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Speaker 1: Happy Tuesday. It's the jam Nation podcast with Jonesy and Amanda.

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Speaker 2: I'm still buzzed from our interview with Jemima Kahn. Jemima

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Speaker 2: Kahn has lived a thousand lives in her lifetime. She

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Speaker 2: came from a very privileged family in England. She fell

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Speaker 2: in love at the age of twenty with cricketer Imran Kahan,

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Speaker 2: who went on to be the Prime Minister of Pakistan.

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Speaker 2: She moved to Pakistan with him, lived with his family.

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Speaker 2: She learned Urdu. She really did the hard yards as

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Speaker 2: a Pakistani woman, raised two boys. She now lives back

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Speaker 2: in England and she's put all that she learned to

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Speaker 2: good use. She's written a book about I guess assisted marriage.

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Speaker 2: She was the first love match in Imran's family for

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Speaker 2: his entire family's history. How does an arranged marriage work?

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Speaker 2: You'll see it all play out in that rom common.

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Speaker 2: She's a fabulous interview.

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Speaker 1: Also, Harry Kotick Junior, Australian Idol makes return. Harry is

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Speaker 1: one of the judges.

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Speaker 2: You gave us some delightful descriptions about the stuff that

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Speaker 2: came out of your ears at the doctor yesterday.

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Speaker 1: You should have seen her. It needs its own postcake.

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Speaker 2: And office cakes.

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Speaker 3: We put it to the pub teen enjoy our podcast.

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Speaker 4: Now that a miracle of recording.

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Speaker 1: We have so many requests.

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Speaker 5: For them to do it again. Mistress Amanda and miss

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Speaker 5: Killer Amanda.

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Speaker 6: Doesn't work alone.

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Speaker 2: Friend making the tools of the Train.

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Speaker 1: I've heard them describe him as a drunken idiot.

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Speaker 4: The legendary part Jonesy, Amanda the actress.

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Speaker 2: Congratulations, we're the readio right now.

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Speaker 1: Josey and Amanda.

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Speaker 2: You're doing a great job for anyone but your Selfie giant.

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Speaker 6: Now good radio.

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Speaker 1: Sorry, but of a tou tongue twist set and Amanda shot.

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Speaker 1: We're on the air today.

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Speaker 2: Very well.

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Speaker 1: I'm not too bad either, Thank you for asking.

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Speaker 2: Oh I didn't, but I was going to.

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Speaker 1: I'm just concentrating on other things. Jim Y Rye had

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Speaker 1: to go home with Si tell me yesterday.

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Speaker 2: Well, I'm glad he did because I think he's still

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Speaker 2: sick today, probably with gastro because he was looking a

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Speaker 2: bit waxy around the face.

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Speaker 1: It looked like Wendel from the Simpsons when the Simpsons

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Speaker 1: little Wendel. It's always sick, That's what.

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Speaker 2: Jim and I said. I hope you don't have gastro

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Speaker 2: and you said, look, don't put those ideas in his head.

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Speaker 2: You'll make him feel worse. And said, well, it's not

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Speaker 2: about that, it's about if you have it, can you

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Speaker 2: just go home because we're in a very small room here,

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Speaker 2: and you don't want him to be ill, and you

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Speaker 2: don't want him to get us ill.

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Speaker 1: I'd be okay with that. With what I know, I

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Speaker 1: wouldn't get the gastro. How do you know, Well, I

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Speaker 1: just know I'm not a gastro guy.

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Speaker 2: This is a this is a a noavirus or something.

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Speaker 2: It's but it's highly contagious and it's interesting. A whole

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Speaker 2: lot of kids have got it. At the moment, they're

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Speaker 2: saying that part of that is due to the fact

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Speaker 2: that in lockdown we didn't get our natural annual immunity

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Speaker 2: that we would normally have during these things. So yeah, so,

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Speaker 2: but you can't say I'm not prone to that. Well

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Speaker 2: maybe some people are more prone, but at the same time,

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Speaker 2: you are not immune to it.

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Speaker 1: Now I've got to do all Ryan's work.

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Speaker 6: I know.

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Speaker 1: I set the air conditioning every two seconds for you.

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Speaker 2: Have you got any grain waves we can eat? We

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Speaker 2: normally raid his stash.

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Speaker 1: He left his little bag of grain waves here.

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Speaker 2: We can't raid grain waves. Are they opened?

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Speaker 1: No?

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Speaker 2: Oh well look if we just gave them a spray

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Speaker 2: on the outside, they might.

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Speaker 1: Be all right. Old Dows in England twenty So what.

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Speaker 2: You're saying, though, is if you pay no attention to

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Speaker 2: me and you're abrupt, that's why.

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Speaker 1: Yes, well I got a look going on. There's a

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Speaker 1: lot of stuff to do.

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Speaker 2: I can say to you, my head fell off.

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Speaker 1: Great, it's quarterbast eight.

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Speaker 2: If you hear the news theme where there shouldn't be

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Speaker 2: a news theme, we I know what's happening.

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Speaker 1: You know that is range.

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Speaker 2: I'm just trying to be supportive.

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Speaker 1: Is that right? So the thing is working with you?

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Speaker 2: Yes, is a tree. It's like it's a tree.

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Speaker 1: Diffusing a bomb. Imagine I'm one of those guys and

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Speaker 1: I'm sitting there in the bomb squad, and I've got

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Speaker 1: the bomb, and I've got red wire, blue wire, beads

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Speaker 1: of sweat. So I need to be giving you my

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Speaker 1: undivided attention.

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Speaker 2: No, that's not all the situation.

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Speaker 1: It's true, red wire, blue wire, And so I'm doing this.

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Speaker 2: I'm just a woman who says he stands in front

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Speaker 2: of a man who says, if we're going to have

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Speaker 2: a conversation, open up your clothees.

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Speaker 1: There's a lot going on here right now. There's a

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Speaker 1: lot going on. There's a lot going on here, but

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Speaker 1: you don't We'll get through it because you know who's

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Speaker 1: on the show today.

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Speaker 2: We've got some great guests today.

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Speaker 1: Tell about the big guests.

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Speaker 2: Well, we've got we've got two great great guests, got

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Speaker 2: Harry Connor Jr. And me, and we've got your Mima.

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Speaker 2: Can't whoa whoa?

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Speaker 1: And whoa?

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Speaker 2: Whoa? And whoa and whoa?

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Speaker 1: Also ten thousand dollars with a ten thousand dollars question,

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Speaker 1: And we can't do anything until we do the Magnificent

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Speaker 1: seven one.

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Speaker 2: What's the prequel to the TV show Yellowstone Call.

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Speaker 1: Podcast. We've got the Magnificent seven for you. There are

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Speaker 1: seven questions. Can you go the way and answer all

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Speaker 1: seven questions correctly? If you do that, Amanda will say, I.

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Speaker 2: Will get you to see Crazy Frog if you go

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Speaker 2: all the way through.

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Speaker 1: Please no, please no, please no. But it's about getting

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Speaker 1: questioned seven.

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Speaker 2: Ry first call is Stephen Burrella.

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Speaker 1: Look what I'm doing here.

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Speaker 2: Pressing the screen and nothing's happening.

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Speaker 1: So that's when when Ryan Gemi rise, I'm well.

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Speaker 2: The screen, are you pressing the wrong thing? Don't press

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Speaker 2: your breaking breaking, it's not working. Well. I answer all

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Speaker 2: the questions.

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Speaker 1: Millie's coming in, what's happening, what's going on?

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Speaker 2: Coming to the gastro zone?

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Speaker 1: Does this? Because I'll just swear some presenter lines.

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Speaker 2: The question is what is the prequel to TV show

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Speaker 2: Yellowstone Call? That's the question, and what is the answer?

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Speaker 1: Can you make small talk?

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Speaker 6: Mum?

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Speaker 1: Sure?

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Speaker 2: Well no, I'm going to make big talk. Let me

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Speaker 2: tell you what Brendan's really like. Anyway. The other day

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Speaker 2: he came over and I don't want.

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Speaker 1: To see you go. It's working.

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Speaker 2: Hello, just in time. I was about to tell John secret.

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Speaker 2: Thank you, thank you, Milly, Hello, Stephen Burrella, good morning.

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Speaker 1: Welcome back, Amanda, thank you.

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Speaker 2: We've been back a few weeks now.

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Speaker 1: This is the second one.

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Speaker 7: Is that all that?

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Speaker 1: All that? Jim white Rie is already sick.

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Speaker 2: Steve, He's question, what's the prequel to the TV show

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Speaker 2: Yellowstone called.

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Speaker 4: Three?

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Speaker 2: That's it?

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Speaker 1: During Will Smith's Oscar's meltdown, what did he demand Chris

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Speaker 1: Rock get out of his mouth? He said something, get

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Speaker 1: beat out of your mouth?

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Speaker 6: Get this sh out of.

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Speaker 2: Steve, come on, no needs that.

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Speaker 1: Tony is in al.

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Speaker 2: Hello Tony, good morning guys. Hello. Do you know what?

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Speaker 2: Will Smith demanded Chris rocket out of his mouth? His

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Speaker 2: wife's name, Yes.

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Speaker 1: Yes, his wife's name.

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Speaker 2: This potty mouths all around. That beat was the most

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Speaker 2: ineffectual beep of all time.

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Speaker 1: Kiss start with the swears.

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Speaker 2: Question number three, Let's play serious sings? Yes, what song

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Speaker 2: is SII singing?

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Speaker 8: Tony, So slide over here and give me a moment.

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Speaker 8: Your moves are so raw. I've got to let you know.

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Speaker 8: I've got to let you know, Tony, the song.

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Speaker 5: In excess? Oh what's the song? Not new sensation?

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Speaker 6: I think?

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Speaker 2: No, so tiny, it's not. It isn't an excess song?

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Speaker 2: But what is it?

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Speaker 1: Try again?

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Speaker 8: So slide over here and give me a moment. Your

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Speaker 8: moves are so raw. I've got to let you know.

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Speaker 8: Michael Hatch got to let you know.

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Speaker 2: Michael Hutchins would have turned sixty three yesterday.

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Speaker 1: It's just a shame he's gone. It's justice.

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Speaker 2: Well that's question number three.

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Speaker 1: Sure we're into the magnificent seven. We find ourselves at

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Speaker 1: question number three.

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Speaker 2: Serious things. All right, We're going to give this to

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Speaker 2: Jackie and Ingleburn Hijackie, Hi Jackie, Hi, how are we

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Speaker 2: very well? Thank you haven't listened to this inexcess song.

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Speaker 8: So slide over here and give me a moment. Your

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Speaker 8: moves are so wrong. I've got to let you know.

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Speaker 8: I've got to let you know.

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Speaker 2: What's the song? I need you to know, that's the one.

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Speaker 1: Sad discuss I've got to let you know, etc.

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Speaker 2: Question number four's multiple choice. Who are the first couple

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Speaker 2: to be shown in bed together on primetime television? A

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Speaker 2: Mary Kay and Johnny sitcom from the forties, b Lucy

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Speaker 2: and DESI I Love Lucy or see Fred and Wilma

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Speaker 2: Flintstone in the Flintstones.

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Speaker 4: It was Mary and Johnny.

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Speaker 2: It was Mary and Johnny Stearns was an American sitcom

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Speaker 2: show from the forties. They were married in real life,

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Speaker 2: so maybe people felt that that's why they could be

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Speaker 2: allowed to do that on the show. Be in a bed,

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Speaker 2: There you go. Question number five which pop superstar was

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Speaker 2: paid thirty five million to perform for one hour to

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Speaker 2: open a new hotel in Dubai? Oh oh oh star

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Speaker 2: started event.

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Speaker 1: Big names were there.

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Speaker 4: That'sin Timberlake.

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Speaker 1: Sorry, Jackie, Lee's in Castle Hill.

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Speaker 7: Hello Lee, Good morning guys. How are you very well right?

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Speaker 2: This has been a big story this week. A certain

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Speaker 2: pop superstar paid thirty five million to perform for an

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Speaker 2: hour in an extraordinary show to open which new hotel

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Speaker 2: in Dubai? No, we don't need to know which hotels

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Speaker 2: being opened in Dubai. Who was a superstar?

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Speaker 7: I heard this yesterday?

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Speaker 1: It was Beyonce?

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Speaker 2: Beyonce? Would you paid thirty five million for an hour?

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Speaker 2: Well an hour to perform? But obviously rehearsals and Laba

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Speaker 2: was over there. It's got cam Sonya Krueger, Rebel Wilson,

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Speaker 2: Jules Robinson from Jewels and Cam from Maths.

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Speaker 1: Hang on the bride from here at at first side

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Speaker 1: they were, or she did was getting married on TV.

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Speaker 2: They were taken over there and whined and dined and

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Speaker 2: got to see that show for free. The life of

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Speaker 2: an influencer.

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Speaker 1: You know, I would have been an influencer. Maybe I

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Speaker 1: should show him Obama a bit more.

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Speaker 2: What do you think, Lee, who would you be influencing?

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Speaker 2: I have got no idea. Wait, Brandon, I think so too.

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Speaker 1: Who beat Alex Dimenor in the tennis last night?

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Speaker 6: I hate to say what it was a jocophy.

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Speaker 2: It was, it was, but Alex did so well. He's

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Speaker 2: as superstar. He did.

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Speaker 7: Is an open collar.

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Speaker 2: He's a what an up and comer? I think it

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Speaker 2: is an open collar. I thought that as well. He's

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Speaker 2: a question number seven for you. Which major fashion event

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Speaker 2: is happening in Paris as we speak? A Paris fashion event?

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Speaker 2: What do you think it is?

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Speaker 7: Hey? See, I want to say, hey, this old fashion week?

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Speaker 2: Yes, yeah, Paris Paris fashion.

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Speaker 1: You wanted to say that you did. Congratulations to you.

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Speaker 1: You've wanted all my man, it's all coming away. You've

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Speaker 1: got the jam pack. You've got to double past to

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Speaker 1: the Fabulous Corpredos one hundred and fifty dollars to spend

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Speaker 1: the babes to dessert bar and Jones and no medicate, juice,

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Speaker 1: Vin the color and some state of pencil. Say you

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Speaker 1: can calum with confidence. Anything you would like to add,

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Speaker 1: Thank you very much and you guys have a lovely day.

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Speaker 2: Thank you. Yes, double pass to the Fabulous Corpredos. That's

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Speaker 2: Daryl Braithwaite. Yep, it's Ray this Wait, that's right, it's

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Speaker 2: Russell Morris and Jack Jones. Jack Iron's quite the show.

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Speaker 2: Jonesy and Amanda Gama podcast.

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Speaker 1: She glad We're not the only ones up at this ungardly.

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Speaker 2: Hour through the German ac Our Big Book of Musical

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Speaker 2: Facts on this day. In two thousand and eight, Amy

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Speaker 2: Winehouse was admitted into rehab in a battle to kick

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Speaker 2: her addiction to drugs, and sadly we know how that

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Speaker 2: played out. A statement from her record company Universal said

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Speaker 2: that she entered the facility quote after talks with her

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Speaker 2: record label, management, family, and doctors to continue her ongoing

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Speaker 2: recovery against drug addiction. Prior to this, her former management

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Speaker 2: company had encouraged her to attend rehab for alcohol abuse,

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Speaker 2: but she'd refused, and this is what inspired her four

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Speaker 2: times Grammy winning song Rehab. She came up with a

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Speaker 2: song walking on the Street with producer Mark Ronson where

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Speaker 2: she sang the hook out loud to him and he

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Speaker 2: encouraged her to turn it into a full song.

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Speaker 1: That's a good thing, isn't it really?

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Speaker 2: Yeah, so we think of Amy today, But what a

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Speaker 2: great song.

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Speaker 1: GEMI rise, I'm well today.

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Speaker 2: Poor little fella, Well yesterday he started talking a bit peaky.

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Speaker 2: He looked like a bit waxy in the face.

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Speaker 1: Yeah, that that that kid from the Simpsons, Windle Wendell.

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Speaker 1: You know, it's just constantly, always go on the chuck.

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Speaker 1: So we sent him home, Send him home.

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Speaker 2: He's not well today, But yesterday you were struggling because

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Speaker 2: you had a blocked ear.

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Speaker 1: My ears have been my canals have been full of wax.

