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Speaker 1: Welcome the podcast. Oh what have you come across there? Mate?

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Speaker 2: Oh well obviously you guys know we're moving house at

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Speaker 2: the moment.

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Speaker 3: Yeah, and live gear everyone.

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Speaker 1: We kicked behind the curtain.

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Speaker 2: As a result, we chucked as some stuff out on

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Speaker 2: our Nature's Tribe.

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Speaker 3: Yeah. What did you check out?

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Speaker 2: Quite a few things, quite including the telescope you gave

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Speaker 2: me a while ago. I had to go fair enough.

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Speaker 2: Sim was very stern about that.

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Speaker 3: You've been holding on to it for a long time,

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Speaker 3: and I appreciate that it was a crap gift.

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Speaker 1: It was a good gift, jeez, maybe to watch the

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Speaker 1: lunar clip.

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Speaker 2: I actually remember that amazing eclipse that I watched on

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Speaker 2: the nature trip on the telescope.

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Speaker 3: I was like fourteen years ago.

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Speaker 1: It was a few years ago, but it was good.

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Speaker 2: It was all worth it for that though. It was

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Speaker 2: a huge street party. I put the telescope out in

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Speaker 2: there and everyone came this telescope and I was like, yeah, mane,

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Speaker 2: we want to watch.

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Speaker 3: The eclipse of the telescope.

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Speaker 4: Epic telescope. It was quite cumbersome to have in a

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Speaker 4: room that was quite huge. It was like an industry

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Speaker 4: huge telescope could have sold the.

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Speaker 1: Telescope, get some cash, some beers for the boys.

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Speaker 2: But anyway, uh no, it was getting on. We looked

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Speaker 2: at up, looked it up. It was yeah, it was

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Speaker 2: close to Yeah, it was close to worth nothing.

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Speaker 3: When I bought it wasn't worth that much either.

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Speaker 2: What happened? So we put it out of the nature

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Speaker 2: with everything vanished vanished. It was amazing. The natures trip

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Speaker 2: was just yeah.

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Speaker 3: Anyway, No, the telescope didn't get taken, did it. No goodness.

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Speaker 2: People have just started putting their ships hi on our pile.

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Speaker 3: So yeah, that happens.

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Speaker 5: That happened, doesn't Yeah, the classic move people jump on

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Speaker 5: the grade train.

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Speaker 1: Normally you meant.

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Speaker 5: To you're not meant to get an orange councils sort

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Speaker 5: of to say no one's allowed to put any of

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Speaker 5: their rubbish on our This is a like a was

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Speaker 5: it a scheduled pick up?

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Speaker 2: No, we just chucked it out there because we knew

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Speaker 2: people would take it. And then all of a sudden

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Speaker 2: someone just dumped some other ship on there.

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Speaker 4: I dumped a bit of stuff there. Put on the

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Speaker 4: Friends of North Good facebook page. This is his address.

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Speaker 4: Dump as much stuff there as your life.

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Speaker 1: He's going some ship there.

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Speaker 2: They're just plastic, so just put their plastic on there.

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Speaker 4: They would assume that you've got cancel permission and they're

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Speaker 4: jumping on the gravy train. They're like, oh, if you're

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Speaker 4: doing it, you must have got the permission, so we'll

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Speaker 4: just jump on that.

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Speaker 2: I can hate that. Sorry about swearing, but like, yeah

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Speaker 2: it was because I'm going to get in trouble now.

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Speaker 3: Yeah you will, and you should. I've already called the council.

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Speaker 3: It's not on. You're making a suburb look disgusting.

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Speaker 2: Where did the tip the other day? Actually, second coming tip?

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Speaker 3: How was that?

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Speaker 6: Fine?

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Speaker 2: Not as expensive as I thought. Everyone's like the tips

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Speaker 2: so expensive. It is half a car full for like

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Speaker 2: twenty five bucks. But that was about that was that

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Speaker 2: was like we did a good job to whistle it

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Speaker 2: down to half a carful to be fair. But everything else,

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Speaker 2: you know, we went through the proper channels and then

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Speaker 2: you know when you ended it. When you when you've

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Speaker 2: got like, you know, a broom that snapped in half,

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Speaker 2: no one wants that. No, yeah, yeah, yeah, you know

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Speaker 2: that that sort of gear goes to the tip. But yeah,

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Speaker 2: interesting process going to the tip.

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Speaker 3: Did you go the tip with the travelater.

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Speaker 2: No, you didn't. I wasn't in the j.

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Speaker 4: No, I'm sure I would want the same one as you.

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Speaker 4: It's like, yeah, it's a travelator. You throw it in

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Speaker 4: and it's got a moving belt down the bottom.

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Speaker 2: The scene of Star Wars.

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Speaker 4: The stuff, I thought it was extraordinary.

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Speaker 1: I didn't a conveyor belt like a conveying belt for

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Speaker 1: your rubbish.

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Speaker 2: Keep you were just watching toy story.

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Speaker 3: I might have paid extra.

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Speaker 2: To get the to travelate your trash, mate, Yeah, travelate

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Speaker 2: your trash. Did you pay? How much did you pay?

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Speaker 6: No?

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Speaker 4: I recall paying twenty five for half a cab and

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Speaker 4: I had a full car of trash.

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Speaker 3: Mind you what's not?

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Speaker 2: Yeah?

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Speaker 3: John was not trash, just bloody show.

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Speaker 4: Right Sega, Joel and poop Pants.

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Speaker 3: Captain poop Pens's.

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Speaker 2: Tip chet was pretty good. Two pounds.

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Speaker 3: I didn't mind the tip chat.

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Speaker 2: The tip jet was pretty good. Travelate your trash when we.

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Speaker 6: Got to the half of brew, and that was to

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Speaker 6: be fair.

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Speaker 2: It is hard to know what to take to the

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Speaker 2: tip these days, and you want to be a good

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Speaker 2: citizen and not take decent stuff to the tip, so

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Speaker 2: you put it out in your nature step and stuff first.

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Speaker 2: But when you're staring at half a broom and then

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Speaker 2: the questions you got to ask yourself to bring up

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Speaker 2: the going to take this off the strip?

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Speaker 6: Like that?

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Speaker 2: What's the question? What's the test for? Do I take

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Speaker 2: this to the tip? And it needs to be who want?

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Speaker 2: Who will?

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Speaker 1: Don't you take to the tip? You take pretty much anything.

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Speaker 2: Gas, very much a new You know, you've got to

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Speaker 2: look at through the lens of somebody else might want this.

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Speaker 4: I think you could fashion half a broom into a

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Speaker 4: you know, the smaller dustpan and broom.

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Speaker 2: You're going to say, like to sticks that you look

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Speaker 2: for water with the desert.

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Speaker 4: The wood people out there that can they would fashion

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Speaker 4: that into a little dust.

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Speaker 2: What about what about the non broomy part of the

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Speaker 2: half the broom? The shaft you just got a wooden stick.

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Speaker 5: Would be a cricket stump at the end of the

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Speaker 5: broom the castle turn it into a car washop.

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Speaker 2: Do you guys want my Do you guys.

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Speaker 1: Want my broken?

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Speaker 2: You didn't tell that any of yours wasn't broken. This

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Speaker 2: show recognis brought brought.

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Speaker 5: It stay at the end of the podcast will continue

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Speaker 5: the broom chat.

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Speaker 2: Well, if you want half a broom and I mean

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Speaker 2: both halves. By the way, you can't just select to

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Speaker 2: have the broom half or the non broom half. Give us,

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Speaker 2: give us kill.

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Speaker 3: I think I prefer non broom half.

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Speaker 2: It's a good question, is that you find yourself a

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Speaker 2: broken broom. Yeah, you can only take one half tall

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Speaker 2: you are as well as you're a child, and you

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Speaker 2: know you've been tasked with keeping your floor clean. You're

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Speaker 2: probably going to go for the bottom half you've got

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Speaker 2: as a five year old, You've got a perfectly proportionate broom.

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Speaker 3: You should have said it for your baby.

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Speaker 2: Tell you what is perfectly proportionate.

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Speaker 6: Yeah, this is.

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Speaker 3: The Will and Woody podcast.

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Speaker 2: Right now we are joined by the one and only

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Speaker 2: Tony Armstrong.

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Speaker 6: Hoay, Hello, how are we toane?

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Speaker 2: Welcome to the show mate. We were just talking before

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Speaker 2: the song Tony about this infamous slip of yours Skip

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Speaker 2: undergo next surgery.

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Speaker 6: Pain has a bulging dick that has been disc that

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Speaker 6: has been that's a funny one has been causing him pain.

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Speaker 2: I'm going to throw to you very quickly, Michael, to

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Speaker 2: be like prophetic in a lot of ways.

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Speaker 6: Yeah, people have been disrespecting my hard nos journalism for

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Speaker 6: too long. It's I'm glad we finally at a place

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Speaker 6: where we can shine a light on the fact that

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Speaker 6: I sort of want to walk with you and seventeen

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Speaker 6: quills for that. Thanks, guys, I really appreciate you giving

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Speaker 6: me this platform too. You're a really great Mike Years Australia.

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Speaker 2: No, let's talk about your new show. So I've got

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Speaker 2: a brand new show called A Dog's World with Tony

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Speaker 2: Armstrong and tonight eight on the A, b C and

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Speaker 2: ABC I. If you miss out and watching it tonight,

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Speaker 2: you can always stream it on iView. But here's the

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Speaker 2: trailer for the show. Here have listen.

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Speaker 6: Scientists are now uncovering how the long shared alignes between

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Speaker 6: canines and humans has fundamentally changed their biology and potentially

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Speaker 6: ours too.

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Speaker 3: Wow.

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Speaker 4: Well that's a big fact to throw into a trailer.

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Speaker 4: Dogs have changed our biology, Tony.

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Speaker 6: Yeah, yeah, you'll have to watch to find out, because.

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Speaker 2: That's all we got you on.

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Speaker 6: In all. In all seriousness, though, I think it's a

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Speaker 6: it's a really interesting show if you if you a

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Speaker 6: have a dog or be interested in, I guess the

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Speaker 6: relationship between humans and their pets, not necessarily just dog obviously.

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Speaker 6: This focus is on dogs, but the way, the way

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Speaker 6: that we interact. And I guess what was really interesting

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Speaker 6: to me was how symbiotic our relationship is with dogs.

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Speaker 6: Like the thing I learnt the most was, I guess

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Speaker 6: how they cheekily manipulate us as much as we think

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Speaker 6: we're manipulating them, like you know, puppy dog guys like

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Speaker 6: a complete learned behavior by wow.

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Speaker 2: So it's actually it's actually a thing. You get what

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Speaker 2: you want when you're.

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Speaker 6: Yeah, yeah, I mean, I mean like, like, so they've

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Speaker 6: learnt that, so dogs descendants of wolves, and then we

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Speaker 6: would like and then we would like selectively breed them

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Speaker 6: based on based on the ones we thought were.

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Speaker 2: Like the cutest example of selective breeding.

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Speaker 4: Because so you're saying, you're saying wolves were out there

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Speaker 4: delivering puppy dog eyes.

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Speaker 3: Have I gone too much of a link there, tourney.

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Speaker 6: I think I think you might have jumped too far

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Speaker 6: m million years. But what I'm saying is that, you know,

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Speaker 6: you know, the these descendants of wolves have now developed

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Speaker 6: these muscles in and around their eyes where where they

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Speaker 6: can like basically turn the puppy dogs the puppy dog

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Speaker 6: eyes on and off. And we've all we've all we've

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Speaker 6: all ball witness to to to a dog using them

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Speaker 6: on us, and what kind of what kind of heart

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Speaker 6: have you got if you're able to say no to

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Speaker 6: whatever it is that dog is after.

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Speaker 2: In that moment. I think it's always put on dog owners,

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Speaker 2: isn't it. Who's who's the well, who's the more subservient

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Speaker 2: one If you're the one who feeds them around the clock,

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Speaker 2: make sure that make sure there's comfortable, always, always cuddles them,

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Speaker 2: and then also pick up there pooh for them.

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Speaker 6: Yeah, well, it's like they absolutely know just the same

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Speaker 6: as you know everyone knew which which uncle or auntie

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Speaker 6: to go to ask for something or you know, all

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Speaker 6: of that kind.

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Speaker 2: Of so true. Your dog knows who to go to

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Speaker 2: when they want something. They know they know the person

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Speaker 2: in the room. Like there's a bunch of people that

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Speaker 2: walk into the house, they go, you're the weakest link.

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Speaker 2: You'll give me food immediately.

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Speaker 4: That's why comes to me as well, runs to me constantly,

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Speaker 4: you know, just just sniffs it sniffs.

