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Speaker 1: It's the Will and Woody podcast.

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Speaker 2: Yes, very good. Yeah, someone's taking this out of context obviously.

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Speaker 3: No, I don't think we've taken out of context at all.

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Speaker 2: You you were very You're highlighting a low light of

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Speaker 2: the show, which I don't appreciate.

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Speaker 3: It was a highway for me.

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Speaker 4: I mean, I was enjoying myself as you were making

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Speaker 4: these assertions. But you're effectively saying, and this does happen

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Speaker 4: during the show, that Willy Wonka is a slave peddler.

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Speaker 5: I'm with me, and you'll be.

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Speaker 2: Yeah, No, I'm actually I'm gonna I'm gonna throw a

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Speaker 2: blanket over Willy Wonka and the child Catcher in Chie

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Speaker 2: Chitty Bang Bang. They could be the same person, just

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Speaker 2: different masks, different disguises. Wow, interesting to think about it.

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Speaker 2: I mean, does the child catch is the child Catcher

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Speaker 2: from Cheechy bank Man? You know that what I'm talking about? Yeah,

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Speaker 2: I know.

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Speaker 3: He drives the scary carriage and there.

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Speaker 2: You get that hook nose and that lassos very scared of.

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Speaker 2: We'll just discovered for a moment that was there just

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Speaker 2: like a writer's room where they were riding a horror

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Speaker 2: and there was a writer's room without writing a kid's

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Speaker 2: film about a floating car, and then there was just

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Speaker 2: a little bit of osmosis there and the scripts got

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Speaker 2: mixed up, and then all of a sudden they got

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Speaker 2: on the street and they got on the set and

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Speaker 2: there's a guy in a cage with a lasso who

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Speaker 2: had already paid with the hook nose to catch children.

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Speaker 2: And they're like, well, we paid him out. Yeah, I

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Speaker 2: think so, he probably just better get a who's gonna

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Speaker 2: shot of that guy running around just rounding up kids.

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Speaker 2: I feel like that must have happened. Was a moment

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Speaker 2: in Bang Bang where I was like, Jesus, that's the

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Speaker 2: most terrifying thing I've ever seen in my life.

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Speaker 6: I recently watched Willie Wonka with my five year old

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Speaker 6: son recently. I haven't seen it in decades, but essentially,

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Speaker 6: he shrinks a kid down to nothing, he chucks another

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Speaker 6: kid into a disposable bin never seen again, blows another

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Speaker 6: one up to the size of a giant blueberry squeezed

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Speaker 6: out to be violent yea, and the phantomen kid gets

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Speaker 6: chucked into that he drowns in the chocolate, and then he.

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Speaker 2: Screamed a slip August a great, big, greedy nincom boom, yeah, yeah.

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Speaker 3: Herons in chocolate.

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Speaker 2: And then Charlie just gets screamed at and verbally abused,

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Speaker 2: and then he takes him in an elevator at the end,

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Speaker 2: doesn't come here jumping the ole jump, he don't worry

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Speaker 2: about Grandpa fly away the eleventally wild. And then we

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Speaker 2: haven't even touched on the fact that he enslaves a

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Speaker 2: whole race of people to make him confectionery is his argument.

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Speaker 3: Though, now I'm just gonna I'm going to try and defend.

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Speaker 3: I'm going to try.

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Speaker 2: Offensive at all. I think just finding out that he

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Speaker 2: would have lived happily in the South, the American Deep South,

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Speaker 2: sometime in the eighteen hundreds.

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Speaker 4: Is a brutal comment to me, no small defense.

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Speaker 2: I would have been applying the same, that would have

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Speaker 2: been buying the same. Are you sure the umper lumpers

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Speaker 2: were happy in well unhappy? Mean no, Well maybe it's

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Speaker 2: all they knew, mate, That's all they.

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Speaker 3: Knew the junk. Where were they from?

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Speaker 2: I think they would have been born there, Some of

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Speaker 2: them would have been born there. They would have called

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Speaker 2: them pure.

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Speaker 3: In the factory. In the factory.

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Speaker 4: But but are you sure that Willy Wanted didn't save

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Speaker 4: them from a life of you know, when he went

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Speaker 4: to the island and found them, found them?

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Speaker 2: Yeah, did you go to an island find them?

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Speaker 4: I'm pretty sure. Yeah, he went to an island. He

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Speaker 4: found these littles that made delicious chocolate and.

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Speaker 2: It was living blissfully on an island blissfully?

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Speaker 3: Or did they did they want to go with Willie Boy?

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Speaker 2: See my theory is that I reckon that the child

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Speaker 2: catcher and brothers. Yeah, and the catcher got them from

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Speaker 2: the island along with all that.

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Speaker 3: Yeah, they've worked in coats.

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Speaker 2: Yeah, and that's where the catcher takes them and then

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Speaker 2: all of a sudden they rock up. That was actually

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Speaker 2: that was the original horror movie. That's what they were planning.

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Speaker 2: There's two evil.

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Speaker 3: Brothers, Willy Wonka and the Child bank Bang.

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Speaker 2: And Willy Wonka runs this confectionery slave business, and then

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Speaker 2: the child Catcher goes out and gets the kids forward

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Speaker 2: slash up lumps. He's got a very script type of person.

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Speaker 2: You can catch the children, catches them, takes them to

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Speaker 2: really want they make the chocolate.

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Speaker 4: It's actually a pretty good little racket they've got running there. Really,

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Speaker 4: it's profitable. We're against it.

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Speaker 2: Killed it. They killed it. And then and then what

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Speaker 2: happened was that they gave out the golden tickets. It's like,

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Speaker 2: you know and like you know, there's a bit of

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Speaker 2: a smoke screen over a company, and they made it

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Speaker 2: to a big PR stunt to show around that they're cool.

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Speaker 2: That's what the Golden ticket was. Like, guys come inside

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Speaker 2: the factory. Comes to the factory. And then every single

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Speaker 2: one of those kids, Violet, Mike, TV, Augustus grouped the

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Speaker 2: great big gritty Nikan Poop. Every single one of them

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Speaker 2: peeked behind the door and they were like, holy ship

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Speaker 2: and they saw the child catcher. I saw him there.

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Speaker 2: They're going to expose, knocked them off, and then he

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Speaker 2: just goes.

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Speaker 3: Jesus Christ killed them.

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Speaker 2: Yeah, mateka kills him. One kills the kids.

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Speaker 3: Jesus he does change the way you view.

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Speaker 2: Was it magical? I don't know if it was.

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Speaker 7: It was.

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Speaker 2: I'll tell you what was magical though. I what was

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Speaker 2: magical was that front flip that he does at the

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Speaker 2: very start when he sees everyone will Yeah, he does

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Speaker 2: that's amazing.

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Speaker 3: But again it's the good. It's like, oh look I'm

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Speaker 3: Willie Wonker, I'm friendly front flip.

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Speaker 2: I can do a front flip. He was chat with

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Speaker 2: the p r agers the other front. What am I

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Speaker 2: going to do? Convince me a good guy? What people

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Speaker 2: love a front flip?

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Speaker 1: Yeah?

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Speaker 2: Do that? Do that?

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Speaker 3: Everyone love you? No one will be looking at the

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Speaker 3: slaves that are standing behind you, all right?

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Speaker 4: Anyway, that comes up in the show, and like to

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Speaker 4: a whole bunch of other things, good.

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Speaker 3: Data, So can you say it?

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Speaker 2: Like, yeah, do you do it? To Charlie in the end,

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Speaker 2: He's like, you get nothing? Good dasa, Oh that's he's

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Speaker 2: a pretty at the end we get if Charlie gets

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Speaker 2: to the end and Charlie's like, all right, mate, what

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Speaker 2: the hell is going on? And he's like, you get nothing?

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Speaker 4: I thought you gave him the factory.

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Speaker 2: No, I wouldn't be sure about that. But he gave

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Speaker 2: what movie did you guys watch? Go Off with the

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Speaker 2: glass elevator and then he murdered him.

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Speaker 3: I'm pretty sure.

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Speaker 2: I'm pretty sure he gives him the fact he doesn't

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Speaker 2: give gives him the factory. But then you know, and

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Speaker 2: he gets all the lawsuits of the slavery. The kids

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Speaker 2: told me a screen. He's a screen, and bodies are

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Speaker 2: in the chocolate. It's the kid, all right?

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Speaker 5: Joy?

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Speaker 2: Yeah? Who and where is fine? Nobody does care? Care? Listen?

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Speaker 2: Listen right now, we're going to see if you are

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Speaker 2: the perfect match with your partner. We're going to be

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Speaker 2: asking a couple of the same awkward questions and then

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Speaker 2: matching their answers. It's the match game, Will and Woodies.

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Speaker 2: Let's make a match.

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Speaker 1: Maker, make me a match find me a fine.

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Speaker 2: Catch me I can show. Keep that bet up please,

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Speaker 2: I'm enjoy that.

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Speaker 3: That is not what is?

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Speaker 2: Oh no, it's probably something from furtherer on the roof

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Speaker 2: or whatever. Let's get into it. We've got Mo, who's called.

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Speaker 2: Moe's called with his partner Sarah. If I can get

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Speaker 2: Moe and Sarah up at the same time, that'd be good,

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Speaker 2: just just for an original quick hello, but good Mo

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Speaker 2: will say good to you. First, tell you my friend.

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Speaker 7: How you doing?

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Speaker 2: Yeah, very well? Man?

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Speaker 3: Tell us about you and Sarah. How long you have

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Speaker 3: been together for?

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Speaker 7: So Facebook official as of December, but we've we matched

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Speaker 7: on Tinder in July or end of June, right right

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Speaker 7: when the lockdown started in Victoria.

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Speaker 4: Ah lockdown romance. I don't mind you. I mean this

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Speaker 4: feels dangerous though, MO. I mean, I know you're obviously

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Speaker 4: very strong right now, but it's only been about official,

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Speaker 4: only been about four or five months.

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Speaker 7: Yeah yeah, yep, yep, beautiful.

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Speaker 2: We've got We've got Sarah on the phone here as well.

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Speaker 2: Gooda Sarah, Hello, Hello, thanks for playing the match game

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Speaker 2: this afternoon. So the way this works is we're going

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Speaker 2: to ask you each three questions. We're probably gonna kick

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Speaker 2: it off with MO, I think because I like watching

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Speaker 2: the men's squirm first, and then Sarah, you just get

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Speaker 2: to answer honestly and candidly what you think is the

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Speaker 2: answer up next, and then we'll see if we can

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Speaker 2: make a bit of a dick of him on the radio.

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Speaker 2: Should be good, Yeah, perfect, perfect, sounds good to me.

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Speaker 2: So Sarah, you're gonna go away, so won't Sarah can't

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Speaker 2: hear this, MO, So I've got to stress that I've

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Speaker 2: got a drone or something that's a build a bit

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Speaker 2: of the tension here. So three questions here for your mom,

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Speaker 2: and you gonna answer the this is this is for you.

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Speaker 2: This is the answer for you, MO. Remember that for me?

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Speaker 7: All right?

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Speaker 2: All right, you're not answering for her, You're not even

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Speaker 2: thinking about her in this instant. This is just you

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Speaker 2: answering honestly. Okay, are you ready go for it? Okay?

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Speaker 2: What is your least favorite meal that Sarah cooks?

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Speaker 7: Oh? She made roast lamb once and it was pretty

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Speaker 7: pretty shocking. Yeah's the waiter and.

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Speaker 3: Did you like mo? Did you say, young you loved

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Speaker 3: that lamb?

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Speaker 5: Oh?

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Speaker 2: Oh?

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Speaker 7: Yeah? At first I was like, yeah it was it

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Speaker 7: was really good. She goes, no, it was terrible. I'm like, well,

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Speaker 7: if you if you want to say that, sure, okay,

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Speaker 7: let's go with that.

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Speaker 2: So she should know that, she should know that it

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Speaker 2: was the worst lamb where we're talking. Was it drys

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Speaker 2: a dead Dingo's dunger or what's the story?

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Speaker 7: Just missing the flavor?

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Speaker 2: H missing?

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Speaker 7: So it's just it's like chewing gum here we are?

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Speaker 2: Would you kill chewing here we are?

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Speaker 3: Gee wi, you're really teen off. Just might write down

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Speaker 3: a couple of.

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Speaker 2: These quotes for Sarah. No flame, chewing gum here we are?

