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Speaker 1: The Christian O'Connell Breakfast Show Podcast Milduren's Gold one oh

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Speaker 1: four point.

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Speaker 2: Three Live from Level two twenty one to thirty one

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Speaker 2: Goldwood Street. Wretchman, This is the christ Jan o'connal Breakfast

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Speaker 2: Show on Melbourn's Gold one oh four point three.

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Speaker 3: Come on, here's three minutes. Bas Sex is the Christian

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Speaker 3: O'Connell Breakfast Show. Friday morning. Good news everyone. The boss

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Speaker 3: is away for the next week, so that means we

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Speaker 3: can literally just.

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Speaker 4: Go home now. Really, yeah, what's you doing?

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Speaker 1: Well?

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Speaker 3: They're not in yet on holiday.

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Speaker 4: I got a week off. Found out yesterday.

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Speaker 5: They kept that one quiet.

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Speaker 3: Yeah, yeah, put it because we do this and decide

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Speaker 3: not to do any work for the next week.

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Speaker 5: Sad when it's like, what can we do next week

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Speaker 5: to take advantage of this situation?

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Speaker 3: All right, So big show today, all requests Friday, all

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Speaker 3: the songs that are picked by you. If there's anything

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Speaker 3: you want to hear this morning, let me know on

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Speaker 3: nine four one four one oh four three. It's all

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Speaker 3: about eight am this morning showdown between me and the

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Speaker 3: head of music here Kenny Rogers the Gambler. Do you

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Speaker 3: want to hear it? At eight o'clock. Yes, I do. Well,

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Speaker 3: I needed to call.

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Speaker 4: That's me playing the voice of the Melbourn muppets that

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Speaker 4: I needed to call him. Last night we went.

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Speaker 3: To exclusive screening that we hosted of Bohemian Rhapsody the music,

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Speaker 3: the movie, which I really enjoyed.

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Speaker 5: Yeah, it was great, great, big fun movie.

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Speaker 3: Ye, it was.

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Speaker 4: I would say I had to pick a phrase foot stomping.

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Speaker 3: Can we agree on foot stomping? Yeah, you missed a

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Speaker 3: good film. Actually, Pats, it's good. What would you give

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Speaker 3: it out a team Jack?

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Speaker 5: To be honest, I mean, I just I couldn't help it.

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Speaker 5: Compare it to A Star is Born, which I saw

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Speaker 5: last week.

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Speaker 3: It's unfortunate that they're out within a week of each other.

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Speaker 3: Very very very different movies, way differently made, like The

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Speaker 3: Great and Truth. In the Star is Born, it's more

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Speaker 3: a bit fluffy and cheery and cheap you took, like

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Speaker 3: the fluffiness of Mike Myers's stick on fake ginger beers.

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Speaker 3: And it's Scottish mice rocks up at it right, And

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Speaker 3: it's great just to see him on CD. And I've

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Speaker 3: got nervous at first because I thought the Love Guru

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Speaker 3: was back, but he's got this fake stick on bit.

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Speaker 3: It's like they weren't out of money by then. It

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Speaker 3: all went on Freddie's fake teeth because it's like a

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Speaker 3: fluffy stick on ginger Bit. And the Scottish accent he's

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Speaker 3: got on it, it's the same one he If you've

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Speaker 3: ever seen the Mike Mis movie, which is a really

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Speaker 3: good one. So I'm married an axe murderer, he plays

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Speaker 3: his own Scottish dad in it. It's the same accent.

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Speaker 5: Houses if you just saw that scene in Isolation, you

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Speaker 5: would think it was an snl s. And because Freddy's

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Speaker 5: teeth when you first see him, it takes. It's ridiculous.

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Speaker 5: You get used to it.

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Speaker 6: But especially on the big screen, it really does.

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Speaker 4: They're even bigger on that big screen.

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Speaker 3: Yeah. The the interesting thing was, so your mom and

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Speaker 3: dad came along to see it, and I hope they did.

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Speaker 4: They enjoy it.

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Speaker 5: They loved it. Obviously, Queen's one of my dad's favorite bands.

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Speaker 5: They both remember seeing Live Aid, which is heavily featured

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Speaker 5: in the film. They honestly loved it. And I know

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Speaker 5: what you're got to.

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Speaker 3: Say on my word back. So for me, it's the

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Speaker 3: third time meeting Jack's parents. So I've met them twice afore,

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Speaker 3: and they're a lovely family. I've spoken to his dad

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Speaker 3: at the cinema night we did right and lenth about

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Speaker 3: his favorite movies and how much he loves the movies,

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Speaker 3: the European movies, late night movies, a little bit of

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Speaker 3: Breast and bum that he loves to watch on SBS.

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Speaker 3: So I've spoken to him at length, and his lovely

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Speaker 3: mum as well. So it's with the third time in

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Speaker 3: scene them not meeting them. Jack Stad for some reason

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Speaker 3: said Hi, I'm Jack Stad, and I didn't want to go.

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Speaker 3: I've spoken to you and I met.

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Speaker 4: You at the Grand Final when he just kicking.

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Speaker 5: Ball, had a long conversation.

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Speaker 3: Yeah, and his mum again. I said to me, it's

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Speaker 3: a pleasure to meet you, Christian. I didn't want to

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Speaker 3: be ruined. We've spoken before. I didn't know whether Jack

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Speaker 3: had said to him, never just assume he knows who

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Speaker 3: you are. Never never maintain I can't always reintroduce yourself

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Speaker 3: to him as if it's the first time. In Christian's

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Speaker 3: tiny brain, every day is brand new. Keep thinking he's

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Speaker 3: arrived day one here in Australia.

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Speaker 5: Like the film fifty First day. Every day is a

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Speaker 5: new So.

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Speaker 3: It's nice to meet your parents again for the third time.

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Speaker 3: Is it always going to be like this? I say,

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Speaker 3: maybe it's something in the family.

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Speaker 4: Please record your method.

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Speaker 3: Let's go to our first request from.

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Speaker 7: I would like to make a request to play Mambo

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Speaker 7: number five.

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Speaker 3: Whoa and he says no to Kenny Rogers, it's right, Rod,

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Speaker 3: great song.

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Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

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Speaker 3: Three lu Bager Mumba number five or requests Friday.

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Speaker 4: That is for Rod in Bayswater.

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Speaker 3: I haven't heard that song in a very very long time,

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Speaker 3: and I've also never played it in twenty years of radio.

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Speaker 3: So Rod, thank you very much for taking my lou

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Speaker 3: Baga cherry this morning.

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Speaker 5: Speaking of big biopics, when are they going to do

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Speaker 5: the lou Bagas story?

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Speaker 3: I think Brian Singer moves on from Bohemian rhaps in

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Speaker 3: the movie to lou Baga Mambo number five? When's the

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Speaker 3: come I number number six as well? Uh? While I

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Speaker 3: was watching the Queen movie last night, but him in Rhapsody. Uh,

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Speaker 3: there were so many great Queen songs. I obviously tried

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Speaker 3: to cram in as many as possible, right, And they

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Speaker 3: didn't my favorite actually queen songs, don't Stop Me Now,

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Speaker 3: which wasn't even in it. I love that song.

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Speaker 5: You didn't stay along enough for the credits they did it,

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Speaker 5: they didn't right at the end they played the original

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Speaker 5: Freddie performance.

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Speaker 3: A right, So I had a bolt at the end

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Speaker 3: because I had a stand up gig last night, and

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Speaker 3: so I missed Don't Stop Me Now. I was wondering

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Speaker 3: why they didn't put it in there, because then it's

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Speaker 3: such a great queen song. The other one really us

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Speaker 3: because they were doing obviously they're following the band for

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Speaker 3: their early days. What a great queen song? Seven Seeds

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Speaker 3: of Rise, It's a really really great queen song.

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Speaker 5: Is that an early one, isn't.

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Speaker 3: Yeah? It's on the movie, Yeah, where Freddie was going

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Speaker 3: seven seas of Rye in a really high fallsetto did

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Speaker 3: You Fall Asleep Last Night? You're the move?

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Speaker 5: Honestly, as a couple of those early songs, I didn't know.

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Speaker 3: Also, when are cinema is going to invent some kind

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Speaker 3: of silent sweet because there were some people behind me

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Speaker 3: who thought they were helping everybody out in the auditorium

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Speaker 3: by opening up some sweet wrappers very very slowly, and

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Speaker 3: it actually becomes even more irritated, doesn't it, because what

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Speaker 3: you do is they do this.

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Speaker 5: If you're going to just do it.

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Speaker 3: We're going past off now now getting tense, thinking when's

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Speaker 3: the next week going?

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Speaker 5: And doesn't sound like sometimes they wait for a pause

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Speaker 5: in dialogue.

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Speaker 4: I'd rather go to the toilet unwrapped.

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Speaker 3: I don't know twenty little sweeteas that you want for

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Speaker 3: the movie, get them aside.

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Speaker 5: I had worse people than me. I don't know if

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Speaker 5: you could hear this from where you were seated. I

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Speaker 5: had a lady commenting during the film.

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Speaker 3: Oh right, so you must have been two rows behind me,

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Speaker 3: because the lady behind me was doing some sort of

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Speaker 3: director's commentary. I got she interview. She was babbling on

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Speaker 3: during the whole thing. I was thinking, you're interesting than

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Speaker 3: Freddie Mercury. Shut your pie on.

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Speaker 5: She's probably one of the people one on this show running.

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Speaker 3: Can you shut your trap because we need to be listener.

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Speaker 3: Let's go back to the request This morning gold one

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Speaker 3: oh four point three to Christian O'Connor, breakfast oofe in

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Speaker 3: this for Dave in Mento, John Mellencamp.

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Speaker 1: And Hurt so good The Christian O'Connell Breakfast Show, Melbourne's

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Speaker 1: Gold one oh four point three All.

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Speaker 3: Requests Briday, you're picking the music. John Mellencamp hurts so

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Speaker 3: good for a Dave In mentone.

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Speaker 4: On yesterday's show.

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Speaker 3: We did You're Smarter than Google, where once a week

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Speaker 3: we ask you to put your phones down, do not

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Speaker 3: go to Google. Let's try and work out the answer

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Speaker 3: to a question using our collective brain power. Yesterday it

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Speaker 3: really got chewed up. We're trying to work out how

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Speaker 3: were the pyramids built? What's the story with the pyramids?

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Speaker 3: And a lot of emails coming in today. First up,

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Speaker 3: this comes from Adam Thompson. Christian listened intently to the

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Speaker 3: discussion on your show on the construction of the ancient

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Speaker 3: Pyramids on the podcast following the radio show into the

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Speaker 3: revelation a couple of weeks ago that wombats who in cubes.

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Speaker 3: It seems to me the only logic is that giant

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Speaker 3: wombats were present during the time of the pyramid construction

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Speaker 3: and were under the instruction of the Aliens, who directed

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Speaker 3: them to deposit their giant cube sap gifts into position

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Speaker 3: in Egypt. A balanced and highly fibrous diet would also

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Speaker 3: satisfied Pat's high level two minutes per block theory, which

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Speaker 3: I had to rewind because it made me last.

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Speaker 4: That's from Adam then, and if.

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Speaker 5: You didn't hear yesterday, that's actually one of the more

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Speaker 5: believable outcomes from the calls that we have.

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Speaker 1: Now.

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Speaker 3: Do you remember yesterday there was a guy who called

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Speaker 3: in and he was a I think it was an

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Speaker 3: engineer and.

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Speaker 5: He mechanical engineer. Yeah, I remember him. He was sort

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Speaker 5: of dancing around and parading it.

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Speaker 3: Yeah, and then he ended the call saying that a

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Speaker 3: lot of the callers needed to get an education. Right. Yes,

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Speaker 3: someone has taken huge issue with him. You read it's

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Speaker 3: a big email here. Good morning, Christian. Listen to the

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Speaker 3: recent pots on the pyramids. The subject heading even said

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Speaker 3: to me, this was a serious man re pyramids. You

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Speaker 3: know when it's we haven't been in a chain, but

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Speaker 3: it's re pyramids. Engineering is basically maths, and maths doesn't

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Speaker 3: line cannot be manipulated or ignored. What a great opening

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Speaker 3: salvo already, once you look into the cantilever and rolling

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Speaker 3: logs approach taught in primary schools from an eaging engineering standpoint,

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Speaker 3: you realize it can't be done. You had a caller

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Speaker 3: yesterday who claimed to have a basic grasp of engineering

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Speaker 3: and ask listeners to get an education. Perhaps he needs

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Speaker 3: to get a more thorough education himself, as the science

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Speaker 3: dis proves his own theory. He started talking about cantilever

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Speaker 3: rolling logs being placed under the blocks. That's way, he

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Speaker 3: said yesterday. You would require a ramp to hold the

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Speaker 3: weight and the size of number of workers needed to

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Speaker 3: push a multi ton object, which each individual pyramid block is.

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Speaker 3: Would there must be a bigger engineering feet than the

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Speaker 3: pyramids themselves. We currently can't build a ramp that would

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Speaker 3: do this using current resources and technology. In twenty eighteen, well, yeah,

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Speaker 3: the ramp you would need to do with this as

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Speaker 3: well needs to get longer as to maintain the optimum

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Speaker 3: angle of the scent as the pyramid got higher. Walking

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Speaker 3: around the blocks around the period wouldn't be able to done,

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Speaker 3: as there wouldn't be enough room for the blocks and

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Speaker 3: all the workers and someone to keep running around dropping

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Speaker 3: the logs at the front.

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Speaker 4: He goes on and on and on. What he's basically

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Speaker 4: saying is there's no way.

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Speaker 3: He then starts talking about and I'd ended up reading

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Speaker 3: it up on this yesterday about the possibility and plausibility

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Speaker 3: of the Third Race.

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Speaker 5: Oh, I went down in my own wormhole yesterday too.

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Speaker 3: I downloaded a book called Fingerprints of the Gods by

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Speaker 3: Graham Hancock.

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Speaker 4: If you want to know more about the Pyramids and.

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Speaker 3: Some of the other theories about the Third Race, that

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Speaker 3: they had assistance from another civilization.

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Speaker 5: The more advanced civilization. It doesn't exist anymore, but for

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Speaker 5: people back in those days how to build these big structures.

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Speaker 3: You can find out Joe Rogan does one of the

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Speaker 3: world's biggest podcasts and get some great guests on some

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Speaker 3: of the episodes. In fact, there are no episodes under

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Speaker 3: fifteen hours, but there is a great one. Graham Hancock's

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Speaker 3: been quite a few times, who's big on this stuff

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Speaker 3: about the Pyramids. And I actually download a book yes though,

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Speaker 3: because I wanted to read more, called Fingerprints of the Gods.

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Speaker 3: So I'm going to get into it over the weekend

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Speaker 3: so I might have some more Pyramid theories.

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Speaker 5: Week I'm going to whole YouTube and now forty five

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Speaker 5: minutes queued up at the start.

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Speaker 3: But tell you what, it's something which is really interesting

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Speaker 3: because there's no clear theory yet about how they made them,

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Speaker 3: and science doesn't agree. They contradict each other all all

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Speaker 3: the things that all the scientists says, they're not sure.

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Speaker 3: No one's got one definitive answer. It can't be proved.

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Speaker 3: And when there's a mystery that, don't you find that

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Speaker 3: inherently interesting? I suppose no one's made a movie about it.

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Speaker 5: Well, I guess you don't know what to make a

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Speaker 5: movie about if you don't know what happened.

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Speaker 1: One batpoo the Christian O'Connell Breakfast Show, Melbourne's Gold one

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Speaker 1: oh four point.

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Speaker 3: Three to request Friday, but Donna into the groove. Sean,

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Speaker 3: thank you very much, just texted in the song he

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Speaker 3: wants to hear this morning. Why we would be rude

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Speaker 3: not to plany Kenny Rodgers the Gambler. Thank you very much.

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Speaker 3: Sean and Milton, the people who are the movement start today, mate.

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Speaker 3: I've got a feeling it's going to be happening.

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Speaker 5: On how many requests will you be happy with?

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Speaker 3: I reckon seriously, right, Christian music director, here is a

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Speaker 3: kind and decent man if and this is the big if. Okay,

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Speaker 3: so very well to get the odd text if the

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Speaker 3: people rally at eight am this morning and we get

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Speaker 3: full line, So I mean ten carders all go in

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Speaker 3: the gambler.

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Speaker 4: I don't think he's going to have any any.

