1 00:00:00,400 --> 00:00:02,080 Speaker 1: You're going to have to get in quick at this stage. 2 00:00:02,120 --> 00:00:05,560 Speaker 1: Tickets available through ticket Master for Jesus Christ Superstar, which 3 00:00:05,600 --> 00:00:08,320 Speaker 1: is still on at Crown Theater until March eight, so 4 00:00:08,600 --> 00:00:12,360 Speaker 1: just over a week and Javon King, who plays Judas, 5 00:00:12,360 --> 00:00:18,400 Speaker 1: has come in this morning. Hello, so absolutely lovely to 6 00:00:18,480 --> 00:00:18,919 Speaker 1: meet you. 7 00:00:19,040 --> 00:00:19,759 Speaker 2: It's a pleasure. 8 00:00:19,840 --> 00:00:22,960 Speaker 1: It's been no secret that I just loved the you 9 00:00:22,960 --> 00:00:23,960 Speaker 1: know what out of this? 10 00:00:24,120 --> 00:00:27,520 Speaker 2: Have you met your marketing champion Lisa Listen? I hire you? 11 00:00:28,440 --> 00:00:30,960 Speaker 1: Okay, No, I've always been a fan of Jesus Christ 12 00:00:30,960 --> 00:00:32,879 Speaker 1: Superstar and this is this has. 13 00:00:32,880 --> 00:00:35,519 Speaker 2: This is a ripper. Oh thank you? Yeah, thank you? 14 00:00:35,560 --> 00:00:39,000 Speaker 1: So you you sing the very opening notes I do. 15 00:00:39,360 --> 00:00:42,760 Speaker 2: Yeah, I start the show and show things in between 16 00:00:42,880 --> 00:00:45,760 Speaker 2: of course, yeah too. I love it. Yeah, it's so 17 00:00:45,920 --> 00:00:46,440 Speaker 2: much fun. 18 00:00:47,440 --> 00:00:50,320 Speaker 1: So how have you enjoyed being in Perth? 19 00:00:50,800 --> 00:00:53,040 Speaker 2: I love it. Yeah. I've never been to Perth. 20 00:00:53,080 --> 00:00:55,200 Speaker 3: I've never tore it to Perth, so coming over to 21 00:00:55,240 --> 00:00:57,080 Speaker 3: this side of the world was really cool. Just coming 22 00:00:57,080 --> 00:00:59,800 Speaker 3: to Australia in general has been amazing for me. It's 23 00:00:59,800 --> 00:01:02,640 Speaker 3: been almost three years since I came over, so I've 24 00:01:02,640 --> 00:01:04,479 Speaker 3: been wanting to tick off Perth on my list. 25 00:01:04,640 --> 00:01:06,080 Speaker 2: So I'm happy I got. 26 00:01:06,040 --> 00:01:07,760 Speaker 3: The chance to come here with this show because I 27 00:01:07,800 --> 00:01:10,319 Speaker 3: just know how much the show means to Australia and 28 00:01:10,319 --> 00:01:11,920 Speaker 3: to be able to come here and do it, it's 29 00:01:11,959 --> 00:01:13,640 Speaker 3: been amazing. And now I get to meet you lovely 30 00:01:13,640 --> 00:01:15,959 Speaker 3: people and all these people, like, it's amazing. 31 00:01:16,280 --> 00:01:19,280 Speaker 1: Are you impressed with the caliber of our you know, 32 00:01:19,360 --> 00:01:20,800 Speaker 1: our show scene here? 33 00:01:21,040 --> 00:01:22,120 Speaker 2: I mean because you come. 34 00:01:21,959 --> 00:01:27,440 Speaker 3: From yeah, I mean, I'm from New York. I'm used 35 00:01:27,480 --> 00:01:31,360 Speaker 3: to a much bigger dynamic in terms of there's so 36 00:01:31,400 --> 00:01:33,520 Speaker 3: many different theaters. But listen, the Perth audiences have been 37 00:01:33,600 --> 00:01:36,240 Speaker 3: amazing and they can give New Yorkers for a run 38 00:01:36,240 --> 00:01:39,039 Speaker 3: for their money off how much they love the theater here. Truly, 39 00:01:39,080 --> 00:01:40,680 Speaker 3: they really can. I'm not just saying that, like they 40 00:01:41,720 --> 00:01:43,760 Speaker 3: they're very passionate. When we when we finish the show 41 00:01:43,760 --> 00:01:45,760 Speaker 3: and we see them stand up and there are loving it, 42 00:01:45,840 --> 00:01:48,920 Speaker 3: I'm like, okay, great. Because the crown is so wide, 43 00:01:49,080 --> 00:01:51,840 Speaker 3: like we can't really hear a lot of the reactions 44 00:01:51,840 --> 00:01:54,280 Speaker 3: of what's happening on stage, so like when we finish 45 00:01:54,360 --> 00:01:56,240 Speaker 3: the show, that's how we know if people loved it 46 00:01:56,360 --> 00:01:59,000 Speaker 3: or not. And people seem to really be loving it, 47 00:01:59,240 --> 00:02:00,640 Speaker 3: Like there's a lot of people out there, so it's 48 00:02:00,640 --> 00:02:01,840 Speaker 3: been yeah, yeah, can you. 49 00:02:01,760 --> 00:02:03,880 Speaker 2: Take this behind the curtain? You're telling you at least 50 00:02:03,880 --> 00:02:07,200 Speaker 2: mentioned that first note first the number, what's it like? 51 00:02:07,280 --> 00:02:09,440 Speaker 2: Is your experienced performer? But what's it like when you 52 00:02:09,480 --> 00:02:11,160 Speaker 2: go out there? Because there's got to be nerves as. 53 00:02:11,040 --> 00:02:14,320 Speaker 3: Well as I still get nervous because this show is 54 00:02:14,400 --> 00:02:17,640 Speaker 3: so iconic and it's been around for fifty plus years. 55 00:02:17,720 --> 00:02:20,640 Speaker 3: And I get excited from the overture because the overture 56 00:02:20,720 --> 00:02:24,919 Speaker 3: is so wacky and weird, and just like you're like, 57 00:02:25,120 --> 00:02:27,240 Speaker 3: are we in a musical or is this a rock concert? 58 00:02:27,360 --> 00:02:28,240 Speaker 2: Like what's happening? 59 00:02:29,240 --> 00:02:32,120 Speaker 3: And then and then Heaven on their Minds starts and 60 00:02:32,160 --> 00:02:33,680 Speaker 3: the guitar hits, and then it's like. 61 00:02:35,520 --> 00:02:37,680 Speaker 2: And then I'm walking up and I'm like, oh, I'm ready, 62 00:02:37,720 --> 00:02:41,360 Speaker 2: Like this great. So I kind of like I'm nervous 63 00:02:41,360 --> 00:02:41,960 Speaker 2: for a little bit. 64 00:02:42,000 --> 00:02:44,720 Speaker 3: And then you're with everyone on stage because our overture, 65 00:02:44,800 --> 00:02:47,520 Speaker 3: you're you're going to see it in a tomorrow. The 66 00:02:47,560 --> 00:02:49,360 Speaker 3: overture is cool because we all just kind of rush 67 00:02:49,400 --> 00:02:51,880 Speaker 3: the stage and it's like a mass of just chaos. 68 00:02:52,919 --> 00:02:56,040 Speaker 3: It comes from it and that's that's it suits And 69 00:02:56,040 --> 00:02:58,360 Speaker 3: then it's just so it just kind of stops right, 70 00:02:58,880 --> 00:03:00,720 Speaker 3: and then Heaven on their Minds starts and then like 71 00:03:00,960 --> 00:03:03,760 Speaker 3: we start into this this song and people start to dance, 72 00:03:03,760 --> 00:03:05,520 Speaker 3: and then I started to sing in the zone and 73 00:03:05,560 --> 00:03:06,880 Speaker 3: I'm there and it's cooled. 74 00:03:06,960 --> 00:03:08,040 Speaker 2: Yeah, it's so much fun. 75 00:03:08,120 --> 00:03:09,760 Speaker 1: And there is more dancing in this show than I've 76 00:03:09,760 --> 00:03:12,600 Speaker 1: ever seen and they're fantastic. 77 00:03:12,680 --> 00:03:15,400 Speaker 2: Yea, our ensemble is dancing the ensemble. 78 00:03:16,240 --> 00:03:20,200 Speaker 1: Can you say to them, calculize? Can you tell them 79 00:03:20,600 --> 00:03:23,800 Speaker 1: that they are not missed that? And we were talking 80 00:03:23,800 --> 00:03:26,440 Speaker 1: about the tone that they set because of you know, 81 00:03:26,720 --> 00:03:29,960 Speaker 1: the story that it is where basically, you know, Jesus 82 00:03:29,960 --> 00:03:34,239 Speaker 1: gets canceled is what happens, and now you betray Jesus 83 00:03:34,240 --> 00:03:37,400 Speaker 1: with a kiss, but you know you are Judas, You're 84 00:03:37,400 --> 00:03:40,200 Speaker 1: betraying Jesus. But what do you find What is it 85 