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Speaker 1: Oh well, I couldn't hear a thief.

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Speaker 2: I thought you might have got an ear infection because

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Speaker 2: you're out in the water so much.

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Speaker 1: Yeah, it was very great all the rain.

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Speaker 2: The water's not great.

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Speaker 1: Oh, the water's very clear at the moment. But I yeah,

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Speaker 1: it was killing me the other night. And then I

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Speaker 1: put this stuff in it, you know you get from

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Speaker 1: the chemist, and that made it worse. And then when

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Speaker 1: jem Y Raie went away yesterday. You got to be

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Speaker 1: when he went away, and when he went home, and

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Speaker 1: when you send him home and.

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Speaker 2: Send him to the sanatorium.

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Speaker 1: When he went home, Oh, you're going to be able

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Speaker 1: to hear stuff, you know what.

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Speaker 2: You're normally you don't know, you don't mind, you can't

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Speaker 2: hear me, but only when you had to do extra

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Speaker 2: work and do the panel yesterday.

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Speaker 1: Well, jim yris doing all the other stuff, so I

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Speaker 1: could just slack off and put my feet on the desk.

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Speaker 1: I can't do that today. I'm going to work for it.

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Speaker 2: I suggested to you, what is it with men who

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Speaker 2: don't like to admit there and not well? I said

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Speaker 2: to Ryan, go home. I said to you, go to

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Speaker 2: the doctor. Get you. Because my kids were pathetically healthy

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Speaker 2: when they grew up. They only went to the doctor

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Speaker 2: with ear infections. Because that thing kills you. It's so painful.

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Speaker 2: You have to get antibiotics for that.

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Speaker 1: Well, I went and saw my dock and he got

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Speaker 1: the tweezers, put it in the ear, and he has, oh,

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Speaker 1: there's a lot of wax in there, and then he

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Speaker 1: pulled it out like Shrek. It was massive.

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Speaker 2: What shapes it in? I've never had that.

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Speaker 1: It's like a tube of it.

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Speaker 2: Yellow brown, satisfying.

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Speaker 1: When it came out, he was satisfied. We're all satisfied.

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Speaker 1: We're going to weigh it. It was like a tiger shark. Wow,

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Speaker 1: it's a point, it's huge, it's got its own name. Wow,

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Speaker 1: that's an extraordinary. But then he said, right, we're going

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Speaker 1: to get the syringe in there. And the syringe what

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Speaker 1: do well? That just flushes out all the stuff. But

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Speaker 1: you only get a doctor to do that. You wouldn't

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Speaker 1: do that yourself because they know how much pressure to put.

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Speaker 2: In drums A delicate set that.

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Speaker 1: Hurt like hell on this one on the on the riding.

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Speaker 2: On the damaged side. So took the wax out, then

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Speaker 2: syringe some stuff.

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Speaker 1: Around because there was a bit of to try to sleft.

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Speaker 2: And how's your hearing?

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Speaker 7: Now?

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Speaker 1: I can hear everything. So when I hear you and

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Speaker 1: really slagging me off.

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Speaker 2: Oh, just so you know, we're talking code when we

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Speaker 2: say bastard, we mean colleague, we love.

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Speaker 1: Right, okay, because naturally that would be the translation.

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Speaker 2: That is our code. We talk opposites.

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Speaker 1: Oh, I get it all the time down there.

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Speaker 2: I know we talk opposites.

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Speaker 1: What about that's a wedding vow, isn't it.

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Speaker 2: That's right, that's right. Well, I'm glad you can hear

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Speaker 2: everything so clearly.

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Speaker 1: Now, thank you.

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Speaker 2: Comcast.

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Speaker 9: Jonesy and Amanda in the morning one oh one point

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Speaker 9: seven WSFM.

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Speaker 1: Well there it's Jonesy Demanda here.

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Speaker 2: I was on the Mama Mia out Loud podcast yesterday. Gee.

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Speaker 2: I enjoyed doing that. Holly was away so that was

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Speaker 2: me and it was Jesse Stevens and it was Mere Friedman.

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Speaker 2: One of the things we discussed and I think we

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Speaker 2: should put it to our pub test today, was the

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Speaker 2: notion of office cake. Someone's come out, I think it's

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Speaker 2: a British dietician has come out and said that office

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Speaker 2: cake has to go. And it's interesting because a friend

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Speaker 2: of mine, who makes lots of cakes for the place

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Speaker 2: she works in, has decided this year, for the sake

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Speaker 2: of everyone's health, she's not going to do it office cake.

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Speaker 2: Because I know your sister when she was on desk duty,

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Speaker 2: she was a pilot. She went back to desk duty

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Speaker 2: after her pregnancy. After her baby, she said that she

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Speaker 2: loved office cake. Time to kill an enormous amount of time.

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Speaker 2: It's the new smoke, though, bad for your health and

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Speaker 2: takes up a lot of time.

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Speaker 1: Eyes the cake. So I'm going to go down the

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Speaker 1: shop and get the cake. Then you're going to gather

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Speaker 1: everywhere together. Yeah, then there's got to be the kind

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Speaker 1: everyone likes.

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Speaker 2: The fuss we force people to sing and have this

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Speaker 2: fuss and stop the work they're doing. Then someone has

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Speaker 2: to go and wash up the plates. No one's got

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Speaker 2: a lighter for the cake anymore.

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Speaker 1: It takes and you get shamed if someone says you

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Speaker 1: got a lighter and a man that pulls out a

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Speaker 1: zippo out of.

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Speaker 2: A pocket, and you know what you say. You say

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Speaker 2: the birthday cake is a sign of popularity, you say.

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Speaker 2: If all the cake's gone, it means that everyone's come

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Speaker 2: around because they want to wish.

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Speaker 1: Your problem here for me for my birthday. They've got

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Speaker 1: to get a wedding cake. I got five tier wedding cakes.

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Speaker 2: Oh, there'll be tears, don't worry.

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Speaker 1: So there's enough to go around.

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Speaker 2: We'll put it to the pod test. That's going to

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Speaker 2: be the pub test after seven thirty.

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Speaker 1: In the meantime, Harry Connick Junior is going to be

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Speaker 1: joining us. You know we should do We should play song.

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Speaker 1: We haven't played it for a thousand years.

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Speaker 2: Whisper your Name?

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Speaker 1: You remember it from Mask? Do it from the Mask

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Speaker 1: movie soundtrack. This is Harry Connick Junior. Let's get it

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Speaker 1: in the same love this vision.

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Speaker 2: Well, it's one of the iconic reality shows that brought

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Speaker 2: us Sky, Sebastian, Shannon Nol, Ricky Lee, Jessica Mowboy. Since

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Speaker 2: creating The Big Stars, Australian Idol has been on hiatus,

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Speaker 2: but it is back. It is back, baby, and what

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Speaker 2: a way to launch with one of the biggest stars

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Speaker 2: as they're one of their judges. He's no stranger to

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Speaker 2: judging panels. He's come from American Idol, but what does

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Speaker 2: he think of the talent down under? Harry Knick Junior.

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Speaker 6: Hello, he Hey, guys, what's going on?

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Speaker 1: Not much?

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Speaker 2: Good to talk to you, So nice to talk to you.

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00:18:33,640 --> 00:18:36,040
Speaker 2: It's so nice to have you back on our screens again.

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Speaker 2: So with American Idol, when you if you didn't hear

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Speaker 2: the Australian accents with people warming up, et cetera, could

404
00:18:43,440 --> 00:18:47,199
Speaker 2: you tell Australian people are different when they're singing?

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Speaker 7: You know?

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Speaker 6: The only time I could tell is when we went

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Speaker 6: out to some of the cities during the audition tour

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Speaker 6: and they had a couple of performers who were were

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Speaker 6: like country singers, And first of all, when they spoke,

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Speaker 6: I really had no idea what they were saying. Like,

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Speaker 6: I've been in Australia enough time to, you know, be

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Speaker 6: very familiar with the accent. But a couple of these

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Speaker 6: folks were like, what are they saying? So I turned

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Speaker 6: to Amy, who was sitting next to me, and she

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Speaker 6: would be laughing because she's like, no, they have pretty

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Speaker 6: strong accents. But then when they sang it definitely sounded Australia,

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Speaker 6: which I love. But you know, ninety five percent of

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Speaker 6: them you couldn't really tell. I mean, the accent kind

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Speaker 6: of goes away, as you know when people start singing.

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Speaker 1: Sure. Sure, And you're working because you did three seasons

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Speaker 1: of American Idol with Jennifer Lopez Keith Urban. Now you're

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Speaker 1: doing it with Carl Sandler's Meghan Trainer and Amy Sharks.

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Speaker 1: It must be the dynamic between the judges, is it?

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Speaker 1: Is it? Do you like the dynamic that you've got

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Speaker 1: with the new judges.

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Speaker 6: Well, it's really fun, you know. I mean I love

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Speaker 6: I love Idol. I mean, that's why I'm doing it again.

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Speaker 6: It's it's a lot of fun. And the way these

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00:20:03,800 --> 00:20:07,040
Speaker 6: shows work is like when I was doing American Idol,

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Speaker 6: like Jennifer was sitting right next to me, and she's

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Speaker 6: the one I kind of got a chance to talk

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Speaker 6: to the most, and you don't really They kind of

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Speaker 6: bring you in for the show and then you leave.

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Speaker 6: So you know there's a I would talk to keep

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Speaker 6: a little bit, but it's hard to to do it

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Speaker 6: on the air, just because of the way that we're

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Speaker 6: set up, and so this is even harder. Like Kyle

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Speaker 6: is on the far end, so I rarely get to

439
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Speaker 6: kind of see him. And then Megan's next to him,

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00:20:35,000 --> 00:20:37,040
Speaker 6: and I talked to her a little bit. But you know,

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Speaker 6: our comments are pretty brief and to the point. So

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Speaker 6: but but you know, I think all four of us

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Speaker 6: bring a completely different perspective, and I think I think

444
00:20:45,640 --> 00:20:48,680
Speaker 6: the audience will will benefit from that because we all

445
00:20:48,720 --> 00:20:52,840
Speaker 6: have our own experience and our own views on what

446
00:20:52,880 --> 00:20:56,000
Speaker 6: we think. So you know, I think the audience wins

447
00:20:56,040 --> 00:20:59,440
Speaker 6: because they they're getting four completely different perspectives.

448
00:21:00,119 --> 00:21:02,119
Speaker 2: Be very hard for someone like me who's a people

449
00:21:02,160 --> 00:21:04,600
Speaker 2: pleaser and wants people to you know, I want people

450
00:21:04,640 --> 00:21:07,840
Speaker 2: to like me, which is very hard. How and you

451
00:21:07,880 --> 00:21:10,320
Speaker 2: seem like such a likable man. How hard is it

452
00:21:10,359 --> 00:21:11,679
Speaker 2: to tell people hard stuff?

453
00:21:14,359 --> 00:21:17,960
Speaker 6: Well, I don't think of it as telling them hard stuff,

454
00:21:18,760 --> 00:21:21,600
Speaker 6: but I think it's really important. Listen, you have to

455
00:21:21,600 --> 00:21:25,200
Speaker 6: think these kids are out there singing for their professional lives.

456
00:21:25,400 --> 00:21:29,199
Speaker 6: I mean, they're singing for their careers, and listen, I

457
00:21:29,240 --> 00:21:31,679
Speaker 6: want people to like me too. As a performer. I

458
00:21:31,720 --> 00:21:35,080
Speaker 6: think I'm a people pleaser too. But you know what

459
00:21:35,119 --> 00:21:37,120
Speaker 6: would really be bad is if I went out there

460
00:21:37,160 --> 00:21:39,920
Speaker 6: and told them things that everybody knew just weren't true.

461
00:21:39,960 --> 00:21:41,399
Speaker 6: I mean, we had a bunch of people come in

462
00:21:41,560 --> 00:21:44,119
Speaker 6: that just shouldn't be singing for a living. I mean,

463
00:21:44,400 --> 00:21:46,520
Speaker 6: more power to them, but you know, this is a

464
00:21:46,560 --> 00:21:51,240
Speaker 6: competition for serious singer, serious performers, and the ones that

465
00:21:51,280 --> 00:21:54,959
Speaker 6: are really taking it seriously are the ones. I'm just

466
00:21:55,000 --> 00:21:58,439
Speaker 6: gonna be honest with them and listen. If they're singing

467
00:21:58,440 --> 00:22:01,000
Speaker 6: out of tune or if they're doing something I think

468
00:22:01,000 --> 00:22:02,880
Speaker 6: they could improve, I'm just going to tell them, and

469
00:22:02,920 --> 00:22:04,920
Speaker 6: that's what I would want for myself, That's what I

470
00:22:04,960 --> 00:22:07,760
Speaker 6: would want for my kids. You know, I'm just being

471
00:22:07,800 --> 00:22:10,760
Speaker 6: honest with them. So I have no problem doing that,

472
00:22:10,840 --> 00:22:14,280
Speaker 6: because I think the real problems occur when you give

473
00:22:14,320 --> 00:22:17,639
Speaker 6: somebody some advice and there's no specificity to accompany that.

474
00:22:17,840 --> 00:22:19,960
Speaker 6: Like if you just say I didn't like it, well,

475
00:22:20,000 --> 00:22:22,480
Speaker 6: I don't like the way you look like that, That's

476
00:22:22,520 --> 00:22:24,679
Speaker 6: not what I'm doing. I mean, I'm going to be

477
00:22:24,720 --> 00:22:27,400
Speaker 6: really prepared. I'm going to know everything about the song

478
00:22:27,480 --> 00:22:29,400
Speaker 6: that they're singing, and then I'm going to give them

479
00:22:29,440 --> 00:22:32,120
Speaker 6: something very specific that they can work on. And I've

480
00:22:32,240 --> 00:22:35,040
Speaker 6: never had a contest to come up to me and say, oh,

481
00:22:35,080 --> 00:22:38,840
Speaker 6: he's you know that that was mean, because it's not

482
00:22:38,880 --> 00:22:41,480
Speaker 6: about being mean, it's about helping them. And I think,

483
00:22:42,280 --> 00:22:44,960
Speaker 6: you know, they appreciate that. I know I would.

484
00:22:45,280 --> 00:22:47,000
Speaker 1: You know, It's what I like about Idle and I

485
00:22:47,040 --> 00:22:49,080
Speaker 1: forgot about because it's spin a while and spin on

486
00:22:49,160 --> 00:22:51,359
Speaker 1: as screens. But you get the deluded on that, you

487
00:22:51,400 --> 00:22:53,440
Speaker 1: get the nuts. All those people that think I can

488
00:22:53,480 --> 00:22:53,879
Speaker 1: sing an I.

489
00:22:53,960 --> 00:22:56,040
Speaker 2: Countant his grandma's have said you should go on.

490
00:22:56,200 --> 00:22:57,119
Speaker 1: That's what I'm in it for.

491
00:23:00,400 --> 00:23:03,080
Speaker 6: It's funny like in the early days of American Idol,

492
00:23:03,119 --> 00:23:06,639
Speaker 6: they used to bring people on that clearly you know,

493
00:23:06,760 --> 00:23:09,560
Speaker 6: shouldn't have been there, some of them because they couldn't sing,

494
00:23:09,920 --> 00:23:11,879
Speaker 6: And if we can be totally honest, you know some

495
00:23:11,960 --> 00:23:14,320
Speaker 6: of them, you know, may have been dealing with some

496
00:23:14,720 --> 00:23:18,040
Speaker 6: mental issues. I'm not a fan of that, and I

497
00:23:18,080 --> 00:23:21,520
Speaker 6: think the uh, the folks, the producers, the people putting

498
00:23:21,560 --> 00:23:25,360
Speaker 6: on this show are they're not into that either. So yes,

499
00:23:25,400 --> 00:23:28,600
Speaker 6: there were a few people that came in that definitely,

500
00:23:29,720 --> 00:23:31,720
Speaker 6: you know, shouldn't have been there, But most of those

501
00:23:31,720 --> 00:23:36,560
Speaker 6: folks were were had something to offer for television. But

502
00:23:36,760 --> 00:23:39,600
Speaker 6: I just you know, I'm not going to be the

503
00:23:39,920 --> 00:23:43,119
Speaker 6: type of person who who who makes fun of people.

