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Speaker 1: Am I on there? Hell yeah, brother, Hell yeah brother.

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Speaker 2: Here we are behind that bloody curtain.

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Speaker 1: Now, will itinery?

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Speaker 2: I mean, look, am I ruining the vibe by using

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Speaker 2: the word itinery.

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Speaker 1: I'm just such a structured guy.

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Speaker 3: I'm just interested as to why you like doing it

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Speaker 3: because I feel you're generally allergic to agendas. Itineries, indexes

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Speaker 3: just not your thing.

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Speaker 2: Yeah, I know, I don't know what happens when we

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Speaker 2: get to the BTS, and I'm just like, I'm just

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Speaker 2: so excited.

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Speaker 3: Someone's got to be the court martial out here, someone's

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Speaker 3: got to be the whipping you know.

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Speaker 1: Yeah, it's true actually, and you know you're enjoying that.

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Speaker 2: Are you anchored the full show? You know you're in control?

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Speaker 2: And then I think you're the anchor of podcast.

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Speaker 1: I really like that. This is where is where you

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Speaker 1: come into your own So.

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Speaker 2: I'm going to go with itinery number one on the itinery, obviously,

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Speaker 2: we have to talk about Tina Arena. Haven't spoken to

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Speaker 2: you about it a lot in the last couple of days.

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Speaker 1: How are you feeling.

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Speaker 2: Don't we go through the itinary first and then we.

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Speaker 1: Yeah, I will.

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Speaker 2: Do the itinery as I want to do the itinery

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Speaker 2: and I do the zoo number one and then I

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Speaker 2: just say number two?

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Speaker 1: So can it?

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Speaker 2: So?

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Speaker 1: Is there a number two?

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Speaker 2: Well, you'll have to find out you get through number one, I'll.

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Speaker 1: Give you a clue there is at number two. Okay,

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Speaker 1: but you didn't you read it out?

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Speaker 2: Well most people will do their itinery is that way?

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Speaker 2: I'm not most people. Yeah, but it makes people listen,

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Speaker 2: like keep listening.

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Speaker 3: They might keep listening when they like, yeah, true, you know,

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Speaker 3: is there a number two?

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Speaker 1: Will there be in? And what is number two? I

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Speaker 1: don't want to give that away.

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Speaker 3: Because arguably, you know, like when you're reading you know,

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Speaker 3: like when you're reading meeting notes and it's like, you know,

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Speaker 3: you read a boring one, you're like, I'm not looking

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Speaker 3: bored to that.

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Speaker 1: Yeah, people might tune out where they're all thinking that,

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Speaker 1: oh god, what could be? Number two could be anything?

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Speaker 3: Are we trying to reach out to Taylor Swift?

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Speaker 1: Could be massive? Massive? Here we go. Okay, So, Tenaine,

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Speaker 1: how are you feeling about it? Trying to reach out

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Speaker 1: of tails? I think that would that would it just

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Speaker 1: goes so nowhere? How much money would you? Where would

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Speaker 1: we start? Where would we start? If we're trying to

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Speaker 1: reach out to sure you go Gorilla? You go Gorilla

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Speaker 1: for sure? G U E R I l A.

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Speaker 2: Yeah, yeah, you know, we couldn't be under I thought

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Speaker 2: you guys were thinking I was going to dress up

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Speaker 2: as like an animal, the Gorilla. Hence why you were

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Speaker 2: looking at me like it wasn't.

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Speaker 3: I was thinking, maybe, honestly, do you honestly because I

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Speaker 3: thought you would you you wouldn't use the word gorilla,

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Speaker 3: So I thought you were talking about the Gorillas and

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Speaker 3: you pronounced it increatly because there obviously a famous band,

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Speaker 3: And I was like, oh, I see, reach out to

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Speaker 3: the guy from the Gorillas. He's obviously unbelievable, so he's

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Speaker 3: probably good.

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Speaker 1: Make for Taylor Swift.

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Speaker 3: But then, honestly, the thought process in my head was

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Speaker 3: how does Woody the guy from the Gorilla?

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Speaker 1: That's what's going in my head.

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Speaker 3: I think, you know, do you think you personally know

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Speaker 3: any musicians?

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Speaker 1: Yeah?

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Speaker 3: I think I think the way we'd goes we'd go,

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Speaker 3: we'd just go Joe Jonas, we go straight to Jo. Yeah,

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Speaker 3: there's a relationship there. He d med us, remember that

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Speaker 3: he d m us. Yeah, you know he has gone

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Speaker 3: a bit quiet on us, to be honest, have we

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Speaker 3: extended the invite to Joe Jonas on the can you

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Speaker 3: here at front? Sorry, I'm interested in this tena or

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Speaker 3: anything mate.

