1 00:00:00,320 --> 00:00:01,400 Speaker 1: It's Will and Woody. 2 00:00:02,320 --> 00:00:04,240 Speaker 2: Could I've turned around? It is well and whatdy? That's 3 00:00:04,240 --> 00:00:07,240 Speaker 2: Taylor Swift. My god, it is this woman. Everywhere people 4 00:00:07,360 --> 00:00:07,920 Speaker 2: trying to get. 5 00:00:07,840 --> 00:00:10,119 Speaker 3: In the last. 6 00:00:09,680 --> 00:00:13,440 Speaker 2: Batch of Taylor Swift tickets went out today. Junior producer 7 00:00:13,440 --> 00:00:15,760 Speaker 2: analyst devastated. She had to cry before in the studio. 8 00:00:16,520 --> 00:00:19,840 Speaker 2: Tough for her missed out again. We have got another 9 00:00:19,840 --> 00:00:21,480 Speaker 2: whole role of tickets to give away now that I've 10 00:00:21,480 --> 00:00:24,440 Speaker 2: got a stress that is tomorrow, not now, that is 11 00:00:24,560 --> 00:00:31,040 Speaker 2: not now, But everyone, I do want to talk about 12 00:00:31,040 --> 00:00:33,879 Speaker 2: her some more. I mean, god, what he was there 13 00:00:33,920 --> 00:00:35,440 Speaker 2: a time when we spoke about anything else. 14 00:00:35,880 --> 00:00:38,000 Speaker 1: I can't remember it. I truly can't remember the time 15 00:00:38,000 --> 00:00:38,880 Speaker 1: we can talk about now? 16 00:00:39,520 --> 00:00:39,920 Speaker 2: Who was? 17 00:00:39,960 --> 00:00:45,000 Speaker 1: Who was the Taylor Swift before Taylor Swift biber I 18 00:00:45,080 --> 00:00:46,559 Speaker 1: got the fever I got. 19 00:00:47,080 --> 00:00:48,880 Speaker 2: I don't know nothing like this, though, man. 20 00:00:48,840 --> 00:00:51,560 Speaker 4: Because this is You're so right, because now she's transcended 21 00:00:52,360 --> 00:00:54,880 Speaker 4: like pop and like celeb and she's. 22 00:00:55,680 --> 00:00:58,800 Speaker 2: She's just taking over one industry at a time. And 23 00:00:59,240 --> 00:01:04,400 Speaker 2: we heard before that she singlehandedly saved the hotel industry 24 00:01:04,440 --> 00:01:07,520 Speaker 2: in America because people are booking and staying in hotels 25 00:01:07,520 --> 00:01:08,440 Speaker 2: all over the country. 26 00:01:08,640 --> 00:01:10,759 Speaker 1: The power of this woman, we might we're. 27 00:01:10,640 --> 00:01:13,720 Speaker 2: Finding out that because of the super Bowl obviously and 28 00:01:13,760 --> 00:01:17,319 Speaker 2: her partner winning, that she might win the US election 29 00:01:17,440 --> 00:01:20,800 Speaker 2: for Joe Biden. Like her which way, she sways voters 30 00:01:20,920 --> 00:01:26,160 Speaker 2: could pin the free world, Like, come on. 31 00:01:26,400 --> 00:01:28,000 Speaker 1: She will be president one day, by the way, when 32 00:01:28,000 --> 00:01:28,479 Speaker 1: she's done. 33 00:01:28,360 --> 00:01:30,680 Speaker 2: With the music career, that if she ran, she would. 34 00:01:30,480 --> 00:01:33,240 Speaker 1: Win, Like she actually would comfortably. 35 00:01:32,880 --> 00:01:36,040 Speaker 2: Terrifying in terms of the influence she has, in terms 36 00:01:36,040 --> 00:01:41,000 Speaker 2: of the magnitude of the person she is. And yet 37 00:01:42,040 --> 00:01:45,440 Speaker 2: when it came after the super Bowl to the after party, 38 00:01:45,640 --> 00:01:49,400 Speaker 2: Oh yeah, she and the trapster they're dancing together. 