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Speaker 7: All right?

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Speaker 2: Okay, next question, what do you pretend to love about

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Speaker 2: Sarah but you secretly hate.

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Speaker 7: Pretend to love when she's asleep, but she can snore

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Speaker 7: like a train. Great?

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Speaker 3: Sorry, do you think she knows she snores.

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Speaker 7: Yeah, yeah, yeah, she knows. I've sent her multiple snapchat

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Speaker 7: videos of it. She should know.

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Speaker 2: Nice man, what's your least favorite sex position with Sarah?

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Speaker 7: Oh? Can I say it on the radio?

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Speaker 8: Like?

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Speaker 2: Yeah? Man, So you need to keep swearing.

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Speaker 7: Swearing, swearing like rear end. Yeah, I can't do that.

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Speaker 2: Nobody, nobody saw that going. No, fair enough, fair enough.

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Speaker 2: I appreciate you, honestly. I mean, it's gonna make for

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Speaker 2: good year. I'm not sure if she's gonna have the

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Speaker 2: same answer.

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Speaker 7: Probably be single by tonight.

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Speaker 2: Monday, for sure. You'll definitely be having roast lamb for dinner.

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Speaker 2: I reckon.

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Speaker 7: Would be roast lamb covered in poison.

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Speaker 2: Yeah, very good, Very well be Sarah. We've got Sarah.

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Speaker 2: She's going to join us again. On the other side,

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Speaker 2: we're going to go to a song. On the other side,

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Speaker 2: Sarah is going to be with us. We're going to

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Speaker 2: get her answers to the same questions, and then she's

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Speaker 2: going to hear exactly what Moe said. It's will and

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Speaker 2: right now we are seeing if a couple is the

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Speaker 2: perfect match, asking them the same awkward questions and then

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Speaker 2: matching their answers it's the.

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Speaker 3: Match game Will and Woodies.

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Speaker 2: I had a beautiful couple of the stuff and we've

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Speaker 2: got Mo and Sarah. Welcome back to the show. Mo

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Speaker 2: and Sarah. Pleasure to have you here, guys.

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Speaker 9: Thank you.

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Speaker 2: No worries now, Sarah, we haven't spoken to you much

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Speaker 2: at all. We've just been talking about We've had a

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Speaker 2: great time with Mo. We're going to ask you the

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Speaker 2: same questions that we asked. I'm gonna be honest. Moe

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Speaker 2: set the cat amongst the pigeons in a way that

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Speaker 2: nobody expected. It was enjoyable. It was enjoyable for everybody

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Speaker 2: in their cars listening. And I can't think of a

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Speaker 2: single person in Australia who was actually not it was

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Speaker 2: actually exited their car during that song. Because now so

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Speaker 2: looking forward to you hearing one of his answers. Yeah, yeah,

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Speaker 2: it was interesting to say the list in all sorts

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Speaker 2: of ways. But anyway, let's get down to it, Sarah,

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Speaker 2: So just just been a backstory for everyone. You guys

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Speaker 2: have been together since December. You've called up because you're

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Speaker 2: going brilliantly, Is that right?

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Speaker 7: Exactly?

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Speaker 2: Having a great time with each other being together six months.

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Speaker 2: Great to hear and you think you know each other

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Speaker 2: pretty well.

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Speaker 9: Sarah, i'd like to think.

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Speaker 2: So, yeah, we're about to find out. Let's just get it.

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Speaker 2: Let's just get it all right, Sarah, What do you

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Speaker 2: think is Moe's least favorite meal that you that you

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Speaker 2: cook but I've cooked.

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Speaker 9: Is it for him or is it just in general?

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Speaker 4: He has to have consumed it. Yeah, it doesn't necessarily

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Speaker 4: have to mean it was for him, but he consumed it.

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Speaker 2: Yeah.

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Speaker 9: Oh oh, this is hard because he liked everything well

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Speaker 9: he says he does.

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Speaker 2: Yeah, that's why we asked the question one Sarah times chicken.

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Speaker 2: I have a car.

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Speaker 9: I'm just going to go out on a limb and

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Speaker 9: just say.

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Speaker 3: Fried rice, how did you cook? How did you stuff

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Speaker 3: that up?

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Speaker 2: Sarah?

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Speaker 3: The rice?

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Speaker 9: Well, there was no flavor. It was just that.

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Speaker 2: The the no flavor thing was the reason that the

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Speaker 2: meal was his least favorite. But it wasn't the fried rice.

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Speaker 2: It was a roast lamb. It was a roast lamb

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Speaker 2: that you once made him, which was I believe the

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Speaker 2: quote was no flavor slash chewing gum. Here we are

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Speaker 2: with his words.

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Speaker 9: They sound exactly like his were.

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Speaker 2: Anything to say on that, I'm sorry because this just

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Speaker 2: gets better and better.

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Speaker 9: Interesting.

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Speaker 10: All right, here we go, next one, Sarah, Yeah, what

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Speaker 10: does Moe pretend to love about you but secretly hates?

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Speaker 9: Pretend to love secretly hates? Is it that I'm so needy?

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Speaker 2: So needy? Why would he love that?

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Speaker 9: He's pretending to love it?

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Speaker 5: I don't know.

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Speaker 2: It's true, that's true. Good try it's incorrectly, Sarah, it's incorrect.

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Speaker 9: Oh god, what is it?

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Speaker 2: Well, apparently he pretends to love the how you sleep,

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Speaker 2: but apparently you are a heinous sleeper and you make

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Speaker 2: noises reminiscent of a war dog while you sleep. Now

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Speaker 2: I've paraphrased a bit there. Most about that. A bit

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Speaker 2: of poetic license there, but that's all right. I'm the

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Speaker 2: radio host, So there we go. Anything to say there, mode.

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Speaker 7: Oh man, I'm getting shot regardless, So you know, it's

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Speaker 7: such a grape got very much.

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Speaker 3: Let's give question, all right, get to the final question

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Speaker 3: because we're.

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Speaker 2: All we're all hanging out with this one, all.

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Speaker 9: Right, Sarah, Yes, I don't know if I want this

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Speaker 9: last one?

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Speaker 2: Well, Australia. Australia wants what is your what are your

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Speaker 2: least favorite sex position with?

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Speaker 3: We're happy to know that said the same thing. He

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Speaker 3: started tcheated a bit more.

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Speaker 2: I don't need the details there, but there was a

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Speaker 2: trigger response for both of you. So congratulations, guys. Sound

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Speaker 2: like you're got a wonderful relationships clear of the lamb,

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Speaker 2: the snoring, and anything to do with the backdoor, and

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Speaker 2: I think you'll be happy for the rest of your life.

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Speaker 1: It's The Woman Woody Podcast.

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Speaker 4: I just read the wildest, wildest story this morning, and

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Speaker 4: I just want to share with everyone. Yes, a woman

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Speaker 4: called Taya love Ridge I'm pretty sure it's a real

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Speaker 4: name on TikTok shared this with the world.

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Speaker 11: After I had our son, I found out that he

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Speaker 11: was cheating on me the whole time I was pregnant

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Speaker 11: with his ex girlfriend and he ended up going to

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Speaker 11: jail shortly after. She was messaging him trying to figure

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Speaker 11: out where he was. So I messaged her and told

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Speaker 11: her that he was dead at a fake funeral and everything.

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Speaker 11: And it's bid three years and she still thinks he's dead.

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Speaker 3: Jesus, have any questions about the story?

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Speaker 2: Did you get it all from that? So she was

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Speaker 2: cheating on she was getting cheated on by this guy

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Speaker 2: and then this other girl that she was getting cheated

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Speaker 2: on with one of them goes to prison because the

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Speaker 2: guy goes. Guy goes, Guy goes to asks about the girl.

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Speaker 2: The girl who was chatting with asked her what happened

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Speaker 2: to the guy, and she says.

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Speaker 4: He's dead only because he has she had his phone, right,

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Speaker 4: so she gets his phone because he's gone to prison.

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Speaker 7: Right.

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Speaker 4: The girl he's having an affair with starts messaging him,

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Speaker 4: being like, where are where? I want you to come

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Speaker 4: over and you know, let's let's do this thing.

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Speaker 2: And he messages her from beyond the grave.

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Speaker 3: She messages, gets his sister here.

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Speaker 4: He's dead, He's gone, And then they continue to send

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Speaker 4: her fake funeral photo so she believes more than he's dead,

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Speaker 4: and then she still puts up tributes for.

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Speaker 3: Him, being like, I miss my man.

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Speaker 2: Wow.

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Speaker 3: Do you think fair enough because she was part of

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Speaker 3: an affair?

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Speaker 2: No? Yeah, no, neither do I I No, you do

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Speaker 2: you do think fair enough? Is that he's saying, no, no,

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Speaker 2: we're taking.

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Speaker 3: It too far.

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Speaker 4: I think after maybe three weeks. Hey, just kidding a

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Speaker 4: bit of a stitch up on you. You've had a

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Speaker 4: week of you know, grieving, But shame on you for her.

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Speaker 2: Do you think of the person were in love with

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Speaker 2: was dead.

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Speaker 4: Ye, yeah, but you know it was my it was

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Speaker 4: it was it was her man, you know, it was

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Speaker 4: her many at the end of.

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Speaker 2: The day, at the end of the day. An eye

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Speaker 2: for an eye, you know.

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Speaker 3: Whole world is blind.

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Speaker 4: Yeah, well played, mate, Anyway, let's move along. It has

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Speaker 4: inspired a game that I like to call is This Celebrity?

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Speaker 4: So because the woman in the story didn't know if

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Speaker 4: her lover was dead or alive, I thought we could

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Speaker 4: get the producers to put a whole bunch of celebrities together,

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Speaker 4: will uh, and then you and I have to try

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Speaker 4: and ascertain if they are dead or alive.

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Speaker 2: Right, Okay, so we're doing that together. Yeah, yeah, right, yeah, we're.

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Speaker 4: Gonna we're gonna kick it off. Now we've got a

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Speaker 4: celebrity here, believe Betty White.

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Speaker 2: Okay, so Benny is Betty White.

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Speaker 3: Oh, you're gonna be bad at this.

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Speaker 4: They're going to be playing alone gold Girls, Golden Got

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Speaker 4: She's like, you know, Betty White is in wedding crashes

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Speaker 4: and she's the really like rude grandmother at the in

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Speaker 4: the table, oh swears all the time.

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Speaker 2: She's really one to plays the piano, the one that

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Speaker 2: he gives the lessons to at the end of weddings

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Speaker 2: about wedding crashes.

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Speaker 3: I said wedding crashes, and I don't believe it's a

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Speaker 3: piano lesson at the end.

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Speaker 2: No, that's wedding singer. That's wedding singer.

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Speaker 3: She I think she's in wedding singer the same grammar.

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Speaker 2: Yah, yeah, I know you're talking about.

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Speaker 3: She generally plays like a ruge. Now now we know

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Speaker 3: who Betty White is.

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Speaker 2: Yeah, well a lot of people would have known who

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Speaker 2: Betty White was to be fair dead. No, not at all.

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Speaker 2: I don't even know who she is. Man, how can

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Speaker 2: I know one whether she's dead or alive? What are

403
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Speaker 2: you thinking?

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Speaker 8: Now?

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Speaker 4: She was she's pretty old in wedding Crashes that was

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Speaker 4: like ten years and the produce this does feel like one.

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Speaker 2: Of those things where they're like, oh, we have an

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Speaker 2: old person and trick them. No, I think she's dead, Okay,

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Speaker 2: she's dead, she's alive.

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Speaker 3: Okay, this is good fun. We've got to go to

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Speaker 3: a song you don't want to. I'm very happy.

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Speaker 11: To do it.

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Speaker 2: I'm very able to do. We make the celebrity songe

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Speaker 2: we know, rather than just like a maverick grandmar More.

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Speaker 2: Do you want one more?

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Speaker 8: No?

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Speaker 2: No, we'll do it up next. But you know, you

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Speaker 2: guys going have a chance to think about some of

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Speaker 2: the people that we actually know. I think they've already

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Speaker 2: recorded the names before the show, right, So what are

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Speaker 2: we going to be dealing with up next? Betty Crocker?

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Speaker 2: I mean, jesus, what do.

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Speaker 3: You reckon Betty Crocker?

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Speaker 2: If she was a real person?

