WEBVTT - #59: Top 5 TV Deaths

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<v Speaker 1>People do some weird shit. Television legend Carrie Ane Kenney

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<v Speaker 1>fell several meters from a trapeze while performing in the

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<v Speaker 1>musical Pippot. Some things make more sense than others.

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<v Speaker 2>Bring pikes, nurseries, mercury pikes, p y k e.

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<v Speaker 3>S Hey, why I hey, as in kill hey?

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<v Speaker 2>Why?

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<v Speaker 4>Okay?

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<v Speaker 1>Bless yourself for the rude shocks of young adults?

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<v Speaker 3>Wool, Why is your life so expensive?

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<v Speaker 5>I'm not even having a good chime?

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<v Speaker 4>This is is just.

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<v Speaker 1>A couple of mitches.

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<v Speaker 4>What about me?

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<v Speaker 3>Don't forget?

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<v Speaker 1>No, he is maturely and.

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<v Speaker 5>Yeah, here we are, Guy, Welcome to the show, Guy.

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<v Speaker 1>Episode fifty.

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<v Speaker 4>Can you believe you know?

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<v Speaker 5>We're getting up their ground keeper? Jenna? Our third wheel

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<v Speaker 5>is here as always.

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<v Speaker 1>Yeah, I'm not always puts when you refer to yourself

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<v Speaker 1>in the third person, like your bono or something.

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<v Speaker 6>Why don't you shut up?

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<v Speaker 7>Jenna's in a foul mood today. Can I just say

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<v Speaker 7>she did crack it at me earlier?

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<v Speaker 1>Oh my god? What happened to.

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<v Speaker 7>Any because I don't even know if if I'd use

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<v Speaker 7>the word prank, it's more just harassing.

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<v Speaker 5>I've been kind of harassing for the last.

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<v Speaker 1>Few work place harassment because we all work in the

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<v Speaker 1>same office.

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<v Speaker 7>No, So what happened was you know that that app

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<v Speaker 7>it's called find My on your phone, so you can

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<v Speaker 7>either yeah, you can track where your friends are on

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<v Speaker 7>a map, or you can like look for your devices

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<v Speaker 7>and stuff.

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<v Speaker 5>So I know where my AirPods are.

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<v Speaker 7>I added Jenna on Find My Friends, and because I

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<v Speaker 7>give her a lift every morning, I wanted her to

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<v Speaker 7>see how far away from my house I was, how

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<v Speaker 7>much time she.

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<v Speaker 5>Had to get ready.

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<v Speaker 7>And then I was playing around in the app realized

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<v Speaker 7>that you can send people notifications based on where you are.

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<v Speaker 7>So I was like, send Jenna a notification five minutes.

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<v Speaker 5>Before I arrive.

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<v Speaker 7>Okay, got it, So it would look on a map

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<v Speaker 7>and go yep, beanwood pick Jenna's fine minutes away. And

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<v Speaker 7>then I kind of carried away because I realized that

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<v Speaker 7>you can set up so many notifications.

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<v Speaker 5>She gets a notification, I.

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<v Speaker 7>Just thought, what are the places I most commonly go?

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<v Speaker 7>She gets like fifty notifications a day from me. It's

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<v Speaker 7>like Mitchell's at home, Mitchill left home, Mitchell at I

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<v Speaker 7>g A, Mitch is at the gym, which was at

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<v Speaker 7>Pilate's Mitchell's that cold today.

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<v Speaker 5>Literally, she gets I'll drive past the gym. Was at

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<v Speaker 5>the gym?

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<v Speaker 1>She get you on purpose, Yeah, just to be annoying.

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<v Speaker 6>It's not exaggerating. I've got this up. Let me get there.

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<v Speaker 1>I want to get This is fun.

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<v Speaker 4>Do you know what?

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<v Speaker 5>I don't think yours works because one one time when

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<v Speaker 5>you left the room and education.

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<v Speaker 1>From today, Jenna's just scrolled, Oh this is all from

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<v Speaker 1>the today Mitchell. Mitchell arrived at plus Fitness and by

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<v Speaker 1>Mitchell Grioms. Mitchell arrived at plus Fitness and by Mitchell

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<v Speaker 1>Greams twice in one day.

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<v Speaker 5>Yeah, but I don't think yours works, Mitchell.

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<v Speaker 1>Why is that that so fucking funny?

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<v Speaker 4>Why?

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<v Speaker 7>Because one time you left your phone behind and you

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<v Speaker 7>left the room, and I tried to play a prank

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<v Speaker 7>on you byetting up notifications to our boss and you

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<v Speaker 7>would have like killed me. And I waited months being like,

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<v Speaker 7>is he gonna say anything? Is our boss gonna say anything?

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<v Speaker 7>I just don't think it works.

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<v Speaker 1>You did it.

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<v Speaker 7>I tried to send notifications whenever you arrived at home,

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<v Speaker 7>at work, all these things.

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<v Speaker 5>To our boss so he'd be like, what the fuck

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<v Speaker 5>is this? But it never worked. Oh god, Calypto drop.

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<v Speaker 5>I love it, John, But all right back hey, while

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<v Speaker 5>I'm gone open your preses. Guess what it is, guys,

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<v Speaker 5>Oh my god, it's me flush.

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<v Speaker 1>Now it's not what is it?

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<v Speaker 5>The military music?

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<v Speaker 1>Marching bed merchch much march? Right?

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<v Speaker 7>Anyway, I've got our proto type, so our merch stre

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<v Speaker 7>is now live. Yeah, head to the link in our

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<v Speaker 7>bio you can check out what we've got. I'm going

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<v Speaker 7>to give you, guys, your jumpers.

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<v Speaker 1>Fuck off you clip the drop.

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<v Speaker 7>Fine, there's a couple of other pieces of merch. I'll

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<v Speaker 7>tell you about them later in the show.

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<v Speaker 5>But for now, he's your jump it pass me mind,

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<v Speaker 5>I'll go you. I'll get you Ecalypto.

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<v Speaker 1>I think I thought this was a Sheridan Doner, but

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<v Speaker 1>it's a oh Jenna what Oh guys, you are going

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<v Speaker 1>to explode when you see this merch. Oh, thank you,

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<v Speaker 1>thank you, Michel. I'm just talking about the hero piece.

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<v Speaker 7>Yes, there's more than just these jumpers, but they're very cute.

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<v Speaker 7>You can see the photos on our Instagram at couple

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<v Speaker 7>of miches.

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<v Speaker 5>Also on the show today, I'm going to be doing

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<v Speaker 5>another top five we did on last week.

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<v Speaker 4>We did.

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<v Speaker 7>This one's completely different to the anal one from last week.

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<v Speaker 7>Last week was the Perks of Anal.

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<v Speaker 5>This week is the top five TV show deaths.

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<v Speaker 7>Oh, because last week Jenna mentioned McLeod's orders in passing

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<v Speaker 7>just off the car right now?

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<v Speaker 5>Yes, and now so many.

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<v Speaker 7>People in our Facebook group have been talking about it,

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<v Speaker 7>saying that they've been rewatching it even today, like it's

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<v Speaker 7>got to it's had a rebirth because it's on stand

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<v Speaker 7>of course, and I thought, oh, that harrowing scene where

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<v Speaker 7>Clare mcclowd died. And then I'm like, all right, let's

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<v Speaker 7>let's go through the best TV show deaths. I've got

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<v Speaker 7>so many.

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<v Speaker 1>You'll have to make me fall in love with it

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<v Speaker 1>because I've never seen who's the actress Meghan Chabanni.

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<v Speaker 3>Frank Capani in the morning.

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<v Speaker 5>She's not the one that died.

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<v Speaker 1>Oh okay, all right, well that's coming up. Plus, if

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<v Speaker 1>it's the first time listening, is it just me? The

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<v Speaker 1>podcast proudly fueled by Red Rooster, and we start the

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<v Speaker 1>show the same way every week with something we've noticed,

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<v Speaker 1>something we hate or appreciate. We call them igems. We

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<v Speaker 1>bring one each Mitch doesn't know Man I don't know

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<v Speaker 1>Mitch's and I think I should start this week. Did

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<v Speaker 1>you guys mind go for your life? Is it just me?

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<v Speaker 1>Is it wrong if I give Hayden something for his

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<v Speaker 1>birthday that I was sent from a pr company.

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<v Speaker 7>Oh, you can't regift it free shit to your boyfriends,

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<v Speaker 7>not a It's his birthday tomorrow and by the time

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<v Speaker 7>this is aired, he would have always already celebrated Happy Birthday,

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<v Speaker 7>Hayden twenty five.

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<v Speaker 1>It wasn't his thing. It's a big gift, Like we're

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<v Speaker 1>talking value upwards of six hundred dollars. I've been sent

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<v Speaker 1>two tickets to Hamilton.

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<v Speaker 6>Oh that's pretty decent, pretty because that's an experience.

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<v Speaker 1>That's an experience that I could just say, Babe, I

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<v Speaker 1>got you two tickets. You know, here's a little photo

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<v Speaker 1>of Hamilton. I don't have to print out the tickets

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<v Speaker 1>because it does say preview show tickets.

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<v Speaker 5>Pretty hard to get a hold of, So you'd be

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<v Speaker 5>dumb not to take advantage of it.

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<v Speaker 1>Yeah, but should I tell him that I paid for them?

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<v Speaker 4>Oh?

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<v Speaker 5>I feel like he'll find out that he didn't. Like

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<v Speaker 5>you can't try and trick him.

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<v Speaker 7>But still if you if you take him to dinner

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<v Speaker 7>beforehand or something so that you've spent money, or if

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<v Speaker 7>you make it a surprise.

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<v Speaker 5>I don't know, something to make it not just you

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<v Speaker 5>being a scab.

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<v Speaker 1>No, No, there's plenty of other gifts, and I.

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<v Speaker 6>Think that's fine. If it's just a complimentary thing on

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<v Speaker 6>top of other gifts, then that's fine. That's fine.

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<v Speaker 1>Well, he's starting a podcast, So what I've done is

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<v Speaker 1>I've got all the podcast production and assets made so

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<v Speaker 1>you have their intro and we have the show opener.

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<v Speaker 1>I've got all that produce for him with an audio

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<v Speaker 1>producer to save him money to have to go make it.

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<v Speaker 5>Well, we shan't be flogging his podcast here. He's now

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<v Speaker 5>our rival.

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<v Speaker 1>Technically, No he's not. He's not signed with any network,

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<v Speaker 1>he has no much, no merch. He'll get there, he will.

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<v Speaker 7>So you think it's fine, I can do it, Yeah, totally,

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<v Speaker 7>if you do something else, because you can't just give

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<v Speaker 7>him free shit. I thought you meant that you were

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<v Speaker 7>going to give him like Angie Kent's book, sent so

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<v Speaker 7>many books.

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<v Speaker 1>Because actually my worry is that that it's a media

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<v Speaker 1>nighte and we get invited to all these media events

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<v Speaker 1>because we work in the media and you have all

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<v Speaker 1>these shows and they send invites out to people in

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<v Speaker 1>the media in the press to come and review it

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<v Speaker 1>and talk about it on the radio shows and their

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<v Speaker 1>podcasts whatever. So if I go there and turn that

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<v Speaker 1>I've bought it, and then all of a sudden we're

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<v Speaker 1>sitting next to Sandra Sally.

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<v Speaker 5>Yeah, you can't do that, you me, Starnes, Oh my god,

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<v Speaker 5>you don't have to talk with the job under your tongue, kind.

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<v Speaker 1>Of alter it. The consensus is I can do it.

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<v Speaker 6>You'll be Also, it's Hamilton. That's such a big musical.

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<v Speaker 7>Oh, I know, I'm worried about going to see Hamilton.

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<v Speaker 7>I've got tickets, I've had them for ages, But I'm

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<v Speaker 7>is it going to be like Lame? Is where I

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<v Speaker 7>need to like appreciate the historical context? Because I fucking

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<v Speaker 7>hated Lame because I was like, what's going on? Everyone's like,

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<v Speaker 7>didn't you pay attention in history?

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<v Speaker 5>I was like, Nah, when I.

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<v Speaker 6>Saw Hamilton, I didn't know anything about the history behind it, which.

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<v Speaker 1>Is bizarre, Jenna, because you were there, so it's weird

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<v Speaker 1>that you'd forgotten everything that had happened.

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<v Speaker 6>I wasn't in America that time.

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<v Speaker 1>You were in the Mayflower, but you were drugged. Yes,

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<v Speaker 1>awful time for you. Hamilton is oh, Hamilton's great. Actually,

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<v Speaker 1>the marching music fits right back in with the discussion

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<v Speaker 1>of Hamilton. Hamilton's brilliant. I've seen it twice. You will

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<v Speaker 1>need to understand the historical which is what? That was

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<v Speaker 1>my question, Yeah, you will. I think you will know

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<v Speaker 1>which is what?

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<v Speaker 5>What's the historical context?

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<v Speaker 1>Three times now, so sorry. The marching band music is

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<v Speaker 1>quite loud. It is the settlement of America and the

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<v Speaker 1>UK not being very happy with America wanting to become

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<v Speaker 1>its own republic. Right then there's wars and they're fighting,

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<v Speaker 1>and its follows Alexander Hamilton, which it's very odd. He

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<v Speaker 1>was never a president of the United States, but was

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<v Speaker 1>so influential in the formation of America that it's almost

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<v Speaker 1>like he got such a raw deal. Like you go

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<v Speaker 1>to America and then there's Washington, d C named after Washington,

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<v Speaker 1>the Washington Memorial, and then you've got all these ex

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<v Speaker 1>presidents on the on the notes, and he set up

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<v Speaker 1>the whole Federal Banking Reserve, the whole system, came up

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<v Speaker 1>with all these things, was very formative in d C

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<v Speaker 1>and the politics and whatever, and he's got nothing, so

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<v Speaker 1>that the music, so he has a musical.

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<v Speaker 5>So it's jeez, I'm sorry, I've just completely lost interest.

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<v Speaker 1>Standing anyway, when you see it, look at the king

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<v Speaker 1>and think that's the role that I wanted.

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<v Speaker 5>That's the role that I think you would be great.

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<v Speaker 1>I think I would be to Jonathan Groth originally, and

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<v Speaker 1>I did audition for the role of one of the

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<v Speaker 1>Mormons in the Book of Mormon. Couldn't tap dance. I

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<v Speaker 1>was exiled, so it could have happened. Could have all right,

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<v Speaker 1>Hayden's getting Hamilton tickets. Ye, don't lie about it, don't forget,

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<v Speaker 1>I'll be honest, all right, Ready for your regym?

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<v Speaker 5>Yep, hit me?

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<v Speaker 1>Is it just me?

0:10:10.400 --> 0:10:12.840
<v Speaker 5>Are you no good at an elevator pitch?

0:10:13.600 --> 0:10:13.800
<v Speaker 4>Oh?

0:10:14.880 --> 0:10:16.679
<v Speaker 1>I don't think I've ever been put in a situation

0:10:16.920 --> 0:10:19.120
<v Speaker 1>recently where I have to elevate a pitch. But it

0:10:19.160 --> 0:10:20.880
<v Speaker 1>gives me too much anxiety. I couldn't do it. Well.

0:10:20.880 --> 0:10:24.000
<v Speaker 7>It's like I'm talking a metaphorical elevator pitch, as in,

0:10:24.120 --> 0:10:25.920
<v Speaker 7>like you've only got a short amount of time to

0:10:26.040 --> 0:10:28.720
<v Speaker 7>like give a really top line summary of an idea

0:10:28.760 --> 0:10:29.120
<v Speaker 7>you've got.

0:10:29.480 --> 0:10:31.959
<v Speaker 5>But I had a literal elevator pitch. The other day,

0:10:32.679 --> 0:10:37.760
<v Speaker 5>I was in the elevator here at work, and the two.

0:10:37.800 --> 0:10:41.840
<v Speaker 7>Big dogs of the business were there, the group program

0:10:41.960 --> 0:10:42.960
<v Speaker 7>director and the CEO.

0:10:43.160 --> 0:10:46.280
<v Speaker 1>Oh wow, and my boss's boss yeah, and the CEO.

