1 00:00:00,560 --> 00:00:04,280 Speaker 1: Quest. Yeah, welcome friends to the Christian o'connells Show podcast. 2 00:00:04,840 --> 00:00:06,800 Speaker 1: We are a home on the radio of all your 3 00:00:07,040 --> 00:00:08,000 Speaker 1: misheard lyrics. 4 00:00:08,640 --> 00:00:15,360 Speaker 2: It's just another misheard Monday Christian O'Connell's misheard lyrics. 5 00:00:15,040 --> 00:00:17,360 Speaker 1: Every Monday on the show. We are your home of 6 00:00:17,440 --> 00:00:20,800 Speaker 1: all your misheard lyrics. You send them in. Thank you 7 00:00:20,920 --> 00:00:23,960 Speaker 1: very much. Every single day I have misheard lyrics Center 8 00:00:24,079 --> 00:00:27,400 Speaker 1: of the Weekends constantly. Thank you so much, keeping it going. 9 00:00:28,440 --> 00:00:30,600 Speaker 1: We get them, we play them back if we agree 10 00:00:30,680 --> 00:00:35,199 Speaker 1: with what you think you miss hearing if not, And 11 00:00:35,360 --> 00:00:39,280 Speaker 1: for the really great ones. Hall of Fame, can I 12 00:00:39,280 --> 00:00:42,120 Speaker 1: give you word advice as well? Whenever you put in there, 13 00:00:42,159 --> 00:00:45,320 Speaker 1: this is a certified Hall of Famer my experiences nine 14 00:00:45,360 --> 00:00:48,360 Speaker 1: times out of ten, it just isn't all right. Just 15 00:00:48,520 --> 00:00:53,040 Speaker 1: hold your muster, all right? Hall of Famous some last 16 00:00:53,080 --> 00:00:55,320 Speaker 1: week then Andrew focusing you get into Hall of Fame, 17 00:00:55,640 --> 00:00:59,200 Speaker 1: def Leopard, Have you ever needed someone so bad? With 18 00:00:59,280 --> 00:01:02,480 Speaker 1: the line here I am I'm eating a wombat again 19 00:01:07,640 --> 00:01:11,360 Speaker 1: Crystal Clear, Sandy says this one from Glenn Leonard a 20 00:01:11,440 --> 00:01:16,160 Speaker 1: ka big g tis avere shout and and when you 21 00:01:16,240 --> 00:01:22,960 Speaker 1: take when you take a dump your god, they say 22 00:01:23,000 --> 00:01:25,840 Speaker 1: it okay, they say it. All right, here we go, 23 00:01:25,920 --> 00:01:28,520 Speaker 1: let's get into and we go to the food fighters. Listener, nick, 24 00:01:28,680 --> 00:01:30,920 Speaker 1: this is a call. This is a call to all 25 00:01:30,959 --> 00:01:39,759 Speaker 1: my past resignations, or is it this is a call 26 00:01:39,840 --> 00:01:49,680 Speaker 1: to all my best friends in Asia? It's pretty close, 27 00:01:50,240 --> 00:01:50,520 Speaker 1: are we? 28 00:01:50,840 --> 00:01:51,080 Speaker 2: Yeah? 29 00:01:51,240 --> 00:01:53,200 Speaker 1: God, well let him have it. Yes you can, Nicky boy, 30 00:01:55,360 --> 00:01:58,920 Speaker 1: William Jack Shephard, the old triple name, guns and roses, 31 00:01:58,920 --> 00:02:01,080 Speaker 1: sweet child of mine. Hate to look into those eyes 32 00:02:01,320 --> 00:02:10,320 Speaker 1: and see an ounce of pain? Or is it I 33 00:02:10,360 --> 00:02:13,000 Speaker 1: hate to look into those eyes and see a mountain 34 00:02:13,120 --> 00:02:23,720 Speaker 1: plain downs? Yes, yeah, yeah, Okay, we'll give you that. 35 00:02:25,120 --> 00:02:29,320 Speaker 1: Cameron Anderson has Tomadel's can't pretend. I guess that's love. 36 00:02:29,720 --> 00:02:30,600 Speaker 1: I can't pretend. 