504
00:23:43,440 --> 00:23:46,040
Speaker 6: You know that that that shouldn't be there. That that's

505
00:23:46,040 --> 00:23:49,560
Speaker 6: just that's just not what idols become. It used to

506
00:23:49,600 --> 00:23:51,280
Speaker 6: be that in the early days, where they would really

507
00:23:51,320 --> 00:23:53,560
Speaker 6: make fun of people. But that's I don't I don't

508
00:23:53,680 --> 00:23:57,840
Speaker 6: like that. But these folks that came in, Yeah, I.

509
00:23:57,840 --> 00:23:59,280
Speaker 2: Was just gonna say, it's funny because we live in

510
00:23:59,280 --> 00:24:01,760
Speaker 2: a society now where people say, follow your bliss, if

511
00:24:01,760 --> 00:24:04,280
Speaker 2: you want it enough, it'll happen for you, and that's

512
00:24:04,400 --> 00:24:07,960
Speaker 2: not true. My thing might be, hey, I want to

513
00:24:08,160 --> 00:24:10,520
Speaker 2: be an acrobat. I can't be an acrobat. You need

514
00:24:10,520 --> 00:24:14,040
Speaker 2: somebody to say. But just wanting it enough is not enough?

515
00:24:14,160 --> 00:24:16,880
Speaker 2: Is it?

516
00:24:16,720 --> 00:24:16,760
Speaker 9: Not?

517
00:24:17,400 --> 00:24:17,720
Speaker 2: Really?

518
00:24:17,840 --> 00:24:21,040
Speaker 6: I mean, I think the more abstract you get in

519
00:24:21,600 --> 00:24:25,119
Speaker 6: terms of the vocation, then maybe so like acrobatics, you know,

520
00:24:25,160 --> 00:24:26,840
Speaker 6: to use that as an example, takes in a mental

521
00:24:26,880 --> 00:24:29,359
Speaker 6: amount of skill and craft. Like a lot of people

522
00:24:29,400 --> 00:24:32,639
Speaker 6: are famous singers that are not very good singers. So

523
00:24:32,840 --> 00:24:34,880
Speaker 6: a lot of people think that they can they can

524
00:24:34,960 --> 00:24:37,679
Speaker 6: do it. But maybe they can. But you know, my

525
00:24:37,920 --> 00:24:41,040
Speaker 6: only job is to respond to what I'm hearing and seeing,

526
00:24:41,480 --> 00:24:45,200
Speaker 6: and almost immediately, even if you don't know anything about music,

527
00:24:45,280 --> 00:24:49,720
Speaker 6: you can tell right away if somebody is just shouldn't

528
00:24:49,960 --> 00:24:53,639
Speaker 6: be in this particular competition. That doesn't mean they lack worth,

529
00:24:53,880 --> 00:24:59,160
Speaker 6: obviously not. But everybody is precious, you know. I think

530
00:24:59,200 --> 00:25:01,960
Speaker 6: it deserves to be loved and to have the chance

531
00:25:02,000 --> 00:25:03,639
Speaker 6: to find their passion. But this is a this is

532
00:25:03,680 --> 00:25:07,360
Speaker 6: a singing competition. They look for, you know, superstars, so

533
00:25:07,800 --> 00:25:09,760
Speaker 6: you know, I just respond to that and I try

534
00:25:09,800 --> 00:25:12,840
Speaker 6: to give them some some specific feedback and then you know,

535
00:25:13,200 --> 00:25:15,679
Speaker 6: the the audience decides who they like the best. And

536
00:25:15,720 --> 00:25:19,359
Speaker 6: that's that's really why Idol has been so success successful.

537
00:25:19,400 --> 00:25:21,760
Speaker 6: It's because it's an old school you know, sing your

538
00:25:21,760 --> 00:25:24,240
Speaker 6: best and let the audience pick who they like the

539
00:25:24,280 --> 00:25:25,240
Speaker 6: most exactly.

540
00:25:25,240 --> 00:25:27,239
Speaker 1: And if you saw Amanda come out singing Oh by

541
00:25:27,320 --> 00:25:29,040
Speaker 1: Myself and a leotade.

542
00:25:29,600 --> 00:25:31,879
Speaker 2: On a high wile, I think you'd enjoy it.

543
00:25:32,960 --> 00:25:36,639
Speaker 6: Yeah, high wires, yeah, and that in that case you

544
00:25:36,680 --> 00:25:39,200
Speaker 6: may need the high wire, I need a low one.

545
00:25:40,480 --> 00:25:42,000
Speaker 6: I'd help you as much as I can.

546
00:25:42,880 --> 00:25:45,679
Speaker 1: Harry, It's always great to talk to you. Australia. Idol

547
00:25:45,680 --> 00:25:48,160
Speaker 1: Premium seven thirty on Monday or Channel seven and seven

548
00:25:48,200 --> 00:25:49,639
Speaker 1: plus Harry cottag Jr.

549
00:25:49,760 --> 00:25:53,879
Speaker 6: Thank you, Thanks guys, it was great talking to you.

550
00:25:54,040 --> 00:25:56,280
Speaker 6: And I'll be looking for you on the high wire.

551
00:25:57,080 --> 00:25:57,680
Speaker 1: I'll be there.

552
00:25:57,760 --> 00:26:00,480
Speaker 2: Thanks Harry, Thank you.

553
00:26:01,160 --> 00:26:01,760
Speaker 1: Mate.

554
00:26:02,040 --> 00:26:03,880
Speaker 2: So yeah, I'll change my name to Annette.

555
00:26:07,640 --> 00:26:09,399
Speaker 5: There's a couple of questions that I have to ask you.

556
00:26:09,560 --> 00:26:10,560
Speaker 4: I answer questions.

557
00:26:10,840 --> 00:26:11,720
Speaker 2: Just answer a question.

558
00:26:11,760 --> 00:26:12,960
Speaker 1: Okay, what's in it for me?

559
00:26:13,400 --> 00:26:15,920
Speaker 7: You're dollars a dollar reward.

560
00:26:16,960 --> 00:26:19,760
Speaker 1: Right here, right now, ten thousand dollars could be yours.

561
00:26:19,800 --> 00:26:23,120
Speaker 1: Ten questions, sixty seconds. Don't say it can't be done,

562
00:26:23,119 --> 00:26:23,840
Speaker 1: because it can.

563
00:26:24,240 --> 00:26:27,840
Speaker 2: Just this week it went off, didn't we all? Yes,

564
00:26:27,880 --> 00:26:30,960
Speaker 2: as you say, sixty seconds. Ten questions, you get on

565
00:26:31,000 --> 00:26:33,040
Speaker 2: the line. But the minute you get the question wrong

566
00:26:33,119 --> 00:26:35,320
Speaker 2: or the minute you hesitate, you're out and someone takes

567
00:26:35,359 --> 00:26:38,200
Speaker 2: your place. The person who answers question ten correctly will

568
00:26:38,200 --> 00:26:38,840
Speaker 2: get the money.

569
00:26:39,200 --> 00:26:41,359
Speaker 1: We've got blender of Gray Stanes Hi.

570
00:26:41,280 --> 00:26:44,280
Speaker 2: Blinda money, kicking off.

571
00:26:44,880 --> 00:26:46,040
Speaker 7: Thank you very much.

572
00:26:47,119 --> 00:26:49,439
Speaker 2: Thank you. Well, we're kicking off with you. We've got

573
00:26:49,440 --> 00:26:51,440
Speaker 2: a bank of calls ready to take your place if

574
00:26:51,440 --> 00:26:55,520
Speaker 2: you stumble. So you ready to go? Yeah, okay, come on, Blinda,

575
00:26:55,560 --> 00:26:58,639
Speaker 2: good luck. I'm sixty seconds and someone could be winning

576
00:26:58,760 --> 00:27:02,440
Speaker 2: ten thousand dollars can happen here we go? Question one?

577
00:27:02,760 --> 00:27:04,280
Speaker 2: What was the name of Elvis's daughter?

578
00:27:05,640 --> 00:27:06,200
Speaker 7: Ree?

579
00:27:06,480 --> 00:27:09,680
Speaker 2: Question two? What decade was medicare introduced in Australia?

580
00:27:10,480 --> 00:27:10,840
Speaker 7: Nineteen?

581
00:27:12,800 --> 00:27:13,680
Speaker 1: Cakes in East Hill?

582
00:27:13,760 --> 00:27:18,680
Speaker 2: What decade was Mediicare introduced in Australia?

583
00:27:19,359 --> 00:27:19,600
Speaker 1: Yes?

584
00:27:19,920 --> 00:27:22,840
Speaker 2: Question three, Chris Hipkins is the incoming Prime Minister of

585
00:27:22,840 --> 00:27:30,119
Speaker 2: which country? Chris Hipkins is the incoming Prime Minister of

586
00:27:30,160 --> 00:27:34,440
Speaker 2: which country? Question four? Which Italian city is famous for

587
00:27:34,520 --> 00:27:35,240
Speaker 2: its canals?

588
00:27:37,680 --> 00:27:40,440
Speaker 1: Dollar Mark and Sinnai?

589
00:27:40,560 --> 00:27:44,840
Speaker 2: Which Italian city is famous for its canals? Question five?

590
00:27:44,880 --> 00:27:47,240
Speaker 2: Who won the Male Australian Open tennis last year?

591
00:27:51,800 --> 00:27:52,520
Speaker 1: Susan Right?

592
00:27:52,600 --> 00:27:56,840
Speaker 2: Who won the Male Australian Open tennis last year? Question six?

593
00:27:56,880 --> 00:28:02,680
Speaker 2: What's the name of Hans Solo's Shipda's in Winston Hill.

594
00:28:02,720 --> 00:28:07,320
Speaker 2: What's the name of Han Solo's ship Millennium falcm oh

595
00:28:09,200 --> 00:28:13,359
Speaker 2: Man got to question six today.

596
00:28:13,640 --> 00:28:14,480
Speaker 1: That's what it's about.

597
00:28:14,600 --> 00:28:15,560
Speaker 2: Do it again tomorrow?

598
00:28:15,680 --> 00:28:18,080
Speaker 1: The ten thousand dollars question. It can be yours, and

599
00:28:18,119 --> 00:28:23,760
Speaker 1: it has been done before and it will be done again. Podcast.

600
00:28:23,960 --> 00:28:28,000
Speaker 2: I saw some funny footage the other day of fashion.

601
00:28:28,040 --> 00:28:28,119
Speaker 8: No.

602
00:28:28,200 --> 00:28:31,080
Speaker 2: She's probably a fitness influencer I'm imagining. And she set

603
00:28:31,160 --> 00:28:34,800
Speaker 2: up for the camera, a fitfluencer, a f influencer. She

604
00:28:34,880 --> 00:28:38,320
Speaker 2: set up a camera in a park and she's talking

605
00:28:38,320 --> 00:28:41,360
Speaker 2: to that. She's doing a live stream, talking to the

606
00:28:41,400 --> 00:28:43,520
Speaker 2: camera about what we're going to do, blah blah blah.

607
00:28:43,600 --> 00:28:45,800
Speaker 2: And a man comes and sits behind her on a

608
00:28:45,800 --> 00:28:48,920
Speaker 2: park bench and she turned to him and she said,

609
00:28:49,520 --> 00:28:51,960
Speaker 2: do you mind moving to the other bench over there?

610
00:28:52,040 --> 00:28:55,440
Speaker 2: I'm doing something here and he said no, I sit

611
00:28:55,480 --> 00:28:58,440
Speaker 2: here every day and she said, but just for today,

612
00:28:58,560 --> 00:29:01,080
Speaker 2: could you go over and sit over there because I'm

613
00:29:01,120 --> 00:29:05,280
Speaker 2: filming something. He said so, and she said, well, I'm

614
00:29:05,320 --> 00:29:07,520
Speaker 2: doing a live stream for my followers. And he said,

615
00:29:07,520 --> 00:29:12,240
Speaker 2: what are you Jesus? And she said, I'm asking you

616
00:29:12,320 --> 00:29:14,960
Speaker 2: very politely if you could move, and he said yeah,

617
00:29:15,000 --> 00:29:16,800
Speaker 2: and I'm saying no, don't ask the question if you

618
00:29:16,840 --> 00:29:18,400
Speaker 2: don't want the answer. It went on for ages and

619
00:29:18,400 --> 00:29:20,200
Speaker 2: he refused to move, and in then he's waving at

620
00:29:20,200 --> 00:29:24,520
Speaker 2: the camera, going hello, Hello, and I saw someone commented underneath,

621
00:29:24,640 --> 00:29:29,240
Speaker 2: get that man a beer. We're in a world now

622
00:29:29,520 --> 00:29:31,840
Speaker 2: where you bring out a camera and everyone's supposed to

623
00:29:31,880 --> 00:29:34,560
Speaker 2: work around it. I was at Singapore recently and these

624
00:29:34,600 --> 00:29:37,680
Speaker 2: beautiful gardens we were walking through with fairly narrow walkways.

625
00:29:38,200 --> 00:29:40,640
Speaker 2: The thing now, but people don't have selfie sticks. They

626
00:29:40,680 --> 00:29:44,040
Speaker 2: have these selfie stands, and so they'd put their camera

627
00:29:44,120 --> 00:29:47,239
Speaker 2: on a stand on one side of the path and

628
00:29:47,280 --> 00:29:50,400
Speaker 2: they'd be taking photos of themselves on the other side

629
00:29:50,400 --> 00:29:52,440
Speaker 2: of the path. And he said, well, how long do

630
00:29:52,480 --> 00:29:55,080
Speaker 2: we wait for this? So there'd be ten people waiting.

631
00:29:56,000 --> 00:29:58,560
Speaker 2: You know, just what's the etiquette there? I don't know.

632
00:29:59,320 --> 00:30:01,520
Speaker 2: And you see people taking photos all over the place,

633
00:30:01,520 --> 00:30:03,480
Speaker 2: you thing, what's the etiquette of saying? Can I walk

634
00:30:03,480 --> 00:30:04,800
Speaker 2: through your shot? Do you mind me not being in

635
00:30:04,840 --> 00:30:06,720
Speaker 2: the background of this shot? Can you not film while

636
00:30:06,760 --> 00:30:07,280
Speaker 2: I'm eating?

637
00:30:07,640 --> 00:30:11,239
Speaker 1: Yeah? It's interesting, isn't it. I grew up with my

638
00:30:11,320 --> 00:30:15,200
Speaker 1: mother constantly taking pictures and I actually had yeah, and

639
00:30:15,240 --> 00:30:16,880
Speaker 1: it would always you'd be in the middle of something,

640
00:30:16,920 --> 00:30:21,360
Speaker 1: and that generation, I know, it's like a Japanese tourist back.

641
00:30:21,240 --> 00:30:22,719
Speaker 2: Then in her own family.

642
00:30:22,800 --> 00:30:25,200
Speaker 1: Yeah, I gave everyone and she does it.

643
00:30:25,280 --> 00:30:25,400
Speaker 7: Now.

644
00:30:25,440 --> 00:30:27,120
Speaker 1: You'll be in the middle of a chat with someone, okay,

645
00:30:27,480 --> 00:30:30,080
Speaker 1: and it just ruins the whole moves. It drives me.

646
00:30:30,200 --> 00:30:30,840
Speaker 1: That's crazy.

647
00:30:30,880 --> 00:30:33,040
Speaker 2: We all used to mock the Japanese tourists that would

648
00:30:33,040 --> 00:30:35,000
Speaker 2: get out of the bus, wouldn't look at all arub

649
00:30:35,000 --> 00:30:37,400
Speaker 2: but would take photos of it. That's who we are now.

650
00:30:38,000 --> 00:30:40,920
Speaker 1: And Australians were not like that. In America. You go

651
00:30:41,040 --> 00:30:43,600
Speaker 1: to America and they're almost ready with a sound bite

652
00:30:43,600 --> 00:30:46,600
Speaker 1: and their camera ready and then all the sas in Australia,

653
00:30:46,640 --> 00:30:47,160
Speaker 1: we're not like that.

654
00:30:47,240 --> 00:30:50,320
Speaker 2: We've become that. We've become that, we've become that. If

655
00:30:50,320 --> 00:30:53,960
Speaker 2: you go to any hotel pool, you'll see someone sitting

656
00:30:54,000 --> 00:30:57,360
Speaker 2: on the side, not me, holding their stomach in, taking

657
00:30:57,360 --> 00:30:58,320
Speaker 2: a stack of photos and.