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Speaker 6: He love me, You love me conditionally.

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Speaker 2: Hey, Tony, there's a bit of a wild rumor flying

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Speaker 2: around that you could be the bachelor next year. We're

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Speaker 2: going to talk to you about it right up. I

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Speaker 2: didn't appreciate that we slammed his fader down as well.

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Speaker 2: He couldn't rebt it. Dog's World is on tonight the

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Speaker 2: ab C eight thirty with Tony Armstrong. You're joins the

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Speaker 2: toys right now. Now, time before we get into the juice,

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Speaker 2: Let's get into a little bit of the sap, because

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Speaker 2: I know this show is all about dogs and stuff,

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Speaker 2: and I read recently you had to put your dog down.

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Speaker 6: Yeah, it was quite unfortunate and a sad and a

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Speaker 6: sad ending. But what ending is happy with dogs? We

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Speaker 6: tend to outlive them. And yeah, Junior, unfortunately about six

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Speaker 6: weeks ago I had to had to say goodbye with

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Speaker 6: the big arm mate.

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Speaker 2: It's just the worst day in the world, isn't it.

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Speaker 6: It sucked. There's no other There's no other way to

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Speaker 6: to put it. And obviously it was really it was

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Speaker 6: really sad.

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Speaker 4: But I mean, why, why, sorry, mate, why are you

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Speaker 4: doing a show called a Dog's World six weeks after

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Speaker 4: putting down your dog?

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Speaker 3: That that just feels.

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Speaker 6: Like okay, So I'll let you in a little bit

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Speaker 6: of a secret about TV Land. What we're doing is

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Speaker 6: we actually get stuck in the can and then and

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Speaker 6: then and then we release it after pull the curtain

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Speaker 6: back for it.

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Speaker 3: You just destroyed TV for me, turning you destroy.

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Speaker 2: You and I just filming TV shows.

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Speaker 3: I still don't get it.

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Speaker 2: I don't know they go out.

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Speaker 3: I don't understand. I was like, why he's on TV

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Speaker 3: just last year?

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Speaker 2: It comes out of April.

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Speaker 3: I was like, why an't I famous it? Whyn't people

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Speaker 3: noticing me in the street?

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Speaker 2: But can I ask you about that? So obviously, like

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Speaker 2: putting a dog down is the worst day in the

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Speaker 2: world I've had. I've had to put two We put

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Speaker 2: two dogs down in my time. It's a shocking day.

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Speaker 2: But can I just ask you a question? Because this

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Speaker 2: is always the very interesting part about putting a dog

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Speaker 2: down for me. So you put the dog down, let

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Speaker 2: the dog. The dog dies, right, and it's somber, like

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Speaker 2: you can hear a pin drop in the room. Is

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Speaker 2: a shocking, shocking moment, and then there's this moment.

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Speaker 6: Of like.

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Speaker 2: What are we going to do with the dog? Because

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Speaker 2: the dogs the body you have to get straight down.

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Speaker 2: The practicalities is like the funeral where you have a

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Speaker 2: meeting beforehand where it's like, oh, you know, you're gonna

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Speaker 2: bear it and then we're going to cremate them. And

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Speaker 2: you know, with a human it's quite processed, right, it's

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Speaker 2: out of your hands. But when the dog dies, the

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Speaker 2: dogs there and the person I put the dog downs, like,

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Speaker 2: so do you want me to take them? And you're like, well,

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Speaker 2: maybe weaken and then you have this very practical discussion

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Speaker 2: about what you do with the dog's body. Oh, it's

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Speaker 2: just a weird. It's one of the strangest conversations you

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Speaker 2: have in your life.

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Speaker 6: Yeah, yeah, it is. And it's and for some reason,

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Speaker 6: you kind of don't have it in front of the dog.

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Speaker 2: Yeah, yeah, you know what I mean.

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Speaker 6: It's like it's like but it's like, hey, you like,

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Speaker 6: despite what you might learn in a dog's world, yeah,

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Speaker 6: anytime on you like, they definitely can't understand the new

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Speaker 6: answer of a conversation about what we're going to do

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Speaker 6: with the body, you know, after yeah so, but but

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Speaker 6: you still you still don't want to have that conversation

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Speaker 6: around the dog.

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Speaker 2: You're like, let's do it here they're lying there, and

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Speaker 2: then you know, we ended up doing this like really

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Speaker 2: cumbersome solution with the woman, like I can take it

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Speaker 2: with me, and We're like, all right, and did you

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Speaker 2: bury it? No? She was. She was like, I can

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Speaker 2: take the dog with me. And then we were like, okay,

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Speaker 2: she did with it? Well, I have no idea, but

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Speaker 2: she was like, what do you want? How do you

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Speaker 2: want to get it in the car?

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Speaker 4: And I was like, was she even a vet?

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Speaker 2: This witch doctor? We had her to put out, witch

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Speaker 2: and we had to wrap sash her in like a

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Speaker 2: rug and throw her in the boot of like a commodore.

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Speaker 4: And I was like, what, Barry, sounds like a very dodgy, like.

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Speaker 6: A real kind of bush. League was how.

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Speaker 2: Was your burial?

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Speaker 1: Sorry?

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Speaker 2: Man?

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Speaker 1: Sorry?

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Speaker 2: Then book out Saint Peter's Basilica for us for our time.

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Speaker 6: It sucks to be you. We got booked out. Nice.

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Speaker 2: Nice, You had some Pat's booked out?

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Speaker 6: Did yeah? Well, my mind named miss Patrick, so it

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Speaker 6: was it was, yeah, beautiful, beautiful little ceremony for you there.

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Speaker 4: And we alluded to this, moving away from what to

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Speaker 4: do with the dead dog.

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Speaker 2: We're gonna we've been buried in the backyard. You're going

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Speaker 2: to bury it in the backyard. You can't put it

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Speaker 2: over there under this.

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Speaker 6: We get another dog, it'll find it.

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Speaker 3: Exactly, and then what if you move?

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Speaker 2: What if you move?

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Speaker 3: Sorry, sorry, we're moving on. We're moving on from dead dogs.

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Speaker 2: And then your mum starts going to be a good

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Speaker 2: manure for the Japanese mape. But we know that's struggling

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Speaker 2: in the corner of the garden, and that's a discussion.

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Speaker 2: It's a discussion.

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Speaker 4: Okay, we've had enough, Tony, Tony, we alluded this before

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Speaker 4: the song. There is a vicious rumor, not vicious, but

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Speaker 4: just a juicy rumor going around that you could be

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Speaker 4: the next Bachelor.

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Speaker 3: Can you speak to that, mate?

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Speaker 6: Yeah, I've heard that. Yeah, and no, Well, I mean,

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Speaker 6: I mean, I kind of. I mean, I don't. I don't.

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Speaker 6: I don't know why this rumor has happened.

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Speaker 2: To be honest, I should read wrote an article about

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Speaker 2: your mate in your idea.

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Speaker 6: All right, well there, well, there you go. I am

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Speaker 6: obviously I've obviously got Google words about myself on my

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Speaker 6: phone clearly. No yet, No, I mean not that I'm

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Speaker 6: aware of, and I'm getting.

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Speaker 2: I'll tell you what, mane. It just needs to be

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Speaker 2: a straight back.

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Speaker 6: No unless I'm unless I'm getting lampooned by absolutely everyone

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Speaker 6: that I know. I am not the Bachelor.

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Speaker 3: Okay, you're not.

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Speaker 4: But if you got asked, would you say yes?

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Speaker 6: No?

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Speaker 3: Okay, okay, okay.

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Speaker 6: Interesting, I don't think see, I don't think you believe me.

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Speaker 6: And here's the thing. What would someone who has to

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Speaker 6: keep it under wraps say? They'd say no? What does

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Speaker 6: someone who isn't going to do it gonna say? They'll

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Speaker 6: say no? So there's no way for me to win here?

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Speaker 2: True, he just told us that you are no dog

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Speaker 2: smelled with Toy Armstrong. It suns tonight eight thirty on

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Speaker 2: the ABC and ABC missed. Sounds like a cracker, mate,

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Speaker 2: have a good day pasting.

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Speaker 4: Now it's will dance floor injuries hearing your stories because

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Speaker 4: I'm gonna be honest with all. I was shocked that

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Speaker 4: the Duke of Cambridge himself didn't injure himself on the

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Speaker 4: dance floor when he ducked over to belize.

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Speaker 2: We aren't talking Prince William here.

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Speaker 4: Yes, Prince William, but you went the Duke. You just

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Speaker 4: went with the b I use his official title casually.

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Speaker 4: So he ducks over to belize working trip. He's celebrating

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Speaker 4: the Queen's jubileieze. So he ducks over to belize mummy.

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Speaker 2: Mummy's clocked up fifty years in charge. So I many

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Speaker 2: offter the Caribbean duck.

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Speaker 4: After belize with me, wife, leave the kids at home,

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Speaker 4: and he's been seeing on a dance floor.

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Speaker 2: I think Will's got moves, that does he?

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Speaker 3: I mean his hips? Wow.

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Speaker 4: The organizer Will of this dance party said he did

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Speaker 4: a punter dance better than me.

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Speaker 3: This is a punter dance, by the way. So there's

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Speaker 3: big WILLI he's there there puntering. The hips are going

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Speaker 3: to a million miles an hour.

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Speaker 2: What is a punter.

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Speaker 3: It's just a type of dance, mate, just a just

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Speaker 3: a type of dance.

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Speaker 4: Anyway.

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Speaker 2: I thought it was someone that like five bucks each way,

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Speaker 2: five o'clock.

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Speaker 3: Hot gag for everyone.

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Speaker 2: Anyway.

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Speaker 4: Yeah, I'm shocked in and injured himself because he's pushing

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Speaker 4: what he's fifty now, Prince Will?

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Speaker 3: Willie boy? How is he thirty nine? He lost his

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Speaker 3: hair young?

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Speaker 2: He logs on. I thought he was fifty, mate, even forty?

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Speaker 2: Those two well she I think she's just forty, right, okay,

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Speaker 2: and they're on the dance floor to go. I hope

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Speaker 2: I'm still on the dance floor at forty.

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Speaker 4: I hope so, but you're gonna ge injured. I think

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Speaker 4: old people on the dance floor free.

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Speaker 2: Six years older than you.

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Speaker 4: I thought he was fifty. I'm sorry I got his

404
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Speaker 4: age wrong. Anyway, because of that, we are taking dance

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Speaker 4: floor injuries. We have Natasha here. Natasha, you suffered a

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Speaker 4: dance floor injury.

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Speaker 6: I sure did what happened?

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Speaker 7: Well, I was dance battling and I'm quite competitive, and

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Speaker 7: we had the low Rider song on and I went

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Speaker 7: a bit too low in the right and I tore.

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Speaker 7: I tore a hammy. Grade two.

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Speaker 3: I mean, so grade too? Did you to hem me?

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Speaker 2: I don't even know that was a thing?

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Speaker 3: Grade too is bad. Grade three is the worst.

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Speaker 2: But grade two you really just saying you tore it

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Speaker 2: while you were in grade two? And I was like

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Speaker 2: young to be doing your hammy when I was seven

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Speaker 2: years old.

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Speaker 3: I also wasn't slap dropping to flow Rider.

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Speaker 2: She didn't say to you anywoy. Let's go, Kaitlyn. You

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Speaker 2: put words in her mouth there? You did? No, you did?

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Speaker 6: You did?

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Speaker 2: She said she was doing the limb and you call

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Speaker 2: it a drop. Let's ask you. Let's go back to Sorry, Natasha, Natasha,

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Speaker 2: are you there? Did you say that you were doing

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Speaker 2: an air drop.

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Speaker 3: No you didn't know, Thank you very splits, thanks very much.

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Speaker 2: No, that's my fu Yeah, usually I don't want to.

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Speaker 3: Let's go to Kaitlin.

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Speaker 4: Caitlyn, you're at a festival and had a dance floor injury.

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Speaker 6: Yeah.

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Speaker 8: I was at the festival in the middle of a marsh.

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Speaker 7: I was fist pumping too hard and popped out my shoulder.

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Speaker 2: Oh what was the song, Caitlyn? What were you hitting

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Speaker 2: it to?

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Speaker 6: Ship?

437
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Speaker 7: It's finally giving night.

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Speaker 2: Of all the songs. Oh, that makes a lot worse,

439
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Speaker 2: doesn't it?

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Speaker 1: Did you?

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Speaker 2: Did you? And it's got a good drop on it.

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00:20:47,280 --> 00:20:50,560
Speaker 2: It's great. Nice song to Pumpy Fizz too. Everyone doing

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Speaker 2: in their car.