37 00:02:30,840 --> 00:02:37,120 Speaker 3: August the slough aka pretend or is it? 38 00:02:37,160 --> 00:02:41,240 Speaker 1: I kiss that sloth? I can't pretend. I hope August 39 00:02:41,440 --> 00:02:47,880 Speaker 1: the slow I'm never ever going to hear it any 40 00:02:47,919 --> 00:02:55,640 Speaker 1: other way. That is amazing. I kissed that sloth. I 41 00:02:55,680 --> 00:03:02,280 Speaker 1: can't pretend. Agust the slove. He's like he's trying to 42 00:03:02,280 --> 00:03:06,760 Speaker 1: get the timing right. He emphasizes the thoot on it. Yes, 43 00:03:06,840 --> 00:03:10,920 Speaker 1: camin Addison, come on in insan Hall of Fame. Wow. Done, 44 00:03:10,919 --> 00:03:13,800 Speaker 1: that's a great one. Katie's cat needles and pins my 45 00:03:14,040 --> 00:03:22,720 Speaker 1: smoky Or is it the wonderful Viking name Ragna Ragna? 46 00:03:25,639 --> 00:03:31,720 Speaker 1: Yes it is shout out to Ragna's. Nicole Gilletts has 47 00:03:31,720 --> 00:03:33,960 Speaker 1: got blink one to two? Damn it when I guess 48 00:03:34,040 --> 00:03:39,360 Speaker 1: this is growing up? Or is it my pet fishies 49 00:03:39,640 --> 00:03:42,600 Speaker 1: growing up? 50 00:03:43,360 --> 00:03:44,000 Speaker 3: Do you know what. 51 00:03:47,160 --> 00:03:50,520 Speaker 1: Is too? So far? Yeah? Well on, Nicole, my pet 52 00:03:50,560 --> 00:03:58,120 Speaker 1: fishy is growing up well up Lynden Bushne waiting for 53 00:03:58,160 --> 00:04:02,320 Speaker 1: a start to fall by cab crew waiting for a 54 00:04:02,400 --> 00:04:14,480 Speaker 1: starter fall? Or is it little Boy Styrofoam, Little Boy Styrofoam, Yes, 55 00:04:14,760 --> 00:04:21,240 Speaker 1: little Boy Styrofoam. Last one from Dale Cadie Lang constant craving. 56 00:04:27,960 --> 00:04:29,760 Speaker 1: If you love the song, you must have it ruined. 57 00:04:29,880 --> 00:04:39,200 Speaker 1: Is it I Can't Stand Gravy? Come on in, it's 58 00:04:39,200 --> 00:04:40,279 Speaker 1: a three. 59 00:04:42,200 --> 00:04:42,520 Speaker 3: Wow. 60 00:04:42,680 --> 00:04:51,679 Speaker 1: Wait, that's a great one from Dal Can't Stand Gravy. 61 00:04:52,600 --> 00:04:56,880 Speaker 1: The Christian O'Connell Show podcast. Every single day you send 62 00:04:56,920 --> 00:05:00,120 Speaker 1: me emails with your contenders for the misheard lyrics. If 63 00:05:00,120 --> 00:05:01,680 Speaker 1: you ever got one for me, whenever you hear it, 64 00:05:01,920 --> 00:05:05,320 Speaker 1: email me right away. Christian at christiano'connell dot com dot au. 65 00:05:05,680 --> 00:05:08,520 Speaker 1: We love going through them all. Here are tonight's. 66 00:05:08,920 --> 00:05:14,800 Speaker 2: It's just another miss heard Nay Christian O'Connell's misshard lyrics. 67 00:05:16,320 --> 00:05:18,800 Speaker 1: Everybody with the home of your misshurd lyrics, You send 68 00:05:18,880 --> 00:05:22,640 Speaker 1: them in as we play back the misheard lyric, compare 69 00:05:22,680 --> 00:05:24,919 Speaker 1: it with the original lyric. If we agree with you, 70 00:05:26,520 --> 00:05:29,839 Speaker 1: if not for a few great ones. 71 00:05:30,440 --> 00:05:32,040 Speaker 2: Last Hall of Favor. 72 00:05:32,200 --> 00:05:35,520 Speaker 1: Recent Hall of Famers from Shelby Man the Mirror, Michael 73 00:05:35,600 --> 00:05:39,039 Speaker 1: Jackson and no message could have been any clearer, or 74 00:05:39,160 --> 00:05:41,800 Speaker 1: is it a no mustache could have been any clearer? 75 00:05:46,320 --> 00:05:48,839 Speaker 1: Tash is in there, Tom I had sexual healing, Marvin 76 00:05:48,920 --> 00:05:58,400 Speaker 1: Gay baked Beans, I'm hot just like an oven. All 77 00:05:58,480 --> 00:06:02,040 Speaker 1: Hall of Famers. Last week this Hall of Famer Brandy. 78 00:06:02,160 --> 00:06:05,400 Speaker 1: This week we go to Tom Hyam. Christian I was 79 00:06:05,480 --> 00:06:08,800 Speaker 1: convinced studying Beyonce is crazy in love. She was singing 80 00:06:08,839 --> 00:06:13,960 Speaker 1: about former Channel nine weather presenter American rosso newsreader Sammy Lucas. 