0:10:46.200 --> 0:10:48.720
<v Speaker 7>Yes, and so duncan hu I know? He says, Oh,

0:10:48.760 --> 0:10:52.439
<v Speaker 7>how's the podcast going? And then the CEO, with his

0:10:52.520 --> 0:10:54.600
<v Speaker 7>Irish accent, says, what is the podcast about?

0:10:54.720 --> 0:10:54.959
<v Speaker 4>You can do?

0:10:58.120 --> 0:11:03.760
<v Speaker 7>And I was like, oh, I know, just talk about stuff.

0:11:03.920 --> 0:11:07.520
<v Speaker 7>I always did think talk about stuff. You know, it's

0:11:07.520 --> 0:11:10.640
<v Speaker 7>just stuff. You No, I can't remember what I said,

0:11:10.640 --> 0:11:11.280
<v Speaker 7>but it didn't sell it.

0:11:11.360 --> 0:11:18.600
<v Speaker 5>Well He's like, okay, I'm getting anxiety. Take fun.

0:11:18.679 --> 0:11:18.920
<v Speaker 1>Fact.

0:11:19.080 --> 0:11:22.080
<v Speaker 7>By the way, I read the other day that this week,

0:11:22.120 --> 0:11:24.480
<v Speaker 7>as in the week that this podcast is released, is

0:11:24.960 --> 0:11:26.880
<v Speaker 7>International Introverts Week.

0:11:27.120 --> 0:11:28.520
<v Speaker 6>So let's celebrate.

0:11:28.760 --> 0:11:31.040
<v Speaker 5>It's fitting for people like me. You're in that scenario

0:11:31.160 --> 0:11:32.520
<v Speaker 5>just went so.

0:11:32.640 --> 0:11:34.719
<v Speaker 1>But what could you have said? Yeah, well, you've got

0:11:34.760 --> 0:11:37.319
<v Speaker 1>twelve seconds. Oh, we've just recently been sponsored Rooster who

0:11:37.320 --> 0:11:38.760
<v Speaker 1>we love, and we have merchant.

0:11:38.559 --> 0:11:40.120
<v Speaker 7>Well yeah, I could have gone down that route, but

0:11:40.160 --> 0:11:42.920
<v Speaker 7>I actually I googled, like, what are the tips for

0:11:43.000 --> 0:11:47.360
<v Speaker 7>the best elevator pictures? Firstly, but this is what you're actually,

0:11:47.480 --> 0:11:50.680
<v Speaker 7>this is how you say it right, keep it concise.

0:11:50.920 --> 0:11:52.920
<v Speaker 7>And that made me remember this tip that I was

0:11:53.000 --> 0:11:56.040
<v Speaker 7>given by when I used to volunteer at the university

0:11:56.160 --> 0:11:58.600
<v Speaker 7>radio station. I was in the newsroom, and the newsroom

0:11:58.679 --> 0:12:02.640
<v Speaker 7>supervisor Murray, like this super old school radio guy. He

0:12:02.880 --> 0:12:04.880
<v Speaker 7>would always be like, no, mate, too many words, too

0:12:04.920 --> 0:12:08.200
<v Speaker 7>many words. And his tip for making a story short

0:12:08.240 --> 0:12:10.880
<v Speaker 7>and sweet was like, right, pretend that you've taken your

0:12:10.960 --> 0:12:12.520
<v Speaker 7>mother to the train station.

0:12:13.000 --> 0:12:15.240
<v Speaker 5>You're on the platform, she's just gotten on the trains.

0:12:15.920 --> 0:12:16.560
<v Speaker 5>The doors are.

0:12:16.440 --> 0:12:19.240
<v Speaker 7>Starting to close, Bob, and then you go, oh, wait,

0:12:19.720 --> 0:12:21.480
<v Speaker 7>one more thing, and then that's the amount of time

0:12:21.480 --> 0:12:22.480
<v Speaker 7>you've got to tell the story.

0:12:22.520 --> 0:12:23.480
<v Speaker 5>Will the doors are closing?

0:12:23.600 --> 0:12:25.720
<v Speaker 1>Oh that? And that also adds anxiety too.

0:12:26.120 --> 0:12:26.920
<v Speaker 5>Well, that's the other.

0:12:26.880 --> 0:12:29.800
<v Speaker 7>Thing, because the next tip is to speak slowly. Even

0:12:29.880 --> 0:12:33.040
<v Speaker 7>though you feel like you're under time constraints, you seem

0:12:33.080 --> 0:12:35.640
<v Speaker 7>more confident if you're speaking slowly. Yes, so it's like

0:12:35.800 --> 0:12:37.760
<v Speaker 7>you're not left with many fucking words. If the train

0:12:37.880 --> 0:12:40.160
<v Speaker 7>doors are closing and you've got to speak slowly, are you.

0:12:40.320 --> 0:12:42.400
<v Speaker 1>You can't shove your foot in there? Get foot chopped

0:12:42.480 --> 0:12:43.959
<v Speaker 1>off that woman.

0:12:47.320 --> 0:12:49.400
<v Speaker 7>Sometimes I still have Marie in the back of my

0:12:49.480 --> 0:12:52.240
<v Speaker 7>head being like track doors mates. You actually when other

0:12:52.240 --> 0:12:54.040
<v Speaker 7>people ramble, I'm just like fucking trained door.

0:12:54.240 --> 0:12:57.160
<v Speaker 1>You have told me that analogy multiple times, advised.

0:12:57.240 --> 0:12:57.679
<v Speaker 5>I love it.

0:12:57.760 --> 0:13:00.920
<v Speaker 7>It works really well. But these were the tips that

0:13:00.960 --> 0:13:03.200
<v Speaker 7>I found for what to actually say. So that's how

0:13:03.280 --> 0:13:05.520
<v Speaker 7>to say it, and this is what to say. So

0:13:05.679 --> 0:13:10.160
<v Speaker 7>you say the problem, you say the solution, you say

0:13:10.600 --> 0:13:13.240
<v Speaker 7>why you you say the value.

0:13:13.040 --> 0:13:15.319
<v Speaker 5>Like what's in it for them? And then a call

0:13:15.400 --> 0:13:15.720
<v Speaker 5>to action.

0:13:15.880 --> 0:13:17.120
<v Speaker 7>So you might be like, I don't know, call me

0:13:17.240 --> 0:13:20.559
<v Speaker 7>or email me or something like that. And so if

0:13:20.600 --> 0:13:23.480
<v Speaker 7>I'd known this beforehand, because you know how you do

0:13:23.559 --> 0:13:26.160
<v Speaker 7>that problem solution blah blah blah. If I'd known that beforehand,

0:13:26.160 --> 0:13:27.280
<v Speaker 7>I would have been like, well not. You know, young

0:13:27.320 --> 0:13:29.840
<v Speaker 7>people don't listen to radio anymore, so you know they're

0:13:29.840 --> 0:13:31.880
<v Speaker 7>into podcasting. You've got to get things on demand. And

0:13:31.920 --> 0:13:34.200
<v Speaker 7>that's where we come in, you know, because we're kind

0:13:34.240 --> 0:13:36.480
<v Speaker 7>of like a radio show right in a way. And

0:13:36.600 --> 0:13:39.439
<v Speaker 7>so it's like, you know, what was next, fuck a

0:13:39.520 --> 0:13:40.760
<v Speaker 7>fuck it, get out.

0:13:40.920 --> 0:13:45.480
<v Speaker 5>He's on the next level. Say the solution. Okay, what

0:13:45.679 --> 0:13:47.239
<v Speaker 5>would solution be, Well, the solution.

0:13:47.120 --> 0:13:49.000
<v Speaker 7>Would be we do it all in one take. It's

0:13:49.080 --> 0:13:52.120
<v Speaker 7>improv so it has that magic of a live radio show,

0:13:52.160 --> 0:13:52.800
<v Speaker 7>not much editing.

0:13:52.920 --> 0:13:55.000
<v Speaker 1>Yep, there's segments as well. Very similar radio.

0:13:55.160 --> 0:13:57.520
<v Speaker 5>Yes, but you can get it on demand. Correct say

0:13:57.640 --> 0:13:59.120
<v Speaker 5>why you would that be? I don't know.

0:14:00.000 --> 0:14:02.480
<v Speaker 7>And I do online experience, you do the broadcast experience.

0:14:02.600 --> 0:14:04.680
<v Speaker 7>We've got the reach and the experience in careers.

0:14:04.800 --> 0:14:07.280
<v Speaker 1>Also, we're actual friends outside. We haven't been paired up

0:14:07.320 --> 0:14:12.440
<v Speaker 1>like many radio stations. We have chemistry about natural chemistry.

0:14:12.559 --> 0:14:15.120
<v Speaker 7>The value is that we've already we're already in production.

0:14:15.200 --> 0:14:16.920
<v Speaker 7>You don't have to start from scratch. We're already going.

0:14:17.200 --> 0:14:18.559
<v Speaker 5>And then call to action, I'd be like, oh, you know,

0:14:18.600 --> 0:14:20.560
<v Speaker 5>we'll email you a link, let's chat something like that.

0:14:20.880 --> 0:14:22.760
<v Speaker 5>Brilliant And so I was like, damn, I wish I

0:14:22.840 --> 0:14:25.200
<v Speaker 5>knew that stuff beforehand, because I just went talking about stuff.

0:14:25.200 --> 0:14:27.240
<v Speaker 1>You know that is actually what I add sound like

0:14:27.280 --> 0:14:29.280
<v Speaker 1>the ones that are on the radio to promote this podcast.

0:14:29.480 --> 0:14:32.520
<v Speaker 1>It's it's literally, oh, they just talk about things. I know.

0:14:32.720 --> 0:14:37.680
<v Speaker 7>They they don't really go into great detail about what

0:14:37.760 --> 0:14:38.160
<v Speaker 7>what about?

0:14:38.200 --> 0:14:41.200
<v Speaker 1>Do they no over the break that we just had?

0:14:41.320 --> 0:14:44.120
<v Speaker 1>And because we when our iHeart podcasts, all the iHeartRadio

0:14:44.240 --> 0:14:47.240
<v Speaker 1>radio stations play a promo for our show and it's

0:14:47.320 --> 0:14:49.320
<v Speaker 1>lovely and it's great. But I don't know who wrote

0:14:49.360 --> 0:14:51.480
<v Speaker 1>that script, but it is the most ambiguous thing I've

0:14:51.560 --> 0:14:52.680
<v Speaker 1>ever heard in my life.

0:14:52.800 --> 0:14:53.280
<v Speaker 5>Yeah, they a.

0:14:54.480 --> 0:14:57.000
<v Speaker 7>Radio ad is thirty second. That's like an elevator pitch

0:14:57.080 --> 0:14:58.960
<v Speaker 7>in a way, isn't it. They've got such amount of time,

0:14:58.960 --> 0:15:00.200
<v Speaker 7>but they did not here.

0:15:00.240 --> 0:15:01.720
<v Speaker 1>I've got one here because we have used the same

0:15:01.760 --> 0:15:02.800
<v Speaker 1>system in the radio station.

0:15:02.880 --> 0:15:04.720
<v Speaker 5>So this is oh god, this is literally what I

0:15:04.800 --> 0:15:06.560
<v Speaker 5>said to the CEO. This is as much detail as

0:15:06.600 --> 0:15:07.320
<v Speaker 5>I got across.

0:15:07.240 --> 0:15:09.600
<v Speaker 1>This ad over the summer promoting our podcast that you're

0:15:09.600 --> 0:15:12.520
<v Speaker 1>listening to. All Right, so you're looking for a laughing

0:15:12.560 --> 0:15:14.560
<v Speaker 1>you don't mind a bit of overshare. Check out a

0:15:14.680 --> 0:15:16.640
<v Speaker 1>podcast called is It Just Me?

0:15:17.280 --> 0:15:18.360
<v Speaker 5>Really funny podcasts.

0:15:18.360 --> 0:15:21.800
<v Speaker 1>A couple of minches share thoughts and experiences on pretty

0:15:21.840 --> 0:15:24.000
<v Speaker 1>much like anything goes with this podcast?

0:15:24.200 --> 0:15:24.640
<v Speaker 2>Is It Just Me?

0:15:24.880 --> 0:15:27.960
<v Speaker 1>On your iHeartRadio app or wherever you get your podcast? Yeah?

0:15:27.960 --> 0:15:31.400
<v Speaker 5>I was like pretty much anything. Yeah, it's a bit vague,

0:15:31.400 --> 0:15:31.640
<v Speaker 5>isn't it?

0:15:31.840 --> 0:15:32.280
<v Speaker 1>Very fat?

0:15:32.560 --> 0:15:35.360
<v Speaker 7>There's not really like, oh, there's a podcast where they

0:15:35.440 --> 0:15:38.400
<v Speaker 7>share their thoughts about anything like that's every podcast ever?

0:15:38.680 --> 0:15:40.400
<v Speaker 1>Yeah, if you're a garden they're driving in your car.

0:15:40.480 --> 0:15:41.720
<v Speaker 1>You could be like, Oh, don't get the name of

0:15:41.800 --> 0:15:44.280
<v Speaker 1>that podcast. I wonder if they talk about gardening.

0:15:44.480 --> 0:15:47.440
<v Speaker 5>Oh god, fingers crossed. They talk about chess one day.

0:15:47.880 --> 0:15:49.960
<v Speaker 5>I love chess. They said anything.

0:15:50.080 --> 0:15:53.000
<v Speaker 1>I hope they discuss neutering of dogs and techniques that

0:15:53.080 --> 0:15:55.360
<v Speaker 1>I can apply my veterinary clinic. What's the name of

0:15:55.440 --> 0:15:56.120
<v Speaker 1>that podcast?

0:15:56.600 --> 0:15:56.640
<v Speaker 8>What?

0:15:57.480 --> 0:15:58.680
<v Speaker 5>I was like, that's so misleading.

0:16:00.400 --> 0:16:04.200
<v Speaker 1>Anything like that is so broad. That's not tying anyone in.

0:16:04.440 --> 0:16:06.800
<v Speaker 5>I mean, that's so many things to get through. There's

0:16:06.800 --> 0:16:08.880
<v Speaker 5>so many things in the world we haven't talked about yet.

0:16:09.040 --> 0:16:12.160
<v Speaker 1>Actually, that's so much pressure on us to discuss anything.

0:16:13.400 --> 0:16:15.680
<v Speaker 5>It's one I heard with words. They said they talk

0:16:15.720 --> 0:16:16.280
<v Speaker 5>about everything.

0:16:16.280 --> 0:16:18.960
<v Speaker 1>I was like, what I have one to She's like,

0:16:19.040 --> 0:16:22.160
<v Speaker 1>buy a couple of mitches. The podcast that discusses well,

0:16:22.680 --> 0:16:23.880
<v Speaker 1>just about everything.

0:16:24.080 --> 0:16:26.600
<v Speaker 5>I was like, No, that's not true. That really doesn't

0:16:26.640 --> 0:16:29.880
<v Speaker 5>sell it. Well, we're talking about biodegradable bag.

0:16:31.320 --> 0:16:33.600
<v Speaker 1>Next week, listenerine strips and how you can use them

0:16:33.640 --> 0:16:37.720
<v Speaker 1>in your life. What is it just me?

0:16:40.240 --> 0:16:40.360
<v Speaker 7>Hi?

0:16:40.600 --> 0:16:43.480
<v Speaker 5>I'm Abby Chatfield and I am so excited for merch March.

0:16:43.720 --> 0:16:44.320
<v Speaker 4>Is it just me?

0:16:44.640 --> 0:16:47.440
<v Speaker 1>Have a great day guys. Thanks Toby Chatfield. Friend of

0:16:47.480 --> 0:16:48.240
<v Speaker 1>the Pod is.

0:16:48.520 --> 0:16:51.720
<v Speaker 7>Where you don't have to wait any longer, Zalan Merch

0:16:51.840 --> 0:16:54.920
<v Speaker 7>March is here. Head to our Instagram at couple of mitches,

0:16:54.960 --> 0:16:57.600
<v Speaker 7>the link in our bio on all socials. That's where

0:16:57.640 --> 0:16:59.600
<v Speaker 7>our story is and it's going to be closed by

0:16:59.600 --> 0:17:01.400
<v Speaker 7>the end of You've got to get your pre orders

0:17:01.400 --> 0:17:03.560
<v Speaker 7>in and then it's done for life.

