's not a time travel he's just 1192 00:53:56,600 --> 00:54:02,320 Speaker 2: still alive. But the Edinburgh Fringe has awarded its best 1193 00:54:02,440 --> 00:54:07,520 Speaker 2: joke of the Fringe. There's ten top Top ten jokes. 1194 00:54:07,560 --> 00:54:09,799 Speaker 2: I'm going to count them down from you, from for you, 1195 00:54:09,840 --> 00:54:10,719 Speaker 2: from ten to one. 1196 00:54:11,239 --> 00:54:12,480 Speaker 1: You're going to do ten jokes. 1197 00:54:12,520 --> 00:54:17,719 Speaker 2: They're one liners. They're not long shaggy dog stores, Brendan, Brendan, 1198 00:54:18,480 --> 00:54:19,760 Speaker 2: they're all one liners. 1199 00:54:19,880 --> 00:54:20,480 Speaker 1: Do five. 1200 00:54:20,800 --> 00:54:23,120 Speaker 2: We're going to do ten, and we're doing it next. 1201 00:54:25,640 --> 00:54:30,640 Speaker 1: I just feel ten jokes one line or otherwise is 1202 00:54:30,760 --> 00:54:31,160 Speaker 1: very long. 1203 00:54:31,200 --> 00:54:32,920 Speaker 2: Then you've got to stop talking because I'm about to 1204 00:54:32,920 --> 00:54:33,160 Speaker 2: do it. 1205 00:54:33,160 --> 00:54:35,479 Speaker 1: It's very Whndy and the crew were not touching that one. 1206 00:54:35,960 --> 00:54:37,120 Speaker 1: The Top ten's killing it. 1207 00:54:38,960 --> 00:54:44,520 Speaker 18: Piss off, seriously, It's like Wendy's backing you crab on 1208 00:54:44,640 --> 00:54:48,920 Speaker 18: about big toe truck driving shows you watch and this 1209 00:54:48,960 --> 00:54:50,040 Speaker 18: is all I've asked to do. 1210 00:54:50,640 --> 00:54:52,320 Speaker 1: It's just Ten's a lot. Can't you got a genial? 1211 00:54:52,400 --> 00:54:57,480 Speaker 2: Let me start shut your flapping mouth before I start this. No, 1212 00:54:57,800 --> 00:54:59,880 Speaker 2: that's disrespectful of these jokes. 1213 00:55:00,120 --> 00:55:00,680 Speaker 1: Jem I arrive. 1214 00:55:00,960 --> 00:55:02,560 Speaker 2: Jones is going to hate these jokes because you. 1215 00:55:02,760 --> 00:55:04,320 Speaker 1: Got some crickets in case they're bad. 1216 00:55:04,200 --> 00:55:05,920 Speaker 2: That you're going to hate them because this isn't your 1217 00:55:05,960 --> 00:55:08,879 Speaker 2: style of fun jokes. Some of them might be. In fact, 1218 00:55:08,920 --> 00:55:11,960 Speaker 2: they probably are. They're wi They're all one liners and 1219 00:55:12,000 --> 00:55:13,600 Speaker 2: these have been the best joke. 1220 00:55:13,680 --> 00:55:15,080 Speaker 1: Let me get a settlers out. 1221 00:55:15,600 --> 00:55:20,200 Speaker 2: These have been, dee, the best joke of the Edinburgh 1222 00:55:20,239 --> 00:55:23,440 Speaker 2: Fringe Festival. Okay, well, comedians, I'll. 1223 00:55:23,280 --> 00:55:25,799 Speaker 1: Be punches pilot on this and wash my hands. And 1224 00:55:25,840 --> 00:55:27,520 Speaker 1: it's in the hands of jem Y Ray he will 1225 00:55:27,520 --> 00:55:28,160 Speaker 1: be the Arbiterry. 1226 00:55:28,320 --> 00:55:30,759 Speaker 2: Number ten. Stop talking if you wouldn't like me to 1227 00:55:30,840 --> 00:55:34,040 Speaker 2: rush through Number ten, I'm going to count down ten 1228 00:55:34,080 --> 00:55:38,240 Speaker 2: to one for the best one liners from the Edinburgh Fringe. 1229 00:55:38,719 --> 00:55:41,680 Speaker 2: Number ten my grandma describes herself as being in her 1230 00:55:41,680 --> 00:55:46,160 Speaker 2: twilight years, which I love because they're great films. Number 1231 00:55:46,239 --> 00:55:49,399 Speaker 2: nine Nationwide must have looked pretty silly when they open 1232 00:55:49,480 --> 00:55:53,000 Speaker 2: their first branch. You don't even get it. 1233 00:55:53,040 --> 00:55:56,720 Speaker 1: I don't get it. Number eight no sound effects here, Ryan. 1234 00:55:56,600 --> 00:56:00,799 Speaker 2: I entered the Ryan. Number eight I ended the Hell 1235 00:56:00,920 --> 00:56:04,640 Speaker 2: not to Surrender competition and I won hands down. Oh yeah, 1236 00:56:04,880 --> 00:56:07,160 Speaker 2: see lucky, you're not in the audience. That's good. That's 1237 00:56:07,200 --> 00:56:10,760 Speaker 2: what you don't laugh. We say, that's good. Number seven. 