39 00:01:50,240 --> 00:01:51,680 Speaker 1: Yeah, the whole world's. 40 00:01:54,160 --> 00:01:56,520 Speaker 2: Glorious kiss with them on the ground, and we're thinking, 41 00:01:56,680 --> 00:01:59,040 Speaker 2: Jesus is the moment. This is a world's collde the 42 00:01:59,040 --> 00:02:01,840 Speaker 2: biggest person in sport, the person in music. Like how 43 00:02:01,880 --> 00:02:04,280 Speaker 2: great is this? Like surely these two are special? This 44 00:02:04,320 --> 00:02:07,480 Speaker 2: is this is romance on another scale. This is prestige. 45 00:02:07,520 --> 00:02:10,040 Speaker 2: As I said before, this is magnetic woods. The whole 46 00:02:10,080 --> 00:02:13,520 Speaker 2: world's watching. What song are they singing together on the 47 00:02:13,600 --> 00:02:30,920 Speaker 2: dance floor. They're singing a remix of one of her 48 00:02:31,000 --> 00:02:36,400 Speaker 2: songs I would like to take. I mean, like, this 49 00:02:36,440 --> 00:02:39,480 Speaker 2: woman's amazing, She's done amazing things. She's the most sold 50 00:02:39,480 --> 00:02:42,160 Speaker 2: out artist Australia ever. See, but I do take leave 51 00:02:42,480 --> 00:02:44,240 Speaker 2: from ace Ventura when he says. 52 00:02:45,080 --> 00:02:47,160 Speaker 3: Him, there her. 53 00:02:47,480 --> 00:02:50,760 Speaker 1: Your song, yours. It's a little bit cool, you know, 54 00:02:50,880 --> 00:02:52,359 Speaker 1: like yours put my jam on. 55 00:02:52,400 --> 00:02:55,960 Speaker 2: And your song with your partner, Like we've all got 56 00:02:56,000 --> 00:02:59,520 Speaker 2: cringe songs with your ex We've all the song that 57 00:02:59,560 --> 00:03:04,400 Speaker 2: was that's our song. Our song came on. Your song 58 00:03:04,480 --> 00:03:07,959 Speaker 2: with Taylor Swift can't be her song called love Story 59 00:03:08,080 --> 00:03:11,480 Speaker 2: as well. Like just a little bit of the sheen 60 00:03:11,600 --> 00:03:14,280 Speaker 2: came off, just a little bit of the shan came up. 61 00:03:14,280 --> 00:03:16,880 Speaker 2: Apparently the trap star heard it, came on, ran to 62 00:03:16,960 --> 00:03:19,840 Speaker 2: the DJ booth and pointed her out in the crowd. 63 00:03:20,360 --> 00:03:22,920 Speaker 1: No really, seriously, Yes, I've. 64 00:03:22,760 --> 00:03:26,040 Speaker 2: Seen the photos and he's pointing her out and he's 65 00:03:26,080 --> 00:03:27,120 Speaker 2: he's yelling. 66 00:03:27,680 --> 00:03:33,280 Speaker 1: Going, yeah, man, I know. That's why the heads up, 67 00:03:34,720 --> 00:03:37,040 Speaker 1: That's what's why I'm doing it. That's why I'm doing it. 68 00:03:39,400 --> 00:03:41,560 Speaker 1: You just get over there so the world media is 69 00:03:41,560 --> 00:03:43,920 Speaker 1: here watching you guys. I figured it out. I figured 70 00:03:43,920 --> 00:03:46,960 Speaker 1: it out, Thanks bro, Thanks bro. 71 00:03:47,680 --> 00:03:50,800 Speaker 2: Stick to cadging balls. All right now, let's this is 72 00:03:50,800 --> 00:03:52,200 Speaker 2: what I want to hear. This is what I really 73 00:03:52,240 --> 00:03:54,040 Speaker 2: want I want to hear. I'm sure just bite the 74 00:03:54,080 --> 00:03:55,320 Speaker 2: fact that I am having a swing at them for 75 00:03:55,360 --> 00:03:58,440 Speaker 2: having a very corny song as a couple. We've all 76 00:03:58,480 --> 00:04:02,880 Speaker 2: been there. Every person listening to us right now has 77 00:04:02,920 --> 00:04:05,280 Speaker 2: this awful memory and you'll still have it, like you'll 78 00:04:05,280 --> 00:04:06,920 Speaker 2: be listening to Smooth on the drive home and they'll 79 00:04:06,920 --> 00:04:09,120 Speaker 2: play this song from nineteen eighty five and you'll be like, 80 00:04:09,160 --> 00:04:11,480 Speaker 2: oh my god, I built a relationship around that song. 81 00:04:12,120 --> 00:04:16,479 Speaker 2: Thirteen one oh six five. What is the lamest song 82 00:04:17,160 --> 00:04:18,400 Speaker 2: that you have had as a couple. 