0:17:03.640 --> 0:17:05.000
<v Speaker 1>I said Mitch, we should do it in April, but

0:17:05.040 --> 0:17:06.560
<v Speaker 1>then merch April doesn't have the same ring to it

0:17:06.640 --> 0:17:09.600
<v Speaker 1>as merch Mark, not even Nope. So this is it.

0:17:09.760 --> 0:17:12.520
<v Speaker 1>It's a one time off sale. What we order and

0:17:12.640 --> 0:17:15.119
<v Speaker 1>what you order is made. There's no leftovers.

0:17:15.280 --> 0:17:17.359
<v Speaker 7>Yes, so if we get ten people order to Jumper,

0:17:17.400 --> 0:17:19.000
<v Speaker 7>we make ten Jumpers. So you've got to get your

0:17:19.000 --> 0:17:20.360
<v Speaker 7>pre orders in before the end of March.

0:17:20.440 --> 0:17:23.000
<v Speaker 1>Should we discuss the range? Oh yes, well.

0:17:22.960 --> 0:17:24.600
<v Speaker 5>We've got the jumper obviously.

0:17:24.760 --> 0:17:25.359
<v Speaker 1>I'm wearing it right.

0:17:25.440 --> 0:17:27.399
<v Speaker 7>It's got a pair of headphones on it because we

0:17:27.440 --> 0:17:29.960
<v Speaker 7>didn't want like our faces or like our logo, because

0:17:30.000 --> 0:17:31.399
<v Speaker 7>then people will look at it and public can be like,

0:17:31.440 --> 0:17:32.200
<v Speaker 7>what the fuck's that about?

0:17:32.320 --> 0:17:34.200
<v Speaker 1>Correct? If it's a giant, it's just me. It also

0:17:34.280 --> 0:17:35.440
<v Speaker 1>looks like we would have to sell.

0:17:35.280 --> 0:17:37.560
<v Speaker 7>Out, yes, so we wanted to get something that's kind

0:17:37.600 --> 0:17:39.080
<v Speaker 7>of like broad. It wouldn't look weird if you wore

0:17:39.080 --> 0:17:41.800
<v Speaker 7>it in public and people wouldn't be confused. So it's

0:17:41.920 --> 0:17:44.879
<v Speaker 7>like a giant pair of headphones. But if you look

0:17:45.000 --> 0:17:48.560
<v Speaker 7>really closely, zoom in within the headphones, little audio waves

0:17:48.560 --> 0:17:51.320
<v Speaker 7>have little inside jokes from the show. You'll have to

0:17:51.320 --> 0:17:52.680
<v Speaker 7>have a look on the store see what it is.

0:17:52.840 --> 0:17:54.560
<v Speaker 5>But it's like most people.

0:17:55.080 --> 0:17:56.560
<v Speaker 7>If you're looking at the jumper, it's just a pair

0:17:56.560 --> 0:17:59.880
<v Speaker 7>of headphones. Cute, love it, but then our real loyal

0:18:00.000 --> 0:18:01.359
<v Speaker 7>listeners we're going to kick out of it because it's

0:18:01.359 --> 0:18:03.040
<v Speaker 7>got the inside jokes that only we understand.

0:18:03.160 --> 0:18:04.720
<v Speaker 1>Also, we know our listeners, and we all know that

0:18:04.760 --> 0:18:06.719
<v Speaker 1>we're all depressed and sob into the sleep of our

0:18:06.760 --> 0:18:09.440
<v Speaker 1>shirts every night while we sleep, and usually Little Ariana

0:18:09.480 --> 0:18:11.760
<v Speaker 1>Grande hands and how she wears the sleeves over the palms.

0:18:12.119 --> 0:18:15.200
<v Speaker 1>We have a logo conveniently placed on the wrist.

0:18:15.080 --> 0:18:17.840
<v Speaker 5>We do, and that's easily hidden as well, So find

0:18:17.880 --> 0:18:18.760
<v Speaker 5>yourself you're listening to.

0:18:19.320 --> 0:18:21.280
<v Speaker 7>They come in different colors as well, so you'll have

0:18:21.359 --> 0:18:22.879
<v Speaker 7>to go check out what they look like on our

0:18:22.920 --> 0:18:24.600
<v Speaker 7>Instagram at couple images.

0:18:24.359 --> 0:18:27.000
<v Speaker 5>But as well as the jumper. Oh the rash shirts

0:18:27.080 --> 0:18:30.159
<v Speaker 5>I know, no, general we never that was never approved.

0:18:30.240 --> 0:18:33.680
<v Speaker 5>You can get the like crashing No, well we're not

0:18:33.760 --> 0:18:34.800
<v Speaker 5>making them, so Hi, you're on it.

0:18:35.400 --> 0:18:39.879
<v Speaker 7>It's so as well as the actual jumper. Mitch and

0:18:39.960 --> 0:18:42.440
<v Speaker 7>I both have a piece of merch each that we're

0:18:42.520 --> 0:18:44.040
<v Speaker 7>kind of going to be competing with.

0:18:44.280 --> 0:18:46.879
<v Speaker 1>You know what I'm saying? Oh we are, yes, So

0:18:47.119 --> 0:18:48.919
<v Speaker 1>here is going real competition. Do you want to announce

0:18:48.920 --> 0:18:51.520
<v Speaker 1>yours first? Because I don't mind doesn't need to go first,

0:18:52.080 --> 0:18:53.680
<v Speaker 1>the same amount of impact if I go second.

0:18:54.359 --> 0:18:55.720
<v Speaker 5>Right, So this is yours? Take that.

0:18:57.920 --> 0:18:58.199
<v Speaker 4>All right?

0:18:58.280 --> 0:18:58.840
<v Speaker 5>Here's mine?

0:18:59.000 --> 0:18:59.440
<v Speaker 4>What is it?

0:18:59.600 --> 0:19:03.520
<v Speaker 7>So cast your minds back to the end of season

0:19:03.560 --> 0:19:06.159
<v Speaker 7>one when I had a mental breakdown and I went

0:19:06.200 --> 0:19:07.399
<v Speaker 7>on a psychiatric recess.

0:19:07.600 --> 0:19:09.000
<v Speaker 5>That's what I called it. I thought it sounded a

0:19:09.000 --> 0:19:11.280
<v Speaker 5>little more fancy than just saying I was on stress leave.

0:19:11.359 --> 0:19:12.560
<v Speaker 1>It's more of a lunch So.

0:19:14.040 --> 0:19:17.359
<v Speaker 5>Here in my palm, I have a stress ball because

0:19:17.359 --> 0:19:20.399
<v Speaker 5>you know I love my sensory toys and on it

0:19:20.680 --> 0:19:23.440
<v Speaker 5>is a little lunchbox with psychiatric recess written on it.

0:19:23.840 --> 0:19:25.399
<v Speaker 5>And then you flip it and it's our logo. So

0:19:25.480 --> 0:19:28.720
<v Speaker 5>it's an either just Me psychiatric recess stress ball. It's

0:19:28.760 --> 0:19:30.920
<v Speaker 5>really practical and it's cute.

0:19:31.880 --> 0:19:33.479
<v Speaker 7>Pop it in your desk, keep it in your car

0:19:33.520 --> 0:19:35.880
<v Speaker 7>when you're feeling a bit fidgety, especially if you feel

0:19:35.920 --> 0:19:37.480
<v Speaker 7>like chewing your nails and you want to give that up.

0:19:38.000 --> 0:19:42.360
<v Speaker 7>Just start starts cushion on the psychiatric recess stress ball.

0:19:42.400 --> 0:19:44.359
<v Speaker 1>You're my competition. I buy my cell phone because you

0:19:44.359 --> 0:19:45.680
<v Speaker 1>know I bout my nails frantically.

0:19:45.880 --> 0:19:47.680
<v Speaker 5>Yes, I'm a big fan of it, Jenna, what do

0:19:47.760 --> 0:19:48.040
<v Speaker 5>you think?

0:19:48.320 --> 0:19:51.120
<v Speaker 6>I'm actually impressed you can you give.

0:19:51.000 --> 0:19:54.920
<v Speaker 5>It a squeeze your hand strength to the microphone? That's

0:19:54.960 --> 0:19:58.160
<v Speaker 5>not really don't know one can my nails cat nails?

0:19:58.400 --> 0:19:59.800
<v Speaker 5>Don't you dare strap my fid.

0:20:00.400 --> 0:20:01.879
<v Speaker 6>I'm not scratching. I'm tapping.

0:20:03.920 --> 0:20:05.080
<v Speaker 1>That actually paints a bed pictures.

0:20:05.119 --> 0:20:06.560
<v Speaker 5>What if I pegged at Mitch's fear in here?

0:20:06.840 --> 0:20:08.159
<v Speaker 1>No no, no, no, have a go.

0:20:10.840 --> 0:20:11.800
<v Speaker 5>Sturdy stress plat.

0:20:11.840 --> 0:20:13.680
<v Speaker 1>I'll have to take one. It actually is. So that's

0:20:13.760 --> 0:20:20.359
<v Speaker 1>Mitch's side piece, my side prices and gentlemen, I'll welcome

0:20:20.400 --> 0:20:22.000
<v Speaker 1>you to the is Just Me shopping channel.

0:20:22.400 --> 0:20:22.919
<v Speaker 2>This is a.

0:20:24.600 --> 0:20:26.520
<v Speaker 1>Tea tower. Now I know what you're thinking.

0:20:26.640 --> 0:20:27.080
<v Speaker 4>T towel.

0:20:27.080 --> 0:20:28.960
<v Speaker 1>I don't need a tea towel, Yes you do. We've

0:20:29.000 --> 0:20:31.120
<v Speaker 1>all been to Arnie Jens after she gets back from

0:20:31.160 --> 0:20:34.040
<v Speaker 1>a trip to I don't know, Bowerel. She gets a

0:20:34.080 --> 0:20:40.480
<v Speaker 1>lovely teatower that says London, Paris, Real, New York, Bowerel. See, y'all,

0:20:40.960 --> 0:20:43.159
<v Speaker 1>it's like hold on with Barrel. Where does Barrel fit

0:20:43.240 --> 0:20:45.840
<v Speaker 1>into the mix? But they always make them. Every city

0:20:45.920 --> 0:20:46.440
<v Speaker 1>has their own.

0:20:47.240 --> 0:20:49.920
<v Speaker 5>It's always London, Paris, Rome and then some city thrown

0:20:49.960 --> 0:20:50.159
<v Speaker 5>in there.

0:20:51.960 --> 0:20:54.399
<v Speaker 1>Ye know, I can't think of I can't think of

0:20:54.440 --> 0:20:56.320
<v Speaker 1>a real suburb, but I can think of fake ones.

0:20:56.400 --> 0:20:59.000
<v Speaker 1>Come I, guys, we have got Is it just me

0:20:59.160 --> 0:21:02.919
<v Speaker 1>tea towel with all of the infamous fake made up

0:21:03.160 --> 0:21:04.280
<v Speaker 1>town Why?

0:21:05.200 --> 0:21:07.359
<v Speaker 5>I think from day one on the podcast we figured

0:21:07.359 --> 0:21:09.359
<v Speaker 5>out that you've got this weird talent that it's making

0:21:09.440 --> 0:21:12.840
<v Speaker 5>up very convincing sounding fictional suburbs, and now they're all

0:21:12.920 --> 0:21:14.040
<v Speaker 5>printed on that tea toowl.

0:21:13.960 --> 0:21:17.879
<v Speaker 1>Reach Dude, I remember by Nava Lucy Wanga, Baronet, terrible

0:21:17.880 --> 0:21:21.640
<v Speaker 1>bus fire there in Lake Barrel, dmldeen, lots of drownings

0:21:21.680 --> 0:21:25.560
<v Speaker 1>in that lake, Tristleton, A beautiful of Christmas Narrow Ramine

0:21:25.680 --> 0:21:29.280
<v Speaker 1>shark attack in July. Brendall Barreldean by Annie Julie lives there.

0:21:29.600 --> 0:21:32.480
<v Speaker 1>This can be hung over your oven. It can be

0:21:32.640 --> 0:21:34.960
<v Speaker 1>used as an ice pack holder. You can dab it

0:21:35.040 --> 0:21:36.679
<v Speaker 1>on your mouth when you have guests, use it as

0:21:36.680 --> 0:21:39.400
<v Speaker 1>a table coffee bab. You could use it as a bib,

0:21:39.520 --> 0:21:40.200
<v Speaker 1>a torniquet.

0:21:41.240 --> 0:21:44.200
<v Speaker 5>People already have teatowls. No one has threads, spats. This

0:21:44.400 --> 0:21:47.000
<v Speaker 5>is like a new addition. This will improve your life.

0:21:47.160 --> 0:21:48.920
<v Speaker 1>This is what I think he's gone wrong, because Jenna,

0:21:49.119 --> 0:21:51.119
<v Speaker 1>let's cast your mind back to episode thirty one. I

0:21:51.160 --> 0:21:52.919
<v Speaker 1>don't know you say episodes, and you know that might

0:21:53.000 --> 0:21:55.879
<v Speaker 1>just pretend episode thirty one when you gifted me a

0:21:55.960 --> 0:21:57.520
<v Speaker 1>tea towel and I moved into my new boat.

0:21:57.600 --> 0:21:59.200
<v Speaker 5>Oh yes, I believe it.

0:21:59.280 --> 0:22:03.639
<v Speaker 1>With episodes, Nime, what episode thirty four you gave me

0:22:03.720 --> 0:22:07.959
<v Speaker 1>an indigenous Australian tea toowl? Right, I being burnt or crisp. However,

0:22:08.600 --> 0:22:10.440
<v Speaker 1>you wouldn't give it te taels a gift if you

0:22:10.520 --> 0:22:11.560
<v Speaker 1>didn't think they were brilliant.

0:22:12.480 --> 0:22:13.400
<v Speaker 6>Oh he's got a point.

0:22:13.760 --> 0:22:16.040
<v Speaker 7>Well exactly, but this only makes sense to our listeners.

0:22:16.040 --> 0:22:17.359
<v Speaker 7>They're not going to buy it as a gift, are

0:22:17.400 --> 0:22:17.920
<v Speaker 7>they Oh.

0:22:18.119 --> 0:22:20.480
<v Speaker 1>I think if you give it to your mum even better.

0:22:20.520 --> 0:22:22.680
<v Speaker 1>If he doesn't know that these are made up towns, she'll.

0:22:22.480 --> 0:22:23.720
<v Speaker 5>Say, what for the loving fuck is this?

0:22:24.280 --> 0:22:24.480
<v Speaker 4>Yeah?

0:22:24.720 --> 0:22:25.439
<v Speaker 5>Bridge of Badoon?

0:22:25.520 --> 0:22:28.359
<v Speaker 1>What Bridge Badoon? Like Barrel Dibbledean. It's got a little

0:22:28.440 --> 0:22:31.480
<v Speaker 1>is it just me? Logo and guys that is.

0:22:32.000 --> 0:22:34.320
<v Speaker 6>But I think the names are so convincing that people

0:22:34.440 --> 0:22:36.680
<v Speaker 6>will think that they're real places.

0:22:36.840 --> 0:22:38.520
<v Speaker 5>They were, Like God, he gets around.

0:22:38.840 --> 0:22:40.800
<v Speaker 6>I like the different fonts, many.

0:22:40.680 --> 0:22:43.680
<v Speaker 1>Different funds, many different funds. Anyway, that's my side piece,

0:22:43.720 --> 0:22:45.399
<v Speaker 1>and what we're going to do is back to the

0:22:45.480 --> 0:22:50.600
<v Speaker 1>drama of the whole situation. Whoever sells the most side pieces.

0:22:52.359 --> 0:22:53.960
<v Speaker 1>I haven't really discussed what happens after that.

0:22:54.320 --> 0:22:55.920
<v Speaker 5>We'll live, the other will be killed.