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Speaker 6: Here we go, Yeah you do? It is good?

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Speaker 8: You really get going, don't you?

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Speaker 2: And then you did again, doesn't it? She put her

447
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Speaker 2: shoulder out, Yeah.

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Speaker 1: The whole thing.

449
00:21:03,480 --> 00:21:05,639
Speaker 6: Come there you go.

450
00:21:08,720 --> 00:21:10,920
Speaker 4: And then surely shoulder out, shoulder out there?

451
00:21:11,240 --> 00:21:14,280
Speaker 8: All right, Caitlin, Right.

452
00:21:15,560 --> 00:21:17,760
Speaker 2: You go up a bit, don't you You go? Double time?

453
00:21:17,920 --> 00:21:18,160
Speaker 6: Yeah?

454
00:21:18,280 --> 00:21:21,320
Speaker 2: Beautiful, thanks to the cull. I never enjoyed Fizz bumping.

455
00:21:21,440 --> 00:21:22,960
Speaker 2: It would have been funny on the road just then

456
00:21:24,760 --> 00:21:29,760
Speaker 2: watching what zero point two five percent of cars. Lisa

457
00:21:30,600 --> 00:21:33,560
Speaker 2: thirty one, six ' five. You're at to work Christmas

458
00:21:33,600 --> 00:21:35,720
Speaker 2: party dance floor and just let dance for injuries. What

459
00:21:35,760 --> 00:21:36,840
Speaker 2: was the song Let's kick it off with that?

460
00:21:37,720 --> 00:21:40,480
Speaker 7: Hi, guys, it was again Style.

461
00:21:40,600 --> 00:21:44,000
Speaker 2: Jee, Wiz Wow, all the songs.

462
00:21:44,080 --> 00:21:47,119
Speaker 4: Oh yeah, yes, you gotta you gotta move quick to that.

463
00:21:47,560 --> 00:21:48,800
Speaker 3: So what happened Lida.

464
00:21:49,760 --> 00:21:55,360
Speaker 7: At the Hey Sexy Lady part? I am no sexy lady. Yeah,

465
00:21:55,560 --> 00:21:59,040
Speaker 7: fell fell backwards, broke my ankle, dislocated my knee, and

466
00:21:59,160 --> 00:22:00,840
Speaker 7: broke my ship all in one go.

467
00:22:04,880 --> 00:22:05,960
Speaker 2: I don't know if we call it that. At a

468
00:22:06,000 --> 00:22:11,000
Speaker 2: Word Christmas party yesterday, we had a guy called Jake

469
00:22:11,040 --> 00:22:13,040
Speaker 2: who called the show that we were asking about was

470
00:22:13,040 --> 00:22:15,040
Speaker 2: the worst thing to run out of. And you and

471
00:22:15,080 --> 00:22:18,480
Speaker 2: I skirted around the issue. Jake hit the bull's eye

472
00:22:18,760 --> 00:22:22,960
Speaker 2: with undoubtedly the worst thing, Jake, worst thing to run

473
00:22:22,960 --> 00:22:23,280
Speaker 2: out of.

474
00:22:23,440 --> 00:22:25,000
Speaker 6: It has to be toilet paper.

475
00:22:25,960 --> 00:22:28,399
Speaker 2: It's a shocking mother. And you know, if you're at

476
00:22:28,440 --> 00:22:30,400
Speaker 2: a party or something, you know you got to try

477
00:22:30,400 --> 00:22:32,680
Speaker 2: and think, who's my most trusted friend here? Or jump

478
00:22:32,720 --> 00:22:34,120
Speaker 2: in the shower at a party.

479
00:22:34,480 --> 00:22:34,919
Speaker 3: You've done it?

480
00:22:35,520 --> 00:22:37,359
Speaker 2: Did you wet your hair when you went in there?

481
00:22:37,440 --> 00:22:42,439
Speaker 2: Or you don't well, don't you reversed this on me.

482
00:22:42,520 --> 00:22:46,399
Speaker 2: You're I'm showering to fleece their ass mate, showering to

483
00:22:46,400 --> 00:22:49,600
Speaker 2: fleece your ears in a stranger's house. Now I want

484
00:22:49,600 --> 00:22:51,520
Speaker 2: to delve into this a bit more. Six five.

485
00:22:51,520 --> 00:22:53,400
Speaker 4: I don't see what's weird about it. I think it's brilliant.

486
00:22:53,440 --> 00:22:55,680
Speaker 4: I think most people would have heard that and gone, oh, genius.

487
00:22:55,680 --> 00:22:57,800
Speaker 4: I wish I did that, you know, in the situation

488
00:22:57,800 --> 00:22:58,600
Speaker 4: when it happened to me.

489
00:22:58,800 --> 00:23:00,720
Speaker 2: I'm going to go to Christie has given us a

490
00:23:00,760 --> 00:23:02,600
Speaker 2: call on third end when I six or five, Christy,

491
00:23:02,680 --> 00:23:05,920
Speaker 2: you've got You've already got a question for weeks in.

492
00:23:05,840 --> 00:23:08,639
Speaker 7: This Hi, guys.

493
00:23:09,680 --> 00:23:12,640
Speaker 2: Yes, I would like to know what you do.

494
00:23:12,840 --> 00:23:15,120
Speaker 9: If you're in a toilet that doesn't have a shower,

495
00:23:15,200 --> 00:23:16,720
Speaker 9: like you just in one of those little toilets.

496
00:23:16,840 --> 00:23:17,680
Speaker 6: Is just a toilet?

497
00:23:17,720 --> 00:23:18,679
Speaker 2: Great question, Christy.

498
00:23:18,800 --> 00:23:22,280
Speaker 4: I'd probably waddle my way to the shower. There's no shower,

499
00:23:22,800 --> 00:23:26,119
Speaker 4: there's no share in the house, Christie. But it's someone

500
00:23:26,119 --> 00:23:30,680
Speaker 4: else's house. Room is someone else's house. I can Christy,

501
00:23:30,760 --> 00:23:32,720
Speaker 4: this is my world, is my world, and I will

502
00:23:32,760 --> 00:23:35,240
Speaker 4: waddle to the shower.

503
00:23:35,400 --> 00:23:38,440
Speaker 2: The point is she's made there's no shower optional. What's

504
00:23:38,480 --> 00:23:41,159
Speaker 2: your next move? That's the point, Christy, keep it right,

505
00:23:41,160 --> 00:23:42,280
Speaker 2: you can get it. Get the boys.

506
00:23:42,320 --> 00:23:44,600
Speaker 3: Keep is there? Is there a Christy?

507
00:23:45,720 --> 00:23:47,520
Speaker 7: It's happened to my partner, I have to say.

508
00:23:47,560 --> 00:23:49,359
Speaker 9: And he actually just sat there and had a power

509
00:23:49,359 --> 00:23:51,040
Speaker 9: and app till someone came and knocked on the door

510
00:23:51,040 --> 00:23:51,439
Speaker 9: to find it.

511
00:23:51,480 --> 00:23:52,120
Speaker 2: What was going on?

512
00:23:52,640 --> 00:23:54,359
Speaker 3: That is bizarre way to go about it.

513
00:23:54,359 --> 00:23:56,760
Speaker 1: I don't mind. Sleep, isn't mind.

514
00:23:57,119 --> 00:23:59,280
Speaker 4: You can't sleep on the job there, You've got to

515
00:23:59,280 --> 00:23:59,840
Speaker 4: get busy.

516
00:24:00,240 --> 00:24:01,720
Speaker 2: Genius, genius.

517
00:24:01,880 --> 00:24:03,439
Speaker 3: But someone knocks on the door and then and then

518
00:24:03,480 --> 00:24:03,720
Speaker 3: what so?

519
00:24:03,840 --> 00:24:07,600
Speaker 2: Not only I'm out of tea pee? Can you get

520
00:24:07,640 --> 00:24:08,840
Speaker 2: me some and then I'll leave.

521
00:24:10,400 --> 00:24:10,520
Speaker 6: It?

522
00:24:10,560 --> 00:24:12,600
Speaker 2: Puts it, puts the onus on somebody else?

523
00:24:12,640 --> 00:24:13,840
Speaker 3: Yeah, actually, yeah, not bad.

524
00:24:14,119 --> 00:24:17,160
Speaker 2: That's genius, Christian, it's genius. That is a good question

525
00:24:17,200 --> 00:24:19,399
Speaker 2: for you, though, I suppose this is I'm opening this

526
00:24:19,480 --> 00:24:21,359
Speaker 2: up to everybody else because it is pretty much the

527
00:24:21,400 --> 00:24:23,600
Speaker 2: worst case scenario. You're at somebody else's place, you run

528
00:24:23,640 --> 00:24:27,720
Speaker 2: out of TP, you tend to moose the chicks. Will

529
00:24:27,760 --> 00:24:28,760
Speaker 2: you moose your cheeks?

530
00:24:28,800 --> 00:24:29,520
Speaker 3: What does that mean?

531
00:24:30,000 --> 00:24:32,480
Speaker 10: You put soap in between your butt cheeks? If I

532
00:24:32,560 --> 00:24:35,240
Speaker 10: was in the shower, yes, you go to the shower. Yeah,

533
00:24:35,400 --> 00:24:37,560
Speaker 10: I would go to the shower. I would take off

534
00:24:37,560 --> 00:24:39,360
Speaker 10: my clothes. I'll get into the shower. I wouldn't give

535
00:24:39,359 --> 00:24:42,120
Speaker 10: myself a full cleanse. It'd be a very forty five seconds.

536
00:24:42,119 --> 00:24:43,119
Speaker 2: Do you use a hairnet?

537
00:24:43,280 --> 00:24:43,359
Speaker 6: Like?

538
00:24:43,400 --> 00:24:45,560
Speaker 2: Do you use do you use their shower camp?

539
00:24:45,640 --> 00:24:47,640
Speaker 4: No, just lean back or actually the shower camp's there,

540
00:24:47,640 --> 00:24:49,160
Speaker 4: I mean you use a shower cap. Well, I don't

541
00:24:49,160 --> 00:24:50,840
Speaker 4: want to get my hairwakes. I want the party knowing

542
00:24:50,920 --> 00:24:51,920
Speaker 4: you like, I would just be.

543
00:24:51,880 --> 00:24:54,800
Speaker 2: So disgusted if like I will like if I disgusted

544
00:24:54,840 --> 00:24:57,760
Speaker 2: if what? Okay, so we're having dinner, Right, you go

545
00:24:57,840 --> 00:24:59,920
Speaker 2: to the bathroom. You go to the bathroom, you're in

546
00:25:00,119 --> 00:25:02,480
Speaker 2: for a little bit longer than expected. You come back out.

547
00:25:02,840 --> 00:25:05,200
Speaker 2: I go into the bathroom, right, It's like Goldilocks and

548
00:25:05,240 --> 00:25:07,320
Speaker 2: the Three Bears, And I'm like, right, what the body

549
00:25:07,359 --> 00:25:09,879
Speaker 2: hell's going on here? But without beds it's showers, and

550
00:25:09,920 --> 00:25:14,040
Speaker 2: without porridge it's ship and anyway, you're in the shower. Yeah,

551
00:25:14,080 --> 00:25:15,479
Speaker 2: And I get in there and I'm like, all right,

552
00:25:15,480 --> 00:25:16,960
Speaker 2: well someone's obviously been in here.

553
00:25:17,160 --> 00:25:17,400
Speaker 3: Yeah.

554
00:25:17,640 --> 00:25:22,920
Speaker 2: My shower is drenched, ye, somebody, My loafer is soiled.

555
00:25:23,280 --> 00:25:26,360
Speaker 4: I didn't use your loafer past you mate.

556
00:25:26,960 --> 00:25:30,000
Speaker 3: Steal in a long game, I'm not.

557
00:25:30,440 --> 00:25:33,000
Speaker 4: The reason I'm getting the shower is to avoid soiling

558
00:25:33,080 --> 00:25:34,840
Speaker 4: any of the other things because I know there'd be

559
00:25:34,920 --> 00:25:35,639
Speaker 4: some secos out there.

560
00:25:35,640 --> 00:25:37,560
Speaker 2: What about sacrificing your own jocks?

561
00:25:38,040 --> 00:25:38,840
Speaker 3: Would never do it?

562
00:25:39,480 --> 00:25:42,720
Speaker 2: See, I've never do a selfish play for me, that's

563
00:25:42,720 --> 00:25:46,720
Speaker 2: the alternative for me, that's the alternative. You're out of TP?

564
00:25:46,920 --> 00:25:49,040
Speaker 2: What do you do with the under your joses? You

565
00:25:49,080 --> 00:25:50,240
Speaker 2: have to sacrifice your jocks?