658
00:30:58,280 --> 00:31:01,200
Speaker 1: Put you let your stomach out, the tide goes out

659
00:31:01,240 --> 00:31:02,000
Speaker 1: at the side of the po.

660
00:31:02,320 --> 00:31:05,440
Speaker 2: Who part of me still thinks for my teenage self,

661
00:31:05,440 --> 00:31:09,680
Speaker 2: how embarrassing. Who have you no pride? This is embarrassing.

662
00:31:09,720 --> 00:31:11,680
Speaker 2: But where of the last generation that thinks that.

663
00:31:11,640 --> 00:31:13,000
Speaker 1: It was about being up yourself?

664
00:31:13,280 --> 00:31:15,680
Speaker 2: You look like you're up yourself. If you imposed for

665
00:31:15,800 --> 00:31:18,040
Speaker 2: any photo with your friends, you look like you're up yourself.

666
00:31:18,080 --> 00:31:20,000
Speaker 1: I've noticed it more and more here now, you know

667
00:31:20,080 --> 00:31:23,040
Speaker 1: with the red carpet events. You know they have these

668
00:31:23,080 --> 00:31:27,120
Speaker 1: red carpet events here And when I first encountered those

669
00:31:27,240 --> 00:31:29,560
Speaker 1: a few years ago. You go along and I'd never

670
00:31:29,600 --> 00:31:32,520
Speaker 1: walk on the red carpet, just go why would I

671
00:31:32,600 --> 00:31:35,480
Speaker 1: do that? Now I've seen more and more just people

672
00:31:36,480 --> 00:31:38,960
Speaker 1: it's expected that they walk on it, and you know,

673
00:31:39,000 --> 00:31:41,760
Speaker 1: they go, well, where's the red carpet. I've seen influences

674
00:31:42,120 --> 00:31:44,040
Speaker 1: actually say where's the red carpet so I can get

675
00:31:44,040 --> 00:31:44,600
Speaker 1: my picture took.

676
00:31:44,760 --> 00:31:46,720
Speaker 2: They walk the red carpet and then don't go into

677
00:31:46,720 --> 00:31:48,320
Speaker 2: the event, or don't go and see the film. They's

678
00:31:48,360 --> 00:31:50,600
Speaker 2: just to have their photo taken. But what about people

679
00:31:50,600 --> 00:31:53,960
Speaker 2: with selfies? I mean, that's the thing. Do you know

680
00:31:54,040 --> 00:31:56,840
Speaker 2: someone who just constantly wants to put you in photos

681
00:31:56,920 --> 00:31:59,880
Speaker 2: or takes photos of their food, or just all night

682
00:32:00,240 --> 00:32:00,960
Speaker 2: taking photos?

683
00:32:00,960 --> 00:32:03,360
Speaker 1: What a pain in the neck, you know, the scam

684
00:32:03,720 --> 00:32:06,880
Speaker 1: Mister scamp she like. I like following her on Instagram

685
00:32:06,880 --> 00:32:09,480
Speaker 1: because she always has a cute little song that goes

686
00:32:09,520 --> 00:32:13,080
Speaker 1: with our you know, she'll be out eating eating cakes.

687
00:32:12,760 --> 00:32:14,280
Speaker 2: And there'll be an edge sheering song about it. Are

688
00:32:14,280 --> 00:32:15,240
Speaker 2: eat a piece of cake.

689
00:32:17,080 --> 00:32:18,600
Speaker 1: As You'll be with the kids and it'll be me

690
00:32:18,640 --> 00:32:20,800
Speaker 1: and my family. And I always like that. I get

691
00:32:20,840 --> 00:32:23,280
Speaker 1: a real kick out of that because it's quite a

692
00:32:23,280 --> 00:32:24,640
Speaker 1: bit of work being an influencer.

693
00:32:24,640 --> 00:32:28,320
Speaker 2: Well, what we're doing to talk about today is selfie ahole,

694
00:32:29,200 --> 00:32:32,000
Speaker 2: we're going to go this way. What if you know

695
00:32:32,320 --> 00:32:36,880
Speaker 2: you're the influencer doing some influencing and someone behind you,

696
00:32:37,000 --> 00:32:39,680
Speaker 2: how dare they sit on a public bench and ruin it?

697
00:32:39,680 --> 00:32:41,280
Speaker 2: And she at one point said to him, no one

698
00:32:41,280 --> 00:32:43,080
Speaker 2: wants to see you on. One wants to see an

699
00:32:43,080 --> 00:32:46,400
Speaker 2: old man in the background. And he said, excuse me, now,

700
00:32:46,440 --> 00:32:48,480
Speaker 2: you're being ages. He said, get back to school, and

701
00:32:48,480 --> 00:32:50,080
Speaker 2: she said, how do you And he said, well, you're

702
00:32:50,120 --> 00:32:52,240
Speaker 2: doing it to me. This whole thing's playing out on

703
00:32:52,280 --> 00:32:53,440
Speaker 2: the live stream.

704
00:32:53,120 --> 00:32:57,000
Speaker 1: And she's like, Jesus, maybe Jesus was the original influence.

705
00:32:57,040 --> 00:32:58,239
Speaker 2: Well he was.

706
00:32:58,360 --> 00:32:58,880
Speaker 1: He had a lot of.

707
00:32:58,800 --> 00:33:01,120
Speaker 2: Followers, didn't have to take a lot of photos of himself.

708
00:33:01,360 --> 00:33:04,640
Speaker 2: So selfie ahole, where have you been with someone?

709
00:33:04,720 --> 00:33:04,920
Speaker 6: You go?

710
00:33:05,120 --> 00:33:05,600
Speaker 2: Come on?

711
00:33:05,920 --> 00:33:07,960
Speaker 1: Really, the tribal drama will beat for this.

712
00:33:08,160 --> 00:33:08,320
Speaker 7: Ken.

713
00:33:08,360 --> 00:33:11,200
Speaker 10: Would you start taking pictures of yourself? Your sister's going to.

714
00:33:11,200 --> 00:33:16,800
Speaker 1: Jail right there. I love it. The tribal drama is

715
00:33:16,840 --> 00:33:19,920
Speaker 1: beating job in a selfie ahole?

716
00:33:20,160 --> 00:33:22,800
Speaker 10: Ken, would you start taking pictures of yourself? Your sister's

717
00:33:22,840 --> 00:33:23,520
Speaker 10: going to jail.

718
00:33:23,880 --> 00:33:26,440
Speaker 2: One of the all time greats. You know, people who

719
00:33:26,440 --> 00:33:28,920
Speaker 2: take selfies that get in your way or people take

720
00:33:28,960 --> 00:33:31,400
Speaker 2: selfies and expect the world to step around them. People

721
00:33:31,400 --> 00:33:34,400
Speaker 2: that take selfies all the time. It just drives you crazy.

722
00:33:34,480 --> 00:33:35,480
Speaker 2: So what have you seen?

723
00:33:36,200 --> 00:33:39,240
Speaker 1: Jasmine has joined us. Hello Jasmine, Hey.

724
00:33:39,120 --> 00:33:41,320
Speaker 4: God, are you going great?

725
00:33:41,600 --> 00:33:41,760
Speaker 7: Well?

726
00:33:42,520 --> 00:33:44,959
Speaker 4: I'm at the gym, which is a miracle itself, and

727
00:33:45,000 --> 00:33:47,840
Speaker 4: I'm on the treadmill and I've got more roles of

728
00:33:47,880 --> 00:33:51,840
Speaker 4: it than Baker's Delights. And I just go next to

729
00:33:51,920 --> 00:33:54,320
Speaker 4: me and she's setting up a trip. I said, what

730
00:33:54,360 --> 00:33:57,640
Speaker 4: the hell is she doing? And she's lefts like the

731
00:33:58,160 --> 00:34:00,720
Speaker 4: weight sixers and she's sitting up. She started to start

732
00:34:00,840 --> 00:34:02,880
Speaker 4: filming herself. She's just like one of those you know ones.

733
00:34:02,920 --> 00:34:04,400
Speaker 4: I don't know, it's just getting paid or just think

734
00:34:04,400 --> 00:34:07,040
Speaker 4: she's getting good to an influencer. And she saw me.

735
00:34:07,400 --> 00:34:10,560
Speaker 4: I know I'm going to be in her oh, and

736
00:34:10,920 --> 00:34:12,840
Speaker 4: I'm think there is no way I want to be

737
00:34:12,880 --> 00:34:15,279
Speaker 4: in this. And I thought, and she started there and

738
00:34:15,320 --> 00:34:17,040
Speaker 4: caring on, I went, no, no, no, no, that's it. I

739
00:34:17,080 --> 00:34:19,520
Speaker 4: cut my time short, and I thought she's talking about

740
00:34:19,719 --> 00:34:21,960
Speaker 4: I was so cranky. Is it's enough to get me

741
00:34:22,000 --> 00:34:23,680
Speaker 4: to the gym? But then I had to learn, because.

742
00:34:23,520 --> 00:34:26,600
Speaker 2: There's fair if you went in there with the TV camera.

743
00:34:26,719 --> 00:34:28,880
Speaker 2: You'd have to get permission from every single person who's

744
00:34:28,920 --> 00:34:30,600
Speaker 2: in that shot, and you'd have to get them to

745
00:34:30,680 --> 00:34:33,080
Speaker 2: sign a form in the old saying you've got permission

746
00:34:33,080 --> 00:34:34,000
Speaker 2: to be broadcast like.

747
00:34:34,000 --> 00:34:34,719
Speaker 1: A wavery thing.

748
00:34:34,840 --> 00:34:38,160
Speaker 2: That's right. This is a very interesting scenario. So Shamie

749
00:34:38,160 --> 00:34:41,080
Speaker 2: didn't have a camera. When our executive producer Millie was

750
00:34:41,120 --> 00:34:44,440
Speaker 2: at the gym yesterday, she fell off the back of

751
00:34:44,440 --> 00:34:48,000
Speaker 2: her treadmill. I would scraped all her knees, but her

752
00:34:48,040 --> 00:34:51,200
Speaker 2: pride was shattered. But I wish we'd seen that. But Jasmine,

753
00:34:51,239 --> 00:34:52,680
Speaker 2: that's a very interesting point.

754
00:34:53,560 --> 00:34:55,160
Speaker 1: So Emelie had to go home and say to mister

755
00:34:55,200 --> 00:34:59,200
Speaker 1: Starling why her knees are all grazed? An interesting sort

756
00:34:59,239 --> 00:35:00,440
Speaker 1: of conversation.

757
00:35:00,040 --> 00:35:06,360
Speaker 2: Woman Brendan, get your brain out of the gutter, ruining

758
00:35:06,360 --> 00:35:08,440
Speaker 2: everything everything.

759
00:35:09,040 --> 00:35:13,200
Speaker 9: The questions Jonesy and Amanda gem podcast.

760
00:35:14,040 --> 00:35:17,360
Speaker 1: Let's get to Solver were attention because I do not

761
00:35:17,400 --> 00:35:19,399
Speaker 1: want to have to fail you. Hello.

762
00:35:20,280 --> 00:35:24,520
Speaker 2: I saw some footage of a fitness influencer set up

763
00:35:24,560 --> 00:35:27,000
Speaker 2: a camera, was about to start doing her thing a

764
00:35:27,000 --> 00:35:29,279
Speaker 2: live stream, and a man sat on the public bench

765
00:35:29,320 --> 00:35:32,320
Speaker 2: behind her in a public park. She said, I'm politely

766
00:35:32,360 --> 00:35:34,080
Speaker 2: asking you, do you mind moving to another bench and

767
00:35:34,080 --> 00:35:36,440
Speaker 2: he said, well, no, I sit here every day and

768
00:35:36,480 --> 00:35:38,520
Speaker 2: she said, well, I'm doing a video and he said yep.

769
00:35:38,760 --> 00:35:40,279
Speaker 2: And she said, well, people don't want to see in

770
00:35:40,320 --> 00:35:41,680
Speaker 2: the background and he said who and she said my

771
00:35:41,719 --> 00:35:44,440
Speaker 2: followers and he said are you Jesus? This went on

772
00:35:44,440 --> 00:35:47,440
Speaker 2: and on and he just refused to move. Sometimes when

773
00:35:47,520 --> 00:35:50,920
Speaker 2: you see people with their selfie sticks and their selfie stands,

774
00:35:51,360 --> 00:35:53,200
Speaker 2: they'll put a stand on one side, they'll be on

775
00:35:53,239 --> 00:35:54,920
Speaker 2: the other of a narrow path. You think, am I

776
00:35:54,960 --> 00:35:57,000
Speaker 2: had to walk past my wrecking their shot? What's the

777
00:35:57,000 --> 00:36:00,400
Speaker 2: etiquette here? It's getting out of control. So the tribal

778
00:36:00,480 --> 00:36:03,759
Speaker 2: drum is beating for selfie ahole? Do want an?

779
00:36:03,840 --> 00:36:06,480
Speaker 10: Would you start taking pictures of yourself? Your sister's going

780
00:36:06,520 --> 00:36:07,000
Speaker 10: to jail.

781
00:36:08,440 --> 00:36:14,240
Speaker 1: Louise has joined as Hello Luise ah That word influencers guys.

782
00:36:14,880 --> 00:36:19,200
Speaker 7: So I was flying over the US for work and

783
00:36:19,280 --> 00:36:21,680
Speaker 7: because it was a work trip, they put me in

784
00:36:21,760 --> 00:36:23,280
Speaker 7: business class. That was a bit exciting.

785
00:36:23,520 --> 00:36:23,920
Speaker 2: Yeah.

786
00:36:24,040 --> 00:36:26,480
Speaker 7: Anyway, a young girl sits next to me and she

787
00:36:26,640 --> 00:36:29,600
Speaker 7: was quite excited. She started taking a few photos, which

788
00:36:29,680 --> 00:36:31,759
Speaker 7: I thought was okay, because that is pretty exciting when

789
00:36:31,800 --> 00:36:35,560
Speaker 7: its first time. But that was until she took a

790
00:36:35,560 --> 00:36:41,040
Speaker 7: photo of everything. Every campagn came around. Yeah, camera came out,

791
00:36:41,320 --> 00:36:45,200
Speaker 7: the hot blanket came out, camera came out, the chair

792
00:36:45,280 --> 00:36:48,560
Speaker 7: went back, she laid down, the phone came out, and

793
00:36:48,640 --> 00:36:50,600
Speaker 7: to the point where she could see the weird looks

794
00:36:50,640 --> 00:36:54,560
Speaker 7: I was giving her and bearing in mind the length

795
00:36:54,600 --> 00:36:56,920
Speaker 7: of a trip to the US sitting next to a

796
00:36:56,960 --> 00:36:59,879
Speaker 7: young influencer. Oh, I'm getting this trip for free because

797
00:36:59,920 --> 00:37:03,200
Speaker 7: I my sponsors like put me on this fly It's

798
00:37:03,440 --> 00:37:04,160
Speaker 7: all I heard.

799
00:37:04,400 --> 00:37:08,239
Speaker 2: The entire one who are a sponsors, Well, who would

800
00:37:08,360 --> 00:37:11,520
Speaker 2: know there was some skin care production.

801
00:37:11,520 --> 00:37:15,400
Speaker 7: She was going over there for some big fand angle conference,

802
00:37:15,920 --> 00:37:17,680
Speaker 7: but you were with their ambassador.

803
00:37:17,840 --> 00:37:20,000
Speaker 2: Because no one looks good on a plane. So if

804
00:37:20,000 --> 00:37:21,960
Speaker 2: you want to sit there and have your mouth hanging

805
00:37:21,960 --> 00:37:23,760
Speaker 2: open while you're asleep, you don't want to think someone's

806
00:37:23,800 --> 00:37:24,960
Speaker 2: taking photos next to you.

807
00:37:25,880 --> 00:37:28,440
Speaker 7: Oh look, if forget me, if you're extra followers, why not, right?

808
00:37:30,680 --> 00:37:32,600
Speaker 2: But I mean, if you're in the background of her shots,

809
00:37:32,680 --> 00:37:33,640
Speaker 2: that's not what you want.