0:22:56.720 --> 0:22:59.040
<v Speaker 1>But I like it that. I like that slit at

0:22:59.080 --> 0:22:59.920
<v Speaker 1>the throat by Jenny.

0:23:00.280 --> 0:23:02.840
<v Speaker 7>There's a bit of competition as to who sells more.

0:23:03.280 --> 0:23:05.600
<v Speaker 7>I confidently feel I'm going to sell more stress balls

0:23:05.640 --> 0:23:08.440
<v Speaker 7>because they're more affordable, because there's four million.

0:23:08.280 --> 0:23:09.280
<v Speaker 4>Dollars not true.

0:23:09.320 --> 0:23:10.760
<v Speaker 1>We ended the link in our bio to find out

0:23:10.760 --> 0:23:14.520
<v Speaker 1>full prising. However, everything will be available. It is available

0:23:14.560 --> 0:23:15.800
<v Speaker 1>now as this podcast goes.

0:23:15.640 --> 0:23:17.480
<v Speaker 5>Like yep, get your orders in before the end of

0:23:17.520 --> 0:23:17.960
<v Speaker 5>merch March.

0:23:18.040 --> 0:23:20.399
<v Speaker 1>That's right, size inclusive as well. We made sure that

0:23:20.720 --> 0:23:22.159
<v Speaker 1>everyone will fit into it. Is it just me?

0:23:22.840 --> 0:23:25.200
<v Speaker 7>That was the best conversation I've had with the people

0:23:25.280 --> 0:23:27.240
<v Speaker 7>that were helping us out with it. They were like, so, like,

0:23:27.440 --> 0:23:29.719
<v Speaker 7>what's the biggest size you want? And I'm like, well,

0:23:29.760 --> 0:23:31.119
<v Speaker 7>the host is going to have to be able to

0:23:31.160 --> 0:23:32.639
<v Speaker 7>wear his own merch, so you're going to have to

0:23:32.680 --> 0:23:33.840
<v Speaker 7>get something the size of a tent.

0:23:34.000 --> 0:23:36.600
<v Speaker 1>Yeah, go to lin Craft get four by four meters

0:23:37.359 --> 0:23:40.439
<v Speaker 1>ttail material. Anyway, it's all available, now go by yourself.

0:23:40.520 --> 0:23:43.359
<v Speaker 1>Some let's do read rooster reviews of course.

0:23:43.720 --> 0:23:46.680
<v Speaker 5>Of course I've actually got one.

0:23:47.040 --> 0:23:49.280
<v Speaker 7>Oh sorry to step on your turf, and you usually

0:23:49.359 --> 0:23:51.159
<v Speaker 7>do the reviews, but I did notice that there was

0:23:51.240 --> 0:23:53.600
<v Speaker 7>one you failed to read out for obvious reason.

0:23:53.720 --> 0:23:56.760
<v Speaker 1>I don't want no, I'm going chronological order, mind, Do

0:23:56.880 --> 0:23:57.560
<v Speaker 1>I go random?

0:23:58.040 --> 0:23:58.080
<v Speaker 4>No?

0:23:58.240 --> 0:23:59.800
<v Speaker 5>Because you usually just do the ones that are at

0:23:59.800 --> 0:24:02.440
<v Speaker 5>the time, hop right, And there's one that you've obviously

0:24:02.520 --> 0:24:03.400
<v Speaker 5>skipped on purpose.

0:24:03.920 --> 0:24:04.639
<v Speaker 1>Why what is it?

0:24:04.800 --> 0:24:05.320
<v Speaker 5>I'll find it.

0:24:05.920 --> 0:24:08.359
<v Speaker 7>So it's from all the way back in October and

0:24:08.480 --> 0:24:12.840
<v Speaker 7>it says five stars from Ebony car What an absolute

0:24:12.880 --> 0:24:14.639
<v Speaker 7>banger of a pod. Do you hear the favor and

0:24:14.720 --> 0:24:17.040
<v Speaker 7>give them the quality content they deserve. All of you,

0:24:17.560 --> 0:24:21.040
<v Speaker 7>Mitchell Coombs in particular, no offense. I just adore you.

0:24:21.320 --> 0:24:24.399
<v Speaker 7>Dull bring me so much joy, my sincerest gratitude for

0:24:24.440 --> 0:24:26.479
<v Speaker 7>the hours of entertainment. Of course you skipped the one

0:24:26.480 --> 0:24:27.639
<v Speaker 7>where they said I'm the favorite.

0:24:27.840 --> 0:24:30.800
<v Speaker 1>Oh, because I didn't read it out car you read.

0:24:31.800 --> 0:24:34.440
<v Speaker 7>I've got one week to hit us up at couple

0:24:34.480 --> 0:24:36.679
<v Speaker 7>of mitches on Instagram to claim your prize.

0:24:36.680 --> 0:24:39.399
<v Speaker 1>If you hear your review Red House, a stupid name, Ebony,

0:24:42.320 --> 0:24:42.960
<v Speaker 1>Ebony truck.

0:24:43.320 --> 0:24:43.879
<v Speaker 5>What do you got?

0:24:44.720 --> 0:24:49.160
<v Speaker 1>I've got one from Charles two thousand and four, Coming

0:24:49.200 --> 0:24:51.760
<v Speaker 1>from the future, Charles says, loving the podcast. Started listening

0:24:51.840 --> 0:24:54.960
<v Speaker 1>late twenty twenty and got in love. Great in your

0:24:55.000 --> 0:24:58.200
<v Speaker 1>personal life, Charles, or with the podcast please during the break.

0:24:58.240 --> 0:25:01.280
<v Speaker 1>Had a great time listening to one new episode each day,

0:25:01.400 --> 0:25:04.399
<v Speaker 1>Short and sweet, quite like the moose at Red Rooster.

0:25:04.960 --> 0:25:08.000
<v Speaker 5>Oh even integrated the sponsor.

0:25:07.720 --> 0:25:10.480
<v Speaker 1>World Charles three thousand and four. You've got seven days

0:25:10.520 --> 0:25:12.840
<v Speaker 1>to contact or else we will give your prize to

0:25:12.960 --> 0:25:16.800
<v Speaker 1>the needy children of the world. Oh we laugh. Time

0:25:16.840 --> 0:25:17.800
<v Speaker 1>to move on to a top five?

0:25:18.240 --> 0:25:19.119
<v Speaker 5>Oh yes, let's do it.

0:25:20.400 --> 0:25:21.120
<v Speaker 1>The top five.

0:25:21.280 --> 0:25:25.159
<v Speaker 7>Today we are counting down the top five Aussie TV deaths.

0:25:26.560 --> 0:25:32.280
<v Speaker 7>Now I am I do secretly froth like a death

0:25:32.359 --> 0:25:34.240
<v Speaker 7>scene on a TV show that makes you feel something,

0:25:34.320 --> 0:25:37.880
<v Speaker 7>because I have also seen many shit ones like Neighbors.

0:25:38.560 --> 0:25:40.800
<v Speaker 7>There's only one that made the countdown from Neighbors, really

0:25:40.880 --> 0:25:43.440
<v Speaker 7>because most of them are so bad, Like there's so

0:25:43.520 --> 0:25:48.640
<v Speaker 7>many awful, like really poorly executed death scenes on Australian TV. Yeah,

0:25:48.720 --> 0:25:50.760
<v Speaker 7>by the way, this is from like our generation, so

0:25:50.840 --> 0:25:52.800
<v Speaker 7>there might be people being like, what about a country practice.

0:25:52.800 --> 0:25:53.320
<v Speaker 5>I didn't watch that.

0:25:53.400 --> 0:25:55.680
<v Speaker 7>I wasn't born, of course, so also I didn't really

0:25:55.680 --> 0:25:57.119
<v Speaker 7>watch Home in a way, so there may have been

0:25:57.200 --> 0:26:00.600
<v Speaker 7>some iconic scenes on that I wouldn't you know.

0:26:00.640 --> 0:26:02.520
<v Speaker 1>I have a friend that works at Home and Away

0:26:02.640 --> 0:26:07.800
<v Speaker 1>and will not name them, however, Hugh Sheridan. However, I've

0:26:07.840 --> 0:26:11.720
<v Speaker 1>been told that they only get two takes per scene. Really,

0:26:11.800 --> 0:26:13.639
<v Speaker 1>if you don't get it in the two takes, then

0:26:13.680 --> 0:26:15.080
<v Speaker 1>they're going to edit. They'll make it. Well.

0:26:15.240 --> 0:26:17.680
<v Speaker 8>I've been an extra on Home in Away correct and

0:26:18.320 --> 0:26:19.840
<v Speaker 8>they've done more takes than two.

0:26:19.960 --> 0:26:23.600
<v Speaker 5>How many they do, I don't know more than two?

0:26:23.720 --> 0:26:27.679
<v Speaker 1>You can't corroborate well, that's what I've had on the grapevine.

0:26:27.440 --> 0:26:28.960
<v Speaker 5>Right, So you've got to kind of nail it the

0:26:29.000 --> 0:26:29.920
<v Speaker 5>first time apparently.

0:26:29.960 --> 0:26:32.439
<v Speaker 1>So that's why so many scenes can be somewhat cringe

0:26:32.480 --> 0:26:35.200
<v Speaker 1>worthy and awkward, because they've got such tight turnarounds. They're like,

0:26:35.280 --> 0:26:36.520
<v Speaker 1>get this scene out, We've got to move on.

0:26:36.600 --> 0:26:36.879
<v Speaker 4>All right.

0:26:36.880 --> 0:26:39.520
<v Speaker 7>I'm going to start with Claire Mcloud's death on Mcloud's Daughters,

0:26:39.600 --> 0:26:41.600
<v Speaker 7>not because it shouldn't be higher up in the countdown,

0:26:41.640 --> 0:26:43.960
<v Speaker 7>but because everyone was talking about it in our Facebook group.

0:26:44.040 --> 0:26:46.680
<v Speaker 7>Jenna mentioned Mcloud' daughters last week, and that's what's brought

0:26:46.720 --> 0:26:48.800
<v Speaker 7>this about, right, Apparently a lot of people are rewatching

0:26:48.840 --> 0:26:51.000
<v Speaker 7>it on Sam. It's got new life, so maybe I

0:26:51.080 --> 0:26:51.639
<v Speaker 7>can sell it to you.

0:26:51.760 --> 0:26:52.119
<v Speaker 1>I love that.

0:26:52.840 --> 0:26:55.800
<v Speaker 5>So Claire and her sister Tests they inherited their father's farm.

0:26:55.880 --> 0:26:58.000
<v Speaker 5>So two female leads running the family farm.

0:26:58.160 --> 0:26:59.879
<v Speaker 1>Right, are they McLeod's daughters.

0:27:00.359 --> 0:27:03.560
<v Speaker 5>Yeah, Jack McLeod died and then they had to take

0:27:03.600 --> 0:27:04.000
<v Speaker 5>over the farm.

0:27:04.160 --> 0:27:06.200
<v Speaker 1>Is he ever in the show or is that pretext?

0:27:06.400 --> 0:27:07.800
<v Speaker 5>No that it starts with his death.

0:27:08.119 --> 0:27:12.480
<v Speaker 7>He's never in it, so that this is three seasons later,

0:27:12.880 --> 0:27:15.520
<v Speaker 7>so you've gotten to know them, witness their bond as sisters,

0:27:15.920 --> 0:27:17.000
<v Speaker 7>and then Claire goes and.

0:27:17.080 --> 0:27:20.879
<v Speaker 5>Drives the ute off a fucking cliff, doesn't she And

0:27:21.000 --> 0:27:21.600
<v Speaker 5>it's got her.

0:27:21.720 --> 0:27:24.359
<v Speaker 6>Daughter in the back, who's a baby. A baby?

0:27:26.080 --> 0:27:28.480
<v Speaker 5>No, you will have to wait and see the sister

0:27:28.640 --> 0:27:31.040
<v Speaker 5>tests did survive and went on to be in a

0:27:31.119 --> 0:27:34.680
<v Speaker 5>few more seasons. But Claire, this is where we lost

0:27:34.720 --> 0:27:37.280
<v Speaker 5>the plural. It was just mclod's daughter after can't lose

0:27:37.440 --> 0:27:38.400
<v Speaker 5>the McLeod's daughter.

0:27:38.800 --> 0:27:39.320
<v Speaker 6>Well we did.

0:27:39.520 --> 0:27:40.960
<v Speaker 1>How many seasons did this show go?

0:27:41.080 --> 0:27:41.119
<v Speaker 2>For?

0:27:41.440 --> 0:27:43.159
<v Speaker 5>Too many? It got really crap in the end of

0:27:43.240 --> 0:27:46.080
<v Speaker 5>eight surviving by the end.

0:27:46.560 --> 0:27:48.439
<v Speaker 7>By the end, most of them had left, so they

0:27:48.560 --> 0:27:52.240
<v Speaker 7>started bringing out McLeod's bastards and McLeod's love child's and

0:27:52.320 --> 0:27:54.560
<v Speaker 7>McLeod's cousins. It was a mess, but these were the

0:27:54.600 --> 0:27:56.840
<v Speaker 7>two ogs, and so it broke everyone's heart.

0:27:56.920 --> 0:27:57.359
<v Speaker 1>Let me watch this.

0:27:57.520 --> 0:28:00.080
<v Speaker 7>Also, interestingly, they didn't actually promo that this was going

0:28:00.160 --> 0:28:02.080
<v Speaker 7>to happen. It just took everyone by surprise. You just

0:28:02.119 --> 0:28:02.640
<v Speaker 7>fucking died.

0:28:02.960 --> 0:28:05.080
<v Speaker 1>Oh my god? All right, all right, so I'm listening

0:28:05.119 --> 0:28:05.639
<v Speaker 1>out for Claire.

0:28:06.000 --> 0:28:07.560
<v Speaker 5>Yes, she's the brunette in the driver's seat.

0:28:08.000 --> 0:28:08.600
<v Speaker 1>The audio.

0:28:10.800 --> 0:28:14.360
<v Speaker 5>Was she drunk, page she drive off the cliff, ex

0:28:14.600 --> 0:28:16.000
<v Speaker 5>jam against the steering coln.

0:28:16.560 --> 0:28:19.480
<v Speaker 1>So she's stuck. Apparently, just get out your door and

0:28:19.680 --> 0:28:24.280
<v Speaker 1>get her out through the door, right, No, we'll move

0:28:24.359 --> 0:28:25.080
<v Speaker 1>your seat back.

0:28:25.200 --> 0:28:27.280
<v Speaker 5>No no, no, no, no no, you just get out

0:28:27.320 --> 0:28:31.600
<v Speaker 5>the door and get her out. So apparently she's like

0:28:31.760 --> 0:28:34.320
<v Speaker 5>wenged in the driver's seat, so she can't actually get out,

0:28:36.080 --> 0:28:38.400
<v Speaker 5>but the others are out. The baby is about to

0:28:38.400 --> 0:28:39.240
<v Speaker 5>plummet to her death.

0:28:41.320 --> 0:28:42.200
<v Speaker 1>Oh it's a big four.

0:28:48.960 --> 0:28:50.840
<v Speaker 7>And then she's got a fucking They live on a

0:28:50.880 --> 0:28:52.720
<v Speaker 7>big property, right, She's got to run back to the

0:28:53.040 --> 0:28:54.240
<v Speaker 7>homestead and find help.

0:28:54.360 --> 0:28:56.080
<v Speaker 5>My sister is just bloody plummeted.

0:28:56.760 --> 0:28:58.200
<v Speaker 1>Say does she have a scooter or an eye?

0:28:58.240 --> 0:28:58.520
<v Speaker 8>Final?

0:28:59.400 --> 0:29:01.920
<v Speaker 5>Skip forward It okay, this is when she runs home

0:29:01.960 --> 0:29:03.280
<v Speaker 5>and tells everyone players are dead.

0:29:04.240 --> 0:29:05.880
<v Speaker 1>I reckon, it's time to crack open that kick.

0:29:05.920 --> 0:29:08.400
<v Speaker 5>Where are they Probably wanted to get a hair done,

0:29:08.640 --> 0:29:10.280
<v Speaker 5>I reckon. She deserves to treat herself.