566
00:25:50,320 --> 00:25:51,600
Speaker 4: What do you what do you do with them?

567
00:25:51,920 --> 00:25:54,000
Speaker 2: Well, you've got a couple of options there. You put

568
00:25:54,000 --> 00:25:56,080
Speaker 2: them in the in the bin in the bathroom.

569
00:25:56,280 --> 00:25:59,840
Speaker 4: Yeah, okay, that's disgusting much for someone to have a

570
00:26:00,080 --> 00:26:02,440
Speaker 4: hour in my shower rather than put soiled undies in

571
00:26:02,480 --> 00:26:04,040
Speaker 4: the small bin next to the toilet.

572
00:26:04,320 --> 00:26:08,640
Speaker 2: Well, we'll agree to disagree there. Third six five, you're

573
00:26:08,680 --> 00:26:12,040
Speaker 2: at someone else's house, you run out of TP. What's

574
00:26:12,119 --> 00:26:14,800
Speaker 2: the preferred option? Was? Yesterday were talking about the worst

575
00:26:14,840 --> 00:26:16,160
Speaker 2: thing to run out of in the world. A guy

576
00:26:16,200 --> 00:26:19,320
Speaker 2: called Jake called and he nailed it. Jake, worst thing

577
00:26:19,400 --> 00:26:21,720
Speaker 2: to run out of it has to be toilet paper.

578
00:26:22,680 --> 00:26:25,159
Speaker 2: It's a shocking and you know if you're at a

579
00:26:25,240 --> 00:26:27,080
Speaker 2: party or something. You know you you got to try

580
00:26:27,119 --> 00:26:29,360
Speaker 2: and think, who's my most trusted friend here? Or jump

581
00:26:29,400 --> 00:26:30,840
Speaker 2: in the shower at a party.

582
00:26:31,200 --> 00:26:31,639
Speaker 3: You've done it?

583
00:26:32,200 --> 00:26:34,080
Speaker 2: Did you wet your hair when you went in there?

584
00:26:34,160 --> 00:26:38,800
Speaker 2: Or did you don't? Well, don't that tea reversed this

585
00:26:38,920 --> 00:26:42,480
Speaker 2: on me. You're one showering to police their ass mate, right,

586
00:26:42,520 --> 00:26:44,280
Speaker 2: So there's a couple of questions here. The first and

587
00:26:44,320 --> 00:26:49,119
Speaker 2: foremost is is would he in any realm acceptable to

588
00:26:49,240 --> 00:26:54,040
Speaker 2: be showering his entire body in a random shower because

589
00:26:54,040 --> 00:26:56,720
Speaker 2: they haven't got any toilet paper. I think you're overstepping

590
00:26:56,720 --> 00:26:57,040
Speaker 2: the mark.

591
00:26:57,359 --> 00:26:59,600
Speaker 4: Do you not let guests shower? Are you offended when

592
00:26:59,600 --> 00:27:00,440
Speaker 4: a guest showers?

593
00:27:00,440 --> 00:27:03,199
Speaker 2: He let guest shower if I know them, and if

594
00:27:03,200 --> 00:27:05,640
Speaker 2: they're coming over for a shower, yeah, I certainly don't

595
00:27:05,680 --> 00:27:07,879
Speaker 2: let them shower if they're just running to run out

596
00:27:07,920 --> 00:27:14,000
Speaker 2: of toilet paper, get into my showers, a personal space, water,

597
00:27:14,800 --> 00:27:17,879
Speaker 2: getting nude in my house. I don't even know you.

598
00:27:17,880 --> 00:27:20,959
Speaker 3: You're getting ud anyway, No, you're not.

599
00:27:21,040 --> 00:27:21,560
Speaker 1: What do you do?

600
00:27:23,640 --> 00:27:25,679
Speaker 4: I don't like the smell attention to my shirt, so

601
00:27:25,760 --> 00:27:27,280
Speaker 4: I like to hang my shirt on the door.

602
00:27:28,359 --> 00:27:31,240
Speaker 2: Let's go to Jake. You know I've beat me there, Jake, Jake,

603
00:27:31,640 --> 00:27:35,080
Speaker 2: you're the guy called yesterday with the original issue. Let's go.

604
00:27:35,760 --> 00:27:38,840
Speaker 2: How do you solve the issue? Strangers place or random toilet?

605
00:27:38,840 --> 00:27:41,000
Speaker 2: You run out of TP? Where are you at? What's

606
00:27:41,040 --> 00:27:41,560
Speaker 2: your solution?

607
00:27:42,359 --> 00:27:45,320
Speaker 7: Well, so I was with my girlfriend at the time,

608
00:27:46,080 --> 00:27:48,159
Speaker 7: already in the toilet, have gone and.

609
00:27:48,240 --> 00:27:50,840
Speaker 6: Realized we're how the toilet paper? What do you do?

610
00:27:51,320 --> 00:27:51,960
Speaker 6: Use your socks?

611
00:27:52,160 --> 00:27:58,080
Speaker 2: No socks? So I've done the dash to the shower.

612
00:27:57,560 --> 00:28:02,320
Speaker 2: You showered by its showered?

613
00:28:03,280 --> 00:28:08,919
Speaker 8: Yes, moose to the cheet jock shade.

614
00:28:09,040 --> 00:28:12,040
Speaker 4: It's the cleanest sacrifice your job, you save your jocks.

615
00:28:12,040 --> 00:28:15,480
Speaker 4: And did you share that information with the house owner?

616
00:28:17,240 --> 00:28:19,920
Speaker 7: Well, my girlfriend caught me at the time running from

617
00:28:19,920 --> 00:28:20,960
Speaker 7: the toilet.

618
00:28:20,640 --> 00:28:23,720
Speaker 2: To the Oh, they're in different rooms. You've ran the

619
00:28:23,760 --> 00:28:27,520
Speaker 2: gilets dangerous run you're doing.

620
00:28:27,560 --> 00:28:29,040
Speaker 3: Your life's not a run into wattle track.

621
00:28:29,359 --> 00:28:31,360
Speaker 2: Thanks for the gold, Jake, Thanks for the cold Jacks. See,

622
00:28:31,359 --> 00:28:33,160
Speaker 2: the thing is as well, like we're all adults here,

623
00:28:33,200 --> 00:28:35,679
Speaker 2: so obviously once once this happens to you once, it

624
00:28:35,760 --> 00:28:37,919
Speaker 2: never happens to you again. The first thing you do

625
00:28:37,960 --> 00:28:39,800
Speaker 2: when you walk into a strangers bathroom is you do

626
00:28:40,000 --> 00:28:43,080
Speaker 2: like adjasent Bourne. I can run for three hundred meters

627
00:28:43,120 --> 00:28:46,320
Speaker 2: at this altitude until my hands shake. I can only

628
00:28:46,360 --> 00:28:49,560
Speaker 2: perve a you know, one minute until I run out

629
00:28:49,600 --> 00:28:52,280
Speaker 2: of toilet paper. So many wives. You do a full

630
00:28:52,320 --> 00:28:54,400
Speaker 2: ten point check of the room. You know where the

631
00:28:54,440 --> 00:28:57,400
Speaker 2: spears are, you go under the sink, you check the

632
00:28:57,400 --> 00:28:59,920
Speaker 2: spare cupboards, you do a full once over before you begin.

633
00:29:00,200 --> 00:29:02,360
Speaker 4: I think for two weeks after I've had the run

634
00:29:02,360 --> 00:29:04,520
Speaker 4: out moment, I'm like that, and then I forget about

635
00:29:04,520 --> 00:29:04,880
Speaker 4: it again.

636
00:29:05,320 --> 00:29:07,800
Speaker 3: I get arrogant. I get arrogant, and that's my curse.

637
00:29:08,400 --> 00:29:10,120
Speaker 3: Just walk in there flipping. They don't even look at

638
00:29:10,120 --> 00:29:11,160
Speaker 3: the roll next to the toilet.

639
00:29:11,640 --> 00:29:13,440
Speaker 4: Let's go to brook here, Brooklyn, what do you think

640
00:29:13,480 --> 00:29:14,640
Speaker 4: you do when you run out of TP?

641
00:29:16,720 --> 00:29:21,520
Speaker 9: Me, personally, I haven't experienced it, but my partner definitely has.

642
00:29:21,760 --> 00:29:22,760
Speaker 3: Yeah, okay, what did he do?

643
00:29:24,000 --> 00:29:27,400
Speaker 7: He's a trade come with in a completely empty house,

644
00:29:27,520 --> 00:29:30,160
Speaker 7: had no running water yet nothing just a toilet.

645
00:29:30,280 --> 00:29:31,920
Speaker 2: Wow, that's difficult, that's it.

646
00:29:31,920 --> 00:29:36,240
Speaker 7: So it was swim picking. It was swim picking. He

647
00:29:36,360 --> 00:29:38,240
Speaker 7: took that work off and using sock.

648
00:29:41,880 --> 00:29:43,960
Speaker 3: That's that's a very rough.

649
00:29:46,920 --> 00:29:50,360
Speaker 2: I can't sometimes. That's where you're at, mate, I've used

650
00:29:50,400 --> 00:29:51,680
Speaker 2: a shower.

651
00:29:51,720 --> 00:29:53,400
Speaker 4: I know he couldn't have his shower, but I mean,

652
00:29:53,480 --> 00:29:56,760
Speaker 4: let's just go home, mate, like getting dru but you've

653
00:29:56,800 --> 00:29:58,040
Speaker 4: got you can't.

654
00:29:58,160 --> 00:30:00,240
Speaker 2: You're not getting past the use you made. You know

655
00:30:00,280 --> 00:30:02,360
Speaker 2: what to get in your truck there. I'm sorry. The

656
00:30:02,480 --> 00:30:05,280
Speaker 2: sock is the only what's with you and being so again?

657
00:30:07,160 --> 00:30:10,719
Speaker 2: It again? You shat yourself and wash them again? Why

658
00:30:10,760 --> 00:30:12,360
Speaker 2: didn't you jog your box assorts?

659
00:30:13,560 --> 00:30:15,080
Speaker 4: I didn't put myself.

660
00:30:14,640 --> 00:30:16,640
Speaker 2: You, did you, Calvin Klein?

661
00:30:16,800 --> 00:30:19,360
Speaker 4: Oh yeah, no that I did put myself absolutely will.

662
00:30:19,360 --> 00:30:22,000
Speaker 4: But I'm saying this scenario. You haven't pooped yourself. You've

663
00:30:22,000 --> 00:30:22,960
Speaker 4: just got a little bit there.

664
00:30:23,480 --> 00:30:23,960
Speaker 2: Go home.

665
00:30:24,160 --> 00:30:27,720
Speaker 4: Anyway, it's got a Darren here, Darren before we got

666
00:30:27,720 --> 00:30:28,480
Speaker 4: to Darren Brook.

667
00:30:28,560 --> 00:30:29,880
Speaker 2: We just go back to Brook because there are a

668
00:30:29,880 --> 00:30:33,200
Speaker 2: lot of women calling here with a lot of solutions,

669
00:30:33,200 --> 00:30:36,000
Speaker 2: which is just use your hannahs a woman. When I

670
00:30:36,000 --> 00:30:38,000
Speaker 2: speak to Hannah very I haven't a discussion about this.

671
00:30:38,480 --> 00:30:41,560
Speaker 2: Women often carry these reserve tissues.

672
00:30:42,160 --> 00:30:42,960
Speaker 3: Yeah, I've seen that.

673
00:30:42,920 --> 00:30:46,000
Speaker 2: They've got these like handy little packets of reserve tissues

674
00:30:46,040 --> 00:30:49,080
Speaker 2: which they use, which they've just got They've just got

675
00:30:49,120 --> 00:30:51,480
Speaker 2: these tissues on the fly which they can use any stand.

676
00:30:51,560 --> 00:30:53,400
Speaker 4: So they've also got a handbag, do you know what

677
00:30:53,440 --> 00:30:55,920
Speaker 4: I mean? They've they've got supplies. It's it's women are

678
00:30:55,960 --> 00:30:58,920
Speaker 4: amazing like that. They just think ahead. They think of

679
00:30:58,960 --> 00:31:02,080
Speaker 4: all the situations that could possibly idea with it. Guys,

680
00:31:02,240 --> 00:31:04,960
Speaker 4: we just gon't. We're arrogant, we're brash, and we're just

681
00:31:05,080 --> 00:31:07,400
Speaker 4: charging the situations with no plan and we end up

682
00:31:07,440 --> 00:31:12,920
Speaker 4: sharing in random's houses the toilet paper. Darren, you've got

683
00:31:12,920 --> 00:31:14,120
Speaker 4: another solution, mate.