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Speaker 2: The itinery is totally flexible, by the way, Well, we're

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Speaker 2: kind of pre one. Actually we haven't even started one.

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Speaker 1: I don't want you in charge. Yeah, we have anything

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Speaker 1: back from Joe, not not yet. I'm sure he's very

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Speaker 1: keen on it though.

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Speaker 2: When when when's first show Australia.

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Speaker 3: We have reached out to him about the can you

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Speaker 3: hear it live?

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Speaker 2: We have when's his first show in Australia?

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Speaker 1: When's he here March one in Sydney.

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Speaker 3: You'd think he'll be reaching out, so I'm sure he's

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Speaker 3: not too far away with coming back.

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Speaker 1: And how long ago did we send that? He's busy?

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Speaker 1: Seen a follow up? Is a busy guy.

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Speaker 3: He's busy, you know follow up do sometimes takes two

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Speaker 3: or three messages to get under wood.

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Speaker 1: He's a busy guy. Get into Joe Jonas.

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Speaker 3: I wouldn't I wouldn't stress. I'm sure he's just genuine

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Speaker 3: the message just go hey, Joe, sorry if you missed

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Speaker 3: the last one?

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Speaker 1: Brother, would your brother brother? I think his brother asked

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Speaker 1: brother him.

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Speaker 2: He was actually in the chat. He wasn't a brother guy.

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Speaker 2: He wasn't he wasn't my brother.

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Speaker 1: He was he a dude. He was a dude guy. Yeah,

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Speaker 1: he's a dude, big dude. Go hey, dude, dude.

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Speaker 2: I love you guys like yeah, a lot of dudes,

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Speaker 2: but famously he is a brother.

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Speaker 1: Yeah yeah, nice Tom, Nice pick up?

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Speaker 2: Where where are we?

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Speaker 1: Where are we get the number? One? Mate?

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Speaker 3: You're in charge. I think it's well you just ru

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Speaker 3: with a bit more of an iron fish, come.

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Speaker 1: Right, number one? Yeah, Tina Arena, I asked the question.

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Speaker 1: You know I'm not asking the question.

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Speaker 2: So you're trying to become friends with Tina Arena, you're

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Speaker 2: desperate for it. The latest is that we got my

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Speaker 2: mother in law to text Tina Arena. I can confirm

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Speaker 2: that text message has been sent to Tina Arena shoes.

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Speaker 1: Without going into it. So it's gone.

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Speaker 3: So it's gone out, it's gone out. It's got do

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Speaker 3: you know here we are? I feel like this podcast.

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Speaker 1: Just becoming which which celebrity hasn't replied Joe Jonas.

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Speaker 3: We're in the blue there, we're waiting on one back

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Speaker 3: there and what we're in the same with.

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Speaker 2: With Tina haven't I have an unreplied to Tina Va

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Speaker 2: Michelle Tya Va Michelle talking about us though, So we're

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Speaker 2: right in.

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Speaker 3: There, Tina Va Michelle your partner's mum.

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Speaker 2: Yes, here's the response from Michelle this morning, just to

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Speaker 2: keep you in the loop.

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Speaker 1: Ship hang on, So had you so? How long go?

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Speaker 1: Did she send it? By the way, yesterday? What time?

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Speaker 3: Because you messaged me yesterday and you're like, we forgot

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Speaker 3: Tina Arena's number, we forgot how to actually send it.

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Speaker 2: Yeah, she was supposed to have the whole week's fault.

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Speaker 1: That was as soon as your message me, did you

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Speaker 1: get them both your faults? Yeah?

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Speaker 3: You said, yeah, so that was your job. Anyway, you

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Speaker 3: messaged you yesterday and I was like, sure thing, dude

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Speaker 3: his his teners.

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Speaker 2: Yeah that was I'll get him confused now anyway, So midday,

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Speaker 2: yesterder hear you. I'm lost in the vortex of days. Anyway,

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Speaker 2: this is from this morning.

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Speaker 3: This is the person running out of generator. He's confused

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Speaker 3: in the days. I'll remind you.

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Speaker 1: That sentence itself. I screamed. Someone who should not run

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Speaker 1: an itinery.

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Speaker 3: People who run itineraries do not get confused in VORTEXX

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Speaker 3: of days days for breakfast.

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Speaker 1: Need a minute, Sky, Tom? Yeah, I can do minutes. Okay?

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Speaker 1: Where are we at? What read the last sentence? You

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Speaker 1: you don't want you don't want a minutes? Guy?

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Speaker 3: You want somebody taking out of the transcript?