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00:20:11,800 --> 00:20:13,160
Speaker 3: She was she made the cupcakes.

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Speaker 2: I think that was just the brand.

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Speaker 5: Uh.

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00:20:16,160 --> 00:20:18,760
Speaker 3: Anyway, more celebrity dead or alive? Right up next?

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Speaker 2: Everyone thrilling, I'm just joining us. Betty White is not

430
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Speaker 2: the chick from the wedding singer all from wedding Crashes,

431
00:20:26,160 --> 00:20:29,520
Speaker 2: and our entire team regrets the fact that they chose

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Speaker 2: a d grade ninety nine year old celebrity for this

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Speaker 2: brand new game that.

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Speaker 3: We like to call.

435
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Speaker 2: Is the celebrity.

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00:20:40,359 --> 00:20:42,240
Speaker 4: So we're just trying to guess if a celebrity is

437
00:20:42,359 --> 00:20:45,159
Speaker 4: dead or alive. Our first crack was Betty White, and

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00:20:45,280 --> 00:20:47,199
Speaker 4: we became very clear that neither of us knew who

439
00:20:47,320 --> 00:20:48,080
Speaker 4: Betty White was.

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00:20:48,440 --> 00:20:51,080
Speaker 2: Yeah. Famous, No, she's not made she I mean, I've

441
00:20:51,119 --> 00:20:53,240
Speaker 2: got her IMDb out here. Top four. This is what

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00:20:53,320 --> 00:20:57,680
Speaker 2: she's known for Betty White, The Proposal, Golden Girls, and

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Speaker 2: Lake Placid. I mean, g whiz. I think surely the

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00:21:01,359 --> 00:21:04,000
Speaker 2: other the other old Bird is far more famous from

445
00:21:04,040 --> 00:21:08,240
Speaker 2: the Wedding Singers, the neat Ball, Chicken Patch Adams. All right,

446
00:21:08,320 --> 00:21:09,919
Speaker 2: move on the next one, next one, next one.

447
00:21:10,359 --> 00:21:12,320
Speaker 3: Is she the woman in Lake Buzzard who feeds cows

448
00:21:12,359 --> 00:21:13,200
Speaker 3: to the crocodile?

449
00:21:13,240 --> 00:21:15,840
Speaker 2: Could be the one feeds the baby crocodiles at the start?

450
00:21:15,960 --> 00:21:18,320
Speaker 3: Yeah, yeah, okay. Anyway, we've got a new celebrity other

451
00:21:18,400 --> 00:21:19,679
Speaker 3: producers have put together.

452
00:21:20,040 --> 00:21:22,359
Speaker 2: Who is it? Jennifer Gray.

453
00:21:23,880 --> 00:21:29,200
Speaker 4: Jennifer Gray is from Dirty Dancing. I believe she started

454
00:21:29,200 --> 00:21:32,960
Speaker 4: alongside Patrick Swas famous snose job. Yes, and then after

455
00:21:33,080 --> 00:21:35,280
Speaker 4: that her career sort of took a bit of a nosedive.

456
00:21:35,560 --> 00:21:36,120
Speaker 3: Mind the pun.

457
00:21:36,320 --> 00:21:37,399
Speaker 2: Jennifer Gray, she's alive.

458
00:21:37,920 --> 00:21:39,280
Speaker 3: I would say she's a live as well. We both

459
00:21:39,280 --> 00:21:39,800
Speaker 3: think she's alive.

460
00:21:43,800 --> 00:21:45,920
Speaker 2: May as well thought she was dead though after that

461
00:21:46,040 --> 00:21:48,920
Speaker 2: Snow's job gone gone.

462
00:21:48,960 --> 00:21:50,080
Speaker 3: Did she have another role after?

463
00:21:50,200 --> 00:21:50,639
Speaker 2: I don't think so.

464
00:21:50,880 --> 00:21:54,399
Speaker 3: She would have been in She and show Girls anyway,

465
00:21:55,000 --> 00:21:56,920
Speaker 3: the next Golden Girls with Betty White.

466
00:21:56,960 --> 00:21:59,320
Speaker 2: Maybe maybe the two of them made it come back.

467
00:21:59,400 --> 00:22:01,920
Speaker 2: It's getting those Jean's Wilder.

468
00:22:03,359 --> 00:22:07,280
Speaker 4: Jean Wilder, he's the comedian Jean Wilder. I'm pretty sure

469
00:22:07,359 --> 00:22:08,920
Speaker 4: Charlie and the Chocolate Factory, that's.

470
00:22:08,800 --> 00:22:13,560
Speaker 2: True, Joel. I think we're all starting to find out

471
00:22:13,560 --> 00:22:15,480
Speaker 2: that you were born in the sixties. Bro, I mean, like,

472
00:22:15,680 --> 00:22:18,159
Speaker 2: can we do you think Gene Wilder? I think Jen

473
00:22:18,240 --> 00:22:20,120
Speaker 2: wild is dead because I think remember I remember talking

474
00:22:20,119 --> 00:22:21,240
Speaker 2: about him when he died.

475
00:22:21,560 --> 00:22:22,479
Speaker 3: What'd you say about him?

476
00:22:24,280 --> 00:22:27,639
Speaker 2: I don't know something about chocolate. I imagine golden You've

477
00:22:27,640 --> 00:22:29,359
Speaker 2: got the golden ticket. We're being a gag around there

478
00:22:29,400 --> 00:22:30,720
Speaker 2: somewhere trying to find it.

479
00:22:30,920 --> 00:22:32,200
Speaker 3: Made a gag about his death.

480
00:22:32,840 --> 00:22:34,720
Speaker 2: He had a happy life. You had a happy life.

481
00:22:34,720 --> 00:22:35,720
Speaker 2: I mean, at the end of the day, he had

482
00:22:35,720 --> 00:22:36,960
Speaker 2: a happy life. He was also a monster. I mean

483
00:22:37,040 --> 00:22:38,800
Speaker 2: enslaved a whole race of people and made them make

484
00:22:38,880 --> 00:22:39,719
Speaker 2: confectionery for him.

485
00:22:39,760 --> 00:22:40,520
Speaker 3: That was his character.

486
00:22:40,760 --> 00:22:42,960
Speaker 2: That was hard to separate the character from the person.

487
00:22:43,040 --> 00:22:44,960
Speaker 2: Sometimes I think Gen wild is dead and I'm happy

488
00:22:44,960 --> 00:22:51,239
Speaker 2: he's dead. He's dead, Yes, well feel for the there.

489
00:22:51,280 --> 00:22:52,520
Speaker 2: I mean that was actually a travesty.

490
00:22:53,520 --> 00:22:57,000
Speaker 4: But will Willie Wonker, Yeah, he's a shocking man, shocking person.

491
00:22:57,000 --> 00:22:59,080
Speaker 4: I don't blame Gen Wilder, like he killed really.

492
00:22:58,920 --> 00:23:00,600
Speaker 2: Killed a couple of kids. Yeah, at the end of

493
00:23:00,640 --> 00:23:03,520
Speaker 2: the day, there's a horrific movie slash novel.

494
00:23:03,760 --> 00:23:07,000
Speaker 3: Yeah, some serious ohs is required and still the factory.

495
00:23:07,119 --> 00:23:08,199
Speaker 3: Are we gonna have the celebrity here?

496
00:23:09,359 --> 00:23:10,040
Speaker 2: DMX?

497
00:23:11,320 --> 00:23:12,480
Speaker 3: DMX is a rapper?

498
00:23:13,160 --> 00:23:13,280
Speaker 5: Is it?

499
00:23:13,680 --> 00:23:16,480
Speaker 2: I'm pretty sure this is another person from nineteen seventy five? Like,

500
00:23:16,600 --> 00:23:19,800
Speaker 2: did they this person serve in Vietnam? Because I'm gonna

501
00:23:19,840 --> 00:23:21,920
Speaker 2: be furious if if this is what we're talking Still,

502
00:23:22,040 --> 00:23:26,480
Speaker 2: I'm pretty sure DMX. Isn't that a bike's ax?

503
00:23:26,920 --> 00:23:30,800
Speaker 3: DMX? He goes, ooh, y'all going, what's that? He goes, ooh,

504
00:23:30,880 --> 00:23:32,680
Speaker 3: y'all go and make me lose my mind?

505
00:23:33,280 --> 00:23:33,399
Speaker 2: Here?

506
00:23:33,440 --> 00:23:35,120
Speaker 3: That's he's very much still alive.

507
00:23:36,200 --> 00:23:38,119
Speaker 2: Again, I'm still trying to figure out who this person is.

508
00:23:38,840 --> 00:23:39,240
Speaker 2: Is alive?

509
00:23:39,960 --> 00:23:40,160
Speaker 11: Yeah?

510
00:23:40,280 --> 00:23:41,880
Speaker 3: Yeah, actually, boys, he's dead.

511
00:23:43,040 --> 00:23:44,760
Speaker 2: Why would you do that? Sorry?

512
00:23:44,840 --> 00:23:46,080
Speaker 3: How did he die?

513
00:23:46,280 --> 00:23:50,320
Speaker 2: DMX? Yeah you didn't know that, did you? Bang? Age fifty?

514
00:23:50,480 --> 00:23:51,320
Speaker 3: I believe fifty?

515
00:23:51,520 --> 00:23:55,000
Speaker 2: Really shut shut? No, no, no, I think heart failure. Oh,

516
00:23:55,240 --> 00:23:56,520
Speaker 2: you're gonna make me lose my heart?

517
00:23:57,720 --> 00:23:58,200
Speaker 3: Nice will?

518
00:23:58,320 --> 00:23:59,000
Speaker 2: Thanks? All right?

519
00:23:59,000 --> 00:24:00,560
Speaker 3: Should we do one more and then out of the traffic.

520
00:24:00,560 --> 00:24:02,919
Speaker 2: I'm very much enjoying this. Can I just say, I mean,

521
00:24:02,960 --> 00:24:06,600
Speaker 2: despite the fact that we're having to use the Encyclopedia

522
00:24:06,600 --> 00:24:07,760
Speaker 2: Britannica to find out who.

523
00:24:07,600 --> 00:24:11,440
Speaker 4: These people, You're not gonna lie the next one, Sir

524
00:24:11,560 --> 00:24:16,320
Speaker 4: Richard Attenborough, Richard Adam Now, Richard Adam Bright stars in

525
00:24:16,440 --> 00:24:17,160
Speaker 4: Jurassic Park.

526
00:24:17,280 --> 00:24:21,879
Speaker 3: It's not David. It's David's brother, Richard.

527
00:24:22,359 --> 00:24:26,040
Speaker 2: Yeah, what, don't worry, don't don't look at it. Don't

528
00:24:26,040 --> 00:24:27,920
Speaker 2: look at the screen. Is that for real? It's not

529
00:24:28,040 --> 00:24:28,359
Speaker 2: for real?

530
00:24:28,520 --> 00:24:28,800
Speaker 7: It's not.

531
00:24:28,880 --> 00:24:31,200
Speaker 2: Yeah, you bastards. So I was just ragging on Gene

532
00:24:31,200 --> 00:24:33,920
Speaker 2: Wilder before and the screens someone's caught up coming to

533
00:24:33,920 --> 00:24:36,080
Speaker 2: with Gen Wilder's granddaughter. I just picked up the phone.

534
00:24:36,240 --> 00:24:36,760
Speaker 3: Are you kidding me?

535
00:24:37,840 --> 00:24:39,280
Speaker 2: And I just said that he was a monster. So

536
00:24:39,359 --> 00:24:41,159
Speaker 2: I retract that it was a character. No one ever

537
00:24:41,200 --> 00:24:42,480
Speaker 2: thought he enslaved the pulps.

538
00:24:42,520 --> 00:24:44,680
Speaker 3: How do we not talk to Gene Wilder's granddaughter? It's

539
00:24:44,720 --> 00:24:48,120
Speaker 3: not her faking Now what celebrity are getting again?

540
00:24:48,280 --> 00:24:48,720
Speaker 2: I can't remember?

541
00:24:49,119 --> 00:24:53,680
Speaker 4: Richard Attenborough, Sir Richard Richard Adam Bright. Now this is

542
00:24:53,760 --> 00:24:57,720
Speaker 4: David's brother. He starred in Jurassic Park and he I

543
00:24:57,880 --> 00:25:01,320
Speaker 4: know he's dead, but thinking that Dave was alive, was dead,

544
00:25:01,640 --> 00:25:03,000
Speaker 4: and I was like, oh no, it was his brother,

545
00:25:03,040 --> 00:25:04,240
Speaker 4: and I still cared obviously.

