1 00:00:00,200 --> 00:00:02,679 Speaker 1: Jamesy and Amanda gem Nation. 2 00:00:03,000 --> 00:00:06,439 Speaker 2: Our next guest is an Emmy Award winning host, a producer, 3 00:00:06,600 --> 00:00:09,600 Speaker 2: and author. He is one of the most influential people 4 00:00:09,640 --> 00:00:12,840 Speaker 2: in Hollywood. He is the god of reality TV, the 5 00:00:12,880 --> 00:00:14,720 Speaker 2: only man who can tell a housewife what to do. 6 00:00:15,080 --> 00:00:17,280 Speaker 2: And he's the host of Watch What Happens Live, And 7 00:00:17,320 --> 00:00:19,599 Speaker 2: of course he's the executive producer and host of the 8 00:00:19,600 --> 00:00:22,320 Speaker 2: Real Housewife season the series. Of course we're talking about 9 00:00:22,360 --> 00:00:24,080 Speaker 2: Andy Cohen, Andy Hallai. 10 00:00:24,480 --> 00:00:28,360 Speaker 1: Hi, who is this guy? Who is this guy? Sounds interesting? 11 00:00:28,840 --> 00:00:31,440 Speaker 3: You started in a news capacity. 12 00:00:31,640 --> 00:00:32,040 Speaker 1: I did. 13 00:00:32,240 --> 00:00:35,200 Speaker 4: Yes, I was at CBS News for ten years as 14 00:00:35,240 --> 00:00:37,199 Speaker 4: a producer. I worked on the Morning show and on 15 00:00:37,240 --> 00:00:40,400 Speaker 4: a show called forty eight Hours over there. And actually 16 00:00:40,479 --> 00:00:42,720 Speaker 4: the last time I was in Australia was in nineteen 17 00:00:42,920 --> 00:00:46,640 Speaker 4: ninety seven, believe it or not, doing a profile of 18 00:00:46,760 --> 00:00:50,000 Speaker 4: David Helfgat, the guy who the movie Shine was based on. 19 00:00:50,680 --> 00:00:52,960 Speaker 1: That was my last time here. So it's great to 20 00:00:53,000 --> 00:00:53,440 Speaker 1: be back. 21 00:00:53,880 --> 00:00:55,960 Speaker 3: You're here for Marti Gras. That's a different experience to 22 00:00:56,000 --> 00:00:56,920 Speaker 3: interviewing David Helthca. 23 00:00:57,080 --> 00:01:01,000 Speaker 1: It sure is both fun and different ways. Yes, yeah, 24 00:01:01,040 --> 00:01:02,680 Speaker 1: there's a lot of trampolines involved. 25 00:01:02,760 --> 00:01:04,959 Speaker 3: Yes, there a frontal nudity. 26 00:01:05,720 --> 00:01:08,600 Speaker 1: Yeah, exactly. Actually it's right in your wheelhouse. Yeah, you're 27 00:01:08,640 --> 00:01:10,080 Speaker 1: right when you look, that's so different. 28 00:01:10,560 --> 00:01:13,880 Speaker 2: Your skill set is quite extraordinary. And when you watch 29 00:01:13,920 --> 00:01:17,319 Speaker 2: the show, watch what happens live the big egos that 30 00:01:17,400 --> 00:01:20,760 Speaker 2: you managed to coerce into sharing so many secrets. 31 00:01:20,880 --> 00:01:22,960 Speaker 3: Yeah, what do you put in their cups of tea? 32 00:01:23,000 --> 00:01:24,560 Speaker 3: What do you do? How do you encourage them to 33 00:01:24,600 --> 00:01:25,200 Speaker 3: be so open? 34 00:01:25,800 --> 00:01:29,880 Speaker 4: They are actually booze glasses, they aren't cups of tea. 35 00:01:29,959 --> 00:01:31,720 Speaker 1: So that's a u B. 36 00:01:31,959 --> 00:01:35,640 Speaker 4: I think that there's something really deceiving about the fact 37 00:01:35,640 --> 