1 00:00:00,920 --> 00:00:01,960 Speaker 1: This is gam Nation. 2 00:00:02,200 --> 00:00:06,880 Speaker 2: Well, our next guest is usually trying to kill Peter 3 00:00:07,040 --> 00:00:11,320 Speaker 2: Parker in the wildly successful Spider Man movies as doc Och, 4 00:00:11,720 --> 00:00:16,919 Speaker 2: doctor Otto, Gunta Octavius. Well, now Alfred Molina is starring 5 00:00:16,920 --> 00:00:19,479 Speaker 2: in a new series Three Pines, and he's one of 6 00:00:19,480 --> 00:00:22,240 Speaker 2: the good guys. It looks great to tell us more. Hello, 7 00:00:22,320 --> 00:00:26,479 Speaker 2: Alfred Molina, Hello, Hello. It's so nice to actually see 8 00:00:26,520 --> 00:00:28,840 Speaker 2: you in the flesh, because for many years I had 9 00:00:28,880 --> 00:00:31,800 Speaker 2: a doll of you. We can see you, we can 10 00:00:31,840 --> 00:00:35,680 Speaker 2: see you, fleshish, fleshish, but so nice to see you. 11 00:00:35,760 --> 00:00:38,200 Speaker 2: I had a doll in our house of you, well, 12 00:00:38,360 --> 00:00:40,720 Speaker 2: of doc Och. It was in the toy box for many, 13 00:00:40,760 --> 00:00:42,080 Speaker 2: many years. And you're. 14 00:00:45,040 --> 00:00:45,879 Speaker 1: Not a voodoo doll. 15 00:00:45,920 --> 00:00:50,800 Speaker 2: You're quite safe. And the vestill your doll had a vest, 16 00:00:50,880 --> 00:00:52,959 Speaker 2: and when you took the vest off, the arms came off, 17 00:00:53,000 --> 00:00:55,280 Speaker 2: and then you were just doctor Octavius. So you're a 18 00:00:55,280 --> 00:00:57,160 Speaker 2: good guy, bad guy all in one. 19 00:00:57,840 --> 00:01:01,000 Speaker 3: Oh cool. You know. The nice thing about that doll 20 00:01:01,280 --> 00:01:05,080 Speaker 3: is that it wasn't very accurate, because for the first time, 21 00:01:05,319 --> 00:01:08,919 Speaker 3: that doll gave me cheekbones and a six pack, neither 22 00:01:08,959 --> 00:01:10,480 Speaker 3: of which I've ever possessed. 23 00:01:12,000 --> 00:01:15,880 Speaker 1: Go with it, I was very flattered by well, you know, 24 00:01:15,959 --> 00:01:18,240 Speaker 1: on the weekend I was watching Raiders of the Lost aack, 25 00:01:18,280 --> 00:01:20,399 Speaker 1: and I didn't realize that you're in the opening scenes 26 00:01:20,440 --> 00:01:22,160 Speaker 1: in Raiders of the Last Act the guy that gets 27 00:01:22,440 --> 00:01:24,520 Speaker 1: speed in the head. That's right. 28 00:01:24,600 --> 00:01:29,120 Speaker 3: That was my first movie, first movie. Yeah, I was 29 00:01:29,240 --> 00:01:31,840 Speaker 3: twenty How old was I twenty five or something like that, 30 00:01:32,480 --> 00:01:36,720 Speaker 3: and my then partner was was pregnant with our daughter, 31 00:01:37,560 --> 00:01:41,440 Speaker 3: and I was working in the theater in London on 32 00:01:41,680 --> 00:01:46,560 Speaker 3: like literally Union Basic. I was next to nothing and 33 00:01:46,680 --> 00:01:50,720 Speaker 3: this movie comes along and they paid me a thousand 34 00:01:50,880 --> 00:01:54,520 Speaker 3: pounds for two weeks work. I was like happy as 35 00:01:54,520 --> 00:01:56,560 Speaker 3: a pig, and shit, I can't tell you. It was amazing, 36 00:01:57,080 --> 00:01:58,880 Speaker 3: you know. And the note this was like those days, 37 00:01:58,920 --> 00:02:02,680 Speaker 3: it was like nineteen nineteen eighty, you know. A thousand 38 00:02:02,760 --> 00:02:05,800 Speaker 3: quid was a nice chunk of change for two weeks work. 39 00:02:06,120 --> 00:02:09,880 Speaker 3: And I thanked. I thanked Steven Spielberg publicly and privately 40 00:02:09,960 --> 00:02:12,560 Speaker 3: for that. It was it was the start of everything 41 00:02:12,639 --> 00:02:15,560 Speaker 3: for me. So I have very I have a very 42 00:02:15,639 --> 00:02:17,880 Speaker 3: fond memory and very fond connections with that movie. 