0:29:22.560 --> 0:29:27.640
<v Speaker 1>Are they getting the commodore driving an hour? It seems

0:29:27.680 --> 0:29:28.280
<v Speaker 1>to the side.

0:29:30.400 --> 0:29:34.520
<v Speaker 5>God, that's her fiance. Well, he was going to propose

0:29:34.560 --> 0:29:35.240
<v Speaker 5>when she got home.

0:29:35.400 --> 0:29:39.360
<v Speaker 1>Oh no, oh, dearn, she's dead.

0:29:40.520 --> 0:29:43.360
<v Speaker 5>I feel like those TV shows don't do that. Then

0:29:43.440 --> 0:29:46.240
<v Speaker 5>they actually showed her lifeless fucking cold body.

0:29:46.440 --> 0:29:49.040
<v Speaker 1>They've put some put some powdered white makeup foundation on

0:29:49.120 --> 0:29:49.600
<v Speaker 1>her face.

0:29:50.520 --> 0:29:52.720
<v Speaker 5>They're like, all right, the first the first shot of

0:29:52.800 --> 0:29:56.360
<v Speaker 5>you as corpse, and actually, you.

0:29:56.400 --> 0:30:00.560
<v Speaker 1>Know what as far as deaths go, yeah, dramatic, tragic,

0:30:00.800 --> 0:30:02.400
<v Speaker 1>she's got it. Probably I don't know what I do

0:30:02.440 --> 0:30:03.719
<v Speaker 1>in that situation, and now I'll have to go back

0:30:03.760 --> 0:30:04.200
<v Speaker 1>and rewatch.

0:30:04.440 --> 0:30:08.640
<v Speaker 7>So number four, Yeah, this one equally devastating to the nation.

0:30:09.000 --> 0:30:12.000
<v Speaker 7>It happened on the Saddle Club. This is when the

0:30:12.080 --> 0:30:16.800
<v Speaker 7>horse died. A horse death.

0:30:17.080 --> 0:30:19.320
<v Speaker 1>No good, because I don't think I can handle five

0:30:19.400 --> 0:30:20.080
<v Speaker 1>human deaths.

0:30:19.920 --> 0:30:20.280
<v Speaker 8>In her ow.

0:30:20.680 --> 0:30:22.920
<v Speaker 5>I just know without having to ask that Jenna was

0:30:22.960 --> 0:30:25.280
<v Speaker 5>into The Saddle Club as a kid. I definitely was.

0:30:25.360 --> 0:30:26.240
<v Speaker 5>Were you did you ever watch it?

0:30:26.520 --> 0:30:28.600
<v Speaker 1>My sisters were into it, and so I have, in

0:30:28.720 --> 0:30:31.360
<v Speaker 1>turn secondhand seen a few episodes.

0:30:31.440 --> 0:30:33.400
<v Speaker 5>Yes, let's see if this rings a bell.

0:30:33.600 --> 0:30:38.520
<v Speaker 7>Okay, So Veronica, who's a real fucking mole of a thing, right,

0:30:39.000 --> 0:30:42.720
<v Speaker 7>So she's like the villain of the show, and she's

0:30:42.800 --> 0:30:46.320
<v Speaker 7>really competitive. They're doing some horse competition thing, and she

0:30:46.600 --> 0:30:49.280
<v Speaker 7>like pushes her horse too hard even though it's like

0:30:49.760 --> 0:30:51.880
<v Speaker 7>not probably warmed up or like it's it's got a

0:30:51.920 --> 0:30:52.400
<v Speaker 7>limp or something.

0:30:52.480 --> 0:30:55.000
<v Speaker 5>She pushes it too hard, so we're like trips. It breaks,

0:30:55.040 --> 0:30:56.760
<v Speaker 5>it breaks its leg and then it has to get

0:30:56.800 --> 0:30:57.200
<v Speaker 5>put down.

0:30:57.360 --> 0:31:00.240
<v Speaker 7>Oh no, all because Veronic is a spite for little

0:31:00.280 --> 0:31:03.720
<v Speaker 7>dog and a selfish pig. Yeah, poor Veronica, selfish bit.

0:31:03.800 --> 0:31:05.040
<v Speaker 6>No, not poor Veronica.

0:31:05.520 --> 0:31:06.600
<v Speaker 1>What was she lost a horse?

0:31:06.640 --> 0:31:06.880
<v Speaker 4>All right?

0:31:07.040 --> 0:31:09.400
<v Speaker 1>We have the footage? Yeah, all right, let's roll it.

0:31:12.440 --> 0:31:13.800
<v Speaker 4>How's she doing? Is she wimming?

0:31:15.800 --> 0:31:20.280
<v Speaker 1>You better hope she knocks a round down? So much

0:31:20.400 --> 0:31:23.400
<v Speaker 1>drama for these children. She's going way too fast?

0:31:24.760 --> 0:31:25.640
<v Speaker 4>What is she doing?

0:31:27.080 --> 0:31:32.840
<v Speaker 1>Don't laugh so quickly?

0:31:33.400 --> 0:31:39.120
<v Speaker 5>Oh is the horse lying down?

0:31:39.200 --> 0:31:44.040
<v Speaker 1>Then as fallen to its side in slow motion? Yeah,

0:31:44.040 --> 0:31:46.880
<v Speaker 1>there should be an adult there should have to start with.

0:31:48.160 --> 0:31:50.840
<v Speaker 1>It's getting up, it's getting up. Oh, it's it's pulling.

0:31:50.880 --> 0:31:53.040
<v Speaker 5>It's a little fat, it's got a broken like.

0:31:53.560 --> 0:31:58.560
<v Speaker 1>I have no concern for Veronica, who's been bucked off for.

0:32:00.040 --> 0:32:00.480
<v Speaker 4>Shetland.

0:32:01.000 --> 0:32:03.440
<v Speaker 5>It's a bad fracture, but you can fix it, right,

0:32:04.040 --> 0:32:05.200
<v Speaker 5>What sort of art to be looking at?

0:32:06.000 --> 0:32:06.160
<v Speaker 8>Well?

0:32:06.240 --> 0:32:08.640
<v Speaker 5>Even if by some miracle of bones did heal, he'd

0:32:08.640 --> 0:32:09.440
<v Speaker 5>always be in pain.

0:32:09.880 --> 0:32:15.360
<v Speaker 1>You recommendation, that's it thing.

0:32:16.320 --> 0:32:20.040
<v Speaker 5>No, he won't feel anything, Carol, You can't there has

0:32:20.080 --> 0:32:20.880
<v Speaker 5>to be something else.

0:32:20.960 --> 0:32:21.360
<v Speaker 4>We can do.

0:32:24.320 --> 0:32:26.720
<v Speaker 1>A lot of the bad gun kills.

0:32:28.480 --> 0:32:29.480
<v Speaker 6>You can save him.

0:32:30.560 --> 0:32:33.160
<v Speaker 5>A horse like Cobalt will break his heart, never to

0:32:33.240 --> 0:32:38.200
<v Speaker 5>be able to run free again. He's supposed to save animals,

0:32:38.280 --> 0:32:39.000
<v Speaker 5>not kill them.

0:32:39.160 --> 0:32:41.800
<v Speaker 3>Carol, I need you to calm down.

0:32:42.520 --> 0:32:44.920
<v Speaker 1>Let's try to make these last few moments as pleasant

0:32:44.960 --> 0:32:46.160
<v Speaker 1>as possible for him.

0:32:48.680 --> 0:32:49.520
<v Speaker 5>They've injected the.

0:32:51.280 --> 0:32:52.760
<v Speaker 6>Beautiful horse in the world.

0:32:53.280 --> 0:32:55.360
<v Speaker 5>We're never gonna forget your Cobalt.

0:32:56.800 --> 0:33:06.200
<v Speaker 1>Sorry, it's terrible of them shooting Colbolt before the horses.

0:33:07.040 --> 0:33:10.680
<v Speaker 1>Corpses on the ground. All these children are padding it now.

0:33:10.840 --> 0:33:13.600
<v Speaker 1>Montage of Cobolt's finest Dad. I have a good.

0:33:15.160 --> 0:33:20.480
<v Speaker 9>Poor Cobalt, Colbot, Cobalt, Colbot, c O b A l

0:33:20.560 --> 0:33:25.960
<v Speaker 9>T Cobot, co Cobalt, Cobolt, go bolt, poor Cobolt.

0:33:26.080 --> 0:33:30.640
<v Speaker 5>Oh my god, why can't you say colt co as

0:33:30.680 --> 0:33:34.240
<v Speaker 5>in like co like coconut co and then.

0:33:34.280 --> 0:33:39.800
<v Speaker 9>Bolt bolt Cobolt co bolt Colbolt, Oh my god, what

0:33:40.320 --> 0:33:42.440
<v Speaker 9>co bolt col.

0:33:42.640 --> 0:33:45.960
<v Speaker 1>Co co Bolt's dead?

0:33:46.200 --> 0:33:49.840
<v Speaker 5>All right, number three? Bridge it on, neighbors, did you

0:33:49.920 --> 0:33:50.200
<v Speaker 5>see this?

0:33:50.440 --> 0:33:53.000
<v Speaker 1>I've never seen I've never seen neighbors. No, but I

0:33:53.120 --> 0:33:55.960
<v Speaker 1>have heard of his death. Haydn't watch his Neighbors. Really yeah,

0:33:58.440 --> 0:34:00.360
<v Speaker 1>at work every night, so he might be secretly watching it.

0:34:00.560 --> 0:34:02.440
<v Speaker 1>I've never seen it, no, but he has seen it

0:34:02.480 --> 0:34:03.120
<v Speaker 1>in the olden days.

0:34:03.160 --> 0:34:05.640
<v Speaker 5>Did also my family I used to watch Neighbors.

0:34:05.720 --> 0:34:10.320
<v Speaker 7>Yes, so the death scene itself with Bridget was really lame. However,

0:34:11.040 --> 0:34:14.160
<v Speaker 7>the ad promoting her death, that's what was emotional, right.

0:34:14.280 --> 0:34:14.440
<v Speaker 1>Oh?

0:34:14.719 --> 0:34:17.240
<v Speaker 7>I remember they played it for like all over summer,

0:34:17.320 --> 0:34:19.759
<v Speaker 7>like all over Christmas, and the song would get suck

0:34:19.800 --> 0:34:20.480
<v Speaker 7>in my head all the time.

0:34:20.520 --> 0:34:22.400
<v Speaker 5>Do you know this song? Is that Kate Milly Harkey one?

0:34:22.960 --> 0:34:33.160
<v Speaker 3>Oh, so she's lost in a bush, lost alone and

0:34:33.360 --> 0:34:34.719
<v Speaker 3>then I'm sorry.

0:34:36.640 --> 0:34:37.160
<v Speaker 5>If you did.

0:34:38.440 --> 0:34:43.520
<v Speaker 1>They're also upset. Did you think Margot Robbie, Margo Robbie

0:34:43.520 --> 0:34:45.880
<v Speaker 1>they were at a funeral is and then she's a

0:34:47.080 --> 0:34:50.879
<v Speaker 1>She'll always be Beth Parker, bridget Bridge Neighbours six eighty

0:34:50.920 --> 0:34:53.080
<v Speaker 1>week Nights Special event. Isn't it weird? Thing?

0:34:53.280 --> 0:34:57.120
<v Speaker 5>Margot, Robbie or Neighbors. That promo was dramatic, It was

0:34:57.360 --> 0:35:00.239
<v Speaker 5>very It hyped up the death to be some thing

0:35:00.320 --> 0:35:02.120
<v Speaker 5>more than what it was what actually happened.

0:35:02.160 --> 0:35:04.120
<v Speaker 1>Because all we saw was her running in a bush.

0:35:04.480 --> 0:35:06.160
<v Speaker 5>Well, the car went off the road and then she

0:35:06.239 --> 0:35:07.279
<v Speaker 5>was in the bush and she I don't know.

0:35:07.440 --> 0:35:08.880
<v Speaker 1>And she dehydrated in the bush.

0:35:09.320 --> 0:35:11.680
<v Speaker 5>No, I actually can't remember. It was actually so stupid,

0:35:11.719 --> 0:35:13.600
<v Speaker 5>like I was like I could have survived.

0:35:13.239 --> 0:35:14.800
<v Speaker 1>That, right, But they got the baby.

0:35:15.080 --> 0:35:17.200
<v Speaker 5>Yeah, they always get the bail, isn't it weird?

0:35:17.600 --> 0:35:19.520
<v Speaker 1>Adults who can probably live for three to four days

0:35:19.520 --> 0:35:21.080
<v Speaker 1>without water and food, but a baby who needs to

0:35:21.120 --> 0:35:23.759
<v Speaker 1>be wiped in the art exactly lives on for a month.

0:35:23.880 --> 0:35:26.799
<v Speaker 7>See that death made no sense, but it was still

0:35:26.800 --> 0:35:30.680
<v Speaker 7>emotional because of that promo number two, Mel Unpacked to

0:35:30.760 --> 0:35:34.359
<v Speaker 7>the rafters. Now, now that's the car accident that you think,

0:35:34.400 --> 0:35:35.640
<v Speaker 7>oh bitch, you didn't survive that.

0:35:35.920 --> 0:35:38.840
<v Speaker 1>This I know and my whole family, as did I

0:35:38.880 --> 0:35:41.480
<v Speaker 1>think everyone in the countries. Yeah, sat down to watch

0:35:41.560 --> 0:35:42.680
<v Speaker 1>this event of Mel dying.

0:35:42.920 --> 0:35:44.879
<v Speaker 6>It was the biggest news of the week.

0:35:45.080 --> 0:35:47.279
<v Speaker 1>Was it promoted? Did we know she was going to die?

0:35:47.520 --> 0:35:49.560
<v Speaker 5>Do we know some I think someone we knew someone

0:35:49.680 --> 0:35:52.400
<v Speaker 5>was going to die? Yeah, wow, Yeah it was one

0:35:52.400 --> 0:35:54.080
<v Speaker 5>of those like oh one of the rafters.

0:35:53.920 --> 0:35:55.960
<v Speaker 1>Yeah, you know, packed to the rafters, huge showing us

0:35:55.960 --> 0:35:58.960
<v Speaker 1>here in Australia, which is being rebooted.

0:35:58.000 --> 0:36:01.120
<v Speaker 5>As we also very very poorly edited.

0:36:01.160 --> 0:36:03.080
<v Speaker 7>As I've recently, I've been rewatching it and I'm like,

0:36:03.120 --> 0:36:05.080
<v Speaker 7>oh my god, there's so many jumps that are really obvious.

0:36:05.239 --> 0:36:06.879
<v Speaker 5>Really, yeah, it's so bad.

0:36:07.239 --> 0:36:08.360
<v Speaker 1>Okay, do you have the footage for this?

0:36:08.760 --> 0:36:08.960
<v Speaker 5>Yes?

0:36:09.000 --> 0:36:09.160
<v Speaker 2>I do.

0:36:09.960 --> 0:36:11.680
<v Speaker 1>What's the setup? So is she going to dinner or

0:36:11.760 --> 0:36:12.560
<v Speaker 1>something else? She's a nurse.

0:36:12.640 --> 0:36:15.160
<v Speaker 7>She's texting while driving. Her husband's at a hotel in

0:36:15.200 --> 0:36:18.319
<v Speaker 7>the city, planning this romantic surprise, and he's texting her

0:36:18.400 --> 0:36:19.960
<v Speaker 7>the address and then she looks down at her phone

0:36:19.960 --> 0:36:22.320
<v Speaker 7>and then just boom, drives through a giveway sign and

0:36:22.360 --> 0:36:23.320
<v Speaker 7>gets t boned.

0:36:23.719 --> 0:36:24.640
<v Speaker 1>Oh that's awful.

0:36:25.000 --> 0:36:25.560
<v Speaker 5>Then she dies.

0:36:25.760 --> 0:36:28.480
<v Speaker 1>All right, we have the footage here. Hi, it's me.

0:36:29.560 --> 0:36:32.759
<v Speaker 5>Okay to spiel, don't go home, come straight to the

0:36:32.880 --> 0:36:36.640
<v Speaker 5>Kent Hotel in the city, room seven to one two.