00:03:40,240 --> 00:03:44,120 Speaker 1: about Judas's you know, character in this that you find 86 00:03:44,360 --> 00:03:45,400 Speaker 1: relatable or. 87 00:03:46,280 --> 00:03:49,800 Speaker 3: I think a lot Judas has gotten a bad rap 88 00:03:49,960 --> 00:03:54,720 Speaker 3: over history, you know, yes, And for me, you know, 89 00:03:54,760 --> 00:03:56,320 Speaker 3: I get the question a lot of like Carles, if 90 00:03:56,360 --> 00:03:57,840 Speaker 3: you have played a bad guy in the show, and 91 00:03:57,880 --> 00:03:58,240 Speaker 3: I'm like. 92 00:03:58,200 --> 00:04:01,640 Speaker 2: What, he's a bad guy, but he his intentions were 93 00:04:01,680 --> 00:04:05,160 Speaker 2: always good. And I always say people at least for me. 94 00:04:05,200 --> 00:04:07,080 Speaker 3: And when I played Judas, I try to lead with 95 00:04:07,160 --> 00:04:09,560 Speaker 3: a lot of love and he's just trying to get 96 00:04:09,640 --> 00:04:12,360 Speaker 3: through to his friend. And he loves his friend so 97 00:04:12,480 --> 00:04:14,720 Speaker 3: much that he's like, listen, I don't know what you're 98 00:04:14,760 --> 00:04:17,520 Speaker 3: going through or what who's telling you that you're X, 99 00:04:17,640 --> 00:04:20,480 Speaker 3: Y and Z, But that's not who you've been for 100 00:04:20,880 --> 00:04:23,960 Speaker 3: the years that I've known you, and we've known each 101 00:04:23,960 --> 00:04:26,039 Speaker 3: other for all these years, Like just listen to me. 102 00:04:26,600 --> 00:04:29,800 Speaker 3: That's literallyne I say in Michelle, and Jesus is just 103 00:04:29,839 --> 00:04:32,160 Speaker 3: so in his own world about what is going on, 104 00:04:32,279 --> 00:04:33,480 Speaker 3: and you know, we know. 105 00:04:33,480 --> 00:04:36,080 Speaker 1: The slariis exactly that. 106 00:04:36,160 --> 00:04:38,800 Speaker 3: Judas is like, Okay, you're not the person that I 107 00:04:38,839 --> 00:04:40,719 Speaker 3: thought you were, Like I need to go talk to 108 00:04:40,800 --> 00:04:42,919 Speaker 3: someone else and maybe someone else will listen to me. 109 00:04:42,960 --> 00:04:46,320 Speaker 3: And ultimately that decision probably was not the best because 110 00:04:46,360 --> 00:04:48,040 Speaker 3: then they go and they turn on him, and then 111 00:04:48,120 --> 00:04:52,400 Speaker 3: they crucify him, and YadA, YadA and. 112 00:04:51,240 --> 00:04:51,839 Speaker 2: The rest. 113 00:04:53,960 --> 00:04:57,560 Speaker 3: And then yeah, and then Judas obviously is so filled 114 00:04:57,600 --> 00:04:58,880 Speaker 3: with so much remorse from that. 115 00:04:58,720 --> 00:05:00,560 Speaker 1: That I never thought of Judas was the bad guy. 116 00:05:01,080 --> 00:05:01,480 Speaker 2: Thank you. 117 00:05:01,600 --> 00:05:04,479 Speaker 1: Yeah, I think, you know, like Judas and Pilot as well, 118 00:05:04,760 --> 00:05:05,880 Speaker 1: not the bad guys. 119 00:05:06,000 --> 00:05:08,919 Speaker 2: Yeah, just they're just doing what they think is right. 120 00:05:09,160 --> 00:05:12,040 Speaker 3: And I think Judash just loves his friend so much 121 00:05:12,120 --> 00:05:14,400 Speaker 3: that like he just wants to like try to get 122 00:05:14,400 --> 00:05:15,760 Speaker 3: to him and have a conversation with him. 123 00:05:15,680 --> 00:05:19,120 Speaker 2: About what it is. Yeah. But all but that being said, 124 00:05:19,200 --> 00:05:20,760 Speaker 2: it is fun being the villain. 125 00:05:21,560 --> 00:05:23,640 Speaker 3: Have you said, have you sat down and watched the 126 00:05:23,720 --> 00:05:25,680 Speaker 3: original movie what was that nineteen seventy three or whatever? 