810
00:37:35,160 --> 00:37:37,120
Speaker 7: It's the only level of fame I'm ever going to get.

811
00:37:37,360 --> 00:37:37,960
Speaker 7: I'll take it.

812
00:37:38,400 --> 00:37:39,000
Speaker 1: Cashing in on it.

813
00:37:39,120 --> 00:37:41,080
Speaker 2: Here, someone who's not using the creams.

814
00:37:43,360 --> 00:37:45,040
Speaker 7: She may have used me as it before shot. You

815
00:37:45,080 --> 00:37:45,840
Speaker 7: never know who.

816
00:37:47,800 --> 00:37:49,040
Speaker 1: Just get a real job, man.

817
00:37:49,640 --> 00:37:52,680
Speaker 2: See these are the real jobs. This is a generational conversation.

818
00:37:53,080 --> 00:37:54,560
Speaker 2: That is a real job.

819
00:37:54,760 --> 00:37:57,080
Speaker 1: No one makes cement anymore, do they. When I was

820
00:37:57,120 --> 00:37:58,200
Speaker 1: a kid, everyone.

821
00:37:58,040 --> 00:38:03,360
Speaker 2: You had to make cement and up Brendan, Come on, Jama.

822
00:38:03,560 --> 00:38:06,360
Speaker 1: Let's get all down to the jonesy demand of arms.

823
00:38:07,160 --> 00:38:11,600
Speaker 1: And today the pub test office birthday cakes? Do they pass?

824
00:38:11,680 --> 00:38:14,080
Speaker 2: The pub test cakes in general? I was on the

825
00:38:14,080 --> 00:38:17,080
Speaker 2: Mama Mer out Loud podcast yesterday and we were discussing this.

826
00:38:17,719 --> 00:38:22,000
Speaker 2: Britain's The chair of Britain's Food Standards Agency has come

827
00:38:22,040 --> 00:38:25,960
Speaker 2: out saying that office cake should be viewed as passive smoking.

828
00:38:27,000 --> 00:38:30,520
Speaker 2: She said that employers are encouraged to supply healthy alternatives

829
00:38:30,560 --> 00:38:32,960
Speaker 2: like fruit when marking celebrations in the office. She said,

830
00:38:32,960 --> 00:38:35,640
Speaker 2: we like to think we're rational and intelligent, educated people

831
00:38:35,640 --> 00:38:38,120
Speaker 2: who make informed choices, and yes we can make our

832
00:38:38,120 --> 00:38:41,160
Speaker 2: own choices, but we undervalue the impact of the environment.

833
00:38:41,960 --> 00:38:47,320
Speaker 2: So that's what all those food loss apps and information

834
00:38:47,400 --> 00:38:50,200
Speaker 2: will tell you. You have to also control your environment.

835
00:38:50,440 --> 00:38:52,160
Speaker 2: She said, if no one brought cakes into the office,

836
00:38:52,160 --> 00:38:54,800
Speaker 2: I wouldn't eat cakes during the day. But because people

837
00:38:54,840 --> 00:38:56,759
Speaker 2: bring cakes in I eat them.

838
00:38:57,000 --> 00:38:58,560
Speaker 1: Could you kind of feel obliged, don't you.

839
00:38:58,640 --> 00:39:00,840
Speaker 2: This is a lot of social edique that goes with

840
00:39:00,960 --> 00:39:03,960
Speaker 2: that you feel obliged. That also takes up a lot

841
00:39:03,960 --> 00:39:06,680
Speaker 2: of time. If it's a birthday cake, for example, everyone

842
00:39:06,719 --> 00:39:08,480
Speaker 2: has to stop what they're doing and come around and

843
00:39:08,520 --> 00:39:10,880
Speaker 2: sing the song. And not everyone likes doing that stuff.

844
00:39:10,880 --> 00:39:12,000
Speaker 2: Not everyone's into that stuff.

845
00:39:12,000 --> 00:39:14,080
Speaker 1: And you got to make a speech, and people.

846
00:39:13,800 --> 00:39:19,879
Speaker 2: Have different allergy components that mean you can't participate. It's

847
00:39:19,920 --> 00:39:20,680
Speaker 2: a time waste.

848
00:39:20,960 --> 00:39:22,040
Speaker 1: That's a huge time waste.

849
00:39:22,040 --> 00:39:24,400
Speaker 2: But also like a friend of mine used to make

850
00:39:24,440 --> 00:39:25,960
Speaker 2: a lot of food, a lot of cakes to take

851
00:39:25,960 --> 00:39:28,480
Speaker 2: into her office. She was in a management position. She's

852
00:39:28,520 --> 00:39:30,919
Speaker 2: decided this year she's not going to she said, we're

853
00:39:30,960 --> 00:39:34,680
Speaker 2: just eating cake all day. So that's the problem as well.

854
00:39:34,719 --> 00:39:37,760
Speaker 2: If it's there, people will eat it. Some people say great,

855
00:39:37,840 --> 00:39:40,399
Speaker 2: bring on the cake. Others don't want that temptation about.

856
00:39:40,560 --> 00:39:43,600
Speaker 1: So it's a gauge if you're popularity, say well, if

857
00:39:43,640 --> 00:39:47,399
Speaker 1: you have a cake and only one slice goes from

858
00:39:47,400 --> 00:39:49,440
Speaker 1: the cake, then you're got to look like little miss

859
00:39:49,520 --> 00:39:52,880
Speaker 1: unpopular pants. But for example, with me, when it's my birthday,

860
00:39:52,920 --> 00:39:55,239
Speaker 1: we have to will in a sixty year wedding cakes.

861
00:39:55,239 --> 00:39:56,520
Speaker 1: So there's enough to go around. That's right.

862
00:39:56,520 --> 00:39:58,239
Speaker 2: There's always a lot of tears on your birthday. I

863
00:39:58,280 --> 00:40:00,560
Speaker 2: remember now, So how do you feel all about? This

864
00:40:00,600 --> 00:40:02,640
Speaker 2: is an outrage that someone's trying to take this from

865
00:40:02,719 --> 00:40:05,520
Speaker 2: you as the US The first female US Senator from

866
00:40:05,560 --> 00:40:09,560
Speaker 2: Tennessee said, first it was your straw, then your car,

867
00:40:09,840 --> 00:40:12,719
Speaker 2: your red meat. Now big government liberals are coming for

868
00:40:12,800 --> 00:40:17,960
Speaker 2: your birthday cake, taking your cake, wokie cake? How do

869
00:40:18,000 --> 00:40:23,920
Speaker 2: you feel office cake? Is it past? The pub Test podcast?

870
00:40:24,200 --> 00:40:27,280
Speaker 2: Remember years ago she was two thousand and one. Harley

871
00:40:27,280 --> 00:40:30,000
Speaker 2: has a friend in New Zealand whose brother went to

872
00:40:30,200 --> 00:40:33,360
Speaker 2: La to try his hand as a filmmaker, and he

873
00:40:33,560 --> 00:40:36,080
Speaker 2: sort of got involved with a company called DreamWorks and

874
00:40:36,400 --> 00:40:38,560
Speaker 2: made a film called Shrek. And we went on, good

875
00:40:38,560 --> 00:40:40,200
Speaker 2: on you, and then we went to see it and

876
00:40:40,239 --> 00:40:44,480
Speaker 2: went wow wow wow wow.

877
00:40:45,680 --> 00:40:48,440
Speaker 1: Yeah, yeah, good on you, good on you. Yeah, good

878
00:40:48,520 --> 00:40:50,880
Speaker 1: luck in La Fella. That's like what I was offered

879
00:40:51,440 --> 00:40:54,680
Speaker 1: a spot to buy into boost Juice all those years ago,

880
00:40:54,840 --> 00:40:57,160
Speaker 1: and what you say, he's got to drink bloody juice?

881
00:40:57,920 --> 00:41:01,480
Speaker 1: What a stupid So I bought a Harley instead.

882
00:41:01,560 --> 00:41:04,560
Speaker 2: Yeah, don't tell Helen Well Shrek as we know came

883
00:41:04,560 --> 00:41:07,360
Speaker 2: out in two thousand and one, the DreamWorks animated film.

884
00:41:07,440 --> 00:41:11,520
Speaker 2: It was a massive, massive, massive commercial success. It wrecked

885
00:41:11,600 --> 00:41:13,960
Speaker 2: up of one hundred and eighty four million dollars across

886
00:41:13,960 --> 00:41:16,239
Speaker 2: the globe, and a whole lot of offshoots have come

887
00:41:16,280 --> 00:41:20,720
Speaker 2: from that. Mike Myers made that character so so famous,

888
00:41:20,719 --> 00:41:23,080
Speaker 2: but he wasn't the first choice to play Shrek.

889
00:41:23,320 --> 00:41:24,640
Speaker 1: You said that I didn't know this.

890
00:41:24,880 --> 00:41:28,120
Speaker 2: Yes, well, this information has just been leaked. A YouTube

891
00:41:28,120 --> 00:41:32,720
Speaker 2: clip of Chris Farley. The UK comedian was Chris Farley

892
00:41:32,760 --> 00:41:35,120
Speaker 2: and Saturday Night Live. I think he might have been Yep.

893
00:41:36,840 --> 00:41:42,000
Speaker 2: He had recorded eighty five percent of the dialogue when

894
00:41:42,040 --> 00:41:46,240
Speaker 2: he passed away in nineteen ninety seven, and his Shrek

895
00:41:46,680 --> 00:41:50,120
Speaker 2: is very different. This is Chris Farley as Shrek.

896
00:41:50,520 --> 00:41:55,080
Speaker 1: No, I'm an augerl. Doesn't that bother you at all?

897
00:41:55,600 --> 00:41:56,360
Speaker 6: Oh?

898
00:41:56,360 --> 00:41:58,360
Speaker 1: This is another one of those onion things, isn't it.

899
00:41:58,480 --> 00:41:58,640
Speaker 10: No?

900
00:41:59,160 --> 00:42:01,560
Speaker 1: This is one of those drop it and leave me

901
00:42:01,760 --> 00:42:04,200
Speaker 1: alone things. People see me and they go.

902
00:42:04,680 --> 00:42:09,840
Speaker 8: Bah help, a very stupid, stinky, smelly, ugly ogre.

903
00:42:11,000 --> 00:42:13,400
Speaker 2: Wow. Yeah, so that's Chris Farley. And then when he

904
00:42:13,480 --> 00:42:16,600
Speaker 2: passed away, Mike Myers stepped into the role, and the

905
00:42:16,640 --> 00:42:19,960
Speaker 2: first time Mike Myers recorded it, he hadn't gone with

906
00:42:20,000 --> 00:42:23,080
Speaker 2: that Scottish accent his first crack at it, and this

907
00:42:23,320 --> 00:42:26,759
Speaker 2: wasn't obviously part of the film, but here is Mike

908
00:42:26,840 --> 00:42:30,200
Speaker 2: doing his first version of Shrek without the Scottish accent.

909
00:42:30,280 --> 00:42:34,240
Speaker 3: This is my swap our swat go dark ingle, stubborn

910
00:42:34,400 --> 00:42:37,480
Speaker 3: jack ass, melly olga fine, Hey.

911
00:42:37,960 --> 00:42:41,919
Speaker 1: I'm no One's messenger boy. Okay, I'm a delivery boy.

912
00:42:42,560 --> 00:42:44,840
Speaker 1: You come and donkey behind you.

913
00:42:45,680 --> 00:42:48,040
Speaker 2: And I think he Joe produces crazy by saying I

914
00:42:48,040 --> 00:42:50,799
Speaker 2: want to go in and record it again, and he said,

915
00:42:50,840 --> 00:42:53,439
Speaker 2: I want to do that Scottish accent that he thought

916
00:42:53,440 --> 00:42:56,040
Speaker 2: people would be familiar with from fat Bastard and.

917
00:42:55,960 --> 00:42:58,200
Speaker 1: A Spyish agg get in my belly.

918
00:42:57,920 --> 00:42:59,719
Speaker 2: And apparently he also did a Scottish accent. Is so

919
00:42:59,760 --> 00:43:02,600
Speaker 2: I'm married an ex murderer. I never saw that. Yeah,

920
00:43:02,640 --> 00:43:04,400
Speaker 2: so he said he wanted to do it with this

921
00:43:04,480 --> 00:43:08,080
Speaker 2: Scottish accent. Imagine the expense of that, but it paid

922
00:43:08,080 --> 00:43:09,960
Speaker 2: off because this is Shrek now as we know it.

923
00:43:10,040 --> 00:43:14,400
Speaker 1: This is my swamp stubborn.

924
00:43:14,080 --> 00:43:19,399
Speaker 3: Jack a fine, Hey, I'm no One's messenger boy.

925
00:43:19,560 --> 00:43:21,879
Speaker 2: All right, I'm a delivery boy.

926
00:43:22,520 --> 00:43:26,040
Speaker 1: You're coming down. Yeah, I'm ready to hang. That's it's amazing.

927
00:43:26,080 --> 00:43:28,440
Speaker 1: The genesis of a voice. Yeah yeah, yeah, it's like

928
00:43:28,560 --> 00:43:31,800
Speaker 1: neat rat. Do you know the little radiator? It's just

929
00:43:31,840 --> 00:43:33,600
Speaker 1: a high voice. How do they get that?

930
00:43:33,960 --> 00:43:36,279
Speaker 2: What's the radiator in the radiator?

931
00:43:36,800 --> 00:43:38,040
Speaker 1: It's talking radiator?

932
00:43:38,840 --> 00:43:42,560
Speaker 2: Where is this in an add What you know? We've

933
00:43:42,560 --> 00:43:45,160
Speaker 2: gone from high art to a talking radiator in an

934
00:43:45,200 --> 00:43:47,439
Speaker 2: ad is it's still your quest to have your face

935
00:43:47,440 --> 00:43:48,680
Speaker 2: on a toilet idea or something.

936
00:43:48,719 --> 00:43:50,960
Speaker 1: I want to be one of those talking inanimate objects.

937
00:43:51,239 --> 00:43:55,160
Speaker 1: I dream like a toilet paper to spend. What are

938
00:43:55,200 --> 00:43:55,520
Speaker 1: you doing?

939
00:43:55,560 --> 00:44:03,400
Speaker 2: What do you think you're doing with that? Where gone?

940
00:44:04,440 --> 00:44:09,680
Speaker 3: I want to get on now, I'm taking now your windows.

941
00:44:10,360 --> 00:44:11,319
Speaker 8: Your head on a yell.

942
00:44:12,680 --> 00:44:17,360
Speaker 1: Hell, let's get on down to the jonesy demand of

943
00:44:17,400 --> 00:44:21,279
Speaker 1: arms for the pub test today? Office birthday cakes? Do

944
00:44:21,360 --> 00:44:22,160
Speaker 1: they pass the pub?

945
00:44:22,360 --> 00:44:24,880
Speaker 2: We just offers cake in general. The chair of Britain's

946
00:44:24,920 --> 00:44:27,959
Speaker 2: Food Standards Agency has said that cake in the office

947
00:44:27,960 --> 00:44:30,879
Speaker 2: should be viewed like passive smoking. It's a great quote

948
00:44:30,880 --> 00:44:33,320
Speaker 2: from her where she said, we'd like to think we're rational, intelligent,

949
00:44:33,480 --> 00:44:36,160
Speaker 2: educated people who can make informed choices the whole time.

950
00:44:36,320 --> 00:44:40,480
Speaker 2: But our environment impacts this enormously. If it's there, chances

951
00:44:40,480 --> 00:44:42,360
Speaker 2: are I will eat it, And she said, we're getting

952
00:44:42,400 --> 00:44:45,439
Speaker 2: overloaded with sugar. There's also the other implications of cake.

953
00:44:45,680 --> 00:44:48,400
Speaker 2: Everyone's work stops, everyone comes around. If it's a birthday,

954
00:44:48,400 --> 00:44:51,120
Speaker 2: cake sings happy birthday, someone has to clear away the plates.

955
00:44:51,360 --> 00:44:52,799
Speaker 2: It's a time waste.

956
00:44:52,520 --> 00:44:54,320
Speaker 1: And a popularity contest.

957
00:44:54,160 --> 00:44:56,279
Speaker 2: In your eyes, and not everyone like.