81 00:06:14,279 --> 00:06:18,479 Speaker 1: Original lyric then got me looking so crazy right now? 82 00:06:19,520 --> 00:06:25,839 Speaker 1: Or is it Sammy Lucas is crazy right now? It's there. 83 00:06:25,920 --> 00:06:31,360 Speaker 1: It's quick Sammy Lucas, Jake by Beyonce, who knew all 84 00:06:31,360 --> 00:06:37,520 Speaker 1: these years? I love that? Very good Toms Hall of 85 00:06:37,600 --> 00:06:41,880 Speaker 1: Famer John Scott prince, let's go crazy. Are we going 86 00:06:41,960 --> 00:06:49,920 Speaker 1: to let the elevator bring us down? Or is it? 87 00:06:49,960 --> 00:06:57,520 Speaker 1: Are we going to let the alligator bring us down? There? 88 00:06:57,680 --> 00:07:02,520 Speaker 1: It's there, Anastasia Christian. I was listening to the show 89 00:07:02,560 --> 00:07:05,520 Speaker 1: the other week on the Wheel of Fortunes and you 90 00:07:05,760 --> 00:07:09,120 Speaker 1: spun a whoop? There it is for what did you find? 91 00:07:09,400 --> 00:07:12,000 Speaker 1: Oh yeah, what a seminal limit? This is? Whoop? There 92 00:07:12,040 --> 00:07:18,480 Speaker 1: it is. But of course, tag team or is it 93 00:07:18,840 --> 00:07:28,360 Speaker 1: whoop that ass? Whoop that ass? Yeah, I was here 94 00:07:28,360 --> 00:07:30,600 Speaker 1: referring to like a donkey or something like that. I'm 95 00:07:30,600 --> 00:07:32,960 Speaker 1: getting a tag team talking about there. But yeah, that's there. 96 00:07:34,280 --> 00:07:37,400 Speaker 1: Thank you very much, Ana, stage you will go to Adrian. 97 00:07:37,800 --> 00:07:41,320 Speaker 1: Adrian Christian jack myself credit for this one. When he 98 00:07:41,400 --> 00:07:43,920 Speaker 1: sang his version of Mambo number five, I realized I've 99 00:07:43,960 --> 00:07:46,360 Speaker 1: been hearing this song wrong the whole time. So the 100 00:07:46,400 --> 00:07:50,119 Speaker 1: original lyric is, come on, Let's ride to the liquor store, 101 00:07:51,280 --> 00:07:54,280 Speaker 1: ra to the liquor store? Or is it come on, 102 00:07:54,360 --> 00:07:55,880 Speaker 1: Let's ride to the Nicker store. 103 00:07:56,880 --> 00:08:00,160 Speaker 3: So comone v raight to the liquorstre. 104 00:08:00,240 --> 00:08:04,680 Speaker 1: It's not really it is there, I'm hearing nickers, so 105 00:08:04,880 --> 00:08:09,920 Speaker 1: COmON rad to the liquors Nickers Store. So comonea ra 106 00:08:10,280 --> 00:08:16,120 Speaker 1: to the liquors store. Ye it's there. It's the can 107 00:08:16,160 --> 00:08:16,880 Speaker 1: you hear it? Matching? 108 00:08:17,000 --> 00:08:18,480 Speaker 2: Definitely clear as day Jack? 109 00:08:18,600 --> 00:08:21,240 Speaker 1: Two to three, Let some Nickers into your life, Jack, 110 00:08:21,800 --> 00:08:25,840 Speaker 1: we go now to Matthew Rennie Osie Osborne Crazy Train. 111 00:08:25,920 --> 00:08:34,160 Speaker 1: The media sells it and you live the role. This 112 00:08:34,240 --> 00:08:36,200 Speaker 1: is a great one, or is it the media sells 113 00:08:36,240 --> 00:08:45,760 Speaker 1: it and Louis Threau. This song predates Louis Throw being 114 00:08:45,800 --> 00:08:49,440 Speaker 1: a thing, so Ozzy Osborne respect the media sells at 115 00:08:49,600 --> 00:08:57,480 Speaker 1: Louis Throw. Matt I love you heard that In the 116 00:08:58,280 --> 00:09:02,720 Speaker 1: Hall of favor. Nathan has got this song radio Head. 117 00:09:03,040 --> 00:09:10,720 Speaker 1: I am the pick in the ice clumbing up the 118 00:09:10,720 --> 00:09:13,680 Speaker 1: walls or is it second mention of this word today? 