83 00:04:18,640 --> 00:04:19,520 Speaker 1: I'll kick things off. 84 00:04:20,240 --> 00:04:23,440 Speaker 4: This was a relationship was high school, so end of 85 00:04:23,520 --> 00:04:26,520 Speaker 4: high school, and this was our lame song. 86 00:04:28,480 --> 00:04:29,200 Speaker 2: You done me. 87 00:04:31,320 --> 00:04:33,800 Speaker 4: But the real genius of it was when we were together, 88 00:04:34,360 --> 00:04:37,800 Speaker 4: I would replace Delilah with her first and last name, 89 00:04:37,800 --> 00:04:42,440 Speaker 4: which was a bit weird, but I would say like, yeah, hey. 90 00:04:41,400 --> 00:04:43,680 Speaker 1: There boo, I'm not gonna say that full name. Oh yeah, 91 00:04:43,680 --> 00:04:45,640 Speaker 1: I would replace that. That was genius and I was like, 92 00:04:45,680 --> 00:04:48,599 Speaker 1: amazing that your name fits in there. It's meant to be. 93 00:04:50,040 --> 00:04:56,840 Speaker 1: Oh well, I'll take you up next. Thirty one and 94 00:04:56,920 --> 00:05:02,160 Speaker 1: six ' five. I love this song. 95 00:05:02,320 --> 00:05:08,800 Speaker 2: The lamest couple songs tell kiss Well and Mony I'd 96 00:05:08,839 --> 00:05:11,960 Speaker 2: be having a great drive home. Look, we're gonna be 97 00:05:11,960 --> 00:05:13,760 Speaker 2: a bit vulnerable here, but we are talking about the 98 00:05:13,880 --> 00:05:16,760 Speaker 2: lamest couples song that you had with your ex. 99 00:05:17,000 --> 00:05:17,320 Speaker 1: Yeah. 100 00:05:17,440 --> 00:05:18,760 Speaker 2: I mean it was a hot record at the time, 101 00:05:18,800 --> 00:05:21,680 Speaker 2: but Jack Johnson was mine at the time. I'll tell 102 00:05:21,680 --> 00:05:22,200 Speaker 2: you one. 103 00:05:24,279 --> 00:05:26,359 Speaker 1: Good and that's a chune. 104 00:05:26,520 --> 00:05:27,479 Speaker 2: I'd like to point that out. 105 00:05:27,480 --> 00:05:29,800 Speaker 1: That is it? That is damn chun? 106 00:05:30,160 --> 00:05:30,360 Speaker 2: Yeah? 107 00:05:30,720 --> 00:05:33,640 Speaker 1: Mate, Like, it's just so obvious and so creamy. That's 108 00:05:33,640 --> 00:05:34,080 Speaker 1: our song. 109 00:05:34,400 --> 00:05:38,599 Speaker 4: That's our song, you and fourteen million people special song 110 00:05:39,440 --> 00:05:45,400 Speaker 4: because we think we're better together. That's why we've chosen that. 111 00:05:45,640 --> 00:05:47,880 Speaker 1: It's in the lyrics. Yeah, it's in the lyrics. We 112 00:05:47,920 --> 00:05:48,320 Speaker 1: feel that. 113 00:05:48,440 --> 00:05:51,039 Speaker 2: We feel that because I would have been fourteen at 114 00:05:51,040 --> 00:05:52,080 Speaker 2: the time. It just would have come on in a 115 00:05:52,120 --> 00:05:53,640 Speaker 2: taxi one time. We would have looked at each other 116 00:05:53,680 --> 00:05:55,159 Speaker 2: and been like, this is it? 117 00:05:55,200 --> 00:06:00,279 Speaker 4: What are the chances I've got another one here? 118 00:06:00,760 --> 00:06:04,440 Speaker 1: This was? This is my twenties? Which is real about this? 119 00:06:04,560 --> 00:06:06,520 Speaker 2: Recent? Is this the client? 120 00:06:07,440 --> 00:06:09,039 Speaker 1: Nobody want to see. 121 00:06:13,600 --> 00:06:16,320 Speaker 2: I got you girl? Nice? 122 00:06:16,360 --> 00:06:18,160 Speaker 1: Everybody want to say us together? We don't care. 123 00:06:19,279 --> 00:06:20,680 Speaker 2: Why did nobody want to see you together? 