684
00:31:15,000 --> 00:31:19,120
Speaker 8: Yeah, so you at a mates party upstairs calling out

685
00:31:19,160 --> 00:31:23,080
Speaker 8: for the old TP, and no one obviously entred. So

686
00:31:23,400 --> 00:31:26,440
Speaker 8: I waddled across to the drawers and found a pair

687
00:31:26,440 --> 00:31:28,040
Speaker 8: of sit and cut the sleeves off my shirt.

688
00:31:28,440 --> 00:31:35,280
Speaker 2: Oh sucks.

689
00:31:36,400 --> 00:31:40,280
Speaker 8: It was a good solution to a bad situation, Darren.

690
00:31:40,640 --> 00:31:43,160
Speaker 2: What about your were your jocks?

691
00:31:44,480 --> 00:31:46,520
Speaker 8: Your jocks? Now, I don't put down the dunny, but

692
00:31:46,680 --> 00:31:47,160
Speaker 8: good enough.

693
00:31:47,440 --> 00:31:48,880
Speaker 2: But you flushed the sleeves?

694
00:31:49,080 --> 00:31:49,880
Speaker 1: Did you flush?

695
00:31:50,760 --> 00:31:51,920
Speaker 8: They're any short sleeves?

696
00:31:51,920 --> 00:31:55,360
Speaker 2: And whatever? He runs over? Did you go back to

697
00:31:55,400 --> 00:31:57,440
Speaker 2: the party when you were when you're.

698
00:31:57,240 --> 00:32:01,640
Speaker 8: Wearing I said, I've got a bit up the Danny's

699
00:32:01,640 --> 00:32:02,840
Speaker 8: will cut me slaves.

700
00:32:02,480 --> 00:32:07,040
Speaker 4: Of coming up next? Were there are more will and

701
00:32:07,120 --> 00:32:10,040
Speaker 4: Woody the Will and Woody podcast.

702
00:32:10,400 --> 00:32:13,160
Speaker 2: We're going to perform a little improv Will and Woodies.

703
00:32:13,400 --> 00:32:15,240
Speaker 2: Let's say the first thing that popped into your head

704
00:32:15,360 --> 00:32:20,800
Speaker 2: lost the plot? I don't mind say? All right, so

705
00:32:20,920 --> 00:32:23,600
Speaker 2: I explained a movie plot really badly. It's Woody versus

706
00:32:23,600 --> 00:32:28,440
Speaker 2: Australia to see who can guess the movie first. Woods

707
00:32:28,720 --> 00:32:30,680
Speaker 2: Today is actually one of my favorite themes. We're going

708
00:32:30,720 --> 00:32:33,840
Speaker 2: to be doing improv moments in films that you didn't

709
00:32:33,880 --> 00:32:34,320
Speaker 2: know about.

710
00:32:34,480 --> 00:32:34,960
Speaker 3: Oh cool.

711
00:32:35,400 --> 00:32:37,480
Speaker 2: And this is based on and the reason we're doing

712
00:32:37,480 --> 00:32:40,720
Speaker 2: this is because I listened to a podcast called The Rewatchables,

713
00:32:40,960 --> 00:32:43,720
Speaker 2: if anyone's heard, that's a cracking podcast of your India films,

714
00:32:44,400 --> 00:32:46,960
Speaker 2: and they were talking about The Godfather, so obviously one

715
00:32:46,960 --> 00:32:51,120
Speaker 2: of the most well known movies, most highly decorated movies

716
00:32:51,160 --> 00:32:54,240
Speaker 2: of all time, and they're talking about this scene in

717
00:32:54,360 --> 00:32:58,840
Speaker 2: The Godfather where the guy who plays Luca Brazi, who's

718
00:32:58,840 --> 00:33:02,000
Speaker 2: the hit man in The godfatherh's Lenny Montana. He's sitting

719
00:33:02,040 --> 00:33:05,240
Speaker 2: out the front of the wedding of Don Corleone's house

720
00:33:05,280 --> 00:33:07,640
Speaker 2: at the wedding, the opening wedding scene and The Godfather,

721
00:33:07,840 --> 00:33:11,200
Speaker 2: and he's rocking back and forth and repeating this line saying, Godfather,

722
00:33:11,240 --> 00:33:13,200
Speaker 2: my name is Luca Brasi. And he says it and

723
00:33:13,240 --> 00:33:14,840
Speaker 2: says and says it again. So have a listen here,

724
00:33:16,760 --> 00:33:20,080
Speaker 2: I am but your home.

725
00:33:22,760 --> 00:33:24,520
Speaker 3: That is talking to himself.

726
00:33:26,280 --> 00:33:29,960
Speaker 2: That scary guy over there, he's a very scary Who

727
00:33:30,040 --> 00:33:30,880
Speaker 2: is he? What's his name?

728
00:33:31,520 --> 00:33:32,840
Speaker 1: His name is Luca Brasi.

729
00:33:33,160 --> 00:33:35,080
Speaker 2: So he's sitting there, he's repeating this line, my name

730
00:33:35,160 --> 00:33:38,240
Speaker 2: is gone don colo, my name is Luca Brasi, yadda.

731
00:33:38,280 --> 00:33:39,840
Speaker 2: He repeats the line over and over and over again.

732
00:33:39,920 --> 00:33:41,880
Speaker 2: And it turns out that the line that he was

733
00:33:41,920 --> 00:33:45,640
Speaker 2: repeating was actually not in the script. That was just

734
00:33:45,960 --> 00:33:49,920
Speaker 2: the actor. The character was so nervous. The actor was

735
00:33:49,920 --> 00:33:52,240
Speaker 2: so nervous about doing a scene with Marlon Brando that

736
00:33:52,280 --> 00:33:53,720
Speaker 2: he was just sitting out in the front of that

737
00:33:54,480 --> 00:33:56,440
Speaker 2: room practicing his line.

738
00:33:56,200 --> 00:33:58,520
Speaker 3: Get lost, and they picked it up on audio.

739
00:33:58,600 --> 00:34:00,640
Speaker 2: Yeah, and so they heard in the back and Francis

740
00:34:00,680 --> 00:34:03,280
Speaker 2: Ford Cobblo, who's the director, he's shooting this scene with

741
00:34:03,280 --> 00:34:05,480
Speaker 2: Paccino and Diane keating in front of him, goes just

742
00:34:06,680 --> 00:34:08,560
Speaker 2: keep going because it looks like he's so nervous to

743
00:34:08,600 --> 00:34:11,560
Speaker 2: meet the Godfather, but in reality, he was actually just

744
00:34:11,640 --> 00:34:15,439
Speaker 2: so nervous to meet Marlon Brando to do a scene

745
00:34:15,440 --> 00:34:15,680
Speaker 2: with him.

746
00:34:15,719 --> 00:34:16,680
Speaker 3: Did he nail the line?

747
00:34:17,320 --> 00:34:21,000
Speaker 2: No, he actually stumbles. He actually rum was in the scene.

748
00:34:21,000 --> 00:34:24,400
Speaker 2: It's amazing. Godfather again, you'll know all about that. But

749
00:34:24,440 --> 00:34:26,239
Speaker 2: let's get into the movies where Doug, we're not going

750
00:34:26,239 --> 00:34:27,840
Speaker 2: to do The Godfather. I know it's a bit old.

751
00:34:28,000 --> 00:34:29,640
Speaker 2: Don't worry if you need to lost the plot. These

752
00:34:29,680 --> 00:34:34,759
Speaker 2: are all pretty relevant big films. First one here here

753
00:34:34,800 --> 00:34:36,680
Speaker 2: we Go. This has a big improv scene. Actually, I

754
00:34:36,719 --> 00:34:38,800
Speaker 2: didn't know this was involved in improv scene. It involves

755
00:34:38,840 --> 00:34:41,840
Speaker 2: one of my newest favorite actors. A bit of improv

756
00:34:41,920 --> 00:34:43,400
Speaker 2: from one of my newest favorite actors.

757
00:34:43,680 --> 00:34:43,960
Speaker 6: Oh.

758
00:34:44,239 --> 00:34:48,560
Speaker 2: The plot of the movie, though, Jewelry Thief causes so

759
00:34:48,719 --> 00:34:54,200
Speaker 2: much drama. Half the staff are laid off thirty one

760
00:34:54,200 --> 00:34:56,359
Speaker 2: O six ' five. If you think you know what

761
00:34:56,400 --> 00:35:00,359
Speaker 2: that movie is, it's Woody versus Australia. Jewelry Thief is

762
00:35:00,360 --> 00:35:03,680
Speaker 2: so much drama that half the staff are laid off.

763
00:35:05,000 --> 00:35:06,480
Speaker 2: All you have to do is say the first thing

764
00:35:06,520 --> 00:35:07,120
Speaker 2: that comes into.

765
00:35:07,000 --> 00:35:12,880
Speaker 4: Your head, some fifty one sheets have lost.

766
00:35:13,080 --> 00:35:16,920
Speaker 2: What hell is even that? All right? Do you want

767
00:35:16,920 --> 00:35:18,240
Speaker 2: to have a crack at this entrapment?

768
00:35:18,880 --> 00:35:19,080
Speaker 6: No?

769
00:35:19,640 --> 00:35:20,600
Speaker 1: Okay, yes, great?

770
00:35:21,000 --> 00:35:24,520
Speaker 2: Did you want to explain it? Don't now, No, don't

771
00:35:24,560 --> 00:35:24,920
Speaker 2: come on.

772
00:35:25,080 --> 00:35:26,879
Speaker 4: I don't now you've embarrassed half the stuff.

773
00:35:27,200 --> 00:35:29,040
Speaker 2: Tell you what I mean? This is good, This is good.

774
00:35:29,040 --> 00:35:31,080
Speaker 2: This one can I say? But this is a bit

775
00:35:31,080 --> 00:35:32,680
Speaker 2: of magic from our button Bush and Joel. This is

776
00:35:32,680 --> 00:35:34,280
Speaker 2: a huge movie.

777
00:35:34,120 --> 00:35:36,080
Speaker 4: The Dark Knight. Now hear me out because at the

778
00:35:36,120 --> 00:35:41,800
Speaker 4: start the Joker steals from plus they kill the last

779
00:35:41,800 --> 00:35:43,840
Speaker 4: person that works on the bit. At the start of

780
00:35:43,840 --> 00:35:45,920
Speaker 4: the Dark Knight, it's always like, kill the last person.

781
00:35:46,120 --> 00:35:47,439
Speaker 3: So half the staff's laid off.

782
00:35:47,560 --> 00:35:49,680
Speaker 2: It's just the last person. It's not half the stuff.

783
00:35:49,800 --> 00:35:56,560
Speaker 2: Not fair enough. The word half is specific to this film. Half. Yes,

784
00:35:57,320 --> 00:36:00,480
Speaker 2: and it's a big movie. I'm going to go to Finn.

785
00:36:00,760 --> 00:36:01,680
Speaker 3: Okay, fair enough.

786
00:36:02,000 --> 00:36:02,919
Speaker 2: Do you want to have another crank?

787
00:36:02,960 --> 00:36:04,040
Speaker 3: Now, I don't go to Finn.

788
00:36:04,120 --> 00:36:07,400
Speaker 2: What's the movie I'll searching first, sucker?

789
00:36:07,440 --> 00:36:07,720
Speaker 6: Wouldy?

790
00:36:08,120 --> 00:36:08,760
Speaker 3: Thanks? Mate?

791
00:36:09,520 --> 00:36:13,440
Speaker 8: And the movie is Avengers because you know Sano steals

792
00:36:13,480 --> 00:36:14,560
Speaker 8: the stones the jewelry.

793
00:36:15,160 --> 00:36:18,359
Speaker 2: Yeah, oh very good, So that you can wipe out

794
00:36:18,360 --> 00:36:24,680
Speaker 2: half the universe and set balance back. Yes, Ben Finn, Well,

795
00:36:25,000 --> 00:36:27,879
Speaker 2: have yourself a Spinale's pillow, mate, that's great gear, well done,

796
00:36:27,920 --> 00:36:30,120
Speaker 2: You've got that one. Now the improv scene. Do you

797
00:36:30,120 --> 00:36:31,960
Speaker 2: know the improv scene in the movie, Finn, These were

798
00:36:32,000 --> 00:36:35,000
Speaker 2: all famous? Yeah? Which one? Yeah?