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Speaker 1: Yeah? That that I want that. Where were we at? Tom?

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Speaker 1: What did I last say? You said that you were

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Speaker 1: just about to cover that. You receive this text this morning? Correct? Nice,

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Speaker 1: good pickup?

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Speaker 2: Okay, this is from just to keep you in the law.

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Speaker 1: No response from Tina as yet. Fu me.

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Speaker 3: Wow, fucking fuck, there's where was this?

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Speaker 1: This is this morning?

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Speaker 4: That?

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Speaker 1: Hang on? Michelle obviously not as tired as we thought.

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Speaker 1: She lied to us.

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Speaker 2: Hang on, it's noted, Oh no, it's noted that thess

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Speaker 2: not It's noted. It's noted that the message was read yesterday.

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Speaker 1: What did she say? It's noted? Why did she get

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Speaker 1: all formal on us?

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Speaker 2: Because this is like a really Julie noted.

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Speaker 3: Julie noted, I like, how seriously, NB, no message was read?

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Speaker 3: What did she It's noted it puts the notion in

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Speaker 3: the basket.

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Speaker 2: It has been noted she's taken it seriously, and I

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Speaker 2: bloody loved that about.

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Speaker 1: So she's read the men.

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Speaker 3: Noted, she has noted, she's she's read it read Yeah.

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Speaker 1: Where fun? Then aren't we what? Fucking Michelle? Sorry? Will

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Speaker 1: no apologize?

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Speaker 3: I apologize?

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Speaker 1: Sorry, Michelle.

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Speaker 2: Sorry Michelle, that was disingenuous, which your apology was disingenuous.

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Speaker 3: It wasn't it was I was saying I say. I

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Speaker 3: was saying, Michelle, I'm sorry, I'm sorry. I didn't even

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Speaker 3: say I didn't even say anything bad.

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Speaker 1: You called her a bitch? I did, no, I did.

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Speaker 1: I've got here on transcript take you No, I did not.

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Speaker 1: You're emotional. You're emotional.

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Speaker 2: You are forgiving her, but you said something abhorrent in

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Speaker 2: her direction, and that's not on she's doing.

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Speaker 1: It's a huge fact.

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Speaker 2: You a huge favor.

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Speaker 1: Yeah, I know, sorry about that.

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Speaker 2: I just got to be an emotional He got emotional, Michelle.

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Speaker 2: She has listened to these podcasts.

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Speaker 1: Now, does itinery? Yeah?

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Speaker 2: She loves the boys, listens all the time.

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Speaker 1: Itinery number two. We had a player today, And what

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Speaker 1: are we doing about there?

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Speaker 2: I just just sorry, mate, We wait, we wait.

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Speaker 3: We haven't spent we spent the last two weeks getting

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Speaker 3: to this point, and now's the.

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Speaker 2: Time that you move on to Itinery too.

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Speaker 1: We can bring it back. Tomorrow's means a lot to me.

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Speaker 2: I think you need twenty four hours to like cool off.

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Speaker 2: You're very emotional right now.

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Speaker 3: You just do you think Michelle should double tap?

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Speaker 1: I think you need twenty four hours to think about it.

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Speaker 2: I think Michelle should double tap two unread or unreplied messages.

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Speaker 1: Is too desperate.

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Speaker 2: But in twenty four hours it still hasn't written bad.

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Speaker 3: It's not our reputation.

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Speaker 1: Sorry, Michelle. I know you're listening, but.

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Speaker 2: I don't want Michelle doing that. That's not fair. I

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Speaker 2: think we could reach out to someone else. Maybe I

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Speaker 2: don't know, maybe Michelle could reach someone else in young talent.

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Speaker 1: The hell is going on?

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Speaker 3: Or we could just message ourselves all that then it

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Speaker 3: starts getting desperate.

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Speaker 2: I think we need twenty four hours though you're emotional.

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Speaker 1: Are we gonna we're all over the place?

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Speaker 2: God?

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Speaker 1: What?

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Speaker 3: I actually just can't believe that.

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Speaker 1: Yeah, can we heear some TENA arena?

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Speaker 3: Maybe just till to get me through that.

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Speaker 1: That'll make it worse way in the background. Maybe, ma

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Speaker 1: come on, I think I'll say a little bit.

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Speaker 2: We're never going to get to Itinery is a little bit.

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Speaker 2: When can I get to itinery number two while we're

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Speaker 2: playing Tina, Oh, that's pretty nice.

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Speaker 1: What's that in the background?

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Speaker 2: There?

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Speaker 1: Big a big violin, isn't it?

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Speaker 3: No?

