1 00:00:00,840 --> 00:00:04,040 Speaker 1: Sweet Ass is in cinemas across the country today and 2 00:00:04,080 --> 00:00:05,920 Speaker 1: we are joined by one of the stars this morning, 3 00:00:05,960 --> 00:00:11,240 Speaker 1: Tasma Walton. Good morning. How are you enjoying living back 4 00:00:11,280 --> 00:00:13,800 Speaker 1: in Double Way? I have to ask, first of all. 5 00:00:13,520 --> 00:00:17,360 Speaker 2: Truth be told. I absolutely love it. Y you know 6 00:00:17,400 --> 00:00:19,920 Speaker 2: where the last state? Absolutely? 7 00:00:20,320 --> 00:00:20,480 Speaker 3: Yes. 8 00:00:20,560 --> 00:00:22,040 Speaker 2: So look I grew up in Geryalton's. 9 00:00:22,120 --> 00:00:24,440 Speaker 3: Yeah, to be honest, I never actually lived in person 10 00:00:24,800 --> 00:00:27,320 Speaker 3: from Geralton to Sydney and then State East Coast for 11 00:00:27,520 --> 00:00:31,880 Speaker 3: quite some time. Okay, So I'm just loving being back, Yeah, 12 00:00:32,840 --> 00:00:33,320 Speaker 3: somewhere new. 13 00:00:33,960 --> 00:00:37,360 Speaker 1: Yeah, it is exactly Yeah. Yeah, it's so much quicker 14 00:00:37,360 --> 00:00:38,919 Speaker 1: to get up to Jarlton. Now we've got all these 15 00:00:38,920 --> 00:00:43,880 Speaker 1: options with the Indian Ocean Road and everything. Yes, yes, Now, 16 00:00:44,120 --> 00:00:46,840 Speaker 1: the story of Sweet Ass was inspired by its writer, 17 00:00:46,960 --> 00:00:49,159 Speaker 1: So tell us about her and what the movie is 18 00:00:49,240 --> 00:00:49,920 Speaker 1: essentially about. 19 00:00:50,080 --> 00:00:51,160 Speaker 2: Lovely job. 20 00:00:52,920 --> 00:00:54,920 Speaker 3: So, I've known Jubb now for a very long time. 21 00:00:55,000 --> 00:00:58,800 Speaker 3: We both started in theater. Actually we did a play 22 00:00:58,840 --> 00:01:01,440 Speaker 3: for the for Black Swan back in the early two thousands, 23 00:01:01,840 --> 00:01:04,480 Speaker 3: and so this is a story that is based on 24 00:01:04,840 --> 00:01:08,759 Speaker 3: her real life experience as a young Aboriginal woman growing 25 00:01:08,840 --> 00:01:09,880 Speaker 3: up in the Pilbra. 26 00:01:10,440 --> 00:01:11,640 Speaker 2: So she's a port edline girl. 27 00:01:11,680 --> 00:01:15,400 Speaker 3: She's actually junior is her traditional country which is Brimway, 28 00:01:16,080 --> 00:01:19,920 Speaker 3: but grew up in port Headland and was sort of 29 00:01:20,000 --> 00:01:22,200 Speaker 3: during her adolescent years just having a bit of a 30 00:01:22,240 --> 00:01:22,760 Speaker 3: tough time. 31 00:01:23,160 --> 00:01:26,440 Speaker 2: And back in that day, there were these photosafaris that 32 00:01:26,440 --> 00:01:29,120 Speaker 2: were going around to remote places. 33 00:01:29,080 --> 00:01:31,120 Speaker 3: And she got a spot on one of them and 34 00:01:31,280 --> 00:01:33,720 Speaker 3: went out on country for you know, I think it 35 00:01:33,760 --> 00:01:37,360 Speaker 3: was a week and learned how to take beautiful photographs 36 00:01:37,360 --> 00:01:39,960 Speaker 3: of country and never. 37 00:01:39,840 --> 00:01:42,759 Speaker 1: Any places to do it is there out that. 38 00:01:42,640 --> 00:01:48,200 Speaker 3: Way incredible and for her it sort of revolutionized her 39 00:01:48,240 --> 00:01:52,360 Speaker 3: perspective on her life and pathways and choices that she 40 00:01:52,440 --> 00:01:52,880 Speaker 3: could make. 41 00:01:53,480 --> 00:01:56,800 Speaker 2: So you know, she always credits that particular. 42 00:01:56,320 --> 00:02:01,680 Speaker 3: Experience to you know, the arts say leaving her you know, 43 00:02:01,960 --> 00:02:03,400 Speaker 3: from possibly. 44 00:02:03,120 --> 00:02:06,840 Speaker 4: Almost giving her a purpose, purpose, sense of purpose. 45 00:02:07,720 --> 00:02:09,119 Speaker 2: It opened the world up to her. 46 00:02:09,840 --> 00:02:12,520 Speaker 3: She saw that power of the arts to save lives 47 00:02:12,560 --> 00:02:14,000 Speaker 3: and to open opportunities. 