1238 00:56:11,239 --> 00:56:13,960 Speaker 2: My friend got locked in a coffee place overnight. Now 1239 00:56:14,000 --> 00:56:17,600 Speaker 2: he only ever goes to Starbucks, not the Rivals. He's costaphobic. 1240 00:56:18,160 --> 00:56:19,799 Speaker 1: Okay, that's good. 1241 00:56:19,960 --> 00:56:23,920 Speaker 2: Number six. How does Celiac Germans greet each other? Gluten tar? 1242 00:56:24,600 --> 00:56:24,920 Speaker 1: Okay? 1243 00:56:25,040 --> 00:56:28,439 Speaker 2: Oh we're reaving up now, Brendan. Number five, you'll hate 1244 00:56:28,480 --> 00:56:30,239 Speaker 2: this one. I thought i'd start off with a joke 1245 00:56:30,280 --> 00:56:32,400 Speaker 2: about the Titanic, just to break the ice. 1246 00:56:33,800 --> 00:56:36,000 Speaker 1: Number four bit too soon, I think, for that sort 1247 00:56:36,040 --> 00:56:37,160 Speaker 1: of humor about Titanic. 1248 00:56:37,480 --> 00:56:40,440 Speaker 2: When women gossip, we call it, we get called bitchy. 1249 00:56:40,680 --> 00:56:42,919 Speaker 2: When men do it, it's called a podcast. 1250 00:56:43,640 --> 00:56:45,400 Speaker 1: Ah yeah, yeah, good, good observation. 1251 00:56:46,400 --> 00:56:48,160 Speaker 2: Last year I had a joke this is number three, 1252 00:56:48,520 --> 00:56:50,680 Speaker 2: This is number three. We're getting their brand and it's okay. 1253 00:56:51,160 --> 00:56:52,960 Speaker 2: You can get back to your big, long winded poo 1254 00:56:53,000 --> 00:56:56,239 Speaker 2: poos later on. Later last year, I had a joke 1255 00:56:56,280 --> 00:57:02,000 Speaker 2: about inflation. But it's hardly worth it now. Number two 1256 00:57:03,320 --> 00:57:06,319 Speaker 2: The most British thing I've ever heard. A lady who said, well, 1257 00:57:06,360 --> 00:57:10,719 Speaker 2: I'm sorry, but I don't apologize. Do you want to 1258 00:57:10,760 --> 00:57:13,000 Speaker 2: know the number one job? This is the number one 1259 00:57:13,120 --> 00:57:16,520 Speaker 2: joke that won the Best Joke of the Edinburgh Fringe. 1260 00:57:16,640 --> 00:57:20,480 Speaker 2: Don't shoot me if you don't like it. I started 1261 00:57:21,000 --> 00:57:23,560 Speaker 2: dating a zoo keeper, but it turned out he was 1262 00:57:23,600 --> 00:57:24,040 Speaker 2: a cheater. 1263 00:57:26,600 --> 00:57:29,840 Speaker 1: You know, how dare you? 1264 00:57:31,560 --> 00:57:34,720 Speaker 2: He used to do stand up and yet you're so unsupported. 1265 00:57:34,800 --> 00:57:35,400 Speaker 1: I'm supporting. 1266 00:57:35,480 --> 00:57:37,440 Speaker 2: That's why you can't do theater sports? Rose right. You 1267 00:57:37,480 --> 00:57:39,240 Speaker 2: don't go yes, and. 1268 00:57:45,440 --> 00:57:45,680 Speaker 1: You're not. 1269 00:57:46,640 --> 00:57:50,560 Speaker 2: I've overstated it. I'm doing theater sports. 1270 00:57:50,240 --> 00:57:56,320 Speaker 19: With Roe and did I've overstated it. But you aren't 1271 00:57:56,320 --> 00:57:58,240 Speaker 19: the person who says yes, and and that's what you 1272 00:57:58,320 --> 00:58:01,040 Speaker 19: have to do for theater sports. You not and cross 1273 00:58:01,040 --> 00:58:03,520 Speaker 19: your arm, not at all, and not how much longer 1274 00:58:03,520 --> 00:58:04,360 Speaker 19: you've made this segment. 