799
00:36:35,200 --> 00:36:37,520
Speaker 8: You know when they snapped the fingers at the end

800
00:36:37,520 --> 00:36:41,680
Speaker 8: and Tom Holland Spider Man goes away, Yes, and he goes,

801
00:36:41,760 --> 00:36:44,359
Speaker 8: I don't see what's so good? It's the star. Yeah,

802
00:36:44,480 --> 00:36:46,120
Speaker 8: that's our improv, yes.

803
00:36:46,040 --> 00:36:47,960
Speaker 3: Finn is what do you mean?

804
00:36:48,040 --> 00:36:48,480
Speaker 4: It's improv.

805
00:36:48,920 --> 00:36:52,000
Speaker 2: So there's a bit there where Thanos snaps his and

806
00:36:52,000 --> 00:36:54,480
Speaker 2: obviously at that moment, you know, half the half the

807
00:36:54,520 --> 00:36:57,759
Speaker 2: people in the universe die. There's a moment where Peter

808
00:36:57,840 --> 00:37:00,520
Speaker 2: Parker Tom Holland hat realizes that he's about to get

809
00:37:00,600 --> 00:37:03,760
Speaker 2: wiped away and Tony Stark catches him. You'd remember the scene,

810
00:37:04,040 --> 00:37:07,120
Speaker 2: and all the dialogue in that scene is improv. Tom

811
00:37:07,120 --> 00:37:10,160
Speaker 2: Holland im, I don't know what's.

812
00:37:12,320 --> 00:37:14,840
Speaker 6: I don't want to you don't want to go spirit please?

813
00:37:15,360 --> 00:37:17,520
Speaker 1: Well you don't want to go?

814
00:37:19,080 --> 00:37:22,080
Speaker 3: Oh that is such a good scene. That's improt.

815
00:37:22,360 --> 00:37:24,080
Speaker 2: I'll give you another. I'll give you a round fort

816
00:37:24,160 --> 00:37:25,799
Speaker 2: give another spinal les pillar if I had one, but

817
00:37:25,800 --> 00:37:29,200
Speaker 2: we're running out. That's all you make. Congratulations a great yap,

818
00:37:29,400 --> 00:37:31,520
Speaker 2: huge massive scene. Yeah, Tom Holand, I mean He's good,

819
00:37:31,520 --> 00:37:35,520
Speaker 2: isn't he all right? Next one? Who seeks five? If

820
00:37:35,520 --> 00:37:40,399
Speaker 2: you think you know the film Six Women Redecorate Dress Shop?

821
00:37:41,600 --> 00:37:46,200
Speaker 4: Uh, Brian Bride's made Bride Wars Bride's God damn it,

822
00:37:46,560 --> 00:37:49,359
Speaker 4: you know I know the movie Kristen Wig Frank gets

823
00:37:49,400 --> 00:37:49,919
Speaker 4: Bride's maids.

824
00:37:50,000 --> 00:37:54,440
Speaker 2: Yes, correat, well done, Thank goodness, thank you.

825
00:37:55,719 --> 00:37:59,160
Speaker 4: I'll put themselves in a wedding dress.

826
00:38:01,880 --> 00:38:05,360
Speaker 3: No now, look away, mega, no look away?

827
00:38:07,000 --> 00:38:07,839
Speaker 1: What we eat?

828
00:38:08,440 --> 00:38:10,400
Speaker 3: Who thinks are going on?

829
00:38:11,120 --> 00:38:12,120
Speaker 4: It's coming on to me?

830
00:38:12,280 --> 00:38:15,560
Speaker 2: Like Lava and Melisa McCartney in that scene and in

831
00:38:15,600 --> 00:38:17,440
Speaker 2: most of her scenes in that movie, all improp. She's

832
00:38:17,480 --> 00:38:18,440
Speaker 2: an improv champ.

833
00:38:18,280 --> 00:38:20,359
Speaker 3: So she's very fake, pretty much just flight.

834
00:38:20,480 --> 00:38:23,160
Speaker 2: Did we have another one from her in that movie? No,

835
00:38:23,239 --> 00:38:24,960
Speaker 2: we didn't know, we didn't, But yeah, she's pretty much

836
00:38:24,960 --> 00:38:26,759
Speaker 2: of flies off the handle in that movie. It's all

837
00:38:26,760 --> 00:38:30,080
Speaker 2: her own gear. Final One. It's one off one all

838
00:38:30,120 --> 00:38:31,080
Speaker 2: with Australia at the moment.

839
00:38:31,120 --> 00:38:31,680
Speaker 3: It's very exciting.

840
00:38:31,680 --> 00:38:33,120
Speaker 4: Do you get a writer's credit for that? If you're

841
00:38:33,120 --> 00:38:35,560
Speaker 4: improvising all the time. Wouldn't have thought so do that's

842
00:38:35,640 --> 00:38:37,959
Speaker 4: un lucky anyway, go on, I wouldn't.

843
00:38:37,600 --> 00:38:39,399
Speaker 2: Have thought taken up with the studio mate, I will

844
00:38:39,640 --> 00:38:42,200
Speaker 2: I will get him other fun. Here we go, final

845
00:38:42,280 --> 00:38:44,640
Speaker 2: one here thirty one six five. If you think you

846
00:38:44,680 --> 00:38:47,120
Speaker 2: know the film, can't stress that wood. He hasn't won

847
00:38:47,200 --> 00:38:49,359
Speaker 2: to lost the plot in three to four years?

848
00:38:49,520 --> 00:38:49,640
Speaker 3: Is it?

849
00:38:49,880 --> 00:38:49,920
Speaker 6: No?

850
00:38:50,080 --> 00:38:53,359
Speaker 3: That's ridiculous. Three to four months, Here we go. It's

851
00:38:53,360 --> 00:38:53,879
Speaker 3: still bad.

852
00:38:55,280 --> 00:38:57,960
Speaker 2: This is probably my favorite improv scene in cinema history

853
00:38:58,000 --> 00:39:04,800
Speaker 2: as well. Wow, okay, Cockiest man in the Galaxy gets

854
00:39:04,800 --> 00:39:08,120
Speaker 2: put on ice thirty one six five. If you think

855
00:39:08,160 --> 00:39:08,560
Speaker 2: you know the.

856
00:39:08,520 --> 00:39:13,279
Speaker 4: Film Golden I Cockiest man in the Galaxy gets put

857
00:39:13,360 --> 00:39:13,840
Speaker 4: on ice.

858
00:39:13,880 --> 00:39:15,719
Speaker 2: Cockiest man in the Galaxy gets put on ice.

859
00:39:16,200 --> 00:39:17,600
Speaker 3: Guard into the Galaxy incorrect.

860
00:39:18,600 --> 00:39:21,959
Speaker 2: Cockiest man in the Galaxy gets put on ice, and again,

861
00:39:22,160 --> 00:39:26,280
Speaker 2: probably my favorite improv scene of all time, this one.

862
00:39:26,280 --> 00:39:27,560
Speaker 2: The phones just explode.

863
00:39:27,600 --> 00:39:32,239
Speaker 3: Oh nocky racing and put on ice. He's been iced?

864
00:39:32,960 --> 00:39:33,640
Speaker 3: Who gets iced?

865
00:39:34,760 --> 00:39:37,600
Speaker 2: Who gets to be cold? He'd be cold?

866
00:39:38,960 --> 00:39:39,400
Speaker 3: Gravity?

867
00:39:39,440 --> 00:39:41,440
Speaker 4: Gravity is central Bullock incorrect.

868
00:39:42,520 --> 00:39:44,680
Speaker 3: Apollo thirteen eleven.

869
00:39:45,320 --> 00:39:48,160
Speaker 2: Throwing the cockiest man in the Galaxy firing away with

870
00:39:48,280 --> 00:39:49,080
Speaker 2: space movies.

871
00:39:49,120 --> 00:39:56,200
Speaker 3: Here put on Omgeddon and I'm just going to the

872
00:39:56,200 --> 00:39:58,560
Speaker 3: galaxy movies star Trek.

873
00:39:58,680 --> 00:40:00,879
Speaker 2: I need one of these people. Correct. I need one

874
00:40:00,880 --> 00:40:03,840
Speaker 2: of these people, Kaitlyn. Caitlyn wants the movie.

875
00:40:05,000 --> 00:40:07,160
Speaker 7: It is Star Wars the Empire Struck.

876
00:40:07,440 --> 00:40:15,319
Speaker 2: Yeah, yes, yes, yes, Kaitlyn, you want to explain why.

877
00:40:16,719 --> 00:40:19,920
Speaker 7: So the improv scene is when Princess Leah says I

878
00:40:19,960 --> 00:40:21,160
Speaker 7: love you and he goes, I.

879
00:40:21,120 --> 00:40:23,560
Speaker 2: Know, yes. Now we've got that audio. So it's very

880
00:40:23,920 --> 00:40:26,319
Speaker 2: very famous audio, and so I'm sure you're across this

881
00:40:26,360 --> 00:40:30,719
Speaker 2: if you're a Star Wars fan. But making that's right,

882
00:40:30,840 --> 00:40:32,600
Speaker 2: that's all right. I thought you're calling me jad. That

883
00:40:32,680 --> 00:40:37,080
Speaker 2: was a bit weird having to play the role dad.

884
00:40:37,120 --> 00:40:40,440
Speaker 2: Soon and my kids will be watching these movies. Harrison

885
00:40:40,480 --> 00:40:42,880
Speaker 2: Ford obviously, well, yeah, pretty much the cockiest man, not

886
00:40:42,920 --> 00:40:45,560
Speaker 2: just in the Galaxy but also like in TV at

887
00:40:45,600 --> 00:40:48,200
Speaker 2: the time. So he's going out with Carrie Fisher. So

888
00:40:48,440 --> 00:40:51,440
Speaker 2: they are together, they're on set. Everyone knows they've been

889
00:40:51,480 --> 00:40:54,799
Speaker 2: hooking up, and her line in this bit is I

890
00:40:54,840 --> 00:40:58,120
Speaker 2: love you. And then he just goes like wolf pulls,

891
00:40:58,280 --> 00:41:00,440
Speaker 2: pulls the rug out from under her, and it's a

892
00:41:00,440 --> 00:41:03,520
Speaker 2: bit of a I don't know, almost flies the burd

893
00:41:03,560 --> 00:41:05,640
Speaker 2: in her face a little bit, and it's very much

894
00:41:05,680 --> 00:41:08,200
Speaker 2: a private note between them, and they keep the shot.

895
00:41:08,480 --> 00:41:11,160
Speaker 2: He doesn't say I love you back, he says, I know,

896
00:41:11,840 --> 00:41:13,520
Speaker 2: and eyeballs have a listen.

897
00:41:14,760 --> 00:41:16,880
Speaker 6: I love you, I know.

898
00:41:18,840 --> 00:41:20,359
Speaker 2: Unbelievable. It's a great scene.

899
00:41:20,760 --> 00:41:22,399
Speaker 3: Sex's so good.

900
00:41:22,600 --> 00:41:26,360
Speaker 2: Caitlin, congratulations. You knocked Woody out. Australia wins lost the

901
00:41:26,400 --> 00:41:29,280
Speaker 2: plot again. The other one we had, which was Harrison

902
00:41:29,320 --> 00:41:31,680
Speaker 2: Ford one on the improv front, was that famous scene

903
00:41:31,680 --> 00:41:34,239
Speaker 2: in Indiana Jones with the sword. You know when the

904
00:41:34,239 --> 00:41:36,080
Speaker 2: guy comes out and waves the sword and he.

905
00:41:36,080 --> 00:41:37,040
Speaker 3: Shoots and he shoots him.

906
00:41:37,239 --> 00:41:40,560
Speaker 2: Yeah, that's because at the time he had dysentery. Spielberg

907
00:41:40,600 --> 00:41:42,760
Speaker 2: wanted to do a three day fight scene and Ford

908
00:41:42,840 --> 00:41:44,400
Speaker 2: was like, no, mate, I'm gonna shoot myself. I just

909
00:41:44,360 --> 00:41:48,120
Speaker 2: gotta shoot him. Brilliant. It's well and Woody now woulds

910
00:41:48,200 --> 00:41:52,840
Speaker 2: very quickly. You you and last Friday, Last Friday, you

911
00:41:52,440 --> 00:41:54,160
Speaker 2: and I. You and I are out the front here

912
00:41:54,320 --> 00:41:56,799
Speaker 2: of the radio station, and both our girlfriends are rocking

913
00:41:56,880 --> 00:41:57,520
Speaker 2: up to pick us up.

914
00:41:57,600 --> 00:41:59,480
Speaker 3: Yes the girls, Yes, that's quite.

915
00:41:59,520 --> 00:42:02,160
Speaker 4: But you and that your pregnant partner parked a little

916
00:42:02,200 --> 00:42:04,640
Speaker 4: bit closer to the front, which I thought was out rape.