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Speaker 3: Other option other than two instruct me to press play

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Speaker 3: on Kenny Rodgers to gambler. That's what I'm going for.

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Speaker 3: Ten lines this morning at eight o'clock. All right, then,

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Speaker 3: right now, the last chance you are the whin tickets

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Speaker 3: come to Amy Victoria Derby Day. You go, you win

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Speaker 3: tickets and also two hundred dollars dollar spending money. The

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Speaker 3: world can wait. The Melbourne Cup Carnival is coming. What's

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Speaker 3: today's song? At the races?

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Speaker 8: Were the cold on the outside wind blows down the

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Speaker 8: school side or in the sun from laughing, free wide,

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Speaker 8: having fun with the people? Moves to the front act

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Speaker 8: she knows looking for a run, and.

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Speaker 3: If the situation is checked, shouldn't keep on?

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Speaker 9: The rails are separated, you know, strike, prestride the world

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Speaker 9: pushing forward, won't fall apart, finish.

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Speaker 3: There's a line in this and I'm so close, but

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Speaker 3: it keeps moving out of distance.

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Speaker 4: The song, I'm trying to guess what it.

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Speaker 3: Is to me.

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Speaker 5: It's laughing, that's fun.

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Speaker 3: What is that that's a really distinctive line in the sun.

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Speaker 4: So listen again.

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Speaker 3: Then you've got to guess what the song is at

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Speaker 3: the races. You're going tickets to go to the Amy

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Speaker 3: Victoria Derby Day.

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Speaker 8: Were the cold on the outside, wind blows down the

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Speaker 8: school side or in the sun from laughing free wide,

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Speaker 8: having fun with.

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Speaker 3: The people, moves to the front that she knows looking

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Speaker 3: for a.

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Speaker 4: Run and if the situation is checked, should keep on.

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Speaker 9: The rails are separated, you know, strike, purstride the world,

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Speaker 9: pushing forward, won't fall apart, finish.

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Speaker 3: It's I can't quite grasp it today, all right? What

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Speaker 3: do you think?

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Speaker 4: Four one four three?

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Speaker 3: What's the song?

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Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 3: The Welcome Wait the Melbourne Cup. Carnival's coming every day

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Speaker 3: this week. We've got a pair of tickets. Send you

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Speaker 3: to the Derby Day, the Amy Victoria Derby Day. Go

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Speaker 3: work out what the song is at the races? Which

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Speaker 3: is going to go to lines? Here is this morning's one.

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Speaker 3: You're trying to work out what this song is.

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Speaker 8: We're the cold on the outside, wind blows down the

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Speaker 8: school side or in the sun from laughing, free wide,

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Speaker 8: having fun with the people, moose to the front that

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Speaker 8: she knows looking for a run.

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Speaker 3: And if the situation is checked, should keep on.

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Speaker 9: The rows are separated, you know, Stride for Stride the world,

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Speaker 9: pushing forward one.

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Speaker 3: Fall apart for Dot Finish, Big Finish on producer Brad

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Speaker 3: there end of this week as well doing those used

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Speaker 3: to be a bookie, Johnny Boy, good morning, Good morning,

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Speaker 3: Good morning, John. Welcome to the show.

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Speaker 4: What do you think the song is?

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Speaker 7: Seasons in the Sun by Scorpions?

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Speaker 3: Wow, No, it's not the up, but thanks for trying. John,

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Speaker 3: have a nice weekend, you too, Thank you. Rachel. Hello, Rachel,

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Speaker 3: good morning. Do you reckon you've got the song?

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Speaker 7: I reckon, I've got it?

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Speaker 4: Yes, Okay, well Rachel, what do you think it is?

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Speaker 10: I think it's Horses by the Right.

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Speaker 3: Wait, well, Jack and I couldn't get it, but you

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Speaker 3: spotted it. Did you get it early? Did you get

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Speaker 3: it straight away or was it when they second listen, Adam,

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Speaker 3: did you get it straight away? Jack and I were struggling.

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Speaker 3: We just couldn't get it.

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Speaker 11: Yeah, No, I've got it straight away.

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Speaker 3: Yes, well, Rachel, you're smarter than us and makes so

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Speaker 3: much sense horses. Yeah exactly, I thought that so obviously

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Speaker 3: would go as well. I'm annoyed with myself, all right,

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Speaker 3: and joinings arby there. You want a pair of tickets

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Speaker 3: and you get two hundred dollars spending money.

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Speaker 4: We'll see you down the next Saturday.

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Speaker 7: Oh, thank you so much.

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Speaker 10: Can we come across the horses?

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Speaker 3: You want to hear Kenye Rogers the Gambler.

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Speaker 4: Yes, I played it a.

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Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 3: So next week on the show we need the return

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Speaker 3: of a brand new early morning game. Now, when you

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Speaker 3: jumped on board with the show, you offered ideas. I'm

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Speaker 3: asking you over the weekend rest the jackpost head again,

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Speaker 3: all right, and come back Monday with a brand new

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Speaker 3: concept for the early morning game.

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Speaker 5: I'start resting my head. Oh you want me to rest

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Speaker 5: my head and let the ideas come to me rather

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Speaker 5: than go out for it.

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Speaker 4: Yeah, okay, I get the feelings.

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Speaker 3: Sometimes with you, it's like filing draws or filing cabinets

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Speaker 3: that when you lie down things get sort of sort

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Speaker 3: of shaken up a bit. Then when you stand up again,

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Speaker 3: all the folders come loose and then stuff falls out

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Speaker 3: of your mouth. Okay, so that is what I want. Okay,

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Speaker 3: do you have the filing cabinets of your mind over

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Speaker 3: the weekend? All right, and then just shake it out

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Speaker 3: your head on Monday, out your mouth into the microphone

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Speaker 3: and I'll try and pick up the pizzas and see

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Speaker 3: if we can work out some kind of radio game

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Speaker 3: that's good.

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Speaker 5: So it doesn't need to be a fully polished, one

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Speaker 5: hundred percent finished game to present to you.

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Speaker 3: Well, I mean as close as you can polish it.

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Speaker 3: Don't bring in a don't bring in a stinker. Try

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Speaker 3: and get it to something which you think might might

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Speaker 3: sound good on it, okay, all right, yeah, and don't

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Speaker 3: bring in any of the Hamish Nandy ideas.

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Speaker 4: They said no judge too.

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Speaker 3: I get the feeling that how it goes is you

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Speaker 3: pitch it to Hamishnandy, they go no way, you pitch

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Speaker 3: it to me, and then Nick stumbles, okay, nothing that

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Speaker 3: they've said no to. Okay, this needs to be a

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Speaker 3: new idea. And do not listen to light FM this afternoon.

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Speaker 3: Still have a Leroy Brown the DJ's doing there like

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Speaker 3: three song connection.

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Speaker 12: No.

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Speaker 5: He claimed that I stole his idea. That was an original,

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Speaker 5: different idea with similar It was a.

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Speaker 3: Three song connection. All you did is gave it a

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Speaker 3: different title and a horrible song. Don't come in Monday

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Speaker 3: and pitch me R and B Monday.

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Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

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Speaker 3: Three, all right, all request Friday. I every single Friday

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Speaker 3: on this show. You pick all the music last hour.

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Speaker 3: Some brilliant songs call them in now nine four one

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Speaker 3: four one four three.

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Speaker 4: Kicking off this hour power Anthony, good morning.

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Speaker 13: Hi, there's the from rival.

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Speaker 3: Yeah, blom Blitz, no time for any small too. It's

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Speaker 3: like we listened to a message. Hey mate, listen, why

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Speaker 3: do you want to hear this song? Is it a

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Speaker 3: favor of your summer seventeen.

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Speaker 13: Or for a long time ago? Nineteen seventy four school

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Speaker 13: social the boys at school back then? You know mine

410
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Speaker 13: to the song and it was the first album Guy

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Speaker 13: I ever bought myself Cool was about fifteen back then.

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Speaker 4: Yeah, the whole glam rock. That's some great singer and

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Speaker 4: great songs.

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Speaker 7: Yeah they did good shot, right, thank.

415
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Speaker 3: You, thank you, thank you very much. Sugar. Here's your song, Anthony,

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Speaker 3: Happy sold Start, Everyone's all start.

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Speaker 1: The Christian who Connell Breakfast Show, Melbourn's Gold one oh

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Speaker 1: four point three.

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Speaker 3: This is such a brilliant sompit by Anton This Morning

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Speaker 3: Sweet Ballroom Blitz, Christian O'Connor Breakfast Show Gold one oh

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Speaker 3: four point three, also usually great effects.

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Speaker 4: In Wayne's world, we're just saying we do this movie club.

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Speaker 3: And we're gonna be doing one in the next couple

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Speaker 3: of weeks, be a Christmas movie. I still can't get

425
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Speaker 3: my head around the fact that it is. The weather's

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Speaker 3: starting to get better, obviously today not a great example

427
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Speaker 3: that it is going to be Christmas. I get so

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Speaker 3: confused because obviously, for me, all the seasons have been

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Speaker 3: flipped round. So I'm used to it being very cold now,

430
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Speaker 3: and that makes sense. Christmas is coming here, it's getting warmerup,

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Speaker 3: people get going, Christmas is coming, and it just fries

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Speaker 3: my brain.

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Speaker 5: But our winter is sort of your summer, isn't it.

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Speaker 3: Yeah, So it's utterly confusing. I can't imagine on Christmas

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Speaker 3: Day that I'll be in shorts and T shirts. That

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Speaker 3: makes no sense to me because all of my life

437
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Speaker 3: it's been cold, muddy, rainy, sometimes snowing, and now you've

438
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Speaker 3: got the complete opposite. So is it always sunny on

439
00:19:48,320 --> 00:19:50,320
Speaker 3: Christmas Day or with Melbourne weather, you don't know. It

440
00:19:50,359 --> 00:19:51,879
Speaker 3: could be rain, could be snow in the way, it

441
00:19:51,960 --> 00:19:53,480
Speaker 3: could be locusts in the afternoon.

442
00:19:53,560 --> 00:19:54,359
Speaker 5: It tailed on.

443
00:19:54,400 --> 00:19:57,760
Speaker 6: Christmas recently, Yeah, we've had a couple of really cold

444
00:19:57,840 --> 00:20:01,680
Speaker 6: Christmas days, but probably balmy in your you would.

445
00:20:01,440 --> 00:20:03,360
Speaker 5: Still call it warm, like the way you were complaining

446
00:20:03,400 --> 00:20:04,159
Speaker 5: the other day in the.

447
00:20:06,560 --> 00:20:09,240
Speaker 3: Heat waves. All right, So yesterday I get in the

448
00:20:09,280 --> 00:20:13,919
Speaker 3: car and my heart breaks. I mean, I'm really close

449
00:20:14,040 --> 00:20:16,399
Speaker 3: just to just leaving the car and leaving my wife

450
00:20:16,400 --> 00:20:17,200
Speaker 3: and kids.

451
00:20:18,560 --> 00:20:21,240
Speaker 4: The worst thing happened. I mean the worst thing.

452
00:20:21,359 --> 00:20:23,240
Speaker 3: If I had come home and found my wife in

453
00:20:23,240 --> 00:20:24,560
Speaker 3: the bedroom with a rugby team.

454
00:20:24,840 --> 00:20:26,920
Speaker 4: I go, hey, this isn't very nice.

455
00:20:26,960 --> 00:20:30,800
Speaker 14: But compared to what she did yesterday I got in

456
00:20:30,880 --> 00:20:37,800
Speaker 14: the car, this is I'm telling, what's worse than that.

457
00:20:37,880 --> 00:20:40,080
Speaker 3: I get in the car, there's no warning and the

458
00:20:40,680 --> 00:20:42,920
Speaker 3: red fuel light comes on.

459
00:20:43,080 --> 00:20:44,879
Speaker 4: I'm like, what kind of savage?

460
00:20:45,600 --> 00:20:48,640
Speaker 3: Even a terrorist wouldn't do that to me. They'd fit up,

461
00:20:49,040 --> 00:20:52,800
Speaker 3: they've got standards. She's she does this from time to

462
00:20:52,840 --> 00:20:55,480
Speaker 3: time and tried to just warn me, or you've always

463
00:20:55,560 --> 00:20:57,360
Speaker 3: him driving around all day in it.

464
00:20:57,600 --> 00:21:00,639
Speaker 4: You must see it come on and I have to

465
00:21:00,680 --> 00:21:01,199
Speaker 4: deal with it.

466
00:21:01,280 --> 00:21:03,200
Speaker 6: I've got a habit of doing that. I have to admit.

467
00:21:03,240 --> 00:21:04,400
Speaker 6: I've got to out myself.

468
00:21:04,560 --> 00:21:06,720
Speaker 3: How could you do that? And the moment I see

469
00:21:06,960 --> 00:21:09,399
Speaker 3: it go into the red and the fuels in empty,

470
00:21:09,480 --> 00:21:13,040
Speaker 3: I think it fills up my stomach. Myself, the car engine,

471
00:21:13,040 --> 00:21:15,560
Speaker 3: the fuel tank and my stomach become one and it's grumbling.

472
00:21:15,560 --> 00:21:17,800
Speaker 3: I go, okay, car, you need feeding. I'll tut you up.

473
00:21:18,080 --> 00:21:20,520
Speaker 5: And you fell across four lanes of traffic to get

474
00:21:20,520 --> 00:21:22,480
Speaker 5: into immediately.

475
00:21:22,680 --> 00:21:24,160
Speaker 3: I don't know where my wife sees it. Some sort

476
00:21:24,200 --> 00:21:25,800
Speaker 3: of game, just to run against the ground.

477
00:21:25,960 --> 00:21:28,119
Speaker 6: That's what Chris accuses me of. He says, what are

478
00:21:28,160 --> 00:21:30,679
Speaker 6: you trying to achieve? What sort of challenge are you

479
00:21:30,720 --> 00:21:31,320
Speaker 6: trying to see?

480
00:21:31,760 --> 00:21:35,880
Speaker 5: Perhaps when it dings? Oh okay, so say the light

481
00:21:35,960 --> 00:21:37,159
Speaker 5: comes on, you're still driving.

482
00:21:37,200 --> 00:21:39,720
Speaker 3: It's angry you see it red. I think I've.

483
00:21:39,600 --> 00:21:42,000
Speaker 6: Still got sixty or seventy k's let's see how far

484
00:21:42,080 --> 00:21:42,840
Speaker 6: we can get out of this.

485
00:21:43,440 --> 00:21:45,800
Speaker 3: Why would you do that? Why live your life like that?

486
00:21:46,000 --> 00:21:46,560
Speaker 5: Too busy?

487
00:21:46,920 --> 00:21:47,879
Speaker 4: It's the worst thing to me?

488
00:21:47,960 --> 00:21:48,920
Speaker 3: Does Bhanka do that?

489
00:21:49,200 --> 00:21:49,360
Speaker 1: No?

490
00:21:49,480 --> 00:21:51,439
Speaker 5: I actually would say she's very good.

491
00:21:51,520 --> 00:21:52,880
Speaker 3: Well, see, that's when you know you've got a keeper.

492
00:21:53,000 --> 00:21:55,080
Speaker 3: It really made me look at my marriage, to be honest.

493
00:21:55,160 --> 00:21:58,520
Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four

494
00:21:58,560 --> 00:21:59,159
Speaker 1: point three.

495
00:21:59,240 --> 00:22:01,560
Speaker 3: So just talking about yesterday, got in the car, the

496
00:22:01,600 --> 00:22:03,479
Speaker 3: red fuel light came on straightway. My wife had been

497
00:22:03,520 --> 00:22:05,840
Speaker 3: driving around in it all day and there's no way

498
00:22:05,880 --> 00:22:07,560
Speaker 3: that just came on when I got in the car.

499
00:22:07,760 --> 00:22:09,720
Speaker 3: Later on, when I confronted her about it, and I did,

500
00:22:10,320 --> 00:22:12,000
Speaker 3: she said, oh yeah, it came on out an hour.

501
00:22:11,960 --> 00:22:14,800
Speaker 4: Before that, an hour. Who can drive around with that

502
00:22:14,840 --> 00:22:15,840
Speaker 4: thing on for an hour?

503
00:22:16,440 --> 00:22:18,680
Speaker 3: She's known. She's handing me a ticking time bomb that

504
00:22:18,680 --> 00:22:21,320
Speaker 3: could blow up in my face. Christian has aartually talking

505
00:22:21,359 --> 00:22:24,159
Speaker 3: about your wife leaving a car with no fuel in it.