43 00:02:17,960 --> 00:02:19,920 Speaker 1: And then then the make was that well, obviously there 44 00:02:19,960 --> 00:02:23,440 Speaker 1: was a prosthetic head that got speared through. Oh yeah, 45 00:02:23,480 --> 00:02:24,079 Speaker 1: it was there. 46 00:02:24,160 --> 00:02:24,600 Speaker 2: We did this. 47 00:02:25,320 --> 00:02:28,119 Speaker 3: They made they made a plaster cast of my whole 48 00:02:28,160 --> 00:02:29,880 Speaker 3: body because they weren't quite sure how much of it 49 00:02:29,960 --> 00:02:31,679 Speaker 3: they were going to use. And this is in the 50 00:02:31,800 --> 00:02:35,639 Speaker 3: days before. Now they use this special epoxy thing which 51 00:02:35,680 --> 00:02:38,120 Speaker 3: is very light. It's the same sort of thing that 52 00:02:38,160 --> 00:02:42,799 Speaker 3: they used to make in you know, dental imprints, you know. 53 00:02:43,240 --> 00:02:45,919 Speaker 3: But in those days it was happier mache. It was 54 00:02:46,040 --> 00:02:49,840 Speaker 3: like literally strips of paper covered in kind of this 55 00:02:50,040 --> 00:02:52,359 Speaker 3: gloopy sort of stuff and it was and when it 56 00:02:52,520 --> 00:02:55,280 Speaker 3: dried it weighed a ton and it was and when 57 00:02:55,320 --> 00:02:57,680 Speaker 3: they did your face, it was those horrible feeling because 58 00:02:57,800 --> 00:02:59,760 Speaker 3: you really felt like you were kind of your face 59 00:02:59,880 --> 00:03:02,600 Speaker 3: was being squashed, and they put two straws up your 60 00:03:02,639 --> 00:03:03,720 Speaker 3: nose so you could breathe. 61 00:03:04,560 --> 00:03:04,799 Speaker 1: It was. 62 00:03:05,040 --> 00:03:07,480 Speaker 3: It took all day. It was the most horrible experience. 63 00:03:07,520 --> 00:03:10,240 Speaker 3: Took all day. But you know, I braved it out, 64 00:03:10,320 --> 00:03:12,880 Speaker 3: but I hated it. But now now it's like, you know, 65 00:03:12,919 --> 00:03:15,040 Speaker 3: it takes about ten minutes. Now it's amazing. 66 00:03:15,240 --> 00:03:17,040 Speaker 1: And look at them now you're doing three pints. 67 00:03:18,000 --> 00:03:20,960 Speaker 2: It is brilliant. Tell us about your character in three pints? 68 00:03:22,000 --> 00:03:24,120 Speaker 3: Well, my head doesn't get cut off in this one. 69 00:03:24,880 --> 00:03:28,959 Speaker 3: Not yet anyway. No, it's three pints. It's you know, 70 00:03:29,360 --> 00:03:31,840 Speaker 3: as you as I'm sure you know. It's based on 71 00:03:32,639 --> 00:03:36,000 Speaker 3: a series of books by Louise Penny. And you know 72 00:03:36,320 --> 00:03:39,600 Speaker 3: this is a writer with a global reach. I mean, 73 00:03:39,920 --> 00:03:42,320 Speaker 3: her books are I think her books have been translated 74 00:03:42,360 --> 00:03:46,320 Speaker 3: into like twelve languages, maybe more. And you know, it 75 00:03:46,480 --> 00:03:50,560 Speaker 3: was this came along at a time when at the 76 00:03:50,680 --> 00:03:53,560 Speaker 3: right time for me personally, but also at a time 77 00:03:53,640 --> 00:03:55,520 Speaker 3: when you know, we are going through or seemed to 78 00:03:55,600 --> 00:03:57,920 Speaker 3: be going through a kind of golden age of TV. 79 00:03:58,120 --> 00:04:01,960 Speaker 3: You know, as movies become more and more you know, 80 00:04:02,120 --> 00:04:04,320 Speaker 3: bifurcated as it were. You know that you're you're either 81 00:04:04,400 --> 00:04:07,160 Speaker 3: making big, tent pole movies that cost three hundred million 82 00:04:07,240 --> 00:04:11,040 Speaker 3: dollars