917
00:42:04,719 --> 00:42:06,880
Speaker 2: Well, she was down the road. I walked.

918
00:42:07,640 --> 00:42:11,080
Speaker 4: It was fifteen in the car, it was fifteen and

919
00:42:11,400 --> 00:42:12,520
Speaker 4: was waving at it.

920
00:42:12,560 --> 00:42:14,640
Speaker 3: I was like, get down here, you need to come

921
00:42:14,680 --> 00:42:15,800
Speaker 3: pick me down here.

922
00:42:16,160 --> 00:42:17,839
Speaker 2: She's on the wheels. You know, I've had a hard

923
00:42:17,880 --> 00:42:20,800
Speaker 2: day at work. So we both came out of the front. Anyway,

924
00:42:20,840 --> 00:42:24,160
Speaker 2: So your partner, mimy was she was there first, Yes,

925
00:42:24,280 --> 00:42:25,960
Speaker 2: so she she she was out in the front there and

926
00:42:26,000 --> 00:42:27,359
Speaker 2: she she hopped out of the car. I said, good

927
00:42:27,480 --> 00:42:29,480
Speaker 2: to Mim. Hadn't seen it for a while. And then

928
00:42:29,560 --> 00:42:32,160
Speaker 2: you and I bought a new car recently. I bought

929
00:42:32,160 --> 00:42:32,960
Speaker 2: a new car.

930
00:42:32,880 --> 00:42:37,080
Speaker 4: SCO to Cody ARCC to CURDIOC and it is beautiful,

931
00:42:37,239 --> 00:42:38,360
Speaker 4: like the arc of the government.

932
00:42:38,440 --> 00:42:39,799
Speaker 2: It's a beautiful, beautiful thing.

933
00:42:40,840 --> 00:42:43,120
Speaker 3: Windows beautiful, Oh Gorge.

934
00:42:42,840 --> 00:42:46,839
Speaker 2: Murnerof of the works. Anyway, Sam drives the car up.

935
00:42:46,880 --> 00:42:49,000
Speaker 2: My partner Sam drives. She's heavily pregnant at the moment.

936
00:42:49,040 --> 00:42:51,919
Speaker 2: She drives the car up. And you were met because

937
00:42:51,960 --> 00:42:54,279
Speaker 2: I know your partner Mim is close to buying a

938
00:42:54,320 --> 00:42:56,360
Speaker 2: car as well. She's looking at buying a car herself.

939
00:42:56,400 --> 00:42:58,759
Speaker 3: Her lease runs out in a few months, I think so.

940
00:42:59,239 --> 00:43:01,080
Speaker 2: And so you're trying to get vinceerid. You know, well,

941
00:43:01,120 --> 00:43:03,000
Speaker 2: look a look at different cars. Look and you're like, geez,

942
00:43:03,000 --> 00:43:03,760
Speaker 2: look at the curdioc.

943
00:43:03,920 --> 00:43:05,000
Speaker 3: Yeah, I have a look at the curdioc.

944
00:43:05,200 --> 00:43:08,680
Speaker 2: Look at the curdioc. So the kurdioc comes over, and

945
00:43:09,120 --> 00:43:11,520
Speaker 2: Sam's obviously in the car, and you say to Mimi,

946
00:43:12,120 --> 00:43:15,759
Speaker 2: you say, oh, geez, look at the curdioc. Yeah, curdioc.

947
00:43:16,400 --> 00:43:19,239
Speaker 2: And Sam then parks the car, and you're still talking

948
00:43:19,239 --> 00:43:20,800
Speaker 2: about the car. You're like, gee, look at the curdioc.

949
00:43:20,840 --> 00:43:23,279
Speaker 2: The curdioc. Anyway, Sam gets out and comes over and

950
00:43:23,320 --> 00:43:29,120
Speaker 2: Mimi Mimy says, wow, Wow, she looks beautiful, doesn't she.

951
00:43:29,719 --> 00:43:34,800
Speaker 2: Obviously this was a bad moment talking about my partner.

952
00:43:36,840 --> 00:43:41,440
Speaker 2: But you're still in the car. So Sam sort of

953
00:43:41,480 --> 00:43:44,040
Speaker 2: like wattles over because she's like thirty three weeks pregnant.

954
00:43:44,080 --> 00:43:46,719
Speaker 2: And Sam's like, wow, she's beautiful. And I just don't

955
00:43:46,719 --> 00:43:49,560
Speaker 2: know how you didn't pick up that she was talking

956
00:43:49,600 --> 00:43:54,200
Speaker 2: about my partner. But you then went with yeah, yeah,

957
00:43:54,200 --> 00:43:56,239
Speaker 2: but I think the rear protrude's a bit on the

958
00:43:56,320 --> 00:43:57,399
Speaker 2: call on it as well.

959
00:43:58,000 --> 00:43:58,239
Speaker 6: Yeah.

960
00:43:58,320 --> 00:44:02,200
Speaker 4: Yeah, Yeah, that was frightfully awkward, wasn't It was a

961
00:44:02,360 --> 00:44:05,799
Speaker 4: shocking moment. Yeah, And I think I was stroking the

962
00:44:05,840 --> 00:44:07,880
Speaker 4: seat of your car while that was all going on.

963
00:44:08,040 --> 00:44:10,480
Speaker 3: Yeah, sorry about that.

964
00:44:10,560 --> 00:44:12,200
Speaker 2: No, that's all right, Yeah, that's all right. But a

965
00:44:12,239 --> 00:44:13,239
Speaker 2: Rea does protrude a bit.

966
00:44:13,280 --> 00:44:14,879
Speaker 3: To be fair, I didn't notice that I was looking

967
00:44:14,880 --> 00:44:15,839
Speaker 3: at the car far too much.

968
00:44:20,440 --> 00:44:24,040
Speaker 4: My parents met MIM's parents for the first time ever

969
00:44:24,200 --> 00:44:27,280
Speaker 4: on Sunday night. Incredibly nerve wracking experience.

970
00:44:27,600 --> 00:44:28,880
Speaker 2: Yeah. Yeah, how long you been going out for?

971
00:44:28,920 --> 00:44:30,680
Speaker 4: Now a bit over a year, so a year and

972
00:44:30,719 --> 00:44:33,600
Speaker 4: a month live together as well, So it's a big

973
00:44:33,640 --> 00:44:35,879
Speaker 4: deal because it wanted to go well, because the thing

974
00:44:35,920 --> 00:44:38,440
Speaker 4: for me was and I hadn't really thought about this

975
00:44:38,480 --> 00:44:42,320
Speaker 4: before they met, but if our parents got along really badly,

976
00:44:43,200 --> 00:44:45,040
Speaker 4: I don't want to say deal breaker.

977
00:44:44,840 --> 00:44:48,640
Speaker 2: No, no, just difficult to navigate, really hard to navigate.

978
00:44:48,320 --> 00:44:50,520
Speaker 4: Because your parents getting along, it's just so good, so

979
00:44:50,520 --> 00:44:52,400
Speaker 4: you can all do family functions, et cetera.

980
00:44:52,840 --> 00:44:54,160
Speaker 3: Anyway, so I was quite nervous.

981
00:44:54,200 --> 00:44:56,440
Speaker 2: They don't they well, I can't really talk because my

982
00:44:57,040 --> 00:44:58,640
Speaker 2: in laws are on the other side of the world.

983
00:44:58,719 --> 00:45:01,640
Speaker 2: But to your parents, do your do you a difference

984
00:45:01,680 --> 00:45:01,920
Speaker 2: to me?

985
00:45:02,040 --> 00:45:03,839
Speaker 3: Do your parents all get alive? They all met?

986
00:45:03,960 --> 00:45:04,680
Speaker 6: Yeah? Yeah? Yeah?

987
00:45:04,719 --> 00:45:05,400
Speaker 2: And did that? Did that?

988
00:45:05,440 --> 00:45:06,240
Speaker 4: Had that go well?

989
00:45:06,400 --> 00:45:09,480
Speaker 2: Yeah? But again they're just not a part of each

990
00:45:09,520 --> 00:45:13,359
Speaker 2: other's life. It doesn't really apply to me, but I imagine, yeah,

991
00:45:13,360 --> 00:45:14,920
Speaker 2: if they're in the same if they're in the same country,

992
00:45:15,080 --> 00:45:15,600
Speaker 2: be a huge.

993
00:45:15,560 --> 00:45:16,400
Speaker 3: Big effect of for me.

994
00:45:16,520 --> 00:45:19,200
Speaker 4: Actually, And can I just say it couldn't have gone better?

995
00:45:19,200 --> 00:45:19,759
Speaker 2: Oh that's great.

996
00:45:20,239 --> 00:45:21,400
Speaker 3: Was it such a good feeling.

997
00:45:21,160 --> 00:45:23,480
Speaker 4: For you when you were watching your parents get along

998
00:45:23,520 --> 00:45:24,600
Speaker 4: with with your girlfriend's parents.

999
00:45:24,920 --> 00:45:27,040
Speaker 3: Is that just the best thing to watch in the world.

1000
00:45:28,200 --> 00:45:30,080
Speaker 2: Yeah, it's really it's yeah, it's yeah.

1001
00:45:30,440 --> 00:45:33,160
Speaker 4: I was always got quite emotional in the car I drove,

1002
00:45:33,280 --> 00:45:35,799
Speaker 4: I drove home, and I was just so happy that

1003
00:45:35,840 --> 00:45:38,040
Speaker 4: their parents got along so well that I found myself

1004
00:45:38,040 --> 00:45:39,160
Speaker 4: just sitting back a lot of the time.

1005
00:45:39,239 --> 00:45:41,640
Speaker 3: Yeah, just letting them miling yeah at them.

1006
00:45:42,200 --> 00:45:44,880
Speaker 2: Also, well, they also make an effort obviously, Yeah, and

1007
00:45:44,880 --> 00:45:46,719
Speaker 2: that was glad to see when who's to say when

1008
00:45:46,719 --> 00:45:50,440
Speaker 2: they left they were just like God, because they make

1009
00:45:50,480 --> 00:45:53,920
Speaker 2: an effort in front of you, They make a huge

1010
00:45:53,920 --> 00:45:54,759
Speaker 2: effort in front of you.

1011
00:45:54,880 --> 00:45:56,160
Speaker 1: They do very true.

1012
00:45:56,560 --> 00:45:59,160
Speaker 3: Yeah, God, what his dad's jokes were terrible? How much

1013
00:45:59,160 --> 00:46:00,279
Speaker 3: do we hate to have.

1014
00:46:00,239 --> 00:46:01,680
Speaker 2: To make a big effort? But I'm not going to

1015
00:46:01,800 --> 00:46:03,680
Speaker 2: rock up and be honest with each it's always going

1016
00:46:03,719 --> 00:46:03,920
Speaker 2: to go.

1017
00:46:03,960 --> 00:46:04,160
Speaker 6: Well.

1018
00:46:04,200 --> 00:46:06,240
Speaker 4: The only faux part of my dad did. He brought

1019
00:46:06,320 --> 00:46:09,280
Speaker 4: wine and like set it down, and then Terry Nim's

1020
00:46:09,320 --> 00:46:10,880
Speaker 4: dad was like, oh, well, Steve, do you want some

1021
00:46:10,920 --> 00:46:12,840
Speaker 4: of the wine that you brought? And Dad said, God, no,

1022
00:46:12,960 --> 00:46:13,720
Speaker 4: it's very cheap.

1023
00:46:13,960 --> 00:46:14,839
Speaker 2: Do you have any lie?

1024
00:46:15,160 --> 00:46:17,520
Speaker 4: He requested Terry's.

1025
00:46:17,560 --> 00:46:21,040
Speaker 2: He famously was buying five dollars of bottles of sparkling

1026
00:46:21,120 --> 00:46:21,759
Speaker 2: cheers for you.

1027
00:46:22,000 --> 00:46:25,000
Speaker 4: Andrew Garretts. Yeah, Andrew Garretts, so points to Terry. He

1028
00:46:25,040 --> 00:46:29,160
Speaker 4: brought out and Andrew gar well play. But the other

1029
00:46:29,200 --> 00:46:31,000
Speaker 4: thing that I noticed started happening, and I'm not sure

1030
00:46:31,040 --> 00:46:33,160
Speaker 4: if this is just like a sixty year old thing.

1031
00:46:34,160 --> 00:46:38,480
Speaker 4: They all started competing as to who had the worst

1032
00:46:38,520 --> 00:46:39,440
Speaker 4: physical ailment?

1033
00:46:41,280 --> 00:46:44,240
Speaker 3: Have you hung out with sixty year olds recently?