124 00:06:20,720 --> 00:06:21,840 Speaker 1: I didn't think that was the thing. I think I 125 00:06:21,920 --> 00:06:22,960 Speaker 1: just made that up in my head. 126 00:06:23,080 --> 00:06:24,919 Speaker 2: Oh yeah, because's a nice story, isn't It's like us 127 00:06:24,960 --> 00:06:25,320 Speaker 2: against the. 128 00:06:25,279 --> 00:06:27,520 Speaker 1: World's against the world. You and me, baby, you and me. 129 00:06:27,720 --> 00:06:30,080 Speaker 2: Got a real thing for Like was that Acon? Yeah? 130 00:06:30,120 --> 00:06:30,440 Speaker 1: Acon? 131 00:06:30,920 --> 00:06:31,280 Speaker 2: Yeah? 132 00:06:31,320 --> 00:06:37,480 Speaker 1: My boy? Tony here, Tony? What was your really lame 133 00:06:37,680 --> 00:06:38,600 Speaker 1: song with. 134 00:06:38,640 --> 00:06:44,400 Speaker 3: Your eggs Dilemma by Nellie's Kelly Rowlands and Nelly. I 135 00:06:44,440 --> 00:06:46,560 Speaker 3: didn't realize until like three years ago. 136 00:06:47,680 --> 00:06:54,240 Speaker 2: You're a cheating song. It is a Yeah, it's a dilemma. 137 00:06:54,320 --> 00:06:56,200 Speaker 2: I'm crazy over you. 138 00:06:56,279 --> 00:06:57,120 Speaker 1: Yeah, but you're. 139 00:06:57,000 --> 00:06:57,479 Speaker 2: Cheating over you? 140 00:06:57,600 --> 00:06:57,800 Speaker 4: Is it? 141 00:06:57,839 --> 00:06:57,960 Speaker 2: Was it? 142 00:06:58,040 --> 00:07:00,480 Speaker 1: Like think about is you? Oh my god? I just 143 00:07:00,560 --> 00:07:02,880 Speaker 1: realized that as well. Is that even when I'm with 144 00:07:02,920 --> 00:07:03,320 Speaker 1: my boo? 145 00:07:04,120 --> 00:07:04,320 Speaker 3: Yeah? 146 00:07:04,320 --> 00:07:08,560 Speaker 2: We get it, man, Sorry, yeah, I think everyone's there, Tony, Tony, 147 00:07:08,920 --> 00:07:10,520 Speaker 2: was that a thing that it was? It was only 148 00:07:10,560 --> 00:07:12,160 Speaker 2: cheating involved in the end, We're like, was it you know? 149 00:07:12,240 --> 00:07:14,200 Speaker 2: Sort of like a great. 150 00:07:14,600 --> 00:07:16,400 Speaker 1: We didn't know what we were doing. We were just. 151 00:07:16,560 --> 00:07:18,800 Speaker 3: Holding hands and it was like a two weeks little romance. 152 00:07:18,920 --> 00:07:20,680 Speaker 1: Were you thinking about someone else when you were with 153 00:07:20,720 --> 00:07:21,120 Speaker 1: your boo? 154 00:07:21,160 --> 00:07:21,320 Speaker 2: Though? 155 00:07:22,160 --> 00:07:24,360 Speaker 1: No, I actually felt like I was mal Ma in 156 00:07:24,360 --> 00:07:25,280 Speaker 1: love with Wow? 157 00:07:25,920 --> 00:07:27,360 Speaker 2: Are you still madly in love with him? Ton Is 158 00:07:27,360 --> 00:07:29,160 Speaker 2: there a chance of that because you know, is it 159 00:07:29,160 --> 00:07:30,280 Speaker 2: it's still feelings there. 160 00:07:31,120 --> 00:07:34,120 Speaker 3: I would love to say yes, but he is one 161 00:07:34,120 --> 00:07:35,120 Speaker 3: of my closest friends. 162 00:07:35,720 --> 00:07:37,080 Speaker 2: He's still in your life. 163 00:07:37,240 --> 00:07:41,760 Speaker 1: You drop down to friends, friends, best friends. 164 00:07:42,120 --> 00:07:46,120 Speaker 2: Best friends, and he's currently on the listening to this 165 00:07:46,240 --> 00:07:46,720 Speaker 2: right now? 166 00:07:46,880 --> 00:07:47,760 Speaker 1: Are you both? Other people? 167 00:07:47,760 --> 00:07:51,640 Speaker 3: Are three kids. I have a partner as well. He's 168 00:07:51,640 --> 00:07:52,720 Speaker 3: just a really good friends. 