506
00:22:24,840 --> 00:22:28,320
Speaker 3: This happens to me a lot. My wife, Ruth has

507
00:22:28,680 --> 00:22:31,320
Speaker 3: been driving for over eighteen years and she has never

508
00:22:31,400 --> 00:22:32,560
Speaker 3: ever put fuel in the car.

509
00:22:32,720 --> 00:22:34,480
Speaker 5: Oh wow, that's terrible.

510
00:22:34,840 --> 00:22:38,160
Speaker 3: I have to do it. Worse still, Our daughter Charlotte,

511
00:22:38,240 --> 00:22:40,920
Speaker 3: who is now twenty, passed the test two years ago.

512
00:22:41,240 --> 00:22:43,120
Speaker 3: When she passed the test, I got a cheap little

513
00:22:43,160 --> 00:22:45,639
Speaker 3: run around as a gift. She has never ever in

514
00:22:45,680 --> 00:22:47,520
Speaker 3: the last two years put fuel in it. She just

515
00:22:47,560 --> 00:22:50,080
Speaker 3: simply says to me, Dad, the car needs filling. Please help.

516
00:22:50,640 --> 00:22:53,760
Speaker 3: Oh my god, Anthony, this is wrong. You need to

517
00:22:53,800 --> 00:22:56,320
Speaker 3: have a word with yourself. Man, you're training the next

518
00:22:56,359 --> 00:22:59,600
Speaker 3: generation like your wife. You're making it okay, you're part

519
00:22:59,720 --> 00:23:00,680
Speaker 3: of the problem.

520
00:23:01,200 --> 00:23:02,440
Speaker 4: We got Troy on the line.

521
00:23:02,440 --> 00:23:06,560
Speaker 3: Good morning, Troy. Oh Christian, somebody go Troy, how are

522
00:23:06,560 --> 00:23:09,119
Speaker 3: you this morning? Had a good week I.

523
00:23:09,000 --> 00:23:11,000
Speaker 15: Have made and I'm still wiping the tears out of

524
00:23:11,000 --> 00:23:15,200
Speaker 15: the eyes after you're telling me about your experience all

525
00:23:15,240 --> 00:23:15,639
Speaker 15: the time.

526
00:23:15,800 --> 00:23:18,160
Speaker 3: Yeah, why why do people do this?

527
00:23:19,480 --> 00:23:20,399
Speaker 7: I do not know.

528
00:23:22,840 --> 00:23:24,960
Speaker 15: I just got the money to buy the dresses.

529
00:23:28,040 --> 00:23:30,800
Speaker 3: Actually, you're quite right. When I got in the car yesterday, right,

530
00:23:31,040 --> 00:23:33,240
Speaker 3: my wife got out the car and obviously been driving

531
00:23:33,240 --> 00:23:35,560
Speaker 3: around for an hour with it on showing, it was

532
00:23:35,600 --> 00:23:39,600
Speaker 3: nearly empty, and there were three different shoe boxes, and

533
00:23:39,720 --> 00:23:42,159
Speaker 3: she foxs me and goes, they're all going back, and

534
00:23:42,440 --> 00:23:45,440
Speaker 3: why have you got them?

535
00:23:48,280 --> 00:23:51,119
Speaker 15: I'm I'm a hysterics when you guys are on the

536
00:23:51,200 --> 00:23:54,200
Speaker 15: radio over morning. I drive for a living. So hey,

537
00:23:54,480 --> 00:23:55,000
Speaker 15: you made the.

538
00:23:55,040 --> 00:23:57,240
Speaker 3: Day, so thank you very much, Troy. Do you think

539
00:23:57,280 --> 00:23:59,240
Speaker 3: it would make the show even better if after a

540
00:23:59,359 --> 00:24:01,639
Speaker 3: am this morning, I played Kenny Rogers the Gambler.

541
00:24:01,760 --> 00:24:03,040
Speaker 4: Just a little question there.

542
00:24:03,760 --> 00:24:04,800
Speaker 15: So I think why not?

543
00:24:05,359 --> 00:24:07,280
Speaker 3: Thank you Joy? I put that down as one request

544
00:24:07,320 --> 00:24:09,080
Speaker 3: so far. All right, Troy, you have a good weekend.

545
00:24:10,720 --> 00:24:16,960
Speaker 3: Thank you, Joy. Chris, good morning, Good morning, Jane, good morning.

546
00:24:17,040 --> 00:24:21,240
Speaker 6: Hey Chris, Chris, this will be good.

547
00:24:21,320 --> 00:24:25,399
Speaker 15: Don't you tell the Corbury Christian. But Tryna messively understated

548
00:24:25,400 --> 00:24:27,119
Speaker 15: her commitment to destroying her people.

549
00:24:28,359 --> 00:24:30,520
Speaker 3: Chris, we're all is budd It's always great to get

550
00:24:30,560 --> 00:24:33,680
Speaker 3: Chris pass his husband clear the air. So what does

551
00:24:33,720 --> 00:24:37,640
Speaker 3: she do? She just flat their refuses to fuel car

552
00:24:38,200 --> 00:24:38,920
Speaker 3: and then she'll go.

553
00:24:38,960 --> 00:24:41,439
Speaker 7: To work with all the cards and all the cash

554
00:24:41,760 --> 00:24:44,200
Speaker 7: and leave with no pet.

555
00:24:46,040 --> 00:24:48,280
Speaker 5: What's the past? What's the theory behind taking all the

556
00:24:48,320 --> 00:24:49,080
Speaker 5: cash out of the house?

557
00:24:50,800 --> 00:24:51,920
Speaker 4: Well, you know what you've seen.

558
00:24:51,920 --> 00:24:55,880
Speaker 3: The size of that handbag just scoops up. Everything that's

559
00:24:55,920 --> 00:24:58,240
Speaker 3: in the house is not down, down, runs along, sid

560
00:24:59,600 --> 00:25:00,400
Speaker 3: toasted in there.

561
00:25:00,440 --> 00:25:02,720
Speaker 5: The kettle you've probably got to spit Jerry cair with

562
00:25:02,840 --> 00:25:03,800
Speaker 5: fuel in it.

563
00:25:04,000 --> 00:25:06,320
Speaker 4: Sometimes Chris, her husband even ends up in it as well.

564
00:25:06,440 --> 00:25:09,840
Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four

565
00:25:09,840 --> 00:25:12,840
Speaker 1: point three.

566
00:25:12,880 --> 00:25:15,760
Speaker 3: You go bat for as a powder Finger on My

567
00:25:15,840 --> 00:25:19,080
Speaker 3: Mind or Requests Friday, Christian O'Connor Redbersh on Gold one

568
00:25:19,240 --> 00:25:22,640
Speaker 3: four point three. I've really got into powder Fingers since

569
00:25:22,840 --> 00:25:25,520
Speaker 3: moving into Australia. And during the week I was listening

570
00:25:25,520 --> 00:25:27,480
Speaker 3: to some of Bernard Fanning's solo albums.

571
00:25:27,680 --> 00:25:29,320
Speaker 4: You heard Tea and Sympathy.

572
00:25:28,840 --> 00:25:30,879
Speaker 5: You must have, well we play Almer.

573
00:25:31,320 --> 00:25:33,440
Speaker 3: I never heard it, so that's a great thing. Well

574
00:25:33,480 --> 00:25:36,040
Speaker 3: we're moving here is discovering these some of the side projects,

575
00:25:36,240 --> 00:25:38,400
Speaker 3: some of the bands I've been familiar with. But Tea

576
00:25:38,400 --> 00:25:40,600
Speaker 3: and Sympathy I think it was like two thousand and five.

577
00:25:40,680 --> 00:25:43,120
Speaker 3: Two thousand and six is a great album. It's classy.

578
00:25:43,160 --> 00:25:45,320
Speaker 5: I've heard as run. What's the main song off that?

579
00:25:47,040 --> 00:25:49,080
Speaker 3: Yeah, we planned that's it. Yeah, it's a really really

580
00:25:49,119 --> 00:25:51,560
Speaker 3: good song. Anyway, let me tell you about One Last three.

581
00:25:51,680 --> 00:25:55,280
Speaker 3: Then this opened on Monday. I'm asking you to reunite

582
00:25:55,320 --> 00:25:58,000
Speaker 3: your old bands from when you were playing back in

583
00:25:58,040 --> 00:25:59,840
Speaker 3: the day. It doesn't matter if it's ten, twenty or

584
00:25:59,840 --> 00:26:02,080
Speaker 3: three thirty years ago, because I have a second chance

585
00:26:02,080 --> 00:26:03,400
Speaker 3: for your band.

586
00:26:03,880 --> 00:26:15,040
Speaker 12: Rock and More Radio Christian O'Connell's One Last Dream.

587
00:26:15,520 --> 00:26:17,920
Speaker 3: Every time I talk about this week, I imagine that you're

588
00:26:17,960 --> 00:26:21,520
Speaker 3: sat in traffic, and when I ask you about reuniting

589
00:26:21,560 --> 00:26:23,600
Speaker 3: your old band, I'm asking to reunite with the old

590
00:26:23,680 --> 00:26:25,880
Speaker 3: dream as well. So it doesn't matter whether you've lost

591
00:26:25,880 --> 00:26:28,600
Speaker 3: contact with the band members. We can help out. We

592
00:26:28,640 --> 00:26:31,040
Speaker 3: can use the power of this breakfast show to reunite

593
00:26:31,080 --> 00:26:33,440
Speaker 3: you with band members. We've already done it this week.

594
00:26:33,840 --> 00:26:36,000
Speaker 3: A band that lost touch with a Mimi Turner, the

595
00:26:36,080 --> 00:26:38,720
Speaker 3: lead singer for twelve years. Within an hour, we m

596
00:26:38,720 --> 00:26:40,399
Speaker 3: actually get ahold of our husband, and we got the

597
00:26:40,400 --> 00:26:42,919
Speaker 3: band reunited on air the next day. The reason why

598
00:26:42,960 --> 00:26:45,399
Speaker 3: I'm asking you to reunite is because it's kind of

599
00:26:45,440 --> 00:26:47,760
Speaker 3: a second chance. It is the gig of a lifetime.

600
00:26:48,000 --> 00:26:50,040
Speaker 3: If you used to be in a band, you're going

601
00:26:50,119 --> 00:26:53,000
Speaker 3: to be playing in front of fifteen thousand people in

602
00:26:53,160 --> 00:26:53,680
Speaker 3: jack Post.

603
00:26:53,760 --> 00:26:55,159
Speaker 4: How many days, minutes and hours?

604
00:26:55,280 --> 00:27:00,240
Speaker 5: Thirty days, four hours, thirty three minutes, fifty five seconds?

605
00:27:00,280 --> 00:27:02,560
Speaker 4: Really soon is it? Thirty days?

606
00:27:02,560 --> 00:27:02,760
Speaker 3: Now?

607
00:27:02,800 --> 00:27:03,439
Speaker 5: Thirty days?

608
00:27:03,520 --> 00:27:05,840
Speaker 4: Thirty days? There is a stage with no opening band.

609
00:27:06,560 --> 00:27:09,920
Speaker 3: Jimmy Martes, The Angels, Ian Moss, John Stevens, Richard Clapton,

610
00:27:10,000 --> 00:27:13,960
Speaker 3: Thirsty Mook, and your reunited band. All we need is

611
00:27:13,960 --> 00:27:15,680
Speaker 3: we need to find the winning band. You've got another

612
00:27:15,760 --> 00:27:18,320
Speaker 3: week to get involved. If you want to enter the competition,

613
00:27:18,440 --> 00:27:20,919
Speaker 3: head online. Tell friends of yours used to be in

614
00:27:21,040 --> 00:27:23,639
Speaker 3: bands about this one last dream that's sort of this

615
00:27:23,720 --> 00:27:25,920
Speaker 3: we're asking to enter at gold one four three dot

616
00:27:25,920 --> 00:27:28,800
Speaker 3: com dot AU. Yesterday, lastly, out of the show run

617
00:27:28,840 --> 00:27:30,680
Speaker 3: about half nine in the morning, speaking to a guy

618
00:27:31,240 --> 00:27:33,240
Speaker 3: guitarist used to be in a band. They had a

619
00:27:33,240 --> 00:27:36,160
Speaker 3: pretty big following here in Melbourne when they moved here.

620
00:27:36,760 --> 00:27:40,360
Speaker 3: They were called Luke Yep and the guitarsticle Corey said

621
00:27:40,359 --> 00:27:42,720
Speaker 3: the drummer had some kind of I don't know, he

622
00:27:42,760 --> 00:27:44,120
Speaker 3: was just escaped to London.

623
00:27:44,200 --> 00:27:46,520
Speaker 5: Yeah, he needed to do some soul searching. Left the

624
00:27:46,560 --> 00:27:47,520
Speaker 5: band went to London.

625
00:27:47,560 --> 00:27:49,439
Speaker 3: The streets of London were gonna be the fight at

626
00:27:49,440 --> 00:27:51,600
Speaker 3: the best place for him to find himself. And I

627
00:27:51,600 --> 00:27:54,159
Speaker 3: think he was a bit not disappointed because obviously the

628
00:27:54,200 --> 00:27:56,960
Speaker 3: band obviously must have been very good. And I've had

629
00:27:56,960 --> 00:28:01,320
Speaker 3: a couple of emails. The thing is Melbourn's got such

630
00:28:01,320 --> 00:28:04,040
Speaker 3: a great live music history. You know, live music is

631
00:28:04,080 --> 00:28:05,960
Speaker 3: alive in the city. It's really really important to you.

632
00:28:06,000 --> 00:28:07,680
Speaker 3: It's one of the exciting things about coming here because

633
00:28:07,680 --> 00:28:10,720
Speaker 3: there are so many great live music venues and obviously

634
00:28:10,760 --> 00:28:13,000
Speaker 3: the standard of the bands that have entered this competition.

635
00:28:13,359 --> 00:28:14,840
Speaker 4: I'm staggered by one.

636
00:28:14,840 --> 00:28:16,919
Speaker 3: I've done Butler the band stuff before, It's been nowhere

637
00:28:16,920 --> 00:28:18,800
Speaker 3: near as good as this. We could end the competition

638
00:28:18,920 --> 00:28:21,439
Speaker 3: right now, and there are about ten bands, any of

639
00:28:21,440 --> 00:28:23,399
Speaker 3: which that we could put on that stage, which is

640
00:28:23,480 --> 00:28:25,720
Speaker 3: an hour's rehearsal, and they would do a great job.

641
00:28:25,960 --> 00:28:27,280
Speaker 4: The standard is very high.

642
00:28:27,480 --> 00:28:30,960
Speaker 3: But anyway, we've obviously stumbled into something with this band Luke.

643
00:28:31,280 --> 00:28:32,200
Speaker 4: We've never really.

644
00:28:31,960 --> 00:28:34,119
Speaker 3: Heard of them, but I had a couple of emails

645
00:28:34,200 --> 00:28:37,680
Speaker 3: yesterday and even a voicemail as well of my WhatsApp

646
00:28:37,720 --> 00:28:39,040
Speaker 3: group that I've got my phone when I gave a

647
00:28:39,080 --> 00:28:39,640
Speaker 3: number out.

648
00:28:39,600 --> 00:28:41,200
Speaker 5: Christian oh Connell.

649
00:28:41,320 --> 00:28:45,680
Speaker 16: It is DJ pain here from Geelong. Dude, you talk

650
00:28:45,800 --> 00:28:51,160
Speaker 16: to Corey from Luke. That band is phenomenal. That is

651
00:28:51,200 --> 00:28:54,480
Speaker 16: one of the best kept secrets of the era. The

652
00:28:54,520 --> 00:28:57,959
Speaker 16: band that should have been huge. Is one of the

653
00:28:58,000 --> 00:29:01,320
Speaker 16: coolest things I've ever heard. You do talk to Corey

654
00:29:01,480 --> 00:29:03,600
Speaker 16: on the radio from Luke. You've got to get the

655
00:29:03,640 --> 00:29:06,640
Speaker 16: drummer back from London. You've got to put them on stage.

656
00:29:06,800 --> 00:29:10,160
Speaker 16: That is phenomenal. I am so excited, so.