0:36:37.400 --> 0:36:38.120
<v Speaker 4>I've got clothes for.

0:36:38.120 --> 0:36:41.680
<v Speaker 1>A year, even though he made me spoil the surprise.

0:36:42.840 --> 0:36:44.920
<v Speaker 3>I love you tea stuck.

0:36:53.239 --> 0:36:55.000
<v Speaker 1>Oh she's crashed.

0:36:55.480 --> 0:36:57.040
<v Speaker 5>See there's no surviving that, is there.

0:36:57.160 --> 0:36:58.439
<v Speaker 1>No, she's definitely dead.

0:36:59.080 --> 0:37:01.000
<v Speaker 5>And then they have this real emotional music when her

0:37:01.080 --> 0:37:03.400
<v Speaker 5>husband has to like identify her at the hospital. He

0:37:03.440 --> 0:37:06.080
<v Speaker 5>pulls back the sheet and to find her like lifeless corpse.

0:37:06.120 --> 0:37:09.320
<v Speaker 5>I remember that. Yep, that's mel.

0:37:11.840 --> 0:37:14.520
<v Speaker 1>That's you, Sheridan, isn't it? Who will know?

0:37:15.880 --> 0:37:18.359
<v Speaker 5>It was a very convincing straight man in that show,

0:37:18.520 --> 0:37:19.160
<v Speaker 5>Wasn't he know?

0:37:19.320 --> 0:37:21.319
<v Speaker 1>He just got engaged with his boyfriend this week?

0:37:21.480 --> 0:37:21.759
<v Speaker 2>I know.

0:37:23.760 --> 0:37:25.680
<v Speaker 1>Clearly this death he's moved on from, which is right.

0:37:25.719 --> 0:37:28.560
<v Speaker 1>I'm glad he's moved on. Must go and YouTube that

0:37:28.680 --> 0:37:30.080
<v Speaker 1>video goes is a very sad death.

0:37:30.480 --> 0:37:32.759
<v Speaker 5>All right? The last one, all right, the big one

0:37:33.160 --> 0:37:35.279
<v Speaker 5>is This one shook me to my core.

0:37:36.040 --> 0:37:41.600
<v Speaker 7>It's Patrick on Offspring. I know, I didn't even watch Offspring.

0:37:41.920 --> 0:37:45.000
<v Speaker 7>I just remember walking through the laundrym as a kid

0:37:45.080 --> 0:37:48.040
<v Speaker 7>and my parents are watching it, and I literally sat

0:37:48.160 --> 0:37:50.520
<v Speaker 7>down as this happened. And this was the first ever

0:37:50.600 --> 0:37:52.960
<v Speaker 7>scene from Offspring i'd seen, and I was like, oh

0:37:53.000 --> 0:37:54.320
<v Speaker 7>my god, that was good. I gotta go buy the

0:37:54.360 --> 0:37:56.120
<v Speaker 7>box set, which I did, and now I love Offspring.

0:37:56.160 --> 0:37:56.760
<v Speaker 5>It's on Netflix.

0:37:56.800 --> 0:37:58.279
<v Speaker 1>Actually, Offspring actually good.

0:37:59.360 --> 0:38:01.560
<v Speaker 5>It was really good and it had like a cult following,

0:38:01.680 --> 0:38:03.040
<v Speaker 5>so you'll have to watch it on Netflix.

0:38:03.080 --> 0:38:06.440
<v Speaker 7>It's actually really good. But what happened was he was

0:38:06.520 --> 0:38:08.200
<v Speaker 7>just walking down the street. He got hit by a car.

0:38:08.280 --> 0:38:10.000
<v Speaker 7>It wasn't anything too dramatic. He just fell over and

0:38:10.080 --> 0:38:12.400
<v Speaker 7>hit his head on the concrete and he got up afterwards,

0:38:12.440 --> 0:38:14.080
<v Speaker 7>so it wasn't like he was you know, like his

0:38:14.200 --> 0:38:16.280
<v Speaker 7>body was all fucked and like broken bones and stuff.

0:38:16.360 --> 0:38:18.080
<v Speaker 7>He just hit his head on the concrete, got up

0:38:18.120 --> 0:38:19.680
<v Speaker 7>and went, no, that's all right, made just an accident

0:38:19.840 --> 0:38:22.800
<v Speaker 7>because it was such a low speed. And then Nina,

0:38:23.280 --> 0:38:27.040
<v Speaker 7>his partner. This is the part where she's gone to

0:38:27.040 --> 0:38:28.759
<v Speaker 7>pick him up. He's like, oh, I got hit by

0:38:28.760 --> 0:38:30.359
<v Speaker 7>a car, but I'm fine, and she's like, okay, I'll

0:38:30.400 --> 0:38:32.879
<v Speaker 7>come get you. And they're driving along and that's when

0:38:32.920 --> 0:38:34.640
<v Speaker 7>the head injury starts kicking out.

0:38:34.840 --> 0:38:36.560
<v Speaker 5>We didn't know that all this time there.

0:38:36.520 --> 0:38:39.319
<v Speaker 7>Was like internal bleeding happening, and so he seems fine,

0:38:39.320 --> 0:38:41.480
<v Speaker 7>but then eventually starts, you know, slaring his words and

0:38:41.600 --> 0:38:42.800
<v Speaker 7>gets also.

0:38:42.640 --> 0:38:45.160
<v Speaker 6>Really the most realistic yes, yeah.

0:38:44.960 --> 0:38:46.880
<v Speaker 5>And then bear in mind that he she was heavily

0:38:46.920 --> 0:38:47.480
<v Speaker 5>pregnant too.

0:38:48.160 --> 0:38:50.520
<v Speaker 1>Was this a finale maybe of season finale one?

0:38:50.640 --> 0:38:52.520
<v Speaker 5>It's like towards the end. Yeah, okay, I think the

0:38:52.600 --> 0:39:00.560
<v Speaker 5>funeral was the finale, But yeah, it happened. I wasn't

0:39:00.600 --> 0:39:03.120
<v Speaker 5>looking one minute, I was out for the next thing.

0:39:03.200 --> 0:39:06.400
<v Speaker 5>I was saying, oh, you've graised yourself.

0:39:06.480 --> 0:39:08.600
<v Speaker 3>Oh it's okay.

0:39:09.200 --> 0:39:10.359
<v Speaker 5>Well, where's it driving now?

0:39:10.880 --> 0:39:11.000
<v Speaker 2>Oh?

0:39:11.080 --> 0:39:13.239
<v Speaker 1>He was very apologetic and it's not a big deal.

0:39:14.320 --> 0:39:20.920
<v Speaker 5>Okay, nothing nothing weed as yet, right, it's when they're driving,

0:39:21.440 --> 0:39:23.120
<v Speaker 5>sorry to drag you away from the baby shower.

0:39:23.280 --> 0:39:23.839
<v Speaker 4>Oh that's tried.

0:39:23.880 --> 0:39:30.279
<v Speaker 5>I'm relieved. Actually, it's a nice type of breathing with you. Hey,

0:39:32.719 --> 0:39:34.000
<v Speaker 5>now you're on attorney leave.

0:39:35.160 --> 0:39:39.360
<v Speaker 6>I am now on maternity leave. Next up, parenthood.

0:39:39.600 --> 0:39:42.040
<v Speaker 3>Okay, I can't wait.

0:39:43.000 --> 0:39:46.680
<v Speaker 5>We can finally sort out the baby's room and then

0:39:46.840 --> 0:39:55.000
<v Speaker 5>there you'll be there then unless unless and I don't pack,

0:39:58.120 --> 0:40:00.839
<v Speaker 5>Oh deed, say so than counter ten?

0:40:01.520 --> 0:40:02.040
<v Speaker 4>Counter ten?

0:40:03.120 --> 0:40:14.280
<v Speaker 5>Open your eyes, okay, Patrick, just say something? Patrick?

0:40:20.040 --> 0:40:31.560
<v Speaker 4>Oh god, So look she's at the hospital.

0:40:35.640 --> 0:40:40.200
<v Speaker 5>Help help me, help me, Come on, help me, someone

0:40:40.239 --> 0:40:40.520
<v Speaker 5>help me.

0:40:41.200 --> 0:40:44.839
<v Speaker 1>No, no, it's my partner, his head things passed out.

0:40:46.760 --> 0:40:53.319
<v Speaker 5>Help Okay. So now this is when the doctor comes

0:40:53.360 --> 0:40:55.359
<v Speaker 5>out to tell them how Patrick's doing.

0:40:58.000 --> 0:41:03.000
<v Speaker 2>He had a subdural bleed the meningeal layer between the

0:41:03.120 --> 0:41:06.920
<v Speaker 2>geral martyr and the irachanoid god, and it was very

0:41:07.000 --> 0:41:10.200
<v Speaker 2>messy in there, and we worked to ease the pressure

0:41:10.440 --> 0:41:12.719
<v Speaker 2>and to locate the source of the bleed and to

0:41:12.960 --> 0:41:14.280
<v Speaker 2>suture the blood vessels.

0:41:14.680 --> 0:41:16.719
<v Speaker 3>How is he can I go and see him.

0:41:18.239 --> 0:41:25.000
<v Speaker 2>We weren't successful. What we did everything we could, but

0:41:25.239 --> 0:41:27.360
<v Speaker 2>he didn't survive the procedure.

0:41:28.200 --> 0:41:43.120
<v Speaker 1>Oh dear, I'm so sorry. Oh is that what you're

0:41:43.160 --> 0:41:44.160
<v Speaker 1>doing the hallway?

0:41:44.280 --> 0:41:45.279
<v Speaker 4>Is it allowed to be done?

0:41:48.840 --> 0:41:51.040
<v Speaker 1>I mean, is that allowed to be done in a hallway?

0:41:51.040 --> 0:41:52.279
<v Speaker 1>Were you sitting down the room?

0:41:53.360 --> 0:41:53.520
<v Speaker 4>Right?

0:41:53.640 --> 0:41:55.719
<v Speaker 7>So this is the part where they take her and

0:41:55.760 --> 0:41:57.960
<v Speaker 7>deceive a lifeless body for the last time before they

0:41:58.000 --> 0:41:59.000
<v Speaker 7>switch off life support.

0:41:59.400 --> 0:42:02.080
<v Speaker 5>It's very sure. So you're gonna figure. Watched it on Netflix.

0:42:02.120 --> 0:42:04.839
<v Speaker 5>It's a very good theory. Yeah, it's called off Spring, Dylan,

0:42:04.880 --> 0:42:07.439
<v Speaker 5>write it down. Start from season thirty.

0:42:07.480 --> 0:42:09.279
<v Speaker 1>Season one's a bit shit you I've heard that, and

0:42:09.400 --> 0:42:10.880
<v Speaker 1>the final seasons get a bit weird too.

0:42:11.080 --> 0:42:12.160
<v Speaker 5>No, they're great, I really do.

0:42:12.560 --> 0:42:16.440
<v Speaker 1>Okay anyway, sorry us, it's on life support.

0:42:16.640 --> 0:42:34.319
<v Speaker 6>Yes, how are you doing?

0:42:36.520 --> 0:42:36.719
<v Speaker 1>Yeah?

0:42:36.760 --> 0:42:36.960
<v Speaker 5>Good?

0:42:37.600 --> 0:42:39.200
<v Speaker 1>Yeah, you pull it out now?

0:42:39.400 --> 0:42:40.279
<v Speaker 6>Perfectly fine?

0:42:40.360 --> 0:42:42.760
<v Speaker 1>Where's swetsheld it? Myself? Save? You're go get a couple.

0:42:44.560 --> 0:42:45.080
<v Speaker 5>One more.

0:42:49.160 --> 0:43:00.759
<v Speaker 1>She only gave her thirty seconds. God imagine if that

0:43:00.840 --> 0:43:05.000
<v Speaker 1>was all be so upset, would be so mad.

0:43:05.600 --> 0:43:06.800
<v Speaker 5>But who's so you were hating?

0:43:11.920 --> 0:43:12.239
<v Speaker 4>All right?

0:43:12.320 --> 0:43:15.160
<v Speaker 5>There we go, Jesus, which one was your favorite?

0:43:15.520 --> 0:43:18.640
<v Speaker 1>None? I think the horse cocking and it was probably

0:43:18.719 --> 0:43:19.080
<v Speaker 1>the best.

0:43:19.160 --> 0:43:21.200
<v Speaker 5>Okay, which one do you think was the best done?

0:43:21.400 --> 0:43:21.560
<v Speaker 4>Oh?

0:43:21.760 --> 0:43:22.240
<v Speaker 1>Offspring?

0:43:22.400 --> 0:43:22.680
<v Speaker 4>That was?

0:43:22.840 --> 0:43:25.279
<v Speaker 1>That was She got a gold LOGI for that, didn't she? Yes,

0:43:25.360 --> 0:43:27.080
<v Speaker 1>she did, but she was like an oscar in this country.

0:43:27.160 --> 0:43:27.520
<v Speaker 1>She did.

0:43:27.680 --> 0:43:29.520
<v Speaker 5>She's kind of the only one that's still in the business,

0:43:29.600 --> 0:43:32.919
<v Speaker 5>like none of the others seemed to really be with work.

0:43:37.480 --> 0:43:39.880
<v Speaker 1>Look, I love that show, but the accents in the

0:43:39.920 --> 0:43:41.479
<v Speaker 1>Saturn Club were all over the place.

0:43:41.600 --> 0:43:44.280
<v Speaker 6>No, there's two Canadians. All the rest are Australia.

0:43:44.320 --> 0:43:45.000
<v Speaker 4>But are they merry?

0:43:45.440 --> 0:43:48.080
<v Speaker 5>I think from memory it was like some joint venture

0:43:48.120 --> 0:43:51.279
<v Speaker 5>between Australia and some Canadian productions, so they're like, we've

0:43:51.280 --> 0:43:52.840
<v Speaker 5>got to have some Canadians in there. But it just

0:43:52.920 --> 0:43:53.880
<v Speaker 5>made no sense that.

0:43:54.000 --> 0:43:56.800
<v Speaker 1>The horse doctors, like we've got effects the horse British.

0:43:57.440 --> 0:43:58.320
<v Speaker 5>Yeah, it was weird.

0:43:58.760 --> 0:44:00.719
<v Speaker 1>Over the shop. God, you know what a show that

0:44:00.800 --> 0:44:02.399
<v Speaker 1>wasn't on the list because it's American. Have you either

0:44:02.440 --> 0:44:03.400
<v Speaker 1>of you seen The Good Place?

0:44:04.600 --> 0:44:04.640
<v Speaker 8>No?

0:44:05.440 --> 0:44:07.800
<v Speaker 5>I hated it really Yeah. I got so sick of

0:44:07.840 --> 0:44:08.680
<v Speaker 5>that show very quickly.

0:44:08.840 --> 0:44:10.880
<v Speaker 1>Oh well, in the end, when you know everyone dies

0:44:10.920 --> 0:44:13.520
<v Speaker 1>because in heaven they're a really dead. So no spoilers,

0:44:14.080 --> 0:44:16.279
<v Speaker 1>it's really nice. They just it's a beautiful death. So

0:44:16.280 --> 0:44:18.000
<v Speaker 1>if you want a happy death, google the Good Place Death.

0:44:18.080 --> 0:44:19.359
<v Speaker 5>Well, that won't be making the top five.

0:44:19.480 --> 0:44:21.920
<v Speaker 7>No, definitely join our Facebook group and during idiots if

0:44:21.920 --> 0:44:23.160
<v Speaker 7>you want to have it out with me and say no, no,

0:44:23.280 --> 0:44:24.000
<v Speaker 7>you missed a good one.

0:44:24.200 --> 0:44:25.600
<v Speaker 1>Yeah, argue it out over there.

0:44:25.960 --> 0:44:27.919
<v Speaker 5>What about would you say those at the top five?

0:44:28.040 --> 0:44:30.560
<v Speaker 6>I would definitely definitely top five.

0:44:30.600 --> 0:44:33.319
<v Speaker 1>I haven't seen any of those shows except for Back

0:44:33.400 --> 0:44:35.840
<v Speaker 1>that Rafter. Yeah, of course, but years ago. You know what,

0:44:35.880 --> 0:44:37.560
<v Speaker 1>we should try and get Hugh Sheridan on and talk

0:44:37.600 --> 0:44:40.160
<v Speaker 1>about that scene and see if he still remembers identifying

0:44:40.200 --> 0:44:40.719
<v Speaker 1>Mel's body.