169 00:07:52,800 --> 00:07:54,520 Speaker 2: Okay, why don't we bring back the song. It is 170 00:07:54,560 --> 00:07:56,400 Speaker 2: a cheating song, baby, I mean like, get in there, 171 00:07:56,800 --> 00:07:57,440 Speaker 2: there we go. 172 00:07:58,000 --> 00:08:00,800 Speaker 1: Work, you light the fire works. Now, I should say. 173 00:08:00,640 --> 00:08:03,480 Speaker 4: He's got kids, kids, friendships great as well. 174 00:08:03,560 --> 00:08:04,280 Speaker 1: I love friendship. 175 00:08:05,480 --> 00:08:09,040 Speaker 2: We're talking lame couple songs that you've had with your ex, 176 00:08:09,280 --> 00:08:10,920 Speaker 2: and I should I should mention the reason we're talking 177 00:08:10,920 --> 00:08:12,640 Speaker 2: about this is because we found out that Taylor Swift 178 00:08:12,720 --> 00:08:15,760 Speaker 2: and Travis Kelsey's song is. 179 00:08:15,800 --> 00:08:21,880 Speaker 1: Love Story, Like, come on, I was saying dancing to 180 00:08:21,960 --> 00:08:26,040 Speaker 1: it at a at a club last night. Yeah, It's 181 00:08:26,080 --> 00:08:27,160 Speaker 1: just there's no thought there. 182 00:08:27,200 --> 00:08:30,360 Speaker 2: Surely like if you're in, if you're in, if you're 183 00:08:30,400 --> 00:08:34,640 Speaker 2: in Taylor's shoes there, sure you're Like of all the songs, 184 00:08:34,679 --> 00:08:36,559 Speaker 2: like I get paid to sing this. I literally I 185 00:08:36,600 --> 00:08:39,400 Speaker 2: sing this every day to a hole like a whole 186 00:08:39,400 --> 00:08:41,880 Speaker 2: bunch of people. It means nothing to me anymore. Yeah, 187 00:08:42,080 --> 00:08:45,640 Speaker 2: He's like, can we make that out of thing him? 188 00:08:46,240 --> 00:08:49,959 Speaker 1: Her a bit of a loser? Back up the chart, though, 189 00:08:49,960 --> 00:08:50,839 Speaker 1: doesn't it? 190 00:08:50,920 --> 00:08:51,080 Speaker 2: Is it? 191 00:08:51,120 --> 00:08:51,800 Speaker 1: Back up the church? 192 00:08:51,920 --> 00:08:52,160 Speaker 2: Well? 193 00:08:52,240 --> 00:08:55,320 Speaker 4: Well, well, I think back up the church and climbing 194 00:08:55,360 --> 00:08:55,679 Speaker 4: up the chart. 195 00:09:01,240 --> 00:09:03,680 Speaker 1: Jackie is je What. 196 00:09:03,720 --> 00:09:06,439 Speaker 2: Does you, Jackie? Do you reckon Taylor Swift and the 197 00:09:07,040 --> 00:09:11,280 Speaker 2: Calvinator singing love Story, Love Stories? A bit bit loser, 198 00:09:11,400 --> 00:09:11,960 Speaker 2: bit loser? 199 00:09:12,440 --> 00:09:13,600 Speaker 3: Yes, it's very lame. 200 00:09:14,120 --> 00:09:16,880 Speaker 2: It's very lame. Enough tickets, So Jackie, if I said 201 00:09:16,920 --> 00:09:18,200 Speaker 2: to you, We've got a whole row of Tails Swift 202 00:09:18,200 --> 00:09:23,240 Speaker 2: tickets to give you, you'd obviously say no, because you know. 203 00:09:22,040 --> 00:09:26,720 Speaker 3: Look, I wouldn't say no. But singing her song is lame. 204 00:09:27,679 --> 00:09:30,120 Speaker 2: It is. I think all the people that have called 205 00:09:30,120 --> 00:09:33,000 Speaker 2: it just just grundled people that didn't get tickets. Jackie, 206 00:09:33,000 --> 00:09:36,040 Speaker 2: what was this your current partner? Love this, love this? 207 00:09:36,040 --> 00:09:38,920 Speaker 3: This is this is my husband and this song he 208 00:09:39,080 --> 00:09:41,920 Speaker 3: wanted to use as our first dance song. 209 00:09:49,520 --> 00:09:52,800 Speaker 1: Hear more of the boys on the full podcast. Just 210 00:09:52,840 --> 00:09:53,559 Speaker 1: scroll up.