1034
00:46:44,440 --> 00:46:45,080
Speaker 2: I can't have.

1035
00:46:45,440 --> 00:46:46,600
Speaker 3: Is that just what they're doing?

1036
00:46:46,680 --> 00:46:48,880
Speaker 2: Yeah, well they're coming down with things, don't they.

1037
00:46:48,960 --> 00:46:51,080
Speaker 4: I reckon for forty five minutes because Mum brought up

1038
00:46:51,120 --> 00:46:53,920
Speaker 4: surgery she had recently, And then for forty five minutes

1039
00:46:53,960 --> 00:46:56,760
Speaker 4: after that, all the sixty year olds just started competing

1040
00:46:56,800 --> 00:46:59,480
Speaker 4: as to who is I've got I had this, and

1041
00:46:59,480 --> 00:47:01,520
Speaker 4: my foot does this, and my shoulder does this, and

1042
00:47:01,640 --> 00:47:03,760
Speaker 4: I don't want to go into specifics of which physical

1043
00:47:03,760 --> 00:47:06,000
Speaker 4: ailment they had because it gets a bit personal. But

1044
00:47:06,040 --> 00:47:09,080
Speaker 4: it genuinely became a competition to the point where we

1045
00:47:09,080 --> 00:47:09,920
Speaker 4: announced a winner.

1046
00:47:10,680 --> 00:47:12,640
Speaker 2: Oh who had the who had the worst rig?

1047
00:47:12,760 --> 00:47:15,800
Speaker 3: And it was like yeah, Terry, Yeah, Terry shot.

1048
00:47:15,640 --> 00:47:18,640
Speaker 4: Mate really because his physical ailments were so about I

1049
00:47:18,640 --> 00:47:21,960
Speaker 4: want to go to his personal physical ailments. But again,

1050
00:47:22,000 --> 00:47:25,239
Speaker 4: apparently this is a thing for the plus sixties. So

1051
00:47:26,000 --> 00:47:28,280
Speaker 4: what I'd like to try right now, with your permission

1052
00:47:28,280 --> 00:47:32,360
Speaker 4: of course, my grade, sir, I want to try and

1053
00:47:32,480 --> 00:47:41,440
Speaker 4: create a complete bung body. So junior producer Analytes hasn't

1054
00:47:41,440 --> 00:47:43,400
Speaker 4: done her homework she was supposed to bring me.

1055
00:47:43,520 --> 00:47:44,479
Speaker 3: Now she has well done.

1056
00:47:44,640 --> 00:47:46,719
Speaker 4: She's got a full body out there, a picture of

1057
00:47:46,800 --> 00:47:50,080
Speaker 4: full body, and I want to find something bung about

1058
00:47:50,080 --> 00:47:55,200
Speaker 4: the entire human body. My So thirteen one oh sixty

1059
00:47:55,280 --> 00:48:00,120
Speaker 4: five is our number. If there's something bung in your body,

1060
00:48:00,680 --> 00:48:05,000
Speaker 4: give us a call and by the end we're gonna

1061
00:48:05,040 --> 00:48:10,000
Speaker 4: have will a full bung body kick it off with you,

1062
00:48:10,040 --> 00:48:15,799
Speaker 4: Will got any bung parts of your body? Uh?

1063
00:48:16,239 --> 00:48:18,759
Speaker 3: Not really fair enought.

1064
00:48:20,480 --> 00:48:24,879
Speaker 2: What is taking is back to year three play group here.

1065
00:48:25,840 --> 00:48:29,520
Speaker 2: I'm going to stencil of a vacant. I literally have

1066
00:48:29,600 --> 00:48:32,680
Speaker 2: like a drawn out person's body, as if they've fallen

1067
00:48:32,719 --> 00:48:34,520
Speaker 2: flat on the ground. It's one of those pictures that

1068
00:48:34,520 --> 00:48:36,640
Speaker 2: you get when you're in preschool and you have to

1069
00:48:36,760 --> 00:48:38,840
Speaker 2: name and you have to name all the different parts

1070
00:48:38,880 --> 00:48:41,359
Speaker 2: of the body. We've both got one of them. You've

1071
00:48:41,360 --> 00:48:44,319
Speaker 2: already I see you've already drawn a sad face and

1072
00:48:44,400 --> 00:48:46,160
Speaker 2: appended yours. Not surprised.

1073
00:48:47,160 --> 00:48:49,640
Speaker 4: No, I have not drawn a doodle on mine, but

1074
00:48:49,680 --> 00:48:52,080
Speaker 4: I should know right now. This is the radio first,

1075
00:48:52,160 --> 00:48:54,160
Speaker 4: and I'm pretty bloody excited about it. And how dare

1076
00:48:54,200 --> 00:48:55,680
Speaker 4: you say this is a grade two bit?

1077
00:48:56,640 --> 00:48:59,319
Speaker 3: Is a grade two bit? It is the radio first.

1078
00:48:59,360 --> 00:49:00,640
Speaker 2: Put together a body.

1079
00:49:00,760 --> 00:49:03,200
Speaker 4: We're not putting together a body. How have you been listening?

1080
00:49:03,400 --> 00:49:08,200
Speaker 4: We're trying to create a full bung body.

1081
00:49:10,440 --> 00:49:12,480
Speaker 3: That's a terrible audio. Get rid of that.

1082
00:49:16,480 --> 00:49:17,760
Speaker 2: Quite touch my body.

1083
00:49:18,200 --> 00:49:22,160
Speaker 4: That's nice, sexy, sexy song. Okay, so look my.

1084
00:49:21,880 --> 00:49:27,200
Speaker 2: Grade two bit, bring back the bone, bone bone. We're

1085
00:49:27,239 --> 00:49:30,640
Speaker 2: doing ears so the way the exes, We're going to

1086
00:49:30,680 --> 00:49:32,640
Speaker 2: try and find someone in Australia who has a Bung

1087
00:49:33,000 --> 00:49:35,480
Speaker 2: something and put together the full Bung body.

1088
00:49:35,600 --> 00:49:37,200
Speaker 3: I want to, yeah, I want to create the full

1089
00:49:37,239 --> 00:49:37,759
Speaker 3: Bung body.

1090
00:49:37,800 --> 00:49:40,319
Speaker 4: Because my parents met my girlfriend's parents on Sunday night,

1091
00:49:40,360 --> 00:49:43,320
Speaker 4: and genuinely for sixty minutes of the night they alders

1092
00:49:43,400 --> 00:49:46,640
Speaker 4: talked about their physical ailments and they got competitive about it.

1093
00:49:46,719 --> 00:49:50,040
Speaker 2: So this is either for kids or for seniors.

1094
00:49:50,640 --> 00:49:53,839
Speaker 4: Yep, there's so our demo not interested effectively.

1095
00:49:54,440 --> 00:49:56,440
Speaker 2: So we've got they've got the stencil of the blank

1096
00:49:56,480 --> 00:49:58,799
Speaker 2: body in front of us. I'm putting it well, I'm

1097
00:49:58,800 --> 00:50:01,239
Speaker 2: putting a gonna sound putting on line through the legs.

1098
00:50:01,000 --> 00:50:05,600
Speaker 4: Because your legs, your legs, My legs are fine. My pistons,

1099
00:50:05,960 --> 00:50:08,520
Speaker 4: your rat legs, and that they look bad but they're working.

1100
00:50:08,520 --> 00:50:08,719
Speaker 1: Well.

1101
00:50:09,719 --> 00:50:13,640
Speaker 4: I've got your least mate, I've got insurgental Achilles tendinopathy.

1102
00:50:14,320 --> 00:50:15,080
Speaker 3: Let's go to Shannon.

1103
00:50:15,080 --> 00:50:17,200
Speaker 2: You've also got insurgentally rat legs.

1104
00:50:17,480 --> 00:50:21,840
Speaker 3: Think you will, Shannon? What have you got bung in

1105
00:50:21,880 --> 00:50:22,440
Speaker 3: your body?

1106
00:50:23,440 --> 00:50:27,000
Speaker 7: I have Tarfle tunnel syndrome tunnel syndrome.

1107
00:50:26,719 --> 00:50:30,320
Speaker 2: But in your foot called Tarfle tunnel syndrome.

1108
00:50:30,400 --> 00:50:30,759
Speaker 6: Is it.

1109
00:50:33,120 --> 00:50:36,000
Speaker 3: Off the feet? Well, Don Australia with the feet.

1110
00:50:36,160 --> 00:50:37,720
Speaker 2: We're working away out are.

1111
00:50:39,800 --> 00:50:40,000
Speaker 6: Is it?

1112
00:50:40,040 --> 00:50:41,920
Speaker 2: Catch? The rest of the podcast sort of a bit, and.

1113
00:50:41,960 --> 00:50:44,080
Speaker 4: I don't know at what point we give up because

1114
00:50:44,080 --> 00:50:44,880
Speaker 4: this is pretty boring.

1115
00:50:44,960 --> 00:50:45,680
Speaker 2: Let's go to Lauren.

1116
00:50:46,080 --> 00:50:48,040
Speaker 4: Lauren, what have you got bung in your body?

1117
00:50:49,040 --> 00:50:49,479
Speaker 2: I have.

1118
00:50:52,239 --> 00:50:52,439
Speaker 8: Right?

1119
00:50:54,000 --> 00:50:54,359
Speaker 3: What is that?

1120
00:50:54,400 --> 00:50:58,760
Speaker 9: My knee caps don't actually sit over my knees properly,

1121
00:50:58,840 --> 00:51:02,120
Speaker 9: so the nebo the two leg bones kind of just

1122
00:51:02,200 --> 00:51:05,560
Speaker 9: joined together and grind together. The kneecap doesn't actually protect it.

1123
00:51:05,960 --> 00:51:10,719
Speaker 4: Oh bloody hell, Okay, thanks, wipe off the knee caps.

1124
00:51:10,719 --> 00:51:11,680
Speaker 3: That was actually pretty interesting.

1125
00:51:11,680 --> 00:51:14,360
Speaker 2: That making our ways steadily up the legs.

1126
00:51:14,800 --> 00:51:19,560
Speaker 4: Let's go to Semi here Sammy Skiff Alex producers said

1127
00:51:19,640 --> 00:51:21,440
Speaker 4: they were boring.

1128
00:51:21,960 --> 00:51:26,040
Speaker 2: They were boring. Do they think three minutes ago the

1129
00:51:26,080 --> 00:51:27,560
Speaker 2: producers in the planning meeting.

1130
00:51:29,040 --> 00:51:31,480
Speaker 3: Semi, what's banging your body?

1131
00:51:32,719 --> 00:51:37,040
Speaker 6: Hey? Boys, my body is it's called pigeons chest where

1132
00:51:37,160 --> 00:51:41,760
Speaker 6: basically my cartilage where my cartlage is actually huge lump

1133
00:51:41,960 --> 00:51:44,600
Speaker 6: in the front of my chest. So it looks like

1134
00:51:45,120 --> 00:51:46,840
Speaker 6: so my chest is like very uneven.

1135
00:51:47,400 --> 00:51:49,120
Speaker 3: Nice work, Semi pigeon chest.

1136
00:51:49,239 --> 00:51:52,279
Speaker 4: Wipe off the chest, the arms, and the head, and.

1137
00:51:57,960 --> 00:51:58,919
Speaker 3: No one shut that down.

1138
00:51:58,960 --> 00:52:05,040
Speaker 2: Earlier, pool Pants is saying there's another one that we

1139
00:52:05,080 --> 00:52:09,440
Speaker 2: need to go to. It's on you mate.

1140
00:52:09,520 --> 00:52:12,880
Speaker 4: A here we go, Bailey, Bailey, what's banging your body?

1141
00:52:13,920 --> 00:52:14,120
Speaker 2: Yeah?

1142
00:52:14,160 --> 00:52:17,160
Speaker 8: Hey, fellows, I've got When I was born.

1143
00:52:18,239 --> 00:52:21,879
Speaker 7: I was born without no eyelids, and I had to

1144
00:52:22,000 --> 00:52:24,240
Speaker 7: get the foreskin excess.

1145
00:52:24,080 --> 00:52:27,200
Speaker 8: Cut off and put on put on my eyelids.

1146
00:52:27,239 --> 00:52:30,799
Speaker 3: So yeah, well that's extraordinary.

1147
00:52:31,120 --> 00:52:35,080
Speaker 4: What nickname were you given, because surely you were given one, Bailey, Yeah,

1148
00:52:35,640 --> 00:52:35,759
Speaker 4: it

1149
00:52:35,840 --> 00:52:38,920
Speaker 8: Wasn't too good, but I got the nickname Coccolades, so