546
00:25:04,520 --> 00:25:07,280
Speaker 2: Yeah, it's just for everyone who's wondering who he is.

547
00:25:07,720 --> 00:25:09,560
Speaker 2: He looks a little bit like a very fat version

548
00:25:09,600 --> 00:25:13,480
Speaker 2: of the Monopoly guy in Jurassic Park. A hush but fair, yeah,

549
00:25:13,800 --> 00:25:16,960
Speaker 2: Caine hat. Yeah. If he's still alive, then they've used

550
00:25:17,000 --> 00:25:20,440
Speaker 2: that mosquito larvae technology to bring him back, because he's

551
00:25:20,520 --> 00:25:21,120
Speaker 2: going to be dead.

552
00:25:21,440 --> 00:25:23,200
Speaker 3: We think he's dead. He's dead.

553
00:25:23,320 --> 00:25:31,080
Speaker 2: He's dead, dead as a that Jan celebrity.

554
00:25:34,440 --> 00:25:36,080
Speaker 1: It's the Will and Woody podcast.

555
00:25:36,880 --> 00:25:40,400
Speaker 2: Quick game of spitzeor swallows here we're talking Mandarin pips obviously,

556
00:25:41,040 --> 00:25:43,040
Speaker 2: thirteen one six five give us a call. I think

557
00:25:43,119 --> 00:25:46,520
Speaker 2: swallower is a disgusting I prefer all of you were

558
00:25:46,560 --> 00:25:49,320
Speaker 2: heard it and kept somewhere separate from the rest of

559
00:25:49,400 --> 00:25:50,760
Speaker 2: us and that civilized folk.

560
00:25:50,840 --> 00:25:52,520
Speaker 3: That's where you'd want me, because I'm a swallower.

561
00:25:52,680 --> 00:25:53,960
Speaker 2: Yeah you are. And here's the thing, and you've got

562
00:25:53,960 --> 00:25:54,800
Speaker 2: swallow written all over you.

563
00:25:54,880 --> 00:25:57,840
Speaker 4: Can I just say, hey, de but but but I

564
00:25:57,880 --> 00:26:01,160
Speaker 4: would like to stress that the sea that you're actually swallowing,

565
00:26:01,320 --> 00:26:03,960
Speaker 4: well your swallowers out there, which I'm sure you're aware

566
00:26:04,240 --> 00:26:07,720
Speaker 4: that is the fruit if everything outside of the sea

567
00:26:07,800 --> 00:26:11,600
Speaker 4: that includes apples, it includes your rock fruits, your peaches,

568
00:26:11,600 --> 00:26:14,720
Speaker 4: your nectarenes, and effectively, what I'm saying is.

569
00:26:15,800 --> 00:26:19,760
Speaker 2: The outside is protection that it grows, protects your seed

570
00:26:20,160 --> 00:26:22,560
Speaker 2: so they can so that it can grow again. But

571
00:26:22,640 --> 00:26:26,359
Speaker 2: there's still a nutritional valet nutritional value, but very little.

572
00:26:26,440 --> 00:26:27,840
Speaker 2: I disagree with you. Would you know, I think you've

573
00:26:27,880 --> 00:26:29,240
Speaker 2: made that up. Now let's happen. We have to be

574
00:26:29,320 --> 00:26:31,600
Speaker 2: quick about this because we're getting in trouble for doing

575
00:26:31,640 --> 00:26:33,359
Speaker 2: a topic of spitzel swallows at the top before. Not

576
00:26:33,400 --> 00:26:35,960
Speaker 2: sure why it's totally p see rhiannon talk to me

577
00:26:36,000 --> 00:26:36,920
Speaker 2: spitzeor swallows.

578
00:26:37,880 --> 00:26:40,280
Speaker 7: Oh, definitely spit You have to You're gonna go.

579
00:26:42,560 --> 00:26:45,600
Speaker 12: Because if well, if my mum says it, it's true,

580
00:26:45,720 --> 00:26:48,280
Speaker 12: and she always says if I swallow, it's going to

581
00:26:48,359 --> 00:26:50,399
Speaker 12: grow in my tummy, and she is.

582
00:26:50,400 --> 00:26:51,199
Speaker 3: Talking about mandarin.

583
00:26:51,920 --> 00:26:53,800
Speaker 2: I just need to confirm for everyone we are talking.

584
00:26:54,760 --> 00:26:56,960
Speaker 2: Thanks the cool Randon. Yeah, there you go, we might

585
00:26:57,000 --> 00:26:57,639
Speaker 2: grow in your tummy.

586
00:26:57,680 --> 00:26:57,920
Speaker 7: There you go.

587
00:26:58,880 --> 00:27:01,040
Speaker 3: There, Well, no one has ever grown amanda in in

588
00:27:01,119 --> 00:27:01,600
Speaker 3: the stomach.

589
00:27:02,440 --> 00:27:04,920
Speaker 2: That's science. I knew a guy in primary school turned

590
00:27:04,960 --> 00:27:07,520
Speaker 2: into a manda in treat was tragic. It would be

591
00:27:07,640 --> 00:27:09,080
Speaker 2: kind of beautiful though, kind of beautiful. You know, we

592
00:27:09,160 --> 00:27:10,840
Speaker 2: all ate the fruit afterwards. It was lovely like he

593
00:27:10,920 --> 00:27:11,719
Speaker 2: was giving back to us.

594
00:27:11,840 --> 00:27:15,040
Speaker 3: I'd like to be Actually, you know, groot, does he

595
00:27:15,119 --> 00:27:15,560
Speaker 3: grow fruit?

596
00:27:15,720 --> 00:27:15,760
Speaker 8: No?

597
00:27:15,880 --> 00:27:17,119
Speaker 2: But you know he's a tree at the end of

598
00:27:17,280 --> 00:27:19,879
Speaker 2: the d the first Guardians of the galaxy. He saves

599
00:27:19,880 --> 00:27:22,720
Speaker 2: everyone by dying becoming a tree. It's a beautiful moment.

600
00:27:23,040 --> 00:27:26,320
Speaker 2: He got a Christian. Christian spits or swallows mandarin pips

601
00:27:26,320 --> 00:27:30,160
Speaker 2: obviously definitely. Yeah, why Christian?

602
00:27:30,200 --> 00:27:31,159
Speaker 3: Why why do you swallow?

603
00:27:32,520 --> 00:27:34,200
Speaker 7: I generally eat half a menda in at a time,

604
00:27:34,400 --> 00:27:36,640
Speaker 7: so I just sort of swallow whatever's in my mouth.

605
00:27:36,920 --> 00:27:40,200
Speaker 3: You eat harp, isn't you chumped? You bite into a

606
00:27:40,240 --> 00:27:41,159
Speaker 3: mandarin skin and all?

607
00:27:41,880 --> 00:27:44,600
Speaker 9: Yeah, all very big Holy strewth.

608
00:27:44,320 --> 00:27:46,720
Speaker 3: Mate, that is totally I mean, I Kiwi skin, but

609
00:27:46,920 --> 00:27:49,080
Speaker 3: manda rinskin. Do you eat the pineapple skin?

610
00:27:49,200 --> 00:27:49,480
Speaker 2: Christian?

611
00:27:49,520 --> 00:27:50,400
Speaker 3: You absolute savage?

612
00:27:51,000 --> 00:27:53,639
Speaker 7: Oh? Sometimes depends howel Holy really.

613
00:27:54,280 --> 00:27:57,840
Speaker 2: Tough as chumps in the game, Christian, Christian, you're getting

614
00:27:57,840 --> 00:27:59,720
Speaker 2: the real We had two bob each way, there're once

615
00:27:59,800 --> 00:28:01,879
Speaker 2: bitter one swallowers. Suppose the jury is still out. It's

616
00:28:01,920 --> 00:28:03,280
Speaker 2: just going to be one of those big questions that

617
00:28:03,320 --> 00:28:03,960
Speaker 2: will never answer.

618
00:28:04,119 --> 00:28:07,000
Speaker 3: Well, we could do it again tomorrow, made maybe again again?

619
00:28:07,080 --> 00:28:09,120
Speaker 2: Right now? What do we go to a song? Leather round?

620
00:28:09,119 --> 00:28:13,399
Speaker 4: Of course, Spitzel's that's a no from outsuch you capsule,

621
00:28:13,640 --> 00:28:14,280
Speaker 4: I'm sorry.

622
00:28:14,920 --> 00:28:17,920
Speaker 1: Had the podcast left on two time speed? There sounded

623
00:28:17,960 --> 00:28:20,520
Speaker 1: like a chipmunk. It's the Will and Woody podcast.

624
00:28:20,720 --> 00:28:26,359
Speaker 4: Ellen DeGeneres has quit her talk show after nineteen seasons.

625
00:28:26,480 --> 00:28:32,840
Speaker 4: Will totally wild that news in today, sixty three years old.

626
00:28:33,320 --> 00:28:36,000
Speaker 4: It was an important information, but she's sixty three and

627
00:28:36,119 --> 00:28:39,240
Speaker 4: she said she's brought. She's made a statement about why

628
00:28:39,360 --> 00:28:41,920
Speaker 4: she is ending her show after nineteen seasons, and I'll

629
00:28:41,960 --> 00:28:44,800
Speaker 4: read exactly what she she said. She said, when you're

630
00:28:44,800 --> 00:28:48,000
Speaker 4: a creative person, you constantly need to be challenged, and

631
00:28:48,120 --> 00:28:50,760
Speaker 4: as great as this show is and as fun as

632
00:28:50,800 --> 00:28:53,960
Speaker 4: it is, it's just not a challenge anymore.

633
00:28:54,200 --> 00:28:57,040
Speaker 2: Yeah, she probably needs to be paraphrased as down to

634
00:28:57,400 --> 00:29:00,640
Speaker 2: you know, when everyone finds out you're a dick to quit.

635
00:29:01,040 --> 00:29:03,160
Speaker 3: And everyone's thinking that.

636
00:29:03,320 --> 00:29:07,880
Speaker 4: I have never read a more BS excuse or reason

637
00:29:07,960 --> 00:29:10,800
Speaker 4: for quitting in my entire life. There is no doubt

638
00:29:11,280 --> 00:29:15,920
Speaker 4: the shine came off the backstory there, a whole bunch

639
00:29:16,000 --> 00:29:19,160
Speaker 4: of staff and employees came out about a really toxic workplace.

640
00:29:19,320 --> 00:29:20,440
Speaker 3: Yeah, this is all last year.

641
00:29:21,040 --> 00:29:23,680
Speaker 4: Everyone kept coming out saying how difficult a time they

642
00:29:23,760 --> 00:29:25,959
Speaker 4: had on the show and how nasty she was towards them.

643
00:29:25,960 --> 00:29:29,240
Speaker 2: And we're talking like racism, fear of intimidation. Apparently they

644
00:29:29,280 --> 00:29:33,560
Speaker 2: couldn't even attend a family funeral without fear of getting fired. Like, yeah,

645
00:29:33,840 --> 00:29:35,760
Speaker 2: it sounds like she was draconian.

646
00:29:36,040 --> 00:29:39,640
Speaker 4: Yeah, pretty nasty stuff. So one percent the actual reason

647
00:29:39,760 --> 00:29:43,480
Speaker 4: the show is ending is because I think her popularity

648
00:29:43,560 --> 00:29:45,480
Speaker 4: has declined a little bit. And you know, there is

649
00:29:45,560 --> 00:29:49,240
Speaker 4: no doubt a toxic workplace there. But I thought, because

650
00:29:49,320 --> 00:29:53,360
Speaker 4: this is clearly a lie excuse for a show ending.

651
00:29:53,360 --> 00:29:55,080
Speaker 2: Never trusted her. By the way, can I just say that,

652
00:29:55,120 --> 00:29:57,200
Speaker 2: I want to put that on record. You never trusted

653
00:29:57,200 --> 00:30:00,680
Speaker 2: it Ellen. I thought she always was. I thought she

654
00:30:00,720 --> 00:30:01,680
Speaker 2: was always a horrible person.

655
00:30:01,880 --> 00:30:03,480
Speaker 3: There you go, a little fun fact from wil there.