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Speaker 1: What's that? It's a bass guitar. Is a guitar?

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Speaker 3: Probably?

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Speaker 1: I think it's a cello as well. For a double bass.

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Speaker 1: That's a big cello. A double bass is.

241
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Speaker 3: What a big cello guitar, A big gello is called

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Speaker 3: a double bass.

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Speaker 1: You should know that. I think it's a double bass.

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Speaker 1: We're gonna ask ten that I think it's electric. I

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Speaker 1: think I think it's too electric to do.

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Speaker 4: You want to do the itinery around at the time? No,

247
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Speaker 4: But if you want to do the tomorrow, you've got

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Speaker 4: to finish todays.

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Speaker 1: So what do you want me to do? You're confusing me.

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Speaker 4: If you want to be responsible for itineries moving forward,

251
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Speaker 4: you've got to finish today's itinery. So Itinery number two.

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Speaker 2: Yes, thank you, l J. Itinery number two. We really

253
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Speaker 2: this is a long one. I don't care people want

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Speaker 2: longer ones. That's a lot of feedbacks coming back same.

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Speaker 5: Me.

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Speaker 3: Can you confirm that people are saying doing longer behind

257
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Speaker 3: the scenes? Now watch this poop pants wants to quash

258
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Speaker 3: this because he wants to leave. If you watch him,

259
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Speaker 3: he's going to turn around and tell k not.

260
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Speaker 1: To say that. Even if that is the truth. Don't

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00:11:02,679 --> 00:11:07,760
Speaker 1: they're colluding? They're colluding? Is it talking behind? He's talking head?

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00:11:07,920 --> 00:11:10,200
Speaker 1: Is it true? There's a lot of saying something. Are

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00:11:10,280 --> 00:11:13,839
Speaker 1: you guys? We can see you talking out there? Can

264
00:11:13,920 --> 00:11:15,439
Speaker 1: you just get on with your itinery?

265
00:11:15,480 --> 00:11:17,599
Speaker 4: Would you? You're letting them cool?

266
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Speaker 2: Conjole you?

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Speaker 1: You need to go home this breakfast? I would.

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Speaker 3: I told you this would happened as soon as he

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Speaker 3: was putting too.

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Speaker 2: And it's talking to kV itinery to talk to k

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Speaker 2: V the digital producer, Hi kV, Hi, guys, HIV.

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Speaker 3: People say to us that we should have longer behind

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Speaker 3: the scenes podcast. I've got something to say, sorry, carry on.

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Speaker 2: Or haven't had too much?

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Speaker 1: When did you hear that? Would he?

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Speaker 2: Well, it's isn't it too much? But you read between

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Speaker 2: the lines that people said. Potentially one or two people

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Speaker 2: have said keep going, boys.

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Speaker 3: They're probably like our biggest I'd love hearing you, of course,

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Speaker 3: what did you think?

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Speaker 1: I got to get it back on? Thanks kV.

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Speaker 2: That was Itinery number two, which was toward to.

283
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Speaker 1: K, I have two A? Can I have two A

284
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Speaker 1: very quickly?

285
00:12:04,200 --> 00:12:04,560
Speaker 3: Please?

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00:12:04,679 --> 00:12:06,280
Speaker 2: We're definitely not going to get to three l j

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00:12:07,160 --> 00:12:10,000
Speaker 2: oh god, something's just Can I just do two?

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Speaker 1: All?

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Speaker 3: You before?

290
00:12:11,120 --> 00:12:13,600
Speaker 1: Can you please? Before? Can you I'm going to lose

291
00:12:13,640 --> 00:12:16,640
Speaker 1: my tinery privileges? Can you please want to do?

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00:12:16,760 --> 00:12:16,960
Speaker 5: Hey?

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00:12:17,480 --> 00:12:21,120
Speaker 3: Okay, okay, I'm doing I wait, as long as it's

294
00:12:21,160 --> 00:12:22,679
Speaker 3: a timer, canady time?

295
00:12:22,800 --> 00:12:24,400
Speaker 1: How long do you need? Seconds?

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00:12:24,480 --> 00:12:24,720
Speaker 3: Wait?

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Speaker 1: It's going to be good though. Wait you'll want more?

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00:12:27,760 --> 00:12:27,960
Speaker 3: Yeah?

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00:12:28,320 --> 00:12:28,920
Speaker 1: Necessarily?

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Speaker 3: Okay, okay, here we go go.

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Speaker 1: Okay.

302
00:12:33,160 --> 00:12:36,040
Speaker 3: So I went bowling the other night with some friends,

303
00:12:36,200 --> 00:12:39,040
Speaker 3: like Lauren Bowling, and this woman came up to.