958
00:44:56,440 --> 00:44:58,719
Speaker 1: You can engage how popular someone is. If you have

959
00:44:58,800 --> 00:45:01,360
Speaker 1: the cake there and no one there's only one small

960
00:45:01,400 --> 00:45:03,240
Speaker 1: slither missing from the cake.

961
00:45:05,200 --> 00:45:07,360
Speaker 2: You read too much into that. There's a lot of

962
00:45:07,400 --> 00:45:10,040
Speaker 2: social pressure that goes with this, and what about your

963
00:45:10,040 --> 00:45:12,279
Speaker 2: dietary needs. Some people say, well, I can't join in

964
00:45:12,320 --> 00:45:14,920
Speaker 2: because I can't have gluten whatever it might be. So

965
00:45:15,080 --> 00:45:17,640
Speaker 2: we're putting this to the pub test office cake Does

966
00:45:17,680 --> 00:45:18,760
Speaker 2: it pass the pub test?

967
00:45:18,840 --> 00:45:21,879
Speaker 5: Look, I reckon, if you're worried about cake, then you're

968
00:45:21,920 --> 00:45:25,359
Speaker 5: pretty privileged. And I just can't understand why that would

969
00:45:25,400 --> 00:45:28,200
Speaker 5: even mean shit. It's a matter of just getting in there.

970
00:45:28,440 --> 00:45:31,919
Speaker 5: Just put your delay aside, celebrate with your workmate, ricient

971
00:45:32,040 --> 00:45:34,480
Speaker 5: happy birthday. It's a principle of a thing more than

972
00:45:34,800 --> 00:45:38,239
Speaker 5: the calories or the health issues. I think it's just

973
00:45:38,400 --> 00:45:40,959
Speaker 5: been silly to want to pran the cake.

974
00:45:41,280 --> 00:45:43,800
Speaker 7: I'm all for it, you know, once in a while.

975
00:45:44,000 --> 00:45:46,720
Speaker 7: What harm can it do? Who know the love cake?

976
00:45:48,440 --> 00:45:49,560
Speaker 1: Who does a love cake?

977
00:45:49,600 --> 00:45:53,799
Speaker 2: But if it's a birthday every day, then what happens then?

978
00:45:54,040 --> 00:45:56,840
Speaker 2: Is it someone's birthday every day? Some companies say, and

979
00:45:56,880 --> 00:45:58,319
Speaker 2: that's what they do at Mum and Me. When I

980
00:45:58,320 --> 00:46:00,920
Speaker 2: was talking on their podcast with them, y have cake there, No,

981
00:46:01,000 --> 00:46:04,319
Speaker 2: but they said they do love cake. But they'll say,

982
00:46:04,400 --> 00:46:06,239
Speaker 2: here's the month of February. That's what we do here

983
00:46:06,280 --> 00:46:09,600
Speaker 2: too at our work. February. Everyoneho's had a birthday in February,

984
00:46:09,680 --> 00:46:10,440
Speaker 2: Come on down, let's.

985
00:46:10,320 --> 00:46:11,960
Speaker 1: Have cake inside the horse's birthday.

986
00:46:12,040 --> 00:46:13,920
Speaker 2: Yeah, that's what I said. It's a horse's birthday.

987
00:46:14,000 --> 00:46:15,879
Speaker 1: Just give them a sugar cube and a carrot.

988
00:46:15,719 --> 00:46:16,680
Speaker 2: And get some new shoes.

989
00:46:16,760 --> 00:46:21,879
Speaker 1: We should do that for everything podcast. I must say

990
00:46:21,880 --> 00:46:24,719
Speaker 1: I'm enjoying the stereo sound now that my ears have

991
00:46:24,800 --> 00:46:25,480
Speaker 1: been syringed.

992
00:46:25,520 --> 00:46:27,399
Speaker 2: Well, we just spoke about Shrek earlier and you said

993
00:46:27,400 --> 00:46:29,759
Speaker 2: that you'd had your ear syringe, which reminded me of

994
00:46:29,800 --> 00:46:31,680
Speaker 2: that scene in Shrek when all the wax comes out.

995
00:46:32,000 --> 00:46:33,160
Speaker 2: And so you've got two new camps.

996
00:46:33,600 --> 00:46:40,040
Speaker 1: I could set up my own Dusk franchise, not burn forever,

997
00:46:40,719 --> 00:46:44,080
Speaker 1: just down there wud be very very handy. It's so good.

998
00:46:44,120 --> 00:46:46,439
Speaker 2: I'm glad you've had that fixed because look sharp, Because

999
00:46:46,440 --> 00:46:48,320
Speaker 2: someone I admire enormously is joining.

1000
00:46:48,160 --> 00:46:49,480
Speaker 1: Us next, but I'm already here.

1001
00:46:49,920 --> 00:46:53,640
Speaker 2: Her name is Jemima Kahn, and Jemima came from a

1002
00:46:53,760 --> 00:46:57,640
Speaker 2: very privileged life in England and she married Imran Kahan

1003
00:46:57,680 --> 00:46:59,520
Speaker 2: when she was twenty years old. Imran Khan the cricketer

1004
00:46:59,560 --> 00:47:01,440
Speaker 2: who went on to be the Prime Minister of Pakistan.

1005
00:47:01,920 --> 00:47:04,879
Speaker 2: So she moved to Pakistan where she did the hard yards.

1006
00:47:04,920 --> 00:47:06,720
Speaker 2: I've got a friend who worked for the Australian embassy

1007
00:47:06,719 --> 00:47:11,520
Speaker 2: in Islamabad. She lived like everyone else in Pakistan. Things

1008
00:47:11,600 --> 00:47:14,480
Speaker 2: were hard, and she was married to Imran for ten years,

1009
00:47:14,560 --> 00:47:18,839
Speaker 2: had two sons with Imran Khan has huge affections still

1010
00:47:18,880 --> 00:47:20,680
Speaker 2: for Pakistan. I know she raised a whole lot of

1011
00:47:20,680 --> 00:47:24,600
Speaker 2: money recently for their flood appeal. And now she lives

1012
00:47:24,760 --> 00:47:27,759
Speaker 2: back in England and she is a filmmaker and a

1013
00:47:27,800 --> 00:47:30,799
Speaker 2: producer and a screenwriter. She's written a new film called

1014
00:47:30,800 --> 00:47:32,400
Speaker 2: What's Love Got to Do with It? It starts in

1015
00:47:32,440 --> 00:47:34,960
Speaker 2: cinemas on Thursday, This film is being made by the

1016
00:47:35,000 --> 00:47:37,359
Speaker 2: people who brought us four Weddings in a funeral. I

1017
00:47:37,440 --> 00:47:40,160
Speaker 2: saw the movie yesterday. It's so charming and it's really

1018
00:47:40,200 --> 00:47:44,960
Speaker 2: really interesting, as is Jemima, and she's joining us next.

1019
00:47:45,239 --> 00:47:48,080
Speaker 2: Our next guest is one of the most intriguing people

1020
00:47:48,120 --> 00:47:50,919
Speaker 2: I think you'd meet. She's an ambassador for UNISEEF, doing

1021
00:47:50,920 --> 00:47:53,480
Speaker 2: countless aid work around the world, particularly in Pakistan and

1022
00:47:53,520 --> 00:47:55,799
Speaker 2: the Middle East. She's worked for Vogue, She's been at

1023
00:47:55,800 --> 00:47:58,120
Speaker 2: the Helm of Vanity Fair, and she looms large in

1024
00:47:58,120 --> 00:48:02,000
Speaker 2: film and TV, having produced Emmy and Golden Globe nominated shows.

1025
00:48:02,320 --> 00:48:05,040
Speaker 2: She's recently written a fabulous film that I saw last

1026
00:48:05,120 --> 00:48:07,879
Speaker 2: night called What's Love Got to Do With Us? What's

1027
00:48:07,920 --> 00:48:10,080
Speaker 2: Love Got to Do with It? She joins us now,

1028
00:48:10,200 --> 00:48:12,799
Speaker 2: Jemima Kahn, Hello, Hello, Thank you so.

1029
00:48:12,800 --> 00:48:13,680
Speaker 11: Much for having me on.

1030
00:48:14,040 --> 00:48:15,000
Speaker 1: That's quite the resume.

1031
00:48:15,239 --> 00:48:19,759
Speaker 2: It's quite the resume. It's quite varied, hugely varied. And

1032
00:48:19,800 --> 00:48:22,759
Speaker 2: we'll start with the film, which is so interesting. It's

1033
00:48:22,760 --> 00:48:26,279
Speaker 2: the story of an English girl growing up next door

1034
00:48:26,320 --> 00:48:30,160
Speaker 2: to her well her English neighbor who's of Pakistan descent,

1035
00:48:30,800 --> 00:48:34,359
Speaker 2: and he decides they're great friends. He decides it's time

1036
00:48:34,360 --> 00:48:37,360
Speaker 2: to get married and chooses something to please his parents,

1037
00:48:37,400 --> 00:48:40,040
Speaker 2: the assisted married route as it were.

1038
00:48:40,360 --> 00:48:44,760
Speaker 11: Yes, Yes, she played by Shazade Latif and Lily James,

1039
00:48:45,080 --> 00:48:47,719
Speaker 11: who in real life are great friends, and I think

1040
00:48:47,800 --> 00:48:53,360
Speaker 11: hopefully they're kind of easy chemistry shows on screen. But yeah,

1041
00:48:53,680 --> 00:48:59,200
Speaker 11: it's sort of based on my experiences of living in

1042
00:48:59,600 --> 00:49:05,360
Speaker 11: my husband's extended family household with his father, his sisters,

1043
00:49:05,480 --> 00:49:09,600
Speaker 11: their husbands, their children, my children, has ever had twenty

1044
00:49:09,640 --> 00:49:12,360
Speaker 11: of us in one house, and ours was the only

1045
00:49:12,480 --> 00:49:15,960
Speaker 11: non arranged marriage. Everybody else had had an arranged marriage

1046
00:49:16,000 --> 00:49:18,759
Speaker 11: in the whole history of his family, and os was

1047
00:49:18,800 --> 00:49:21,799
Speaker 11: the only non arranged or what they call love marriage and

1048
00:49:21,920 --> 00:49:25,800
Speaker 11: the only divorce. So I came back, you know, with

1049
00:49:25,800 --> 00:49:28,040
Speaker 11: with one view of arrange I came back. I went

1050
00:49:28,080 --> 00:49:29,879
Speaker 11: there with one view of arranged marriage, and I came

1051
00:49:29,920 --> 00:49:32,839
Speaker 11: back kind of questioning some of those preconceptions and having

1052
00:49:32,840 --> 00:49:34,120
Speaker 11: seen some quite happy ones.

1053
00:49:34,920 --> 00:49:38,359
Speaker 1: So statistically, would you say that arranged marriages, even by

1054
00:49:38,400 --> 00:49:41,600
Speaker 1: your own account, they they they work as far as

1055
00:49:41,640 --> 00:49:43,239
Speaker 1: when it comes to divorce, I.

1056
00:49:43,160 --> 00:49:44,680
Speaker 2: Mean statistically for sure.

1057
00:49:44,760 --> 00:49:48,319
Speaker 11: I mean they're sort of it's it's incontrovertible that they do.

1058
00:49:48,360 --> 00:49:50,440
Speaker 11: But I guess you can you know, you can factor

1059
00:49:50,480 --> 00:49:53,080
Speaker 11: in you know, stigma, social stigmas.

1060
00:49:52,719 --> 00:49:54,560
Speaker 2: Et cetera. Happiness.

1061
00:49:54,920 --> 00:49:59,399
Speaker 11: My experience, sort of my anecdotal experiences, is when it's

1062
00:49:59,440 --> 00:50:04,000
Speaker 11: a consent your arrangement, and it's based on basically the

1063
00:50:04,040 --> 00:50:07,080
Speaker 11: modern take on it, the assisted marriage, it's an introduction

1064
00:50:07,320 --> 00:50:09,960
Speaker 11: by the people who know you and love you most

1065
00:50:10,680 --> 00:50:14,399
Speaker 11: and in the in in you know, when you live

1066
00:50:14,440 --> 00:50:16,319
Speaker 11: with somebody, you see things pretty up close.

1067
00:50:16,360 --> 00:50:17,839
Speaker 2: It's kind of hard to hide.

1068
00:50:17,960 --> 00:50:20,839
Speaker 11: And those marriages that I saw, long term marriages and

1069
00:50:20,880 --> 00:50:23,080
Speaker 11: the ones that were being arranged whilst I was there,

1070
00:50:23,800 --> 00:50:26,760
Speaker 11: actually were remarkably successful and happy.

1071
00:50:26,800 --> 00:50:28,000
Speaker 2: It's just a different thing.

1072
00:50:28,080 --> 00:50:31,080
Speaker 11: It's you know, the concept of simmer then boil, or

1073
00:50:31,120 --> 00:50:35,240
Speaker 11: you don't start with love, you end with love, and

1074
00:50:35,360 --> 00:50:39,080
Speaker 11: that sort of balance between the kind of pragmatism and

1075
00:50:39,280 --> 00:50:41,920
Speaker 11: passion on sort of rom com love and it's just

1076
00:50:41,960 --> 00:50:44,279
Speaker 11: a different way of looking at it. And it definitely

1077
00:50:44,880 --> 00:50:47,560
Speaker 11: caused me to kind of reconsider when I came back

1078
00:50:47,560 --> 00:50:50,320
Speaker 11: to London and I had my single girlfriends in their thirties,

1079
00:50:50,360 --> 00:50:52,719
Speaker 11: one in kids and slightly thinking about, you know, is

1080
00:50:52,760 --> 00:50:55,160
Speaker 11: now the time and we would have this conversation if

1081
00:50:55,200 --> 00:50:57,640
Speaker 11: you had you know, if you had say in functional parents,

1082
00:50:57,680 --> 00:51:02,080
Speaker 11: who would who might take which we don't all have

1083
00:51:02,680 --> 00:51:05,879
Speaker 11: no finger pointing here? You know, who would your parents

1084
00:51:05,960 --> 00:51:08,160
Speaker 11: choose for you? And and what would that look like?

1085
00:51:08,200 --> 00:51:10,720
Speaker 2: Would it work? And it's yeah, well you were twenty

1086
00:51:10,800 --> 00:51:13,040
Speaker 2: when you married him ran Khan and moved to Pekistan.

1087
00:51:13,080 --> 00:51:14,960
Speaker 2: What a fish out of water story from quite a

1088
00:51:14,960 --> 00:51:18,879
Speaker 2: privileged upbringing. How did his family greet you? As you say,

1089
00:51:18,920 --> 00:51:21,840
Speaker 2: you were the first non arranged marriage in his family

1090
00:51:21,880 --> 00:51:22,600
Speaker 2: in his history.

1091
00:51:23,000 --> 00:51:24,560
Speaker 11: I mean, honestly, I think they were horrified.

1092
00:51:24,560 --> 00:51:25,120
Speaker 2: To begin with.

1093
00:51:25,520 --> 00:51:28,640
Speaker 11: He had an old his halla, which means old aunt.

1094
00:51:29,040 --> 00:51:32,440
Speaker 11: It means his aunt, who I based the grandmother character

1095
00:51:32,480 --> 00:51:34,799
Speaker 11: a little bit on. And I never forget. We used

1096
00:51:34,840 --> 00:51:37,719
Speaker 11: to everyone lived in this same kind of square called

1097
00:51:37,760 --> 00:51:39,600
Speaker 11: Saman Park, and I used to go and see it

1098
00:51:39,600 --> 00:51:41,799
Speaker 11: in about six months in she refused to speak English,

1099
00:51:41,840 --> 00:51:45,279
Speaker 11: you'd only speak in or do And she said, they said, oh,

1100
00:51:45,360 --> 00:51:48,200
Speaker 11: Hala was very shocked when she heard about him marrying out,

1101
00:51:48,680 --> 00:51:52,600
Speaker 11: and you know, and she just very quietly said, who said,

1102
00:51:52,600 --> 00:51:53,440
Speaker 11: I'm over the shock.

1103
00:51:54,040 --> 00:51:55,440
Speaker 1: And so it was.