656
00:30:03,520 --> 00:30:05,640
Speaker 3: Thank you for that. I'll continue with what I was

657
00:30:05,680 --> 00:30:06,440
Speaker 3: talking about it before.

658
00:30:06,600 --> 00:30:09,720
Speaker 4: I think because she's been caught out in a fake excuse,

659
00:30:09,720 --> 00:30:11,160
Speaker 4: I would love to hear more of this because it's

660
00:30:11,200 --> 00:30:13,320
Speaker 4: always really great when this happens, you know, when someone

661
00:30:13,360 --> 00:30:15,520
Speaker 4: gives you an excuse and they get caught out in

662
00:30:15,560 --> 00:30:16,800
Speaker 4: that excuse because they were lying.

663
00:30:17,280 --> 00:30:20,000
Speaker 3: Yes, it's a great moment. Yeah, thirteen one oh six

664
00:30:20,080 --> 00:30:20,800
Speaker 3: five sound number.

665
00:30:20,960 --> 00:30:21,040
Speaker 8: Ye.

666
00:30:21,200 --> 00:30:22,720
Speaker 4: If this has happened to you, whether you've been on

667
00:30:22,800 --> 00:30:24,640
Speaker 4: the receiving end of the excuse or you've gone for

668
00:30:24,720 --> 00:30:28,080
Speaker 4: a lie excuse and then being found out about it, yeah,

669
00:30:28,120 --> 00:30:30,280
Speaker 4: I'd love to hear that. It reminded me of when

670
00:30:30,360 --> 00:30:34,240
Speaker 4: I was actually broken up with in Perth. Do you

671
00:30:34,280 --> 00:30:37,960
Speaker 4: remember the beach date that I had. Yes, it was

672
00:30:38,120 --> 00:30:41,280
Speaker 4: shocking first date and I give you American with the

673
00:30:41,280 --> 00:30:43,719
Speaker 4: America with the American woman. And I said to her,

674
00:30:43,720 --> 00:30:45,000
Speaker 4: I'd love to see you again, like I've to go

675
00:30:45,040 --> 00:30:47,720
Speaker 4: on a second day or you know, rekindle this whatever.

676
00:30:48,360 --> 00:30:51,280
Speaker 4: She said to me, No, unfortunately I can't see you

677
00:30:51,320 --> 00:30:52,680
Speaker 4: again because I'm going back to America.

678
00:30:52,760 --> 00:30:53,480
Speaker 2: That's right. Remember that.

679
00:30:53,600 --> 00:30:56,800
Speaker 3: Ye two weeks later I saw her in a supermarket.

680
00:30:56,840 --> 00:30:57,800
Speaker 2: That's right. That was huge.

681
00:30:58,120 --> 00:31:01,120
Speaker 3: Sorry, that was that wasn't good. It was pretty funny

682
00:31:01,440 --> 00:31:05,480
Speaker 3: she got caught out in a fake yes excuse.

683
00:31:05,680 --> 00:31:08,400
Speaker 2: Yeah. We also, while we're on radio, speaking of Perth,

684
00:31:09,200 --> 00:31:12,960
Speaker 2: we actually one particular evening and our youth went on

685
00:31:13,000 --> 00:31:15,920
Speaker 2: a bender. Yeah, and I didn't sleep that night and

686
00:31:16,000 --> 00:31:19,200
Speaker 2: then took a photo of ourselves on a porch somewhere

687
00:31:19,320 --> 00:31:21,760
Speaker 2: in the western suburbs of beautiful Sunny Perth at nine

688
00:31:21,800 --> 00:31:25,680
Speaker 2: o'clock in the morning. But both called in six simultaneously

689
00:31:25,880 --> 00:31:28,720
Speaker 2: to a radio thing we'd promise to be out on

690
00:31:28,760 --> 00:31:31,960
Speaker 2: the Saturday morning, to which our co host gleefully took

691
00:31:31,960 --> 00:31:34,360
Speaker 2: a screenshot of the photo, which we'd previously posted on

692
00:31:34,440 --> 00:31:36,880
Speaker 2: Instagram half an hour ago, with us both with bloody

693
00:31:36,920 --> 00:31:37,720
Speaker 2: Mary's in our hands.

694
00:31:38,080 --> 00:31:41,920
Speaker 4: Yeah, yeah, yeah, yeah, we were caught out there. Hopefully

695
00:31:41,960 --> 00:31:43,680
Speaker 4: it's not just you and me to get caught out here.

696
00:31:43,720 --> 00:31:45,440
Speaker 4: Thirty one or six bobs a number have you been

697
00:31:45,520 --> 00:31:48,200
Speaker 4: caught out in a fake excuse? We'll take those calls up.

698
00:31:48,160 --> 00:31:50,280
Speaker 1: Next next to Rhyming Podcast.

699
00:31:50,720 --> 00:31:52,280
Speaker 2: Over the next two weeks, we are trying to find

700
00:31:52,280 --> 00:31:54,320
Speaker 2: an answer as to why people can't talk about their

701
00:31:54,360 --> 00:31:57,600
Speaker 2: mental health when they're struggling. It'schore called share my Mood.

702
00:31:57,640 --> 00:31:59,000
Speaker 2: We're going to be doing it more later on if

703
00:31:59,040 --> 00:32:01,280
Speaker 2: you want to stay tuned for that. Right now, though, woods,

704
00:32:01,280 --> 00:32:04,080
Speaker 2: we're talking about, oh, the death of a tyrant.

705
00:32:04,280 --> 00:32:06,600
Speaker 3: Whoa well, right now, we're asking for your calls.

706
00:32:06,600 --> 00:32:09,040
Speaker 4: Actually, thirteen one oh sixty five, have you been caught

707
00:32:09,160 --> 00:32:11,040
Speaker 4: out in a fake excuse?

708
00:32:11,080 --> 00:32:12,520
Speaker 3: If you can relate to that, give us a call.

709
00:32:12,600 --> 00:32:14,680
Speaker 4: But what we're referring to with the death of a

710
00:32:14,800 --> 00:32:19,280
Speaker 4: tyrant is Ellen DeGeneres quitting her talk show after nineteen seasons.

711
00:32:19,320 --> 00:32:21,480
Speaker 2: She's not dead, by the way, she just quit. Yes,

712
00:32:21,760 --> 00:32:23,240
Speaker 2: I was saying that. I was just you know, it

713
00:32:23,320 --> 00:32:25,840
Speaker 2: was just a figure of speech. Yeah, I reckon we

714
00:32:25,880 --> 00:32:28,080
Speaker 2: should cut Dory from finding Nemo though.

715
00:32:28,800 --> 00:32:33,560
Speaker 4: Would the story still work without Dory Dad? How would

716
00:32:33,560 --> 00:32:35,600
Speaker 4: the dad get around without Dory.

717
00:32:38,280 --> 00:32:38,720
Speaker 2: Find is?

718
00:32:38,800 --> 00:32:42,760
Speaker 3: You know, I'm going to move on. It was a

719
00:32:42,760 --> 00:32:43,760
Speaker 3: good point. I'm going to move on.

720
00:32:45,960 --> 00:32:50,160
Speaker 2: Let's go. We're to take a call, rewrite the script,

721
00:32:50,200 --> 00:32:50,840
Speaker 2: all right. Sure.

722
00:32:51,080 --> 00:32:52,920
Speaker 4: I do want to mention that the reason we're doing

723
00:32:52,960 --> 00:32:55,480
Speaker 4: this topic is because Ellen said the reason she's quitting

724
00:32:55,520 --> 00:32:57,760
Speaker 4: the show is because she doesn't get challenged anymore.

725
00:32:57,880 --> 00:32:58,640
Speaker 3: It's clearly alt.

726
00:32:59,360 --> 00:33:01,560
Speaker 4: The reason she's quitting is because there would have been

727
00:33:01,600 --> 00:33:04,000
Speaker 4: pressure there no doubt, because of the toxic workplace, that she.

728
00:33:04,040 --> 00:33:06,800
Speaker 2: Could have turned out she was a knob. Yeah, well,

729
00:33:06,880 --> 00:33:09,040
Speaker 2: she was probably shooting from the hill. Well, I'm sorry,

730
00:33:09,080 --> 00:33:11,080
Speaker 2: but like, I just can't stand that. I actually just

731
00:33:11,160 --> 00:33:13,120
Speaker 2: can't stand that. You and I see a few different

732
00:33:13,520 --> 00:33:15,400
Speaker 2: sorts of people that come through the door here, and

733
00:33:15,480 --> 00:33:17,040
Speaker 2: I just don't think it's very hard to be nice

734
00:33:17,080 --> 00:33:19,840
Speaker 2: to people, particularly the people that work on your team. Yeah,

735
00:33:19,880 --> 00:33:22,680
Speaker 2: and actually they're the wind beneath your wings, Like you're

736
00:33:22,720 --> 00:33:26,160
Speaker 2: not on air unless you've got producers. And the fact

737
00:33:26,160 --> 00:33:29,920
Speaker 2: that her entire team have all said that she's a monster,

738
00:33:30,720 --> 00:33:33,840
Speaker 2: I just reckon that sucks, particularly when she's absolutely rolling

739
00:33:33,920 --> 00:33:34,080
Speaker 2: in it.

740
00:33:34,400 --> 00:33:36,400
Speaker 4: And it actually it leaked out on the show in

741
00:33:36,440 --> 00:33:39,720
Speaker 4: an interview with Dakota Johnson. If you haven't heard that audio,

742
00:33:39,760 --> 00:33:41,080
Speaker 4: I'm going to play it for you after we take

743
00:33:41,160 --> 00:33:44,479
Speaker 4: these calls. But that audio and that awkwardness between Dakota

744
00:33:44,560 --> 00:33:47,440
Speaker 4: Johnson and her is wild. Yeah, but give me forty

745
00:33:47,480 --> 00:33:50,960
Speaker 4: five seconds. Will play it after Olivia, you had a

746
00:33:51,000 --> 00:33:54,520
Speaker 4: past relationship and someone was caught in a fake excuse.

747
00:33:55,800 --> 00:33:56,000
Speaker 9: Yeah.

748
00:33:56,040 --> 00:33:59,800
Speaker 5: Boys, see, I was sitting this guy was around twenty twelve.

749
00:34:00,480 --> 00:34:02,160
Speaker 13: We've been going around a year and a half.

750
00:34:03,200 --> 00:34:05,120
Speaker 14: But he worked on a ship, so he would be

751
00:34:05,200 --> 00:34:08,120
Speaker 14: mostly away and then he'd come home and like.

752
00:34:08,280 --> 00:34:10,120
Speaker 9: This time, he was very Nindy.

753
00:34:10,280 --> 00:34:12,480
Speaker 14: He was very you know, he put me.

754
00:34:12,560 --> 00:34:14,520
Speaker 9: Off so much, and then he was like, you know,

755
00:34:14,680 --> 00:34:16,399
Speaker 9: this was going too fast for him.

756
00:34:16,480 --> 00:34:18,400
Speaker 13: He didn't really think he wanted to settle down and

757
00:34:18,440 --> 00:34:18,920
Speaker 13: didn't want a.

758
00:34:19,000 --> 00:34:20,360
Speaker 14: Family or kids or anything.

759
00:34:21,160 --> 00:34:22,080
Speaker 9: And it were my heart.

760
00:34:22,160 --> 00:34:25,480
Speaker 13: But then we broke up. And when I found out

761
00:34:25,520 --> 00:34:28,839
Speaker 13: was he actually had a girl on the ship who

762
00:34:29,120 --> 00:34:33,359
Speaker 13: was pregnant and he was geez yeah.

763
00:34:34,520 --> 00:34:39,520
Speaker 3: Then sorry to hear that, Olivia. We did not mean

764
00:34:39,560 --> 00:34:40,480
Speaker 3: to play that audio. I don't know.

765
00:34:41,160 --> 00:34:43,799
Speaker 2: Sorry, boys, that was my fault, the button push.

766
00:34:43,840 --> 00:34:47,840
Speaker 3: I meant to play this. No, that's so much more appropriate.