657
00:29:10,240 --> 00:29:13,400
Speaker 3: Another guy, David Kowowski, emails me, so go to the

658
00:29:13,440 --> 00:29:17,400
Speaker 3: website find us track on there is called one. Haven't

659
00:29:17,400 --> 00:29:18,680
Speaker 3: listened to this? This is a bit of the track

660
00:29:18,720 --> 00:29:20,320
Speaker 3: I did. It went into a website and I've listened

661
00:29:20,320 --> 00:29:31,840
Speaker 3: to this track. This sounds great. They are tight. Listen

662
00:29:31,920 --> 00:29:37,640
Speaker 3: to this. The drumming a guitar, got green day vibeet

663
00:29:39,360 --> 00:29:41,640
Speaker 3: get him on someone else.

664
00:29:44,840 --> 00:29:47,280
Speaker 5: Myself a underbroad.

665
00:29:49,840 --> 00:29:52,920
Speaker 3: So so far, so good. Great bands could have made

666
00:29:52,960 --> 00:29:54,880
Speaker 3: it easy to got all the talent, they got the sound.

667
00:29:54,960 --> 00:29:57,720
Speaker 3: It didn't happen because the music industry, like life, isn't fair.

668
00:29:57,880 --> 00:29:59,840
Speaker 3: The problem is at the moment the drummer buggered off

669
00:29:59,840 --> 00:30:01,239
Speaker 3: to I think that's a technical term.

670
00:30:01,240 --> 00:30:02,240
Speaker 4: He's bugging off to London.

671
00:30:02,560 --> 00:30:05,040
Speaker 3: And we've got to try and get hold of this

672
00:30:05,120 --> 00:30:07,920
Speaker 3: guy called Josh Duncan in London.

673
00:30:08,160 --> 00:30:09,560
Speaker 4: Not just say hello you never heard of us.

674
00:30:09,560 --> 00:30:11,600
Speaker 3: We're a radio show. We're doing this compedation called one

675
00:30:11,640 --> 00:30:13,560
Speaker 3: laur Stream. He's got to be up for coming back

676
00:30:13,640 --> 00:30:15,800
Speaker 3: over And like I said, there's still another week to go.

677
00:30:16,040 --> 00:30:17,960
Speaker 3: We haven't picked the winner yet. We're gonna whittle it

678
00:30:18,040 --> 00:30:20,520
Speaker 3: down to three bands, and then we've got to find

679
00:30:20,520 --> 00:30:22,440
Speaker 3: a winner from those three bands. You've got another week

680
00:30:22,520 --> 00:30:26,000
Speaker 3: just to get involved. However, Luke are a very very

681
00:30:26,080 --> 00:30:28,360
Speaker 3: very good band, but the drummers in London and we

682
00:30:28,400 --> 00:30:29,320
Speaker 3: can't get hold of him.

683
00:30:29,560 --> 00:30:31,600
Speaker 5: Well, we shouldn't have put McGoo in charge of trying

684
00:30:31,600 --> 00:30:34,320
Speaker 5: to dial inim. Honestly, I like he keeps saying he's

685
00:30:34,320 --> 00:30:35,880
Speaker 5: getting it, He's got a wrong number. I think he

686
00:30:35,880 --> 00:30:38,760
Speaker 5: doesn't know how to do the international dialing code.

687
00:30:38,880 --> 00:30:39,880
Speaker 4: He asked me, he goes, if you do?

688
00:30:39,880 --> 00:30:41,680
Speaker 3: You know I've called something called Giff Gaff And he

689
00:30:41,720 --> 00:30:43,320
Speaker 3: asked me, like, I used to work for a mobile

690
00:30:43,400 --> 00:30:45,840
Speaker 3: company out the way, I have never heard. Right, there

691
00:30:45,880 --> 00:30:48,040
Speaker 3: are three main mobile companies like there are in this

692
00:30:48,080 --> 00:30:51,360
Speaker 3: country with TELSTRAINOPTERUS. Right, I have never heard of Giff Gaff.

693
00:30:51,600 --> 00:30:54,160
Speaker 3: It sounds like a kid's TV character. Who the hell

694
00:30:54,280 --> 00:30:56,160
Speaker 3: is he called? That's what we've got. We've got the

695
00:30:56,200 --> 00:31:00,400
Speaker 3: blindest producer of radio tapping random numbers in going Josh,

696
00:31:00,400 --> 00:31:03,280
Speaker 3: a drummer from Luke. Anyway get involved at Gold one

697
00:31:03,320 --> 00:31:04,520
Speaker 3: o four to three dot com.

698
00:31:04,560 --> 00:31:07,920
Speaker 1: Do au the Christian who connvill breakfast show Melbourne's Gold

699
00:31:07,960 --> 00:31:09,280
Speaker 1: one oh four point three.

700
00:31:09,280 --> 00:31:11,360
Speaker 3: Coming up in five minutes time. We got the last

701
00:31:11,360 --> 00:31:14,120
Speaker 3: pair of VIP tickets to say, here we go. Someone's

702
00:31:14,120 --> 00:31:15,440
Speaker 3: reversing into the show. Rodney.

703
00:31:16,360 --> 00:31:19,200
Speaker 4: Yes, hi, hi Rodney, just packing up your truck there and.

704
00:31:20,760 --> 00:31:22,080
Speaker 7: Didn't know it's just getting loaded.

705
00:31:22,120 --> 00:31:24,480
Speaker 3: That's all. That's right mate, you you're busy, you're idiot,

706
00:31:24,480 --> 00:31:27,160
Speaker 3: work right, Yeah, that's it. Okay, And what song can

707
00:31:27,160 --> 00:31:29,120
Speaker 3: I play you on All Request Friday.

708
00:31:28,760 --> 00:31:30,880
Speaker 7: On the show Let's hear it for the Boys from

709
00:31:31,200 --> 00:31:35,560
Speaker 7: Footloose Footlash has played way too much. My daughter loves

710
00:31:35,640 --> 00:31:37,600
Speaker 7: that song and she always plays the four minutes as

711
00:31:37,600 --> 00:31:37,960
Speaker 7: it's mine.

712
00:31:38,000 --> 00:31:41,400
Speaker 3: And who's a brilliant We enjoy your weekend, okay you.

713
00:31:41,440 --> 00:31:43,640
Speaker 13: Two And good job guys. You are doing a fantastic

714
00:31:43,720 --> 00:31:44,360
Speaker 13: job over there.

715
00:31:44,440 --> 00:31:45,240
Speaker 4: Thank you very much.

716
00:31:45,400 --> 00:31:48,040
Speaker 3: Go take care. This is to you Rodney, Denise Williams.

717
00:31:48,120 --> 00:31:49,560
Speaker 3: Let's hear it for the Boy and Gold one A

718
00:31:49,640 --> 00:31:50,400
Speaker 3: four point.

719
00:31:50,120 --> 00:31:54,200
Speaker 1: Three The Christian Who Conwell Breakfast Show Melbourne's Gold one

720
00:31:54,240 --> 00:31:56,000
Speaker 1: oh four point three Red.

721
00:31:55,880 --> 00:31:58,280
Speaker 3: Hot Summers All VIP tick is coming up now with

722
00:31:58,360 --> 00:32:00,520
Speaker 3: the sold out first show, The Red Hots at All

723
00:32:00,760 --> 00:32:03,080
Speaker 3: added a second and final show out at Morning to

724
00:32:03,240 --> 00:32:06,640
Speaker 3: Race School Sunday, the twentieth of January only next year.

725
00:32:06,680 --> 00:32:09,280
Speaker 3: Tickets are on sale now through Ticketmaster. You can win

726
00:32:09,320 --> 00:32:12,840
Speaker 3: these VIP tickets. You get drink vouchers, album signed by

727
00:32:12,920 --> 00:32:15,280
Speaker 3: Jimmy Barnes, the merch pack, and of course the double

728
00:32:15,280 --> 00:32:24,360
Speaker 3: put one an't four point Christine o'connells code. Let's the game,

729
00:32:26,720 --> 00:32:30,320
Speaker 3: all right, yo, we've sacked off the actual little bingo machine.

730
00:32:30,360 --> 00:32:33,200
Speaker 4: We've gone back for this the Mason shot, because it's noisier.

731
00:32:32,920 --> 00:32:35,200
Speaker 5: The bingo machine, like it's the one that you see

732
00:32:35,200 --> 00:32:37,000
Speaker 5: them roll around at Bingo hors. But our one was

733
00:32:37,080 --> 00:32:39,360
Speaker 5: so silent it was making no sound effect.

734
00:32:39,400 --> 00:32:41,440
Speaker 4: It was like it was on aeroplane mode. It made

735
00:32:41,560 --> 00:32:42,320
Speaker 4: no noise.

736
00:32:42,560 --> 00:32:44,400
Speaker 5: So we've gone back to the plastic joke.

737
00:32:45,600 --> 00:32:48,160
Speaker 3: Far better. Okay, this out works them. Jack's going to

738
00:32:48,200 --> 00:32:50,040
Speaker 3: ball two numbers. If it's in your post go give

739
00:32:50,120 --> 00:32:51,960
Speaker 3: us a call. We'll pick one of you at random.

740
00:32:52,080 --> 00:32:54,840
Speaker 3: He will inquiz you three questions to prove that you

741
00:32:54,880 --> 00:32:57,800
Speaker 3: are from where you say you're from. Full ball number.

742
00:32:57,520 --> 00:33:01,160
Speaker 5: One, All right, let's get in there. Your postcode contain

743
00:33:01,480 --> 00:33:05,080
Speaker 5: pool ball number one, the number, pool ball number one, zero,

744
00:33:05,400 --> 00:33:10,200
Speaker 5: number two okay, yes, pool ball number one one or

745
00:33:10,240 --> 00:33:12,520
Speaker 5: an eight pool ball number one.

746
00:33:12,520 --> 00:33:14,720
Speaker 3: He's done it. Pool ball number two's.

747
00:33:14,360 --> 00:33:15,239
Speaker 4: Done that eight and two?

748
00:33:15,400 --> 00:33:17,680
Speaker 5: Is it zero and eight?

749
00:33:18,360 --> 00:33:23,160
Speaker 3: He said, two, Now you're thinking about number two? Hashtag

750
00:33:23,160 --> 00:33:26,360
Speaker 3: It's Friday. Everyone that gold is Friday. So your post go,

751
00:33:26,520 --> 00:33:29,440
Speaker 3: does it have a zero or an eight? Call in

752
00:33:29,560 --> 00:33:31,760
Speaker 3: now if it does? Nine four one four one o

753
00:33:31,920 --> 00:33:32,400
Speaker 3: four three?

754
00:33:32,440 --> 00:33:35,920
Speaker 1: Were playing next the Christian O'Connell Breakfast Show, Melbourne's Gold

755
00:33:35,960 --> 00:33:37,120
Speaker 1: one oh four point three.

756
00:33:37,320 --> 00:33:38,200
Speaker 4: You got your questions.

757
00:33:38,640 --> 00:33:41,320
Speaker 5: I'm very excited to do some insider knowledge on our

758
00:33:41,520 --> 00:33:42,240
Speaker 5: next suburb.

759
00:33:42,440 --> 00:33:44,520
Speaker 3: Yeah all right, so where are we off to? The

760
00:33:44,600 --> 00:33:47,040
Speaker 3: numbers came up, and then where we go and what suburb.

761
00:33:47,080 --> 00:33:49,600
Speaker 5: The numbers were zero and eight if those were in

762
00:33:49,640 --> 00:33:53,600
Speaker 5: your postcode, like Jenny's Worth three zero eight four? Is

763
00:33:53,680 --> 00:33:54,400
Speaker 5: that right, Jenny?

764
00:33:54,680 --> 00:34:00,719
Speaker 4: Hey're gonna be played the music four Christine o'connells code.

765
00:34:03,760 --> 00:34:10,279
Speaker 3: Let the game Jenny, Hi, good morning, Jenny, welcome to

766
00:34:10,320 --> 00:34:15,960
Speaker 3: the show. So you're in Rosanna. Okay, Jack's got three questions.

767
00:34:16,040 --> 00:34:18,160
Speaker 3: Let's just find out whether you really are from that

768
00:34:18,280 --> 00:34:19,760
Speaker 3: area or you're a liar.

769
00:34:22,640 --> 00:34:26,319
Speaker 5: Jenny, Okay, it might not please you to know I

770
00:34:26,320 --> 00:34:28,799
Speaker 5: actually lived near Rosanna when I.

771
00:34:28,760 --> 00:34:33,920
Speaker 7: First day, and he told me that, so yes, there

772
00:34:33,960 --> 00:34:34,120
Speaker 7: we go.

773
00:34:34,239 --> 00:34:36,160
Speaker 3: Obviously, he uses it to prowl the streets to try

774
00:34:36,200 --> 00:34:36,960
Speaker 3: and find ladies.

775
00:34:39,520 --> 00:34:40,240
Speaker 4: Naughty Jack.

776
00:34:42,360 --> 00:34:45,400
Speaker 5: If I'm driving down Lower Plenty Road on Google Maps,

777
00:34:46,320 --> 00:34:49,520
Speaker 5: it will show the level crossing at Rosanna station. But

778
00:34:49,680 --> 00:34:53,200
Speaker 5: that has changed and Google Maps hasn't updated. On the

779
00:34:53,200 --> 00:34:56,480
Speaker 5: inside of knowledge would know that it's changed. What's happened?

780
00:34:57,360 --> 00:34:59,840
Speaker 10: They've put it an overhead rail lining and there's some

781
00:35:00,120 --> 00:35:00,960
Speaker 10: crossing there anymore?

782
00:35:01,160 --> 00:35:02,000
Speaker 5: That is correct?

783
00:35:02,080 --> 00:35:04,440
Speaker 3: Wow, so far, so good?

784
00:35:06,719 --> 00:35:07,480
Speaker 5: When I live.

785
00:35:11,880 --> 00:35:13,879
Speaker 3: A well done, Jenny to producer, they're online one.

786
00:35:14,760 --> 00:35:16,960
Speaker 5: I used to get my haircut at a place called

787
00:35:17,040 --> 00:35:21,600
Speaker 5: jonathan a Hare. After my haircut, I would often get hungry.

788
00:35:22,719 --> 00:35:24,719
Speaker 5: There was a subway two doors down, but I didn't

789
00:35:24,719 --> 00:35:27,120
Speaker 5: want to walk that far. So where would I go?

790
00:35:27,200 --> 00:35:28,839
Speaker 5: That was right next door.

791
00:35:31,960 --> 00:35:33,160
Speaker 7: The tackle place.

792
00:35:34,800 --> 00:35:39,160
Speaker 5: I'll give you a clothes pizza next to the subway.

793
00:35:40,080 --> 00:35:45,040
Speaker 7: Oh it's the loans now, yes.

794
00:35:45,400 --> 00:35:47,120
Speaker 4: So far so good too?

795
00:35:48,160 --> 00:35:49,040
Speaker 5: Has that changed hands?

796
00:35:49,040 --> 00:35:49,719
Speaker 3: Has it?

797
00:35:49,719 --> 00:35:50,480
Speaker 5: It's the loans.

798
00:35:50,760 --> 00:35:53,200
Speaker 10: It's very very nice.

799
00:35:53,640 --> 00:35:54,359
Speaker 5: I have to come back.

800
00:35:54,480 --> 00:35:56,400
Speaker 4: Hashtag Rosana facts.

801
00:35:57,120 --> 00:35:59,760
Speaker 5: My final question is actually a bit of a story.

802
00:36:00,080 --> 00:36:02,839
Speaker 3: Oh no, We've had enough stories, but it felt every day.

803
00:36:02,840 --> 00:36:04,879
Speaker 3: It's more of the events is of rain man. I'm

804
00:36:04,880 --> 00:36:08,640
Speaker 3: walking down the street, I hung up at my handcart. No,

805
00:36:08,719 --> 00:36:09,960
Speaker 3: I was Zach chocolats.

806
00:36:10,560 --> 00:36:12,839
Speaker 5: When I left in the sharehouse out that way. We

807
00:36:12,840 --> 00:36:17,200
Speaker 5: were once burgled. I went to the police station on

808
00:36:17,360 --> 00:36:18,200
Speaker 5: Jaker Road.

809
00:36:18,680 --> 00:36:26,279
Speaker 3: Do you know it, Jenny.

810
00:36:26,320 --> 00:36:29,919
Speaker 5: We went to identify our goods that were burgled, and

811
00:36:30,120 --> 00:36:34,000
Speaker 5: they returned them to us. Then, get this, this is

812
00:36:34,000 --> 00:36:36,920
Speaker 5: a true story. The guy who burgled the house came

813
00:36:37,000 --> 00:36:38,880
Speaker 5: out of the police station and asked us for a

814
00:36:38,920 --> 00:36:39,439
Speaker 5: lift home.