00:01:37,720 Speaker 4: that they come in my little studio. We only have 38 00:01:37,800 --> 00:01:41,959 Speaker 4: twenty five people in the audience. It feels like Goldie 39 00:01:42,000 --> 00:01:44,200 Speaker 4: Han at one point was on and she turned to 40 00:01:44,240 --> 00:01:46,800 Speaker 4: me and said, is this show are we live? Are 41 00:01:46,840 --> 00:01:47,600 Speaker 4: we on TV? 42 00:01:47,800 --> 00:01:48,200 Speaker 1: Right now? 43 00:01:48,480 --> 00:01:50,520 Speaker 4: And I said, yeah, I was, And I thought, well, 44 00:01:50,560 --> 00:01:53,840 Speaker 4: this is this is what it is. Because people come in, 45 00:01:53,960 --> 00:01:54,960 Speaker 4: it doesn't kind of. 46 00:01:54,920 --> 00:01:58,080 Speaker 1: Feel like a real TV show, but oh it is. 47 00:01:58,400 --> 00:02:00,760 Speaker 4: And so yeah, I think we don't do a pre 48 00:02:00,840 --> 00:02:02,720 Speaker 4: interview a lot of you know, all the other late 49 00:02:02,800 --> 00:02:03,480 Speaker 4: night talk shows. 50 00:02:03,640 --> 00:02:04,480 Speaker 1: Every segment is. 51 00:02:04,440 --> 00:02:07,200 Speaker 4: Really set up and you're in there and they tell 52 00:02:07,240 --> 00:02:08,079 Speaker 4: you in the dressing room. 53 00:02:08,160 --> 00:02:09,239 Speaker 1: What you're going to talk about. 54 00:02:09,560 --> 00:02:13,600 Speaker 4: This is a totally unscripted experience just and so anything 55 00:02:13,639 --> 00:02:15,160 Speaker 4: happens and everything does. 56 00:02:15,280 --> 00:02:17,200 Speaker 5: And that's probably the best thing for you as well. 57 00:02:17,240 --> 00:02:19,639 Speaker 5: Whosays that as an interviewer, you want to go into 58 00:02:19,720 --> 00:02:23,680 Speaker 5: something feeless. I was like that thing Mariah Carey just 59 00:02:23,840 --> 00:02:26,280 Speaker 5: doubling down and denying all knowledge of Jayla. 60 00:02:26,560 --> 00:02:27,639 Speaker 1: Yes, it was amazing. 61 00:02:29,040 --> 00:02:31,440 Speaker 4: It was crazy, I mean, and it's like, how does 62 00:02:31,480 --> 00:02:34,280 Speaker 4: it happen that she will then continue and sit there 63 00:02:34,320 --> 00:02:36,400 Speaker 4: and discuss it with me for five minutes and really 64 00:02:36,480 --> 00:02:37,240 Speaker 4: parse it out. 65 00:02:37,560 --> 00:02:38,040 Speaker 1: It's great. 66 00:02:38,120 --> 00:02:40,239 Speaker 4: I think people know when they come on the show. 67 00:02:40,040 --> 00:02:42,440 Speaker 1: They're up for a totally different experience. 68 00:02:42,840 --> 00:02:46,400 Speaker 4: If a huge star, and there have been many says 69 00:02:46,440 --> 00:02:48,520 Speaker 4: to us, Okay, we want to do the show, but 70 00:02:48,600 --> 00:02:49,240 Speaker 4: we don't want to. 71 00:02:49,240 --> 00:02:52,280 Speaker 1: Talk about X Y and Z, you know, and P 72 00:02:52,600 --> 00:02:53,120 Speaker 1: P and Q. 73 00:02:53,840 --> 00:02:55,760 Speaker 4: And it's like, if X Y and Z are big 74 00:02:55,800 --> 00:02:58,560 Speaker 4: news mating making items, I have to ask them. So 75 00:02:58,560 --> 00:03:01,440 Speaker 4: I'd rather have them not come on the show then 76 00:03:02,040 --> 00:03:04,360 Speaker 4: have me look like a fool for not asking a question. 