767
00:34:48,000 --> 00:34:51,239
Speaker 2: I've got Live in Disco, Miami's sound machine in the

768
00:34:51,239 --> 00:34:53,120
Speaker 2: middle though, I mean, what way to take you out

769
00:34:53,160 --> 00:34:54,640
Speaker 2: of a low on air? Then play a little bit

770
00:34:54,680 --> 00:34:57,480
Speaker 2: of eighties synthpop? I mean, I think that's what we

771
00:34:57,520 --> 00:34:59,040
Speaker 2: should do in the future. We hit a low point

772
00:34:59,080 --> 00:35:01,040
Speaker 2: in the show. When is he get that? I mean,

773
00:35:01,080 --> 00:35:03,560
Speaker 2: you can't doesn't matter what you're talking about. Let me

774
00:35:03,640 --> 00:35:05,480
Speaker 2: hear that again. I mean, you can't help her tap

775
00:35:05,560 --> 00:35:08,000
Speaker 2: your foot. All of a sudden, it's like, oh, oh,

776
00:35:08,160 --> 00:35:12,160
Speaker 2: he made another girl pregnant, and then bang, you're out.

777
00:35:12,600 --> 00:35:14,279
Speaker 2: You're out, And then all of a sudden, you're driving

778
00:35:14,320 --> 00:35:16,080
Speaker 2: and we're back the vibes up again. Wood, Let's get

779
00:35:16,160 --> 00:35:18,560
Speaker 2: carry on thirty one oh six y five talking getting

780
00:35:18,600 --> 00:35:19,840
Speaker 2: caught out in a fake excuse.

781
00:35:20,080 --> 00:35:21,279
Speaker 3: We got Phoebe here, Phoebe, You.

782
00:35:21,320 --> 00:35:25,880
Speaker 2: Were caught out, Hey, yeah, I was.

783
00:35:26,239 --> 00:35:28,200
Speaker 12: It was a couple of years ago when I was

784
00:35:28,600 --> 00:35:32,239
Speaker 12: at UNI with the girl and she was asking I

785
00:35:32,320 --> 00:35:35,400
Speaker 12: was on the phone tour while I was driving, and

786
00:35:35,560 --> 00:35:37,640
Speaker 12: she asked me what I was up to. So I

787
00:35:38,320 --> 00:35:41,600
Speaker 12: told her that I was in the countryside at my parents' house,

788
00:35:41,640 --> 00:35:44,560
Speaker 12: which is about three and a half hours away from

789
00:35:44,560 --> 00:35:48,600
Speaker 12: the city. And as I was telling her, I drove

790
00:35:48,680 --> 00:35:53,800
Speaker 12: into the roundabout and she entered the roundabout my left

791
00:35:54,640 --> 00:35:57,680
Speaker 12: and she looked straight at me. I thought I was

792
00:35:57,760 --> 00:36:00,360
Speaker 12: on the phone. I nearly crashed into it.

793
00:36:01,160 --> 00:36:04,279
Speaker 2: Oh wow, nice.

794
00:36:04,520 --> 00:36:07,560
Speaker 3: I went back up again. Vibes out.

795
00:36:07,840 --> 00:36:09,399
Speaker 4: I did promise I was gonna play that to County

796
00:36:09,600 --> 00:36:10,880
Speaker 4: Dakota fanning audio.

797
00:36:11,600 --> 00:36:13,800
Speaker 3: I'm probably a little bit light. We're gonna go to traffic.

798
00:36:13,960 --> 00:36:14,720
Speaker 2: Well you're kidding.

799
00:36:15,320 --> 00:36:17,479
Speaker 4: You want to play as well as well? Evan Helen

800
00:36:17,480 --> 00:36:20,480
Speaker 4: does it go for Joel thirty five seconds?

801
00:36:20,480 --> 00:36:22,120
Speaker 2: Oh, you'll probably I'm playing that into the traffic I mean,

802
00:36:22,160 --> 00:36:23,919
Speaker 2: this is Ellen and Dakota Johnson.

803
00:36:23,800 --> 00:36:26,040
Speaker 3: This is love clashing on it and you could just

804
00:36:26,120 --> 00:36:27,839
Speaker 3: tell this is just a little bit of Nasis under

805
00:36:27,840 --> 00:36:28,040
Speaker 3: the set.

806
00:36:28,080 --> 00:36:28,520
Speaker 2: He listen to this.

807
00:36:29,120 --> 00:36:29,799
Speaker 9: I was the party.

808
00:36:29,880 --> 00:36:30,640
Speaker 5: I wasn't invited.

809
00:36:31,840 --> 00:36:33,760
Speaker 14: Actually, no, that's not the truth, Ellen.

810
00:36:33,840 --> 00:36:36,759
Speaker 2: You were invited last No, last time I was on

811
00:36:36,880 --> 00:36:37,160
Speaker 2: the show.

812
00:36:37,560 --> 00:36:39,680
Speaker 14: He gave me a bunch about not inviting you. But

813
00:36:39,800 --> 00:36:41,520
Speaker 14: I didn't even know you wanted to be invited.

814
00:36:41,920 --> 00:36:44,080
Speaker 1: Well, I didn't want to be invited to a party.

815
00:36:44,360 --> 00:36:45,440
Speaker 2: I didn't even know you liked me.

816
00:36:47,200 --> 00:36:49,160
Speaker 1: Of course I like you. You knew I liked you.

817
00:36:49,400 --> 00:36:51,600
Speaker 1: But I did invite you and you didn't come. So

818
00:36:51,960 --> 00:36:54,160
Speaker 1: this time you invited me. Yeah, are you sure?

819
00:36:54,360 --> 00:36:54,560
Speaker 2: Yeah?

820
00:36:54,800 --> 00:36:55,239
Speaker 9: How do you know?

821
00:36:55,360 --> 00:36:57,680
Speaker 14: I don't think so, asked Jonathan, your producer.

822
00:36:57,880 --> 00:36:59,840
Speaker 1: No, I think I do. Remember I was invited, Thank you.

823
00:37:02,080 --> 00:37:04,239
Speaker 5: No, But I really didn't remember that until just now.

824
00:37:04,920 --> 00:37:09,080
Speaker 4: Oh turns out as well, apparently the reason she didn't

825
00:37:09,160 --> 00:37:11,520
Speaker 4: go is because she's of the NFL game with George Bush.

826
00:37:11,960 --> 00:37:13,720
Speaker 3: Oh you're gidding, not kidding.

827
00:37:14,280 --> 00:37:18,799
Speaker 2: That's as bad as it gets. We're back. We're back

828
00:37:19,719 --> 00:37:20,320
Speaker 2: in a rush.

829
00:37:20,800 --> 00:37:23,759
Speaker 1: Crank up the speed on this podcast. Get to where

830
00:37:23,760 --> 00:37:26,200
Speaker 1: you're going any faster, but you'll feel like you are.

831
00:37:26,840 --> 00:37:28,640
Speaker 1: It's the Will and Woody Podcast.

832
00:37:28,960 --> 00:37:30,480
Speaker 2: Over the next few weeks, you and I have set

833
00:37:30,480 --> 00:37:33,960
Speaker 2: ourselves the challenge with too live on air with you guys,

834
00:37:34,440 --> 00:37:37,480
Speaker 2: we're trying to create an app, an app which will

835
00:37:38,000 --> 00:37:42,000
Speaker 2: solve why people can't talk about their mental health when

836
00:37:42,000 --> 00:37:46,280
Speaker 2: they're struggling. It's called Share my Mood. There's a separate

837
00:37:46,320 --> 00:37:48,080
Speaker 2: podcast if you want to catch up on this. Wherever

838
00:37:48,120 --> 00:37:50,760
Speaker 2: you get your podcasts, just search share my Mood, documenting

839
00:37:50,800 --> 00:37:53,279
Speaker 2: the journey there, incorporating all your calls into this. We're

840
00:37:53,280 --> 00:37:56,239
Speaker 2: building it with you, guys, like this is an interactive build,

841
00:37:56,280 --> 00:37:59,120
Speaker 2: an interactive podcast that we're making with you, and all

842
00:37:59,160 --> 00:38:02,279
Speaker 2: your calls have been so helpful so far. And I

843
00:38:02,280 --> 00:38:04,560
Speaker 2: suppose one of the great things about trying to understand

844
00:38:04,600 --> 00:38:07,400
Speaker 2: this problem that is why people can't talk about their

845
00:38:07,480 --> 00:38:11,560
Speaker 2: mood when they're struggling, is the fact that we get

846
00:38:11,560 --> 00:38:14,680
Speaker 2: all this diversity from you guys and understanding the issue.

847
00:38:15,719 --> 00:38:17,959
Speaker 2: And I feel like yesterday we hit on something which

848
00:38:18,160 --> 00:38:20,319
Speaker 2: I don't know why I didn't think about it before,

849
00:38:20,360 --> 00:38:21,920
Speaker 2: but it doesn't surprise me that lots of people have

850
00:38:22,040 --> 00:38:22,839
Speaker 2: thought about this before.

851
00:38:23,080 --> 00:38:24,719
Speaker 4: Well, we don't have kids. We don't have kids, so

852
00:38:24,920 --> 00:38:26,800
Speaker 4: probably a good reason why we didn't think of it.

853
00:38:26,840 --> 00:38:30,960
Speaker 2: We've never experienced it is the disconnect between kids and parents.

854
00:38:31,239 --> 00:38:33,800
Speaker 2: Like obviously I remember being a kid and not talking

855
00:38:33,880 --> 00:38:37,520
Speaker 2: to my parents at all, particularly about my emotions. And

856
00:38:37,760 --> 00:38:41,720
Speaker 2: so amazingly, obviously the app that you and I envisioned

857
00:38:41,719 --> 00:38:45,239
Speaker 2: initially was for a problem like when I rock up

858
00:38:45,280 --> 00:38:46,880
Speaker 2: at the office depressed and I can't talk to you.

859
00:38:46,960 --> 00:38:49,600
Speaker 2: We're talking about adults, people at your workplace, your partner,

860
00:38:49,600 --> 00:38:52,640
Speaker 2: et cetera. But amazingly, this has obviously been a field

861
00:38:53,200 --> 00:38:56,480
Speaker 2: that psychologists have been studying with parents and kids for ages,

862
00:38:56,520 --> 00:38:58,680
Speaker 2: because parents are in anguish when their kids don't talk

863
00:38:58,719 --> 00:39:01,960
Speaker 2: to them, they reach So I actually caught up yesterday

864
00:39:02,040 --> 00:39:05,600
Speaker 2: with a brilliant woman called Rachel Sampson who runs an

865
00:39:05,600 --> 00:39:09,000
Speaker 2: Instagram page called Australian Psychologists. She's a brilliant woman and

866
00:39:09,160 --> 00:39:12,839
Speaker 2: she had one of the coolest, best, most interesting solutions

867
00:39:13,360 --> 00:39:17,480
Speaker 2: as to how she gets kids to communicate with their

868
00:39:17,600 --> 00:39:21,719
Speaker 2: parents without talking. She's basically cracked the nut. Like before

869
00:39:21,719 --> 00:39:23,719
Speaker 2: we've even made the mental health app, she's put us

870
00:39:23,719 --> 00:39:24,280
Speaker 2: out of business.

871
00:39:25,000 --> 00:39:27,360
Speaker 3: She must not play the audio. Sorry, why don't we

872
00:39:27,440 --> 00:39:29,080
Speaker 3: bury the audio? What are you doing?

873
00:39:29,840 --> 00:39:31,880
Speaker 2: But it's got great inspiration. Have listened to this for

874
00:39:31,960 --> 00:39:34,520
Speaker 2: all the parents out there or to be parents, I

875
00:39:34,560 --> 00:39:37,280
Speaker 2: reckon this is fascinating ways.

876
00:39:37,000 --> 00:39:40,240
Speaker 8: That kids can signal to their parents what they're feeling

877
00:39:41,160 --> 00:39:46,480
Speaker 8: without having to have those difficult conversations. And so some

878
00:39:46,719 --> 00:39:51,920
Speaker 8: of the things that I've used in various roles and

879
00:39:51,960 --> 00:39:54,239
Speaker 8: in my practice at the moment with families that are

880
00:39:54,320 --> 00:39:58,480
Speaker 8: quite effective might be a simple as things like emoji cards,

881
00:40:00,000 --> 00:40:04,120
Speaker 8: and so this I guess system could be initiated by

882
00:40:04,200 --> 00:40:06,320
Speaker 8: the parents so they could check in with the child.

883
00:40:06,440 --> 00:40:09,359
Speaker 8: You know, how are you feeling to show with one

884
00:40:09,400 --> 00:40:11,360
Speaker 8: of the emojis you're.