1275 00:58:04,880 --> 00:58:06,800 Speaker 1: I haven't made it go any longer than it needed 1276 00:58:06,840 --> 00:58:07,560 Speaker 1: to be. 1277 00:58:10,320 --> 00:58:13,840 Speaker 2: He said nothing. He said nothing. I'm really between the 1278 00:58:13,840 --> 00:58:25,760 Speaker 2: lines of what he said to you on airmation. Would 1279 00:58:25,800 --> 00:58:28,680 Speaker 2: you like twin twenty thousand dollars? Download the iHeartRadio app, 1280 00:58:28,720 --> 00:58:31,120 Speaker 2: go to WSFM press and microphone, give us your ghoul. 1281 00:58:31,160 --> 00:58:32,880 Speaker 2: If you're a Goodie of the year, you get that cash. 1282 00:58:33,000 --> 00:58:36,320 Speaker 8: What have we got, hi guys or gets my gholies? 1283 00:58:36,920 --> 00:58:40,480 Speaker 8: Motorists who put their indicator light on more than one 1284 00:58:40,640 --> 00:58:43,520 Speaker 8: street before they intend to turn. It's like they see 1285 00:58:43,600 --> 00:58:46,160 Speaker 8: main or major intersection approaching and suddenly they're blind to 1286 00:58:46,200 --> 00:58:48,520 Speaker 8: the fact that there are these minus streets they need 1287 00:58:48,560 --> 00:58:51,720 Speaker 8: to drive past first. I think it's dangerous droving behind 1288 00:58:51,760 --> 00:58:54,240 Speaker 8: these people, or worse if I'm one of those on 1289 00:58:54,240 --> 00:58:56,360 Speaker 8: one of those minor streets waiting to turn out. 1290 00:58:57,360 --> 00:59:00,560 Speaker 2: That's what gets my going out. Panicky pets, that's a 1291 00:59:00,560 --> 00:59:01,120 Speaker 2: good one. 1292 00:59:01,240 --> 00:59:02,080 Speaker 1: What else have we got? 1293 00:59:02,640 --> 00:59:05,520 Speaker 11: What gets my gool is is when you're in Bunnings 1294 00:59:05,600 --> 00:59:09,080 Speaker 11: doing some shopping. You have a sudden urge to go 1295 00:59:09,120 --> 00:59:12,640 Speaker 11: and use the facilities because you've eaten something dodgy. You 1296 00:59:12,680 --> 00:59:14,760 Speaker 11: sit down and do your business and you end up 1297 00:59:14,800 --> 00:59:18,520 Speaker 11: with a pinch bottom. It was the big crack in 1298 00:59:18,560 --> 00:59:22,240 Speaker 11: the toilet seat, like what someone could whizz down to 1299 00:59:22,600 --> 00:59:26,440 Speaker 11: fifty eight and get one off the shelf. Crack toilet 1300 00:59:26,440 --> 00:59:28,240 Speaker 11: seats that gets my gool. 1301 00:59:28,080 --> 00:59:30,600 Speaker 2: Is, particularly one in Bunnings where they sell them. 1302 00:59:30,840 --> 00:59:33,000 Speaker 1: They sell the toilet seats. I will say this, Bunning's 1303 00:59:33,040 --> 00:59:35,520 Speaker 1: toilets are very very good. Are they very good? 1304 00:59:35,560 --> 00:59:35,760 Speaker 4: You know? 1305 00:59:35,840 --> 00:59:37,680 Speaker 2: Not to use them in the shop, don't I use it. 1306 00:59:38,440 --> 00:59:43,120 Speaker 1: Not the way the display count, not those ones. You'd 1307 00:59:43,160 --> 00:59:45,960 Speaker 1: make that mistake once. But you go to Bunnings usually, 1308 00:59:46,000 --> 00:59:48,440 Speaker 1: you know, on a Saturday and Sunday, so you have 1309 00:59:48,480 --> 00:59:49,960 Speaker 1: a bit of an AGB working on. 1310 00:59:50,000 --> 00:59:50,160 Speaker 8: You know. 1311 00:59:50,280 --> 00:59:52,040 Speaker 2: This is the thing. When I to watch the kids 1312 00:59:52,040 --> 00:59:54,560 Speaker 2: play basketball in the mornings. There was one particular school 1313 00:59:54,600 --> 00:59:57,000 Speaker 2: would go to where there was a communal toilet for 1314 00:59:57,040 --> 00:59:59,320 Speaker 2: the adults, and all the dads would go in on 1315 00:59:59,360 --> 01:00:01,960 Speaker 2: a Saturday morning, and I go, oh, come on, come on, 1316 01:00:02,080 --> 01:00:04,280 Speaker 2: I don't have to go in after that of their 1317 01:00:04,280 --> 01:00:06,240 Speaker 2: big Friday night adventures. 