1104
00:51:56,080 --> 00:51:59,040
Speaker 11: It was considered quite shocking. It was almost I think

1105
00:51:59,120 --> 00:52:01,239
Speaker 11: they were more shot than my family, because I come

1106
00:52:01,280 --> 00:52:03,920
Speaker 11: from a very long line in unsuitable matches. I mean,

1107
00:52:04,320 --> 00:52:07,560
Speaker 11: both my parents eloped against their parents' wishes when they

1108
00:52:07,600 --> 00:52:09,919
Speaker 11: first got married, so I think they were like, oh God,

1109
00:52:09,960 --> 00:52:12,920
Speaker 11: here we go again. But for my ex husband's family,

1110
00:52:12,920 --> 00:52:14,160
Speaker 11: it was definitely very shocking.

1111
00:52:14,320 --> 00:52:16,480
Speaker 2: And yet you did the hard yards you learned or

1112
00:52:16,520 --> 00:52:20,239
Speaker 2: do you lived as other Pakistani women were living as

1113
00:52:20,239 --> 00:52:23,160
Speaker 2: you say, in that compound with the extended family. Did

1114
00:52:23,160 --> 00:52:25,600
Speaker 2: that earn their respect eventually? I think so?

1115
00:52:25,880 --> 00:52:29,200
Speaker 11: Yeah, I think I actually did. Used to have Pakistani

1116
00:52:29,239 --> 00:52:31,879
Speaker 11: women coming up to me going, no Pakistani bride would

1117
00:52:31,880 --> 00:52:34,960
Speaker 11: do this, what are you doing? Because you know times

1118
00:52:34,960 --> 00:52:38,279
Speaker 11: are changing, and you know people are you know, it

1119
00:52:38,400 --> 00:52:41,440
Speaker 11: tends the joint family system is not so sort of

1120
00:52:42,400 --> 00:52:45,080
Speaker 11: it's not such a kind of hard and fast rule now.

1121
00:52:45,960 --> 00:52:48,200
Speaker 2: But look, I'm.

1122
00:52:47,840 --> 00:52:50,800
Speaker 11: Still really connected with Pakistan's I have half Pakistani kids.

1123
00:52:51,560 --> 00:52:52,040
Speaker 2: I lived there.

1124
00:52:52,080 --> 00:52:53,520
Speaker 11: I feel like I kind of grew up there from

1125
00:52:53,560 --> 00:52:56,439
Speaker 11: twenty to thirty, and I get a lot of their

1126
00:52:56,960 --> 00:53:00,000
Speaker 11: very I get a lot of love and affection from Pakistan.

1127
00:53:00,200 --> 00:53:02,640
Speaker 11: Weirdly so much. You know, it's a long time that

1128
00:53:02,680 --> 00:53:06,480
Speaker 11: I ago that I left, but I do, Yeah, seem

1129
00:53:06,520 --> 00:53:09,239
Speaker 11: to still have a connection with the country, And even

1130
00:53:09,280 --> 00:53:10,920
Speaker 11: when I find it maddening.

1131
00:53:10,520 --> 00:53:11,719
Speaker 2: Particularly the politics.

1132
00:53:12,160 --> 00:53:14,640
Speaker 11: It's a bit like you know, a relative of yours,

1133
00:53:14,640 --> 00:53:16,719
Speaker 11: where you can slag it off, but if someone else does,

1134
00:53:16,840 --> 00:53:19,239
Speaker 11: then you go you defend it because.

1135
00:53:18,960 --> 00:53:20,759
Speaker 1: The politics are complex, aren't they?

1136
00:53:20,920 --> 00:53:24,160
Speaker 11: They are complex. That is an extremely neat way of

1137
00:53:24,200 --> 00:53:24,839
Speaker 11: summing it up.

1138
00:53:25,960 --> 00:53:29,880
Speaker 2: There's an interesting scene in the film where Zoe's character

1139
00:53:30,239 --> 00:53:32,640
Speaker 2: is making a documentary or a film about her best

1140
00:53:32,680 --> 00:53:36,279
Speaker 2: friend who's having this arranged marriage, and she said to him,

1141
00:53:36,280 --> 00:53:38,960
Speaker 2: once he's chosen his bride, she said, well, are you happy?

1142
00:53:39,000 --> 00:53:41,120
Speaker 2: Are you in love? And he said something like yes,

1143
00:53:41,160 --> 00:53:44,880
Speaker 2: whatever that means. And even within your film you reference it.

1144
00:53:44,960 --> 00:53:47,840
Speaker 2: That's a line that Prince Charles said in his engagement

1145
00:53:47,880 --> 00:53:50,280
Speaker 2: to Diana, And they say, gee, that wasn't a great portent.

1146
00:53:50,760 --> 00:53:52,960
Speaker 2: And then they also speak about how Diana was involved

1147
00:53:52,960 --> 00:53:55,279
Speaker 2: then with a Muslim doctor. I know she was a

1148
00:53:55,320 --> 00:53:57,400
Speaker 2: great friend of yours. She seems like quite an inspiration

1149
00:53:57,520 --> 00:54:00,879
Speaker 2: for some of these parts of the film. Well.

1150
00:54:00,960 --> 00:54:05,840
Speaker 11: I referenced that for a particular reason, mainly to show

1151
00:54:06,160 --> 00:54:08,840
Speaker 11: not only as a kind of slight little tribute to

1152
00:54:09,080 --> 00:54:11,600
Speaker 11: my friend who came to Pakistan twice in the last

1153
00:54:11,680 --> 00:54:14,239
Speaker 11: year that she was alive and visited me. Then she

1154
00:54:14,320 --> 00:54:17,280
Speaker 11: stayed in our dressing room. She was really un home maintenance.

1155
00:54:17,280 --> 00:54:19,560
Speaker 11: She shared a bathroom with us and slept in the

1156
00:54:19,640 --> 00:54:21,080
Speaker 11: dressing room which she came to stay.

1157
00:54:21,120 --> 00:54:22,560
Speaker 1: Yet was the house.

1158
00:54:23,520 --> 00:54:26,520
Speaker 11: It was a big house, but each basically each family

1159
00:54:26,600 --> 00:54:29,320
Speaker 11: had a bedroom and a bathroom, and we had a

1160
00:54:29,400 --> 00:54:31,360
Speaker 11: dressing room as well, and she slept in the dressing

1161
00:54:31,440 --> 00:54:34,720
Speaker 11: room and we were constantly kind of walking walking in.

1162
00:54:34,680 --> 00:54:36,719
Speaker 2: While she was an a poor woman, didn't have.

1163
00:54:36,640 --> 00:54:40,840
Speaker 11: A sleep, yeah, And so I sort of that was

1164
00:54:40,880 --> 00:54:43,080
Speaker 11: a nod to her and.

1165
00:54:43,080 --> 00:54:43,960
Speaker 7: How much.

1166
00:54:45,280 --> 00:54:47,399
Speaker 11: Love there is for her in Pakistan because she did

1167
00:54:47,480 --> 00:54:49,600
Speaker 11: a lot of charity work there, particularly with my ex

1168
00:54:49,640 --> 00:54:53,600
Speaker 11: husband's cancer hospital. So she was quite she became quite

1169
00:54:53,719 --> 00:54:56,080
Speaker 11: well known in Pakistan just before she died and she

1170
00:54:56,120 --> 00:54:58,799
Speaker 11: went out with she was in a relationship with Hasnat Khan,

1171
00:54:58,800 --> 00:55:02,040
Speaker 11: who was a vague a distant cousin of max husbands.

1172
00:55:02,719 --> 00:55:05,720
Speaker 11: But also the point I was making with the whatever

1173
00:55:05,760 --> 00:55:10,279
Speaker 11: love means comment was that arranged marriage is it may

1174
00:55:10,440 --> 00:55:12,919
Speaker 11: feel like an alien concept to us, but it's only

1175
00:55:12,920 --> 00:55:15,719
Speaker 11: one generation back that like the British Royal family were

1176
00:55:16,400 --> 00:55:19,520
Speaker 11: engaging in arranged marriages, that that was an arranged marriage

1177
00:55:19,719 --> 00:55:24,160
Speaker 11: to all intentsive purposes. And you know, the majority of

1178
00:55:24,200 --> 00:55:29,080
Speaker 11: marriages in the world, if you look at globally, are arranged.

1179
00:55:29,160 --> 00:55:31,640
Speaker 11: So I know that we have quite a kind of

1180
00:55:32,120 --> 00:55:35,239
Speaker 11: we have a particular view, and often arranged marriage gets

1181
00:55:35,280 --> 00:55:39,960
Speaker 11: conflated with forced marriage and wrongly. But so it was

1182
00:55:40,000 --> 00:55:43,719
Speaker 11: a bit about kind of debunking this idea that it's

1183
00:55:43,760 --> 00:55:48,160
Speaker 11: this outlandish, this outlandish tradition because.

1184
00:55:47,920 --> 00:55:49,480
Speaker 1: We look at it as Western as we look at it,

1185
00:55:49,520 --> 00:55:51,880
Speaker 1: and it's crazy. But then on TV we have a

1186
00:55:51,880 --> 00:55:54,800
Speaker 1: show called Marriat at First Sight. Well, yeah, where people

1187
00:55:54,880 --> 00:55:57,160
Speaker 1: are getting married and they haven't even set eyes on

1188
00:55:57,200 --> 00:55:59,360
Speaker 1: each other, but now they do it for other reasons

1189
00:55:59,440 --> 00:56:03,400
Speaker 1: and it's pretty um more about getting influencer takes on Instagram.

1190
00:56:03,440 --> 00:56:06,239
Speaker 11: Well, actually, the one the show that for me is

1191
00:56:06,560 --> 00:56:09,200
Speaker 11: the reality show that for me seems more similar as

1192
00:56:09,280 --> 00:56:12,760
Speaker 11: Love is Blind. Wait, that feels a little bit more

1193
00:56:12,840 --> 00:56:15,000
Speaker 11: like a range marriage because it's that show where they

1194
00:56:15,040 --> 00:56:17,320
Speaker 11: don't get to see each other and they're behind a wall,

1195
00:56:17,760 --> 00:56:20,080
Speaker 11: but they have to kind of see if they're compatible

1196
00:56:20,200 --> 00:56:23,360
Speaker 11: without the sort of sexual chemistry getting in the way,

1197
00:56:23,719 --> 00:56:25,680
Speaker 11: and then they only get to see each other once

1198
00:56:25,680 --> 00:56:28,000
Speaker 11: they've had a certain amount of conversations and decided they're

1199
00:56:28,000 --> 00:56:30,840
Speaker 11: in love and that there's something kind of interesting about

1200
00:56:32,080 --> 00:56:36,800
Speaker 11: taking out confusing sexual attraction, which hopefully, you know, the

1201
00:56:37,160 --> 00:56:41,200
Speaker 11: point of view is, you know, is that that will

1202
00:56:41,200 --> 00:56:44,719
Speaker 11: come later, hopefully, but you have to set up the

1203
00:56:45,480 --> 00:56:47,040
Speaker 11: proper building blocks first.

1204
00:56:47,080 --> 00:56:49,239
Speaker 1: So when does the sexual chemistry? When does it kick

1205
00:56:49,239 --> 00:56:56,520
Speaker 1: in thirty years? I'm just can you give me a listen.

1206
00:56:56,560 --> 00:56:58,920
Speaker 11: We've all been ruined by rom coms. Let's say I

1207
00:56:59,000 --> 00:57:02,000
Speaker 11: definitely had. I really have just as much as the next.

1208
00:57:02,680 --> 00:57:04,960
Speaker 1: Well, Jemima, it's so great to talk to you. What's

1209
00:57:05,080 --> 00:57:07,640
Speaker 1: love got to do with It is in cinemas this Thursday,

1210
00:57:07,920 --> 00:57:11,120
Speaker 1: the twenty sixth of January. Jemima cahn't thank you for

1211
00:57:11,239 --> 00:57:11,879
Speaker 1: joining us.

1212
00:57:11,880 --> 00:57:13,440
Speaker 11: Thank you so much for having me.

1213
00:57:13,560 --> 00:57:14,520
Speaker 1: What a treat to have you.

1214
00:57:14,840 --> 00:57:18,960
Speaker 9: Jonesy and Amanda podcasts.

1215
00:57:24,080 --> 00:57:25,320
Speaker 1: I tell you what. I'm a new man with his

1216
00:57:25,400 --> 00:57:27,960
Speaker 1: ears surringing business. Got all the wax out of my ears.

1217
00:57:28,000 --> 00:57:30,240
Speaker 1: It's great. I can hear everything, which is good. Because

1218
00:57:30,320 --> 00:57:32,360
Speaker 1: Jim y Rie was unwell yesterday.

1219
00:57:32,760 --> 00:57:35,240
Speaker 2: We think he's got gastro, so we send him home.

1220
00:57:35,360 --> 00:57:36,880
Speaker 2: I said to him, I hope you don't have gastro,

1221
00:57:36,920 --> 00:57:38,920
Speaker 2: because he was looking a bit wheezy, and he.

1222
00:57:38,920 --> 00:57:40,360
Speaker 1: Looked like Wendell from the Simpsons.

1223
00:57:40,480 --> 00:57:43,760
Speaker 2: You see that we've done little kind of character. And

1224
00:57:43,920 --> 00:57:46,560
Speaker 2: you said, oh, don't tell him about gastrow, you'll jinx him.

1225
00:57:46,560 --> 00:57:48,920
Speaker 2: I said, look, if he's got gastro, I need to know.

1226
00:57:49,560 --> 00:57:51,560
Speaker 2: This is a very small room and for him to

1227
00:57:51,560 --> 00:57:53,960
Speaker 2: have gastro in here is just dangerous. So we send

1228
00:57:54,040 --> 00:57:54,280
Speaker 2: him home.

1229
00:57:54,320 --> 00:57:58,360
Speaker 1: The altomn Temptation. There's a pack of unopened grain waves.

1230
00:57:57,800 --> 00:58:00,000
Speaker 2: And we sprayed it with some Glenn twenty on the outside.

1231
00:58:00,000 --> 00:58:00,720
Speaker 2: It hasn't been opened.

1232
00:58:00,800 --> 00:58:02,040
Speaker 1: I think he want us to eat them.

1233
00:58:02,040 --> 00:58:04,040
Speaker 2: Do you think I think he wants I think he might.

1234
00:58:04,080 --> 00:58:06,520
Speaker 1: You know, I'm just reveling and listen. I was watching

1235
00:58:06,600 --> 00:58:09,440
Speaker 1: Yellowstone last night. I could actually understand what they were saying,

1236
00:58:09,560 --> 00:58:12,640
Speaker 1: could you. I could understand what John Dutton was saying.

1237
00:58:12,480 --> 00:58:13,920
Speaker 2: Maybe I need my ears done.

1238
00:58:14,280 --> 00:58:16,600
Speaker 1: He was gruff, but not as gruff.

1239
00:58:16,600 --> 00:58:20,600
Speaker 2: I like to watch it with subtitles on. Do you

1240
00:58:20,640 --> 00:58:22,880
Speaker 2: have a favorite mug at home?

1241
00:58:23,200 --> 00:58:25,440
Speaker 1: I do, other than the one that I'm wearing on

1242
00:58:25,480 --> 00:58:28,120
Speaker 1: my shoulders, the one that my good friend and Collie

1243
00:58:28,240 --> 00:58:31,720
Speaker 1: got me for Christmas, Bob Catter and it's got the

1244
00:58:31,920 --> 00:58:36,560
Speaker 1: entire transcript of this press conference. People are entitled to

1245
00:58:36,640 --> 00:58:38,480
Speaker 1: the sexual proclimities.

1246
00:58:39,640 --> 00:58:43,800
Speaker 2: I mean, let there be a thousand blossoms blooms of concern.

1247
00:58:44,640 --> 00:58:45,320
Speaker 1: But I ain't.

1248
00:58:45,160 --> 00:58:49,400
Speaker 2: Spending any time waarrant because in the meantime, every three

1249
00:58:49,440 --> 00:58:52,800
Speaker 2: months a person was torn to pieces by a crocodile

1250
00:58:52,760 --> 00:58:56,160
Speaker 2: in North Queensland. That's wrong. I gave you a mug

1251
00:58:56,200 --> 00:58:57,560
Speaker 2: with that on. It is that your favorite?

1252
00:58:57,680 --> 00:58:58,640
Speaker 1: That's my favorite mark?