815
00:36:41,200 --> 00:36:42,640
Speaker 3: It was worth it.

816
00:36:42,800 --> 00:36:43,759
Speaker 5: This is amazing.

817
00:36:48,760 --> 00:36:53,680
Speaker 3: That's in mate. What's the question?

818
00:36:53,840 --> 00:36:54,600
Speaker 4: That's not a question?

819
00:36:55,760 --> 00:36:57,360
Speaker 3: And then stop not a question?

820
00:36:57,440 --> 00:37:01,480
Speaker 5: Market And then then the question is because of all

821
00:37:01,480 --> 00:37:03,479
Speaker 5: the hassle and all the running around, we just wanted

822
00:37:03,520 --> 00:37:04,160
Speaker 5: an easy dinner.

823
00:37:04,200 --> 00:37:05,960
Speaker 4: We went to were still angry with the munchies.

824
00:37:06,520 --> 00:37:09,400
Speaker 5: We went to a fast food restaurant that's around the

825
00:37:09,400 --> 00:37:10,680
Speaker 5: corner up on Rosanna Road.

826
00:37:10,719 --> 00:37:11,480
Speaker 4: What was it? I think?

827
00:37:11,520 --> 00:37:12,120
Speaker 3: She just hung up.

828
00:37:13,200 --> 00:37:15,160
Speaker 7: Oh it was Peter.

829
00:37:15,920 --> 00:37:16,720
Speaker 10: It was a Peza.

830
00:37:17,080 --> 00:37:19,000
Speaker 5: Now as we went to one of the major fast

831
00:37:19,040 --> 00:37:20,560
Speaker 5: food You want.

832
00:37:20,320 --> 00:37:23,160
Speaker 3: The tickets, let's just get on with it. Have the tickets.

833
00:37:23,239 --> 00:37:31,160
Speaker 5: Well it was KFC short I believe you, Jenny.

834
00:37:31,960 --> 00:37:34,160
Speaker 3: Well done, Jenny, you got your tickets. The last bear

835
00:37:34,280 --> 00:37:37,240
Speaker 3: of vib Red Hot summers or tickets. They are yours, Jenny,

836
00:37:37,239 --> 00:37:37,920
Speaker 3: you deserve them.

837
00:37:38,120 --> 00:37:39,200
Speaker 7: Thank you very very much.

838
00:37:39,200 --> 00:37:40,520
Speaker 5: I'm great to talk to you guys. A dream.

839
00:37:40,600 --> 00:37:42,640
Speaker 3: Thank you all right, Jenny, and I wish I'll give

840
00:37:42,640 --> 00:37:44,560
Speaker 3: the tickets every single one of you that go through that.

841
00:37:44,640 --> 00:37:49,400
Speaker 3: But Saturday we go. I'm going to miss the adventure

842
00:37:49,400 --> 00:37:54,120
Speaker 3: of Jack ring Man, post Gone, post code bingo. Now

843
00:37:54,160 --> 00:37:55,040
Speaker 3: do you mind if I.

844
00:37:55,120 --> 00:37:57,319
Speaker 4: Just take the show down a minute and read some

845
00:37:57,320 --> 00:37:58,239
Speaker 4: poetry to you? Jack?

846
00:37:59,320 --> 00:37:59,839
Speaker 3: What is it?

847
00:38:00,239 --> 00:38:00,319
Speaker 7: So?

848
00:38:00,360 --> 00:38:02,040
Speaker 3: If you don't mind me saying I can see you're

849
00:38:02,080 --> 00:38:04,480
Speaker 3: out of aces for a taste of your whiskey, I'll

850
00:38:04,480 --> 00:38:08,080
Speaker 3: give you some advice. If you're gonna excuse me, I'm

851
00:38:08,080 --> 00:38:11,839
Speaker 3: reading poetry. Guys, if you're going to play the game Boy,

852
00:38:11,920 --> 00:38:14,319
Speaker 3: you've got to learn to play it right. You got

853
00:38:14,320 --> 00:38:17,680
Speaker 3: to know when to hold them, when to fold them,

854
00:38:17,960 --> 00:38:21,359
Speaker 3: when to walk away, and know when to run. Not

855
00:38:21,400 --> 00:38:25,919
Speaker 3: my wise words, the wise words of Kenny Rogers. This song.

856
00:38:26,200 --> 00:38:28,239
Speaker 3: Just sit back a moment and let this go into

857
00:38:28,239 --> 00:38:34,759
Speaker 3: your heart. What a song, what a story as well

858
00:38:38,920 --> 00:38:44,600
Speaker 3: life advice. You don't count your money until afterwards, do

859
00:38:44,680 --> 00:38:52,719
Speaker 3: that later. Okay, So it's all request Friday, Okay, the

860
00:38:52,760 --> 00:38:54,799
Speaker 3: head of music. Here is a kind, decent man, Chris.

861
00:38:54,840 --> 00:38:56,320
Speaker 3: But so far a couple of you have asked for

862
00:38:56,360 --> 00:38:58,919
Speaker 3: this majestic seminal song and he said no.

863
00:38:59,200 --> 00:39:00,319
Speaker 4: Push has come to shop.

864
00:39:00,360 --> 00:39:02,840
Speaker 3: And at eight o'clock this morning, I say to you, Melbourne,

865
00:39:02,880 --> 00:39:05,440
Speaker 3: it is time for us to make a stand for

866
00:39:05,520 --> 00:39:08,880
Speaker 3: Kenny Rogers and for music and for storytelling in music.

867
00:39:09,600 --> 00:39:12,239
Speaker 3: Nine four one four one four three is the phone

868
00:39:12,280 --> 00:39:13,920
Speaker 3: number you need. You simply need to call it up

869
00:39:13,960 --> 00:39:16,759
Speaker 3: and say, yeah, it's time to play Kenny Rodgers The

870
00:39:16,760 --> 00:39:20,200
Speaker 3: Gambler ahead of music. If I get ten lines jammed

871
00:39:20,280 --> 00:39:23,799
Speaker 3: up with Kenny Rodgers fans, then we will play it. Chris,

872
00:39:24,160 --> 00:39:28,040
Speaker 3: good morning, Good morning, Christian. You are an amazing head

873
00:39:28,080 --> 00:39:31,239
Speaker 3: of music. Okay, the best in Australia. Flattery doesn't work

874
00:39:31,280 --> 00:39:36,360
Speaker 3: with me now, Chris, why don't you like Kenny Rodgers

875
00:39:36,480 --> 00:39:38,360
Speaker 3: The Gambler A great song? Chris?

876
00:39:38,520 --> 00:39:40,239
Speaker 16: I think it's fine, and I think actually we just

877
00:39:40,280 --> 00:39:42,080
Speaker 16: heard the best Bitteners, no need to hear anymore.

878
00:39:42,080 --> 00:39:45,320
Speaker 3: What do you say, ah, A low blow?

879
00:39:45,520 --> 00:39:48,319
Speaker 5: A low blow to Kenny Rogers, Chris? Is this fair

880
00:39:48,360 --> 00:39:51,759
Speaker 5: to say this song? We played some older songs on

881
00:39:51,800 --> 00:39:54,000
Speaker 5: this station, but that song is so old that It

882
00:39:54,040 --> 00:39:57,279
Speaker 5: actually sounds like the first song ever recorded? Is that

883
00:39:57,360 --> 00:39:58,279
Speaker 5: why you want to play it?

884
00:39:58,360 --> 00:40:01,399
Speaker 3: Jack's just because something's old doesn't mean it's bad. Led Zep,

885
00:40:01,400 --> 00:40:02,759
Speaker 3: you could say I an old band, but they're one

886
00:40:02,760 --> 00:40:04,200
Speaker 3: of the greatest rock and roll bands ever.

887
00:40:04,800 --> 00:40:06,839
Speaker 5: Led Zeppelin's a classic band. This sounds like.

888
00:40:06,840 --> 00:40:09,319
Speaker 3: He's a classic. Kenny Rodgers is a classic. What's the

889
00:40:09,320 --> 00:40:12,479
Speaker 3: problem with the Gambler? Do you understand the conversation's going

890
00:40:12,520 --> 00:40:14,719
Speaker 3: on on that train between him and the Gambler and

891
00:40:14,719 --> 00:40:16,120
Speaker 3: the advice he's giving him.

892
00:40:16,640 --> 00:40:18,160
Speaker 4: Some of that advice was Christian.

893
00:40:18,920 --> 00:40:20,799
Speaker 3: The best that you could hope for is to die

894
00:40:20,840 --> 00:40:23,279
Speaker 3: in your sleep, and I don't want to make it.

895
00:40:23,320 --> 00:40:24,680
Speaker 4: Really say to Pet.

896
00:40:24,560 --> 00:40:26,480
Speaker 3: How I'm going to go? I'd like to die peacefully?

897
00:40:26,560 --> 00:40:29,440
Speaker 3: So okay, wise words more wise worse than from Kenny?

898
00:40:29,600 --> 00:40:31,160
Speaker 3: How else do you want to go? In a burning fire?

899
00:40:31,239 --> 00:40:38,600
Speaker 3: Christ No music, ma'am, We've played right. Okay, that's enough

900
00:40:38,600 --> 00:40:40,719
Speaker 3: from him? Call in now, Melbourne. Do you want to

901
00:40:40,719 --> 00:40:43,960
Speaker 3: hear Kenny Rodgers the Gambler nine four one four one

902
00:40:44,160 --> 00:40:47,279
Speaker 3: oh four three. Friends, I'm asking you to help me.

903
00:40:47,480 --> 00:40:49,920
Speaker 3: Stick it to the man nine four one four one

904
00:40:49,960 --> 00:40:52,080
Speaker 3: o four three is trying to break Out, the Kenny.

905
00:40:51,920 --> 00:40:55,279
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

906
00:40:55,320 --> 00:40:55,799
Speaker 1: point three.

907
00:40:56,000 --> 00:40:58,200
Speaker 4: Alight, it's time. It's all request Friday.

908
00:40:58,239 --> 00:40:59,480
Speaker 3: Over the last couple of weeks, a couple of you

909
00:40:59,560 --> 00:41:02,000
Speaker 3: been asking for Kenny Rodgers the Gambler. Now, we always

910
00:41:02,000 --> 00:41:03,880
Speaker 3: that you pick all the music on a Friday. However,

911
00:41:04,200 --> 00:41:08,040
Speaker 3: this one song are very understanding, very supportive head of

912
00:41:08,120 --> 00:41:10,560
Speaker 3: music here. Chris has turned out to be a monster

913
00:41:10,680 --> 00:41:13,080
Speaker 3: of a man and he has said no to Kenny

914
00:41:13,160 --> 00:41:15,439
Speaker 3: Rogers the Gambler. So I say, caught up right now.

915
00:41:15,600 --> 00:41:17,520
Speaker 3: If you want me to play it next, He'll have

916
00:41:17,640 --> 00:41:21,040
Speaker 3: no choice but to concede. Nine four one four one

917
00:41:21,320 --> 00:41:24,000
Speaker 3: four three. Let's go to the lines now, Sue, Good morning,

918
00:41:25,000 --> 00:41:25,520
Speaker 3: good morning.

919
00:41:25,520 --> 00:41:26,480
Speaker 4: How are you pretty good?

920
00:41:26,520 --> 00:41:27,799
Speaker 3: Sue? And what do you want to hear?

921
00:41:28,680 --> 00:41:31,160
Speaker 10: I want to hear Kenny Rodgers, particularly the Gambler, but

922
00:41:31,239 --> 00:41:31,920
Speaker 10: anyone will do.

923
00:41:32,239 --> 00:41:34,520
Speaker 7: And Chris sucks and has no taste in music.

924
00:41:41,960 --> 00:41:45,840
Speaker 1: Kerry, Good morning, Good morning, Christian Kerry.

925
00:41:45,880 --> 00:41:47,560
Speaker 3: Do you want to hear Kenny Rogers the Gambler.

926
00:41:48,200 --> 00:41:51,080
Speaker 10: Yes, I want to hear r Kenny Rogers the Gambler.

927
00:41:51,120 --> 00:41:53,480
Speaker 7: It is a great song and I think there's nothing

928
00:41:53,480 --> 00:41:54,000
Speaker 7: wrong with you.

929
00:41:55,080 --> 00:41:55,680
Speaker 4: All right.

930
00:41:56,000 --> 00:41:57,600
Speaker 3: Thanks Jason, good morning.

931
00:41:58,360 --> 00:41:59,839
Speaker 15: I yarn and stay to the man.

932
00:42:01,239 --> 00:42:03,320
Speaker 4: You very much, brother, Thanks a lot, Jason.

933
00:42:03,719 --> 00:42:06,840
Speaker 10: Fiona, it's a country classic.

934
00:42:06,920 --> 00:42:07,720
Speaker 15: Gotta play it.

935
00:42:07,719 --> 00:42:08,400
Speaker 3: It's a classic.

936
00:42:08,440 --> 00:42:09,960
Speaker 4: That's right, Fiona, Thank you very much.

937
00:42:10,040 --> 00:42:14,040
Speaker 3: David got to thank you very much.

938
00:42:14,280 --> 00:42:16,200
Speaker 4: Cheers David, Benny boy, what do you reckon?

939
00:42:16,880 --> 00:42:20,320
Speaker 13: Give us the gambler, Give us the gambler?

940
00:42:20,360 --> 00:42:25,759
Speaker 3: Thanks man. Rebecca, Yes, the gameble please, thank you very much.

941
00:42:25,840 --> 00:42:28,800
Speaker 3: Rebecca has spoken Tim.

942
00:42:28,239 --> 00:42:29,480
Speaker 5: Today the Gable of Mit.

943
00:42:29,600 --> 00:42:32,600
Speaker 7: It's a must and should be added to your regular play,

944
00:42:32,719 --> 00:42:34,520
Speaker 7: least taking on.

945
00:42:34,480 --> 00:42:37,400
Speaker 3: The A list. Thank you very much, Tim Rosie.

946
00:42:38,080 --> 00:42:40,239
Speaker 10: Yes, why not do it?

947
00:42:40,400 --> 00:42:41,080
Speaker 3: Play the game?

948
00:42:41,440 --> 00:42:41,799
Speaker 10: Do it?

949
00:42:41,960 --> 00:42:44,000
Speaker 3: Thank you very much. Now I did what she's said. Yes,

950
00:42:45,560 --> 00:42:49,160
Speaker 3: she honestly sounds like she's reading. Is on the line now,

951
00:42:50,120 --> 00:42:54,320
Speaker 3: Dulph Vader. Chris the music Man's on the line. Chris Chris,

952
00:42:54,400 --> 00:42:56,719
Speaker 3: Chris Chris, and the words of Kenny Rogers. You've got

953
00:42:56,760 --> 00:42:58,759
Speaker 3: to know when to hold, when to fold, and when

954
00:42:58,800 --> 00:43:00,719
Speaker 3: to walk away. This time you to walk away.

955
00:43:01,320 --> 00:43:02,920
Speaker 7: Have you had sain callers saying yes.

956
00:43:02,960 --> 00:43:06,080
Speaker 3: Yes, ten yes is I thought I was.

957
00:43:06,120 --> 00:43:07,560
Speaker 7: Number ten and I was going to say I'd love

958
00:43:07,560 --> 00:43:09,000
Speaker 7: to hear Joan Jet I'll love rock.

959
00:43:08,920 --> 00:43:11,719
Speaker 3: And roll too bad, Chris two one. Christ the people

960
00:43:11,760 --> 00:43:15,080
Speaker 3: have spoken, We are playing Kenny Rogers. Enjoyed Chris, I'm

961
00:43:15,080 --> 00:43:16,960
Speaker 3: going to dedicate it to you, Chris the music Man.

962
00:43:17,000 --> 00:43:18,839
Speaker 3: Here's your song on Gold one and four point three.

963
00:43:19,000 --> 00:43:25,000
Speaker 3: Summer's on the tream Bounce, though met up with the game.

964
00:43:25,880 --> 00:43:27,520
Speaker 3: We were both too musly.

965
00:43:28,200 --> 00:43:31,640
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

966
00:43:31,640 --> 00:43:33,920
Speaker 1: point three.