1318 01:00:06,760 --> 01:00:09,720 Speaker 1: Exactly at him with the good if you dipped down, 1319 01:00:09,760 --> 01:00:13,400 Speaker 1: it doesn't matter. Context us via the iHeartRadio app WSBM 1320 01:00:13,400 --> 01:00:20,280 Speaker 1: pressed the microphone records your grully. It's as easy as podcast. 1321 01:00:22,040 --> 01:00:24,800 Speaker 2: My favorite calling HIMIL a Facebook friend wins an Elvis 1322 01:00:24,880 --> 01:00:27,280 Speaker 2: Musical Revolution pack. You get two tickets to the show, 1323 01:00:27,680 --> 01:00:30,640 Speaker 2: an exclusive accommodation package at Pulman Sydney Hyde Park. 1324 01:00:30,720 --> 01:00:33,320 Speaker 1: You get that Jonesy demanded ttail and eighteenth birthday key 1325 01:00:33,400 --> 01:00:33,919 Speaker 1: ring as well. 1326 01:00:34,000 --> 01:00:35,600 Speaker 2: I saw a video of a girl who had her 1327 01:00:35,600 --> 01:00:37,880 Speaker 2: boyfriend staying over and she couldn't pass wind in front 1328 01:00:37,880 --> 01:00:40,800 Speaker 2: of him, so she decided to run into her flatmate's room. 1329 01:00:41,400 --> 01:00:44,600 Speaker 2: The flatmate filmed it and they were laughing hysterically. Is 1330 01:00:44,640 --> 01:00:51,560 Speaker 2: it all unfolded? Sounds like a duckt phoning up toward 1331 01:00:51,560 --> 01:00:52,000 Speaker 2: a pizza. 1332 01:00:52,080 --> 01:00:53,960 Speaker 1: A bit more choking, that thing would have started. 1333 01:00:54,080 --> 01:00:56,280 Speaker 2: Tribal John was beating for tales of the cover up. 1334 01:00:56,320 --> 01:00:58,680 Speaker 2: We've got some great calls. But he's Christine from Glenmore 1335 01:00:58,720 --> 01:00:59,640 Speaker 2: Park here. 1336 01:01:00,040 --> 01:01:02,320 Speaker 5: So I was new to retail after twenty years in 1337 01:01:02,360 --> 01:01:05,880 Speaker 5: an office job, showing these lovely young couple this poenature 1338 01:01:05,920 --> 01:01:08,760 Speaker 5: that they come in to look at and out pops 1339 01:01:08,800 --> 01:01:12,120 Speaker 5: the fart, and I've just started kicking my leather shoes together, 1340 01:01:12,320 --> 01:01:13,360 Speaker 5: going oh sorry. 1341 01:01:13,760 --> 01:01:14,520 Speaker 2: Show. 1342 01:01:16,200 --> 01:01:18,840 Speaker 5: Their faces didn't give away much, but I quickly exited 1343 01:01:18,880 --> 01:01:21,240 Speaker 5: back over to my desk and told the girls. Well, 1344 01:01:21,280 --> 01:01:24,480 Speaker 5: everyone was in hysterics because you know, how can you 1345 01:01:24,560 --> 01:01:25,960 Speaker 5: bother blame your new shoes. 1346 01:01:26,200 --> 01:01:28,080 Speaker 1: It's true, what leather pants is the same? 1347 01:01:28,160 --> 01:01:32,840 Speaker 2: Is that why you wear them? Sure, Brendan, right a 1348 01:01:32,960 --> 01:01:36,680 Speaker 2: E T. That's enough likely Phil the next we'll be 1349 01:01:36,760 --> 01:01:38,840 Speaker 2: back tonight for jam Nation. We'll see you at sick. 1350 01:01:38,920 --> 01:01:41,480 Speaker 1: Good day to you, well, thank God, that's over. 1351 01:01:41,600 --> 01:01:46,880 Speaker 14: Good bite, Good bite, wipe, You're right. 1352 01:01:47,120 --> 01:01:50,480 Speaker 17: Catch Jonesy and Amanda's podcast on the iHeartRadio app or 1353 01:01:50,480 --> 01:01:58,080 Speaker 17: wherever you get your podcasts. 1354 01:01:59,680 --> 01:02:02,160 Speaker 7: Jones You and Amanda podcast. 1355 01:02:02,320 --> 01:02:05,000 Speaker 17: Catch up on what you've missed on the free iHeartRadio 1356 01:02:05,080 --> 01:02:05,320 Speaker 17: app