77 00:03:05,240 --> 00:03:09,520 Speaker 2: The Housewives, the Real Housewives franchise is just extraordinary and 78 00:03:09,680 --> 00:03:11,640 Speaker 2: I love what you've said about it. Really being a 79 00:03:11,680 --> 00:03:15,600 Speaker 2: symbolism of feminism on television. We have never seen women 80 00:03:15,680 --> 00:03:18,240 Speaker 2: portrayed that way in all their up and down glads 81 00:03:18,360 --> 00:03:18,880 Speaker 2: right right. 82 00:03:19,120 --> 00:03:21,960 Speaker 4: It's you know, listen, it's all colors of the rainbow 83 00:03:22,440 --> 00:03:25,079 Speaker 4: for women. And I think people latch onto some of 84 00:03:25,120 --> 00:03:28,040 Speaker 4: the worst tropes that come out of it. When I 85 00:03:28,120 --> 00:03:29,959 Speaker 4: go on a talk show, the clip they want to 86 00:03:30,000 --> 00:03:33,040 Speaker 4: play is of Teresa throwing a you know, flipping a 87 00:03:33,040 --> 00:03:35,520 Speaker 4: table or someone throwing a wineglass. 88 00:03:35,560 --> 00:03:38,000 Speaker 1: There are hours and hours. 89 00:03:37,480 --> 00:03:41,040 Speaker 4: Of footage that go into every season and every episode actually, 90 00:03:41,520 --> 00:03:45,560 Speaker 4: and you know, the arc of the women is really interesting. 91 00:03:45,640 --> 00:03:51,480 Speaker 4: There's everything that we show, so it's not just the crazy, 92 00:03:51,560 --> 00:03:54,560 Speaker 4: crazy moments. There are moments of great vulnerability. There are 93 00:03:54,600 --> 00:03:58,520 Speaker 4: moments of great depth between friends and spouses and children 94 00:03:58,600 --> 00:04:00,920 Speaker 4: and sisters, and I think I think all those go 95 00:04:01,040 --> 00:04:03,440 Speaker 4: into the fabric of making a human being. And we 96 00:04:03,480 --> 00:04:06,480 Speaker 4: try to show everything basically. And I do think that 97 00:04:06,760 --> 00:04:10,720 Speaker 4: there's no other show on television that has celebrated specifically 98 00:04:10,760 --> 00:04:15,240 Speaker 4: women over fifty, who are, you know, having sex on 99 00:04:15,320 --> 00:04:18,360 Speaker 4: their own terms and living their lives on their own terms. 100 00:04:18,400 --> 00:04:21,279 Speaker 4: And I think there's something really powerful about it. 101 00:04:21,360 --> 00:04:23,799 Speaker 1: Believe it or not. It sounds like BSD. 102 00:04:23,480 --> 00:04:25,480 Speaker 4: If you don't watch the show, But I think if 103 00:04:25,480 --> 00:04:27,400 Speaker 4: you do watch the show, you might have a sense 104 00:04:27,400 --> 00:04:28,359 Speaker 4: of what I'm talking about. 105 00:04:28,400 --> 00:04:31,919 Speaker 5: Do you think that the franchise has killed the sype operas? 106 00:04:32,080 --> 00:04:33,800 Speaker 1: I do, I kind of do. I mean, I think 107 00:04:33,800 --> 00:04:35,720 Speaker 1: the soap operason is always going to be there. 