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Speaker 1: Me and she was like, Hi, how are you going?

305
00:12:42,240 --> 00:12:43,320
Speaker 1: My name is Jess.

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00:12:44,480 --> 00:12:46,439
Speaker 3: And she was like, oh my god, I'm totally freaked

307
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Speaker 3: out because I meant to French kiss you from a distance,

308
00:12:48,760 --> 00:12:51,880
Speaker 3: but I'm stuffed it up. And she was like, I

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00:12:51,920 --> 00:12:54,560
Speaker 3: just wanted, you know, it's French chefs kiss.

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00:12:56,200 --> 00:12:58,840
Speaker 2: I'm supposed to make out with you from a distance.

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00:12:59,400 --> 00:13:03,360
Speaker 3: Anyway, I had a few beers, but she was like, look,

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00:13:03,559 --> 00:13:04,720
Speaker 3: so I'm paraphrasing him.

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Speaker 1: It's like I listened to you guys all the time.

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Speaker 3: It's like I know you get socially anxious when people

315
00:13:08,760 --> 00:13:11,000
Speaker 3: come up to you and recognize you, but like it's

316
00:13:11,000 --> 00:13:13,280
Speaker 3: just like, I know that you're feeling that right now.

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00:13:13,480 --> 00:13:14,679
Speaker 3: But I just want to let you know that I

318
00:13:14,760 --> 00:13:17,199
Speaker 3: listened to you behind the Scenes podcast and I absolutely

319
00:13:17,240 --> 00:13:18,400
Speaker 3: love you guys and have listened to it for the

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Speaker 3: last six years and I would like the podcast to

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00:13:20,480 --> 00:13:25,199
Speaker 3: be way longer. And that's her words, her words, not mine. Anyway, Hi, Jess,

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Speaker 3: if you're listening, thanks for saying hi.

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Speaker 2: That was a three seconds to spare. That was amazing.

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00:13:30,320 --> 00:13:32,880
Speaker 2: Good right, that was amazing, And it's a good time

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00:13:32,920 --> 00:13:35,200
Speaker 2: to mention to everyone that if you do see Will

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Speaker 2: in public, he does want to be acknowledged, but you

327
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Speaker 2: don't have to walk up to him.

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Speaker 1: Just chef's kiss him. Yeah, it's just a yeah.

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Speaker 3: I'm not sure if she mentioned the chef's kiss.

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00:13:46,440 --> 00:13:48,040
Speaker 1: You said she wanted a French kiss a lot.

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Speaker 3: I had a few beers at that stage, but anyway,

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00:13:51,679 --> 00:13:56,560
Speaker 3: how were you think. I think I'd had enough beers

333
00:13:56,559 --> 00:13:59,080
Speaker 3: that I was like, I started calling her test and

334
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Speaker 3: she was like, jesz no, oh no, anyway, Hi Jess,

335
00:14:04,240 --> 00:14:04,960
Speaker 3: you really lovely.

336
00:14:05,040 --> 00:14:06,040
Speaker 1: How are the bowls coming out?

337
00:14:06,080 --> 00:14:10,559
Speaker 2: Of the hand slick I got, mate, I hit them hard, really.

338
00:14:10,720 --> 00:14:12,080
Speaker 1: Tech, but you can be aggressive.

339
00:14:12,160 --> 00:14:17,320
Speaker 3: I had three strikes strike in bowl ten in bold Oh.

340
00:14:17,360 --> 00:14:19,440
Speaker 1: I thought you were lawned my night. I thought you

341
00:14:19,440 --> 00:14:22,200
Speaker 1: were playing ten. No, it's cool, bro, I thought you

342
00:14:22,200 --> 00:14:22,640
Speaker 1: were lawned.

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00:14:22,920 --> 00:14:25,320
Speaker 3: It's a place called the Keys in Preston.

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Speaker 1: It's unbelievable. Wish your bowl one time?

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00:14:28,000 --> 00:14:31,000
Speaker 3: Yeah, okay, I would destroy you know how good I am.

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00:14:31,640 --> 00:14:32,600
Speaker 1: Anyway, let's get into this.

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Speaker 2: Itinery number. I think we're at four or five now

348
00:14:35,440 --> 00:14:39,000
Speaker 2: getting through a lot today, guys, I think four under

349
00:14:39,000 --> 00:14:40,440
Speaker 2: my guidance, I think we're at three.

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00:14:41,240 --> 00:14:42,200
Speaker 1: That was two four?

351
00:14:42,280 --> 00:14:45,520
Speaker 2: All right, we're not doing as anyway. So we've got

352
00:14:45,560 --> 00:14:46,960
Speaker 2: this big event. I'm sure you know what.