0:44:40.920 --> 0:44:43.400
<v Speaker 5>I'm sure he would. And he's not like old. He

0:44:43.440 --> 0:44:45.000
<v Speaker 5>has a memory. He hasn't got dementia.

0:44:45.040 --> 0:44:47.680
<v Speaker 1>I just got to focus on marrying his husband, not

0:44:47.920 --> 0:44:50.959
<v Speaker 1>Mel on a metal tray. Let's get any one Jenna

0:44:51.000 --> 0:44:53.120
<v Speaker 1>knows his system. Well, all right, Well, we're back next

0:44:53.160 --> 0:44:56.120
<v Speaker 1>week for episode sixty. Can your bloody blow sixtieth?

0:44:56.520 --> 0:44:57.680
<v Speaker 5>Can't wait, guys, we'll.

0:44:57.520 --> 0:45:00.839
<v Speaker 7>See you then merches out as well in our Yes,

0:45:01.080 --> 0:45:02.640
<v Speaker 7>don't forget, it's game on, bitch.

0:45:02.680 --> 0:45:06.400
<v Speaker 5>You gotta buy my stress ball so we pay the tatow. Yes, No,

0:45:06.719 --> 0:45:08.359
<v Speaker 5>don't bother a little shit.

0:45:08.480 --> 0:45:10.120
<v Speaker 1>It's all up to you and we'll see you next week.

0:45:10.520 --> 0:45:12.880
<v Speaker 5>Thank you, guys, Is it just me?

0:45:13.520 --> 0:45:16.319
<v Speaker 6>Don't forget to subscribe and leave a review on your

0:45:16.400 --> 0:45:17.480
<v Speaker 6>podcast app.

0:45:17.640 --> 0:45:19.279
<v Speaker 3>Or follow on Spotify.

0:45:29.600 --> 0:45:32.480
<v Speaker 5>Welcome to add brief. This is our secret segment on

0:45:32.520 --> 0:45:34.120
<v Speaker 5>the end. We keep it a secret because it's not

0:45:34.800 --> 0:45:37.480
<v Speaker 5>really our best work, so it's kind of embarrassing. I

0:45:37.480 --> 0:45:39.680
<v Speaker 5>don't want anyone to hear this. Hopefully they just listen

0:45:39.719 --> 0:45:41.920
<v Speaker 5>to the main bit and then piss off. But hey,

0:45:42.120 --> 0:45:43.640
<v Speaker 5>you hear like a little club.

0:45:43.640 --> 0:45:46.160
<v Speaker 1>Aren't we mentally clock out as well? Yeah, we don't

0:45:46.160 --> 0:45:48.640
<v Speaker 1>really pay much attention to what's going on. There's no

0:45:48.719 --> 0:45:51.880
<v Speaker 1>script because everything else is fully scripted. Every word we

0:45:52.120 --> 0:45:54.600
<v Speaker 1>sad in the main show has been scripted, written out

0:45:55.000 --> 0:45:58.080
<v Speaker 1>meticulously by beautiful Sam. It was away on location. Today's

0:45:58.080 --> 0:46:02.800
<v Speaker 1>not here for the episode. Makes it sound he's on location.

0:46:02.840 --> 0:46:05.600
<v Speaker 1>He's shooting a feature film. Yeah, yeah, he's shooting at

0:46:05.600 --> 0:46:07.360
<v Speaker 1>one of the flobbers in Hawaiian Flopper.

0:46:09.080 --> 0:46:12.279
<v Speaker 5>It's all This is a pattern, isn't it. Someone says, Oh, yes,

0:46:12.760 --> 0:46:14.200
<v Speaker 5>I'll help you produce the show.

0:46:14.760 --> 0:46:17.000
<v Speaker 7>I'll come on board, I'll join the team, and then

0:46:17.040 --> 0:46:19.360
<v Speaker 7>they within a few episodes, they just piss off, like

0:46:19.440 --> 0:46:22.520
<v Speaker 7>dinner God when used to never show up in the other.

0:46:22.480 --> 0:46:24.799
<v Speaker 1>Days, I've got I have to be out by six.

0:46:25.080 --> 0:46:26.800
<v Speaker 6>Yes, I know I did well.

0:46:28.800 --> 0:46:30.400
<v Speaker 5>Since no, I haven't.

0:46:30.800 --> 0:46:32.400
<v Speaker 1>Well. We love having it Sam as well. Did you

0:46:32.400 --> 0:46:35.359
<v Speaker 1>notice last episode Sam was continuously buzzing into the show

0:46:35.560 --> 0:46:36.799
<v Speaker 1>just to prove that he was laughing.

0:46:36.840 --> 0:46:37.760
<v Speaker 5>I got it was so funny.

0:46:37.760 --> 0:46:39.719
<v Speaker 7>At one point he buzzed in just to laugh, and

0:46:39.760 --> 0:46:41.600
<v Speaker 7>I was like, we didn't need that. It sound proof

0:46:41.680 --> 0:46:43.000
<v Speaker 7>so that we don't hear people out here.

0:46:43.440 --> 0:46:46.520
<v Speaker 5>I'm pretty sure he's scared. You're like, oh yeah.

0:46:47.600 --> 0:46:48.640
<v Speaker 3>I was like, what the fuck was that?

0:46:48.680 --> 0:46:51.320
<v Speaker 5>I thought it was something off your desk, like malfunctioning.

0:46:51.640 --> 0:46:53.920
<v Speaker 5>I was like, what the fuck it is? Sam laughing? Like, imagine,

0:46:54.360 --> 0:46:55.400
<v Speaker 5>can you turn these mics on?

0:46:55.520 --> 0:46:57.680
<v Speaker 1>Yeah? Yeah, yeah, you gotta go out, all right, you

0:46:57.760 --> 0:47:00.400
<v Speaker 1>go out and laugh. There's also such an aggressive button

0:47:00.520 --> 0:47:01.640
<v Speaker 1>sound effect that comes with it.

0:47:02.640 --> 0:47:06.320
<v Speaker 6>It's the button and then because it goes yeah.

0:47:08.400 --> 0:47:11.520
<v Speaker 1>Ready, all right, here we go. I'll say joke, I'll

0:47:11.520 --> 0:47:13.839
<v Speaker 1>say Joe. Okay, anyway, why the chicken cross the road?

0:47:14.239 --> 0:47:15.919
<v Speaker 1>Have some chicken parmesan for dinner?

0:47:19.400 --> 0:47:19.960
<v Speaker 5>That was good?

0:47:22.160 --> 0:47:23.480
<v Speaker 1>Come back in. I want to see if my laugh

0:47:23.480 --> 0:47:24.839
<v Speaker 1>will work out there because yours works.

0:47:24.880 --> 0:47:26.600
<v Speaker 5>What do you mean, of course it'll work?

0:47:26.719 --> 0:47:31.120
<v Speaker 1>Do you do a really loud laugh get back in there.

0:47:31.120 --> 0:47:34.359
<v Speaker 5>Do you know what he has said before our sand

0:47:34.400 --> 0:47:36.200
<v Speaker 5>that he does not like a D D breath, So

0:47:36.200 --> 0:47:37.560
<v Speaker 5>I don't think he'll hear this. So let's just do

0:47:37.600 --> 0:47:39.520
<v Speaker 5>a little experiment everyone listened out next week and see

0:47:39.520 --> 0:47:41.560
<v Speaker 5>if he does it again. He buzzes in just to laugh,

0:47:41.600 --> 0:47:43.040
<v Speaker 5>and it's like, you can keep that to yourself.

0:47:43.120 --> 0:47:44.320
<v Speaker 1>Yeah, we really don't need to know that.

0:47:46.000 --> 0:47:47.960
<v Speaker 5>I didn't realize that. You guys noticed as well.

0:47:50.360 --> 0:47:52.120
<v Speaker 6>I know this as soon as you got that shot.

0:47:52.200 --> 0:47:56.080
<v Speaker 1>Anyway, where were we to come back in?

0:47:56.960 --> 0:47:58.840
<v Speaker 5>Yeah, I'm coming you see, it's getting cold.

0:47:59.120 --> 0:48:00.640
<v Speaker 6>It's very cold, old icy.

0:48:00.840 --> 0:48:02.600
<v Speaker 1>It was not exactly warm with the best of days.

0:48:05.320 --> 0:48:10.040
<v Speaker 1>That's a good one, Sam. Sam would do it like

0:48:10.400 --> 0:48:12.799
<v Speaker 1>I hadn't even said the punchline and he laughed. It's

0:48:12.800 --> 0:48:14.160
<v Speaker 1>like his finger was hovering over it.

0:48:14.239 --> 0:48:15.120
<v Speaker 5>Like I didn't notice that.

0:48:15.400 --> 0:48:17.680
<v Speaker 1>No, it was very very quick. I'm like, why did

0:48:17.719 --> 0:48:19.239
<v Speaker 1>the chicken cross the road? Because I wanted to get

0:48:19.280 --> 0:48:23.319
<v Speaker 1>to the other side. Wow, he's preempting the line.

0:48:23.360 --> 0:48:24.800
<v Speaker 5>Maybe we can come up with a nickname off this,

0:48:24.880 --> 0:48:26.800
<v Speaker 5>because I think that pretty Sam is a bit like

0:48:27.440 --> 0:48:30.000
<v Speaker 5>I feel like that's like not really appropriate in twenty

0:48:30.120 --> 0:48:32.560
<v Speaker 5>twenty one to like give people nicknames based off their appearance.

0:48:32.840 --> 0:48:36.080
<v Speaker 5>That's it's very It implies that he has no substance.

0:48:36.480 --> 0:48:38.279
<v Speaker 5>What can we do on cackling Sam?

0:48:38.560 --> 0:48:43.680
<v Speaker 1>Cackling Sam? No, yeah, giggling Sam.

0:48:44.920 --> 0:48:48.040
<v Speaker 5>Jenna google synonyms for laugh.

0:48:48.040 --> 0:48:54.960
<v Speaker 1>Yeah, yeah, yeah yeah, tickled, pink short Sam. Now I

0:48:55.040 --> 0:48:56.359
<v Speaker 1>can barely say pretty Sam.

0:48:57.000 --> 0:48:59.799
<v Speaker 3>We've got chuckle chuckling Sam's good.

0:49:01.800 --> 0:49:04.400
<v Speaker 5>How it's not really a.

0:49:04.440 --> 0:49:05.960
<v Speaker 6>How, it's not snigger.

0:49:06.560 --> 0:49:12.680
<v Speaker 5>I've got snickering Sam. Actually, I get you concerned. You

0:49:12.719 --> 0:49:13.880
<v Speaker 5>get rid of the S and it's the whole thing.

0:49:13.960 --> 0:49:16.680
<v Speaker 1>Yeah, yeah, yeah, let's what else is there? We've got

0:49:17.000 --> 0:49:23.560
<v Speaker 1>circle back just oh jes to Sam, titter No, Mitch

0:49:23.600 --> 0:49:24.759
<v Speaker 1>has got a sponsorship do with them.

0:49:25.680 --> 0:49:27.560
<v Speaker 5>So I want the one that begins with S. But

0:49:27.640 --> 0:49:29.200
<v Speaker 5>I'm not comfortable with saying snigger.

0:49:30.719 --> 0:49:33.480
<v Speaker 1>I think it's a gay snickering Sam, good.

0:49:33.320 --> 0:49:35.320
<v Speaker 5>Snickers bar, I always got it with snickering.

0:49:35.520 --> 0:49:38.239
<v Speaker 6>No, there's snigger? Really, yeah?

0:49:38.320 --> 0:49:40.399
<v Speaker 1>Can we stop saying it? I think it's I think

0:49:40.440 --> 0:49:44.399
<v Speaker 1>it's snickering. I thought it was snickering? Is that when

0:49:44.400 --> 0:49:45.440
<v Speaker 1>you just eat the snickers?

0:49:45.600 --> 0:49:49.600
<v Speaker 5>Okay, it's bead barking commands from the producers, are she does?

0:49:49.920 --> 0:49:51.560
<v Speaker 1>It sounds more efficient when you do it from out there.

0:49:51.719 --> 0:49:55.719
<v Speaker 6>So the first one I just brought up means laugh

0:49:55.960 --> 0:49:59.759
<v Speaker 6>in a half suppressed. Typically, we don't want that way. No,

0:50:00.040 --> 0:50:03.400
<v Speaker 6>I'm saying the difference right and snicker?

0:50:04.200 --> 0:50:08.160
<v Speaker 5>What about just cackling Sam? I like that or just cackles? Cackles?

0:50:09.400 --> 0:50:17.440
<v Speaker 1>Pussyfoot Sam? Sorry? Google said for sneak I imagine someone

0:50:17.560 --> 0:50:19.560
<v Speaker 1>robbing your house. You're calling the police. Why were he

0:50:19.680 --> 0:50:31.960
<v Speaker 1>said someone was pussy footing in my house? Or he

0:50:32.000 --> 0:50:33.799
<v Speaker 1>set a sneak out when you're a young girl, he's

0:50:33.840 --> 0:50:38.759
<v Speaker 1>gone instead of sneaking out, Now, no sneaking out of home. Okay,

0:50:38.840 --> 0:50:40.320
<v Speaker 1>I know you can drink alcohol, but now, but no

0:50:40.400 --> 0:50:42.920
<v Speaker 1>sneak out. No, no pussy footing out of the house.

0:50:43.080 --> 0:50:45.320
<v Speaker 6>What about this one? It comes up with funny woman.

0:50:46.080 --> 0:50:49.359
<v Speaker 1>No, he's not a funny woman. I like cackling Sam.

0:50:49.920 --> 0:50:52.400
<v Speaker 7>Okay, what about words rhyme with Sam? We can't do

0:50:52.560 --> 0:50:54.920
<v Speaker 7>the the uh, we can't do the thing where they

0:50:54.960 --> 0:50:56.680
<v Speaker 7>both start in the same letter. So we're gonna have

0:50:56.719 --> 0:50:57.320
<v Speaker 7>to go with rhymes.

0:50:57.640 --> 0:51:01.239
<v Speaker 5>Google words rhyme with Sam, pam tam.

0:51:01.480 --> 0:51:07.839
<v Speaker 1>Google, I said, that's so abrasive. Abrasive Sam isn't bad

0:51:08.040 --> 0:51:12.919
<v Speaker 1>jam Sam. Oh, Now I'm hungry, all right? While we think, okay,

0:51:13.040 --> 0:51:15.000
<v Speaker 1>while we think of Sam names, Sam.

0:51:15.600 --> 0:51:18.319
<v Speaker 5>Tellus f M, time to say the traffic count Foster

0:51:18.440 --> 0:51:18.799
<v Speaker 5>Road heavy.

0:51:18.800 --> 0:51:20.840
<v Speaker 1>I'm an old bat. There's a milk spill on the

0:51:20.960 --> 0:51:21.200
<v Speaker 1>F one.

0:51:21.920 --> 0:51:33.520
<v Speaker 6>There's bam, cam clam, damn damn Sam, diagram, diaphragm, histogram, kilogram.

0:51:33.719 --> 0:51:40.479
<v Speaker 5>He's a little stupid word. When do you do that's

0:51:40.560 --> 0:51:41.120
<v Speaker 5>not good?

0:51:41.680 --> 0:51:42.880
<v Speaker 4>Picked up the wheeze in my.

0:51:43.040 --> 0:51:53.120
<v Speaker 8>Life, persian lamb yum, tinker's damn all these words, traffic jam,

0:51:53.520 --> 0:51:55.799
<v Speaker 8>be there bulls in the Abraham.

0:51:58.760 --> 0:51:59.800
<v Speaker 1>These aren't rhymes.

0:52:00.200 --> 0:52:01.960
<v Speaker 6>They are They're right with Sam.

0:52:02.239 --> 0:52:03.120
<v Speaker 5>But that one is.

0:52:04.800 --> 0:52:14.520
<v Speaker 6>His sick syllables, rehabit contraceptive diaphragm samped.