108 00:04:35,920 --> 00:04:39,120 Speaker 4: Well, I mean, it's kind of in the States, it's 109 00:04:39,160 --> 00:04:42,039 Speaker 4: really kind of slowly limping to the finish line. And 110 00:04:42,080 --> 00:04:45,320 Speaker 4: this is a medium on television that's been around, you know, 111 00:04:45,400 --> 00:04:48,320 Speaker 4: for sixty years or something. And I was a huge 112 00:04:48,440 --> 00:04:50,240 Speaker 4: fan of a show called All My Children in the 113 00:04:50,279 --> 00:04:53,640 Speaker 4: States growing up, and so to me, The Housewives does 114 00:04:53,760 --> 00:04:57,480 Speaker 4: satisfy a lot that I got as a fan of. 115 00:04:57,640 --> 00:05:00,400 Speaker 1: All My Children. It's you know, I've fallen with the 116 00:05:00,480 --> 00:05:02,120 Speaker 1: characters and you watch them over. 117 00:05:02,000 --> 00:05:05,480 Speaker 4: A series of years, live their lives, say unbelievable things, 118 00:05:05,560 --> 00:05:07,000 Speaker 4: wear amazing clothes. 119 00:05:06,680 --> 00:05:08,440 Speaker 3: And have dramatic things happen to them, and have. 120 00:05:08,480 --> 00:05:11,080 Speaker 4: Super dramatic things happen to them. How does that happen 121 00:05:11,120 --> 00:05:16,320 Speaker 4: to our women? We cast highly dramatic individuals to actually, 122 00:05:16,839 --> 00:05:18,120 Speaker 4: you know, in prison. 123 00:05:18,400 --> 00:05:20,920 Speaker 1: I mean, honestly, I mean, you don't know what's going 124 00:05:21,000 --> 00:05:22,640 Speaker 1: to happen on the day to day. 125 00:05:22,720 --> 00:05:25,119 Speaker 2: Yeah, but as you say, also, the women of this age, 126 00:05:25,160 --> 00:05:27,040 Speaker 2: we don't often see the reinvention. 127 00:05:27,240 --> 00:05:29,160 Speaker 3: These are women who are reinventing themselves. 128 00:05:29,240 --> 00:05:31,000 Speaker 1: Yes, yeah, they are. They are. 129 00:05:31,040 --> 00:05:33,599 Speaker 4: It's interesting and I've had a lot of women say god, 130 00:05:33,640 --> 00:05:35,520 Speaker 4: you know, were it not for the show, I wouldn't 131 00:05:35,560 --> 00:05:37,880 Speaker 4: have had the courage to see that I was in 132 00:05:37,920 --> 00:05:41,120 Speaker 4: a bad marriage and move on. And I've now fallen 133 00:05:41,160 --> 00:05:45,039 Speaker 4: in love or start a business, or stand up to 134 00:05:45,080 --> 00:05:47,359 Speaker 4: my children or you know. I think that there's a 135 00:05:47,440 --> 00:05:52,200 Speaker 4: power that they get from the show. Listen, power corrupts. Sometimes, 136 00:05:52,240 --> 00:05:55,480 Speaker 4: sometimes it goes well, sometimes it doesn't. 137 00:05:55,600 --> 00:05:57,280 Speaker 1: But it's always interesting to. 138 00:05:57,240 --> 00:05:59,400 Speaker 5: Watch, which I kind of I menagined Tyler Armstrong would 139 00:05:59,400 --> 00:06:00,960 Speaker 5: have ever thought that you would become a meme? 140 00:06:01,600 --> 00:06:04,400 Speaker 1: Yes, sure, well they've all become memes. Yes. Taylor is 141 00:06:04,400 --> 00:06:08,000 Speaker 1: one of the most famous, the one with the woman screaming. 142 00:06:07,920 --> 00:06:10,080 Speaker 5: Woman screaming at cat And I didn't even realize her 143 00:06:10,160 --> 00:06:13,200 Speaker 5: name until I looked it up and I went, Wow, 144 00:06:13,279 --> 00:06:13,680 Speaker 5: that's her. 145 00:06:14,160 --> 00:06:14,800 Speaker 1: And it's just. 146 00:06:15,120 --> 00:06:17,520 Speaker 4: It's wild the amount of memes that have come out 147 00:06:17,520 --> 00:06:19,360 Speaker 4: of this show. It's crazy. 