885
00:40:11,200 --> 00:40:14,640
Speaker 2: Telling me that more often than not, the child finds

886
00:40:14,719 --> 00:40:23,040
Speaker 2: it far easier to be communicating with an emoji.

887
00:40:23,560 --> 00:40:28,319
Speaker 8: Depends on their age. The little kids like facial expressions.

888
00:40:28,400 --> 00:40:32,480
Speaker 8: Emojis are one of the first ways that they learn

889
00:40:33,160 --> 00:40:34,520
Speaker 8: to identify emotions.

890
00:40:35,280 --> 00:40:39,160
Speaker 2: Are you seeing relief from the parents when finally there's

891
00:40:39,160 --> 00:40:42,319
Speaker 2: a way for their child to to actually link with them,

892
00:40:42,400 --> 00:40:43,160
Speaker 2: to connect.

893
00:40:42,880 --> 00:40:44,680
Speaker 8: With them, Oh hugely?

894
00:40:45,640 --> 00:40:45,839
Speaker 14: Wow?

895
00:40:45,960 --> 00:40:46,160
Speaker 8: Yeah.

896
00:40:46,320 --> 00:40:46,760
Speaker 2: Parents.

897
00:40:47,120 --> 00:40:52,560
Speaker 8: Parents are often surprised that it's effective because they're kind

898
00:40:52,600 --> 00:40:57,560
Speaker 8: of perplexed and confused about why there is this difficulty

899
00:40:57,640 --> 00:41:01,640
Speaker 8: in communicating and often feel hopeless and helpless about it.

900
00:41:02,560 --> 00:41:06,080
Speaker 8: So the fact that you know something which is quite simple,

901
00:41:06,160 --> 00:41:09,879
Speaker 8: I guess, like you know something symbolic emojis or something

902
00:41:09,960 --> 00:41:13,360
Speaker 8: that represents feelings can bridge that gap and help the

903
00:41:13,440 --> 00:41:16,600
Speaker 8: child communicate is hugely believing they.

904
00:41:16,719 --> 00:41:20,680
Speaker 2: Just need something, don't they Where there's just some way

905
00:41:20,880 --> 00:41:22,520
Speaker 2: that they can talk to each other or they can

906
00:41:22,600 --> 00:41:23,719
Speaker 2: communicate with each other.

907
00:41:24,560 --> 00:41:27,279
Speaker 8: Yeah. Absolutely, And to be honest, I think it's not

908
00:41:27,400 --> 00:41:32,880
Speaker 8: only beneficial for kids and teens, but also for parents.

909
00:41:33,160 --> 00:41:35,920
Speaker 8: Talking about emotions wasn't a thing that a lot of

910
00:41:36,000 --> 00:41:40,200
Speaker 8: people did, and so parents often don't have the skills,

911
00:41:40,360 --> 00:41:43,759
Speaker 8: so it actually helps parents to start doing that as well.

912
00:41:44,280 --> 00:41:44,480
Speaker 14: Yeah.

913
00:41:45,360 --> 00:41:49,000
Speaker 2: Yeah, I mean it's so funny, like naturally, you know,

914
00:41:49,120 --> 00:41:50,520
Speaker 2: you think, oh, you know, I need to help out

915
00:41:50,560 --> 00:41:53,680
Speaker 2: the child, but I'm sure more often than not your

916
00:41:54,560 --> 00:41:57,359
Speaker 2: providing therapy to the parent as much as you as

917
00:41:57,440 --> 00:41:58,719
Speaker 2: much as you are to the child.

918
00:41:59,400 --> 00:42:02,560
Speaker 8: That is exactly how the child needs the parent a

919
00:42:02,640 --> 00:42:04,920
Speaker 8: lot more than they will ever need a therapist. So

920
00:42:05,680 --> 00:42:10,200
Speaker 8: as therapists, we can help kids the best ultimately by

921
00:42:10,239 --> 00:42:11,280
Speaker 8: supporting their parents.

922
00:42:11,800 --> 00:42:16,880
Speaker 2: Wow, that's so interesting, pretty amazing chat with Rachel, and

923
00:42:16,960 --> 00:42:19,040
Speaker 2: she really has opened up my eyes to the fact that,

924
00:42:19,160 --> 00:42:20,960
Speaker 2: you know, we want to create this mental health app

925
00:42:21,000 --> 00:42:24,600
Speaker 2: which can help people share their mood without talking, because

926
00:42:24,600 --> 00:42:26,799
Speaker 2: the talking is the hard part. Turns out this has

927
00:42:26,840 --> 00:42:29,360
Speaker 2: been going on with kids and parents and psychologists for

928
00:42:29,440 --> 00:42:31,160
Speaker 2: a really long time, and I kind of want to

929
00:42:31,200 --> 00:42:33,360
Speaker 2: tap into that resource right now. So we're going to

930
00:42:33,400 --> 00:42:35,080
Speaker 2: open the phone lines because, as I said from the start,

931
00:42:35,160 --> 00:42:37,040
Speaker 2: this is interactive with you guys. Third en one O

932
00:42:37,160 --> 00:42:40,440
Speaker 2: six ' five is the phone number. Do you have

933
00:42:40,560 --> 00:42:45,120
Speaker 2: a way of communicating with your child? Oh that's not talking?

934
00:42:46,600 --> 00:42:48,359
Speaker 2: Ge whiz. If there's a kid out there that wants

935
00:42:48,440 --> 00:42:50,040
Speaker 2: to call up and tell us about the way they

936
00:42:50,160 --> 00:42:52,719
Speaker 2: talk to their parents without actually conversing as well, I

937
00:42:52,760 --> 00:42:54,840
Speaker 2: would love to hear from you. But thirty one and

938
00:42:54,880 --> 00:42:56,800
Speaker 2: six five is over to you, guys. How do you

939
00:42:56,880 --> 00:42:58,640
Speaker 2: talk to your kids without talking? Have you got a

940
00:42:58,680 --> 00:43:00,879
Speaker 2: way of communicating? Jump on and share it, because I'm

941
00:43:00,880 --> 00:43:02,680
Speaker 2: really interested in this and I reckon this is you're

942
00:43:02,680 --> 00:43:04,200
Speaker 2: going to be able to really help us build this

943
00:43:04,320 --> 00:43:06,600
Speaker 2: app in terms of some ideas we've got about how

944
00:43:06,680 --> 00:43:10,040
Speaker 2: other people can communicate without talking and hopefully really change

945
00:43:10,080 --> 00:43:11,680
Speaker 2: a few people's lives. Give us call thirty one to

946
00:43:11,719 --> 00:43:13,560
Speaker 2: six five. By the way, thirteen eleven fourteen, if you

947
00:43:13,640 --> 00:43:15,879
Speaker 2: took to someone right now, that's the lifeline number. We'll

948
00:43:15,880 --> 00:43:17,640
Speaker 2: do it up next. Woods and I've set ourselves the

949
00:43:17,719 --> 00:43:20,239
Speaker 2: challenge over the next few weeks live on air with you.

950
00:43:20,520 --> 00:43:22,319
Speaker 2: With you, guys, we're trying to find an answer as

951
00:43:22,360 --> 00:43:26,360
Speaker 2: to why people can't talk about their mental health talking specifically,

952
00:43:26,600 --> 00:43:29,000
Speaker 2: you can't speak. You struggle so much to talk about

953
00:43:29,239 --> 00:43:31,200
Speaker 2: your mental health when you are going through something with

954
00:43:31,239 --> 00:43:33,520
Speaker 2: your mental health. We want to make an app, hopefully

955
00:43:33,600 --> 00:43:37,800
Speaker 2: called share my Mood. That's the theme music from the podcast.

956
00:43:37,840 --> 00:43:39,719
Speaker 2: If you want to get the podcast, just search share

957
00:43:39,800 --> 00:43:41,560
Speaker 2: my Mood wherever you get your podcasts. You can catch

958
00:43:41,640 --> 00:43:43,960
Speaker 2: up on the whole journey. But this is interactive. We're

959
00:43:44,000 --> 00:43:47,920
Speaker 2: making it with you, guys and loving all your input.

960
00:43:47,960 --> 00:43:49,880
Speaker 2: There's so many stories out here which are helping us

961
00:43:49,920 --> 00:43:54,040
Speaker 2: piece this together. Woods. Today, we're focusing on the disconnect

962
00:43:54,080 --> 00:43:56,920
Speaker 2: between parents and kids, because you and I set out

963
00:43:57,080 --> 00:44:00,440
Speaker 2: to make this for adults, people in the workplace, partner,

964
00:44:00,440 --> 00:44:02,800
Speaker 2: et cetera. But as soon as we scratched below the surface,

965
00:44:02,800 --> 00:44:04,759
Speaker 2: we found out yesterday that there are so many parents

966
00:44:04,760 --> 00:44:08,240
Speaker 2: who have got alternate ways of communicating with their kids kids.

967
00:44:09,040 --> 00:44:10,600
Speaker 2: I think we can all relate to the fact that

968
00:44:10,680 --> 00:44:12,279
Speaker 2: even if you haven't got kids, when you were a kid,

969
00:44:12,280 --> 00:44:13,600
Speaker 2: you didn't want to talk to your parents are about

970
00:44:13,600 --> 00:44:15,120
Speaker 2: your emotions. That was the last thing you wanted to do.

971
00:44:15,719 --> 00:44:18,200
Speaker 2: So so many parents and kids all across Australia, it

972
00:44:18,239 --> 00:44:22,239
Speaker 2: turns out, have found other ways to talk to each other.

973
00:44:22,320 --> 00:44:23,719
Speaker 4: And that's what we're hearing about right now. We've got

974
00:44:23,800 --> 00:44:28,960
Speaker 4: Maddie here. Maddie, so you're very well, thank you on

975
00:44:29,040 --> 00:44:29,359
Speaker 4: the show.

976
00:44:29,760 --> 00:44:30,440
Speaker 2: So you're you're the.

977
00:44:30,480 --> 00:44:33,800
Speaker 3: Child in this example. How do you communicate with your parents?

978
00:44:35,239 --> 00:44:37,840
Speaker 5: Well, we've found a good way of just communicating with

979
00:44:37,960 --> 00:44:40,000
Speaker 5: stickers by a text message of Facebook.

980
00:44:40,480 --> 00:44:40,840
Speaker 7: Nice.

981
00:44:41,320 --> 00:44:43,440
Speaker 3: Right, Okay, so how often.

982
00:44:43,960 --> 00:44:45,799
Speaker 5: Because you know what it means, I'm in a good

983
00:44:45,840 --> 00:44:48,880
Speaker 5: mood and because where the pigs swearing means that I

984
00:44:49,000 --> 00:44:50,000
Speaker 5: just want to be left alone?

985
00:44:51,560 --> 00:44:52,560
Speaker 3: Nice choice, Oh, Maddie.

986
00:44:52,600 --> 00:44:54,600
Speaker 2: Nice. So you're saying there could be like a maybe

987
00:44:54,680 --> 00:44:56,480
Speaker 2: like a feature in the app where you can tell

988
00:44:56,560 --> 00:44:57,920
Speaker 2: somebody if you want to be left alone.

989
00:44:58,800 --> 00:45:01,640
Speaker 5: Yeah, that sort of sting on Maybe even I'm busy,

990
00:45:01,840 --> 00:45:03,560
Speaker 5: come back later sort of nice.

991
00:45:04,280 --> 00:45:06,560
Speaker 2: So often that's the case because if your parent doesn't

992
00:45:06,640 --> 00:45:09,319
Speaker 2: know that, then they just assume the worst. But if

993
00:45:09,320 --> 00:45:12,600
Speaker 2: you've let them know, then I'm sure you feel a

994
00:45:12,640 --> 00:45:13,640
Speaker 2: lot more relaxed as well.

995
00:45:14,320 --> 00:45:16,440
Speaker 5: Exactly. The parent just wants to know that you're safe,

996
00:45:16,480 --> 00:45:17,799
Speaker 5: and you just kind of want your parent to leave

997
00:45:17,840 --> 00:45:20,400
Speaker 5: you alone. So as long as you've sent them something,

998
00:45:20,600 --> 00:45:21,399
Speaker 5: then it's all good.

999
00:45:21,960 --> 00:45:25,320
Speaker 2: Wow, that is elite. Thank you so much for the

1000
00:45:25,360 --> 00:45:27,000
Speaker 2: court matte. Would you use the app? Would it help

1001
00:45:27,080 --> 00:45:30,759
Speaker 2: you if you had that the app? Yes, it's wild.