1253
00:58:58,680 --> 00:58:59,920
Speaker 2: But do you drink out of it?

1254
00:59:00,120 --> 00:59:02,000
Speaker 1: No? I've got a collection of mugs now.

1255
00:59:02,360 --> 00:59:03,440
Speaker 2: That you don't drink out of.

1256
00:59:04,480 --> 00:59:07,360
Speaker 1: Yeah. Yeah, I've got on a little shelf.

1257
00:59:07,640 --> 00:59:09,640
Speaker 2: Oh I see they're display mugs.

1258
00:59:09,920 --> 00:59:12,880
Speaker 1: Harry and Meghan. One I've got like Joe Biden.

1259
00:59:13,320 --> 00:59:15,920
Speaker 2: How does it work though? In your kitchen? Because I

1260
00:59:15,960 --> 00:59:18,080
Speaker 2: was reading some I was reading a thread on Twitter

1261
00:59:18,080 --> 00:59:21,680
Speaker 2: where people were saying, do other families have bad mugs?

1262
00:59:22,320 --> 00:59:24,640
Speaker 2: No one wants to use, but for some reason they

1263
00:59:24,640 --> 00:59:27,120
Speaker 2: live eternally in the cupboard, take up too much space,

1264
00:59:27,160 --> 00:59:29,640
Speaker 2: but they remain there, never being chosen. So your favorites

1265
00:59:29,640 --> 00:59:31,680
Speaker 2: are in the front and use those all the time.

1266
00:59:32,040 --> 00:59:34,920
Speaker 2: The others there either a backup because we don't know

1267
00:59:34,960 --> 00:59:36,240
Speaker 2: what to do with them. How do you throw out

1268
00:59:36,240 --> 00:59:39,160
Speaker 2: a mug? Don't think about that, do you? Until it breaks?

1269
00:59:39,520 --> 00:59:41,480
Speaker 2: And it's a backup in case something happens to the

1270
00:59:41,520 --> 00:59:43,600
Speaker 2: good ones. And someone was saying that they feel bad

1271
00:59:43,640 --> 00:59:46,560
Speaker 2: for those, so occasionally they'll give one of them agard run.

1272
00:59:46,760 --> 00:59:50,280
Speaker 2: But my ghoulie is that I've got four mugs that

1273
00:59:50,320 --> 00:59:53,840
Speaker 2: I love. There are Victoria and Albert. I think there's

1274
00:59:53,960 --> 00:59:58,600
Speaker 2: beautiful with butterflies on them, these beautiful mugs. Jack uses

1275
00:59:58,640 --> 01:00:02,440
Speaker 2: those to drink water. So rather than getting a glass

1276
01:00:02,520 --> 01:00:05,200
Speaker 2: or one of the ugly mugs at the back, he

1277
01:00:05,360 --> 01:00:09,000
Speaker 2: will take one of my favorite delicate mugs, drink water

1278
01:00:09,080 --> 01:00:10,800
Speaker 2: out of it and just leave it on a bench,

1279
01:00:11,080 --> 01:00:13,439
Speaker 2: or if at my urging, put it in a dish washer.

1280
01:00:13,520 --> 01:00:16,520
Speaker 2: So it has to risk its life to go through

1281
01:00:16,520 --> 01:00:20,200
Speaker 2: the cycle just for a glass of water. What's that about?

1282
01:00:20,600 --> 01:00:23,960
Speaker 2: Use the ugly mugs for water, the nice ones for

1283
01:00:24,040 --> 01:00:26,040
Speaker 2: when I like to have a nice cup of tea

1284
01:00:26,360 --> 01:00:29,080
Speaker 2: in a nice mug. Is too much to ask?

1285
01:00:29,240 --> 01:00:32,600
Speaker 1: Branded Vegimie glass jar.

1286
01:00:33,240 --> 01:00:37,320
Speaker 2: When I first flattered, they were our wine glasses, the

1287
01:00:37,440 --> 01:00:38,320
Speaker 2: vegemite glass.

1288
01:00:38,480 --> 01:00:42,320
Speaker 1: You know, my wife we buy a Macona coffee and

1289
01:00:42,920 --> 01:00:45,760
Speaker 1: in the mcona coffee thing. They've got this range of

1290
01:00:45,800 --> 01:00:51,320
Speaker 1: ones that have got Australiana themes on them, cooker burrows, kangaroos,

1291
01:00:51,360 --> 01:00:53,960
Speaker 1: and you can collect the whole set. So I've been

1292
01:00:54,200 --> 01:00:58,360
Speaker 1: particularly collecting the set, soaking the label off it. And

1293
01:00:58,400 --> 01:00:59,960
Speaker 1: they looked at the recycling. They're all to sit in

1294
01:01:00,160 --> 01:01:01,400
Speaker 1: the recycling.

1295
01:01:01,400 --> 01:01:04,400
Speaker 2: Rightly so, And I said, you're a grown up, Brenda,

1296
01:01:04,520 --> 01:01:05,480
Speaker 2: your cheapskate.

1297
01:01:05,640 --> 01:01:07,520
Speaker 1: I said, well, you just chuck them out. I've been

1298
01:01:07,560 --> 01:01:08,040
Speaker 1: saving that.

1299
01:01:08,120 --> 01:01:09,520
Speaker 2: Oh what did she want to do?

1300
01:01:09,560 --> 01:01:10,360
Speaker 1: Just chuck them out?

1301
01:01:10,800 --> 01:01:12,400
Speaker 2: And did you want to have those as when you

1302
01:01:12,440 --> 01:01:15,160
Speaker 2: have friends over, when you have Jumiah Kahn come over

1303
01:01:15,160 --> 01:01:16,800
Speaker 2: to your house and say, would you like a drink?

1304
01:01:17,000 --> 01:01:18,480
Speaker 2: This one's got a gumnut on it.

1305
01:01:19,600 --> 01:01:22,840
Speaker 1: You don't drink from. You put stuff in it, like nuts.

1306
01:01:22,480 --> 01:01:25,560
Speaker 2: And things like in your garage or food net.

1307
01:01:25,680 --> 01:01:27,840
Speaker 1: You put whether you can put food nuts or nuts nuts?

1308
01:01:29,640 --> 01:01:31,880
Speaker 2: Please, no one, you don't have any guests at your house.

1309
01:01:31,840 --> 01:01:33,200
Speaker 1: Don't put your nuts in it.

1310
01:01:34,120 --> 01:01:36,800
Speaker 2: Well that's my ghoulie. It sounds like I've seen yours too.

1311
01:01:37,360 --> 01:01:39,440
Speaker 2: Do you have a ghoulie? You have to just download

1312
01:01:39,480 --> 01:01:42,000
Speaker 2: it to the iHeart You download the iHeartRadio app. Got

1313
01:01:42,000 --> 01:01:45,160
Speaker 2: to WSFM press the microphone. You've got thirty seconds to

1314
01:01:45,200 --> 01:01:47,440
Speaker 2: tell us your gooley. If you're our favorite Goolie of

1315
01:01:47,440 --> 01:01:50,320
Speaker 2: the year, you'll get twenty thousand dollars cash thanks to

1316
01:01:50,360 --> 01:02:02,400
Speaker 2: Hair and Forbes's Machinery House. So we've got a new

1317
01:02:02,400 --> 01:02:06,280
Speaker 2: way for us to get your gulies. Download the iHeartRadio app,

1318
01:02:06,640 --> 01:02:09,560
Speaker 2: go to WSFM, press the microphone and give us your ghulie.

1319
01:02:09,800 --> 01:02:10,880
Speaker 1: Easy. What have we got?

1320
01:02:11,200 --> 01:02:14,720
Speaker 12: I'm not sure when driving the cane so difficult. There

1321
01:02:14,760 --> 01:02:19,080
Speaker 12: are three lanes, the slow, the median, and the fast.

1322
01:02:19,280 --> 01:02:23,240
Speaker 12: Don't get in the fast lane if you're not driving

1323
01:02:23,400 --> 01:02:25,440
Speaker 12: at a minimum the speed limit.

1324
01:02:26,000 --> 01:02:28,920
Speaker 1: Preach, sister, Preach.

1325
01:02:28,320 --> 01:02:30,640
Speaker 2: I didn't know that. Team James and Amanda. What gets

1326
01:02:30,680 --> 01:02:33,120
Speaker 2: my gulies is you've guys been talking a lot about

1327
01:02:33,160 --> 01:02:36,360
Speaker 2: your eighteenth coming up to eighteen years and you know,

1328
01:02:36,520 --> 01:02:37,520
Speaker 2: celebrating eighten years.

1329
01:02:37,520 --> 01:02:39,600
Speaker 4: But I haven't heard anything about a party yet.

1330
01:02:39,760 --> 01:02:41,800
Speaker 1: So are you guys going to do a party?

1331
01:02:42,880 --> 01:02:46,240
Speaker 2: That's very interesting because I think we should have a party.

1332
01:02:46,480 --> 01:02:48,960
Speaker 1: Yeah, I'm with a spit roast like.

1333
01:02:48,920 --> 01:02:51,760
Speaker 2: A classic eighteenth. Well we had that at our twenty

1334
01:02:51,800 --> 01:02:53,880
Speaker 2: first because we didn't have eighteenth. But that's what you

1335
01:02:53,920 --> 01:02:56,760
Speaker 2: would do for a big All right, we get a

1336
01:02:56,760 --> 01:02:58,680
Speaker 2: spit roast yep, everyone signs a.

1337
01:02:58,760 --> 01:03:01,200
Speaker 1: Key twenty first, isn't it Well?

1338
01:03:01,680 --> 01:03:03,080
Speaker 2: Yeah, I don't know. It's all the same.

1339
01:03:03,280 --> 01:03:05,160
Speaker 1: Oh, we should have like a bit of a you're

1340
01:03:05,400 --> 01:03:05,920
Speaker 1: a hered of.

1341
01:03:05,880 --> 01:03:07,040
Speaker 2: The Social Committee brand?

1342
01:03:08,000 --> 01:03:09,440
Speaker 1: You are? Can't you make a plate?

1343
01:03:10,560 --> 01:03:13,840
Speaker 2: Girls? Bring a plate? Well, let's think about the party.

1344
01:03:14,440 --> 01:03:17,280
Speaker 2: We'll talk to management and say give us a party

1345
01:03:17,440 --> 01:03:19,880
Speaker 2: and we'll get a packet of cheesels each to our fingers.

1346
01:03:19,960 --> 01:03:22,160
Speaker 1: I forgot a VB and a pack of Winnie Blue,

1347
01:03:22,560 --> 01:03:27,520
Speaker 1: So knock yourselves out. What will you have? Well, what

1348
01:03:27,560 --> 01:03:29,600
Speaker 1: we'll do. We'll put that on the drawing board. Yeah,

1349
01:03:29,640 --> 01:03:30,720
Speaker 1: on the back burner, and the.

1350
01:03:30,760 --> 01:03:32,560
Speaker 2: Drawing I think we should put on our front burners.

1351
01:03:32,760 --> 01:03:38,680
Speaker 1: Okay, download the iHeartRadio app. Go to ws IM, pressed

1352
01:03:38,720 --> 01:03:43,920
Speaker 1: the microphone to record your Ghoulie podcast.

1353
01:03:46,040 --> 01:03:48,800
Speaker 2: A favorite caller, email or Facebook friend wins a summer

1354
01:03:48,840 --> 01:03:52,080
Speaker 2: on the Harbor cruise package cruse Sydney Harbor this summer

1355
01:03:52,080 --> 01:03:55,760
Speaker 2: with Captain Cook Cruises. The prize includes three crews. You

1356
01:03:55,800 --> 01:03:56,960
Speaker 2: get three cruises.

1357
01:03:57,160 --> 01:03:59,560
Speaker 1: Yeah, you get mum.

1358
01:03:59,440 --> 01:04:02,600
Speaker 2: Champagne at the bar, You get a top deck lunch

1359
01:04:03,160 --> 01:04:05,160
Speaker 2: and a premium Harbor experience.

1360
01:04:05,160 --> 01:04:07,480
Speaker 1: I love all of that and a JONESI demand of

1361
01:04:07,480 --> 01:04:10,200
Speaker 1: tea towel and our eighteenth birthday key you read.

1362
01:04:10,080 --> 01:04:12,160
Speaker 2: There was a fitness influence that we're talking about this morning.

1363
01:04:12,440 --> 01:04:14,040
Speaker 2: Who was trying to do a live stream in a

1364
01:04:14,080 --> 01:04:15,880
Speaker 2: park and a man sat on the pipe bench behind

1365
01:04:15,880 --> 01:04:17,280
Speaker 2: her and she said, do you mind moving? And he

1366
01:04:17,320 --> 01:04:19,000
Speaker 2: said why would I? And she said, I'm talking to

1367
01:04:19,000 --> 01:04:20,240
Speaker 2: my followers and he said, what are you?

1368
01:04:20,360 --> 01:04:22,680
Speaker 1: Jesus well, you had a lot of followers.

1369
01:04:22,760 --> 01:04:25,880
Speaker 2: The tribal drum was beating for selfie, ahole.

1370
01:04:25,800 --> 01:04:28,480
Speaker 10: Ken, would you start taking pictures of yourself? Your sister's

1371
01:04:28,520 --> 01:04:29,200
Speaker 10: going to jail.

1372
01:04:29,880 --> 01:04:31,280
Speaker 2: He's Jasmine from Lane Cove.

1373
01:04:31,400 --> 01:04:33,800
Speaker 4: I'm at the gym, which is a miracle itself, and

1374
01:04:33,840 --> 01:04:36,280
Speaker 4: I'm on the treadmill and I've got more roles on

1375
01:04:36,360 --> 01:04:39,800
Speaker 4: me than the Baker's Delights. And I said, just girl

1376
01:04:39,880 --> 01:04:42,400
Speaker 4: next to me, and she set up a trifle.

1377
01:04:42,400 --> 01:04:43,680
Speaker 7: I said, what the hell is she doing?

1378
01:04:43,720 --> 01:04:46,200
Speaker 4: And she started to start filming herself. She's got one

1379
01:04:46,240 --> 01:04:47,680
Speaker 4: of those you know ones. I don't know if she's

1380
01:04:47,680 --> 01:04:50,040
Speaker 4: getting paid or she think she's getting God to an influencer,

1381
01:04:50,520 --> 01:04:52,520
Speaker 4: and she show me. I know I'm going to be

1382
01:04:52,600 --> 01:04:56,640
Speaker 4: in her and I'm think there is no way I

1383
01:04:56,680 --> 01:04:58,360
Speaker 4: want to be on this, and she's starting there and

1384
01:04:58,400 --> 01:05:01,200
Speaker 4: carrying on. No, no, no, no, that's it. I cut my time short.

1385
01:05:01,280 --> 01:05:03,920
Speaker 4: I thought you're talking about I was so cranky.

1386
01:05:04,280 --> 01:05:08,400
Speaker 1: She cut short her gymnasium experience Friday.

1387
01:05:08,440 --> 01:05:12,080
Speaker 2: Thank you, Brendan. That's enough for the clarification. Now we're

1388
01:05:12,120 --> 01:05:14,160
Speaker 2: back tonight for jam Nation. We'll see you at six o'clock.

1389
01:05:14,240 --> 01:05:15,600
Speaker 1: Yes, ugly Phil joins us.

1390
01:05:15,600 --> 01:05:17,560
Speaker 2: Next though, which show me the money?

1391
01:05:18,120 --> 01:05:18,320
Speaker 7: Good?

1392
01:05:18,880 --> 01:05:23,240
Speaker 1: Well, thank god, that's over. Good bite, good bite.

1393
01:05:23,800 --> 01:05:26,040
Speaker 6: Wipe from You're right.

1394
01:05:26,280 --> 01:05:29,640
Speaker 9: Catch Jonesy and Amanda's podcast on the iHeartRadio app or

1395
01:05:29,640 --> 01:05:37,200
Speaker 9: wherever you get your podcasts.

1396
01:05:39,400 --> 01:05:41,880
Speaker 2: Jonesy and Amanda podcast.

1397
01:05:42,080 --> 01:05:44,720
Speaker 9: Catch up on what you've missed on the free iHeartRadio

1398
01:05:44,800 --> 01:05:45,080
Speaker 9: app