to make, or you're making small, little independent films 83 00:04:11,080 --> 00:04:13,600 Speaker 3: that ten people in a garage see, you know, and 84 00:04:13,720 --> 00:04:17,120 Speaker 3: it's and there's this huge vacuum and it's being filled 85 00:04:17,160 --> 00:04:20,280 Speaker 3: by incredibly talented people. You know, when when you think 86 00:04:20,440 --> 00:04:24,400 Speaker 3: Martin Scorsese is making television films and you think, well, 87 00:04:24,480 --> 00:04:27,800 Speaker 3: it's there's an amazing amount of talent now involved in TV. 88 00:04:28,120 --> 00:04:30,880 Speaker 3: I remember a time when TV was where actors went 89 00:04:30,960 --> 00:04:34,640 Speaker 3: to die where careers went, you know, it was it 90 00:04:34,760 --> 00:04:37,719 Speaker 3: was rather frowned upon and not taken very seriously. 91 00:04:37,920 --> 00:04:39,520 Speaker 1: Well, I had a primo the other day and it 92 00:04:39,600 --> 00:04:43,120 Speaker 1: said Sylvester Stallone in his first major TV role, And 93 00:04:43,200 --> 00:04:45,200 Speaker 1: there was a time when there was a time that 94 00:04:45,320 --> 00:04:47,600 Speaker 1: used to be reversed around. It used to be you know, 95 00:04:48,680 --> 00:04:50,360 Speaker 1: sylvest time in his first movie role. 96 00:04:50,720 --> 00:04:52,800 Speaker 3: That was the big things, right, That's right, And I 97 00:04:52,839 --> 00:04:56,400 Speaker 3: think it's it's it's not just a testament to the 98 00:04:56,520 --> 00:04:58,520 Speaker 3: quality of the work that's going on in TV. It's 99 00:04:58,560 --> 00:05:01,480 Speaker 3: also I think what's happen is that there's an acceptance 100 00:05:01,600 --> 00:05:05,840 Speaker 3: now that work on television is a valid it's a 101 00:05:05,920 --> 00:05:08,440 Speaker 3: valid art form, you know. And also when you think 102 00:05:08,440 --> 00:05:10,720 Speaker 3: about it, I don't know about you guys, but for 103 00:05:10,800 --> 00:05:13,920 Speaker 3: a lot of people, your TV screen is pretty big now. 104 00:05:15,240 --> 00:05:18,599 Speaker 3: You know, people have got surround sound, so watching TV 105 00:05:18,880 --> 00:05:22,400 Speaker 3: is in itself much more of a cinematic experience, if. 106 00:05:22,279 --> 00:05:23,800 Speaker 2: You know what I mean. Yeah, our viewing habits are 107 00:05:23,880 --> 00:05:26,680 Speaker 2: very different. I think that's playing out here too. Well. 108 00:05:26,720 --> 00:05:29,480 Speaker 2: This looks absolutely incredible, and I'm hoping this is the 109 00:05:29,640 --> 00:05:32,080 Speaker 2: first of many of these books that then make it 110 00:05:32,160 --> 00:05:32,760 Speaker 2: to the screen. 111 00:05:33,560 --> 00:05:35,800 Speaker 3: I hope so too. This could be my pension. 112 00:05:37,360 --> 00:05:39,880 Speaker 1: Without without any paper mache or plaster. 113 00:05:39,760 --> 00:05:44,160 Speaker 3: Powers extracurricular activities involved. 114 00:05:44,240 --> 00:05:48,000 Speaker 1: There's no digging around. It's just it's just happening. You 115 00:05:48,120 --> 00:05:51,200 Speaker 1: said it, not me, Well, we want to see more 116 00:05:51,240 --> 00:05:54,320 Speaker 1: of it. It's fantastic. Three pines a streaming December second 117 00:05:54,360 --> 00:05:57,400 Speaker 1: on Amazon Prime Video. Out from Molina. Thank you for 118 00:05:57,520 --> 00:05:58,000 Speaker 1: joining us. 119 00:05:58,880 --> 00:06:01,560 Speaker 3: Oh, you're most welcome. Thanks for the interest. I appreciate it. 120 00:06:01,720 --> 00:06:02,360 Speaker 1: Nice to talk to you. 121 00:06:02,440 --> 00:06:02,760 Speaker 2: Thank you. 122 00:06:03,760 --> 00:06:04,200 Speaker 3: Take care,