1002
00:45:31,000 --> 00:45:32,960
Speaker 5: It's like an amazing idea and I'm so glad that

1003
00:45:33,040 --> 00:45:33,920
Speaker 5: someone's finally doing this.

1004
00:45:34,120 --> 00:45:37,600
Speaker 2: Good job, guys, Thanks Maddie, thank you so much. Great

1005
00:45:37,640 --> 00:45:38,719
Speaker 2: to hear from you. I we're going to go to

1006
00:45:38,840 --> 00:45:43,239
Speaker 2: Marina here. Marina, you're a teacher, so you're interacting with

1007
00:45:43,360 --> 00:45:45,680
Speaker 2: kids all the time. What tools? What are you use

1008
00:45:45,719 --> 00:45:47,960
Speaker 2: in the classroom when the kids can't talk? How else

1009
00:45:48,000 --> 00:45:48,719
Speaker 2: do you communicate?

1010
00:45:49,719 --> 00:45:52,480
Speaker 13: So we have a system where we use the characters

1011
00:45:52,560 --> 00:45:53,359
Speaker 13: from inside out.

1012
00:45:55,920 --> 00:45:58,560
Speaker 2: Sorry, there's a Pixar movie where you've got all the

1013
00:45:58,600 --> 00:46:00,759
Speaker 2: different characters played different emotions and.

1014
00:46:00,880 --> 00:46:04,399
Speaker 13: Have different emotions, and it just takes the kids through

1015
00:46:04,480 --> 00:46:08,359
Speaker 13: what those different different emotions feel and how they deal

1016
00:46:08,440 --> 00:46:11,279
Speaker 13: with those emotions. So in a classroom setting, when you

1017
00:46:11,400 --> 00:46:14,680
Speaker 13: have kids who can't really explain exactly what it is,

1018
00:46:14,840 --> 00:46:17,840
Speaker 13: having that character that they can relate to makes it

1019
00:46:18,080 --> 00:46:20,560
Speaker 13: really easy for them and then really easy for the

1020
00:46:20,640 --> 00:46:22,239
Speaker 13: teacher to be able to work with them on that

1021
00:46:22,400 --> 00:46:24,759
Speaker 13: and address why it is there feeling that way.

1022
00:46:25,280 --> 00:46:28,120
Speaker 3: Really, did you watch that movie with your class, Marina,

1023
00:46:28,440 --> 00:46:29,680
Speaker 3: is such a great movie.

1024
00:46:30,120 --> 00:46:32,360
Speaker 13: We we do watch it as part of the program

1025
00:46:32,440 --> 00:46:35,320
Speaker 13: that we have because it's the school white thing, So

1026
00:46:35,440 --> 00:46:38,360
Speaker 13: that way the kids are introduced to those characters and

1027
00:46:38,440 --> 00:46:40,200
Speaker 13: the emotions that way.

1028
00:46:40,400 --> 00:46:43,000
Speaker 2: It's brilliant, great stuff, Marina, Thanks for your help. So,

1029
00:46:43,200 --> 00:46:45,840
Speaker 2: so you're saying like, if we could find out a

1030
00:46:45,880 --> 00:46:48,640
Speaker 2: way that kids could you know, maybe if they wake

1031
00:46:48,719 --> 00:46:50,200
Speaker 2: up in the morning or something, maybe if they.

1032
00:46:51,840 --> 00:46:54,000
Speaker 13: Check in. H I use it as a check in,

1033
00:46:54,160 --> 00:46:57,359
Speaker 13: so after reseless and lunch, we're walking and put their

1034
00:46:57,440 --> 00:47:00,640
Speaker 13: name down to what they're feeling. And so obviously if

1035
00:47:00,680 --> 00:47:03,120
Speaker 13: they've said that they're in the red so they're angry,

1036
00:47:03,840 --> 00:47:06,200
Speaker 13: then I can address and they don't have to talk

1037
00:47:06,239 --> 00:47:07,880
Speaker 13: to me about it, but I know that that how

1038
00:47:07,920 --> 00:47:08,360
Speaker 13: they're feeling.

1039
00:47:08,480 --> 00:47:11,400
Speaker 2: Marina. I feel like you have had this same idea

1040
00:47:11,400 --> 00:47:13,600
Speaker 2: as we have had, but just in a different place.

1041
00:47:13,680 --> 00:47:15,839
Speaker 2: I mean, that's that's amazing that this actually is something

1042
00:47:15,880 --> 00:47:17,440
Speaker 2: that works works for you. Thank you so much for

1043
00:47:17,480 --> 00:47:20,120
Speaker 2: the call, So so good to hear affirming for us.

1044
00:47:21,360 --> 00:47:23,000
Speaker 2: Lots of calls coming here to you, guys. I was

1045
00:47:23,000 --> 00:47:25,480
Speaker 2: going to go to Kylie with the last one. Here, Kylie,

1046
00:47:25,520 --> 00:47:26,000
Speaker 2: you've got.

1047
00:47:26,000 --> 00:47:28,600
Speaker 14: Twins, yes, eleven year old twins.

1048
00:47:28,680 --> 00:47:30,920
Speaker 2: Wow. So we've heard from the kid, We've heard from

1049
00:47:30,960 --> 00:47:33,000
Speaker 2: a teacher. So now from the parents' side of things,

1050
00:47:33,280 --> 00:47:36,120
Speaker 2: how do you how do they communicate with you when.

1051
00:47:36,000 --> 00:47:40,920
Speaker 14: They're doing The twins have high functioning autism, so they

1052
00:47:41,000 --> 00:47:44,360
Speaker 14: do have troubles with spelling, of course. So what we

1053
00:47:44,520 --> 00:47:47,279
Speaker 14: do is we use Messenger on Facebook. They have their

1054
00:47:47,320 --> 00:47:50,239
Speaker 14: own phones and they use Messenger. And my daughter can

1055
00:47:50,280 --> 00:47:52,800
Speaker 14: spell a little bit better than my son. But sometimes,

1056
00:47:52,920 --> 00:47:55,360
Speaker 14: like I'll get a Messenger message that'll come up with

1057
00:47:55,520 --> 00:47:59,840
Speaker 14: like a poop or a thumbs down, like she's angry.

1058
00:48:01,000 --> 00:48:05,080
Speaker 14: I'll respond back and say, what's the matter. And my son,

1059
00:48:05,560 --> 00:48:08,040
Speaker 14: because he has more trouble with spelling, he'll use the

1060
00:48:08,120 --> 00:48:11,560
Speaker 14: little microphone button and he'll actually send me a little

1061
00:48:11,640 --> 00:48:16,759
Speaker 14: recorded message. Thing you know I'm upset, wow, telling me

1062
00:48:17,680 --> 00:48:20,640
Speaker 14: without actually telling me to my face, and then I

1063
00:48:20,840 --> 00:48:24,399
Speaker 14: will respond the same way by doing a little microphone back. Cool,

1064
00:48:25,280 --> 00:48:26,880
Speaker 14: so I know that they don't want to see me,

1065
00:48:27,520 --> 00:48:31,120
Speaker 14: so I will respond back and forth in their method.

1066
00:48:31,239 --> 00:48:33,799
Speaker 14: And if my daughter's writing to me, I'll write back,

1067
00:48:34,400 --> 00:48:36,920
Speaker 14: and if my son's using the phone.

1068
00:48:37,320 --> 00:48:40,720
Speaker 2: Him back for you, Kylie. Like, there's obviously a phase

1069
00:48:40,800 --> 00:48:43,239
Speaker 2: there where you couldn't talk to them because they were

1070
00:48:43,320 --> 00:48:45,960
Speaker 2: incapable of speaking about what was going on with them.

1071
00:48:46,120 --> 00:48:49,160
Speaker 2: And I suppose, like, amazingly, this is going to be

1072
00:48:49,239 --> 00:48:51,359
Speaker 2: relieving for a lot of people who are adults, even

1073
00:48:51,640 --> 00:48:55,760
Speaker 2: who are depressed or anxious or you know themselves have autism.

1074
00:48:56,960 --> 00:48:59,200
Speaker 2: Must have been incredibly relieving for you to be able

1075
00:48:59,239 --> 00:49:01,960
Speaker 2: to find a meeting and where you weren't just guessing

1076
00:49:02,000 --> 00:49:02,640
Speaker 2: what was going on.

1077
00:49:03,280 --> 00:49:05,720
Speaker 14: Yeah, well, I mean they're starting to as they're getting older.

1078
00:49:05,840 --> 00:49:09,120
Speaker 14: It's sort of like year nine, nine and ten, and

1079
00:49:09,200 --> 00:49:13,240
Speaker 14: now they're they're eleven years old, they're starting to express

1080
00:49:13,280 --> 00:49:15,080
Speaker 14: themselves a lot better, whereas there was a lot of

1081
00:49:15,239 --> 00:49:20,560
Speaker 14: frustration earlier years. Yeah, they have their own phones.

1082
00:49:20,760 --> 00:49:27,040
Speaker 2: They can communicate huge, Kylie. Another amazing example and Funnily enough, though,

1083
00:49:27,120 --> 00:49:29,840
Speaker 2: Like we're talking about kids here, who you know, obviously

1084
00:49:30,120 --> 00:49:34,320
Speaker 2: struggle with their own mental illnesses to communicate. This is

1085
00:49:34,440 --> 00:49:36,279
Speaker 2: remarkably similar to the system that you and I have.

1086
00:49:36,320 --> 00:49:38,759
Speaker 2: Would's like when I'm feeling when I'm feeling depressed before

1087
00:49:38,800 --> 00:49:40,920
Speaker 2: I come to work, I've got a way to send

1088
00:49:40,960 --> 00:49:43,840
Speaker 2: you a text message. Yeah, and we still don't talk.

1089
00:49:43,719 --> 00:49:45,640
Speaker 4: About it, but yeah, I find it really fascinating that

1090
00:49:46,000 --> 00:49:48,840
Speaker 4: we're learning from the kids. It's so funny that not

1091
00:49:48,960 --> 00:49:51,640
Speaker 4: much changes. No, we're thirty, we're both over the age

1092
00:49:51,640 --> 00:49:55,080
Speaker 4: of thirty, but we're still like kids. Yes, struggle to

1093
00:49:55,160 --> 00:49:56,960
Speaker 4: communicate it. So I'm all for you sending me a

1094
00:49:57,000 --> 00:49:59,200
Speaker 4: poo emoji if you are feeling a bit off.

1095
00:50:00,000 --> 00:50:01,520
Speaker 2: Thank you so much for all the calls. Guys. If

1096
00:50:01,520 --> 00:50:03,280
Speaker 2: you want to catch up on the Share my Mood journey,

1097
00:50:03,320 --> 00:50:05,040
Speaker 2: just search Share my Mood where you get your podcasts.

1098
00:50:05,040 --> 00:50:06,880
Speaker 2: We are trying to make an app. When they got Jesus,

1099
00:50:06,880 --> 00:50:08,319
Speaker 2: we've probably set the challenge for two and a half

1100
00:50:08,360 --> 00:50:10,120
Speaker 2: weeks from now to try and get this app going on.

1101
00:50:10,719 --> 00:50:12,520
Speaker 2: If anyone knows how to build an app, maybe that'd

1102
00:50:12,560 --> 00:50:14,640
Speaker 2: be worth something to talk to somebody about that. As well,

1103
00:50:14,719 --> 00:50:16,320
Speaker 2: but this is in a really beautiful spot. Thank you

1104
00:50:16,400 --> 00:50:17,920
Speaker 2: so much for all the calls. As said, share my

1105
00:50:18,040 --> 00:50:19,640
Speaker 2: mood Revi, you get your podcasts, you can learn more

1106
00:50:19,719 --> 00:50:22,080
Speaker 2: there and we'll learn a little bit more. Big thanks

1107
00:50:22,120 --> 00:50:24,520
Speaker 2: to Rachel Sampson as well, Australian psychologe on Instagram for

1108
00:50:24,600 --> 00:50:25,719
Speaker 2: all her hit insights.

1109
00:50:25,400 --> 00:50:28,440
Speaker 1: There see what you're hearing. Find us on Instagram and

1110
00:50:28,520 --> 00:50:30,240
Speaker 1: Facebook search Willan Woody