119 00:09:13,920 --> 00:09:18,000 Speaker 1: I am the pimply ass. This is a very Radiohead lyric. 120 00:09:18,840 --> 00:09:27,040 Speaker 1: He's the Tommy ork on the ass of life. Again, 121 00:09:27,040 --> 00:09:29,719 Speaker 1: we're talking about a donkey there, yeah, yeah, yeah, are 122 00:09:29,720 --> 00:09:39,679 Speaker 1: we hearing it? He got a pimply as really there? Yeah? 123 00:09:39,880 --> 00:09:46,520 Speaker 1: As he's saying, I've got a pimple in my ass. Anyway, 124 00:09:46,760 --> 00:09:51,040 Speaker 1: I don't know why I speculate that. We don't need that. Sorry, 125 00:09:51,920 --> 00:09:57,400 Speaker 1: I still got problems. Team Nathan Jake about one last 126 00:09:57,440 --> 00:10:01,120 Speaker 1: one here from junior listener Riany Morris shoutouts o the 127 00:10:01,200 --> 00:10:02,920 Speaker 1: kids having to get back to homeschool this week. But 128 00:10:03,240 --> 00:10:05,760 Speaker 1: Riley Morris, thirteen year old at Har's take on me, 129 00:10:06,080 --> 00:10:17,560 Speaker 1: I'll be gone in a day, or is it I'll 130 00:10:17,600 --> 00:10:29,800 Speaker 1: be gone bitter tea. I really love the simplicity of this. 131 00:10:29,880 --> 00:10:34,360 Speaker 1: It's like he really holds the note on the bitter tea. Riley, 132 00:10:34,400 --> 00:10:36,200 Speaker 1: with your thirteen year old is you've found a great 133 00:10:36,200 --> 00:10:38,600 Speaker 1: one there, I'll be gone bitter tea. Mortern harket over 134 00:10:38,600 --> 00:10:47,160 Speaker 1: to you. Hey, you all know one of those tees? Well, 135 00:10:47,320 --> 00:10:50,679 Speaker 1: oh god, how wrong you did the tea Bangingston's Hall 136 00:10:50,760 --> 00:10:53,760 Speaker 1: of Favor. Thank you very much, Riley, And everyone's sending 137 00:10:53,800 --> 00:10:58,760 Speaker 1: them in RADNCS one hundred percent nickers in there book, 138 00:10:58,840 --> 00:11:02,360 Speaker 1: Christian O'Connell's podcast, it's just. 139 00:11:02,240 --> 00:11:08,120 Speaker 2: Another misshard Monday, Christian O'Connell's miss heard lyrics. 140 00:11:07,800 --> 00:11:10,040 Speaker 1: Miss hur lyrics. Thank you very much everyone who sends 141 00:11:10,080 --> 00:11:12,199 Speaker 1: them in. We play them back on a Monday. If 142 00:11:12,200 --> 00:11:17,200 Speaker 1: we agree with your misheard lyric, you'll hear this. If 143 00:11:17,240 --> 00:11:20,160 Speaker 1: not this quite a few of those last week and 144 00:11:20,320 --> 00:11:23,839 Speaker 1: for the great ones. Hall of Favor. There were two 145 00:11:24,200 --> 00:11:26,600 Speaker 1: Hall of famers last week. Used to be in Love 146 00:11:26,720 --> 00:11:29,160 Speaker 1: by the Jungle Giants, used to be in Love with 147 00:11:29,200 --> 00:11:36,760 Speaker 1: your Grandpa. I love that one, and uh, listener Charlie 148 00:11:36,800 --> 00:11:46,640 Speaker 1: found us this one all the Toothless Guy into the sky. 149 00:11:47,040 --> 00:11:49,480 Speaker 1: All right, let's see what we got this week, Steve up. 150 00:11:49,520 --> 00:11:52,800 Speaker 1: First question, I'm gonna misheard from Chumberwamba. I think must 151 00:11:52,800 --> 00:11:55,440 Speaker 1: have been written about Melbourne. Chumberwamba tup thump, and of 152 00:11:55,440 --> 00:11:57,839 Speaker 1: course I get knocked down, but I get up again. 