148 00:06:19,960 --> 00:06:21,680 Speaker 2: Well, look, it's such a thrill to talk to. You 149 00:06:23,080 --> 00:06:24,760 Speaker 2: would Are there any shows you wouldn't go on? I 150 00:06:24,800 --> 00:06:26,800 Speaker 2: know you're such a fan of this style of television, 151 00:06:26,920 --> 00:06:29,120 Speaker 2: right you have an interview show as well as a 152 00:06:29,320 --> 00:06:30,719 Speaker 2: as a person yourself. 153 00:06:30,760 --> 00:06:32,520 Speaker 3: Would you ever be vulnerable enough to do it? 154 00:06:32,600 --> 00:06:33,000 Speaker 1: Wouldn't. 155 00:06:33,120 --> 00:06:35,200 Speaker 4: I have a new book coming out in May called 156 00:06:35,200 --> 00:06:37,440 Speaker 4: The Daddy Diaries, and it's a third of a series 157 00:06:37,480 --> 00:06:38,680 Speaker 4: of diary books. 158 00:06:38,360 --> 00:06:39,159 Speaker 1: That I've published. 159 00:06:39,440 --> 00:06:41,480 Speaker 4: And that's as close as I'll ever get to being 160 00:06:41,520 --> 00:06:45,120 Speaker 4: on a reality show. It's publishing my diary, but with 161 00:06:45,279 --> 00:06:48,800 Speaker 4: me in control of the edit, because I choose what 162 00:06:49,120 --> 00:06:51,839 Speaker 4: I'm putting out there and not. I couldn't go on 163 00:06:51,880 --> 00:06:54,200 Speaker 4: a show where I didn't have control of the edit 164 00:06:54,480 --> 00:06:54,920 Speaker 4: because I. 165 00:06:54,880 --> 00:06:59,680 Speaker 1: Know what goes on when yes, you know, so I understood. 166 00:06:59,720 --> 00:07:02,080 Speaker 3: Would you fully would you be painted as. 167 00:07:02,560 --> 00:07:06,719 Speaker 4: On on a show? I think that I would. Wow, 168 00:07:06,960 --> 00:07:08,720 Speaker 4: it really could be anything. I mean, this is a 169 00:07:08,800 --> 00:07:11,520 Speaker 4: question for my therapist. But I think that I could 170 00:07:11,560 --> 00:07:14,240 Speaker 4: be a control freek I think that because I am. 171 00:07:14,520 --> 00:07:17,200 Speaker 4: I think that I could be a little bit of 172 00:07:17,200 --> 00:07:19,480 Speaker 4: a know it all. Because I am, I think that 173 00:07:19,560 --> 00:07:22,760 Speaker 4: I could be, you know, a great time a party guy. 174 00:07:23,080 --> 00:07:25,120 Speaker 4: I think that there are a few tropes. 175 00:07:24,680 --> 00:07:29,000 Speaker 6: That I could you could follow enfranchise a meme instead 176 00:07:29,000 --> 00:07:36,320 Speaker 6: of you yelling at a cat, yelling at yourself. Exactly right, Andy, 177 00:07:36,360 --> 00:07:39,400 Speaker 6: It's great to have you on our show HOW Stream 178 00:07:39,560 --> 00:07:42,640 Speaker 6: watch what Happens Live only on HOW. You same day 179 00:07:42,800 --> 00:07:46,760 Speaker 6: as the US Boom Boom excited and I'm excited. 180 00:07:46,800 --> 00:07:47,600 Speaker 1: Everyone can see it. 181 00:07:47,600 --> 00:07:49,200 Speaker 3: Thanks enjoy the Minds for having me. 182 00:07:49,520 --> 00:07:49,920 Speaker 1: I will