353
00:14:47,080 --> 00:14:47,640
Speaker 1: Can you hear it?

354
00:14:47,680 --> 00:14:47,760
Speaker 3: So?

355
00:14:47,800 --> 00:14:49,520
Speaker 2: Can you hear the difference between a soft drink and

356
00:14:49,560 --> 00:14:52,120
Speaker 2: a beer opening? We think we had a really good

357
00:14:52,120 --> 00:14:54,520
Speaker 2: player on today that we really wanted our big event

358
00:14:54,600 --> 00:14:57,080
Speaker 2: to win twenty thousand dollars. There's been a lot of

359
00:14:57,120 --> 00:15:00,720
Speaker 2: criticism about me as chief cracker. People think my cracks

360
00:15:01,240 --> 00:15:06,240
Speaker 2: are off. You can yeah, my can handling is right off.

361
00:15:06,480 --> 00:15:09,400
Speaker 2: And see LJ, you've picked up on this and you

362
00:15:09,440 --> 00:15:10,480
Speaker 2: look into my face.

363
00:15:10,320 --> 00:15:12,920
Speaker 3: To that next to someone who you know knows knows their

364
00:15:12,920 --> 00:15:13,920
Speaker 3: way around a can or two.

365
00:15:14,200 --> 00:15:16,280
Speaker 1: Elch. This is frustrating for you.

366
00:15:16,720 --> 00:15:20,840
Speaker 5: It is frustrating to see someone mun handle and sort

367
00:15:20,880 --> 00:15:23,200
Speaker 5: of abuse you might say, comes the way that you

368
00:15:23,240 --> 00:15:26,680
Speaker 5: have been doing this week. Well, I'm here to show

369
00:15:26,720 --> 00:15:28,280
Speaker 5: you how to treat the cans.

370
00:15:28,360 --> 00:15:31,040
Speaker 2: So you said I was going too slow yesterday and

371
00:15:31,760 --> 00:15:33,480
Speaker 2: and and then today I went too quick.

372
00:15:33,480 --> 00:15:35,040
Speaker 1: So I took the feedback on too much.

373
00:15:35,160 --> 00:15:36,960
Speaker 4: Yeah, we felt that you were thinking about it too

374
00:15:37,040 --> 00:15:41,239
Speaker 4: much to give you some fee over correct, very careful.

375
00:15:41,400 --> 00:15:44,280
Speaker 5: Your head, over correct in your head.

376
00:15:44,480 --> 00:15:46,240
Speaker 4: So we're just going to give you a little bit

377
00:15:46,280 --> 00:15:48,800
Speaker 4: of a time out, see how Tyson goes, and then

378
00:15:48,960 --> 00:15:50,920
Speaker 4: we'll see if you get your privileges back tomorrow.

379
00:15:51,080 --> 00:15:51,480
Speaker 1: Amazing.

380
00:15:51,640 --> 00:15:58,360
Speaker 2: So you're you're you're cracking ties, would you say that today?

381
00:15:58,520 --> 00:15:58,800
Speaker 1: It was?

382
00:15:58,840 --> 00:16:01,280
Speaker 2: It was it was a poor cracking performance from your ear.

383
00:16:01,760 --> 00:16:02,840
Speaker 2: It was it was just tough.

384
00:16:02,880 --> 00:16:04,440
Speaker 3: I could I could feel the head noise to the

385
00:16:04,480 --> 00:16:07,200
Speaker 3: phone when you were doing it. So you need to relax.

386
00:16:07,600 --> 00:16:09,720
Speaker 2: Totally fair enough, totally fair enough. So I am going

387
00:16:09,720 --> 00:16:11,920
Speaker 2: to sit on the sidelines here for a bit, tys.

388
00:16:13,720 --> 00:16:16,960
Speaker 1: Craking. Then LJ. Is cragging the can. You said you

389
00:16:16,960 --> 00:16:21,120
Speaker 1: you hurt your cuticle? I did, I pulled out my cute.

390
00:16:21,160 --> 00:16:22,920
Speaker 3: Do you boys also want to close your eyes and

391
00:16:22,960 --> 00:16:24,120
Speaker 3: play along with Tyson?

392
00:16:24,280 --> 00:16:26,840
Speaker 1: Yeap that I can't. What are you going here? And

393
00:16:26,840 --> 00:16:32,120
Speaker 1: there's no point in me. I'm happy to get what

394
00:16:32,240 --> 00:16:34,880
Speaker 1: he sucks. Tyson needs to answer first.

395
00:16:35,440 --> 00:16:36,600
Speaker 5: Yeah, I got it, I got it.