967
00:43:34,920 --> 00:43:37,360
Speaker 3: You listen to Fox R and B Friday. That was

968
00:43:37,400 --> 00:43:40,319
Speaker 3: Kenny Rogers the Gambler. It's twelve missed past day. Good

969
00:43:40,320 --> 00:43:42,279
Speaker 3: morning Tho. It's Gold one of four point three all

970
00:43:42,320 --> 00:43:45,920
Speaker 3: requests Friday, the most requested song this morning, Kenny Rogers

971
00:43:46,000 --> 00:43:46,560
Speaker 3: the Gambler.

972
00:43:46,640 --> 00:43:47,960
Speaker 4: Thank you everyone. Have you enjoyed that?

973
00:43:48,239 --> 00:43:50,880
Speaker 3: I'm sure that you felt wisdom coming into from the

974
00:43:50,920 --> 00:43:52,800
Speaker 3: Greek philosopher of our times?

975
00:43:52,880 --> 00:43:55,520
Speaker 4: Kenny Rogers Now of our times?

976
00:43:55,719 --> 00:43:56,080
Speaker 3: Huh?

977
00:43:56,200 --> 00:43:57,040
Speaker 5: Not at our times?

978
00:43:57,120 --> 00:44:02,120
Speaker 3: Yeah? Gone, No, Kenny's Kenny's time is still now. He's omnipotent.

979
00:44:02,160 --> 00:44:04,000
Speaker 3: He'll always be around. A couple of weeks ago on

980
00:44:04,040 --> 00:44:06,600
Speaker 3: the show, we got a great email from a correspondent

981
00:44:06,640 --> 00:44:07,960
Speaker 3: that has to remain anonymous.

982
00:44:08,080 --> 00:44:09,440
Speaker 4: I'll tell you why, because he.

983
00:44:09,440 --> 00:44:12,080
Speaker 3: Was telling me the story, a very stressful story and

984
00:44:12,120 --> 00:44:14,680
Speaker 3: he's still living this stress as well. He went out

985
00:44:14,680 --> 00:44:16,720
Speaker 3: to buy bread, okay, on a Saturday morning.

986
00:44:16,760 --> 00:44:18,200
Speaker 4: He just went out to buy bread. But it was

987
00:44:18,239 --> 00:44:18,799
Speaker 4: a sunny day.

988
00:44:18,800 --> 00:44:21,160
Speaker 3: It was during the summer back in England, and he

989
00:44:21,239 --> 00:44:23,680
Speaker 3: walked past the second hand car showroom and he saw

990
00:44:23,680 --> 00:44:26,400
Speaker 3: a convertible car and he thought, no, I can't and

991
00:44:26,440 --> 00:44:29,600
Speaker 3: then he actually brought that car. And this is a

992
00:44:29,600 --> 00:44:31,799
Speaker 3: couple of months ago. This was in middle of July.

993
00:44:31,880 --> 00:44:34,880
Speaker 3: That was actually the hottest summer for forty years. So

994
00:44:35,600 --> 00:44:39,560
Speaker 3: his wife doesn't know he has a convertible car. So

995
00:44:39,640 --> 00:44:41,279
Speaker 3: what he does is each day he drives his car

996
00:44:41,320 --> 00:44:43,879
Speaker 3: that she knows about to a garage where the convertible

997
00:44:44,000 --> 00:44:44,440
Speaker 3: is kept.

998
00:44:44,800 --> 00:44:47,240
Speaker 4: He then gets into that and carries on his journey

999
00:44:47,280 --> 00:44:47,680
Speaker 4: to work.

1000
00:44:48,400 --> 00:44:50,880
Speaker 3: You know, the whole time knowing at any moment the

1001
00:44:50,920 --> 00:44:52,360
Speaker 3: game is going to be caught. He's going to be

1002
00:44:52,360 --> 00:44:52,759
Speaker 3: caught out.

1003
00:44:52,840 --> 00:44:53,719
Speaker 6: It's exhausting.

1004
00:44:54,080 --> 00:44:57,359
Speaker 3: Are so stressful, you know. I keep every couple of days,

1005
00:44:57,360 --> 00:44:59,000
Speaker 3: I send him an email girl as she found out.

1006
00:44:59,080 --> 00:45:01,200
Speaker 3: Yet he goes, no, it's illing me. He wants to

1007
00:45:01,239 --> 00:45:04,240
Speaker 3: be discovered. I know he wants to be discovered. But anyway,

1008
00:45:04,280 --> 00:45:06,360
Speaker 3: the thing is, then he went out to buy bread,

1009
00:45:06,400 --> 00:45:09,000
Speaker 3: you know, just get some basic groceries on a Saturday morning,

1010
00:45:09,000 --> 00:45:10,279
Speaker 3: like we all do. It's on need to do this,

1011
00:45:10,400 --> 00:45:13,680
Speaker 3: go and get milk, bread, margarine, butter, whatever, comes back

1012
00:45:14,000 --> 00:45:16,960
Speaker 3: with a second with a secondhand convertible car. Now, I

1013
00:45:17,000 --> 00:45:19,240
Speaker 3: think we've all done this where you go to buy something,

1014
00:45:19,719 --> 00:45:22,200
Speaker 3: you'll end up getting something even bigger that you didn't

1015
00:45:22,239 --> 00:45:25,440
Speaker 3: intend for. I remember once going Saturday morning shopping with

1016
00:45:25,440 --> 00:45:28,240
Speaker 3: my wife before he had kids, and I was supposed

1017
00:45:28,239 --> 00:45:31,000
Speaker 3: to go and get some shaving foam and some raisors,

1018
00:45:31,400 --> 00:45:34,080
Speaker 3: and I almost became a scientologist.

1019
00:45:35,960 --> 00:45:39,880
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

1020
00:45:39,640 --> 00:45:45,200
Speaker 3: Three brilliant song or request Friday Jones Jet in the

1021
00:45:45,200 --> 00:45:48,560
Speaker 3: Black Arts that is saw Kevin in mentone. Can't wait

1022
00:45:48,600 --> 00:45:50,880
Speaker 3: to see her a red hot summer tour. I've got

1023
00:45:50,920 --> 00:45:53,279
Speaker 3: my tickets. Uh, one of the best live acts I've

1024
00:45:53,320 --> 00:45:55,319
Speaker 3: ever seen. It's seventeen minutes past day.

1025
00:45:55,640 --> 00:45:57,719
Speaker 4: So cool on this. You went to get bread, what

1026
00:45:57,840 --> 00:45:58,719
Speaker 4: did you come back with?

1027
00:45:59,080 --> 00:46:02,600
Speaker 3: After anonymously went to get bread and came back with

1028
00:46:02,640 --> 00:46:06,520
Speaker 3: a secret convertible car that his wife still doesn't know about.

1029
00:46:06,560 --> 00:46:09,160
Speaker 4: Four months later. He's living a very, very stressful life.

1030
00:46:09,320 --> 00:46:11,360
Speaker 3: He's hidden it away at a garage that he drives

1031
00:46:11,400 --> 00:46:13,120
Speaker 3: to in his normal car that she does know about,

1032
00:46:13,280 --> 00:46:16,080
Speaker 3: swaps cars, drives to work. He can't even really enjoys

1033
00:46:16,120 --> 00:46:18,759
Speaker 3: convertible because I'd be worried even if I took it

1034
00:46:18,800 --> 00:46:20,799
Speaker 3: out for a spin, like one night or something, you know,

1035
00:46:21,040 --> 00:46:23,359
Speaker 3: I'd be too worried that someone might see me and

1036
00:46:23,400 --> 00:46:26,560
Speaker 3: then go to my wife. Ah, I saw Dave. Didn't

1037
00:46:26,560 --> 00:46:28,440
Speaker 3: know he had a brand new car. She's like, what

1038
00:46:28,840 --> 00:46:29,200
Speaker 3: all of.

1039
00:46:29,160 --> 00:46:30,600
Speaker 5: A sudden you were wearing a fake beard in the

1040
00:46:30,640 --> 00:46:32,800
Speaker 5: grousehow masth glasses with the fake nose?

1041
00:46:33,640 --> 00:46:35,520
Speaker 3: So you went to get bread? What did you come

1042
00:46:35,560 --> 00:46:38,279
Speaker 3: back with? Karen? Good morning, Good morning guys.

1043
00:46:38,320 --> 00:46:40,480
Speaker 4: How are you Yeah, we're really well, Karen, welcome to

1044
00:46:40,520 --> 00:46:40,839
Speaker 4: the show.

1045
00:46:40,840 --> 00:46:42,000
Speaker 3: What's your story for us?

1046
00:46:42,960 --> 00:46:46,399
Speaker 10: Well, my dad went to get bred and he bought

1047
00:46:46,440 --> 00:46:47,439
Speaker 10: a house on the way.

1048
00:46:49,800 --> 00:46:52,560
Speaker 3: Somehow. This is like poker. You someone raised the steaks.

1049
00:46:52,800 --> 00:46:54,240
Speaker 3: What do you mean came out with a house.

1050
00:46:55,640 --> 00:46:59,200
Speaker 10: He was going past an auction and it was in hired,

1051
00:46:59,239 --> 00:47:01,839
Speaker 10: I think, and he stopped and ended up buying it.

1052
00:47:02,719 --> 00:47:04,879
Speaker 3: That's incredible. We're going to be going someone to get

1053
00:47:04,880 --> 00:47:06,520
Speaker 3: a better one than that. He went to get bread

1054
00:47:06,520 --> 00:47:10,000
Speaker 3: and he came back with a house Karen, thank you

1055
00:47:10,080 --> 00:47:11,600
Speaker 3: very much for sharing that this morning. Have a good

1056
00:47:11,600 --> 00:47:15,920
Speaker 3: weekend mate, you too, Kelly, Good morning, Hello, how are you?

1057
00:47:16,000 --> 00:47:16,680
Speaker 3: I'm good Kelly.

1058
00:47:16,760 --> 00:47:18,279
Speaker 4: And what's your story for us this morning?

1059
00:47:18,280 --> 00:47:18,600
Speaker 3: Mate?

1060
00:47:19,200 --> 00:47:21,480
Speaker 11: My husband and I were moving house and I was

1061
00:47:21,520 --> 00:47:23,920
Speaker 11: staying behind with the removals. He went to collect a

1062
00:47:24,040 --> 00:47:27,080
Speaker 11: nine year old daughter from school, came back about now

1063
00:47:27,080 --> 00:47:28,719
Speaker 11: and a half later with a case of beer and

1064
00:47:28,800 --> 00:47:31,759
Speaker 11: no child.

1065
00:47:32,160 --> 00:47:34,520
Speaker 3: Well with the kids still at school, what do you mean?

1066
00:47:34,560 --> 00:47:36,840
Speaker 11: While she walked home, slammed the front door and said.

1067
00:47:36,640 --> 00:47:38,040
Speaker 10: He forgot me and.

1068
00:47:40,400 --> 00:47:43,919
Speaker 3: What all right? Thank you very much for sharing, Kenny.

1069
00:47:43,960 --> 00:47:45,160
Speaker 3: Have a good day, Tea.

1070
00:47:48,239 --> 00:47:49,400
Speaker 11: Hi are you, Christian?

1071
00:47:49,520 --> 00:47:51,640
Speaker 3: I'm good, Welcome to the show. Thanks for giving us

1072
00:47:51,640 --> 00:47:53,239
Speaker 3: a cool this morning. So you went to get bread,

1073
00:47:53,280 --> 00:47:54,120
Speaker 3: what did you come back with?

1074
00:47:55,160 --> 00:47:58,600
Speaker 11: A barbecue setting, a wooden table and six chairs.

1075
00:48:00,160 --> 00:48:02,919
Speaker 3: Entire patio set basically or the garden furniture match.

1076
00:48:03,120 --> 00:48:07,000
Speaker 11: I was walking past guard sale and yeah, walked.

1077
00:48:06,880 --> 00:48:10,000
Speaker 3: Out with a barb that's brilliant. Thank you very much.

1078
00:48:10,000 --> 00:48:11,040
Speaker 3: You cool. Have a nice weekend.

1079
00:48:11,560 --> 00:48:12,320
Speaker 15: You doo bye?

1080
00:48:12,360 --> 00:48:12,879
Speaker 3: All right, Keith?

1081
00:48:12,920 --> 00:48:14,400
Speaker 4: This come Then you went to get bread? What did

1082
00:48:14,400 --> 00:48:14,920
Speaker 4: you come back with?

1083
00:48:15,000 --> 00:48:18,959
Speaker 1: Nine four one four three The Christian O'Connell breakfast Show,

1084
00:48:19,080 --> 00:48:21,120
Speaker 1: Melbourne's Gold one four point three.

1085
00:48:21,320 --> 00:48:23,360
Speaker 3: We're talking this morning. Then you went to get bread?

1086
00:48:23,560 --> 00:48:25,600
Speaker 3: What did you come back with? When you go by

1087
00:48:25,640 --> 00:48:29,560
Speaker 3: something our smaller come up with something far more significant. Jill,

1088
00:48:29,560 --> 00:48:31,480
Speaker 3: good morning, good morning.

1089
00:48:33,520 --> 00:48:34,080
Speaker 10: How are you?

1090
00:48:34,200 --> 00:48:35,960
Speaker 3: I'm very good, Jill. I hope you were this morning.

1091
00:48:36,000 --> 00:48:37,880
Speaker 3: And Jill, what's your story for us?

1092
00:48:38,520 --> 00:48:44,120
Speaker 10: I went shopping last Saturday at lily Dale and ended

1093
00:48:44,160 --> 00:48:46,360
Speaker 10: up by coming back with the Holidays of Scotland.

1094
00:48:46,920 --> 00:48:47,839
Speaker 3: How did you do that?

1095
00:48:49,120 --> 00:48:49,759
Speaker 16: Just walked in?

1096
00:48:50,600 --> 00:48:52,120
Speaker 3: What do you walk into a travel agents?

1097
00:48:52,239 --> 00:48:52,920
Speaker 10: Or yeah?

1098
00:48:53,040 --> 00:48:53,239
Speaker 16: Yeah?

1099
00:48:53,280 --> 00:48:55,280
Speaker 10: I just sat down with her and I just started

1100
00:48:55,280 --> 00:48:56,960
Speaker 10: to talk to her about what I wanted to do,

1101
00:48:57,040 --> 00:48:59,160
Speaker 10: and she said where do you want to go? And

1102
00:48:59,160 --> 00:49:03,800
Speaker 10: I go, oh, with Scotland after watching Outlander and.

1103
00:49:04,600 --> 00:49:07,600
Speaker 3: Yes, do you mean do you mean Highlander?

1104
00:49:08,480 --> 00:49:11,680
Speaker 10: No Outlanders program on Netflix?

1105
00:49:12,680 --> 00:49:15,000
Speaker 4: I've seen that on there. Actually especially brilliant.

1106
00:49:15,440 --> 00:49:17,120
Speaker 10: It is absolutely fantastic.

1107
00:49:17,200 --> 00:49:18,920
Speaker 3: Now I just want to let you know, Jill, you

1108
00:49:19,600 --> 00:49:21,719
Speaker 3: Scotland is a beautiful country. Absolute some but you know

1109
00:49:21,760 --> 00:49:23,960
Speaker 3: that that Netflix series that's not a documentary, you know,

1110
00:49:23,960 --> 00:49:25,960
Speaker 3: that's a historical thing. I just don't want you being

1111
00:49:25,960 --> 00:49:29,120
Speaker 3: disappointed going this is where are the people running around

1112
00:49:29,160 --> 00:49:34,279
Speaker 3: rampaging with saws? And also, Jill, wasn't that great to

1113
00:49:34,320 --> 00:49:36,120
Speaker 3: go into a travel agent? Gi me years ago? I

1114
00:49:36,160 --> 00:49:38,080
Speaker 3: missed that when you have to go into the travel

1115
00:49:38,080 --> 00:49:40,799
Speaker 3: agents and they just had like a brochure and just photos.

1116
00:49:40,920 --> 00:49:43,280
Speaker 4: That's all you knew. There was no trip Advisor, no Internet.

1117
00:49:43,360 --> 00:49:45,799
Speaker 3: You just had to take a gamble on where you

1118
00:49:45,880 --> 00:49:48,760
Speaker 3: went might be something like the photo that you paid for.

1119
00:49:50,600 --> 00:49:53,520
Speaker 10: And I'm sure this will be. You know, it's actually

1120
00:49:53,520 --> 00:49:57,719
Speaker 10: based around the Outlander where they photo where they took

1121
00:49:57,760 --> 00:50:01,279
Speaker 10: the actual trips, you know, with I were at guys

1122
00:50:01,320 --> 00:50:02,560
Speaker 10: ran all of all of that.