48 00:02:14,160 --> 00:02:16,360 Speaker 1: Not to mention I guess what she was immersed in. 49 00:02:16,639 --> 00:02:20,680 Speaker 1: That's pretty soul feeding absolutely to be working in that 50 00:02:20,760 --> 00:02:24,200 Speaker 1: kind of area. And what is amazing is you filmed 51 00:02:24,240 --> 00:02:27,040 Speaker 1: in Karajani National Park. You would have had to get 52 00:02:27,680 --> 00:02:30,480 Speaker 1: expect permission for that, and what a treat. 53 00:02:30,720 --> 00:02:35,040 Speaker 3: Yeah, it's for us, for you, Yeah, that's yeah, yeah, 54 00:02:35,080 --> 00:02:38,600 Speaker 3: the most incredible landscape. You know, I absolutely recommend it 55 00:02:38,600 --> 00:02:41,080 Speaker 3: to anybody who wants to go and immerse themselves in 56 00:02:41,320 --> 00:02:45,279 Speaker 3: our ancient country that we had. It was so spectacular 57 00:02:45,320 --> 00:02:47,119 Speaker 3: and was so blessed to be able to shoot up there. 58 00:02:47,240 --> 00:02:50,400 Speaker 1: So the young cast are an outstanding bunch of actors. 59 00:02:51,160 --> 00:02:54,000 Speaker 1: Just seeing young talent coming through the way they are 60 00:02:54,080 --> 00:02:57,800 Speaker 1: and the diverse talent that we've got, does that fill 61 00:02:57,800 --> 00:02:58,400 Speaker 1: you with joy? 62 00:02:58,639 --> 00:03:02,280 Speaker 3: Yeah? Absolutely, And it's exciting because you know, we're in 63 00:03:02,320 --> 00:03:04,280 Speaker 3: a very different era to what it was when I 64 00:03:04,320 --> 00:03:08,399 Speaker 3: first started. You know, there are so many more pathways 65 00:03:08,440 --> 00:03:11,280 Speaker 3: and opportunities, and so it's it's I think, you know, 66 00:03:11,520 --> 00:03:14,360 Speaker 3: a young person starting out in the industry, now anything 67 00:03:14,400 --> 00:03:17,639 Speaker 3: could happen. So it is you know, I feel really 68 00:03:17,960 --> 00:03:20,640 Speaker 3: excited for those kids coming through that they just you know, 69 00:03:20,680 --> 00:03:21,400 Speaker 3: the world could be. 70 00:03:21,400 --> 00:03:24,280 Speaker 4: Their oyster, not necessarily just having to take the traditional 71 00:03:24,360 --> 00:03:27,920 Speaker 4: route of stage or television or film, but there's so 72 00:03:27,919 --> 00:03:30,760 Speaker 4: many other avenues that they can definitely so many other 73 00:03:30,840 --> 00:03:31,720 Speaker 4: paths that they can tell me. 74 00:03:31,880 --> 00:03:35,200 Speaker 3: So just in practical terms, the way that people audition 75 00:03:35,320 --> 00:03:37,040 Speaker 3: these days, you know, you used to go into a 76 00:03:37,120 --> 00:03:39,760 Speaker 3: room with the director and the producer and screen test 77 00:03:39,800 --> 00:03:41,960 Speaker 3: and all that sort of stuff. Now it's all self taping, 78 00:03:42,120 --> 00:03:44,360 Speaker 3: so you can be at home, you know, you can 79 00:03:44,400 --> 00:03:47,760 Speaker 3: be in Geralton do a self test, and that could 80 00:03:47,840 --> 00:03:51,920 Speaker 3: go to a studio in America, you know, and you look. 81 00:03:51,960 --> 00:03:53,960 Speaker 3: You know. Obviously it's a little bit akin to winning 82 00:03:53,960 --> 00:03:56,120 Speaker 3: the lotto, but still in it to win. 83 00:03:56,000 --> 00:03:58,960 Speaker 4: It, that's true. But you didn't have to You don't 84 00:03:59,000 --> 00:04:01,480 Speaker 4: have to go there for them to actually discover you. 85 00:04:01,520 --> 00:04:03,440 Speaker 4: And if you have that spark, if you have that 86 00:04:03,520 --> 00:04:05,880 Speaker 4: thing that they're looking for, it doesn't matter where you are. 87 00:04:06,280 --> 00:04:08,720 Speaker 2: That's right, I can see it. That's right. It's completely 88 00:04:08,800 --> 00:04:09,280 Speaker 2: opened up. 89 00:04:09,640 --> 00:04:13,040 Speaker 1: You're working with Mark Cole Smith who watched in the 90 00:04:13,120 --> 00:04:16,520 Speaker 1: Mystery wrote Origin and you were in the other two. 91 00:04:16,680 --> 00:04:18,520 Speaker 2: You weren't in the one with him, were you, because 92 00:04:18,560 --> 00:04:19,400 Speaker 2: you were, That's right. 