0:52:16.920 --> 0:52:22.719
<v Speaker 1>Yeah, good one. Contraceptive diaphragm. Sam. You did it.

0:52:24.320 --> 0:52:25.040
<v Speaker 5>Into laugh.

0:52:26.640 --> 0:52:30.640
<v Speaker 1>Yeah, because because you've obviously started laughing and you've thought, oh,

0:52:30.680 --> 0:52:32.840
<v Speaker 1>I want to join in. So it starts a quarter

0:52:32.880 --> 0:52:40.720
<v Speaker 1>of the way through, So it's not it's you missed

0:52:40.760 --> 0:52:41.480
<v Speaker 1>the intro.

0:52:42.760 --> 0:52:45.640
<v Speaker 5>Because I'm facing away from the glass. Every time he

0:52:45.719 --> 0:52:46.239
<v Speaker 5>did it, I'm like.

0:52:46.520 --> 0:52:48.160
<v Speaker 1>I get a It's like a jump scare and a

0:52:48.200 --> 0:52:48.880
<v Speaker 1>scream film.

0:52:48.960 --> 0:52:49.839
<v Speaker 5>I didn't even see.

0:52:50.080 --> 0:52:54.280
<v Speaker 1>God, I'm scared, Sam, Jump scam Sam.

0:52:55.120 --> 0:52:57.440
<v Speaker 5>I like contra contract.

0:53:00.880 --> 0:53:05.000
<v Speaker 1>He comes back after a week off. Welcome back, producer,

0:53:05.080 --> 0:53:07.320
<v Speaker 1>Jane Mitch. We're here in contraceptive Diephram.

0:53:12.400 --> 0:53:14.200
<v Speaker 5>That's a good one. That is good.

0:53:14.440 --> 0:53:15.759
<v Speaker 6>That is very very good.

0:53:15.880 --> 0:53:17.920
<v Speaker 5>We got there in the end with contraceptive die.

0:53:21.080 --> 0:53:21.400
<v Speaker 1>Is that it?

0:53:21.800 --> 0:53:22.200
<v Speaker 5>I reckon?

0:53:22.280 --> 0:53:23.600
<v Speaker 1>That's got to be a contraceptive.

0:53:23.920 --> 0:53:25.560
<v Speaker 5>It makes no sense, but that's my I love it.

0:53:28.239 --> 0:53:30.880
<v Speaker 1>How do we tell him we don't a lot of

0:53:30.920 --> 0:53:31.400
<v Speaker 1>lollies out there?

0:53:31.440 --> 0:53:31.799
<v Speaker 5>Looking back?

0:53:31.800 --> 0:53:36.240
<v Speaker 1>Contraceptive he'll run with it too. He's a good producer.

0:53:36.960 --> 0:53:38.560
<v Speaker 5>I don't know. He'll probably pull usup, like what the

0:53:38.840 --> 0:53:41.160
<v Speaker 5>is that about? You might think it's an insult.

0:53:41.800 --> 0:53:43.480
<v Speaker 1>We're going to add that to the opening next season.

0:53:47.400 --> 0:53:50.680
<v Speaker 5>Can I not to lollies like that on my Please?

0:53:50.840 --> 0:53:52.640
<v Speaker 6>Don't you lollies on the mic?

0:53:52.800 --> 0:53:54.759
<v Speaker 1>That's hard, that hurts my ears?

0:53:54.920 --> 0:53:58.560
<v Speaker 5>Turn her down? Oh look, who's back where she started?

0:53:59.440 --> 0:54:04.000
<v Speaker 1>Sure? Can I? That's actually how she started a lot

0:54:04.040 --> 0:54:06.640
<v Speaker 1>of moaning on the out side of the that's how

0:54:06.680 --> 0:54:07.359
<v Speaker 1>Sylvia died.

0:54:07.800 --> 0:54:09.640
<v Speaker 6>Don't bring Sylvia into this.

0:54:10.080 --> 0:54:12.359
<v Speaker 1>When was the last time that you thought nor said

0:54:13.400 --> 0:54:14.080
<v Speaker 1>rip Sylvia.

0:54:14.560 --> 0:54:17.000
<v Speaker 5>I really didn't get the whole Sylvie thing, but our

0:54:17.040 --> 0:54:17.879
<v Speaker 5>listened this thing to care.

0:54:18.120 --> 0:54:20.640
<v Speaker 7>Her name gets mentioned often in our Facebook group. People,

0:54:20.680 --> 0:54:21.800
<v Speaker 7>I actually didn't give.

0:54:21.680 --> 0:54:24.200
<v Speaker 6>A fuck, to be honest, please please respect.

0:54:24.400 --> 0:54:26.800
<v Speaker 1>It was just shocked at and we never really discussed this.

0:54:27.400 --> 0:54:30.200
<v Speaker 1>Jenna's lack of communication. She didn't tell us. We had

0:54:30.200 --> 0:54:31.520
<v Speaker 1>to go through her mother to find out.

0:54:31.719 --> 0:54:34.640
<v Speaker 5>Your mom had to tell us that she happened a

0:54:34.760 --> 0:54:37.759
<v Speaker 5>week or two before that, and you just didn't think

0:54:37.800 --> 0:54:39.480
<v Speaker 5>to share that with her godparents warning.

0:54:39.880 --> 0:54:42.160
<v Speaker 6>I was mourning, and I was very upset, and I

0:54:42.280 --> 0:54:43.160
<v Speaker 6>was crying every.

0:54:43.040 --> 0:54:45.560
<v Speaker 1>Time I talked about two weeks is not it's too long.

0:54:45.600 --> 0:54:47.520
<v Speaker 1>As soon as Tissy fell off that cliff and that

0:54:47.640 --> 0:54:51.320
<v Speaker 1>you to the town to tell.

0:54:53.200 --> 0:54:55.399
<v Speaker 7>I've never met some of that just confidently guess his names.

0:54:55.440 --> 0:54:57.480
<v Speaker 7>I don't know, Like I always go, what's the name again?

0:54:57.600 --> 0:54:59.840
<v Speaker 7>But you just go claim, no, it's if Mark.

0:55:01.040 --> 0:55:05.720
<v Speaker 1>Write an uncle John. No, do it after you've already

0:55:05.719 --> 0:55:07.839
<v Speaker 1>started laughing. Ready, you know I had an uncle Jock.

0:55:11.760 --> 0:55:14.279
<v Speaker 1>Oh oh, I'm getting a call.

0:55:16.400 --> 0:55:16.840
<v Speaker 4>Who is it.

0:55:16.960 --> 0:55:18.480
<v Speaker 1>Oh, it's a contraceptive diaphragm.

0:55:18.640 --> 0:55:20.680
<v Speaker 5>Sam, is it actually?

0:55:20.840 --> 0:55:21.200
<v Speaker 4>No, it's not.

0:55:22.000 --> 0:55:25.600
<v Speaker 1>Oh imagine if it was. Though, all right, I get

0:55:25.640 --> 0:55:26.040
<v Speaker 1>back in here.

0:55:26.440 --> 0:55:30.239
<v Speaker 3>Okay, con't receptive diaphragm?

0:55:31.040 --> 0:55:32.920
<v Speaker 1>How'd you get that? Abby Chatfield sweep it? Guys? Mitch

0:55:32.960 --> 0:55:34.240
<v Speaker 1>surprised me. I didn't know that was happening.

0:55:35.680 --> 0:55:37.759
<v Speaker 5>You really don't pay much attention to what goes on

0:55:37.840 --> 0:55:38.239
<v Speaker 5>in this show.

0:55:39.120 --> 0:55:41.280
<v Speaker 1>No, I knew what happened in the show it aired.

0:55:41.360 --> 0:55:43.080
<v Speaker 1>How did you get it from her? You just DMed her?

0:55:43.880 --> 0:55:43.920
<v Speaker 8>No?

0:55:43.960 --> 0:55:46.600
<v Speaker 5>No, she did it while she was here during the show.

0:55:47.200 --> 0:55:48.839
<v Speaker 7>We were like merch March's coming, guys, and I said,

0:55:48.840 --> 0:55:50.360
<v Speaker 7>can we get a slid liner from New Abbey? And

0:55:50.480 --> 0:55:52.400
<v Speaker 7>she took like three taps because she was wine drunk.

0:55:52.800 --> 0:55:54.120
<v Speaker 7>I don't remember we did it in the show.

0:55:54.840 --> 0:55:57.719
<v Speaker 1>I don't remember it did what? Don't remember it at all?

0:55:58.920 --> 0:55:59.160
<v Speaker 4>Wow?

0:55:59.360 --> 0:56:00.839
<v Speaker 6>Well I'm back, Hi, Jenna.

0:56:01.600 --> 0:56:08.200
<v Speaker 1>Don't glad you're back, because we're going episode sixty next week.

0:56:08.840 --> 0:56:12.200
<v Speaker 1>We did something for our fiftieth Anything about sixtieth on that.

0:56:12.360 --> 0:56:16.960
<v Speaker 5>I'll find it, not on turn that off?

0:56:17.239 --> 0:56:20.439
<v Speaker 1>She was peace by the way. That off?

0:56:21.719 --> 0:56:21.799
<v Speaker 8>Right?

0:56:24.280 --> 0:56:25.440
<v Speaker 5>I have a check kill.

0:56:27.360 --> 0:56:30.560
<v Speaker 9>Hi, I'm Abby Chatfield and I am so excited for

0:56:30.680 --> 0:56:31.160
<v Speaker 9>merch March.

0:56:31.400 --> 0:56:31.920
<v Speaker 8>Is it just me?

0:56:32.520 --> 0:56:34.919
<v Speaker 5>I'm so excited specifically about the rush shirt.

0:56:35.680 --> 0:56:36.600
<v Speaker 1>Have a great day, guys.

0:56:36.760 --> 0:56:38.400
<v Speaker 5>Again, it's Abby Chatfield, queen.

0:56:38.239 --> 0:56:39.000
<v Speaker 1>Of Jungle.

0:56:42.160 --> 0:56:42.719
<v Speaker 6>The Rush shirt.

0:56:43.239 --> 0:56:48.279
<v Speaker 1>See she was really milking that jungle thing. Yeah, good

0:56:48.320 --> 0:56:48.600
<v Speaker 1>for her.

0:56:49.040 --> 0:56:50.160
<v Speaker 5>Yeah, I can't believe she.

0:56:50.160 --> 0:56:52.600
<v Speaker 1>Did that without even realizing. And I was talking back

0:56:52.680 --> 0:56:58.719
<v Speaker 1>to her. We've never got Did we get her drunk?

0:56:58.719 --> 0:57:00.920
<v Speaker 1>Because she also brought champagne we popped last week?

0:57:01.080 --> 0:57:02.240
<v Speaker 4>Yeah, I know she was quiet.

0:57:02.280 --> 0:57:04.600
<v Speaker 5>She had like three glasses and that's fine for me,

0:57:04.680 --> 0:57:05.960
<v Speaker 5>but apparently she can't handle it.

0:57:06.320 --> 0:57:09.399
<v Speaker 1>Jesus, guys, thank you for listening this long. We really

0:57:09.440 --> 0:57:12.839
<v Speaker 1>should stress. The merch is out now and we will

0:57:12.960 --> 0:57:16.120
<v Speaker 1>make what you buy, so there's no pressure.

0:57:16.360 --> 0:57:19.840
<v Speaker 7>But buy one of everything, absolutely, but don't buy any

0:57:19.880 --> 0:57:23.240
<v Speaker 7>tea towels. Instead, use that money to get extra stress

0:57:23.320 --> 0:57:25.640
<v Speaker 7>balls because they might you might lose one. You've gotta

0:57:25.640 --> 0:57:27.160
<v Speaker 7>get one for the car, You've got to get one

0:57:27.240 --> 0:57:29.280
<v Speaker 7>for your desk drawer, you've got to get one for

0:57:29.400 --> 0:57:31.080
<v Speaker 7>your backpack, one for your bedside table.

0:57:31.520 --> 0:57:34.080
<v Speaker 5>Get like a lot of stress balls so I sell more.

0:57:34.200 --> 0:57:36.960
<v Speaker 1>That's how my Almer's got to eighty three, toilet stress ball,

0:57:37.440 --> 0:57:42.360
<v Speaker 1>kitchen stress ball, stress ball, ahd no, but she loves

0:57:42.360 --> 0:57:42.920
<v Speaker 1>a stress ball.

0:57:42.960 --> 0:57:44.720
<v Speaker 6>Why are you promoting his proper?

0:57:44.960 --> 0:57:46.720
<v Speaker 1>Because guess what, when you know how good yours is,

0:57:46.800 --> 0:57:48.760
<v Speaker 1>you don't need to shoot on the competition because the

0:57:48.840 --> 0:57:50.080
<v Speaker 1>tea towel is versatile.

0:57:50.680 --> 0:57:52.000
<v Speaker 5>I feel like we're going to leave here tonight.

0:57:52.040 --> 0:57:54.200
<v Speaker 7>Mitch is gonna get on the radio being like, please

0:57:54.480 --> 0:57:56.400
<v Speaker 7>please find my teatail, like he's gonna be using all

0:57:56.480 --> 0:57:58.080
<v Speaker 7>his platforms that he has available.

0:57:59.160 --> 0:58:04.000
<v Speaker 1>That's not true. Me forward announcing a song. Go on

0:58:04.880 --> 0:58:07.320
<v Speaker 1>kiss Nights, speach till midnight over Max on the show tonight.

0:58:07.880 --> 0:58:10.280
<v Speaker 1>If you need to mop up tonight, I don't know.

0:58:10.360 --> 0:58:15.080
<v Speaker 1>It's a Wednesday by a teacher, Link and buyer. How

0:58:15.360 --> 0:58:16.960
<v Speaker 1>is it that I can always hit the post?

0:58:17.040 --> 0:58:17.200
<v Speaker 4>You know?

0:58:17.240 --> 0:58:18.840
<v Speaker 1>I can't even remember the name of that dead.

0:58:18.680 --> 0:58:22.080
<v Speaker 5>Horse Cobolt cold Bolt. Do you always needed to hit

0:58:22.080 --> 0:58:23.400
<v Speaker 5>the post? I feel like it would be hard.

0:58:23.480 --> 0:58:25.560
<v Speaker 1>I hit the post every night. It's my one job

0:58:25.720 --> 0:58:26.400
<v Speaker 1>to hit the post.

0:58:26.920 --> 0:58:30.240
<v Speaker 5>Yes, it'sful. Let's do let's we'll fun out of time.

0:58:30.280 --> 0:58:32.080
<v Speaker 7>Let's do a challenge next week and we'll just like

0:58:32.280 --> 0:58:34.080
<v Speaker 7>play your songs that you've never heard, and you.

0:58:34.200 --> 0:58:35.600
<v Speaker 5>Just got to You just got to feel it in

0:58:35.720 --> 0:58:37.440
<v Speaker 5>your aura. Oh, I think i'd be good and be like,

0:58:37.600 --> 0:58:38.880
<v Speaker 5>when when are they going to start singing?

0:58:39.040 --> 0:58:41.880
<v Speaker 1>When the post starts? Yeah, all right, the post post.

0:58:41.960 --> 0:58:44.560
<v Speaker 5>It's like a radio crime to talk over the singer.

0:58:44.440 --> 0:58:46.080
<v Speaker 1>Of course it is. Yeah, yeah, yeah, you never crashed

0:58:46.080 --> 0:58:49.240
<v Speaker 1>the vocals. Okay, this is fun, sort of crashing the

0:58:49.320 --> 0:58:52.000
<v Speaker 1>car with mel again. All right, let's go. We're back

0:58:52.040 --> 0:58:54.240
<v Speaker 1>next week, guys, episode sixty. We got a challenge set

0:58:54.320 --> 0:58:56.919
<v Speaker 1>up that'll be fun. So I'll see you next week

0:58:57.040 --> 0:58:57.240
<v Speaker 1>for that.

0:58:57.640 --> 0:58:59.360
<v Speaker 5>Great We'll catch you then, guys, see yeah

0:59:05.040 --> 0:59:05.320
<v Speaker 4>Nation