1123
00:50:02,800 --> 00:50:05,239
Speaker 3: So yeah, beautiful, you have a you have a great

1124
00:50:05,239 --> 00:50:06,920
Speaker 3: time if you get the chance to go to Edinburgh

1125
00:50:06,920 --> 00:50:10,000
Speaker 3: as well. It's from the very similar city to Melbourne.

1126
00:50:10,000 --> 00:50:12,240
Speaker 3: Really loves its food and drinks, a beautiful city.

1127
00:50:12,320 --> 00:50:14,560
Speaker 10: Yeah it starts there, so yeah.

1128
00:50:14,200 --> 00:50:17,520
Speaker 3: Cool, all right, Jill, have a great time. Thanks you cool, Thank.

1129
00:50:17,360 --> 00:50:18,000
Speaker 7: You, thank you.

1130
00:50:18,040 --> 00:50:18,320
Speaker 11: Guys.

1131
00:50:19,440 --> 00:50:24,200
Speaker 4: Sharon, yes hello, yes, hello and yes hello Sharon.

1132
00:50:24,239 --> 00:50:25,640
Speaker 3: What did you you went to get Brett. What do

1133
00:50:25,719 --> 00:50:29,840
Speaker 3: you come back with a dog? A dog awesome skills?

1134
00:50:30,360 --> 00:50:31,640
Speaker 4: What do you go Bastard pet shop?

1135
00:50:31,640 --> 00:50:32,520
Speaker 3: But you know for Brett?

1136
00:50:33,320 --> 00:50:35,799
Speaker 5: Well, yeah, it's always so tempting, isn't it.

1137
00:50:39,680 --> 00:50:42,040
Speaker 10: I know he's ten weeks old.

1138
00:50:42,880 --> 00:50:43,960
Speaker 4: What kind of dog did you get?

1139
00:50:44,480 --> 00:50:45,800
Speaker 10: Love cross water Collie.

1140
00:50:46,200 --> 00:50:47,719
Speaker 3: It is only in the last couple of weeks you

1141
00:50:47,719 --> 00:50:51,839
Speaker 3: did this, Yes, ten weeks, says ten weeks ago.

1142
00:50:51,920 --> 00:50:55,359
Speaker 4: Is the last couple of weeks, you know, earth weeks or.

1143
00:50:55,680 --> 00:50:58,319
Speaker 5: You're going to wait until it's a week sol until

1144
00:50:58,320 --> 00:50:58,799
Speaker 5: you can get it?

1145
00:50:58,880 --> 00:50:59,680
Speaker 3: Is that right week?

1146
00:51:00,040 --> 00:51:01,480
Speaker 7: Yes, we got him at eight weeks old.

1147
00:51:01,520 --> 00:51:02,839
Speaker 10: We had him for two weeks.

1148
00:51:03,160 --> 00:51:05,200
Speaker 3: It's good that we cleared this up on ve Chat

1149
00:51:05,320 --> 00:51:06,839
Speaker 3: on the Christian Oconnel Breakfast Show.

1150
00:51:07,160 --> 00:51:10,399
Speaker 10: All right, no worries, have a lovely day and.

1151
00:51:10,440 --> 00:51:17,160
Speaker 3: You goodbye, Andrew. No, hello Andrew, Andrew. He pretty good. Andrew.

1152
00:51:17,360 --> 00:51:18,960
Speaker 4: You went to get bread? What did he come back with?

1153
00:51:19,280 --> 00:51:21,080
Speaker 15: A She wasn't so much made was back in the

1154
00:51:21,080 --> 00:51:22,880
Speaker 15: servance When I was a kid, My mom went to

1155
00:51:22,920 --> 00:51:24,800
Speaker 15: the milk bar to get bread, came back with a

1156
00:51:24,880 --> 00:51:25,400
Speaker 15: new husband.

1157
00:51:27,320 --> 00:51:29,279
Speaker 3: It's a very different time. That's up.

1158
00:51:29,960 --> 00:51:32,200
Speaker 4: Men used just to hang around on street corners on

1159
00:51:32,360 --> 00:51:32,919
Speaker 4: bend and knee.

1160
00:51:35,280 --> 00:51:37,560
Speaker 11: And it was only years later when I was like,

1161
00:51:37,640 --> 00:51:39,800
Speaker 11: I was wondering, why did it take so long to

1162
00:51:39,880 --> 00:51:40,759
Speaker 11: go to the milk bar?

1163
00:51:43,480 --> 00:51:45,960
Speaker 3: All the boys in the yard come for my milk?

1164
00:51:46,440 --> 00:51:48,440
Speaker 3: All right, Andrew, thank you very much, She calls. It's

1165
00:51:48,520 --> 00:51:50,200
Speaker 3: very funny to having the weekend.

1166
00:51:50,080 --> 00:51:53,439
Speaker 1: The Christian O'Connell breakfast show, Melbourne's Gold one oh four

1167
00:51:53,480 --> 00:51:53,960
Speaker 1: point three.

1168
00:51:54,080 --> 00:51:55,839
Speaker 3: All right, then let me tell you about one last drink.

1169
00:51:56,360 --> 00:52:02,360
Speaker 3: This is rock and All Radio Christian know Connall's what stream.

1170
00:52:05,920 --> 00:52:06,360
Speaker 3: Listen up.

1171
00:52:06,400 --> 00:52:08,600
Speaker 4: If you used to be in a band, this is

1172
00:52:08,640 --> 00:52:08,920
Speaker 4: for you.

1173
00:52:10,040 --> 00:52:13,280
Speaker 3: The band might not have happened, but it can still

1174
00:52:13,320 --> 00:52:15,319
Speaker 3: happen again. I've got the gig of a lifetime. I'm

1175
00:52:15,360 --> 00:52:18,480
Speaker 3: giving you a second chance. I'm giving you the opening

1176
00:52:18,560 --> 00:52:21,120
Speaker 3: slot in front of fifteen thousand people. You're opening for

1177
00:52:21,200 --> 00:52:25,120
Speaker 3: Jimmy Barnes, the Angels and loads more. Jack. How many

1178
00:52:25,200 --> 00:52:27,400
Speaker 3: days until that opening slot and we don't have a

1179
00:52:27,440 --> 00:52:28,000
Speaker 3: band yet?

1180
00:52:28,160 --> 00:52:31,600
Speaker 5: Thirty days, three hours, seventeen minutes, fifty eight seconds.

1181
00:52:31,640 --> 00:52:36,480
Speaker 3: Squeaky bum time, Melbourne. Reunite your old bands. Let us

1182
00:52:36,520 --> 00:52:38,920
Speaker 3: help you meet up with old band members if you've

1183
00:52:38,960 --> 00:52:41,399
Speaker 3: lost touch with them. Doesn't matter. You can still enter

1184
00:52:41,800 --> 00:52:44,040
Speaker 3: Gold one O four to three dot com dot au.

1185
00:52:44,360 --> 00:52:46,960
Speaker 3: It is opened for another week. Then we need to

1186
00:52:47,000 --> 00:52:48,919
Speaker 3: find the top three. Then we need to find a winner,

1187
00:52:48,960 --> 00:52:52,280
Speaker 3: because Jack, how many moments until that opening slot?

1188
00:52:52,320 --> 00:52:55,560
Speaker 5: Thirty days, three hours, seventeen minutes, thirty three seconds.

1189
00:52:55,760 --> 00:52:59,960
Speaker 3: Standard is so high. Fifty five bands have entered so far.

1190
00:53:00,160 --> 00:53:02,239
Speaker 3: It's only four and a half days old. Thank you

1191
00:53:02,320 --> 00:53:04,800
Speaker 3: very much. Everyone's getting involved. The place you need to

1192
00:53:04,840 --> 00:53:06,560
Speaker 3: go to turms about your bands. Your old band is

1193
00:53:06,600 --> 00:53:09,279
Speaker 3: Gold one O four three dot com dot au. Do

1194
00:53:09,520 --> 00:53:12,080
Speaker 3: not waste our time if you are in a band

1195
00:53:12,160 --> 00:53:16,920
Speaker 3: right now. Soone entered yesterday. Someone nted yesterday. He's actually

1196
00:53:16,960 --> 00:53:19,000
Speaker 3: what he got a gig on the day of this gig.

1197
00:53:19,640 --> 00:53:23,480
Speaker 3: N nay, naughty, Okay, we will use Google to check,

1198
00:53:23,520 --> 00:53:26,680
Speaker 3: all right, God one four to three dot com do au. So,

1199
00:53:26,840 --> 00:53:29,520
Speaker 3: like I said, standard is high. And there was a band,

1200
00:53:29,600 --> 00:53:31,719
Speaker 3: one of the first bands we spoke to called Hot

1201
00:53:31,719 --> 00:53:34,560
Speaker 3: Property and we love this song which just sounded like

1202
00:53:34,600 --> 00:53:48,960
Speaker 3: a slice of the eighties eighties keyboard wig out coming

1203
00:53:49,040 --> 00:53:51,799
Speaker 3: up now it's on a big old roll into one

1204
00:53:51,800 --> 00:53:53,560
Speaker 3: of those big eighties keyboards that the size of the

1205
00:53:53,640 --> 00:54:02,760
Speaker 3: door anyway, exciting times. They are having their first rehearsal tonight.

1206
00:54:02,800 --> 00:54:05,160
Speaker 3: We've got to find out more from the band hoot property.

1207
00:54:05,520 --> 00:54:08,000
Speaker 3: Chris is on the line. Welcome to the show, Chris.

1208
00:54:08,520 --> 00:54:10,760
Speaker 7: Gooday, Christian, Hey, young guys.

1209
00:54:10,280 --> 00:54:14,000
Speaker 3: Well listen, we're really excited one for entering this competition.

1210
00:54:14,280 --> 00:54:16,279
Speaker 3: And so tell us who's going to be meeting up

1211
00:54:16,320 --> 00:54:18,279
Speaker 3: tonight And how many years is it since your last

1212
00:54:18,360 --> 00:54:18,920
Speaker 3: jamed together?

1213
00:54:19,680 --> 00:54:23,080
Speaker 7: Well, our last our last catch up was was twenty

1214
00:54:23,120 --> 00:54:26,040
Speaker 7: eight years ago in terms of our last gig. So

1215
00:54:26,560 --> 00:54:29,279
Speaker 7: that's that's the way we calculated. So we managed to

1216
00:54:29,280 --> 00:54:31,160
Speaker 7: work that out last week when we caught up last

1217
00:54:31,160 --> 00:54:33,279
Speaker 7: Friday night for the first time.

1218
00:54:33,400 --> 00:54:35,759
Speaker 3: So what did you have a few beers last week

1219
00:54:35,840 --> 00:54:37,440
Speaker 3: and swap stories and just checking.

1220
00:54:39,160 --> 00:54:40,919
Speaker 7: We did, and we managed We man used to watch

1221
00:54:41,160 --> 00:54:42,680
Speaker 7: a little bit of video for what did a bit

1222
00:54:42,680 --> 00:54:43,920
Speaker 7: of that midnight desire one?

1223
00:54:43,960 --> 00:54:46,120
Speaker 3: And I would love to be just to see you

1224
00:54:46,160 --> 00:54:48,719
Speaker 3: guys looking watching that and watching how it used to

1225
00:54:48,719 --> 00:54:50,960
Speaker 3: be and getting excited again about playing in a band.

1226
00:54:51,120 --> 00:54:53,600
Speaker 7: Well, it was like walking back in the nineteen eighty

1227
00:54:53,600 --> 00:54:55,520
Speaker 7: six Christian. We sure all got out of the car

1228
00:54:55,640 --> 00:54:59,120
Speaker 7: and you know it was it was terrific. So we

1229
00:54:59,160 --> 00:55:01,480
Speaker 7: all got out out the car, stood around in the circle,

1230
00:55:01,520 --> 00:55:03,520
Speaker 7: steered at each other for a while, and then just said,

1231
00:55:04,560 --> 00:55:06,000
Speaker 7: are we in a TimewARP or something?

1232
00:55:06,040 --> 00:55:06,200
Speaker 3: You know?

1233
00:55:06,239 --> 00:55:09,040
Speaker 7: It was great, So we stir everything. So we went

1234
00:55:09,080 --> 00:55:12,239
Speaker 7: through and played all of those and and we've sort

1235
00:55:12,239 --> 00:55:14,360
Speaker 7: of set up for our for our first rehearsal tonight.

1236
00:55:14,680 --> 00:55:16,560
Speaker 5: Did the songs come back to you easily? Is it

1237
00:55:16,600 --> 00:55:18,239
Speaker 5: like riding a bike or do you have to learn

1238
00:55:18,280 --> 00:55:18,960
Speaker 5: them over again?

1239
00:55:19,480 --> 00:55:19,719
Speaker 3: Oh?

1240
00:55:19,760 --> 00:55:21,919
Speaker 7: Look, it was strange because they came back really quick

1241
00:55:21,960 --> 00:55:24,080
Speaker 7: and you never quite forget them. I don't think. I mean,

1242
00:55:24,080 --> 00:55:26,520
Speaker 7: we never never really stopped playing once at your Blood

1243
00:55:26,600 --> 00:55:29,440
Speaker 7: to your Blood, you never really stopped playing. But but

1244
00:55:29,480 --> 00:55:31,839
Speaker 7: we we we had a bit of an acoustic gem

1245
00:55:31,880 --> 00:55:33,799
Speaker 7: at my place here with just with the lead thing

1246
00:55:33,840 --> 00:55:36,000
Speaker 7: of last night and just to go through some of

1247
00:55:36,040 --> 00:55:39,360
Speaker 7: the lyrics and some of the little nuancewers of the songs,

1248
00:55:39,360 --> 00:55:42,760
Speaker 7: and it was, it was, it was sensational. It was great.

1249
00:55:42,840 --> 00:55:45,279
Speaker 7: So so with all of us tonight, and you know,

1250
00:55:45,960 --> 00:55:48,919
Speaker 7: nice and loud, just play it loud, it'll be it'll

1251
00:55:48,960 --> 00:55:49,440
Speaker 7: be terrific.

1252
00:55:49,560 --> 00:55:53,399
Speaker 3: You know, you you are you guys are exactly why

1253
00:55:53,440 --> 00:55:56,200
Speaker 3: we're doing this. Okay, you are exactly what this is about.

1254
00:55:56,200 --> 00:55:58,160
Speaker 3: It's about the joy of hanging out with your buddies

1255
00:55:58,160 --> 00:56:00,360
Speaker 3: and playing in a band together. So where are you

1256
00:56:00,360 --> 00:56:02,799
Speaker 3: going to be rehearsing tonight? You go around someone's in

1257
00:56:02,800 --> 00:56:04,440
Speaker 3: a garage somewhere. Where is this? Uh?

1258
00:56:04,880 --> 00:56:08,480
Speaker 7: Okay? So what we did after last week, we we

1259
00:56:08,480 --> 00:56:11,200
Speaker 7: we sort of worked the best way. We figured what

1260
00:56:11,239 --> 00:56:14,200
Speaker 7: we could do is bring I've got a full on

1261
00:56:14,360 --> 00:56:17,600
Speaker 7: PA system, so I brought that over to Steve's place

1262
00:56:19,040 --> 00:56:21,799
Speaker 7: and we said that that was on Monday. So you know,

1263
00:56:21,800 --> 00:56:24,320
Speaker 7: we weren't very keen, will we But after Friday and

1264
00:56:24,320 --> 00:56:26,080
Speaker 7: Monday night we had it over at Steeves and we

1265
00:56:26,120 --> 00:56:28,200
Speaker 7: said we've set up the system, so it's ready to go.

1266
00:56:28,239 --> 00:56:29,520
Speaker 3: To they're cooling it.

1267
00:56:29,600 --> 00:56:33,000
Speaker 5: The system and bedroom bedroom.

1268
00:56:34,520 --> 00:56:36,920
Speaker 7: Well, the reason is that Steeves is because Steve's got

1269
00:56:36,920 --> 00:56:40,359
Speaker 7: a perfect space for it. It's a really really big room.

1270
00:56:40,600 --> 00:56:43,760
Speaker 7: And in fact, when Steve originally built his house, he's

1271
00:56:43,920 --> 00:56:46,680
Speaker 7: you almost had something like that in MND, you know,

1272
00:56:46,800 --> 00:56:48,200
Speaker 7: so you probably.