93 00:04:19,680 --> 00:04:23,400 Speaker 3: Your role is in the other exactly exactly, so, so 94 00:04:23,440 --> 00:04:28,880 Speaker 3: obviously the Origins. Yes, it's going back to Yeah. 95 00:04:28,960 --> 00:04:32,080 Speaker 1: Yeah, and we see a fabulous a younger Mary love 96 00:04:32,120 --> 00:04:32,480 Speaker 1: love him. 97 00:04:32,560 --> 00:04:34,040 Speaker 2: Yes, we saw a younger Mary exactly. 98 00:04:34,120 --> 00:04:38,560 Speaker 3: Yeah. The cast was all brilliant, wonderful, wonderful. You get 99 00:04:38,560 --> 00:04:41,279 Speaker 3: to work with him, Yes, it was. It was fantastic. 100 00:04:41,320 --> 00:04:44,279 Speaker 3: I actually did work on the set in a sort 101 00:04:44,279 --> 00:04:46,359 Speaker 3: of behind the scenes capacity, a drama tag and a 102 00:04:46,400 --> 00:04:50,839 Speaker 3: social producer. Yeah, it's you're stepping into a legacy project really, 103 00:04:51,320 --> 00:04:53,919 Speaker 3: so just to help those guys just kind of. 104 00:04:53,920 --> 00:04:58,120 Speaker 2: Find their feet in this in this world. Yes, so, yeah, 105 00:04:58,160 --> 00:04:58,880 Speaker 2: it was a really. 106 00:04:58,720 --> 00:05:00,920 Speaker 3: Wonderful experience, just to sort of see it from a 107 00:05:00,920 --> 00:05:01,680 Speaker 3: different perspective. 108 00:05:01,960 --> 00:05:05,240 Speaker 1: You've appeared on so many TV series, including Mystery Road, 109 00:05:05,520 --> 00:05:07,560 Speaker 1: Blue Heelers. Is there anything on a small screen we 110 00:05:07,560 --> 00:05:12,040 Speaker 1: can look forward to seeing you in soon? Yes, but 111 00:05:12,080 --> 00:05:17,160 Speaker 1: you can't stay. I can't tell you. Are you replacing Koshi? 112 00:05:20,160 --> 00:05:25,920 Speaker 1: I do not know getting could you imagine? 113 00:05:26,600 --> 00:05:26,960 Speaker 2: No? 114 00:05:26,960 --> 00:05:28,960 Speaker 1: No, no, none of us. You don't want to get 115 00:05:29,040 --> 00:05:30,839 Speaker 1: up that early to take it from us? 116 00:05:30,880 --> 00:05:33,400 Speaker 2: Definitely not, Definitely, it hurts. 117 00:05:33,600 --> 00:05:35,320 Speaker 1: Is there a role you'd love to play or wish 118 00:05:35,360 --> 00:05:36,400 Speaker 1: you'd been given the part for? 119 00:05:36,839 --> 00:05:40,839 Speaker 3: Oh my goodness. Look, I think every actor has to 120 00:05:40,880 --> 00:05:41,440 Speaker 3: be able to. 121 00:05:41,360 --> 00:05:45,080 Speaker 2: Say, yes, there's something, yeah, kind of roles like. 122 00:05:45,640 --> 00:05:48,640 Speaker 3: Yeah, there are so many great and I'm just watching 123 00:05:48,720 --> 00:05:49,679 Speaker 3: Succession at the moment. 124 00:05:49,920 --> 00:05:52,799 Speaker 2: Yeah, yes, you know, I look at a lot of characters. 125 00:05:52,320 --> 00:05:55,320 Speaker 3: On that, but I'd love to get my teeth into 126 00:05:55,720 --> 00:05:56,600 Speaker 3: and they have such a. 127 00:05:56,520 --> 00:05:57,480 Speaker 2: Great way of working. 128 00:05:57,560 --> 00:06:00,200 Speaker 3: You know, the script are so funny, but they're playing saying, 129 00:06:00,440 --> 00:06:02,320 Speaker 3: you know, the authenticity and the truth. 130 00:06:02,080 --> 00:06:05,560 Speaker 2: Of it, Like some of that dialogue is priceless. I 131 00:06:05,760 --> 00:06:08,000 Speaker 2: love to be able to play one of those characters. 132 00:06:08,000 --> 00:06:10,280 Speaker 1: We swear they were a flying the wall at a 133 00:06:10,320 --> 00:06:14,279 Speaker 1: Murdoch meeting, wouldn't that's the rumor. I love it when 134 00:06:14,320 --> 00:06:19,520 Speaker 1: it irritates life and back and forward and all of that. 135 00:06:18,360 --> 00:06:22,120 Speaker 2: Runs ruse that fine line. Well. 136 00:06:22,360 --> 00:06:24,839 Speaker 1: As I said, Sweet as is in cinemas across the 137 00:06:24,839 --> 00:06:25,600 Speaker 1: country today. 138 00:06:25,720 --> 00:06:27,920 Speaker 2: Thank you for joining us, Thank you so much for 139 00:06:27,960 --> 00:06:28,359 Speaker 2: having me. 140 00:06:28,600 --> 00:06:29,479 Speaker 4: Good luck with the film. 141 00:06:29,600 --> 00:06:30,279 Speaker 2: Cheers, Thank you,