396
00:16:37,560 --> 00:16:40,400
Speaker 1: Write it down, I'll write it down. Nice. Okay, all right, Tys?

397
00:16:40,440 --> 00:16:41,400
Speaker 1: Are you ready for your cans?

398
00:16:41,400 --> 00:16:41,560
Speaker 3: Man?

399
00:16:42,080 --> 00:16:42,560
Speaker 5: I'm ready.

400
00:16:42,600 --> 00:16:43,480
Speaker 2: I'm ready to over be.

401
00:16:43,720 --> 00:16:47,560
Speaker 1: Let's go, l J go for it. Okay, excuse me?

402
00:16:48,600 --> 00:16:48,720
Speaker 3: Right?

403
00:16:51,520 --> 00:16:54,920
Speaker 1: So I write down bor or no? No, no, no,

404
00:16:54,960 --> 00:16:58,200
Speaker 1: I write down? Yeah it was? Here we go? Here

405
00:16:58,720 --> 00:17:03,320
Speaker 1: we go first? Can oh you hit the microphone?

406
00:17:03,480 --> 00:17:04,399
Speaker 5: Oh that's a beer?

407
00:17:05,400 --> 00:17:09,040
Speaker 1: Nice? Ties, you're away made by the way, So am

408
00:17:09,040 --> 00:17:10,960
Speaker 1: I sorry? Will sorry?

409
00:17:10,960 --> 00:17:11,120
Speaker 3: Well?

410
00:17:16,800 --> 00:17:17,359
Speaker 2: Soft drink?

411
00:17:17,560 --> 00:17:21,000
Speaker 1: Yeah, bang has to be. Bang just has to be.

412
00:17:21,400 --> 00:17:22,400
Speaker 1: Has the cracking so far?

413
00:17:22,480 --> 00:17:24,280
Speaker 3: Tyson, it's actually really good?

414
00:17:25,000 --> 00:17:25,840
Speaker 1: Can I can I say?

415
00:17:25,880 --> 00:17:29,080
Speaker 3: Can I say that the can craking is substantially better

416
00:17:29,119 --> 00:17:29,879
Speaker 3: than what it would normally?

417
00:17:30,520 --> 00:17:31,320
Speaker 1: I can hear it now.

418
00:17:31,240 --> 00:17:34,160
Speaker 3: As well, so much better.

419
00:17:42,640 --> 00:17:45,040
Speaker 1: I'm gonna go with beer on that one. I'm going

420
00:17:45,040 --> 00:17:51,520
Speaker 1: soft drink that was a big That was a big beer.

421
00:17:51,600 --> 00:17:55,800
Speaker 1: That was a big beer. Crack, wasn't it? Keep going?

422
00:17:55,880 --> 00:17:57,240
Speaker 1: Let's keep going. He's got three.

423
00:17:57,280 --> 00:17:59,680
Speaker 3: So you've got a fast pass. You've got a fast pass.

424
00:17:59,720 --> 00:18:01,600
Speaker 1: You can hear it? Live man? Good?

425
00:18:01,880 --> 00:18:03,560
Speaker 2: What are you? What are you listening for?

426
00:18:03,760 --> 00:18:04,119
Speaker 1: Tyson?

427
00:18:05,720 --> 00:18:05,920
Speaker 3: Oh?

428
00:18:05,960 --> 00:18:07,879
Speaker 1: I heard the twenty, I heard Zoey come on with

429
00:18:07,880 --> 00:18:09,639
Speaker 1: the five in a row and no, no, no, no, no

430
00:18:10,200 --> 00:18:12,239
Speaker 1: not what are you hearing on the radio? What are

431
00:18:12,280 --> 00:18:12,879
Speaker 1: you listening for?

432
00:18:12,920 --> 00:18:19,280
Speaker 3: With the cans?

433
00:18:22,760 --> 00:18:26,320
Speaker 5: It's all it's all frequency, mate, duration of the soundbol.

434
00:18:28,880 --> 00:18:31,080
Speaker 1: Tyson, tys is a player one more.

435
00:18:31,760 --> 00:18:33,919
Speaker 5: Do you know what we could do? Because look, Tyson,

436
00:18:34,040 --> 00:18:36,320
Speaker 5: I was. I was cracking the cans there, so it's proven.

437
00:18:36,359 --> 00:18:38,320
Speaker 5: I'm an excellent handler of the cans.

438
00:18:38,760 --> 00:18:40,080
Speaker 1: What we can do now is.

439
00:18:40,040 --> 00:18:42,280
Speaker 5: Give what are you the opportunity to do what we

440
00:18:42,400 --> 00:18:44,359
Speaker 5: can now? If you get the next one right, what

441
00:18:44,440 --> 00:18:45,240
Speaker 5: do you get your can?