1273
00:56:48,040 --> 00:56:49,720
Speaker 3: It was like the movie Fail to Dreams.

1274
00:56:49,760 --> 00:56:52,239
Speaker 4: If you build it, they will reunite.

1275
00:56:52,120 --> 00:56:52,920
Speaker 3: Where will come?

1276
00:56:53,000 --> 00:56:54,480
Speaker 13: Yes, yes, building it will come.

1277
00:56:54,600 --> 00:56:55,080
Speaker 3: That's all right.

1278
00:56:55,360 --> 00:57:01,080
Speaker 7: That's so that's terrific and look it was it. We've

1279
00:57:01,480 --> 00:57:04,760
Speaker 7: we've managed to get the whole system or all equipment

1280
00:57:04,800 --> 00:57:06,719
Speaker 7: up and running, and then last night's jam just sort

1281
00:57:06,719 --> 00:57:10,279
Speaker 7: of makes you realize what a great opportunity this is

1282
00:57:10,320 --> 00:57:13,280
Speaker 7: because they just don't come around. So so whatever happens,

1283
00:57:13,280 --> 00:57:14,360
Speaker 7: we're just really.

1284
00:57:14,200 --> 00:57:18,880
Speaker 3: Really just play heart out tonight, enjoy yourselves, do us

1285
00:57:18,880 --> 00:57:21,600
Speaker 3: a favor. Are you going to record the songs just

1286
00:57:21,640 --> 00:57:23,200
Speaker 3: to see how all sounds you can play it back?

1287
00:57:23,240 --> 00:57:26,760
Speaker 7: And yeah, again, we'll be some of that. I hope

1288
00:57:27,120 --> 00:57:28,680
Speaker 7: it's going to be. I'm not sure how well it

1289
00:57:28,680 --> 00:57:31,880
Speaker 7: will record, just purely because of the the you know,

1290
00:57:31,920 --> 00:57:33,280
Speaker 7: it's all going to be a little bit crude, I

1291
00:57:33,360 --> 00:57:37,200
Speaker 7: think initially, but being our first rehearsal, but we're certainly

1292
00:57:37,240 --> 00:57:38,400
Speaker 7: going to record something for sure.

1293
00:57:38,680 --> 00:57:40,320
Speaker 4: I'd love to hear something on Monday.

1294
00:57:40,400 --> 00:57:42,440
Speaker 3: And tell me this, then, of all the songs you've

1295
00:57:42,440 --> 00:57:44,520
Speaker 3: got when you're swapping your stories when you met up,

1296
00:57:44,720 --> 00:57:46,680
Speaker 3: what is if you had to enter this competition with

1297
00:57:46,880 --> 00:57:48,840
Speaker 3: just one song, what would it be? Out of all

1298
00:57:48,880 --> 00:57:50,919
Speaker 3: of your hits.

1299
00:57:50,880 --> 00:57:53,880
Speaker 7: Our flagship song would be a song called Minute Late,

1300
00:57:54,160 --> 00:57:58,720
Speaker 7: and that was one that we wrote I think back

1301
00:57:58,720 --> 00:58:03,040
Speaker 7: in nineteen was a think that first form that was

1302
00:58:03,520 --> 00:58:05,680
Speaker 7: and that went in re expect a little bit of

1303
00:58:06,320 --> 00:58:07,880
Speaker 7: a bit of a sniff from some of the rig.

1304
00:58:08,120 --> 00:58:10,560
Speaker 3: Yeah, I've got I've got it here. Okay, So this

1305
00:58:10,600 --> 00:58:11,760
Speaker 3: is what's it called A minute late?

1306
00:58:12,120 --> 00:58:13,080
Speaker 7: It's called it's like.

1307
00:58:13,640 --> 00:58:15,160
Speaker 3: Let's have a listened to this. I'm going to play

1308
00:58:15,160 --> 00:58:16,640
Speaker 3: it now. Can you believe it's now been played all

1309
00:58:16,640 --> 00:58:28,360
Speaker 3: these years later? It's been played on the radio. This

1310
00:58:28,520 --> 00:58:30,720
Speaker 3: is great. Mine's been of a Scottish eighties bank called

1311
00:58:30,760 --> 00:58:33,240
Speaker 3: Big Country. They have this big epic sound like this

1312
00:58:39,880 --> 00:58:42,560
Speaker 3: is this you doing the guitar work, Chris, Let's do.

1313
00:58:42,800 --> 00:58:45,720
Speaker 4: It fine, fretwork buddy, Thank you?

1314
00:58:48,360 --> 00:58:50,040
Speaker 3: Do you know what I am? I'll be thinking to

1315
00:58:50,080 --> 00:58:52,040
Speaker 3: you guys tonight. I think it's amazing what you're doing

1316
00:58:52,080 --> 00:58:54,400
Speaker 3: and I hope it goes really really well. You enjoy

1317
00:58:54,440 --> 00:58:56,160
Speaker 3: yourself and we catch up with you Monday.

1318
00:58:56,280 --> 00:58:59,919
Speaker 7: Right, Yes, fantastic. Look, thanks very much for the opportunity again,

1319
00:59:00,320 --> 00:59:01,640
Speaker 7: it's about.

1320
00:59:01,440 --> 00:59:03,840
Speaker 3: You, guys, hot property. Let's bring back the bands, all right,

1321
00:59:03,920 --> 00:59:06,160
Speaker 3: Christmas beach in Monday. Enjoy the jam.

1322
00:59:06,360 --> 00:59:07,120
Speaker 7: Thanks guys.

1323
00:59:07,440 --> 00:59:09,280
Speaker 3: All right, you've got a week to get involved. The

1324
00:59:09,320 --> 00:59:11,680
Speaker 3: standard is high, but it's still wide open. Gold one

1325
00:59:11,800 --> 00:59:13,480
Speaker 3: four three dot Com dot Au.

1326
00:59:14,320 --> 00:59:18,200
Speaker 1: The Christian O'Connell Breakfast Show on Gold one oh four

1327
00:59:18,200 --> 00:59:26,080
Speaker 1: point three, The Christian o'condle Breakfast Show, All Request Friday

1328
00:59:26,640 --> 00:59:29,120
Speaker 1: Gold one oh four point three.

1329
00:59:29,600 --> 00:59:31,919
Speaker 3: Okay, we've still got an hour left on the Breakfast Show.

1330
00:59:31,920 --> 00:59:33,760
Speaker 3: Coming up during the next hour, then we've got the

1331
00:59:33,760 --> 00:59:34,720
Speaker 3: best of Jackposts.

1332
00:59:34,760 --> 00:59:36,800
Speaker 4: Did he really say that? Come up in ten minutes time?

1333
00:59:37,120 --> 00:59:40,560
Speaker 3: Is an epic bump t edition Ten moments of wisdom

1334
00:59:40,640 --> 00:59:42,680
Speaker 3: from the mind and mouth of Jackposts coming up in

1335
00:59:42,680 --> 00:59:45,360
Speaker 3: ten minutes time. Also, it's still going to hour playing

1336
00:59:45,400 --> 00:59:48,640
Speaker 3: your song? So what song screens Friday today? To you

1337
00:59:48,640 --> 00:59:51,400
Speaker 3: give me cool? Melbourne nine four one four one oh

1338
00:59:51,480 --> 00:59:54,040
Speaker 3: four three for Kara in broad Meadow?

1339
00:59:54,160 --> 00:59:55,920
Speaker 4: Is this classic from Whitney Houston?

1340
00:59:57,080 --> 00:59:58,760
Speaker 3: This is how would I Know? In Gold one four

1341
00:59:58,760 --> 00:59:59,880
Speaker 3: point three in all request for.

1342
01:00:00,840 --> 01:00:04,240
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1343
01:00:04,240 --> 01:00:04,720
Speaker 1: point three.

1344
01:00:04,960 --> 01:00:07,400
Speaker 3: Great songs, great request this morning. Thank you very much everyone,

1345
01:00:07,440 --> 01:00:08,800
Speaker 3: it's cooling in Tall I get a song on the

1346
01:00:08,800 --> 01:00:11,120
Speaker 3: Show's n ain't Gold one oh four point three or

1347
01:00:11,160 --> 01:00:13,200
Speaker 3: requests Friday Sugar Ray every morning.

1348
01:00:14,320 --> 01:00:16,600
Speaker 4: There's been so much wisdom on today's show.

1349
01:00:16,680 --> 01:00:18,880
Speaker 3: You know, hour ago we have wisdom from Kenny Rodgers,

1350
01:00:19,160 --> 01:00:21,840
Speaker 3: and now we have the wisdom from the Buddha of

1351
01:00:21,960 --> 01:00:24,920
Speaker 3: breakfast radio. His earth name is Jack Post, and he

1352
01:00:24,920 --> 01:00:27,160
Speaker 3: walks amongst us, and he talks of you down the show.

1353
01:00:27,200 --> 01:00:29,680
Speaker 3: And there's a young child, a sixteen year old boy

1354
01:00:29,840 --> 01:00:32,520
Speaker 3: in England who listens to the daily podcast and writes

1355
01:00:32,560 --> 01:00:35,200
Speaker 3: down when Jack says anything wise, and then he sends

1356
01:00:35,200 --> 01:00:37,200
Speaker 3: it to me in a top ten format that I

1357
01:00:37,320 --> 01:00:38,040
Speaker 3: merely countdown.

1358
01:00:38,080 --> 01:00:39,000
Speaker 4: I'm really the messenger.

1359
01:00:41,240 --> 01:00:43,640
Speaker 3: It is time for this week's compiled by the Samstar,

1360
01:00:45,760 --> 01:00:47,960
Speaker 3: the best of Jack Posts. Did he really say that

1361
01:00:48,320 --> 01:00:51,240
Speaker 3: it is week eleven, Week eleventh.

1362
01:00:50,880 --> 01:00:51,600
Speaker 4: Of Jack Post?

1363
01:00:51,600 --> 01:00:53,720
Speaker 3: Did he really say that? Let's count down the top ten?

1364
01:00:54,640 --> 01:00:58,560
Speaker 3: About ten, I've never seen a bitch of a man

1365
01:00:58,600 --> 01:01:03,880
Speaker 3: next to the pyramids? Actually I probably have. At nine,

1366
01:01:03,960 --> 01:01:06,760
Speaker 3: I started to become good friends with a mushroom dealer

1367
01:01:06,760 --> 01:01:10,320
Speaker 3: in Byron May. Let's call him the mushroom guy. What's

1368
01:01:10,360 --> 01:01:10,960
Speaker 3: the lasst on that?

1369
01:01:11,000 --> 01:01:15,240
Speaker 5: By the way, I can get you something? Byron Bay

1370
01:01:15,440 --> 01:01:16,800
Speaker 5: herbal medicinal tonic.

1371
01:01:17,000 --> 01:01:20,480
Speaker 3: Sure, sure, all right. At number eight, I'm hungry and

1372
01:01:20,600 --> 01:01:24,560
Speaker 3: walking down a road. But what's the road, Rebecca, that's

1373
01:01:24,560 --> 01:01:29,040
Speaker 3: from Postco Bingo this week at seventy shock revelation that

1374
01:01:29,080 --> 01:01:32,200
Speaker 3: these exist. Hang on a minute, what's the cigarette vending machine?

1375
01:01:32,920 --> 01:01:37,680
Speaker 3: Clue the clues in the title track? That's my favorite

1376
01:01:39,080 --> 01:01:43,680
Speaker 3: six I only like Tom Cruise themed movie mechanics again

1377
01:01:43,680 --> 01:01:51,200
Speaker 3: from Postco Bingo at five, Here in the ice cream van,

1378
01:01:51,320 --> 01:01:53,360
Speaker 3: come down the roads and then going you know what,

1379
01:01:53,440 --> 01:01:55,280
Speaker 3: I'm an adult who can buy this right now?

1380
01:01:56,920 --> 01:01:57,360
Speaker 4: At four?

1381
01:01:58,400 --> 01:02:04,880
Speaker 3: The current dinosaurs as big as I'd have hoped? Is

1382
01:02:04,920 --> 01:02:06,440
Speaker 3: that from the pyramid yesterday?

1383
01:02:07,280 --> 01:02:10,320
Speaker 5: Everybody loved being accountable for what went on in that discussion.

1384
01:02:10,360 --> 01:02:13,280
Speaker 3: No one, no one was good at the Pyramid check yesterday.

1385
01:02:13,720 --> 01:02:18,760
Speaker 3: At three, I need to fill I need to fill

1386
01:02:18,800 --> 01:02:20,480
Speaker 3: up right next to my car with petrol.

1387
01:02:22,640 --> 01:02:28,880
Speaker 5: Can't quite remember that, Christian, have you eaten many bucks?

1388
01:02:32,840 --> 01:02:34,240
Speaker 5: I'm never going to an answer.

1389
01:02:39,160 --> 01:02:40,480
Speaker 3: Number one though it has to be.

1390
01:02:42,240 --> 01:02:43,600
Speaker 4: The twentieth century?

1391
01:02:44,000 --> 01:02:47,800
Speaker 3: Was that last year? Thank you Jack? That you saying stuff?

1392
01:02:48,800 --> 01:02:52,400
Speaker 1: The Christian O'Connell Breakfast Show Gold one oh four point three.

1393
01:02:53,280 --> 01:02:55,040
Speaker 3: That is it for the show this week. We are

1394
01:02:55,120 --> 01:02:57,600
Speaker 3: back Monday morning. I ask only one thing of you,

1395
01:02:57,680 --> 01:02:58,960
Speaker 3: and that's if you were in a band or you

1396
01:02:59,000 --> 01:03:01,800
Speaker 3: know somebody was, Please let them know about one last dream.

1397
01:03:02,000 --> 01:03:04,040
Speaker 3: We're asking to reunite your old bands. We have an

1398
01:03:04,080 --> 01:03:06,880
Speaker 3: opening gig, isn't It's more than a gig. It's a huge,

1399
01:03:06,920 --> 01:03:09,280
Speaker 3: mega gig in front of fifteen thousand people, and we

1400
01:03:09,360 --> 01:03:11,959
Speaker 3: need an opening band. How long to that opening slot?

1401
01:03:12,040 --> 01:03:12,600
Speaker 3: Jack Post?

1402
01:03:12,840 --> 01:03:15,439
Speaker 5: Yes, I'll tell you if you want to know.

1403
01:03:15,440 --> 01:03:18,200
Speaker 3: What he covers. Four time he shut the taps down.

1404
01:03:18,360 --> 01:03:19,560
Speaker 3: He's ready to get out of here.

1405
01:03:19,680 --> 01:03:20,600
Speaker 5: Got one foot out the door.

1406
01:03:20,680 --> 01:03:21,240
Speaker 3: Yeah, am p.

1407
01:03:21,360 --> 01:03:25,320
Speaker 5: Off thirly for Friday, three thirty days, two hours, forty

1408
01:03:25,360 --> 01:03:27,480
Speaker 5: six minutes, fifty two seconds.

1409
01:03:27,600 --> 01:03:29,160
Speaker 3: Thank you very much. What are you guys up to

1410
01:03:29,200 --> 01:03:31,360
Speaker 3: this weekend? It's Taylor Swift and taking the girls to

1411
01:03:31,400 --> 01:03:34,000
Speaker 3: see Taylor so nice. My wife has said she's not coming.

1412
01:03:34,040 --> 01:03:37,520
Speaker 3: Now what I who doesn't love the music at Taylor Swift?

1413
01:03:37,920 --> 01:03:40,560
Speaker 5: So spare ticket, all the spare tickets going.

1414
01:03:40,760 --> 01:03:42,720
Speaker 4: Taylor Swift is in town, taking the kids to that.

1415
01:03:42,760 --> 01:03:43,880
Speaker 3: What are you guys up to this weekend?

1416
01:03:43,960 --> 01:03:45,280
Speaker 5: I'm going to Taylor Swift.

1417
01:03:47,160 --> 01:03:50,560
Speaker 3: Tyler. Today's show is because of the prostitutes. Enjoy your weekend.

1418
01:03:50,640 --> 01:03:52,520
Speaker 4: We catch up with you Monday morning. Thanks for listening.

1419
01:03:52,600 --> 01:03:55,680
Speaker 1: The Christian Who Conwell Breakfast Show Melbourne's gold one oh

1420
01:03:55,760 --> 01:03:56,520
Speaker 1: four point three