153 00:12:02,800 --> 00:12:05,440 Speaker 1: Or is it I get locked down but I get 154 00:12:05,520 --> 00:12:11,760 Speaker 1: up again? He would have been cute, but I didn't 155 00:12:11,760 --> 00:12:17,880 Speaker 1: think it's there? Now the Baywatch theme. I'll be ready 156 00:12:18,280 --> 00:12:28,800 Speaker 1: whenever you fear. I didn't know the Baywatch theme? Or 157 00:12:28,920 --> 00:12:38,040 Speaker 1: is it rb Ray whenever you feed? Yeah, I'm here 158 00:12:38,120 --> 00:12:48,840 Speaker 1: in rb Ray whenever you feed. All right, Boydi, what's 159 00:12:48,920 --> 00:12:51,440 Speaker 1: boyd he got for us? Thank you? Next? By Arie 160 00:12:51,480 --> 00:13:00,959 Speaker 1: under Grande. I can hear it? Is it bacon eggs? 161 00:13:00,960 --> 00:13:10,719 Speaker 1: Bacon eggs? It's nothing, but I now can't hear. 162 00:13:11,240 --> 00:13:11,600 Speaker 3: Thank you? 163 00:13:11,720 --> 00:13:16,440 Speaker 1: Next Hall of Favor? All right, there one final one. 164 00:13:16,559 --> 00:13:21,120 Speaker 1: Dennis Little Asher by Michael Cunningham. Original lyrics supposed to 165 00:13:21,160 --> 00:13:23,520 Speaker 1: be and I can guess every little thought that happens 166 00:13:23,559 --> 00:13:24,720 Speaker 1: to hitch along, And I. 167 00:13:24,800 --> 00:13:29,720 Speaker 3: Can guess every little thought that happens to hitch along. 168 00:13:30,520 --> 00:13:33,240 Speaker 1: Can you hear it, Geelong instead of hitch along? And 169 00:13:33,280 --> 00:13:35,040 Speaker 1: I can guess every little thought that happens to hit 170 00:13:35,160 --> 00:13:35,520 Speaker 1: you along? 171 00:13:35,640 --> 00:13:39,839 Speaker 3: And I can guess every little thought that happens to 172 00:13:40,040 --> 00:13:40,920 Speaker 3: hitch along. 173 00:13:41,960 --> 00:13:45,719 Speaker 1: Yes, Geelong, Actually no, this is going to be the 174 00:13:45,800 --> 00:13:47,760 Speaker 1: last one. I can't move on without sharing this from 175 00:13:47,880 --> 00:13:50,360 Speaker 1: Ross Christian. I heard a colorwich scho you played it 176 00:13:50,400 --> 00:13:54,680 Speaker 1: misheard from the cure that had a fire in it. Yes, 177 00:13:55,960 --> 00:13:59,560 Speaker 1: reminded me that there's a clear butup after the first 178 00:13:59,640 --> 00:14:03,040 Speaker 1: line of Wet Wet wets angel eye, do you know 179 00:14:03,120 --> 00:14:07,439 Speaker 1: what I think? He's right thickly in the morning with 180 00:14:07,640 --> 00:14:15,520 Speaker 1: a bug were what that is? It's a belch, right 181 00:14:16,320 --> 00:14:23,440 Speaker 1: thickly in the morning with a b where. What is 182 00:14:23,440 --> 00:14:24,040 Speaker 1: is that real? 183 00:14:24,960 --> 00:14:25,160 Speaker 3: Yeah? 184 00:14:25,200 --> 00:14:27,080 Speaker 1: I mean that is. I always thought in the song 185 00:14:27,120 --> 00:14:28,960 Speaker 1: he was just going and then get ready for the 186 00:14:29,000 --> 00:14:31,200 Speaker 1: next line. But there isn't another line after that. 187 00:14:32,920 --> 00:14:43,480 Speaker 2: Fickallying in the morning with a magister. 188 00:14:40,160 --> 00:14:41,240 Speaker 1: The windy pops. 189 00:14:42,240 --> 00:14:44,520 Speaker 3: You imagine him on stage as a glass. 190 00:14:45,840 --> 00:14:49,960 Speaker 1: That was a number four, A slow song, Fickly in 191 00:14:50,000 --> 00:14:56,320 Speaker 1: the morning with a weird sorry we go again from 192 00:14:56,320 --> 00:14:59,160 Speaker 1: the top Yeah, Ross straight into the Hall of fame, 193 00:14:59,400 --> 00:15:03,920 Speaker 1: y all of favor. Outstanding edition this week everyone, great work. 194 00:15:03,960 --> 00:15:06,160 Speaker 1: Thank you very much for keeping it going. Email me 195 00:15:06,320 --> 00:15:10,880 Speaker 1: Christian at Christian O'Connell dot com dot au Christian o'connells 196 00:15:10,920 --> 00:15:11,960 Speaker 1: Show Podcast