442
00:18:46,560 --> 00:18:50,560
Speaker 1: No way? What is cracking? Privileges gone? Well, they can't

443
00:18:50,600 --> 00:18:53,560
Speaker 1: be gone, they're gone. The chief crack, No, he's not.

444
00:18:53,800 --> 00:18:56,800
Speaker 1: I'm pretty happy to hang up. He's not very happy

445
00:18:56,880 --> 00:18:57,720
Speaker 1: to What do you do?

446
00:18:57,840 --> 00:18:59,280
Speaker 5: You're you're the main man at the event.

447
00:18:59,320 --> 00:18:59,879
Speaker 2: Love, You've got to.

448
00:18:59,840 --> 00:19:02,000
Speaker 1: Get if I can, if I can do it, not

449
00:19:02,000 --> 00:19:06,240
Speaker 1: not now absolutely, you know when you get absolutely.

450
00:19:07,240 --> 00:19:11,520
Speaker 2: I think someone needs to design some sort of utensil

451
00:19:11,520 --> 00:19:14,199
Speaker 2: to make sure the craking's uniform. Yeah, I think I

452
00:19:14,200 --> 00:19:17,800
Speaker 2: think human error is it's still too much hand. I

453
00:19:17,840 --> 00:19:20,280
Speaker 2: think I need like a machine to be cracking these games.

454
00:19:21,000 --> 00:19:23,040
Speaker 1: Tyson, We'll see you there, mate, love it to hear

455
00:19:23,080 --> 00:19:23,399
Speaker 1: from you.

456
00:19:23,880 --> 00:19:24,040
Speaker 2: Good.

457
00:19:24,240 --> 00:19:27,919
Speaker 1: Yeah, the best brother, When is it?

458
00:19:27,960 --> 00:19:28,359
Speaker 3: When is it?

459
00:19:28,400 --> 00:19:30,879
Speaker 1: I will pass you over to analyst. Make sure she'll

460
00:19:30,920 --> 00:19:32,320
Speaker 1: give you all the dates, brother Fife.

461
00:19:32,640 --> 00:19:34,520
Speaker 3: Hand me over, guys, you hand me over just like that.

462
00:19:35,280 --> 00:19:36,439
Speaker 1: Yeah, well we.

463
00:19:38,560 --> 00:19:41,800
Speaker 3: Are What else did you want to what you have brother?

464
00:19:42,000 --> 00:19:42,360
Speaker 1: Talking about?

465
00:19:42,359 --> 00:19:43,520
Speaker 3: I feel you, I feel you.

466
00:19:43,720 --> 00:19:45,960
Speaker 1: What do you want to talk about? Come along to

467
00:19:46,000 --> 00:19:47,840
Speaker 1: the event. You can win twenty thousand dollars. I mean

468
00:19:47,880 --> 00:19:49,719
Speaker 1: I feel used. No, it's so good, It's all good.

469
00:19:49,760 --> 00:19:50,640
Speaker 3: I'll see you guys on the event.

470
00:19:50,920 --> 00:19:55,320
Speaker 1: I'm going to bring up the power player. I like it.

471
00:19:55,440 --> 00:19:57,359
Speaker 1: I like it. He's a players, is a player.

472
00:19:57,520 --> 00:20:07,080
Speaker 2: Yeah, yeah, Wolf Tyson, all right, Tyson's gone.

473
00:20:07,640 --> 00:20:08,359
Speaker 1: I like Tyson.

474
00:20:08,880 --> 00:20:11,680
Speaker 2: I think Tyson has like a certain confidence about him

475
00:20:11,720 --> 00:20:13,600
Speaker 2: that I think could really help him on the night.

476
00:20:14,720 --> 00:20:18,480
Speaker 1: All right, can you hear it, not get sucked all right? Uh?

477
00:20:18,880 --> 00:20:22,440
Speaker 2: Lets you implying that I was talking about having.

478
00:20:24,680 --> 00:20:25,880
Speaker 1: Let's get out of here.

479
00:20:26,080 --> 00:20:28,879
Speaker 3: God, let's let's get out of you.

480
00:20:31,760 --> 00:20:35,879
Speaker 2: We will see the itinery is done. Everyone great stuff.

481
00:20:35,920 --> 00:20:38,000
Speaker 2: We stuck to the itinery. Well all right, we'll see

482
00:20:38,000 --> 00:20:40,199
Speaker 2: you tomorrow for another itinery.

483
00:20:40,400 --> 00:20:40,720
Speaker 1: Nice