127 00:05:25,880 --> 00:05:26,839 Speaker 2: I've seen it once. 128 00:05:27,480 --> 00:05:29,960 Speaker 3: Yeah, and that was right before we started rehearsal. So 129 00:05:30,000 --> 00:05:33,760 Speaker 3: this was back in like middle of August, probably early September. 130 00:05:35,480 --> 00:05:40,520 Speaker 2: I was like, what's happening that? Judas was pretty amazing elements? 131 00:05:41,040 --> 00:05:45,120 Speaker 3: Yeah, incredible, Yeah, incredible cars shooting something like that back 132 00:05:45,160 --> 00:05:48,159 Speaker 3: in the seventies. I was like, whoa, yeah, because I 133 00:05:48,160 --> 00:05:50,480 Speaker 3: remember this is Woodstock grooving. 134 00:05:50,640 --> 00:05:53,839 Speaker 1: Yeah, it is Woodstock groov But so is this the 135 00:05:53,920 --> 00:05:54,800 Speaker 1: herod in that was? 136 00:05:55,040 --> 00:05:59,680 Speaker 2: He's like, real show? Is he the son of someone? 137 00:05:59,720 --> 00:06:01,800 Speaker 2: The hair in that? We talk about? The herod in this? 138 00:06:02,960 --> 00:06:04,080 Speaker 2: Our friends must. 139 00:06:05,520 --> 00:06:09,119 Speaker 1: He's always happy to our friend. Ruben k totally brings 140 00:06:09,160 --> 00:06:12,039 Speaker 1: the herod. It's worth the whole show just for the 141 00:06:12,080 --> 00:06:16,000 Speaker 1: high kicks. And you and he have a bit of 142 00:06:16,000 --> 00:06:18,720 Speaker 1: a nightly battle about who's got the best. 143 00:06:19,320 --> 00:06:23,839 Speaker 3: The best songs and his one yeah one listen. I 144 00:06:23,880 --> 00:06:25,640 Speaker 3: love Ruben k with my whole heart and he knows 145 00:06:25,680 --> 00:06:27,440 Speaker 3: how I love. I love him so much. He is 146 00:06:28,360 --> 00:06:30,719 Speaker 3: as as chaotic as he is on stage. He is 147 00:06:30,760 --> 00:06:34,200 Speaker 3: the nicest human off stage. I adore him with my 148 00:06:34,240 --> 00:06:37,640 Speaker 3: whole heart and he absolutely steals the shell and in 149 00:06:37,760 --> 00:06:40,480 Speaker 3: acting he just brings the comedy that we are kind 150 00:06:40,480 --> 00:06:42,359 Speaker 3: of need before things turn left. 151 00:06:42,600 --> 00:06:47,919 Speaker 1: Yeah, well exactly on that opening night, I saw you 152 00:06:48,000 --> 00:06:51,000 Speaker 1: two leave the stage together with your arms around each other, 153 00:06:51,040 --> 00:06:54,760 Speaker 1: and I thought, I just know the conversation they're having, Like, 154 00:06:55,160 --> 00:06:55,720 Speaker 1: there you go. 155 00:06:56,240 --> 00:07:02,919 Speaker 2: He always has a one liner. Yeah, yeah, I'm like 156 00:07:03,040 --> 00:07:07,320 Speaker 2: you are quick, Yeah, I love yeah, great energy to 157 00:07:07,360 --> 00:07:07,680 Speaker 2: the room. 158 00:07:08,160 --> 00:07:10,880 Speaker 1: Well look, we'll have to let you go. I'm so 159 00:07:10,920 --> 00:07:13,320 Speaker 1: glad that Clazy is getting along to see it tomorrow night. 160 00:07:13,560 --> 00:07:16,200 Speaker 1: The rest of us have and we loved it, and 161 00:07:16,760 --> 00:07:20,160 Speaker 1: thank you so much because it is just I just 162 00:07:20,880 --> 00:07:22,520 Speaker 1: but I couldn't sleep that night and I have to 163 00:07:22,520 --> 00:07:23,960 Speaker 1: get up at four o'clock in the. 164 00:07:23,880 --> 00:07:25,840 Speaker 2: Morning, three thirty in the morning to get it. Was 165 00:07:25,880 --> 00:07:28,040 Speaker 2: worth it. It was worth so worth it. It was 166 00:07:28,120 --> 00:07:30,480 Speaker 2: worth and I really loved it. Thank you so much much. 167 00:07:30,560 --> 00:07:32,200 Speaker 2: I really appreciate it and I'm so excited for you 168 00:07:32,240 --> 00:07:37,360 Speaker 2: to look seeing it. Yeah, are you here? Thank you 169 00:07:37,800 --> 00:07:38,920 Speaker 2: for coming in. Thank you